#Product deformation

[gudmould]

How to identify and solve glass fiber molding and stress problems in Moldflow

Glass fiber issues>The impact of glass fiber orientation on product shrinkage>Solutions for deformation of glass fiber products>Long glass fiber characteristics-LGF>Moldflow long glass fiber analysisStress issues>Stress definition and measurement>Moldflow stress judgment index>Stress improvement casesEffect of glass fiber orientation on product shrinkageWithout glass fiber: shrinkage in flow…

[hollysoda]

I haven’t read a warriors book in so long but I can’t stop thinking about Moonpaw. She hasn’t even been seen in a book yet, but there’s already so much missed potential when it comes to where she comes from.

The fact that out of all the parents she could have had the Erin’s chose Bayshine and Thriftear who are literally first cousins is god awful planning. I know that incest isn’t a foreign thing in warrior cats (Dustpelt is Ferncloud’s uncle, for example) but this was during a time where we were only really going to get a couple and books and so a well thought out family tree wasn’t on the table (this doesn’t excuse incest btw, it’s just poor planning on the writers behalf in the early stages of the series). Now, however, the family tree is huge now. It should be relatively easy to see who is closely related and who isn’t so to choose two FIRST COUSINS to be mates is really dumb

Why can’t we have one or if not both of Moonpaw’s parents be either from another Clan or straight up outsiders? I like the idea of her being some strange kit that Thriftear and Bayshine took a liking to and decided to act as parental figures without being mates. Maybe she’s a descendant of Sol? Or maybe they should have gone for the obvious answer of making Nightheart and Sunbeam her parents. Like, come on, their prefix’s are “Night” and “Sun” it was perfect. Anything but refusing to pay attention to the family tree and choosing two random cats that are close family

[pumpkin-patch]

Alright parthenocarpy in zucchini is a no from me dawg. Nearly all my Black Beauties this year are like this.

I've been growing zucchini for a decade with zero complaints about fruit set, so I don't know what I thought I stood to gain here. I flew too close to the sun. I deserve to sit here and look up obscure recipes for my mutant zucchini that's piling up because I don't want to give it out to neighbors because it incurs a conversation about why it looks Like That

[xdexesx]

As a 5th-Semester Animation Student, I am surprised at how little I actually yell about the animation of this Show.

You guys-

You guys have no idea the actual genius of 9 Story Entertainment and BrownBag Films (The Production and Animation Studio for the Wild Kratts Episodes)

First of all. This is not traditional 2D animation.

This is Cut-Out Animation, also known as 2D Rigged Animation or Puppet Animation. Other shows you might be familiar with that use this technique are Bluey, Hilda, Rick and Morty, or the Big Hero 6 TV Show. There are more but these came to my mind first.

Cut Out Animation can be very limiting, because you work with 2D sprites in a 3D environment almost. The Tech Artists, sometimes called Character Builders, are the ones that take the design of the characters and creatures and build a 2D skeleton of sorts, putting bones inside of the png drawing and allowing it to move. It might sound easy, but trust me when I say it is a tiring process and the node-view is horrifying, haha.

I don't know if people would care for an actual deep-dive into the animation of the show, because believe me, I can talk a lot about it, as someone who is familiar with the animation technique, the technical/character building aspects of it, as well as someone who has actually access to the Software the Animation Studio is using to make these episodes (I kid you not when I say that I am in possession off all the tools to make my own Wild Kratts episode, minus the backgrounds because I hate doing those)

For those that care, THIS is what the animator sees before the episode gets finished, lol

Say hi to "Chad", he was part of the Shortfilm I made with some others in my third Semester at uni.

The purple plots are controllers with which you move the character around.

The green lines and dots are deformers which make the character able to bend and stretch.

Also, the thing in the right window is the beloved node view, or at least a small aspect of it. All these small squares have meaning and I won't even try to explain

While Cut Out Animation isn't my strong suit (Traditional 2D and 3D animation is) I would still be down to talk more about it if anyone cares to listen, lol. Even beyond the software capabilities, the show is actually very interesting to look at from a production standpoint and I would love to just talk more about the animation in general because let me tell you, it is much better than people give it credit for!

[sejianismodding]

🎁 [BG] BUGFIX - Update 7/23/2024 broke our bodies. Update 1/28/2025 didn't fix us. This affects everyone!

☠️ REMINDER: Double-check the OP for updates!

⚔️ Requires - TS4: Base Game

☄️ Repackaged - 9/21/2024

🚀 Initial Release - 7/30/2024

🎁 Download & Discussions: https://www.patreon.com/posts/109088001

🗺️ Modding Announcements: https://www.patreon.com/posts/109291501

🐞 My BUGFIXES Collection: https://www.patreon.com/collection/884858?view=condensed

💬 EIGHTEEN (18) Deformer Maps that control the shape of our bodies were broken with Update 7/23/2024, resulting in our spines deforming horribly.

