#Produce Camp 2019

[fangcaodi]

In awe of myself for recognizing this actress as 李丞汐 Li Chengxi from Produce Camp/Chuang 2020. Extra impressive since I don’t think she got very far, and she looked kinda different back then.

Of course 猎罪图鉴2 has also featured 刘念 Liu Nian from the Produce franchise and 谢可寅 Xie Keyin from Youth With You.

I have not watched Blossom, but I instantly remembered 李昀锐 Li Yunrui from Chuang as well. Good for him!

[avaf00rd]

Behind the scenes

Leah Williamson x matildas!reader

Tiny little blurb I wrote last minute as I rewatched the show

“Hello you” you grinned as you opened the front door, a smiley Leah behind it with her large suitcase and England hoodie on. The Disney plus camera crew behind you. Pretending as if Leah had just gotten home from England camp and you hadn’t seen her yet. Well she had, about an hour ago though.

You grabbed the suitcase from her hand, and pulled her in from her other free wrist, placing a short kiss on her lips and hugging her tight. “How was it?” You asked excitedly whilst you both made your way to your living room.

“Yeah really good, great to see everyone” your girlfriend explained to you leaning against the large book case near your couch. “Plane was quicker than I thought though, only like an hour and a half”

The camera still following both of you “oh yeah wow that’s not bad at all”

“Suppose I had it a bit better than you travel wise” she chuckled, folding her arms now. Nothing to your 20 hours of travel to and from Australia for your own international camp.

“Certainly” you laughed back with Leah.

“Ladies that was actually really great for a first take so we probably won’t need to do that again. We’ll now just get you both on the couch so we can talk to you both” one of the members of the camera said, holding a clip board and directing his crew to your living room

Leah sat down on the shared couch with you following suit behind. Plopping down next to your girlfriend as she put an arm around you, legs intertwined at the end of the couch.

“You guys wanna stay like this for the clips?-“

“Yes” you nodded fast, as people in the room laughed at your certainty.

“Leah can you tell me a bit about y/n. Like how she is as a person but also a teammate?” The same man asked from behind the camera. They would get her answers and these shots for the docu-series.

It be out on Disney plus just months before the World Cup begins, to help Australia get more of an insight into their team and the players

Leah looked down at you, as you shot her a smile before she started “y/n is such a hard worker. I’ve never met anyone like her. Very funny person to have a laugh with…or laugh at” she nodded

You rolled your eyes “saw that coming”

Leah did one of her wide smiles where her cheeks would go so high and her nose would scrunch up which made you melt completely, “so leading onto that she’s a bit clumsy”

“Not all the time” you mumbled

“Everyone at Arsenal calls her the princess though. Because she’s just the sweetheart of the team, who cares about her team so so much and we get to see that every day here in London” you smiled to yourself as you looked down at the couch while Leah spoke about you to the cameras

“Do you just completely hate this?” Leah laughed

“No keep going” you nodded, making her laugh. Leah often got the sense you got all flustered and embarrassed when she spoke about you so well, to other people when you are in the room.

“Y/n what’s it like getting to train each day and play games with your partner?” The producer asked me

“Yeah I’m extremely blessed, I would say, to be able to basically spend every hour of the day with her. And to put on the Arsenal badge and play for our fans with my favourite person is a bit of a win each weekend for me”

“We’re assuming you two meet through Arsenal?” He asked

“Yeah we met at Arsenal when I transferred back in 2019. And then I went on loan to Barca for a season, but then…yeah I came back-“

“And then y/n asked me out!” Leah cut you off with a grin

“Um okay it was kind of you” you looked up at her with a shake of your head.

“Kinda both of us in a way?” Leah shrugged to camera. Which you just shook your head, to said camera.

“They aren’t gonna understand that” you pointed with both arms to the camera, you and Leah now giggling. You both said a few more things they had asked you before the filming stopped.

“Thanks girls! We will see you tomorrow afternoon for more shots, have a great night, hope we didn’t take up too much of your time” a different lady had said now, as she helped her crew pack up some small equipment.

“Not at all!”

————————————————————————

Being one of the few people in your Matilda’s squad who had been apart of the team for over 11 years, you had been in quite a few scenes in the docu-series. Alongside Steph Catley, Sam Kerr, Caitlin Foord, and more. You got the opportunity to talk about your family’s background in the sport and growing up with the Matilda’s, as well as preparations to win the World Cup.

This morning you had done some scenes at the training centre for your club, along with Cait and Steph as you all talked about playing for Arsenal.

The cameras were with you once again, as Now Leah sat on a small picnic blanket in your local park, late afternoon, where you would often bring your dog, Denny, you were trying to get him to run with the ball at his fist like he was about to shoot.

Leah threw her head back laughing hysterically as you fell over your feet once again, tripping on your own dog, in another attempt to get him to play football. “It’s not going to work” she shouted

“He’ll do it Leah just wait!” You shouted back laughing as you kept trying. When you made it back to the picnic blanket, you did what you were asked to do by the crew which was talk about playing each other in the World Cup.

“I always say it but I really really hope both our teams make it to the final, but I don’t think I could handle versing you in a heated game like that”

“You do it all the time though. We’ve had so many heated games against each other”

“Yeah but a World Cup final though…Hopefully one of us will be out by then” Leah shrugged, looking at you from her position on the rug with her knees tucked to her chest

“Hopefully England” you shrugged back

“No I was joking. I hope both teams are” she laughed once again.

“I think the friendly coming up against England just before the World Cup should be good.” You said as Leah nodded “Most players who will be in the World Cup squad should hopefully be in there so we get a full feel of not just the other team but hopefully our own squads”

“Yeah for sure” Leah said

“I can sense you two have a small rivalry in your own house hold” someone’s behind the camera commented

“Mm I don’t know” Leah grinned as you just laughed

“You know it’s true”

———————————

I’m pretty negative about fics like these that I write. Cause I hate this. But honestly it’s due to some of the recent think about my writing my inbox🫠🫠

So please. If you’re not a fan of it, click out of it!

Luv u all

[crimethinc]

Insurgent Survival: Reflections on the Fight Against Sweeps Targeting the Homeless in Austin, Texas

http://crimethinc.com/StoptheSweeps

In 2019, militants in Austin, Texas started an organization with the aim of defending homeless camps against sweeps—forced removals disguised as “cleanups” carried out by police and work crews. We explore the history of Stop the Sweeps and the strategic thinking behind it, seeking to distill lessons about autonomous organization that can aid revolutionaries in future struggles.

"The camp is an image of the future—a future in which increased economic precarity, climate crises, wars, and state repression produce new waves of displacement and migration, and new forms of repression and managerial governance arise in response."

[hummingbee-lievable]

Song of the Day #24:

'Mile Magnificent' by Molly OfGeography (released 2019).

An apartment when it's empty echoes lovely, bright and clean

Sing odes to green-blue water that we stole so it comes free

All things end, it's part of living; forest fires feed the trees

Lift your glasses full of sunshine, sing a toast to gasoline

Track #4 on 'Myths'.

Fun fact: Molly refers to this song as 'The Song My Producer Said I Was Not Allowed To Name “CHICAGO IS BETTER THAN NEW YORK”'.* Honestly, her descriptions for some of the songs on this album are hilarious:

'1) The Song That Made My Producer Go, “Wait, What Was That Bit About Worms?”

2) The Song My Producer Said I Had To Append A Parenthetical To So That People Would Be Able To Find It Because The Lyrics Never Mention The Title Once But I Was Raised On Fanfiction So Joke’s On You, Pal! I Love A Long Title With A Parenthetical In It!!!

3) The Song That Is Sad'

Pretty dang accurate, honestly. Also, I think she has a Tumblr!!! *Gasp.* What if I...tag her???

@ofgeography Hiiii and thank you, your music is amazing.

I did it bees and knees (yes, this is my hip modern way of including every kind of person, fight me or provide more hilarious options; I'm content with either option).

I have had a fun time perusing this flavourful dose of humanity's wild website and I think my fun fact today should be her story where she becomes a donut god:

You're welcome, singular entity that reads this blog (that entity being my sister and/or the rogue bots, doesn't matter, we're all friends here).

Personal blurb: Alright, full disclosure time: I discovered this artist because of the 'Good Omens' fandom. Someone said we were missing out on feelings and shared this song, and when I tell you I felt those feelings, I certainly don't mean that I danced to this on repeat for several months (and her 'Hanahaki (Bloom)'), often at 3 in the morning in the bathroom. Of course not.

Pro tip: dancing with your toothbrush in your mouth is a choking hazard, but in the spirit of Alanis Morissette, I recommend doing it anyway:

One of my favourite books in the world is 'The Overstory' by Richard Powers. In it, one of the themes that arises often is the concept of pyrophitic serotinous plants (it's okay, I won't remember it either). They are plants that need fire to open. (There are actually different types of pyrophitic plants, from passive to fire-activated but I probably shouldn't start talking about that because you'll need to pull out the duct tape.)

(Technically, 'serotinous' plants are a category in which plants release seeds over a longer period of time, and it doesn't matter how they are released, but the seeds that open by fire fit into this category.) The eucalyptus tree, the lodgehole pine, and other pyrophitic serotinous trees encase their seeds in resin that can only be melted by fire (thereby releasing the seeds).

The thing that I love about this concept is this: we need to burn to grow. I recently read this book called 'Life in Oil' about the Cofàn tribe in Ecuador who were drastically impacted by oil companies. And the thing was: Yes. They were impacted horribly (physically, psychologically, environmentally, the works). They also survived. They figured out, through tumult and trial and falling apart, how to keep going. And for every hard moment and loss, there was laughter and love to accompany it. The book was wonderful in that it confronted the concept of trauma on a large group of people. We are never just our trauma, but the balance of everything else as well. I think that gets lost, sometimes. Makes us seem less human.

This song screams to me of that same instinct. I mean, look at us. This is what we do, isn't it? We fight, we fall, we continue. We're just like every other aspect of nature in that we are born, and in our fight to continue, we impact everything around us. We're just a part of the cycle and eventually we will decay back to where we belong and serve as soil for our children. And all we'll be? A story. And after a while, not even that. Just a whisper of what was.

