#Portal Overlook

[concertphotos]

Moab, Utah Aerial View by David Oppenheimer Via Flickr: Moab, Utah aerial view - © 2024 David Oppenheimer - Performance Impressions aerial photography archives - performanceimpressions.com

[bearionette]

I’ll remember you

[puff-the-bunny]

... Didn't know those did that

[tackledkey]

Excited for Portal Revolution!!! Nobody is talking about Sarah Jacklin's character and that makes me sad.

[trevanent]

I think one thing I will say about the finale was that the most problematic aspect of the concept of the show was how it feels like they had to use the Fionna and Cake plot to Trojan horse a resolution to a swathe of loose ends Simon and Betty's arcs had. They pulled it off even better than I ever wanted to let myself hope for for the most part but I would say my main issue if anything was how cramped the finale felt when I think they could have left a lot more up to season 2 speculations (especially with the resolutions for the alt universes, they didn't really feel necessary when they basically just had to egg Scarab).

I feel I liked the understated melancholies of seeing Simon recontextualized and kinda infantilized in that temporary form hosting his mind, and some people have said the Casper and Nova thing felt hamfisted but I thought the vibes were too cute to care that it wasn't particularly "efficient" as far as metaphors go, but that does slow down the pace which probably crunched the ending a little harder :'). But it also worked in further showing the sad side-effect of the crown on Simon's relationships, including that of stunting his ability to have ever matured in his understandings of love and his relationship with Betty. I also think their last scene in the memory worked because it was Simon reconsidering how he viewed their relationship for the first time, even if his attempt to do for Betty what she did for him would have just been an inversion of their original flaw, the scene rests on them understanding it's unchangeable anyway, so that decision doesn't matter so much and it's not something for Simon to dwell on.

I also feel I liked the scene a lot in spite of how scarce it felt in the finale was because of what was most conspicuously unaddressed, which was just the sheer logistical impossibility of any different choices they made having possibly been any "better." It sticks out because Betty says they could have made better choices, which kinda seems to situate their relationship in a vacuum as if there wasn't a very high likelihood had they done anything different at that crossroads, they would have just been literally nuked into orbit regardless. Sure, it seems like enough time had passed for them to have worked out their relationship better at least and then died, but that kinda seems better by an arbitrarily less tragic amount, and really it seems the least tragic possibilities ever were either that they conceive their relationship more healthily, Simon finds the crown and protects Betty from exploding somehow and also doesn't warp her to the future, and they live some terrible survival life but at least they get a chance to live something kinda fulfilling and Betty probably would have taken care of Ice King decently for the remainder of her life once Simon was gone while also having a better understanding of what had happened to him. The only other hand would be that she also was still warped to the future he finds the crown but Simon had not enabled her self-sacrificial tendencies and so she becomes less undividedly obsessed with saving him and instead integrates into Ooo more properly and also accepts what had become of him (I find it hard to think she would have just let him die either way though lmao).

That all said, they had been around a long time to have reflected over everything. I think it is a bit of an issue that they don't really allude to that, but I find it easy to believe that they did recognize how thwarted a happy ending would ever be for them by all angles of their reality, yet they still had that tender ache of that simple and small tragedy just between them two that still exists within the torrent of catastrophe that engulfed them and the breadth of their fate. So much horror in their lives but they reconnect and find themselves primarily concerned with that last regret of not having been able to make the ideal relationship they quite thought they had.

[breadsticckk]

i'm sat here watching markiplier play the return to bloody nights (fnaf fangame) and my little portal 2 brain is firing off with the ceo's night shift calls IM NOT HIGH FOR THINKING THE CALLS HAD TO BE INSPIRED FROM PORTAL IN SOME AREAS???// FIRST THE MONEY THEN THE GLORIOUS CONTRIBUTION??