💬 All sims aged TEEN through ELDER are affected by this but you will only see it under certain circumstances:

The deformities are not visible when wearing Frame-appropriate clothing.

Cisframe sims will see it when wearing clothing that was made for the opposite Physical Frame.

Transframe sims will see it when nude or wearing "default" underwear and also when wearing clothing that was made for the opposite Physical Frame.

📸 New screenshots from the upcoming Mod The Sims mirror:

💜 @xandezsims said I could nick the animated thingamajig. Danke:

💜 You're welcome and thanks for the engagement!

[barleyo]

Heiress.

Father! Sukuna X Daughter! Reader (smut)

A/N: i got this idea in the middle of the night and i had to write it. the thought of it gave me so many damn ideas, a lot of which i couldn't include in this particular work!! obviously i don't condone what is written. obviously ^_^

Tags: incest (father-daughter), misogyny/sexism, heian era sukuna, p in v, creampie, breeding

Wordcount: 1.7k

!!! DEAD DOVE: DO NOT EAT/DARK CONTENT !!!

Sukuna may have been a very, very proud man, but he was no fool. He knew that eventually both his name and power would need to be passed down. An heir, he would need. A suitable, strong, merciless heir to take his place. The strategist he was, he decided to start sooner rather than later. 

He had the finest women taken from the surrounding villages. Vetted for imperfections, all of them. Those who were not up to his scathing standards were promptly discarded. Those who passed his tests, which were few, were used as his concubines. 

Women from far and wide were gathered. He would call them into his private quarters, one after the other, every so often. It was a race, of sorts, to see who took first. One woman was lucky and fell pregnant quickly. The baby, however, was not so lucky and was never born. Another had successfully given birth, but the child had physical imperfections. Not suitable.

Damned women, he had often thought, with their cursed, weak bodies. What good were they to him? Residing on his land, getting fat off of his food, coaxing weak, unsatisfactory orgasms from him. Yet none could do him the justice— the service— he deserved of providing a successor?

Yet again, another whore of his fell pregnant. His hopes were never quite high, but he was less than optimistic this time around. For good reason, it seemed, for you were the product that came from your mother. 

A female. 

Bless the poor servant who delivered the baby. They were met with a cold, scornful face when Sukuna heard the news. 

A female.

He scoffed, watching your mother hold you in her arms. The room reeked of tinny blood and afterbirth. 

What good was a female? What would that leave him with? An heiress? The thought was laughable, though hardly humorous. A daughter. Pathetic. Leeching. A daughter could not carry forth her father's legacy. A daughter had no place in a strong lineage.

A daughter had no right to bear his name. 

He felt betrayed that his seed could produce anything but a powerful, fierce warrior. Left with a delicate, shivering babe of the inferior sex, he fell into deep thought. 

A female. What good could you be, indeed? You were born healthy. No defects or deformities. Your heart was in your chest. You had only two eyes and one nose, thankfully not some other ungodly combination. 

"What shall we do with her?" a servant asked, kneeling beside your mother. 

"Leave the child. Dispose of the woman. No use in keeping two of them around, is there?"

Weak as a woman may be, Sukuna would be damned if something usable didn't earn its keep. He would find something worthwhile about you.

You had cursed yourself many times for not being the son your father always wanted. It was glaringly obvious, he scolded you often for your gender. 

"What am I to do with you, girl? Weakness is not something you got from me. Your whore mother must have—"

A constant degrading voice in your ear. Ever present was your father. You could never resent him for it. He was right, after all. His harshness did not take away from his truth. You were female. You were weak. Delicate. Gentle.

And in a stroke of good luck, beautiful. 

There were times where you held value to your father. You rationalized that those times were why he kept you around. 

You spoke well of him. You were a treat for an already conceited man's ego. You were subservient. No task asked of you was denied. Most importantly, you grew into your body well. 

Sukuna hadn't much interest in you, wether positive or negative, until you had matured a bit. The birthday when you had received your first suggestion of curves was when you first remember him paying you any mind. He had asked you what you had wished for on your day. You said that you had everything you wanted. Your answer pleased him.

When you grew taller, he had less room to look down on you. The year you had grown a woman's face, his eyes started to linger onto your lips when you spoke. 

When you hit full maturity, your year of eighteen, you felt a rush of what was as close to approval as you would ever get from your father. 

"Your weakness dishonors me," had slowly changed into "your figure will fetch a decent husband." Slowly. 

"The lord sends for you," Uraume said blankly, standing ramrod straight at your door. 

Odd. Your father had never once sent for you. Even in his best of moods, he had no desire to see you more than necessary. In the home, you were akin to a piece of furniture. Not expected to move and used as pleased. Nobody sought out a sofa, it was a permanent fixture. Not thought of for longer than a few regarding seconds. 