In a way? I find that freeing. We might as well live the life we want to live; how little it will matter. (This isn't absolution, please don't go murdering people.) I just mean that I don't have to put so much weight into every little thing. Not everything has to be joyful or depressing (and if we really think about it, everything is always a balance of both). It can just be what it is.

We are as we are. And we don't have to love ourselves for it, but we don't have to hate ourselves either.

I love the lyrics to this song. For a long time, I misheard 'We're animals of love/ the city never makes us beg' as 'the city never makes us pay' and I don't know why? But I kind of like that image.

We are animals of love. And that's okay.

We are the cogs in a continuous cycle and we always will be.

I think often of this monologue (content warning for the video, it's gory, but you don't need to watch it, you can just listen) from 'Midnight Mass', in regards to this:

(It sort of lives in my brain on a regular basis now; hope it takes up good residence in your brain, too.)

We just are. Everything just is.

[queenlua]

ok, this Kevin Woo guy is the most fantastic chad i've heard of in a while:

The journalist who exposed Lambda School wasn't a journalist by trade. Vincent Woo was a successful entrepreneur best known for CoderPad, a collaborative coding website used extensively in programming job interviews. After he sold CoderPad for millions of dollars, he focused on the public interest, such as housing activism.

Woo's work on CoderPad gave him expert insight into the programming job market, and in 2019, Austen's outrageous hiring numbers set off red flags. Whenever pressed for more details on his outrageous claims, Austen said a full report was coming soon, but six months would pass without any updates.

Woo obtained an investment memo Lambda School sent out to Y Combinator titled, "Human Capital: The Last Unoptimized Asset Class." In it, they disclose, “We’re at roughly 50% placement for cohorts that are 6 months graduated,” contradicting the very front page of their website.

Where did the 86% on their homepage come from? In 2018, Lambda School submitted a single report about 72 graduates to CIRR. CIRR is an organization formed by the boot camp industry following the boot camp crackdown of the 2010s, to cleanup their image. Bootcamps are supposed to submit their hiring stats every six months, in one standard format, to prevent underhanded boot camps from fudging the numbers. In two years, Lambda School had produced nothing beyond that single, small report.

Woo reached out to Sabrina Baez, Lambda School's former Director of Career Readiness. Baez oversaw job placement in those early days, and Austen had reprimanded her for low hiring rates. She told Woo that probably only 50% to 60% of graduates found jobs.

Finally, Woo obtained private communications with investors revealing the quiet deals with hedge funds. This flew in the face of their marketing's, "We don’t get paid until you do," and Austen's now-deleted tweet, “We never, ever get paid upfront for ISAs.”

With all the damning evidence, the story was ready. Most reporters would now email their subjects for comment, but Woo elevated the story to performance art. He asked Austen for a recorded interview, without revealing its nature. Austen, lulled into a false sense of security by tech press puff pieces, agreed. What followed was the most riveting hour of tech journalism I've ever heard.

Austen: "Our goal right now, is that if a student is endorsed, call it graduation, that we place 80% within 120 days."

Woo: "Why did you tell investors 50?"

Austen: "What… I don't know… what communication you're referring to."

The interview went downhill from there, as Austen scrambled to invent excuses.

#rekt

bonus: check out this dude's hilariously understated linkedin:

(also, the whole article's worth a read. i'd been following the Lambda School saga for a while but there's a bunch of new fuckery here that even i didn't know about. smh)

[vaperarmand]

wait just remembered rocketman (2019) is real and the beautiful old rock musician i care most about in the entire world got his biopic flowers because he’s married to a producer and understands camp and cast the perfect actor for his rock movie musical. maybe love can win

[himedanshicult]

According to the author, this piece was written out of political concern, and they are not a professional researcher. Instead, Canyu hopes the article will contribute to the development of sympathy among “the Chinese pan-dissent community” for the conditions and struggles of both Palestinians and Uyghurs, and that it will also help to short-circuit the political frameworks of pro-Western Chinese liberals, on the one hand, and anti-Western Chinese nationalists, on the other, who normally position themselves in one “camp” against another when it comes to discussions of these two oppressed groups. Like the earlier piece produced by their collective, Canyu’s article offers valuable insights into a strong desire among Chinese comrades to extend the critique of Israel’s horrific war on Gaza to the PRC’s subjugation of Turkic Muslims. In this case, the author focuses on the way that both colonial states have controlled the labor of the colonized. We present this text as a way to better understand and support internationalist currents emerging from the Chinese left, and as a contribution to the ongoing wave of global resistance to the genocide in Gaza.

In the spirit of comradely critique, we offer a few clarifications in this preface. First, while we support the sentiment of emphasizing commonalities between specific instances of oppression under the rule of capital, in this case the differences are also striking: The author’s focus on labor makes more sense for the PRC, whose colonial policies seem to have been partly organized around the goal of transforming Turkic Muslims into a disciplined workforce cut off from any cultural continuity with their histories of resistance. Israel, by contrast has shown less interest in the labor potential of Palestinians, particularly in Gaza. Palestinians experience some of the highest unemployment rates in the world, which have hovered around 50 percent in Gaza for many years, and around 15 percent in the West Bank—where reliance on Palestinian labor has historically been more central to the colonial project. After October 7th, the 4th quarter 2023 unemployment rates in Gaza jumped to an unprecedented 75%. By contrast, unemployment in Xinjiang is relatively low, and increases in unemployment are used as a pretext for proactively shipping off ethnic minority populations across the country in jobs programs. While Canyu’s comparison makes more sense for the West Bank, Israel’s treatment of Gaza would be better understood as an extreme example of the “surplus population”: the portion of the proletariat rendered unnecessary for capitalist needs, thereby becoming not an object of potential exploitation, but merely a problem to be managed—whether through abandonment, incarceration or murder.1

Secondly, while the article emphasizes China’s use of re-education camps, or what the state has infamously called “vocational training facilities,” these sites have largely been converted or shut down since 2019, as the state shifted strategies in its latest policy permutation. This is not to say that the situation has improved for Turkic Muslims. Many of the “training facilities” were merely converted into ordinary prisons. For those inmates who were released rather than formally becoming prisoners, the state has continued a policy of labor transfer under the guise of poverty alleviation campaigns, relocating Uyghur labor to factories across the country.2 Meanwhile, the PRC recently moved to “normalize counterterrorism,” a shift that will likely further institutionalize the subjugated position of Turkic Muslims in Chinese society. There is currently no Israeli equivalent to the “training facilities” that became so notorious in Xinjiang. Instead, the Israeli state sees itself faced with a massive, unemployed, war-ravaged population often portrayed as sub-human, and has never posed any strategy for incorporating this population into its national workforce. Instead, it is currently planning to place Gazans in cordoned off “bubbles” while it continues its military campaign in other parts of the Strip.

In addition, while the author mentions Israel-China security relations in passing, here we would like to highlight that China and Israel have a long history of cooperation on “counterterrorism,” directed at Palestinians, Uyghurs, and the broader population. For example, China publicly sought out Israeli counterterrorism experts at the height of its crackdown in 2014. Similarly, China has invested billions of dollars in Israel’s high-tech sector and has served as the country’s second largest trading partner in recent years (behind the United States). To this day, China’s Hikvision cameras aid in the mass surveillance of Palestinians and others in Israeli society.

We’d also like to note that this article exemplifies a growing concern with the plight of Palestine in China, which appears to be more widespread than it has been in decades—despite the state’s strategic ambiguity on the issue and repression of any domestic activities that could be interpreted as “protest.” Semi-public film screenings and discussions have been organized among young activists in several cities over the past few months, and beyond that narrow milieu, recent weeks have even seen small-scale political actions by high school students. These students used brief media appearances during their post-exam celebrations to call for Palestine’s liberation. While such calls at first seem to be not so distant from China’s nominally pro-Palestinian position, the actions themselves were not welcomed by the state, perhaps because they risked drawing too much attention toward China’s empty posturing on this issue, while it has long maintained cozy relations with Israel. Some of these posts were deleted from social media, and a video of one incident shows students being taken off-camera by police. The demonstrations, as well as the piece below, illustrate why expanding the discussion of Palestinian oppression is in direct conflict with the Chinese state’s own interests.3

Finally, we’d like to emphasize that this article is one of only a handful of Chinese texts we’ve seen attempting to link the plight of Palestinians to that of Uyghurs (along with “Against Pinkwashing” and two of the sources cited below), and it’s the first non-academic piece we’ve seen that draws on extensive research using a broad variety of Chinese and English sources. It digs deep into the history of colonialism, land tenure, and labor conditions in both regions—attempting to clarify the facts and provide a Marxist theorization for young Chinese readers who have only recently begun to learn about these issues. We therefore consider it a milestone in the development of 21st century Chinese internationalism

[grantmentis]

Women's Hockey Roundup: October

Woof, I fell off of these for a while. Blame baseball and college! Anyway, I'm going to just do what happened in women's hockey in October (and maybe the last few days of September) for all leagues. This is only confirmed news and games, so rumors are not included

If you're new, i recap the top stories from around club play women's hockey (so not collegiate) and try to give more detail on european women's hockey, since that's less reported on in north america :-) Feel free to add if i miss anything!

PWHL (USA/Canada)

The PWHL schedule has been released! We have a few TBD's in venues, most likely for playing select games in bigger venues or neutral sites. we do not currently have streaming/television info, so stay tuned for that. There will be a preseason, but not open to the public.

Training Camp Begins November 12, with preseason/mini camps The 19-22. New York's training camp roster is here. Boston's is here. Minnesota's is here. Montreal is here. Ottawa's is here. Toronto's is here.

Nov. 27: Deadline to finalize rosters of 23 players and 3 reserves

Abigail Boreen signed a three year deal with the Montréal Victoire. She played with the Minnesota Frost last year, including in the playoffs, as a reserve player.