[thisghosts-obsessions-again]

You tell him Leslie! 👏

[animutate]

im so sad how most of the assassin games are inaccessible since the links dont work on the wayback machine. i dont know why but clicking the buttons doesnt do anything and downloading the swf wouldnt work because its supposed to link to each game :(

[orcelito]

Went to the clinic & they got me signed up for an appointment on Thursday. So here's hoping that goes well 👍

[turtleblogatlast]

Every day I’m met with the knowledge that portal (and by extension teleportation) mystics are insanely OP when utilized right.

So I’ve been thinking about the boys combining their powers recently and I ended up really wondering about what would happen if a supercharged Mikey (time/dimensional powers) mixed his abilities with a supercharged Leo’s (space powers) and all I could think of was:

[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[often-daydreaming]

An Ancient's Game

It started off small at first. A robbery in Metropolis. A missing persons case in Gotham. An 'accident' in Amity Park. None of it connected. Nobody thought to connect them. It was just another case after all. There would always be another case so sometimes things slipped through the cracks. It happened.

Even heroes made mistakes after all.

They overlooked things.

But in the end they messed up and someone had to pay and someone did when Clark Kent heard his wife and son’s heartbeats vanish off the face of the earth during a somewhat quiet afternoon while he was handling a disaster in France.

He was the man of steel though, he could have made it. He should have made it but he was a second too late. His family was gone and Metropolis felt the fury of the old gods as a being made of wind and storms ripped its way free of an unseen portal cackling with mad laughter as it devastated the city.

It was another distraction though.

A massive distraction that drew the Justice League's attention away from the real prize as nightmares descended on Gotham like shadows. They morphed from the darkness slipping out through the cracks like ghosts and only Oracle saw the fight as they swarmed the youngest Robin, the Dark Knight's youngest son vanishing under an endless tide of nightmares as Nocturn took control of Gotham's nightlife.

More distractions followed as more and more of the old gods, Ancient beings long forgotten returned to Earth.

Storms raged.

The ground quaked.

Creatures of myth and legend were free to run wild as reports of everything from dragons to even yetis flooded the Watchtower.

In the end it was Diana who found their first and only clue when one of her mother's messengers appeared warning them of Themyscira's fate when a portal was opened for Undergrowth deep within the island's jungles. They fought. They fell. Then they were turned into mindless puppets bent to the monster's will as the sounds of war subsided into silence within a matter of days.

Her losses gave them a name.

Undergrowth, a creature of the green who cheered the being known as Clockwork while Constantine explained its origin.

He told them of Cronos, of the pieces of him that had formed into a new life deep within the endlessness of Infinity.

And Fate opened the way.

The first thing the gathered heroes saw was a massive clocktower surrounded by gears and pistons twisting in every direction as they spilled out into an endless void. Each tenth of a second, the hands on the clocktower click one step forward.

A single tooth on one of the smaller gears is easily the size of the Watchtower and no matter how far anyone looked there was no beginning or end to the clocktower.

There was nothing except the click, click, click of endless clocks as they stormed the Titan's lair.

Nothing stopped them.

There were no enemies or traps.

In fact the doors were left wide open as if welcoming the Justice League inside and they soon discovered why when Shazam found them. Superboy stood on a scale across from Luthor, the same with Robin and Waller. They were frozen in time, trapped in a single second of a moment while in the very middle of the massive room was a kid, easily Jon's double sleeping on a throne made out of the void of space but that wasn't what had him worried.

What worried him was the silence, the sudden nothingness in his mind as the voices of the gods empowering him faded away in the presence of the cloaked figure of Cronos suddenly standing beside the throne.

Even as the other heroes flooded into the room he couldn't hear anything besides a soft click, click, click as Superman was waved away forced into a loop of repetition that began and ended with his first step forward.

Green Lantern fell next, rapidly aged into an old man unable to match a Titan's will.

Then Constantine collapsed clutching an invisible wound on his chest. It was his contracts forcing him to obey while Fate eventually faded under time's cold embrace.