You passed Uraume with a stiff nod and padded down the cold, wooden floors below your feet. Your father, as usual, was in his quarters, silently looming. 

"Father." A simple greeting. He was not one for niceties, you knew that well. 

Sukuna shot his eyes over to you. Not bothering to turn his head, he let his eyes trail you. He examined you like a microbe under a scope. 

He finally spoke. "Woman."

He had taken to calling you that recently. You weren't quite yet a woman, yet not a girl either. You were teetering two lines precariously, and he decided to push you over to one side. Not one for indecisiveness, either.

"Yes, father?"

"You are no heir of mine," he said. "You are not fit to succeed me. Ever. The family name should sooner die with me than travel to the incapable hand of a female."

You braced yourself for another deep-cutting spiel of how you would never take over in his place. Of how a woman's job was to submit. Of how your very birth was a disappointment. 

"However, I do find a certain value in you. You will prove yourself to me, indeed."

"How?"

Sukuna rose to his full height, straightening his back as he glided towards you. He yanked at the outer sash of his robe. 

"What other womb more better suited to give me the perfect heir," he started, silk sliding down his arms as he discarded the kimono that had draped his form, "than that I sired myself?"

"I have planned this out for a long time," Sukuna said, pushing your legs to your chest. "I have no doubt that this will be fruitful."

You had hoped the same. If you could not be what your father wanted, would giving him the solution not be the next best thing? Truly, you were relieved that he had found purpose for you. Perhaps this would save you from marriage to an unbecoming man of lesser means and power than your father. Perhaps this was a saving call being made. 

You had listened to many attempts made by your father to bring about a son. The concubines were tired, certainly, of the nonstop, pointless breeding. The walls were only so thick, and your father was never quiet.

They weren't getting any younger— the women. Their youth had faded, right along with their chances of children. Young women were hard to come by nowadays. 

Just another downside of the sex, your father would likely say, they've got a clear expiration date.

"Quiet now. The pain will fade." 

The stretch of his cock would be uncomfortable enough, naturally, but the first time brought about a special type of stretch. A virgin cunt being broken in. An old wive's tale said that a young girl was the most fertile during her first go-about. Something about the blood from a punctured hymen carrying seed upwards. 

To you, it felt as though the blood slicked you up more. Maybe the old wives knew a thing or two. Red smeared over your inner thighs, but the way it coated your walls helped you hold the weight of Sukuna's cock. An equal trade off, for the most part. 

"I was right to keep you," he continued, slotting himself into you with measured strokes. "I knew that eventually I'd find use for you. Look at you."

Look at yourself, you did. Your surroundings, your bloodied legs. Where you and Sukuna met, somewhere in the middle. Connected by thin, gooey ropes of slick and crimson. 

It didn't feel nearly as clinical as you knew it did for the other women. The thought stirred a bit of pride in your chest. Father tried with you. Other women seemed to be pump and dump. And rough. Though "gentle" was not a word you would use to describe what was happening, it surely was not anywhere close to "rough." There was a touch of passion. What felt like love. Father had even kissed you once, twice. His lips were chapped and he bit yours, but not hard enough for blood to peek through. 

You tried for another, with great success. You leaned your head forward, eyes glazed with tears, and pressed your lips against his. From pleasure and pain, you surmised. A fair mixture, since Sukuna seemed to hit spots you couldn't place your finger one, and since the pinch of your hole accommodating his size was still stinging. 

"I have raised such a greedy thing," he mused, huffing a breath through his nose as he complied and gave you another kiss, this time with tongue, as you had silently demanded with your own weak tongue trying to force his mouth open. 

"Oh, gods," you groaned in a hushed tone. 

You felt a coil snap in your body, and suddenly the heat of a thousand suns crashed through you, starting at your melted brain, and leaking down to your cunt. Whatever essence that managed to slip from the suction you had around Sukuna's length soon mixed with his own cum. 

Milkiness dripped down, a visual confirmation of a successful mating attempt. Sukuna's head tilted back triumphantly. Now it would take, he knew it, and the results would be as he hoped.

"I do not know why I hadn't thought of this sooner," he said, keeping you plugged with his cockhead. "My seed belongs in only the purest of wombs. Yours."

[invisibleicewands]

Please come and see me because I’ll be dead soon’: how Michael Sheen got sucked into a forever chemicals exposé

An opera-loving member of high society turned eco-activist who was forced into police protection with a panic button round his neck. A Hollywood actor who recorded said activist’s life story as he was dying from exposure to the very chemicals he was investigating. Throw in two investigative journalists who realise not everything is as it seems, then uncover some startling truths, and you have “podcasting’s strangest team” on Buried: The Last Witness.