Ronja Savolainen signed a three year deal with the Ottawa Charge. She played with Luleä most recently and is a star of the Finnish national team.

Sarah Lefort, most recently with Montréal Victoire, has announced her retirement

The PWHL has begun the process of expansion for 2025-2026, targeting two new cities

SDHL (Sweden)

Fanni Garát-Gasparics signs with Brynäs IF, though is still rehabbing the injury she sustained last year with the Ottawa Charge

Dutch national team legend Savine Wielenga signs with Leksands IF

Rookie Reece Hunt of Luleä is out for the season with a torn knee ligament

Frölunda general manager Kim Martin Hassons is extended to 2028, and head coach Erika Holst is extended to 2026. Frölunda has been massively successful thus far this year, currently in second place in the standings and coming off a big win against firs place Lulëa

While Luleä and Frölunda are at the top of the table, MoDo is making noise in third place, having won six of their last eight.

A couple key story lines: -> Finish National Team forward, Elisa Holopainen (Frölunda) is lighting the league on fire in her first year in the SDHL. She has 9 goals and ten assists in 13 games -> We have a few wonderful comeback stories this year. Hanna Olsson (Frölunda) is back to her old self after missing most of last year with injury, with 16 points in 13 games, good for fourth in the league. Erica Reider, (Luleä) who did not play for two seasons, looks like she never left, currently leading all defenders i the league in points. And Kassidy Sauvé (SDE), who missed almost two full season's with a hip injury, currently leads all goaltenders in save percentage. -> MoDo Hockey is being powered almost entirely by a youth movement: top producers Ebba Hedqvist, Adéla Šapovalivová, Mira Hallin, and Lovisa Engström are all 18 or younger and playing prominent roles on the 3rd place team

Auroraliiga (Finland)

Canadian Emma Hall joins KalPa after playing in the NDHL (Sweden's second division) last year

Kärpät will retire the number 20 in honor of long time legend Saija Tarkki. After 21 seasons with Kärpät as well as the Finnish national team, Tarkki retired in 2019. She will be honored Novembe 23rd.

A Couple key storylines: -> 18 year old Czech forward Barbora Juříčková i having a breakout year with HPK, already surpassing her point total from last season with 22. She joins Emma Ekoluoma (Ilves), who was a star on the U18 Finnish team last year, as one of the young players to keep an eye on in this league -> Kiekko-Espoo sits at the top of the table, with Ilves right behind. Last year's champions HIFK are feeling the loss of several star players and sit in fourth place. -> Sister's Jennika , Joanna and Jatta Ojala all played for the same team together for the first time at the top level for Team Kuortane

SWHL A / Postfinance Women League (Switzerland)

Not technically league play, but since they play in this league too ill put it here: EV Zug won the EWHL Euro Cup, which is played at the beginning of the season including select club teams across europe! They bear the German league's Memmingen to do so. Noemi Neubauerova, who is set to play with the Toronto Sceptres when the PWHL game begins, scored the game winning goal

Sponsor PostFinance announces that in 2025/2026, they will only financially support men's club teams that have a women's counterpart

Nadine Hofstetter of EV Zug is out three weeks with a broken finger. She is one of the team's veteran defenders who also plays for the Swiss national team. Vanessa Ryhner, Nina Harju, and Julia Näf are also out with injury for EV Zug, though Rhyner should be back any day now.

ZSC Lions Fraun is hit with injuries: Slovakian forward Tereza Lahova is out for the year with injury, and Aurela Thalmann and Alena Polenská (aka Alena Mills) are also injured. They are calling up Univ. of Saskatchewan alumni Sophie Lalor

A few storylines: -> Elizabeth Lang (HC Davos Ladies) is leading the league in points in her rookie year and scoring at a goal per game pace. She graduated from University of Calgary last year -> Lara Stalder (EVZ Women's team) continues to do Lara Stalder things and is tied with Lang in goals, but newcomers Michaela Pejzlová (HC Ambrì-Piotta Girls) and Clara Rozier (SC Bern Fraun) who were stars in last year's finnish league are close behind. The top scorer race for this league will be exciting, and that's not to mention old friends like Rahel Enzler and Estelle Duvin, among others. -> HC Davos Ladies is currently at the top of the standings, but EV Zug and SC Bern Frauen are very close behing them -> 18 year old Ivana Wey (EVZ Women's Team) has been off to a blistering hot start, a lot of hype surrounding her after a strong performance at both u18 and senior worlds. Another interesting young player is Lucie Tenenbaum, an American set to play at Minnesota State next year but is spending this year in Switzerland. The 18 year old has 5 goals and two assists with HC Davos Ladies so far

EWHL (Central/East Europe)

EV Bozen Eagles are currently dominating the league, with the help of players such as import Kristin Della Rovere, who has 16 points in 9 games. The Bozen eagles are part of a larger plan to help get italy's women's national team ready for the 2026 olympics

HK PSRZ Bratislava are undefeated thus far this season, after winning last year's title.

Canadian USport alumni are thriving in this league; Cassidy Maplethorpe, Hannah Tait, and Lauren Nicholson among top goal scorers

Slovak Ema Tothova continues to be the young player to watch, after her breakout seeason last year the 17 year old forward has 10 goals in five games. She is also competing in a boy's league in Slovakia while playing in the EWHL

OTHERS

watch this space for Czech forward Adéla Mynaříková to mak the u18 team this year. She's 15 and just steamrolling people in the Czech top league, with 15 goals and 5 assists in 8 games playing against a lot of grown adults

Norweigan forward Une Bjelland Strandborg, who was arguably one of the best NCAA DIII players of all time and graduated last year, is killing it in Germany's league with newly added Austrian team HK Budapest. She has 7 points in 6 games

[elliespectacular]

Eccentric Severe Murders raises an important question: who is the guy that’s the common denominator between all three Eccentric videos? Both the A&P tape and the Christie VHS don’t have a cast database from what I can tell, so who is this guy? If you know, how did you find out?

I found the grocery store training videos because I was seeking out that sort of thing in 2019, and stumbling onto Agatha Christie: The Scoop was a happy coincidence. You can find his name in the on-screen credits of the tape which is on YouTube for free. If I find something else from that era where he gives off a similar energy and there's enough to work with we might see another Eccentric Severe _____ but I'm not actively looking to make more.

Importantly, he's just a guy. A real person, an actor doing honest work. My interest in making funny edits of some old projects he's appeared in has equally much to do with his performance as it does with the material he was given.

I presume you're just curious and want to discover more of this actor's filmography. That's awesome and I encourage that! But I feel it needs to be said for anyone else wondering who the actor is - I do not want people to seek him out (or any other subjects of my YTPs) to contact him about my videos or to show him them. My videos are not meant to be a secret but they're also not his business. We're doing our own thing enjoying a fictionalized version of him, and it's vital that we maintain a healthy separation between the parody space and the real world.

In my experience some people love seeing themselves in YTPs, but some people really don't understand them. People in this second camp can feel anything from confusion to indifference to insult, and tend to get annoyed when YTP fans who think they're "kindly informing" their subjects are just reminding them of a thing they know of and don't care for. And they're valid for those reactions! It's a weird thing to have happen to you if you're not prepared for it.

I do maintain that YTPs are a form of speech, remix culture is worth protecting, and that it is my responsibility as a remix artist to demonstrate integrity and transparency in what I do - partly out of respect for the subjects. It's part of why these days I generally try to make YTPs of bigger YouTubers, corporately-produced media, and stuff where the people in them more-or-less know what they're getting into with regards to their face/name being public and their performance not fully belonging to them.

[respectthepetty]

What are some of your favorite novelas, Petty? I grew up loving them too and personally I will ALWAYSSS show up for anything Fernando Colunga is in!

Anon, I'm not giving you some of my favorites. No. I'm giving you my favorite - If you know this bitch (affectionate and derogatory), you KNOW where this is going!

For all the BL people, this is why @italianpersonwithashippersheart, @lukaherehelp, and I are having no qualms about Twins or Playboyy.

Telenovelas, soap operas, y lakorns have trained us well for these shenanigans and hijinks.

Why y'all can't remember twenty-two people's names is beyond me, but I had them down the first episode.

Why y'all don't like the tonal whiplash is odd to me because for me, ten minutes on one couple is TOO MUCH TIME. Six minutes, TOP, and move on to the next one.

Someone getting stabbed in one scene then the next scene being someone celebrating at a birthday party is the way I like my shows, and don't let that person be getting stabbed AT that birthday party because that is my bread and butter.

Oh, and TWINS!

My favorite show includes all of these fine points, and it's the 1998 Mexican telenovela called

La usurpadora

Somewhere in fictional hell, Soraya Montenegro from María la del Barrio is pissed as fuck.

The plot: Paola is a rich bitch and wants to leave her husband for her evil lover but can't figure out how.

¡Sorpresa, cabrona! She meets a worker who looks just like her while on vacation or some shit.

Paulina is the other woman and she is too poor to contour. Therefore, rich bitch Paola convinces kind and caring Paulina to be her stand-in. Paola tells Paulina she will live the best life and be rich, while Paola can be free. It's a win-win.

¡MENTIRAS!

Paulina refuses! So Paola blackmails her into doing it, and with her mother dead, her fiance gone, and no job (since she was fired as part of Paola's blackmailing scheme), Paulina is forced to take the offer. This is like episode 2 out of 102.

In the next 100 episodes, we get forty-five other characters who are all important to the plot, amnesia, cheating, murder attempts, Paola pretending to be paralyzed, Paulina GOES TO PRISON, someone discovers they are actually twins (no duh!), and a crap ton of more drama.

Oh, and the car crash!

But God got Paulina, so she good. Even in the sequel when she had cancer, pero no, she was just pregnant.

The show is based on a 1971 Venezuelan telenovela that was adapted from the book La Intrusa, and has since had several remakes. One was in 2019, which made Paulina Colombian (or was she always Colombian?), and A MUSICAL THIS YEAR!

