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januaryembrs · 8 months ago

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YOU WERE LIKE AN ANGEL TO ME | Spencer Reid x Sunshine!Reader

Request: my DARLING @avis-writeshq says- i’m a menace but i ADORED the spencer fic u posted 🥹 UGH THEYRE SO CUTE YOUR HONOURRRR 👹if it’s okay, may i request another fic with the same couple 🙈 perhaps one day reader is not as sweet or chirpy as she usually is, or she gets injured or threatened in the field? much love and lots of kisses xoxo 🫶

Description: Spencer swore he wanted to hate her. She was too happy, too chirpy, too much for a guy who spent months rotting in prison. But how could he ever hate her when she cried in his chest like that?

Length: 5k (I'm feral for these two)

warnings: post prison reid. Angst. depiction of suicide from the Unsub. gory language used. guns mentioned. mention of $nuff video and other murders. Nothing that hasn't been done on CM already.

authors note: if y'all want to see more with these two just SAY because I am all ears I would die on this ship

There were a lot of times in his time at the BAU that Spencer had wished he could have changed the outcome of their bad guy, surprisingly enough. There was the time they found their UnSub a few minutes too late, and one of the victims fathers decided to take him out then and there with a shotgun to the head. He was just a kid. There was the entire time he was with Tobias Hankel, and he lived in a state of both fear and sympathy for the boy trapped in his own body after years of abuse. There was Nathan Harris, the kid who had stopped him at the subway station and practically begged him for help to stop his urges to murder, only to slit his own wrists before Spencer could get to him because he thought he was tainted.

He could see how it was easy in their job to get wrapped up in saving the day, in saving everyone they could. He just had hoped, on some stupid grace of a god he didn’t even believe in, that she would have at least remained untouched by the bad luck.

Spencer had always thought, since the first day he had arrived back into the office after his stint in prison, that she seemed to just waltz through life easier than anyone else. He knew the concept of luck was not quantifiable, that it was just a coincidence that good things happened to some people, and bad things happened to others. He always grouped himself in with the latter, because what was his entire life if not one bad hand of cards after another?

Part of him had been seething with vitriol jealousy when he first met her. He hated how the elevator doors seemed to open without hesitation for her, no waiting required. He hated how her hair never seemed to fall out of place, while his required primping and preening to upkeep. He hated how she was always so happy, whether it had been she’d been given an extra cookie at the bakery for free, or her coffee had just tasted super delicious that morning, or the road works clogging the city had been put on hold the one day she needed to drive into the office. She was one of those people, he had decided, that life just seemed to smile down upon, and she beamed back in that dazzling grin.

He felt sick to his stomach for ever wishing it gone, especially when she looked like she might never smile again.

They never liked to say that they had easy cases and hard ones, all of their cases were difficult to process. But this one had been a handful above the rest.

“UnSub has been killed on site, all units stand down,” Luke said into the radio, and the entire squadron took a sigh of relief, all of them except him.

Because he saw that look in her eye, the way everything sparkly about her seemed to have vanished.

They had been following Bobbie Wrids for a week. Five bodies in, five men shot between the eyes execution style, almost six by the time they’d arrived on the scene.

She’d gone with Tara around the front of the abandoned building; Penelope tracked their newest victim, Henry Frond, through his phone pinging off the nearest satellite towers, and it had been straight forward from there. Or at least it should have been.

Because by the time Spencer and Luke arrived in their own SUV, Penelope had time to access the rest of Henry’s phone, and it was clear to see the victimology behind all six men.

They were distributing snuff videos of women, some between themselves, some to other usernames on the darkweb, and Bobbie Wrids’ daughter had been one of them.

Bobbie had become somewhat of a vigilante, but he was a grieving father above all. He was a wounded animal chomping at the bit to soothe the ripping pain of his daughter's murder, the same one those men were getting off to.

Tara and her exchanged a glance as Penelope relayed the information over their headsets, her once serious expression falling into something sombre and sorrowful. How could she arrest a man she couldn’t help but feel sorry for, one she couldn’t help but think wasn’t entirely wrong in his actions.

“Bobbie Wrids,” Tara’s voice was stern, cutting through the silence of the desolate building. Their footsteps were careful as they made their way through the hallway, down to what had once been a rec-room, or perhaps a staff room, where they knew Bobbie had Henry, “This is the FBI, we’d like to talk,”

They heard nothing, and she looked up to the older woman hesitantly, her finger hovering over the trigger the way Spencer had taught her. Tara took a minute, knowing she was leading the charge here with the girl being so inexperienced, before she nodded to the door knob and the rookie twisted the handle, pushing the peeling wood open gently.

Bobbie Wrids stood in the centre of the room, moth eaten couches either side of the damp rug, the ceiling tiles half caved in from wear and tear. Henry Frond was already a pulp in the UnSub’s arms, and yet it was Bobbie that her eyes shot to first, sympathy shooting through every fibre of her being when she saw the distraught look on the father’s face.

He was grieving. He was grieving his little girl’s death. He was looking for a solution, and this seemed to be his best bet.

“Bobbie,” Her voice was shaky, her and Tara frozen in the doorway as the man brought the pistol to Henry’s beaten face, cocking it towards his temple before they could even explain themselves. “We’re going to come in, is that okay? We just want to talk, just let us talk-”

They had only edged closer by three paces between them as she was speaking before his knuckles turned white and he squeezed the gun tighter to Henry’s skin, the barrel contorting the flesh, “Don’t come any closer, this pig isn’t worth your mercy,”

“We know,” She said, her and Tara slowly stepping over a fallen ceiling tile, cracking under her boot as she met his desolate gaze for the first time, his head snapping to her. “We know what he did, Bobbie. What they all did.”

His throat bobbed, his bottom lip quivering and the sight of it, a man so broken, forced a frog into her oesophagus, and she willed herself not to cry.

“They hurt my little girl,” Bobbie choked out, his face turning mauve as the tears began to build behind his eyes, “She was my girl. She was only eighteen.”

She nodded, his wetted hues seemingly permissive when she stepped closer to where he held Henry hostage.

“I know, I’m so sorry for what happened to her,” She said, her voice croaky, unstable as she wrenched it into something audible, “I’m so sorry,”

“He doesn’t deserve mercy, none of them did,” Bobbie spat, his forearm crushing against Henry’s trachea in a vice-like grip. The man floundered, a wheeze coming from his lungs, not that she felt much sympathy for him.

She sprung into action, flicking her gun onto safety and holstering it, Tara doing the same as she lowered her weapon to her side. He profiled as a vigilante; he had no reason to hurt them.

“Bobbie, listen, I know they didn’t deserve to walk free, okay?” She said, taking the smallest step towards where the men stood, “But she wouldn’t want this for you, would she?”

The man flinched, his jaw hard as a rock with how he clenched his teeth together, as if holding back a sob.

“Come on, Bobbie. Let him go, we have enough evidence to get him sentenced. We can get you a plea deal, I know a good lawyer,” She begged, because she wasn’t beneath it, because she knew he was a good man backed into a corner, “Please,”

Maybe it was the way her eyes were soft when she looked at him, or the fact two more agents burst into the room from the hallway, Spencer’s eye immediately falling to where she was stood so close to their UnSub, her gun out of hand. Tara stood by, but that wasn’t good enough for him. He edged with light footsteps until he was behind her, his gaze cautious, never leaving the gun in Bobbie’s hand.

“Please,” She repeated, and Spencer saw Bobbie’s shoulders drop, every sliver of resolve draining from his body at her gentle tone, a deer approaching a hunter.

Henry was thrown to the floor, the man practically dead weight as he gasped, almost retching at the feeling of air sucking back into his chest frantically, and Luke and Tara were quick to wrestle him into cuffs, the woman reading him his Miranda rights.

Spencer almost made a grab for her then, because she was still creeping forward towards the man who had a loaded gun still live in his hand. He didn’t care for one second that the statistics said Bobbie wouldn’t lay a hand on her since she wasn’t part of his list. He didn’t care that every sign pointed to their UnSub being benevolent towards women, especially younger ones, that she fit his daughter’s description. Spencer didn’t care, he wanted her as far away from that gun as possible.

His heart lurched into his throat when Bobbie did in fact make a lunge for her, just not the way he’d feared. Because she had grabbed him. She’d pulled him into an embrace, a hug, kind and sweet as she always was.

Spencer cursed her for being so soft. It was going to get her killed.

“Agent,” His voice was terse, worried if you dug a little deeper than the sharp surface, but she didn’t listen to him. She held Bobbie tight as the man unravelled on her shoulder, falling into heart breaking sobs and it was then Spencer realised she was crying with him.

“It’s going to be okay, you’re okay,” She was shushing him, the killer, reassuring him he was safe, as if the killing thing wasn’t still between his fingers that clutched at her back with rough hands.

“They killed my girl, they took her from me, and then they laughed about it,” He wailed, and she nodded, squeezing him even tighter if that was so possible, “No one would listen, the police didn’t listen, I had to do something,”

“I know, I know, I’m so sorry,” This was wrong. She wasn’t supposed to be sympathising with the criminals. But she couldn’t help it, she couldn’t help the gasping urge to comfort the man who had lost his whole world, “I’m listening. Tell me about her,”

“She was so beautiful,” Bobbie whimpered, sniffling into her shoulder. Spencer felt his chest twinge at the scene. He hated that she was so soft. “She never hurt a soul,”

She cried with him, though hers were choked down as much as she could get them, her wet cheeks the only proof she had ever let them slip.

“I’m sorry,” She said again, because no matter how many times she repeated those two little words, it would never bring his daughter back, “I can help you,”

He pulled away from her shoulder, and it was only then that Bobbie Wrids even noticed Spencer, his face taut in anxiety as he watched the man’s hands still holding onto her body as if she was the only thing that kept him upright, which Spencer wouldn’t be surprised if it were true.

He fished the cuffs out of his back pocket, his finger never leaving the trigger as he stared down at their UnSub cautiously. He knew he may be being cruel, knew that ten years ago he would be just as caring as her. But that Spencer was long gone. And what remained was screaming in terror that she was in the line of danger, that she was holding the danger in her bare hands like she didn’t see the jeopardy she was putting herself in.