On their award-winning 2023 podcast Buried, the husband and wife duo Dan Ashby and Lucy Taylor dug into illegal toxic waste dumping in the UK and its links to organised crime. This time, they focus on “forever chemicals”, specifically polychlorinated biphenyls (PCBs) and set out to discover whether one whistleblower may have been decades ahead of his time in reporting on their harmful impact.

“It’s amazing how big the scale of this story is,” says Ashby, as we sit backstage at the Crucible theatre, where they are doing a live discussion as part of Sheffield DocFest. “With this series, we don’t just want it to make your blood turn cold, we want it to make you question your own blood itself.”

It all started when Taylor and Ashby were sent a lead about the work of former farmer’s representative Douglas Gowan. In 1967, he discovered a deformed calf in a field and began to investigate strange goings on with animals close to the Brofiscin and Maendy quarries in south Wales. He linked them to the dumping of waste by companies including the nearby Monsanto chemical plant, which was producing PCBs.

PCBs were used in products such as paint and paper to act as a fire retardant, but they were discovered to be harmful and have been banned since 1981 in the UK. However, due to their inability to break down – hence the term forever chemical – Gowan predicted their legacy would be a troubling one. “I expect there to be a raft of chronic illness,” he said. He even claimed that his own exposure to PCBs (a result of years of testing polluted grounds) led his pancreas and immune system to stop working. “I’m a mess and I think it can all be attributed to PCBs,” he said.

However, Gowan wasn’t a typical environmentalist. “A blue-blood high-society Tory and a trained lawyer who could out-Mozart anyone,” is how Taylor describes him in the series. He would even borrow helicopters from friends in high places to travel to investigate farmers’ fields. Gowan died in 2018 but the pair managed to get hold of his life’s work – confidential reports, testing and years of evidence. “I’m interested in environmental heroes that aren’t cliche,” says Ashby. “So I was fascinated by him. But then we started to see his flaws and really had to weigh them up. My goodness it’s a murky world we went into.”

The reason they were able to delve even deeper into this murky world is because of the award-winning actor Michael Sheen who, in 2017, came across Gowan’s work in a story he read. He was so blown away by it, and the lack of broader coverage, that he tracked him down. “I got a message back from him saying: ‘Please come and see me because I’ll be dead soon,’” says Sheen. “I took a camera with me and spent a couple of days with him and just heard this extraordinary story.”

What Gowan had been trying to prove for years gained some traction in 2007, with pieces in the Ecologist and a Guardian article exploring how “Monsanto helped to create one of the most contaminated sites in Britain”. One was described as smelling “of sick when it rains and the small brook that flows from it gushes a vivid orange.” But then momentum stalled.

Years later, in 2023, Ashby and Taylor stumbled on a recording of Sheen giving the 2017 Raymond Williams memorial lecture, which referenced Gowan and his work. Before they knew it, they were in the actor’s kitchen drinking tea and learning he had conducted a life-spanning seven-hour interview with Gowan before his death. So they joined forces. Sheen isn’t just a token celebrity name added for clout on this podcast; he is invested. For him, it’s personal as well as political. “Once you dig into it, you realise there’s a pattern,” he says. “All the places where this seems to have happened are poor working-class areas. There’s a sense that areas like the one I come from are being exploited.”

Sheen even goes to visit some contaminated sites in the series, coming away from one feeling sick. “That made it very real,” he says. “To be looking into a field and going: ‘Well, I’m pretty sure that’s toxic waste.’” Sheen was living a double life of sorts. “I went to rehearsals for a play on Monday and people were like, ‘What did you do this weekend?’” he says. “‘Oh, I went to the most contaminated area in the UK and I think I may be poisoned.’ People thought I was joking.” Sheen ended up being OK, but did have some temporary headaches and nausea, which was a worry. “We literally had to work out if we had poisoned Michael Sheen,” says Ashby, who also ponders in the series: “Have I just killed a national treasure?”

The story gets even knottier. Gowan’s findings turn out to be accurate and prescient, but the narrative around his journey gets muddy. As a character with a flair for drama, he turned his investigation into a juicy, riveting story filled with action, which could not always be corroborated. “If he hadn’t done that, and if he’d been a nerdy, analytical, detail-oriented person who just presented the scientific reports and kept them neatly filed, would we have made this podcast?” asks Taylor, which is a fascinating question that runs through this excellent and gripping series.

Ashby feels that Gowan understood how vital storytelling is when it comes to cutting through the noise. “We have so much science proving the scale of these problems we face and yet we don’t seem to have the stories,” he says. “I think Douglas got that. Fundamentally, he understood that stories motivate human beings to act. But then he went too far.”

However, this is not purely about Gowan’s story – it’s about evidence. The Last Witness doubles up as a groundbreaking investigation into the long-lasting impact of PCBs. “We threw the kitchen sink at this,” says Ashby. “The breakthrough for us is that the Royal Society of Chemistry came on board and funded incredibly expensive testing. So we have this commitment to go after the truth in a way that is hardly ever done.”