It holds a 96% rating on Rotten Tomatoes because the people know this was a 🎁🎁🎁 from God, and it is not up for debate because it featured men dancing around singing Celia Cruz's "La vida es un carnaval" y Selena's "Bidi Bidi Bom Bom." This movie is the moment.

The lead is Cuban actress Isabella Castillo Díaz who played in America and México's co-produced telenovela ¿Quién es quién?, which is basically the boy version of La usurpadora because of the twins plot. Do you see the theme?

But back to the musical, which also features Drag Race superstar, Valentina. If you know this bitch (affectionate and derogatory), you KNOW!

The 1998 version and musical both embrace the camp of it all. The music in the original 1998 version was peak telenovela, and even if you don't speak Spanish, readers, just watch the first minute of this video. I promise you it will be worth it, and it will give you three perfect examples of the *vibes* I'm always rambling about.

So, yeah, Anon, I hope this explains a lot of about my taste in BLs. I'm here for a show, not the show. Soraya understands.

[mariacallous]

It is, perhaps, no great surprise that the son of a talented cantor would grow up chanting prayers during Shabbat and holiday services. Or that Yair Keydar, 11, might perform Hebrew and Yiddish songs during concerts at various Jewish venues.

What could not have been anticipated, however, is that Keydar — known for his stirring renditions of “Oseh Shalom” and “Hashkiveinu” during services — would make his New York stage debut in an off-Broadway show called “Drag: The Musical.” The loud, fun, flashy production is about two rival drag queens who open competing clubs across the street from each other; the show opens and closes with voiceover messages from one of its producers, Liza Minnelli.

“It’s definitely super-different,” Keydar said, describing what it’s like to perform in what some might consider a risqué off-Broadway play after a lifetime in synagogues. “I mean, I’m dancing in a tutu in this show!”

Keydar’s somewhat unlikely journey into the world of musical theater began on the bimah. His Israeli-born parents met in the U.S., and a decade ago, his mother, Magda Fishman, became the cantor at Temple Beth El in Stamford, Connecticut. (His father, Zarin Keydar, is a global technical solution manager.) As soon as their young son could walk, he would run up to his mother during services and try to grab the microphone — a not-so-subtle foreshadowing of what was to come.

“The first time I remember singing in public, my mom did an interfaith event at a church, and wanted me to do a duet with her in front of about 500 people,” Keydar said in a recent interview.

Just how old was he at the time? “Three and a half,” he said.

In 2019, Fishman was hired by Rabbi David Steinhardt of the B’nai Torah Congregation in Boca Raton, the largest Conservative synagogue in South Florida. Steinhardt and I have been close friends since our Camp Ramah days in Palmer, Massachusetts in the 1960s. As a New Yorker who winters in Florida and often attends B’nai Torah, I was captivated by the cantor’s soaring vocals and vast, diverse repertoire of music.

At the same time, I began paying attention to the budding talent of her towheaded son. When the COVID-19 pandemic forced the suspension of in-person Shabbat services, I would watch Fishman and Keydar from their home on Zoom, singing their hearts out as if they were at Carnegie Hall.

It was clear something special going on with this prodigy, who was then just 7 years old.“In addition to his beautiful voice and sweetness, Yair has always been authentic, respectful, and kind,” Steinhardt said. “And he’s an extraordinary performer.”

After years of attending the Donna Klein Jewish Academy in Boca, Keydar added voice, acting and dance classes at the after-school Broadway Bound Academy. While originally focused on singing, “I started acting, and it just kept on going, and that’s when I realized I love it,” Keydar said.

In 2023, Fishman and Keydar came to Manhattan to perform in the National Yiddish Theatre Folksbiene’s “New York Sings Yiddish!,” a massive singalong in Central Park. The duo wowed the 4,000 in attendance that evening with what was possibly the most joyous version of “Chiribim, Chiribom” since it was first recorded by the legendary Cantor Moishe Oysher in 1931.

In May of this year, Keydar received rave reviews for his portrayal of Professor Harold Hill at the Broadway Bound Academy’s production of “The Music Man.” Having acquired a manager and agent in recent years, a life-changing phone call came in an unexpected location. “I was shopping with my dad at Walmart, and both my manager and agent wanted to talk with us,” Keydar said. “We went to the back of the store where they were restocking things, and they told me I had booked the role of Brendan in ‘Drag: The Musical.’ I wanted to scream it to everybody! It was such a surreal moment.”

It was also a vindication of Keydar’s commitment to performing. For years, he said, many of his schoolmates “didn’t get it.”

“Especially me as a boy doing dance in school instead of P.E., I’m not going to say I was bullied, but I got teased for it,” he said. “And I just feel like, I don’t bully people for playing football and soccer; you have your thing, and I like singing, dancing and acting. But my close friends, they get it.”

After several weeks of previews, “Drag” opened in October. Keydar alternates in the role of Brendan — a 10-year-old who finds himself drawn to the sparkly sunglasses and glittery outfits of the drag queens — with another young Jewish actor, Remi Tuckman.

In addition to fulfilling his theater dreams, Keydar is also excited about living, with his father, in Manhattan. “I love New York,” the newly minted Hell’s Kitchen resident, who is continuing his studies at a Florida virtual school, said. “It’s so much fun. It’s my first experience with city life.”

Keydar said that his “Drag” character resonates deeply with him. “It’s a powerful character, and it relates to me in many ways,” he said. “I think it encourages other kids to be who they are.”

Audiences and reviewers are loving the campy show, and Keydar has received extravagant praise. “Keydar sings like an angel,” Chip Deffaa of TheaterScene.net wrote. “He has only two numbers. But no one in the show earned greater applause than this young boy, now making his New York stage debut. Just a beautiful, unspoiled — and sweetly tender — performance. No attitude. No guile. Just singing from the heart.”

Rave reviews are wonderful — but what matters more to Keydar is the feedback from the well-known actors who are his co-stars. Brendan’s conservative, uptight dad is portrayed by Joey McIntyre, the actor/singer/songwriter who gained instant fame at age 12 when he joined the late-1980s boy band New Kids on the Block. “He’s lovely,” McIntyre, the father of three teenagers, told me about Keydar. “And I’m not just saying that. He’s incredibly talented and really funny. I admire his work ethic, and his joy for what he does. I’m very happy for him.”

Actor/singer/dancer Nick Adams, a Broadway mainstay since 2007, dazzles in the role of drag queen Alexis Gillmore, who is also Brendan’s uncle. “I see a lot of myself in him, especially in this role,” Adams said of Keydar. “Just wanting to perform at that age, and to explore theater. I’m very surprised at his presence on stage; he’s really in the moment with me. It’s a gift to work with him, I’m very thankful we have him, and I don’t want him to get too old!”  

Acclaim is coming from all corners. In honor of the hit movie “Wicked,” Keydar recorded a cover of a song from the musical, “The Wizard and I,” written by composer and lyricist Stephen Schwartz (who also wrote the music for “Godspell,” “Pippin,” “Prince of Egypt” among others).

I thought that Schwartz might enjoy seeing how Keydar performed the song, so I sent him the YouTube link. The multiple Grammy, Oscar and Golden Globe winner loved the boy’s rendition, writing: “Yair is an extraordinary young talent with a beautiful voice, and a remarkably mature knowledge of how to use it.”

Back in Boca — where Keydar’s mom continues to work as a cantor — Steinhardt said that most B’nai Torah members are ecstatic over Keydar’s success, and at least two dozen have come to New York to see the show and kvell. “Our congregation is very proud of him,” he said. “His endearing personality has made him feel like the young son of so many people in our community.”

As for Keydar, he’s clear about his future. “This is my dream,” he said. “This is what I’ve been working towards. I can’t wait to continue and do more and see what’s next.”

“Drag: The Musical” has an open-ended run at Manhattan’s New World Stages (340 West 50th St.). Yair Keydar is currently scheduled to perform in the show until the end of March.

[allergictocolor]

Character Profile - Pugsley Addams

“An energetic monster of a boy about nine years old - blondish red hair, popped blue eyes and a dedicated troublemaker - in other words, the kid next door. Genius in his own way, he makes toy guillotines, full size racks, threatens to poison his sister, can turn himself into a Mr. Hyde with an ordinary chemical set. He is, nevertheless, easily controlled by Morticia, though Lurch and Gomez keep their backs to the wall at all times when he is around. His voice is hoarse.” - Chas Addams

Charles Addams originally wanted to name him Pubert, but the TV producers balked at the idea, thinking the name too bawdy for television. He instead settled on Pugsley, the name of a creek in the Bronx.) The name Pubert would of course be used many years later for a third child in the film Addams Family Values.

Far more devious in the comics, Pugsley on TV was instead portrayed as curious but not necessarily bright. He’s 8 years old in the pilot, but they amend this to 10 years old in the second episode, a few years older than Wednesday. 

His favorite pastime is playing with explosives of various sizes, which was not in the comics, but follows the theme of possibly putting others in danger. At one point, the missiles he fires off from the house attract the attention of the government, who mistake them for UFOs, leading to a sitcom-typical hilarious misunderstanding. Later iterations of Pugsley continue to enjoy explosives, using them to help his family in the 2019 animated film, and to go fishing in the 2022 Netflix series.

Just as the comics established his omnipresent striped shirt, they also provided one of the first plotlines in the 60s TV show. In the second episode, Pugsley horrifies his family by joining the Boy Scouts. The inspiration came from a comic captioned “Well, he certainly doesn’t take after my side of the family.”

They also took inspiration from a comic where he had various signs in his bedroom, clearly stolen from work sites and dangerous, condemned areas. In the show, he has at least one replica of one of those signs, and several others based on the concept. Not content to merely blow up model trains like his father does, this boy definitely wants to cause some real world mayhem.

The 60s TV Pugsley has some strange inventions, like a disintegrator gun and an anti-gravity gun, which he apparently built himself. He also helps Gomez construct a computer called Whizzo, and a robot named Smiley (played by Robby the Robot, which made a stunning number of appearances on TV and in movies after its creation for Forbidden Planet). He clearly has the mind of an engineer, but he’s also sometimes portrayed as not very good at academic subjects, implying that he’s perhaps something of a savant.