Bobbie pulled away to look at her, the creases around his eyes deep chasms, and even with the smattering of grey hair, the stubble, the cold, empty look of someone with nothing left, she thought he might have been a handsome man once. He looked at her with a ghost of a smile, and one of his callused hands came up to tuck her hair behind her ear as if it had been second nature to him for eighteen years.

“You’re a sweet girl,” He murmured, and she blinked at him, her chest easing at the way his wails had subsided into something quiet. She could help him, she swore she would help him. He was a good man beneath it all. “But no one can help me anymore, sweet girl,”

And with that he lifted the pistol beneath his chin and pulled the trigger.

—

She heard someone scream before she realised it was coming from her own throat, but her ears were ringing and she couldn’t open her eyes. Her face was wet and hot, and for a second she thought it was tears, but she was beyond crying now. She felt arms pulling her back into a strong chest, and someone was murmuring to her, or perhaps they were speaking normally and the sound of the gunshot had knocked her hearing. Either way, it was like someone had pulled a bag over her head as she brought her shaking hands up to her eyes to wipe.

She managed to crack her lids then when the sludge was gone, only to see the room still a blurry mess. She could make out, in the haze of blobs and crimson tint, Bobbie’s body slumped to the floor, a dark puddle seeping into the rug as those long arms tugged her out of the room. She only then looked down to her hands where she had rubbed her face and she caught the same claret plasma coating her fingers, her white shirt, her pants, her arms. It covered her head to toe.

It was in her eyes, she realised when she saw the ichor coating her fingertips. It was blocking her vision, turning the world a vivid wine colour, and she thinks she whimpered, or perhaps it was a moan of horror seeing the puddle beneath Bobbie’s body growing larger by the second.

“I don’t understand,” She said out loud, her head spinning, and she brought her fingertips up to her eyes again, maybe to get the blood out, god there was so much blood on her face, or maybe because she hoped to everything out there that she would clear her sight and find it all a terrible hallucination, the product of one too many nights of sleepless tossing.

But when she rubbed her lids again, this time seeing the scene a little better, Bobbie was still dead. She had still been too late.

“You’re in shock, you need to breathe,” A voice instructed her over her shoulder, and it was from the same person who had their hands around her waist, pulling her away from the crime scene, as CSI filed in from behind them.

She tried pushing the arms off her, weak because she couldn’t feel anything that wasn’t the horror in her stomach, and it took her a second before she listened to their words and realised she was holding a breath in her chest, the way a toddler does when they’re overwhelmed.

“I don’t-” She gasped, the air rushing through her lungs, so fast it made her cough, “I don’t understand, I was going to help him- I don’t understand- why?”

“I know, just breathe for me, sweetheart,” Spencer. She only just realised it was Spencer speaking, because he had never called her that and the gentle tone he’d taken was nothing like his usual, civil cadence. He had been dropping a few jokes the past few weeks since she’d driven him home, had been more touchy feely with correcting her form when she was at the shooting range, had delicately touched the small of her back when they were navigating a crowd together. He was slowly cracking from his statuesque expression that hadn’t left his face since he’d gotten out of prison, but the softness with which he held her waist was entirely new.

“Spencer, I don’t- I don’t get it,” She said, her voice bubbling into a sob as she allowed herself to be pulled away with no fight left in her. He took her into the hallway, turning her body from the sight of his hand lifeless on the floor with little to no effort. She was damn near limp in his arms, “Spencer, I don’t under-understand, I was going to h-help him, why would h-he do that-”

“Shhh, you need to breathe,” He murmured into her hair, trying to lead her out the front of the building and far away from where she’d just been front row seats to a messy suicide, “Come on, just breathe for me, baby, and then we can talk,”

But she wasn’t listening, and he wasn’t offended. Spencer knew it was the shock. He knew the symptoms by how her respiratory system had picked up in a matter of seconds and it was like she had gone from zero to a hundred. She let out a long whine, tears collecting the blood on her lash line and her chest seized into action, gulping down air, too short to do anything for her lungs, and her legs began to buckle beneath the two of them.

Spencer stopped in the hallway, realising she was in more shock than he must have thought. He knew she was sensitive, hell it was one of his favourite things about her. He knew she felt everything so deeply, burned too easily, like a daisy wilting in a dry heat, or candyfloss melting in his mouth. Spencer knew, as awful as watching death up close was for any agent, it would hit her hardest of all of them.

He moved around to her front, his hands migrating from her waist up to her shoulders, brushing over her upper arms soothingly. But her body felt numb, her head felt heavy, and her eyes were glazed over, down a rabbit hole entirely away from him, even when one of his hands cupped her wetted cheek gently.

“Just breathe, hey, look at me,” He tried a firmer tone, and she bent to his will too easily. It was a punch in the gut seeing everything shining and pretty leached out of her eyes, as if she had become soulless in a matter of minutes, as if she had lost all hope in the world the second Bobbie pulled that trigger. She looked like hell, blood still fresh on her cheeks, in her hair, smeared around her eye sockets where she had scrubbed so hard to get it off her skin, “You need to calm down, you’re going to faint if you don’t breathe,”

She nodded, or something close to it, her eyes falling down to the floor, and she seemed to wrestle for control over her chest then. But what came after was worse, Spencer thought. Her brows screwed together, her eyes welling up with more of those fat tears, and her lips dropping into a devastated pout, her eyes trailing over the mess on her uniform, on her hands.

“Spencer, I don’t understand, I tried to help him, I wanted to help him,” She sobbed, sniffling to herself miserably, and he barely even thought about it when he pulled her into his chest, not caring that her skin would dirty his shirt.

His hand wound into her hair, stroking her sweetly as she buried her wails into his vest. He used his other arm to pull her close to him, which she seemed to have zero qualms about as she clawed at his back to keep him close, as if she didn’t want to face what was going to happen when they left that building.

Spencer regretted ever thinking her sunshine was too bright for him.

–

She hadn’t smiled in a whole week. Well, that wasn’t entirely true. She had given Penny a very forced smile when she had fussed over the younger woman the first day she got back, had said thankyou with downcast eyes and a fragile grin when the blonde presented her with a framed picture of a puppy to keep on her desk ��incase she needed something nice to think about,’

She hadn’t looked at it once, because they both knew it wouldn’t do anything, no matter how much she pretended for Penelope’s sake that she would put it to good use.

He had taken her out for coffee on him that first day, but by the time they had got to the front of the queue, he had been doing almost all of the talking, which had become rare nowadays since he had come home from Mexico. Usually, it had been her filling the silences, because he knew in her right mind she hated the sound of static nothingness, she found it awkward and unnecessary when she could talk to anyone without thinking about it too hard.

They had got to the desk, the barista smiling up at him as he ordered his usual, before he turned to look at her as the woman serving asked her what she would like. But she wasn’t listening, she was watching out the window, nothing particularly invigorating beside a bird cleaning its feathers on top of a stop sign.

He said her name, putting his hand on her back and her head whipped around, her eyes empty as they looked up at him expectantly, “What do you want to drink?”

She blinked, waking herself from a stupor, and looked at the barista with an embarrassed expression, “Hot chocolate, please,”

And that was all she really had to say until lunch rolled around, and she excused herself to head home early. Emily smiled at her reassuringly, her eyes wary as she watched their happy-go-lucky rookie head for the elevators with a desolate look in her eyes.

Spencer hoped she would come around on her own, or maybe even be brave enough to talk to someone about the thoughts rattling around that head of hers, but she just didn’t. She stayed as silent as possible, only ever speaking when spoken to, asking Emily if she could finish off her reports at home, to which the Prentiss woman never protested.

But Spencer had had enough. He’d worried himself sick over her, and where all thoughts of how endearing and lovely and charming she was had sat in his head before, now it was all just ways he could think to make her smile again.

It was the following Tuesday by the time he braved action. She had gone home after their midday briefing, apologising to Emily with tired eyes that seemed to be growing more and more heavy by the day, like she hadn’t slept a wink in a fortnight. Which Spencer thought was entirely possible.

He pulled up to the house Penelope had not so discreetly told him was hers, definitely not because he’d asked, and definitely, definitely not breaching any human resource policies about distributing fellow workers information (meaning Spencer had almost certainly not begged Penelope for the address with those puppy eyes of his he knew could bag him anything).

The peonies in the window bays were wilting but her house was something out of a fairytale. He wasn’t sure why he was really so surprised. It screamed her, everything about it, from the toadstool post box to the little green, cast iron bench that sat in the garden, the metal forged to look like florets of ivy holding the sitter upright.

He rapped the brass knocker, the metal cold under his long fingers. Brushing invisible dirt off his shirt, he hoped she would answer as the present squirmed at his feet.

“Just a second,” He hushed, and as if she heard him, the front door swung open to reveal her bare face he hadn’t seen since he’d helped her wipe the blood from her skin in the back of the ambulance.

She looked at him with furrowed brows, before they quickly shot to the floor, to her cobbled pathway that had clicked under his shoes, and her face washed with a shock.

“Oh my god, Spencer!” She crouched to her knees, a slobbery lick immediately meeting her cheek as the Spaniel rubbed his wet nose up to her ear, sniffing her unique smell, as if it was a bag of Class A’s, “I never knew you had a dog,”

“I don’t,” He replied, kneeling with her to ruffle the soft fur behind the canine’s ear, “This is Ace. He retired from the Bomb Unit a month ago and Penelope sent me his handler’s number. They said he’s the happiest dog in the world,”

“I would be too if I stopped so many people from blowing up,” She said, but before he could ask what she meant exactly by that, Ace had jumped up and attacked her entire face with kisses as if he too thought that statement was worth silencing.

And she laughed. She laughed louder than she had in days, weeks, her eyes crinkling in joy as the little pink tongue stole away her sorrow, tickled away the traces of the blood that had tainted her skin.

Spencer smiled, his eyes watching her face scrunch in a squeal, hands eventually coming up to the elderly dog’s jowls to gently push him down.

“Oh, you are the sweetest guy,” She said, and the words had him tugging at the leash to lick her all over again, “Yes you are, you’re the sweetest little guy around, huh?”

She chuckled, scratching down the mutt’s neck, and her eyes flicked back up to Spencer, who watched her with more intent than she’d realised.

“Petting and receiving affection from pets causes spikes in serotonin in our brain and reduces anxiety, did you know that?” Spencer said, Ace pushing his muzzle into the palm of her hand to prove a point.