From shop-bought fish so toxic that it breaches official health advice to off-the-scale levels of banned chemicals found in British soil, the results are staggering. “The scientist almost fell off his chair,” says Ashby. “That reading is the highest he has ever recorded in soil – in the world. That was the moment we knew Douglas was right and we are now realising the scale of this problem. The public doesn’t realise that even a chemical that has been banned for 40 years is still really present in our environment.”

To go even deeper into just how far PCBs have got into our environment and food chain, Ashby and Taylor had their own blood tested. When Taylor found 80 different types of toxic PCB chemicals in her blood it was a sobering moment. “I was genuinely emotional because it’s so personal,” she says. “It was the thought of this thing being in me that was banned before I was even born and the thought of passing that on to my children.” Ashby adds: “We’ve managed physical risk in our life as journalists in Tanzania and with organised crime, but more scary than a gangster is this invisible threat to our health.”

In order to gauge the magnitude of what overexposure to PCBs can do, they headed to Anniston, Alabama, once home to a Monsanto factory. “As a journalist, you have an inbuilt scepticism and think it can’t be that bad,” says Ashby. “But when I got there I couldn’t believe what I was seeing. I hate to use words like dystopian, but it was. There is a whole massive school that can’t be used. There’s illnesses in children and cancers. It truly was the most powerful vignette of the worst-case example of these chemicals.”

It’s bleak stuff but instilling fear and panic is not the intention. “Obviously, we’re really concerned about it,” says Ashby. “And although the environmental crises we face do feel overwhelming, it is incredible how a movement has formed and how individuals are taking action in communities. The lesson to take from Douglas is that the response doesn’t have to be resignation. It can be agency.”

[gudmould]

A brief introduction to principles of mold flow analysis and how to read mold flow analysis reports

Pre-processing in MoldflowCurrent mainstream mold flow analysis software is Moldflow, which only accepts triangular units and tetrahedral units.High-quality finite element mesh is guarantee of finite element analysis accuracy.For injection molded parts, there are three main mesh division methods in Moldflow: neutral surface, dual-face, and 3D entity. PartNeutral surfaceDual-face3D…

[rosy-crow]

The thing I would say is commonly misunderstood the most about Sephiroth is his reaction to discovering that he was “created.”

People get baffled by the Nibelheim Incident and say, “I guess finding out you were an experiment would be upsetting, but why would that fill him with so much rage that he started killing humans and wanting to destroy the entire planet?”

But it’s more like….no, imagine you were born inherently different from everyone else. Forget the extra tragic background stuff that some of us know for a moment. Just take that basic idea about being “born special.”

You are distinctly isolate. It’s in your literal DNA. You are physically and biologically “other” your entire life. Not with a disorder or deformity, but with some completely unique and separate make-up as a living being.

And you don’t like it. You don’t like being special and different. It’s a type of different that can be utilized because it manifests in unnatural, destructive power. Your physical strength and endurance are beyond human and are most suited to war and bloodshed. This strips you of the ability to assimilate into the world. It makes you fit best as a weapon.

You don’t get a family, home, or sense of secure, ordinary life. You don’t get to connect with the planet. You live in a completely different world from everyone else and look out at them through glass and steel.

Sure, they idolize you. Cool. They worship the physical otherness that you were born with. They admire your godly strength, they fawn over your looks, they obsess over your presence, blah blah. But it’s all distant noise to you. There’s no fulfillment in it. You don’t want praise and worship from behind glass and steel, you want something or someone to connect to.

You want your mother — because SHE would give you love, safety, acceptance, and humanity. You could feel human if you could run into the arms of the human that birthed you. The existence of your mother is proof that you are human for the time being. You need her so much.

But none of this is given to you and even though you look for answers, they somehow evade you for your entire life.

MEANWHILE, the only ones to steer and guide you are the company that brought you up and at least gave you a place to reside, a place to find purpose. In your mind, since you were born special, maybe this company is a type of salvation, even if you don’t like everything they do or…..anything about them at all, actually.

But hey! They still guide your power and strength. They still give you something to hang onto. They don’t attack you for being special, they just steer you to employ your abilities and that’s SOMETHING to hold onto. It’s a place where you can assimilate and be accepted in some way. Even if it hurts you. You OWE them.

Now cut to Nibelheim. You uncover it all. Every. Single. Lie. And lies on top of lies. What you discover isn’t even the full truth, but you THINK it is. You think you’ve just finally found out all the answers!

And it starts with your birth. Turns out you were created. You’re not human at all. You were created from the remains of an ancient being that was dug up from the earth and labeled as a separate species by humanity. It’s even dubbed a monster by some, and boy…does it sure look like one.