I believe that Pugsley continues to be the older child in the 1970s animated series, but I have not watched it. It’s only really worth mentioning because the person who did the voice of Pugsley was, as I mentioned in another post, a 10-year-old Jodie Foster. 

In the 1990’s, Pugsley is suddenly younger than Wednesday, though I’m not sure whether they outright state the children’s ages at any point. They’re close enough in age to perform together in a school talent show, spraying the unhappy audience with fake blood in a Shakespearean performance they seem to have written themselves.

He still engineers contraptions, but he’s portrayed as gullible, believing pretty much whatever Wednesday tells him. When they torture each other, there’s no malice to it. It’s simply how they play. The only malice evident is when a third child, the aforementioned Pubert, enters the scene in the second film. Wednesday tells Pugsley that when their parents have a third child, they need to get rid of one of the existing children. They then set up a number of devices meant to get rid of their new baby brother. Once they’re sent away to camp, they’re a team. It’s Pugsley and Wednesday against the world.

The musical portrays Pugsley as much younger than Wednesday. As you may have noticed, it’s hard to talk about Pugsley without talking about his relationship with his sister. In the musical, he worries that Wednesday getting married and moving away will mean that she’ll stop torturing him. It’s not just how they play, but how they bond.

The 2019 animated film sees Pugsley struggling with a rite of passage called the “Sabre Mazurka”. It would be logical to assume that he’s 13, the typical age of a rite of passage, but he’s overtly shown to be several years younger than Wednesday, who’s less than 13 years old. The last time the whole Addams family was together was 13 years ago, at their parents’ wedding. So maybe a boy in the Addams family undergoes this rite of passage at the age of ten.

There was something that kind of bugged me about Pugsley, but I couldn’t put my finger on it until the 2022 Netflix series. How do a dark-haired Spaniard and a dark-haired femme fatale have a blond child? It’s genetically improbable, though not completely impossible, especially in a family that includes a walking hairdo and an animated hand. But I think casting Latin/Hispanic children for both Pugsley and Wednesday made sense, especially with Luis Guzmán as their father.

The Netflix version of Pugsley is far more timid than previous incarnations, solely to give Wednesday someone to save early on. I’m hoping that in season two we’ll see more of the flair and gusto that makes an Addams an Addams. He has potential. He’s definitely weird. He just needs a little more bite.

[neil-neil-orange-peel]

Neil Bitch's Pinned Post 🍊

Hi, scumbags! R here. I thought I'd put together a post of links to the various things I've written or been a part of during my time in the fandom. I'll add to it if/when anything new comes along, or I remember something I've forgotten.

Likes/follows come from @scumbaganarchy. ❤️

Closest I'll get to a face reveal. Art by @xgardensinspace for Scumbag Monthly.

Fanfic ✨

My ao3 account is scumbaganarchy.

Fics of mine I'd like to signal boost:

Once In Every Lifetime (written 2019-2020) - First thing I ever posted on ao3 and my way back into writing. The Young Ones. Set post 'Summer Holiday'. Four parts. POV switches to a different young one with each part. Eventual Rivyan. 20K in total. Link to OIEL master post on Tumblr.

Prompts From Scumbag College (written 2019-2021) - Series of shorts/one shots based on one line prompts. The Young Ones. Featuring mostly Rivyan, but also PunkPye, Mivyan, CookPunkPye, CoolPye, and Gen prompts. 20K in total. Link to prompt master post on Tumblr.

Punks and Princesses (written 2019-2020) - The Young Ones. Halloween fic. Eventual Rivyan. 18K.

A Bastard's Carol (written 2019-2020) - Christmas fic. Parody of A Christmas Carol. Rivyan. Crossover between The Young Ones/Kevin Turvey/Filthy, Rich & Catflap/Drop Dead Fred/Bottom/The Comic Strip Presents.../The Dangerous Brothers/The New Statesman. 59K.

Rantings and Ravings (written 2021-present) - Ongoing series of writings for Rik and Ade Fests. Features various Rik and Ade shows. Currently 19K in total.

The Basterds of Hammersmith (written 2022-present) - Bottom/The Young Ones crossover. OC heavy. Set pre both shows. Concerns the history of the Basterd family. Includes heavy topics. Eventual Richie/Eddie. Slow to update. Currently 19K.

I also tag everything I post about any given fanfic of mine on this blog with its title (example: #the basterds of hammersmith).

Scumbag Monthly ✨

Scumbag Monthly was a free online fanzine for The Young Ones (and sometimes adjacent media) produced by fans between 2020-2023. From Issue #4 (1.6.20), I was its editor.

Twenty-five regular zines were produced, as well as several specials. SM featured fanart, fanfic, memes, puzzles, competitions, pages "made by" the characters, occasional thought pieces, and other miscellaneous bits and bobs.

SM's website is here, and its archive of zines is available here.

All SM Comic Strip reviews are also available on ao3 here. The twelve episodes of The Young Ones, as reviewed by twelve scumbags for the TYO 40th anniversary zine, are available on ao3 here too.

These reviews are also available on Tumblr: Demolition, Oil, Boring, Bomb, Interesting, Flood, Bambi, Cash, Nasty, Time, Sick, Summer Holiday.

Scumbag Monthly zine timeline:

1st March 2020: Issue #1, No Theme

1st April 2020: Issue #2, April Fool's

1st May 2020*: Issue #3, Alternate Universe

1st June 2020: Issue #4, Pride

9th June 2020: Rik Special

1st July 2020: Issue #5, Summer

1st August 2020: Issue #6, No Theme

1st September 2020: Issue #7, Back to School

1st October 2020: Issue #8, Halloween

1st November 2020: Issue #9, Bonfire Night

1st December 2020: Issue #10, Christmas

1st January 2021: Issue #11, New Year's and New Beginnings

1st February 2021: Issue #12, Valentine's Day

1st March 2021: Issue #13, One Year Anniversary

1st March 2021: One Year Anniversary Poster Book

1st April 2021: Issue #14, April Fool's

1st May 2021: Issue #15, Modern AU

1st June 2021: Issue #16, Pride

9th June 2021: Rik Special

1st July 2021: Issue #17, Road Trip

1st August 2021: Issue #18, Pirate AU

1st September 2021: Issue #19, Mike the Cool Person

1st February 2022: Issue #20, Monster AU

1st March 2022: Two Year Anniversary Poster Book

20th May 2022: Issue #21, After the Cliff

9th June 2022: Rik Special

18th August 2022: Issue #22, Summer Camp

31st October 2022: Issue #23, Historical AU

9th November 2022: TYO 40th Anniversary Special

13th January 2023: Issue #24, Fantasy AU

1st March 2023: Issue #25, Band AU

1st March 2023: Strip Tease Compilation

*Zine arrived late on 20th May 2020

The twenty-five regular cover arts of SM.

SM sign off post, written by me.

Dormant Tumblr blog: @scumbag-monthly

Dormant Instagram, includes stories "from" the characters: scumbag_monthly

Active ao3 account, which is still used to host Rik and Ade Fests through a pseud: ScumbagMonthly

Redbubble: Scumbag Monthly

Rik And Ade Fest ✨

The Rik and Ade Fest is run by myself and @xgardensinspace as a yearly fandom event. It involves fans submitting prompt ideas for any show/film featuring Rik and/or Ade, which participants can then claim and make fic/art for. Each fest's creative output is hosted in its own collection on ao3.

Though the first fest in 2021 ran to coincide with Christmas, every fest since has run to coincide with Scumbag Easter (12th June).

The Rik and Ade Fest was originally "sponsored by" Scumbag Monthly and still uses its email address and ao3 account to operate.

Tumblr blog: @rikandadefest

Ao3 account, a ScumbagMonthly pseud: RikAndAdeFest

Link to the fest master post, containing links to all collections, the Google form prompt sheet, and Discord server

Complete Bastards Week ✨

A new fandom event due to run in January 2025. A list of seven NSFW and seven SFW prompts were voted on by fans, who can now make fic/art/anything pertaining to these prompts.

Running: Mon 20th - Sun 26th January 2025

Tumblr blog: @completebastardsweek

Master post containing the prompts

Miscellaneous ✨

A Bastards Carol PDF - formatted with cover art by @viviangreeneart

An Epilogue (and a Prologue) - writing for TBOH, available in three parts on Tumblr. Centred on Vyvyan. 5.8K in total. One. Two. Three.

The Young Ones as a Cultural Source for Early 1980s Britain - undergraduate essay I wrote about The Young Ones.

All answered asks are tagged #asks

I tag my wafflings, both fandom and miscellaneous, #me rambling

My fandom OC tag is #my bastard ocs

[linghxr]

I watched all the Chinese idol survival shows so you don’t have to (but you should anyway)

About three years ago, I watched 创造101 Produce 101 China, and it kinda changed my life. Yes, really! This show dragged me down a rabbit hole that eventually led to me watching many more Chinese shows and listening to almost exclusively Chinese music. I’m even branching out to cdramas now. All under the guise of, um, improving my listening comprehension!

OK, so “all the Chinese idol survival shows” might be an exaggeration. I’ll be talking about these three classic idol group survival shows from the “golden age” period of 2018-2021:

>> 偶像练习生 Idol Producer/青春有你 Youth with You (iQiyi)

偶像练习生 Idol Producer

青春有你1 Youth with You 1

青春有你2 Youth with You 2

青春有你3 Youth with You 3

>> 创造101 Produce 101/创造营 Chuang (Tencent)

创造101 Produce 101 China

创造营2019 Produce Camp 2019

创造营2020 Chuang 2020

创造营2021 Chuang 2021

>> 以团之名 All For One/少年之名 We Are Young (Youku)

以团之名 All For One

少年之名 We Are Young

Here is the order I actually watched these 10 seasons in:

创造101 Produce 101 China

青春有你2 Youth with You 2

创造营2020 Chuang 2020

创造营2019 Produce Camp 2019

偶像练习生 Idol Producer

青春有你1 Youth with You 1

青春有你3 Youth with You 3

创造营2021 Chuang 2021

以团之名 All For One

少年之名 We Are Young

I started 创造101 Produce 101 China in late 2019/early 2020 and finished 少年之名 We Are Young on Christmas Day 2022. I was literally tearing up. Three franchises, ten seasons, something around 1000 contestants, and three years of my life.