Her smile wavered slightly, and she looked at his hazel hues that seemed to see right through her, “Look, I’m sorry I’ve been so off lately, I just can’t sleep at the moment-”

“Don’t apologise,” He cut in, though his tone was kind, and the two of them stood back up to their full height, “What happened was horrifying, even some of the longest serving agents I know would struggle seeing that,”

She scoffed, unusually pessimistic coming out of her mouth, “You wouldn’t,”

His head tilted, not quite understanding what she meant, because she hadn’t sounded cruel when she said it. Then again, he didn’t think she was actually capable of that emotion.

She looked at him, a flash of something vulnerable in her eyes, something like that day he’d held her in the hallway; too fast he almost missed it.

“You’re so brave, Spencer, you’re like invincible. I mean, you survived prison and your mom getting kidnapped and you bounced straight back to work like it was nothing. I can’t even watch a murderer die without spiralling out of control,” She huffed, rubbing the bridge of her nose and before he could respond on just how wrong she was, before he could tell her that that was exactly the opposite of what had happened because he had damn near changed every inch of himself in prison to stop himself from breaking, he caught her murmuring and he thought he might just have been punched all over again, “I wish I was like you,”

His jaw clenched, eyebrows furrowing into a frown as he stepped towards her, and her head shot to him, worried she may have said the wrong thing by mentioning everything that had happened, everything Pen had specifically said was a touchy subject, and she opened her mouth to apologise.

“Do you know how unbelievably glad I am that you are nothing like me?” Spencer said, his voice bordering on furious and her fumbled for a reply, worried she had truly pissed him off.

She wouldn’t blame him for hating her. She’d always worried, until perhaps that day they’d gotten into her car and she’d driven him home, that her very essence annoyed him.

“I’m sorry-” She started, but he shook his head.

“Stop apologising,” He said, his hand reaching up to grab where her fingers tugged together nervously, his hold featherlike, his face softening when he saw her expression, “I don’t want you to be anything like me. I like you just how you are,”

She sighed, eyes doe like with emotion as she looked at him, “Really?”

He smiled, a rare and genuine smile as she seemed to glow under his words, “Yes, really.” Spencer allowed himself to enjoy the way that the twinkle returned to her expression when he smiled at her with something almost like the old Spencer in him, before he cleared his throat, “We all like you. Everyone on the team likes how you are,”

She paused, nodding to herself as if knocking herself out of a silly daze, and Ace bounced on his hind legs trying to get her attention again.

“You don’t think I’m too sensitive?” She asked, holding her palm out for the dog to nuzzle at with that wet nose of his.

Spencer shook his head, “Sensitive is good. It means you feel something. Means you feel the good things deeper too,”

Her smile was blinding, because she’d never thought of it that way before, and she looked like her old self again. Spencer wasn’t stupid enough to think she was never going to think about Bobbie again, he still thought about that first UnSub he’d tried to save. He still thought about Tobias Hankel. He thought about them all.

But he was going to make sure she never turned into him. He didn’t think he’d ever forgive himself if she did. He’d protect her sunlight even if it burned him to know he could never have her the way he wanted. Because she was everything good, and he was him.

She looked down at Ace, the life returning to her as she stood aside for the two of them to enter her house, “Tea?”

Yep. Spencer felt something run hot knowing she would always be out of reach. Didn’t stop him from thinking about it, though.

#spencer reid x reader #spencer reid imagine #spencer reid fanfiction #spencer reid fanfic #dr spencer reid #Post Prison!Spencer Reid x reader #criminal minds x reader #criminal minds fic #matthew grey gubler x reader

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miraculouslbcnreactions · 3 months ago

Note

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

#blackmonarque #scarlet lady praise #scarlet lady comic

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apostaterevolutionary · 22 days ago

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Okay can I be a bitter Anders fan for like. Just 2 minutes here lmao

Cause bioware released some game stats for veilguard and apparently 72% of players redeemed Solas which is like. Okay yeah the game kinda pushes you towards that. But when I think of all the shit I used to have to put up with just for enjoying Anders like at all and…

(This is not me being anti-Solas, I do not care if you love or hate him, but I am gonna say what he’s done is like. Objectively worse than literally every other companion so lmao. And that’s fine! You can still enjoy him! I’m not saying you can’t and it’s important to me that people understand that! I’m just saying he did in fact do objectively morally worse things in game than Anders did and I don’t think that’s really debatable. And I can’t really make my point here without saying that but I do want to make it clear this is not some moral condemnation of Solas enjoyers cause it’s not)

Getting anon hate on the regular, being told “oh you’re allowed to like Anders as long as you regularly talk about how much he sucks”, people gleefully describing how much fun they have killing him ON your posts about the fact that you like him, the devs making jokes about shitty fates for him when fans asked innocent questions about him, the absolute audacity of his writer to say half the shit she did in interviews (about bisexuality and mental illness, most critically), and then being beaten over the head again in inquisition about how Anders is the worst character to ever exist and there’s no redemption for terrorists who lie to you one time in the entire game and he deserves death or worse and that’s it

And now… 72% of people are down to redeem the guy who lies to you for 2 games straight and who did a lot of questionable things that includes creating the fucking blight and. Like. I guess I’m glad that Solas fans can live in a world where they aren’t constantly harassed and can give their ship like. A pretty damn good ending all things considered. And that the devs love Solas and actually give the option for that happy ending and have characters go to bat for Solas throughout the game and the most annoying thing they have to see are people making scrambled egg memes. I would not wish anyone to have to deal with the shit Anders fans had to put up with back then cause it sucked. It really sucked. And I’m glad it’s not being repeated with a different character, if nothing else

But like. Man there really is a difference when the writers actually like the character who does the thing, huh

#shut up nerd #anders #I’m sorry it’s just. really hard to not be bitter tbh #like the shit we as fans went through #just for liking a damn character #tbf I do actually think if the game came out today perceptions would be different #I think people would be more comfortable with revolutionary action now than they were then #but even still #it’s not even about that you know #it’s about people (both fans and at times the actual devs) being mean when they really didn’t need to be #and the DA trenches are probably why literally no harassment phases me anymore lmao but #that’s not a good thing slskd it’s just a useful consequence I guess #so yeah idk #am I jealous that Solas fans get to have a better experience?#yeah I can’t deny I feel a bit of that #but I’m also just. idk tired and sad for what that time was. and also glad that it seems to be over #but also a little bitter that I had to go through it when it didn’t need to happen at all #idk just feeling a lot here in this chili’s tonight lmao #(why do I say that I don’t think my country even has chili’s)#ANYWAY #dragon age #veilguard spoilers

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ipseitydelrey · 7 months ago

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cherry ☆ s. reid

ship spencer reid x afab!reader

content smut, period sex (kinda?), eating out (f!receiving), while on your period, it’s not that gross i swear, he’s a munch ur honour 🙇

word count 1.7k

summary usually during your period, you get really hot and bothered for no particular reason other than hormones. spencer offers to help out with your problem.

a/n im posting this directly after seeing a show at the moulin rouge, it’s currently 2am; this was inspired by my experience at the eras tour in stockholm

Periods are hell for you. Not just because of the cramps, or the blood, but because you just get so horny.

Now, to others it’s completely normal to masturbate while their periods are happening, either with a fingers or with a toy. Period sex is also a thing you’ve heard of, even from your friends who have often recommended the activity.

But to you, doing anything remotely like that, either by yourself or with anyone else, is a no. Mostly because of the messiness and how troublesome it would be to clean it up. So instead of getting relief by just touching youself, you always decide to wait until your period is finished to start doing sexual activities again. Besides, you only just have to go a few days without stimulation.

But this week is hard. You have the urge to just rip your underwear off and play with your clit until your wrist starts to ache all the time. It’s pure agony for you, and sometimes you find youself clenching your thighs together, or pushing your heel against your clothed pussy to get some sort of relief.

In the middle of your monthly period, one day is especially hard. You’re laying on the couch with a heating pad on your abdomen, your hair hidden in your drawstring hood, and your legs on your boyfriend Spencer’s thighs while he reads a book at 20,000 words per minute. He sometimes glances up at you from his novel whenever you squirm a bit, though you’re not sure if he thinks you’re just in pain from your cramps or if he’s able to read through you.

Besides, you know for a fact that your boyfriend won’t help you get off while you’re on your period. Spencer’s known to have a thing with germs, so there’s no way that he’ll touch your pussy, especially if it’s bleeding.

The next time you shift slightly and whine softly, Spencer closes his book and sets it down on the coffee table. “Are you okay, honey?”

“‘M okay,” you respond, your voice muffled by your pillow being cuddled in your arms. You unintentionally clench your thighs together at his caring voice which unfortunately, Spencer notices.

“You sure?” He gently massages your calf, which only adds fuel to the fire. You hate that he’s a profiler now. “Just cramps?”

“Mmph…” You nods your head a bit as you hide your face in the pillow, trying to hide your soft blush.

“Maybe you’re aroused?” He asks suddenly. One of his hands moves up your leg to squeeze your thigh. Profilers.

Again, you nod your head, defeated since he can so clearly see how horny you are. “Mm-hmm.”

“I see,” he mutters under his breath, but you can hear him. Disproving your previous judgements about him, he shifts his position so that he’s directly facing you, leaving one of your legs to hang off the couch and allowing him to be between your legs.

You pull the pillow down to your chest, wanting to see what he’s trying to achieve. “What’re you doing?” you ask, your eyebrow cocked.

“Can I help you?” Spencer suggests, his hands planted on your upper thighs, close to your core.

“With what?”

“You’re aroused,” he points out again. “And you’re in pain. Studies have shown that orgasms can help subside period cramps.”

Oh, that’s probably why your friends keep recommending period sex. But you feel too tired for full-on penetration right now. Yet again, he could maybe help you in another way. “Are you sure? It’s gonna be messy, and I know you don’t like germs, and I just feel gross.” You argue self-deprecatingly.

“Well I can put a towel down.” He gets up from his position between your legs and goes off to the bathroom. From the couch, you can hear him opening cupboards before he comes back with a black towel in hand. He continues with what he was saying. “And I want to help you. It’s not gross, it’s natural. I want to make you feel good. Here, lift up your hips.”