All of those differences you grew up with, all of those feelings of otherness, all of those fucking isolate traits that FORCED you to live in a cold, different world and that conveniently suited the needs of the greedy, corporate businessmen that raised you were produced and crafted by them.

Your “special existence” that took away every chance at normal, human life was not something you were born with and had no control over. It was literally the result of horrible, unethical experimentation. All of your years of trying to accept it and just do your job are now pointless. It’s like a robot discovering it never had any autonomy or soul because it was always a product made with false ideas about itself.

And to make things worse? Your mother is the other victim of the company that created you. They had her all along, trapped inside an experimental hellscape and hooked up to tubes and wires. Treated like a revered object the same way you were. She’s not human either. That means she’s the only one that can be one with you and understand you. Or so you believe.

All those years you spent separated from her, trying to make peace with what you thought was a natural difference in your DNA…all of it was meaningless because you were being lied to, controlled, used, and treated like the creation you were from the start. You were being kept from your mother and even told she was dead.

Of course you would break.

This is just the core of Sephiroth’s story and I’m not even mentioning all of the additional horror that goes into his life, but this alone would make anyone enraged beyond reason. It would send anyone into deep despair.

Sephiroth only climbed out of that pitch black despair by using hatred, rage, and the drive to return to his mother. He reshapes his entire person to embrace the monster Shinra created. He embraced what he believed they made him to be without his consent, and turned his back on the “others” besides himself and his mother.

[communistkenobi]

struggling to reconcile my dislike of the use of “choice” in relation to transgenderism. sex assignment itself is not a choice and I don’t find it meaningful or helpful to think I “chose” to be transgender. in fact there were many things I “chose” to do prior to transitioning to make this feeling go away and it did not. Choice is further wrapped up in intentionally de-politicised ideas about social action and agency, constantly positioned in opposition to “structure” or “social pressure” or what have you. “Choice” is what happens only in the absence of domination, it is the expression of the “individual” trapped within us all. What this leaves you with is a subject who appears to rise above the power of history, making decisions ‘of his own free will’ in spite of all this violence as a result of, um, well that’s not important! Let’s not look at the law or the state or history to see where these ideas of personal individual freedoms come from or how they are themselves enforced through violence. It’s just an individual acting on his desires! To “choose to be trans” in popular consciousness means to be given the privilege of being free from patriarchal social pressures. And this is a line terfs often use - trans people are reinforcing patriarchy by deluding ourselves into thinking we can “simply choose” to be another gender. I think committing to the idea of choice as a concept and all its attendant ideological baggage (overwhelmingly structured by bourgeois legal frameworks in the popular imaginary) forces you into some deeply flawed analyses of power and domination.

And I likewise hate that the other dominant framework is “born this way/born in the wrong body” because of how it naturalises the very political and violent nature of sex assignment and its embeddedness within state census data, administrative architecture, the pathologisation of sex and desire (all of which are not natural or eternal), and so on. furthermore I deeply respect the position other trans people have when they say that they chose to be transgender - outside of conversations of individual validity, I think that is a politically useful and powerful way to position yourself. Even if we were to accept that being transgender is fully a choice, people would still do it, because being trans is not disgusting or shameful. I am not a sick individual, or a tragedy, or a danger to others, I am transgender and that is an incredibly meaningful and fulfilling part of my life. To frame this as a sexual perversion or life-long condition means reinforcing the idea that transgenderism is a shameful deformity (we have much in common with our disabled & intersex comrades in this regard), that the cissexual body is the exclusive site of beauty and authenticity.

And so this is where I find the idea of autonomy much more useful - while ‘choice’ is situated as a thing that individuals do, autonomy is power that is granted to you. I can’t meaningfully demand choice as a political goal, but I can demand autonomy. I don’t want choice, I want the autonomy to act on my desires, and the way that will happen is through the state provision of free hrt, surgery, name and gender marker changes, and so on. Autonomy feels like a much more productive articulation of “choice” because it necessitates that we think about who and what grants autonomy, for what purposes, in which contexts. Who gives a shit about choices! Transgenderism is not a social position an individual can have in society, it is produced through cissexualism, through state and medical sex assignment, through coercion and pathologisation and violence - all of which can be changed.

As a direct comparison, I don’t think people should be given the “choice” to have an abortion, but the autonomy to do so - sure you can choose to get one, but unless there is the medical, financial, and social infrastructure available to you to act on that decision, then that is not a meaningful choice you can “make.” Abortion being legal (and therefore an action you are granted the ‘choice’ to take) doesn’t mean it is actually realisable as a decision, it just means that whoever already has the power & resources to act on that legality will, and those that don’t, won’t. Who decides which people have those resources and which don’t? Well let’s not worry about that, the important thing is that people have choices!