In order to refresh my memory for this post, I rewatched almost all of the performance clips from these shows. I didn’t watch the initial evaluations or any practice room videos (it’s simply too much content). It was simultaneously fun and exhausting. I will go over why you should/shouldn’t watch each season and give any other notable remarks. Let’s get started!

*Please note that for any YouTube links below, there is a risk of muted sections, parts/entire episodes being unavailable, and missing/out of sync subtitles. For official links, whether or not a VIP subscription is needed may change in the future. Fansubbed content may have sections or entire episodes missing.

>> 偶像练习生 Idol Producer/青春有你 Youth with You (iQiyi)

iQiyi rebranded the series by changing its name from 偶像练习生 Idol Producer to 青春有你 Youth with You after the first season. However, they really didn’t change much about the format at all. From what I’ve heard, iQiyi doesn’t have as large a budget as Tencent, which you can see reflected in the show’s production quality. However, I’ve long felt that this franchise has a real charming quality that makes up for lack of flashy sets.

偶像练习生 Idol Producer

Watch on iQiyi (English subs, VIP needed) Watch via Idol Producer Subs (English fansubs, missing part of finale)

Why you should watch it: Though not China’s first idol survival show, this show was the first of a new era. It’s iconic! The theme song is a bop, 10/10. Also, I had heard of all of the winners before I watched this season, so there’s some real cultural relevance. I can’t believe it was nearly five years ago! The whole top 20 remains iconic to this day. In most seasons, there are at least one or two popular contestants who I don’t really like or don’t see the appeal of, but that wasn’t the case this season. This season is also a lot shorter than later seasons, so it’s easier for those who are new to survival shows.

Why you shouldn’t watch it: As I mentioned, there is a lack of flashy sets/stages here. The background of the stage often looks empty. There were some performances that were better than I remembered, but there were others that were...not. I’m pretty sure 黄明昊 Justin was 15 when the show began, which shocks me in a BAD way. And if you’re a Jackson Wang fan, I think he barely appeared in the second half of the show.

My picks: 郑锐彬 Zheng Ruibin, 周彦辰 Zhou Yanchen, 蔡徐坤 Cai Xukun, 王子异 Wang Ziyi, 朱星杰 Zhu Xingjie, 周锐 Zhou Rui

Favorite performance: PPAP A组 PPAP group A This was a powerhouse group. And it was hilarious to watch the boys’ reaction when they heard the whole song and realized the style was not at all what they had initially expected! They totally pulled it off though.

Iconic moments: 蔡徐坤 Cai Xukun’s outfit (and ego) in the initial evaluation, B-A-L-A-N-C-E, when we realized 朱星杰 Zhu Xingjie can sing too, 林彦俊 Lin Yanjun's platinum hair, one of the songs was called Mack Daddy which causes me great distress to this day, 周锐 Zhou Rui aka 周美锐 Zhou Meirui, I’m still laughing over 朱星杰 Zhu Xingjie’s resemblance to 胡巴 Huba.

Verdict: Though this was not my first idol survival show, I think it would be a great first foray for anyone. It’s iconic for a reason. You should watch it (and I might rewatch it). 

青春有你1 Youth with You 1

Watch on iQiyi (English subs, VIP needed) Watch via Qing Chun You Ni Subs (English fansubs)

Why you should watch it: This season is the forgotten child of the franchise, but it still had some great performances and a lot of talented contestants. The theme song is also probably my favorite out of all ten theme songs! It was love at first listen. Personally, I enjoyed this team of mentors more than the first season’s. I also feel that the vocal-based performances were stronger this season. For instance, there were great performances of 李荣浩 Li Ronghao songs.

Why you shouldn’t watch it: I feel that some of the magic of the first season was lost, and overall the contestants were not as memorable or charismatic in my opinion. There were also several contestants I found extremely irritating and some contestants who ranked much higher and last much longer on the show than I feel they should have based on their skill level...but I won’t name names.

My picks: 夏瀚宇 Xia Hanyu, 李振宁 Li Zhenning, 周士原 Zhou Shiyuan, 连淮伟 Li Huaiwei

Favorite performance: 隔壁泰山 A组 Neighboring Tarzan group A This is a very unusal song, but it’s so catchy and memorable. 夏瀚宇 Xia Hanyu really made this performance for me. And this song still gets stuck in my head months later!

Iconic moments: 冯俊杰 Feng Junjie and 夏瀚宇 Xia Hanyu trying to outdo each other, 胡春杨 Hu Chunyang looked angry 24/7 for no reason, they literally got 蔡依林! Jolin Tsai! as a mentor, 李汶翰 Li Wenhan was everyone’s older brother, their performance made me fall in love with the song 耳朵 Erduo, they kinda did a steampunk concept which I love.

Verdict: It’s not necessarily a must-watch, but I still enjoyed it. If you’ve fallen into the black hole of survival shows and want more, I think it’s worth your time.

青春有你2 Youth with You 2

Watch on iQiyi (English subs, VIP needed) Watch on YouTube (English subs) Watch on YouTube (no English subs, missing several parts/episodes)

Why you should watch it: As iQiyi’s first time with female contestants, this season was highly anticipated. iQiyi stepped it up with subtitles, got Lisa from BLACKPINK as a mentor (I saw people say they came for Lisa and stayed for the trainees), and made a lot of content available on YouTube. As a result, some of the performances from this season have millions of views. It’s well deserved—a lot of the contestants are overflowing with talent and charisma. And honestly, you should watch this for 蔡徐坤. He’s a great MC/mentor to the girls and was truly a highlight of the season for me.

Why you shouldn’t watch it: This is the only season that I watched week by week as it was airing. It was EXHAUSTING. iQiyi started pumping out two episodes a week, doubling the overall episode count. I was literally burnt out by the finale. So if you watch this, please take it slow. Also, I forgot how much they did that thing where they cut away from the performances to show other contestant/mentor reactions and then have to go rewind on the performance...it really drives me nuts. They overdid it for sure.

My picks: 刘雨昕 Liu Yuxin, 喻言 Yu Yan, 王承渲 Wang Chengxuan, 刘令姿 Liu Lingzi, 许馨文 Xu Xinwen

Favorite performance: 不奉陪 No Company This was a tough choice! I went with this performance because I actively sought it out for relistens. That’s so rare for 主题考核 theme evaluation songs for me. All the members got to shine yet they were a very cohesive team.

Iconic moments: Bad Guy was the ultimate dark horse, how no one knew the song 想见你想见你想见你 Miss You 3000, 王承渲 Wang Chengxuan defeated the evil quads, 乃万 Nineone basically replaced Jony J as rap mentor, seeing 刘雨昕 Liu Yuxin with a wig was terrifying, they let the girls wear shorts if they didn’t like skirts #feminism, I still think about 张钰 Zhang Yu and 王清 Wang Qing’s initial performance all the time.

Verdict: I don’t think I could rewatch this season due to its length, but if you can commit the time, I think you should watch it. I’m sad I’ll never get to see a second 青春有你 Youth with You female season.

青春有你3 Youth with You 3

Watch on iQiyi (English subs, no VIP needed) Watch on iQiyi (no English subs, no VIP needed) Watch on YouTube (no English subs, missing several parts/episodes)

Why you should watch it: This season was probably the one I felt most emotionally invested in. I feel like I got to know the boys and was in it together with them (parasocial relationships, I know). And the friendships between contestants were so touching. Like 青春有你2 Youth with You 2, this season was also extra long, but I watched this season after it aired, going at my own pace. There were so many charming contestants and memorable performances. The dancing especially shone, but we got some great vocal moments too. I think iQiyi did a really good job picking songs this season.

Why you shouldn’t watch it: Sadly, the finale never aired. Due to the infamous milk-wasting scandal, the show was cancelled (but a winning group still formed and debuted). Even though I knew this before watching the show, it was still quite sad to never see a conclusion. Additionally, I believe this show started with more like 120 contestants, and I felt that increased number. Lastly, there was some painful singing and lots of very uninspired rapping. I feel like the gap in skill between the contestants was larger, and some of the teams felt very unbalanced as a result.

My picks: 姜京佐 Jiang Jingzuo, 杨昊铭 Yang Haoming, 十七 Shiqi, 徐子未 Xu Ziwei, 张思源 Zhang Siyuan, 连淮伟 Lian Huaiwei

Favorite performance: 燕尾蝶 Wings of Love This performance was everything I could ever dream of. 徐子未 won the world over instantly. He has the voice of an angel. Love the song, love the concept, love everything about it.

Iconic moments: 罗一舟 Luo Yizhou and 余景天 Tony Yu Jingtians’s friendly rivalry, 徐子未 Xu Ziwei’s back-to-back victories, Yuta’s adorable accent, 王南钧 Wang Nanjun would not shut up about 竹 Bamboo, touch 梁森 Liang Sen’s head for good luck, 刘隽 Liu Jun dances like he’s possessed (in a good way), that 雨爱 Rainie Love stage was a trainwreck tbh.

Verdict: Despite the scandals and lack of a finale, it was worth the watch for me. I feel so fond thinking of this season. Truthfully, season three has surpassed season two for me.

>> 创造101 Produce 101/创造营 Chuang (Tencent)

I read somewhere that Tencent officially licensed the Produce 101 name from Mnet, making this franchise more “official.” For season two, they ended up changing the name to 创造营 Produce Camp. The Chinese name remained the same for seasons three and four, but the in English they started promoting the show under the name Chuang. I think they wanted to beat iQiyi in the contest to see who can have the most titles for the same show.