He puts a hand on your hip to guide you as you lift your bottom half up just enough for him to place a towel down and make sure it’s flat before he guides you back down. The towel is only just there if you say yes though, which he eagerly awaits before he does anything else to you.

You sigh, and figure that this might be worth a shot. You drop the pillow to the ground in front of the couch, quickly followed by the heating pad that was on your stomach. “Okay, fine,” you say as enthusiastically as you can which, with your cramps and your tiredness, isn’t really that enthusiastic.

Still, Spencer mouths a silent “thank you” before he hooks his fingers in the waistband of your sweatpants. You lift your hips up once more to make it easier when he tugs them down and off, leaving you in your underwear. Following the same pattern, he once again pulls your period panties off, and you let your hips settle onto the towel-covered couch.

His hands find their way between your thighs and he spreads them just enough for him to have access to your core, wet from your arousal and your blood. The five seconds he spends just staring at your vulnerable pussy, dripping blood onto the towel, are the most nerve-wracking five seconds of your life. You halfway convince yourself that he’s going to back out and leave you like this, horny and bloody with your pants off.

And yet, he buries his head between your legs and starts by gently kissing your heat, then licking a long stripe from the base of your slit all the way up to your sensitive clit, causing an equally long moan to erupt from the depths of your throat.

“You’re so beautiful, honey,” he says before he dives back in again, drawing circles around your bundle of nerves with his tongue before he traps it between his lips and suckles.

You kick your legs up a bit when he focuses on your clit, the stimulation to your sensitive bud ripping sudden moans from your lips. Your hands find their way to the top of his head and you grasp on to his hair tight.

He looks up at you through his lashes, still working his lips around your clit before he moves his tongue down to your slit, licking a bit before thrusting it into your wet cunt. His thumb replaces where his tongue was before, rubbing small tight circles around the bud.

You can’t believe how good he’s making you feel right now, and you can feel your pleasurable knot in your stomach tightening because of his undeserved-but-needed efforts. You don’t know if he’s doing this for you just to be helpful — considering his complicated personal relationship with germs and the like — or if he just really enjoys eating your pussy this much. With each second that passes by having Spencer lapping at your cunt like a man starved, you start to think that it’s the latter thought.

And he can tell you like it too, with the way you moan and arch your back and even when you start to grind your clit against your nose while his tongue is deep in your pussy. Even if you’re wearing a baggy hoodie and were wearing sweatpants, he still manages to make you feel incredibly sexy. Or “sexy” is maybe not the right word — loved; you feel loved in this moment.

He appears to feel the same as well, with the way he moans in content seeing you like this and feeling your fingers nestled in his hair and tugging lightly. With every small pull, a tiny sound emits from his throat and it feels oh so pleasurable on your pussy.

Sensing your impending orgasm, he takes his tongue, wet by your slick and blood, out of your weeping hole and quickly replaces the muscle with his index finger. He slowly pushes the digit in, feeling your walls pulsate around him as he pushes and pulls it in and out in a steady rhythm. A minute later, he adds a second and starts to curl his fingers against that gooey button inside your cunt once he’s knuckle-deep into your warmth.

It’s so much for you; almost too much. Your jaw hangs open in a silent moan and you almost can’t believe it when you start to grind your hips against his thrusting fingers, fucking yourself with his index and middle as it continuously and without fail hits the spongy button everytime.

Your orgasm hits you almost unexpectedly, a wave of pleasure overflows you as your eyes flutter shut and your back arches just a bit more. Your chest heaves while you gasp for air; this is just what you needed during your period. Seeing you’re damn near overwhelmed, Spencer works you through your orgasm, your arousal forming a creamy circle around his still-working fingers.

“There we go, that’s it, you’re doing so well” are among the small praises he breathes onto your pussy while you slowly but surely come down from the high. At the same speed, his fingers slow down until they become stationery, before he pulls them out with a wet squelch, causing you to whimper softly. When your eyes meet next, he can see how glossy your eyes are with satisfcation pulling at the corners of your lips.

“You didn’t have to do that.” You half-lie with a small laugh trailing behind your words. Though to be fair, you definitely needed it.

He pulls himself up to be eye level with you while you’re still laying there on your back catching your breath. You can already see a mixture of your arousal and your blood dribbling down his chin, though he doesn’t seem to mind all that much. “No, but I wanted to.” He says with a dopey smile, still pussy drunk.

Though the lower half of his face is still covered by your juices, he tries to lean in and kiss you, only to be stopped by your hands on his shoulders and you turn your head to the side with an amused smile. “Ew! I don’t wanna taste my blood!”

Spencer scoffed playfully at your reaction. “I just ate you out and I don’t even get a kiss?”

The way he pleads just makes you melt a little and you decide to give in just a bit by gently kissing his cheek. You can feel his cheeks heat up against your lips. Despite his previous openness, he gets flustered and smiles sheepishly, sighing a little. “You’re gonna be the death of me,” you joke, your mouth still planted on his cheek.

i’ve been plane-hopping around europe for over a month so i haven’t had a lot of access to wifi + i nearly failed one of my courses bc my professor was horrible at giving feedback, hopefully this explains my absence and i hope u enjoyed this !! (i posted this in a flurry btw, lmk if there are any errors whatsoever 🫶)

taglist @queermaxwooo @theoraekenslover join the taglist!

#✩ ⊹˖ ꒰ spencer ꒱ ୨🎧୧ #spencer reid #criminal minds #criminal minds x reader #criminal minds x you #spencer reid x reader #spencer reid x y/n #spencer reid x you #spencer reid fandom #spencer reid smut #spencer reid fanfiction #dr. spencer reid #mgg #matthew gray gubler

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deadghosy · 10 months ago

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Can you do more Hazbin Hotel x enderman reader? I'm obsessed with it. I love the idea.

Credit to the person who made the art, this is just how I imagine Enderman!reader to look like as a human. 🦆✨

MORE HAZBIN HOTEL X ENDERMAN! READER IMAGINES/HEACANNONS

imagine how reader is when they get pissed…they would just straight up punching shit just like the Enderman hits you in Minecraft 😭

I Imagine Charlie trying to make you do a eye contest with Alastor only for you to start tweaking and punch Alastor into a wall as Alastor only gives up a thumbs up while you sweatdrop putting on your blindfold as you try to pull out Alastor from the wall

I headcannon reader to always pat everyone’s head when they are at their full height. But at 6’5 they just pat their back like “good job buddy😐✨”

Imagine Lucifer and you wearing matching shirts that say, “if lost return to big boy” as your shirt says “I lost big boy”

Headcannon that Angel is your cuddle buddy because he likes how your arm is basically a pillow for you. And husk is your second cuddle buddy because of his fur and you like to pet him.

I imagine Angel trying to make you wear pink only for it to turn black when it fits your body. Angel gave you a “🤨 are you fuckin serious?” Look as you just shrugged with a “😐” face. I mean shit, if it fits. It fits.

I headcannon Enderman!Reader’s suit to be like the art but instead of those black things on it. It’s just slight purple sparkles on it to represent the purple pixels around them.

But definitely their second fit is a black vest and a white dress shirt with black slacks and black dress shoes. 🤨☝🏾 W FIT YOU GOTTA ADMIT!

Yk how Angel made that Snapchat post about you and you got death threats? Yeah well Valentino was the reason as he got mad that Angel “wasn’t paying” you as you were just working on the hotel

I imagine Enderman! Reader to be black coded just like how the art is above as the reader’s hair is always in dreads, cornrows, and twists. But never in an Afro state as it takes time to get the hair nice and soft (coming from a black writer….it literally takes an hour…)

I imagine you once teleported during your cuddle session between husk and angel. They were so confused they even searched your room only to find out you teleported on the top roof of the hotel during your sleep.

I imagine Valentino at least trying to ambush you to see why Angel is so happy to come to the hotel to see you again. Only for you to teleport out of his view every second. And the moth dude is like “shit! He’s onto me…” but really you are just bored asf and need some fresh air from the hotel air.

I can see nifty just minding her business when you lifted her up and croaked softly petting her head and sitting her down.

I headcannon Enderman! Reader’s room to be built from those block in the end so reader can feel the presence of his home in the hotel💗🦆

I imagine Velvette actually getting able to like post you on her fashion account as a mysterious person with your blindfolded looks. The girls dig for guys who seem mysterious.

Imagine Lucifer and you making each other building hobbies, like he makes you build him a duck as he makes you a sleeping mask just incase you don’t want to stare at someone’s face without your blindfold.

Headcannon on how fat nuggets like to cuddle against reader’s legs as reader was making a bed for fat nuggets to have a heater installed if the pig is cold.

Like…bro IMAGINE READER BENG SO PISSED THEY SUMMON THE MOTHER OF ALL…THE GUARDIAN OF THE END…THE ENDER DRAGONNN (dun x3 dramatically) maybe they would summon that during the battle between the angels and absolutely destroy their asses

I headcannon Angel once seen your mouth glowing purple when you unhinged your jaw to screech. He definitely asked before checking out your mouth which he could see in the back was glowing.

Since I headcannon enderman! Reader is black coded. They have a bonnet that was shipped from Velvette as they put it on and felt more comfortable sleeping ‼️💗

Who would be the first one to respond to you calling them: Lucifer, Charlie, Angel dust, husk, nifty, Alastor. And specifically in that order 🦆

I headcannon for Vox to try to always have you on his night show so he can show off his new “guest” being a new specie of demons.

I imagine sinners asking what ring (7 deadly sins) you came from and you are just like. “The end….i came from the end..” and now they are more confused than you when they asked where you came from

I headcannon reader’s nickemame is like, “ENDY, tall one, handsome, [actual nickname], weirdo, cutie, dad, fucker, bestie.” You can imagine who called you who which is kinda obvious…

I imagine Adam to make a lot jokes about you saying how freaky you are and how weird you are for not liking eye contact without your blindfold as you just stand there like “what’s for dinner…😐”

I can see you showing the egg boiz a picture of a ender dragon egg making them think they can have someone like them but also just like you

I can see you just standing there as everyone argues in the court because Charlie wanted you there since you don’t seem like a demon or angel. She tried to get answers but no one knew what you were.

Imagine modern au! Angel dust and you do tiktoks….because Angel dust forced you to be in his tiktoks as the others just watch trying to enjoy their summer vacation

I can see Adam hating how you aren’t pressed about what he says about you as you just stand there ignoring him.