[zomb1eturtlez]

"At the risk of stating the obvious, no woman can mate with a bull and produce a child. Recognizing this simple scientific fact, I am led to a somewhat interesting suspicion: King Minos did not build the labyrinth to imprison a monster but to conceal a deformed child, his child.

While the Minotaur has often been depicted as a creature with the body of a bull but the torso of a man, centaur-like, the myth describes the minotaur as simply having the head of a bull and the body of a man, or in other words, a man with a deformed face. I believe pride would not allow Minos to accept that the heir to the throne had a horrendous appearance.

Consequently, he dissolved the right of ascension by publicly accusing his wife Pasiphae of fornicating with a male bovine.

Having enough conscience to keep from murdering his own flesh and blood, Minos had a labyrinth constructed, complicated enough to keep his son from ever escaping but without bars to suggest a prison. (It is interesting to note how the myth states most of the Athenian youth "fed" to the Minotaur actually starved to death in the Labyrinth, thus indicating their deaths had more to do with the complexity of the maze and less to do with the presumed ferocity of the Minotaur.)

I am convinced Minos' maze really serves as a trope for repression. My published thoughts on this subject (see "Birth Defects in Knossos"Sonny Won't Wait Flyer, Santa Cruz, 1968) inspired the playwright Taggert Chielitz to author a play called *The Minotaur* for The Seattle Repertory Company. As only eight people, including the doorman, got a chance to see the production, I produce here a brief summary:

Chielitz begins his play with Minos entering the labyrinth late one evening to speak to his son. As it turns out, the Minotaur is a gentle and misunderstood creature, while the so-called Athenian youth are convicted criminals who were already sentenced to death back in Greece. Usually King Minos has them secretly executed and then publicly claims their deaths were caused by the terrifying Minotaur thus ensuring that the residents of Knossos will never get too close to the labyrinth. Unfortunately this time, one of the criminals had escaped into the maze, encountered Mint (as Chielitz refers to the Minotaur) and nearly murdered him. Had Minos himself not rushed in and killed the criminal, his son would have perished. Suffice it to say Minos is furious. He has caught himself caring for his son and the resulting guilt and sorrow ineeses him to no end. As the play progresses, the King slowly sees past his son's deformities, eventually discovering an elegiae spirit, an artistie sentiment and most importantly a visionary understanding of the world. Soon a deep paternal love grows in the King's heart and he begins to conceive of a way to reintroduce the Minotaur back into society. Sadly, the stories the King has spread throughout the world concerning this terrifying beast prove the seeds of tragedy. Soon enough, a bruiser named Theseus arrives (Chielitz describes him as a drunken, virtually retarded, frat boy) who without a second thought hacks the Minotaur into little pieces. In one of the play's most moving scenes, King Minos, with tears streaming down his face, publicly commends Theseus' courage. The crowd believes the tears are a sign of gratitude while we the audience understand they are tears of loss. The King's heart breaks and while he will go on to be an extremely just ruler, it is a justice forever informed by the deepest kind of agony."

House of Leaves by Mark Z. Danielewski

pg. 110-111

[oneesanmarket]

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[innaillus]

Drawing Ryōmen Sukuna

Development notes

This post has been in the making since last year, before the manga has reached its current arc. My aim was to respond to comments that pointed out that my version of that time didn't look like the one in the anime. I calculate everything I do and the way I do it. My current goal is to share my thoughts on the development of my take on him - simply because I'm a nerd when it comes to anatomy and I love figuring things out. It involves a lot of thinking, questioning, analysis, dissecting information and building theories. So I totally understand if it's not anyone's cup of tea.

MANGA SPOILER WARNING

The very beginning

I used to have a serious case of lack of self-confidence. My earliest art of Sukuna dates back to 2021, but it always felt like my skills are not worthy of this particular character. I never shared my art. I was also struggling to find my artistic voice. I was obsessed with the idea of semi-realism, but even if I managed to pull it off after weeks of stylisation practices, I didn't like the results.

Due to personal reasons, I stopped trying to draw him for a long time.

The development of "my" version

It was an entirely conscious decision to draw him differently.

The top reasons for the change was that I didn't want to sexualise him in his host, Yuuji, who is a minor. Back then I thought he inflicted the deformation on himself (extra limbs, eyes, etc), for the sake of efficiency, and I was curious what he looked like before that - or what he would look like in a civilised environment.

During the process, I considered a number of factors:

the beauty standard of the other JJK men - I wanted him to fit the lineup - his original appearance made him stand out quite much

in a setting where he adheres to the rules of society, more or less, I believe his MBTI personality type (ENTJ) would dictate a lot of his choices when it comes to appearance, at least to a certain extent. I thought he would choose to have an appearance that fits the beauty standards of the era

I kept his tattoos because it's a very distinguishing feature of him, but I also exercise freedom in the way I draw them, to make them as stylish as possible

Reincarnation

I used to believe once he reincarnates, his proportions would be closer to that of a "normal" human, even if he has some extra limbs. However, his size and features are above and beyond of what we are used to, and even the story emphasises their malformed appearance. So a a whole new era of Sukuna started in my art. I chose my favourite manga panels of him and mix-and-matched the most attractive features into a figure that I consider on the fine edge of monstrosity and unconventional handsomeness.