创造101 Produce 101 China

Watch on Tencent Video (English subs, no VIP needed) Watch on 腾讯视频 (no English subs, VIP needed) Watch on YouTube (no English subs) Watch on YouTube (no English subs, episode 7 here, episode 10 here) Watch via Produce 101 China Subs (English fansubs)

Why you should watch it: This is the only season I’ve seen twice, so that says something I guess! This season holds a special place in my heart as my first survival show, so I rewatched it earlier this year with some friends who hadn’t seen it previously. One thing that stood out to me about this season was that it felt like there were several dark horses who started to shine closer to the middle/end of the show. I liked this because it’s boring when the debut lineup is completely predictable! And if you’re not already a 孟美岐 Meng Meiqi fan, you will leave as a 孟美岐 Meng Meiqi fan, guaranteed.

Why you shouldn’t watch it: Not gonna lie, I was not a huge fan of this mentor team. I am fine with these people individually, but together it was not an ideal combo in my opinion. They collectively made some very odd decisions that I strongly disagree with. After my rewatch, I’m just kinda done with 黄子韬 Huang Zitao. I also realized there were a lot more instances of...rough singing than I remembered, so be warned.

My picks: 孟美岐 Meng Meiqi, Yamy, 刘人语 Liu Renyu, 许靖韵 Angela Xu Jingyun, 吴映香 Lucia Wu Yingxiang, 李紫婷 Mimi Li Ziting

Favorite performance: 别人家的小孩 Other People’s Kids This is one of the most iconic performances (and one of my favorites) ever from all of these shows! It’s so unique and really has everything you could want. It was truly a perfect collab performance.

Iconic moments: When they had to tap 杨超越 Yang Chaoyue so she wouldn’t miss the beat, 王一博 Wang Yibo’s blue hair was gorgeous, Triple A group reunion, Look What You Made Me Do with creepy marionettes was perfect, when 陈嘉桦 Ella went barefoot on stage, 黄子韬 Huang Zitao literally screamed at them all, I’ll never forget the iconic 乐华 Yuehua performance.

Verdict: Even the second time, this was a season filled with surprises. It’s not perfect, but I think it will manage to charm you anyway. There are some real hidden gems here.

创造营2019 Produce Camp 2019

Watch on Tencent Video (English subs, VIP needed) Watch on 腾讯视频 (no English subs, VIP needed) Watch on YouTube (no English subs)

Why you should watch it: This was the first ever male season I watched, and I remember being apprehensive. I ended up having a lot of fun! This season really tugged at my heartstrings with the touching friendships between the boys and the intense 导师推荐生 mentor recommendees segments. I felt like I went through the wringer with them as they were forced to repack all their belongings, endure the brutal F班 demotions, hike across the beach, and more. There were countless hilarious moments too. If I were to rewatch, it would be for 周震南 Zhou Zhennan AKA 南南 Nannan. He just dominates the stage (despite his short stature)!

Why you shouldn’t watch it: I’ll admit, this season probably has the greatest number of contestants that annoy me. Sometimes it’s for no good reason...I just look at them and go ugh. The first round especially has some pretty painful singing, so be warned of that as well. Also, my rewatch made me realize I remembered very few performances from this season, which probably isn’t a good sign. Also, a lot of the performances were very short, sub-three minutes, which personally bothers me.

My picks: 周震南 Zhou Zhennan, 高嘉朗 Gao Jialang, 姚琛 Yao Chen, 陆思恒 Lu Siheng, 李鑫一 Li Xinyi, 贺俊雄 He Junxiong

Favorite performance: 开门见山 Kaimenjianshan I’ll admit that this performance was not as good as I remembered it being (probably because now I’ve heard the original by A-Mei many times), but I picked it anyway to acknowledge the amazing 高嘉朗 Gao Jialang.

Iconic moments: 张颜齐 Zhang Yanqi giving away jars of 老干妈 Lao Gan Ma, we never saw 王晨艺 Wang Chenyi again, 姚琛来了~ (Yao Chen is coming), when 周震南 Zhou Zhennan had his hoodie on but his ears were sticking out omg, try saying 李昀锐 Li Yunrui's name ten times fast, they had 30+ year old men here, this was the OG 乘风破浪 chengfengpolang.

Verdict: Among so many seasons, I don’t think this season stands out that much, but I still remember it fondly. If you want a good laugh and some fun, check it out.

创造营2020 Chuang 2020

Watch on Tencent Video (English subs, VIP needed) Watch on 腾讯视频 (no English subs, VIP needed) Watch on YouTube (English subs, missing episode 3) Watch on YouTube (English subs, missing episode 3) Watch on Viki (English subs, no Viki Pass needed)

Why you should watch it: They went all out on the sets, the location, the accommodations, everything. The performance setup was that the seats were in the middle and various stages were located around the perimeter. The seats would rotate to face the stages!! Some of the stages were stunning. I also want to mention that there were some great vocalists this season and I feel like they got to shine, which always makes me happy. The best round by far was the second round (专业方向). We got some beautiful vocal performances and intense dance performances.

Why you shouldn’t watch it: This season felt messy to me. I think they tried to mix things up, but not everything landed. The beautiful sets almost got distracting…they were more interesting than some of the performances. Several very talented and promising contestants never even made it past the first round. And since the final group only had seven people, the finale was just a frustrating experience. I never want to hear that 小摩托 xiao motuo song or 夏天的风 Summer Wind again. I don’t feel this season lived up to 创造101 Produce 101 China (unless you wanted MORE comments about weight/thinness).

My picks: 王柯 Wang Ke, 华承妍 Hua Chengyan, 刘些宁 Liu Xiening, 苏芮琪 Su Ruiqi, 朱主爱, Joyce Zhu Zhu’ai, 王一桥 Wang Yiqiao

Favorite performance: Manta There were a lot of performances I liked, but I really struggled to pick a favorite. I ultimately went with this because it’s one of the most memorable dance performances I’ve seen on these shows.

Iconic moments: That thin waist contest was simply the worst, they were in a literal castle, we all went crazy for the band and 王柯 Wang Ke, 朱主爱 Joyce Zhu Zhu’ai won the collab stage, wtf stop filming 姜贞羽 Jiang Zhenyu, I want to ride that cute train up the mountain, 毛不易 Mao Buyi did not want to talk, pretend that 吴亦凡 Wu Yifan wasn’t there.

Verdict: This season was competing against 青春有你2 Youth with You 2, and I chose to prioritize 青春有你2 Youth with You 2. I would make the same choice now. If you decide to watch, just be warned it may be a frustrating experience.

创造营2021 Chuang 2021

Watch on Tencent Video (English subs, VIP needed) Watch on 腾讯视频 (no English subs, VIP needed)

Why you should watch it: I wasn’t sure I was going to watch this season because of its international theme. Having foreigners is nothing new, but such a large number was certainly going to alter the show’s dynamic. Well, I watched it anyway. Overall, I’m glad I did. There were some talented and lovable contestants that made this season all worth it. The mentor squad (mostly 宁静 Ning Jing, 邓超 Deng Chao, and 周深 Zhou Shen) were so entertaining. Lastly, compared to the 2019 season, there were more popular vocalists this season, which I 100% support. I’ll be honest, I didn’t remember a lot of the performances from this season, but I ended up pleasantly surprised by how many great ones there were!

Why you shouldn’t watch it: It felt like there was so much focus on Nine and Patrick, Santa and Riki, the Intersection boys, and eventually Lelush as well. The other foreign contestants honestly had very little impact. This didn’t ruin the show or anything, but sometimes I got a little sick of the Santa and Mika show, you know? Also, none of my favorites made it into the winning group unfortunately. While I acknowledge the talent of the winning members, for whatever reason I wasn’t really that invested in most of them.

My picks: 俞更寅 Yu Gengying, 井胧 Jing Long, 林墨 Lin Mo, 奥斯卡 Oscar, 张星特 Zhang Xingte

Favorite performance: Lover Boy 88 This performance was simply infectious! I even made my friends watch to it. 林墨 Lin Mo is so charming. And 张腾 Zhang Teng and 张星特 Zhang Xingte’s vocals were perfect. Just wish it had been longer!

Iconic moments: Mika and 曾涵江 Zeng Hanjiang = my last two brain cells trying to communicate, I still can’t believe Lelush went viral worldwide, 刘宇 Liu Yu broke the Produce curse, Nine and Patrick only learned Chinese for how long???, Caelan kinda does look like Leonardo DiCaprio, Oscar AKA 熊熊 Xiongxiong, the 网红 wanghong group was so talented actually.

Verdict: I think this season got more international attention than 青春有你3 Youth with You 3, and while I prefer 青春有你3 Youth with You 3, this season is worth a watch for its uniqueness and improvements over the previous year.

>> 以团之名 All For One/少年之名 We Are Young (Youku)

I watched both seasons of Youku’s shorter-lived franchise in 2022 only after (and only because) I had finished the other two franchises. I think Youku had a smaller budget and thus tried to stand out by shaking up the traditional survival show formula. I think they made some poor choices and some good choices. I don’t know the story behind the name change between seasons, but the seasons are so different from each other that it makes sense.

以团之名 All For One

Watch on Youku (no English subs, VIP needed) Watch on YouTube (no English subs)

Why you should watch it: I’m going to say a lot of negative stuff below, but I wanted to add at least a few positive words. During the finale, the remaining contestants sang S.H.E’s 你曾是少年 Wings Of My Words, and I don’t think I’ve ever gotten so emotional over a performance ever. 任家萱 Selina was a delight throughout. I also really grew to appreciate 奶茶 Naicha and what a great and thoughtful leader he was.

Why you shouldn’t watch it: As I mentioned, this show had some unique features that made it stand out. The contestants formed ten groups of eight, and the composition of the groups remained unchanged throughout. Entire groups got eliminated together. This created a dynamic where some really talented contestants went home too soon due to their group. It also meant that some groups were popular really just due to having one popular member. In the end, one group won...but I guess they realized this was a bad idea, so they formed a second winning group of the most popular contestants from the non-winning groups. I didn’t like this format and felt is really negatively impacted my viewing. Personally, seeing new team lineups form is one of my favorite parts of survival shows. And because the leaders were constant, they had there was too much focus on them. Also, the mentors were so harsh all the time. Maybe it was deserved, but it really bummed me out to watch them constantly talk about how disappointed they were.