Imagine you being sick and everyone stopping to make sure you are okay. (except for Alastor as he knows you will be better soon) Like the whole crew just starts to baby you and try to fix things you can fix but only fail.

Imagine reader with a baby ender dragon as a pet as reader whistle for the dragon to land on their shoulder or appear more bigger for it to protect you and the crew

I headcannon reader’s singing voice to sound decent with a little bit of deepness in it to mask out some things.

I imagine your full form if you were a demon or angel obviously an ender dragon lol 🦆

Imagine Pentious just pure on slithering around your body as you just sit down after a rough day of complaining by residents and their rooms.

I headcannon Lucifer to get on your shoulders to feel bigger for fun which make it seem so cartoony as one has a derpy smile while the other has a thumbs up and a “😐” face just staring blankly into people’s soul

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my-castles-crumbling · 6 months ago

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Hi, guys! Let's talk about fandom etiquette!

👨‍🏫👨‍🏫👨‍🏫

I know a lot of you are young and perhaps have not been part of fandom spaces since the dawn of time (circa fanfiction.net) so let's talk about some dos and don'ts with fandom, so we can keep this a happy place! Please read this and reblog to get this out to people who genuinely may not know!

📕DON'T: Write reviews of fics on Tumblr, Tiktok, or other social media. Fic writers are creating these things for FREE, and did not ask you to review. This often leads to negative discourse and can even cause fic writers to take down their fics. 📗DO: Leave kudos and ONLY POSITIVE comments. Talk about only positive things on social media. If you don't have anything nice to say, don't say anything at all!

Edited to add: YES, EVEN CONSTRUCTIVE CRITISCISM. If the author didn't ask for it, don't give it. Some may appreciate it, but others won't. At the very least, ask permission first.

📕DON'T: Post fic ideas or headcanons on AO3. AO3 is for posting actual fanfiction or fanart and nothing else. (What I mean by this is, I've seen posts on ao3 like "Just posting an idea that someone should write, here it is!" and that's not what ao3 is for). Edited to add: You can also post original works and nonfiction works based on fandom on ao3! 📗DO: Post headcanons and ideas on Tumblr, Tiktok, etc!

Edited to change: Okay, so I feel like there's some arguments over like...what qualifies as metafic versus something that shouldn't be on AO3? So from my understanding (correct me if I'm wrong), people DEFINITELY should not be posting just a title with no work attached, which I have seen a lot lately, nor should they be posting to search for someone else's fic. However, it seems like lists, and similar metafic are okay, as well as original content, and nonfiction.

📕DON'T: Repost entire fanfictions without permission or sell bound fanfiction. Again, this causes writers to take their fics down, and can actually cause issues with fandom because it can cause allegations of copyright infringement. 📗DO: Recommend fics you like to others by talking them up and posting links! Ask permission before you translate!

📕DON'T: Send hate to authors for writing a fic in a way you don't like or not updating enough. Again, authors are doing this for free and sending hate causes serious mental harm to authors because they are people! If you don't like it, don't read it! 📗DO: Send love to authors in forms that they are comfortable with!

📕DON'T: Shame others for their ships/fics/kinks. Fandom is supposed to be a supportive space! Judging people is taking away that safe space! 📗DO: Use the block button! Block or filter out things or people you don't like!

📕DON'T: Use AI to create art or fics. This is detrimental to the creators who work hard to create their work! 📗DO: Try making your own art or fics! Practice makes perfect!

These are just a few of the things that I've seen happening more lately, but keep in mind that if you don't like something, you don't have to interact with it and fanart and fanfiction creators are people who are doing this for free. Please make sure to respect the hard work people put in, or fandom can't exist!

(Feel free to discuss/add things as long as you're being respectful!)

#marauders fandom #harry potter marauders #harry potter fandom #marauders era #fandom etiquette #fandom #fandom things #fandom meta #fandom culture #fandom history #fanfics #ao3 #ao3 fanfic #ao3 writer

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ashkabbom · 1 month ago

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Thoughts of the Day - Mouthwashing

A/n: I don't know what this is 🧍🏽. I started with one idea and ended up with a completely different one. Lock your doors and windows before you go to sleep, or Jimmy will appear in your room at night.

Versión en español en Wattpad: Libro de One Shots - Mouthwashing (Cuenta: ashkabbom)

Versão em português no wattpad: Livro de One Shots - Mouthwashing (Conta: ashkabbom)

•Post-Crash!Captain Curly x Reader (Not the focus, but it's still here)

Synopsis/Summary: Situations from every week, questions from every day

Notes: I apologize in advance for the phrase Swansea says😭

Why had he done this? He condemned you all to immediate hell.

That day, the emergency screen, the red lights everywhere and the sound, all of that could only be a bad dream, right? It had to be a nightmare.

What had you done to deserve this? Years of work thrown away with a single action and you don't even know why it was all thrown down the drain without any prior warning.

You loved him like never before, your days with him meant much more than all the work you had in this place.

The layoff was already a problem, but this was beyond what you could handle in the future. If there even was a future.

The tears fell and you felt yourself slowly going crazy. The captain was out of the game now and in his absence they put Jimmy as an anesthetic for the immense despair in everyone on that ship, but it didn't work at all, it was the calm before the storm.

Anya looked as uncomfortable about it as anyone on that ship. Having Jimmy as captain was stressful, to say the least.

You and the others came to a silent agreement about the now captain. He was as cowardly as anyone there, but he was still second in command.

"What do we do next?" You ask, taking a deep breath, wiping your tears on the sleeve of your uniform.

"I don't know, but his painkillers will run out at some point." Anya also looked apprehensively at the captain's situation.

At the same time that you felt anger and disappointment, you also felt worry and uncertainty, you still loved him. The story made sense to some extent, but it didn't match the captain you knew.

"You.. You know how I feel about this, I think it's the right thing to do, Anya." It was weird to think about doing that with someone you like, you don't even know if you can imagine yourself doing such a thing.

She didn't have to answer, but as much as neither of you wanted to, you silently agreed that it was the quickest and least cruel option towards him.

"What a funeral atmosphere." Daisuke's voice coming from the door startles you both, making you turn to look at him.

"Well, this is almost a funeral- Ouch!" You can't even finish before Anya pinches your neck. "Okay okay, I get it."

"And how is it going? How is he?" He approaches the stretcher and looks at the captain, saying good morning and sighing soon after. "At least he's alive..."

"The painkillers help to control the pain and he can... Sleep, I think, or at least not writhe in pain and discomfort." Anya says to Daisuke, knowing that it was impossible for Curly to have any slight improvement in the situation they were in.

"But still no sign of being able to speak, and it would take a miracle for him to actually be able to say something." You say sincerely.

Daisuke nods in acknowledgement, he wondered if keeping the captain in this state for months was right. When they return to Earth, Curly could receive specialized treatment for his situation in a Hospital, right?

"The Totally Spies girls better get back into their disguises, or the Mojo Jojo will find you out." Swansea warns, leaning against the door.

If everyone was in sickbay, Jimmy would probably be hunting one of them around the ship. It's only a matter of time before Jimmy shows up and starts putting stress and pressure on everyone, so Swansea was right.

You pat Daisuke on the shoulder and then look at Anya. "You heard Jerry, girls, back to disguises." Anya lets out a small laugh, a small quiet moment before dealing with the reality of things.

"I'll give the painkiller to the captain this time, I'll see you guys later" You say waving to your colleagues before grabbing the bottle of painkiller.

Daisuke and Anya walk to the door, chatting a bit before agreeing on where each of them would go. "But isn't the Mojo Jojo from The Powerpuff Girls?" Is the last thing you hear Daisuke say before the door closes.

It's just you and him now. No matter how much you tried to ignore it, but you could feel Curly's gaze burning you alive, so many things wanted to be understood with just a single look from his eyes.

If he could say something, what would he say? What would be his version of what happened? Why would he have crashed the ship? Would he want us to keep giving him the painkillers or just end his suffering?

Looking at him, burned, unable to speak or move properly, lying on that stretcher, which was now his bed and the infirmary his room. He just stared, unable to close his eyes at any moment, you didn't know what was going on in his head, it was impossible to guess any feelings he had by looking at his face.

"Yeah, Captain... You should have thought better about your actions before you did this to us..." You say with the painkiller in hand. The urge to cry formed again and made you feel suffocated. "You have to take responsibility somehow at least..."

#captain curly #mouthwashing #anya #anya mouthwashing #curly mouthwashing #daisuke #daisuke mouthwashing #mouthwashing x reader #swansea #swansea mouthwashing #jimmy mouthwashing #captain curly x reader #curly x reader #mouthwashing x male reader

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bicth-and-in-that-order · 12 days ago

Text

Let’s talk about THAT CaitVi scene and the fandom’s response to it

All cards out on the table, I used to adore CaitVi. I was there in the trenches reading the fanfics, watching the shipping videos, even going on fucking dynasty scans for the fanart + doujinshis😭 (iykyk). I loved CaitVi down bad, and of all the things I was most excited for in S2, this ship becoming canon was near the top of the list. I say this to say I don’t come from a place of apathy or hatred when it comes to this ship, but just genuine disappointment and disgust for how it was mishandled in season 2. Particularly when it comes to the abuse.

In preparation of this rant, I did my homework to fully understand both sides. I watched this video:

youtube

Which explains Cait’s behavior and even addresses her physical abuse. And, as much as it pains me to say this, I looked through the CaitVi tag on tumblr and read as many posts as I could defending Caitlyn and CaitVi as a ship.

Before I begin, I think it would be fair to lay out the main defense before tearing into these people. So let’s talk about Cait:

The main thesis of “Stop Me Oh’s” video and many other CaitVi shippers is that Caitlyn is someone who doesnt like to communicate her feelings and thinks actions speak louder than words. By helping Vi without hesitation during Act 2 and putting aside her grief to allow Vi a chance to talk to Jinx, someone who murdered her mother, Cait is already showing immense remorse. She’s taking steps to make amends for her actions and proving that her love and trust in Vi outweighs her desire to get revenge. She doesn’t need to actually utter a single apology when she’s done more than enough to make up for her misgivings.