Even when I draw him with a regular number of limbs, I keep his usual mass and proportions. I dubbed this form "true gains" form.

I also realised that some of the tattoos Yuuji's body displayed was a product of the partial reincarnation stage, like we see it on Tsumiki's forehead.

NOTE: Did anyone notice that Sukuna is getting progressively more and more human/handsome in the manga? When he took over Megumi's body, I also noticed that as the story progressed, he started to look older and more mature. I'm curious of it was a conscious decision.

Twin dilemma and speculations

According to the Japanese wikipedia page, the mythical figure Sukuna could have been a conjoined twin. Despite my extensive digging in the matter, I was shocked by the recent lore drop.

My question: what does Sukuna look like in a universe where he did not absorb his twin in the womb during development?

It hasn't been confirmed, but I find it very possible now that he was born with his extra limbs, eyes and mouth, as well as the deformed, wide features. (...as opposed to my first theory about him altering his own body for the sake of efficiency)

This, however, would mean that in a universe where both him and his brother are born healthily, he would look different. There is the obvious lack of extra arms, eyes and mouth - but I believe he would also be closer to the JJK beauty standard of men, as far as proportions go (eg. more narrow face, anime-esque nose, larger eyes).

At first I was hesitant to accept this idea, as I'm very attached to the 4-arm hulk / "true gains" form now, but then I realised: this would mean that "my"version of him actually has logically explainable place in at least an alternate universe.

Thank you if you got this far.

I may edit this post later. Let's see where the story takes us.

[literaryvein-reblogs]

Some Biochemistry Vocabulary

for your next poem/story

Biochemistry - the study of those molecules used and manufactured by living things

Anoxic - (Of a place or environment) lacking oxygen.

Bioluminescence - The production of light by a chemical reaction within an organism. The process occurs in many bacteria and protists, as well as certain animals and fungi.

Cathodoluminescence - An analytical technique used in geology and paleontology to analyze the different minerals in a sample, or diagenetic history of a sample — how crystals grew, were deformed, and were replaced.

Fucoxanthin - Yellowish-brown pigment found in some members of the Chromista, including kelps and diatoms.

Ghrelin - a hormone that makes a person hungry.

Hydrophilic - "Water loving". Hydrophilic compounds dissolve easily in water, and are usually polar.

Hydrophobic - "Water fearing". Hydrophobic compounds do not dissolve easily in water, and are usually non-polar. Oils and other long hydrocarbons are hydrophobic.

Luciferase - Enzyme which activates luciferin to produce bioluminescence.

Luciferin - Compound whose activated form emits light.

Ossification - The process of bone formation.

Phototropism - The growth or movement of a plant, or of a particular part of a plant, toward light or away from it.

Phycocyanin - Blue, water-soluble pigment.

Phycoerythrin - Red, water-soluble pigment.

Pigment - Any colorful compound, used by living things to absorb or block sunlight, and in sexual displays.

Saxitoxin - Neurotoxin found in a variety of dinoflagellates. If ingested, it may cause respiratory failure and cardiac arrest.

Sources: 1 2 ⚜ More: Word Lists

[bonefall]

The warriors fandom for years: Isn't it fucked how ableist the writing is? And how there's like, no canon queer characters? =(

The writers, accidentally stumbling into incest:

The fandom: Lol, she's gonna have so many fucking defects. Ableism? Intersexism? Sorry never heard of her babes ♡

It sure is

interesting

the way that suddenly it is acceptable to make jokes about ickygross deformed babies when the child is a product of incest. As if the child has any control at all over the circumstances of their birth. Like it makes it OK and funny to mock someone's health and appearance if it's from something that invokes disgust.

almost like they find it funny because the child "deserved" being born this way for being produced from something vile.

It's just so obviously shitty to me it's hard to put into words. People are capable of recognizing it for ANY other disabled person but not for this. Not the minute the target is "acceptable." I thought we left shit like Dorkly's Inbred Yoshi back in the 2010s, because we realized it was fucking shitty. But no. It's still going on.

[gudmould]

Common problems in injection molding process

Short shot, Air entrapment, Brittleness, Burning, Flash, Delamination, Flow marks, Silver streaks, Dent marks, Weld marks, Molding cycle, Warping 1. Short shot Short shot refers to a phenomenon in which mold cavity cannot be completely filled. Causes of short shot:1. Mold temperature, material temperature or injection pressure and speed are too low2. Uneven plasticization of raw materials3.…