My picks: 奶茶 Naicha, 田书臣 Tian Shuchen, 龙泓昊 Long Honghao, 赖煜哲 AJ Lai Yuzhe, 热亚提 Reyati, 赵品霖 Zhao Pinlin

Favorite performance: 饕餮 Taotie This was not one of the performances that stood out in my memory, but it stood out to me when I did my rewatch. I feel like they really nailed every element, and I don’t think the other teams could have pulled off this song.

Iconic moments: 何展成 Jonathan Ha gave up on speaking Chinese and 袁娅维 Tia Ray had to translate for him, the 王霏霏 Wang Feifei and 孟佳 Meng Jia reunion, 龙泓昊 Long Honghao’s beautiful dance to a Shawn Mendes song, I’m not sure why 奶茶 Naicha chose milk tea as stage name, AJ vs. the hidden snacks, they made 周艺轩 Zhou Yixuan perform a UNIQ song.

Verdict: Maybe you can skip this one. I definitely didn’t devote my full attention while I was watching it. And it felt like the show and the mentors were being mean to the boys all the time.

少年之名 We Are Young

Watch on Youku (no English subs, VIP needed) Watch on YouTube (no English subs) Watch via We Are Young Subs (English fansubs)

Why you should watch it: They improved on basically all the issues I had with the first season, and I was pleasantly surprised. Also, this is basically a 青春有你1 Youth with You 1 mini reunion with a few 偶像练习生 Idol Producer alums plus some future 青春有你3 You with You 3 contestants. It was so wonderful to see how the contestants I already knew had grown, and I loved seeing them get new opportunities to shine. There was surprisingly a lot of good raps/rappers on this show! Also, there were some truly incredible performances this season that aren’t like anything I’ve seen on other idol survival shows. And I enjoyed almost every performance—there were only a few that I disliked or thought were, um, not good. The mentors did not always agree...but I don’t care!

Why you shouldn’t watch it: Because they have to be different, when doing the initial evaluations, only about 50 contestants advanced to the next round. This was nice because it meant fewer names/faces, but wow, it felt so mean. Sometimes I wished they had stuck to a more traditional format. Besides that, I don’t have much else negative to say!

My picks: 郭震 Guo Zhen, 寇聪 Kuo Cong, 胡文煊 Hu Wenxuan, 左林杰 Zuo Linjie, 李希侃 Li Xikan, 崔少鹏 Cui Shaopeng, 杨超文 Yang Chaowen

Favorite performance: Don’t Start Now I don’t think I’ve ever seen this exact concept on one of these shows before. This performance was instantly a standout for me, especially because it had some of my favorite contestants!

Iconic moments: They literally had a corgi, 林 (Lin) MUA, everyone shipping 薛恩 Xue En and 程潇 Cheng Xiao, 胡文煊 Hu Wenxuan in a CROP TOP, 胡彦斌 Hu Yanbin told 寇聪 Kou Cong to wear less to show off his body what, 崔少鹏 Cui Shaopeng’s entrance through the pink smoke, 左林杰 Zuo Linjie really bungee jumped with his eyes closed, how 郭震 Guo Zhen, 左叶 Zuo Ye, and 胡文煊 Hu Wenxuan were in the same group four times without anyone noticing.

Verdict: This season ended up being better than it had any right to be! I think it’s worth checking out, especially if you are missing the boys from the 偶像练习生 Idol Producer/青春有你 Youth with You series.

>> Conclusion

If you actually read this entire post, I’m thoroughly impressed. If you, like me, have spent way too much time watching these shows, feel free to send me a message because I need someone to commiserate with. 

I honestly have this weird feeling that a chapter of my life is over. I have so many treasured memories from watching these shows—moments of laughter, tears, shock, pride, and more. They’ve provided a way to ground my language studies and engage with Chinese pop culture. They made me feel less alone during earlier COVID times.

Well, I’m off to find something to fill the survival show-size hole in my heart...maybe I’ll just rewatch 偶像练习生 Idol Producer.

[accio-victuuri]

yuguyao sweets part 6 🫶🏼 🍬🍭 and other things..

( a very cute / good boi shuo shuo invites you in. )

this is his most recent one released by tencent video. i just love these because we are free to study it and the seeing how he explains things — no one can confirm that it has nothing to do with some of his life experiences.

what cpfs are mostly pointing out is this part, where he talks about when zhu yan stabs shi ying. and oh, apparently zz improvised the line : “if i die, will you be sad?”

He comforted her, he said don't be sad. I will not blame you. If there’s a kind of comfort, I think,, this is not the state of people who are truly in love for a long time. The state of people who are truly in love should be, I want you to feel sad for me. So when I am dying, I can hear your heartfelt words. I'll be happy if you’re sad because I feel like I've never been a perfect person in the setting of Shi Ying. I don't want him to be the perfect one. The director, writer, screenwriter and producer we all participated in heated discussion. That is, “what would happen if lovers really fell in love with each other?” I believe it will not be like this. Everyone is very twisted. The relationship must not be very smooth.

So let’s just analyze this…

1. People who are truly in love for a long time? Sir. What do you know about that? Maybe it has something to do with your husband. You can say that he got this understanding from somewhere and not necessarily from personal experience, but i feel like, when it comes to love and this kind of explanation, it has to be from XZ himself. When you talk about “love” in this kind of drama setting, it usually does not reflect what happens in real life. I’m glad he fought for that and has that kind of experience so he can give some input.

2. The part where he says, “I want you to feel sad for me.” — brings turtles back to the Japan Trip. When they were both “sad” because they were apart and both were not sure what will happen to them. We know they both gravitate towards “bittersweet love songs” and probably towards stories with that tone, but hearing XZ openly saying that love isn’t just sunshine and rainbows but also sadness is comforting. What matters is you stay together and are with each other in the happy & sad moments. When you think about how long they have been together and all the storms they had to go through — it makes sense that XZ will mention this. I wanna say WYB is attuned with XZ’s emotions, even if you don’t SZD, in the interviews back in 2019, it was so obvious that WYB can sense when XZ was already uncomfortable and will do his best to divert the attention.

3. The way he explains falling in love as twisted & not very smooth which i think means the “reality” of a relationship. Turtles were then quick to point out the “jealousy” examples we’ve seen before.

While I don’t think every evidence we’ve seen was jealousy ( tho happy camp gg was scary ), it makes sense in this context. The two of them didn’t have a very smooth relationship journey and even now, there are challenges but that doesn’t mean it’s not worth it. add the fact that it’s to be expected because of who they are. No matter what relationship timeline you believe in, theirs is not exactly the conventional story, so it’s telling that XZ describes falling in love this way.

I also read this comment and it’s so true!!!! XZ will not settle for anything less when it comes to love and maybe some people will find it too demanding.

If there is one person who can meet that standard and has a one track mind when it comes to the things he loves, someone who will pursue it no matter what — it’s wang yibo. 💚

I also love the part where he says one his favorite shoot was when the temple was being fixed and they had to be “outside”. they shot it in the studio and the light was very warm, like the sunshine. Oh. Okay. 👀

you mean like WYB’s song…. they really gravitate towards the same things, and to think this interview was way before the song was released.

AND OH this behind the scenes clip reminds us of this xz and wyb interaction. Their brains really connect like no other and they have the same humor! 😂😂😂

This one is not YGY related, but apparently the new trailer for One and Only was posted 10:05 then was deleted and reposted again. I’m sure there must be a reason, but turtles can’t help but clown and think they didn’t want to give candy with the 10:05 😂😂 or they did, but took it back. LOL.

There are figures sold for Chen Shuo & Shi Ying from the same company! I guess this fulfills people’s AU pairing of Shiying x Modern Yibo. of SDC 5 Yibo will work too 🥹🥹🥹

-END.

[cinegeek237]

Horror is Queer

Horror has always had queer creators behind and infront of it.

F.W. Murnau directed Nosferatu (1922)

James Whale directed Frankenstein (1931), The Bride of Frankenstein (1935), The Invisible Man (1933), The Old Dark House (1932).

Clive Barker is a well known horror writer, I know Stephen King isn't the only one shocking. He's also directed some of his own work, notably, Hellraiser (1987), Nightbreed (1990), and Lord of Illusions (1995).

Kevin Williamson is the creator of Dawson's Creek, as well as, the screenwriter of Scream (1996), I Know What You Did Last Summer (1997), The Faculty (1998), and Sick (2022). He also did a treatment for and produced Halloween: H20 (1998).

Don Mancini is responsible for the Child's Play/Chucky franchise. He also wrote the screenplay for Dweller Celler (1998).

Eliva is a goth, camp, queen, ICON! She's a horror host, and lifestyle.

Christopher Landon wrote the screenplays for Disturbia (2007), Paranormal Activity 2, 3, 4, Next of Kin, and the Marked Ones which he also directed. He wrote and directed Scouts Guide to Zombie Apocalypse (2015), Happy Death Day (2017) and it's sequel (2019), Freaky (2020), oh and he's slated to direct Scream 7!

Bryan Fuller was the showrunner of NBC's Hannibal and is now working on the Friday the 13th prequel series, Crystal Lake.

Mary Shelley wrote Frankenstien.

Daphne Du Maurier wrote Rebecca and a short story that would become The Birds. Hitchcock was clearly a fan.

Joel Schumacher directed The Lost Boys. Meanwhile Tom Holland made Fright Night which might be the queerest vampire movie ever made... huh.

Gus Van Sant... well he directed the Psycho remake... so that happened...

Carter Smith directed Ruins (2008), Swallowed (2022), The Passenger (2023), and a few others. OH and Swallowed has Mark Patton from Nightmare On Elm Street II: Freddy's Revenge.

I'm sure I missed some.

Then you get into some phenomenal actors...