And excusing the whole fascist thing, ALL she did was hit Vi. She didn’t kill the poor thing like Jayce and they weren’t fighting to death like Ekko and Jinx:

And, let’s be honest, wouldn’t you do the same? Put yourself Cait’s shoes. Imagine your family was blown up by your partner’s crazy lunatic sister. You watched her turn your world upside down. And while your partner is fully supportive of hunting down your mother’s murderer, she suddenly switches up when it’s time to actually go through with it. She’s stopping you from shooting this deranged killer all because you MIGHT shoot some annoying child. And then you miss the best chance you’ll ever get to take down this terrorist and your partner comes crawling back to you, talking about how you’re just like that murderer. Then, in the heat of the moment, you hit her with the butt of your gun. You hit her and you abandon her in a hole while she cries on the ground. It’s harsh, but doesn’t she deserve it?

Don’t you see? Cait is a poor rich girl who lost her mother. Unlike these other murderers and thugs, all she did was hit Vi during a moment of passion and would never, ever, ever, ever, do it again. Vi should be grateful Cait even let her see her only family, she could’ve just fucking killed the bitch.

Okay. Jokes asides, let’s just address each of these points one by one.

1. Cait already apologized through her actions

This is the most common defense I see for Cait, and it’ll be the lengthiest one too.

So my question is: For what?

Ignoring the fact that verbally apologizing IS an action, how does Cait deciding not to pursue Jinx and allowing Vi to see her only family correlate to her making amends for the physical abuse?At the very least , I can see Cait siding against Ambessa and admitting she fell for propaganda as “apologizing” for her turning to fascism. I guess. But what is Cait atoning for exactly when she helps out Vi? I’ll try to explain what I think it is:

When Cait says Vi has Jinx’s blood, shoves her gun into her stomach, and leaves her in a ditch, that represents her no longer trusting Vi. Cait thinks she’ll choose Jinx over her. So later, when Cait sides with Vi and allows her to see Jinx, it’s shows that she’s willing to trust Vi again and her judgement of character. Which Vi understands. When we think about it this way, Cait hitting Vi isn’t read as “physical abuse” by the narrative because the physical act of violence isn’t the issue the writers are trying to portray. No, the issue is Cait no longer trusting Vi. Physical abuse was just used as a vehicle to convey Cait’s distrust of Vi, who she now sees as a stranger/enemy….for like, an episode or two, then switches up lol.

But my point in saying all of this is, Cait isn’t really “apologizing through her actions” about the physical abuse. In fact, that was never even a consideration. And no, we’re not going to brush it off by saying “well shouldn’t this count for Cait hitting Vi too”. If we’re to take physical abuse seriously, and WE ARE you freaks, this is an offense that Cait needs to address separately. Properly.

Imagine if someone punched you in the face then stole your cookies. They never apologize to you for anything, but over the following days, they buy you cookies, maybe even some milk. Do you think these actions are enough of an “apology” for punching you in the fucking face? If they are then you need some serious help.

Ah, and contrary to the popular belief that Cait doesn’t need to verbally apologize bc she shows her actions through words and yadda yadda yadda, Cait does, in fact, try to apologize in Jinx’s suicide cell. About fucking Maddie. Then she gets cut off. You would think Cait wouldn’t feel the need to apologize about Maddie since “aCtIonS sPeAk LoUdeR tHaN wOrDs” but I guess Cait picks and choose what she feels sorry about.

And I can already hear the counter argument. “It’s not about if I forgive Cait, but if Vi does since she’s the victim. Cait and Vi kiss and make up, and by the season’s end, they’re a couple. Therefore, Vi forgives Cait about everything.”

Putting aside the cycle of abuse, my question is: how does Vi feel about Cait hitting her? And vice versa. Since the fandom loves throwing “media literacy” around so much, let’s put that to the test. While the physical abuse is never brought up, hinted at, thought about, or addressed ever again (much like how the fandom treats it), that doesn’t mean we can’t talk about the implications.

If Vi doesn’t specifically mention the physical abuse, what does that mean for her character? Did Vi think she deserved it, or maybe she was just used to it, maybe she thought it was in the heat of the moment and Cait would never hurt her again (super toxic mindset btw), etc etc.

If Cait never mentions her physically abusing Vi, what does that mean for her character? Does she even care, does she think she was justified, did she think Vi could take it, why is Maddie the first thing she apologizes about and not hitting Vi and leaving her in a dank hole?

Because we could easily be getting into toxic/abusive territory, and when it comes to physical violence, there’s very little wiggle room for a more positive interpretation.

2. These characters aren’t perfect, they’re flawed

So this argument falls back on the “well pobody’s nerfect” defense and to that extent I agree. I think Cait is selfish and callous, but all the other characters who have similar flaws (think Silco, Marco, Ambessa, probably more) end up fucking dying and/or have actual narrative consequences. I’ve seen people argue that Cait losing her eye is a narrative consequence and IT IS for Cait’s alt right phase and choosing to follow Ambessa but it’s NOT for hitting Vi. Neither is Maddie betraying her. An appropriate narrative consequence would’ve been Vi leaving her ass, but I promise you the same people defending Cait would’ve had a thousand think pieces about how the writers sabotaged Cait’s character. Arcane is NOT a show about bad people getting away with bad things either.

3. Well Jayce killed Viktor / Ekko and Jinx tried to kill each other

So this argument acknowledges Cait’s abuse and her lack of apology but tries to deflect by claiming the other couples are violent, if not more. Even though this is a classic whataboutism, I’ll address it. I won’t acknowledge the timebomb side of the argument because it’s incredibly dumb, but for Jayvik, where do we begin? Recall that after Cait and Vi kissed, they were on romantic terms. That’s why Cait even bothers bringing up Maddie, and it’s really more so to let the viewer know Cait will excuse abuse but draws the line at infidelity. During Act 2, Jayce and Viktor are enemies and Viktor will literally kill everyone if he continues on his path. Jayce could have at least talked to Viktor first, but the writers chose to make him deranged or whatever so that was out of the question. And again, they’re enemies. Fighting isn’t off the table, even killing. If Viktor sucker punched Jayce while they were astral projecting together, then that might be analogous to Cait and Vi, but they don’t.

4. Not all relationships are perfect

This is one is similar to point two, but I’m taking a different angle. No, not all relationships are perfect, but I would never call physical abuse a “flaw” that’s to be expected in a normal, healthy relationship. Once you introduce violence, we call that abusive. I didn’t know we were in dire need of an abusive lesbian relationship, but I’ll walk with you.

If Arcane had the balls, CaitVi could’ve been portrayed as the toxic yuri couple it clearly is. They could’ve leaned into Vi being desperate enough to take Cait back and Cait not giving a single fuck about hitting Vi and leaving her. And if they did, this post wouldn’t exist. But they don’t. We’re genuinely supposed to like this slop and view it as a good thing because they kiss and play fun pop music while they fuck instead of the more appropriate “Poison” (by Bell Biv DeVoe ofc).

5. Well Jinx did XYZ to Vi

Another whataboutism. At risk of making this post longer than it already is, I’m gonna be brief. Yes, Jinx did awful things to Vi, but the narrative properly punishes Jinx for all of her actions (I mean the girl literally sacrifices herself) and wastes no time calling her out, especially Vi. Behind Cait, Vi is Jinx’s biggest hater. Literally chokes the girl out on sight. So let’s not pretend there’s some hypocrisy going on here, though it doesn’t escape me that many Cait fans end up being Jinx haters.

With that, I think I’ve covered all the major defenses for Caitvi’s physical abuse. All I can say is that the relationship is fucked and Vi deserves better.

#arcane critical #arcane #anti caitvi #tw abuse

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illusioncanthurtme--art · 2 months ago

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im curious, why do you like fiddlestan?

i like them in theory (all the pain potential, jeez!) but i feel like i'm missing something very obvious

Oh boy, you’re about to open pandoras box with this one -

I’ve liked fiddlestan for a LONG time, almost a decade now, (EXHIBIT A!!!), and honestly, I’ll admit that the ship is mostly based on speculation. So maybe you’re not missing something obvious, maybe I’m just delusional. I can’t speak for everyone, all I can do is explain why I like it: because it’s deeply rooted in several layers of irony.

It’s ironic because fiddleford spent the better part of a YEAR dealing with fords nonsense. (And I KNOW, it’s not all bad, but really, especially if you read journal 3, that poor man was put through a LOT. He was definitely taken advantage of, at LEAST a little.) And after grappling with the acceptance that your longtime friend and unrequited love will never return your feelings, having lost the man to some crazy otherworldly nightmare machine, who shows up?? But his TWIN BROTHER who’s HUMBLE and KIND and TEN TIMES MORE DOWN TO EARTH?? It’s ironic, because they don’t know each other, yet they both have years of history with the same person who’s wronged them, and, they can make out about it!! THEY CAN FUCK TO SPITE HIM!! Stan stole his brothers name (and committed multiple crimes under said name), stole his house, and stole his research partner!! And… it's ironic because it’s Grunkle Stan and old man Mcgucket. That needs no elaboration.

(these are all my personal takes/headcanons! Like I said, this ship is based solely on interpretation, so I’m sure a lot of fiddlestanners like fiddauthor too. There’s like a billion different ways to interpret this ship.)

Also -

Their personalities are surprisingly similar when you stop and think about it!! You put those two in the same room, and they’d come up with some highly devilish scams together. They both have moral codes that are a little… ambiguous. And… I can’t believe I’m gonna pull this out as *canon fiddlestan documentation* but these are the kind of crumbs we’re working with here: MABELS DREAM IN THE SOCK OPERA CREDITS!!!! Although it’s not something that actually happened, and it’s just a reference to statler and waldorf, they are IN CHARACTER!! I think this is how they would actually act together if they were friends!! Just two old dudes, hanging out together watching tv, making fun of whatever they’re watching. If you’re in the room, you might get roasted too. Just a couple of old farts. It makes me so happy to think about.

No fiddlestan rundown post would be complete without the fandoms EXTREME STRAW GRASP at Old Goldie and the Flame Retardant Raccoon. Soos calls mcgucket a “prospector guy,” amongst the other obvious comparisons you can make between fiddleford and goldie. Goldie is something stan used to like a long time ago, but he’s all old and fucked up now, best to throw him away and forget about it. BUT, as it turns out, there’s still good in that old thing after all. SO LETS GET MARRIED IN VEGAS!!!! It’s an extreme stretch, but… It’s a fiddlestan trope that they, at some point, have a crazy night of fun+romance in vegas together. And I personally like to think that they return when they’re older+happy and tie the knot for reals. The raccoon speaks for itself - it’s one of the ways you can compare stan to a raccoon. And of course, mcgucket's raccoon wife.

This is where it starts to get a little angsty, and if you “get all the pain potential” then you may have already given this some thought - but why does stan treat fiddleford the way he does if they used to love each other? The whole “UGH, this guy” comment in land before swine, looking all uncomfortable around him in fight fighters, choosing the spot furthest from where mcgucket lotions himself at the pool, and the “possum breath” comment in the last episode (and fiddleford actually has the mental clarity to look perturbed after he says it). Stan is hurt!!! He’s upset!! If they used to be a Thing after the portal incident, something must have happened between them for fiddlefords mental illness to get the better of him, and for him to choose to erase both stan and ford from his memories. I, personally, think that it was deep rooted internal homophobia (being raised in the south, that runs deep), and being scared for getting too close to stan. They were getting too comfortable, and that scared him. What about his family? And tate? His son can never meet stan. He can never let his wife know. And all the paranormal fuckery incidents leading up to this that already weakened his mental state, the portal incident, already having zapped his brain a few times, would have sent him over the edge. So I’m thinking they would have gotten into a fight of some kind, and fiddleford would have stormed off. Thus leaving stan having to live in a town with the person he USED to love, who doesn’t remember him at all!!! What!!!!! That sucks!!!! Only upside to fiddlefords memory erasure is that it makes it easier for stan to pretend nothing ever happened. But it’s still not easy. Also, if word ever got out that old man mcgucket used to be his boyfriend, he would never be able to live it down. So he compensates by being an ass towards him. Fuck.

But then!! If fiddleford has the chance to heal!!! (say… maybe… when the twins are on the stan o war II) then stan would come back to gravity falls and see fiddleford looking like the person he knew thirty years ago!!!! WHAT!?!?! CAN’T RUN FROM YOUR PAST FOREVER, CAN YOU!?!?! And you KNOW fiddleford would remember what happened with stan. How long can stan keep himself in denial?? And now we’re opening up the can of worms: how the FUCK does this information reach ford?? That your brother used to canoodle with your research partner and might STILL BE?? That has so much potential too.

Ok I wasn’t expecting to write those last two paragraphs but it’s A BIG PART OF WHY I LOVE FIDDLESTAN!!! It’s a crazy fucking rollercoaster ride!!! This thing has so many angles!!! And that’s just MY fiddlestan interpretation - I’ve seen a lot of different takes on the sort of story that would transpire between these two. But no matter what you’re cooking, It’s always a LOT.

There’s probably so so much I didn’t touch on here. If anyone else wants to throw in their two cents as to why they like fiddlestan, please, add something!!!

#I SPENT TOO MUCH TIME TYPING THIS!!!!! BUT ANON TRIGGERED THE FIDDLESTAN PSYCHO THAT LIVES IN MY BRAIN 24 7!!!!!!!!!!#shit shit shit I was supposed to be working on a commission right now :'DDDDD #I hope this answers your question anon JKSHFJDSGHLSDK #Oh my god im insane #im so crazy about them i might just turn this into a comic alongside my b1llford one #fiddlestan #gravity falls #stanley pines #fiddleford mcgucket #grunkle stan #stanley x fiddleford #ask #answered #anon

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goingmerryfics · 9 months ago

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Hello! I’ve stumbled across your blog and i love it!! I see you’re doing the "sit on his lap" and was wondering if you could add Zoro & Ace and whoever else you choose! Thank you in advance ☺️

Sitting in their lap while they’re not paying attention - w/ Zoro & Ace

Content: Gender neutral reader, SFW

Notes* Thanks for requesting this and also letting me have a free choice, because I haven’t had the chance to write for Paulie yet. But he’s going to have some NSFW elements, so his will be posted separately right away!

Part three of this prompt. Read the other parts here:

1 2 3 4

Zoro

It’s impossible to catch this guy off guard

But there is one way

Zoro is known for his impromptu naps, and that’s how you need to get him

He’s very easily able to shoot up, awake in an instant, at any nearing enemy or danger

So you have to keep your mischief in check while you do it

He’s sitting up against the mast of the ship, arms folded and legs crossed over his ankles

You near him, kneel down, and wave in front of his face

No reaction

Robin is watching you do this from where she’s sitting and reading, amusement all over her face

Carefully, you seat yourself down and make yourself comfortable. You kind of feel like a cat while doing this

It takes you a second to get your legs comfy- you’re kind of sprawled out everywhere

But once you do, you watch his face for any sense of him waking

He doesn’t move, and so you push your luck and take it a little further

You carefully pick up one of his arms and put it around your shoulders, that way you can put your head on his shoulder with one hand on his chest

You’re kind of stuck here until he wakes up, but at least you’re comfortable in the warmth of his body heat

At one point, Nami stops and asks you something about ‘choosing the meathead’, but you’re half asleep at this point

You fall asleep before you get to see his reaction- His face and ears go red when his eyes open and he realizes he can’t move under you

He’d been ready to grab for his sword and attack, but he’d never met an enemy as cute as you were

He carefully stands, picking you up as he does while being careful not to wake you

You wake up hours after the sun has already set, lying comfortably on top of Zoro’s chest in the hammock, one hand on your back and the other behind his head

Slowly, you relax, and head right back to sleep

Ace

Ace is the insufferable type of boyfriend- and by that, I mean he would absolutely tease the hell out of you for anything you wanted to do with him- even if he wanted to do it just as badly

“Aww, you want a kiss? You’re going to have to jump for it.”

You still think you should have just swept his leg for that

But knowing this, you knew that to get into his lap without his annoyingly cute teasing, you needed to flip the script on him and get him flustered instead

So you waited for the perfect moment

Ace is known for his strange narcoleptic condition. It was always at mealtime

So you made sure to sit directly beside him today when everyone was called to dinner

Marco gave you a look when you rushed to your seat- he knew you were up to something, but he couldn't quite tell what it was yet

You just gave him a wink

Ace is chatty with everyone as much as he can be while stuffing his mouth full, as usual

And mid-conversation, that’s where he drops

Also as usual

You quickly move to catch his head before he falls face-first into his food, and then everyone watches and laughs as you maneuver him so that you can sit on his lap, facing him

Once you’re steady, you let his face fall into your chest

Marco sighs and shakes his head

Ace comes to just a second or so later, drool at the corner of his mouth and eyes heavy. His hat is knocked slightly askew, and he fixes it before realizing where he’s been drooling on

Blush paints his face as he meets your gaze

Smirk on your face, you coo at him and ask if he likes your body that much to be drooling all over it

He shakes his head with a low chuckle as the crew laughs

He’s got that look on his face that you were hoping for- complete surrender

He doesn’t know how to retaliate, so he just pulls you down for a kiss

Someone throws a dinner roll at the two of you and shouts for you to get a room

#one piece #harleywritesop #hwop #portgas d. ace #ace one piece #ace op #one piece ace #fire fist ace #portgas d ace #ace x reader #trafalgar d law x reader #law x reader #op law #law one piece #trafalgar law #trafalgardwaterlaw #trafalgar one piece

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lucabyte · 4 months ago

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i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

#oh my god this is like 6k words what happened. well you can't say my claims are unsubstantiated i guess.#lucabytetalks #fuck dude i sure do !!!!#i have to assume a lot of other people picked up on exactly what i did too but i dont read other peoples meta very often so !!#i am simply shaking hands with anyone else who came to this conclusion. hi. sometimes its just fun to construct a small essay i guess #i have like no goal putting this out here other than like. For The Sport of Writing Out Media Analysis. so if it makes anything click #in peoples minds or actually sells them on this reading then that's just a bonus i suppose #in stars and time #isat analysis #isat meta #isat siffrin #isat loop #isat spoilers #2hats spoilers #lucabytewrites #welp. no idea what else to tag this. be free and into the wild my gigantic ass post.#is some of this redundant? probably! but cmon man its a tumblr essay i can't format it perfectly. sometimes points get repeated #anyway this post is lagging out my tumblr drafts now i have to post it oh god oh christ i hope nothing goes wrong #edit: i forgot i made the lucabytewrites tag a while back for purrgatorio this can go in there too

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ink-perfect · 3 months ago

Text

enough.

## request!

─ about: animanga luffy x gn!reader ⋆. fluff, 2nd person ⋆. post-timeskip, friends-to-lovers, playful banter, reader insecurities, reassurance + communication 🥹 ─ synopsis: you've been having issues grappling with not only your own insecurities, but potential feelings for the guy who's been your best friend since what feels like forever. the dilemmas both seem like lost causes, but a single conversation with a certain captain might just prove you wrong on both fronts…

the wind tugged at your hair as you leaned against the railing of the thousand sunny, lost in your thoughts. the sun was beginning to set, casting warm hues of pink and gold across the sky, but you barely noticed. you had always loved sunsets, but tonight, you felt distant, detached from the beauty around you.

it had been two years since the straw hats had separated, each of you training, growing stronger in your own right. you’d been through so much together before that, and reuniting had felt like finally coming home. but even now, with your friends with you again, something still didn’t feel quite right. you had gotten stronger physically, yes - strong enough to stand your ground against anyone who threatened the crew. but there were other battles you weren’t sure you could win. battles within your own head.

and most of these battles revolved around him.

luffy.

the carefree, reckless captain who had somehow become the centre of your world without you even realising it. you and luffy had always been close, ever since the beginning of the grand line. “the bestest of friends”, as he liked to put it. you were the one who could keep up with his energy, who laughed at his dumb jokes, who didn’t hesitate to dive headfirst into chaos alongside him, yet kept him grounded throughout all of it. you balanced his wild spirit with your own level-headedness, and it just worked.

and as the years passed, the bond you had only grew stronger - in ways you couldn’t describe. all you knew was that it wasn’t just friendship to you anymore. it hadn’t been for a while.

and that scared you more than anything.

how could someone like you be anything more than a friend to someone like luffy? he was always so simple, so direct, living in the moment without a care for deeper emotions. it wasn’t that you thought he didn’t care - he cared fiercely about his friends, about his crew. but you? the idea that he could feel anything more for you than friendship seemed impossible. you didn’t fit the picture of what luffy needed.

you sighed, the tension in your chest tightening as doubts began to creep in again.

“oi!”

luffy’s voice cut through your thoughts, and before you could even turn, you felt him hop up onto the railing beside you. he was balanced effortlessly, hands resting behind his head as the wind tousled his dark hair. his hat tipped back on his head as he jumped down to wrap his hands around your shoulders, face plastered with a goofy grin.

“found you!” he said, his voice full of energy as always. “i’ve been looking for you all over the ship!”

you couldn’t help but smile a little despite yourself, his infectious spirit pulling you out of your own head, even if only for a moment. “you could’ve just yelled, you know. i would’ve heard you.”

luffy laughed, tightening his grip on you. “yeah, but where’s the fun in that?”

he was fully bear hugging you now, his weight resting on your shoulders, but you’d gotten used to that over the years. luffy had never been one for personal space, and he’d always clung to you like a koala whenever he felt like it. it was comforting, in a way. but lately, that comfort had began to stir something deeper within you, something you were too afraid to acknowledge. you frowned as this conflict enveloped you again, an all-consuming tornado of worry.

“you okay?” luffy asked, his voice suddenly quieter, as if sensing that something was off.

you tensed. he was always good at reading you, even when you thought you were hiding your emotions. it was both comforting and terrifying, especially now.

“yeah,” you lied, your voice a little too quick, a little too forced. you were trying to sound casual, like everything was fine, but you weren’t fooling anyone. not him, at least.

“you sure?” luffy released you from his embrace, not convinced. “come to think of it, you have been acting weird lately.”

your heart skipped a beat. luffy didn’t often notice the subtleties in situations, but with you, he always seemed to pick up on them - you loved and hated this at the same time. you loved how it was a mark of your connection, an unspoken indicator of just how close the two of you were, but you hated how exposed you felt under his gaze, like he could see right through you into things you weren’t ready to admit to even yourself.

you took a deep breath, trying to steady your voice. “i’m just thinking, that’s all.”

he puffed out his cheeks in exaggerated confusion. “you? thinking? that’s new!”

you couldn’t help but laugh. “wow, rude.”

“i’m serious, though!” he insisted, peering at you like you were some sort of puzzle. “you’ve been super quiet lately. it’s freakin’ me out! you’re not, like, planning a mutiny or something, are ya?”

you feigned shock, giggling as you spoke. “oh no…who told you about my plans to take over your precious ship? eh, too late now to care - i’ll just begin ‘operation: overthrow captain luffy’ early!”

“start whatever operation you want, but you’re not getting my hat,” luffy shot back with a grin.

you shook your head, laughing under your breath. “relax, captain. i’m not after your hat.”

“good,” he said, eyes softening. “but seriously though. whatcha been thinking about?”

you sighed, turning back to face the horizon. the sky had darkened, the deep oranges and purples now melting into the sea. your fingers tightened around the railing. “i’ve actually been thinking about…us.”

“us?” luffy repeated. while his voice carried that familiar carefree lilt, you could feel his eyes boring into you, watching closely. it made your cheeks heat up even more than they already had, something you didn’t think was possible. “what about us?”

you swallowed hard, your chest tightening as you struggled to find the right words. he was your best friend, and yet here you were, doubting whether you were even good enough to be by his side. you had never been good at this - at opening up, especially when it came to your insecurities. luffy wasn’t like that. he didn’t worry, didn’t overthink. he was bold, carefree, always chasing what he wanted without a second thought. sometimes, you envied that about him. sure, you would always accompany him on his adventures, take shots that many others would shy out of - but your overtly-logical internal monologue would always be raging while you did it. so, was it really even enough?

“i just…i’ve been thinking about the past two years,” you started, keeping your voice as steady as possible. “and how everyone’s…changed. how everyone’s gotten stronger. how you’ve gotten stronger. and i know i have too, but…” your voice broke off.

“but what?” luffy asked, leaning closer, his voice softening in that rare way it did when he sensed something was wrong.

“i’m just me,” you whispered, hating how weak the words sounded, how small they made you feel. “i overthink everything. i get scared. i doubt myself all the time. i’m not like you, luffy. i’m not fearless. i’m...i'm not enough.”

there. you said it. the thing that had been eating at you for so long, that had turned your chest into a knot of anxiety every time you saw him smile or laugh or throw himself into danger without a second thought. you weren’t like him, all brave and cool - and you couldn’t imagine how someone like him could ever see you as anything more than just a friend.

your words hung heavy between you. you stared ahead, at the horizon, afraid to look at him, afraid of what you might see on his face - pity, confusion, maybe even indifference.

but then, suddenly, you felt luffy’s arm grab yours, tugging you around to face him. his eyes, usually so bright and carefree, were serious, focused in a way that made your heart skip a beat.

“that’s stupid.”

his words were so blunt, you almost thought you’d misheard him. “what?”

luffy’s grip on your arm tightened, and for the first time, there was something in his expression you couldn’t quite read. “i said, that’s stupid. you’re not ‘just’ anything. you’re my nakama. that’s more than enough.”

his words hit you harder than you expected, but they weren’t enough to quiet the doubts swirling inside you. you pulled your arm free, crossing it with your other over your chest defensively. “you say that, but…why would someone like you even want me around? i’m not fearless like you. i-”

“who cares?” luffy cut you off, his voice rising slightly. “i don’t even want you to be like me.”

you stared at him, your heart pounding. “but-”

“you’re you,” he interrupted again, words coming out quietly, almost like they were something precious he didn’t want to break. “and i like that. i like you.”

he looked up at you as he said the last three words, eyes searching yours, and for a split second, the world shrank down to just the two of you, standing on the deck of the sunny with the warm breeze brushing past. his face was uncharacteristically close, and you could see every flicker of emotion pass through his dark eyes - determination, warmth, a hint of vulnerability. his words kept replaying through your head, an oh-so-sweet broken record.

“you…like me?” you repeated, breathless.

luffy’s gaze held yours, unwavering, but there was something more delicate about it now - less like the determined captain you knew and more like a boy confessing something he had never quite figured out how to say until now.

“yeah, i like you. like…more than my nakama,” he added, his words slow and deliberate, as if he was trying to explain something he himself was still figuring out.

your mind went blank, the wind all but knocked out of you by the simplicity of it - how easily he said the words that sent your heart spiralling into chaos. you had known your best friend for so long, fought beside him, laughed with him, even faced death with him. but this? you had never imagined this.

“i- luffy-” you stammered, your voice barely above a whisper. “do you mean you…like like me?”

he tilted his head slightly, that familiar grin slowly pulling at the corner of his mouth. “yeah. i thought that was obvious,” he said, scratching the back of his head. “i’ve like liked you for a long time! even zoro knows!”

your heart was hammering in your chest now, his words sinking in slowly, like waves lapping gently at the shore, washing away the walls of doubt you had built around yourself. the warmth in his voice, the honesty in his eyes - it was almost overwhelming.

you opened your mouth to respond, but nothing came out. you didn’t know what to say, how to express the whirlwind of emotions flooding through you. luffy, sensing your hesitation, smiled - an easy, genuine smile that made something in your chest relax. “i really do like you, and i don’t care if you’re different or if you worry about stuff. i just…i want you around. that’s what’s enough for me.” he said, his voice quieter again, but full of that unshakable sincerity.

you stared at him, your heart full and aching all at once. he didn’t care about your doubts, your insecurities, or the things that made you feel small. he just wanted you. the realisation was almost too much to bear, but at the same time, it was exactly what you needed to hear.

for a moment, neither of you spoke. the sound of the waves lapping against the sunny and the breeze filling the sails filled the silence between you. you took a deep breath, feeling lighter than you had in months, maybe even years.

“luffy…” you started softly, your voice no longer shaky but filled with something else - something warm and grateful. “i…i like like you too.”

the words came out easier than you expected, and as soon as they were said, luffy’s grin widened even more, his eyes lighting up like he’d just heard the best news in the world.

“really?!” he exclaimed, stepping closer again, his energy bubbling up as if he couldn’t contain it.

you laughed, the last of your tension melting away. “yes, really.”

without warning, luffy grabbed your hand, lifting it into the air as if you’d just won a battle. “yes! i knew it!” he cheered, his excitement so genuine, so luffy, that you couldn’t help but laugh along with him. his joy was infectious, lighting up the world around you like the bright sunlight that still clung to the horizon. you felt lighter, freer, standing there with him, his hand in yours.

but then, in one of those rare moments when luffy broke from his usual happy-go-lucky nature, he stopped cheering. his smile softened, and before you could process what was happening, the straw hat tugged you closer, his grip on your hand tightening just a bit. you could feel the warmth of his skin against yours, your heart thudding in your chest as the distance between you disappeared.

and then, without any warning, luffy leaned in and kissed you.

it was simple and sweet, a brief press of his lips against yours that left your head spinning and your heart racing. there was no extreme buildup, no dramatic tension - just luffy, as straightforward and honest as always, sharing the moment with you like it was the most natural thing in the world.

it was perfect.

your breath caught in your throat as you looked up at him, surprised, but he was already grinning, his usual goofy smile back in place as if nothing had changed. but everything had changed, and you could feel it in the way his hand stayed interlinked with yours, a steady warmth grounding you in the moment.

“so,” luffy said, smiling as he tilted his head slightly, his eyes twinkling with excitement. you leaned in, so ready to hear whatever he had to say.

“have you seen any meat around?”

you threw your head back in laughter, your heart full as you squeezed his hand in pure happiness. you had just kissed, and that was the first thing he thought to say. “you’re impossible, you know that?”

“yeah, but now i’m your impossible,” he said with a wink, still grinning ear to ear. it was such a witty comment for him you couldn’t even complain. instead, you kissed him again, earning yet another adorable, trademark-luffy grin.

and in that moment, as his joy mixed with yours, the doubts that had weighed you down for so long didn’t seem so overwhelming. they weren’t gone completely, but they didn’t matter as much anymore - not with luffy standing there, beaming like the sun itself and holding your hand like he’d never let go. somehow, with him, it all felt…right. simple. like the sea stretching out endlessly before you - full of possibilities, but no longer so daunting when you knew you weren’t facing it alone.

“let’s go find you some meat then, loverboy.”

── ౨ৎ masterlist

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