There were only a few heroes left when Flash made a move blitzing the throne only to suddenly lose his speed. The others simply glitched, like static on an old tv leaving only Shazam, J'onn and surprisingly Lois Lane standing in front of Cronos as he declared a game to decide Earth's continued existence.

'Convince each of them you're worth another chance and I'll restore everything.'

'Who's them?'

I don't really know what I was going with here. I was just listening to some of the songs from Epic and figured why not let an enraged Clockwork have some fun. I'm blaming Vlad for everything cause I can and he's done it before and caused a ton of problems for everyone else so I'm just picturing something he did or tried to do backfiring badly enough that Danny got seriously hurt so now everyone's gotta pay.

[yandere--stuck]

Bad Idea, Right? (Yandere!Stanley Pines x Reader)

Stan was stupid. Stupid, irrational, impulsive, selfish, arrogant, aggressive. A liar, a traitor, a cheat, a thief. Everything everyone has ever said about him was true, and he had the gall to try to convince anyone otherwise. The town, his family, you, even himself. 

But this, this right here, had cemented the facts. Stanley Pines was a monster who didn't care about anyone but himself. Not really. He'd finally fucked up bad enough. Dug a hole so deep that even he couldn't crawl out of it.

God. He had his face in his hands, rubbing the skin in frustration. How would he get out of this? Could he? Was it really too late?

With a sigh, Stan looked up. He sat in Ford's underground laboratory, having taken a seat in front of the desk overlooking the portal. He turned to look at you - still asleep in the bed Stan had dragged down here long before he'd enacted his plan.

The guilt made his stomach turn. The guilt in knowing that, really, this wasn't impulsive. This was planned.

He couldn't help it. Or maybe that's what he told himself so he could go through with it. He should've kept his boundaries up. He should've chased you off. He should have never hired you in the first place! 

Ugh, but it wasn't like Stan wanted this to happen! How was he supposed to know he'd end up falling for you? Look, maybe if you hadn't been so chummy and sweet to him, trying to make him come out of his shell and lower his guard, acting all cute and like you knew you had him wrapped around your little finger and… No, no, this was all wrong. This wasn't your fault. This was all on him.

You were just a nice person. You had been a good and helpful employee, and then, as you grew to know each other more, a good friend. He just found himself magnetized to you. He loved cracking jokes and just talking with you, drinking in your affection and attention like a man dying of dehydration. And not to mention how good you were with the kids! The fact that they liked and looked up to you only further instilled his fondness for you.

It was almost embarrassing how smitten he was with you. God, it made him feel like a young man again, even long after he should've called off love for good, considering all his failed marriages. He could only hope it wasn't obvious, especially considering what he'd done now. He at least couldn't recall a time when he'd referred to you as a honey-wasp-kitten-baby.

Stan found himself wanting you to depend on him. To be your hero. To take care of you. And now look at what he'd done. You were an innocent victim of an obsessive freak. You had opened your heart to him and found it in you to care about this old scumbag, and this was how he repaid you.

Dipper and Mabel had gone off doing something with Wendy and her friends in the evening. He'd been able to push Soos out of the shack early enough after closing. No witnesses. Anything could have happened on your walk home, after all.

It had been easy to insist you stay for dinner. And it'd been even easier to mix all sorts of shit into your drink with you none the wiser. There was a reason he didn't bring up his past around you.

A sudden whimper startled him from his thoughts, the man’s posture going ramrod straight for a moment before scrambling to your side. Concern was etched into his features as he watched your face scrunch up as you came to.

Your vision swam, the room above you was spinning as you awoke. You could swear at least four Stans circled above you, just as unfocused as everything else - so much so that it hurt just to keep your eyes open.

Your eyes fell shut as you let out a groan. “...Stan?”

You wouldn't know how Stan's heart nearly leapt from his chest, hearing you say his name like that.

His hands immediately closed around yours, giving them a squeeze. “Yeah, yeah, it's me. I'm right here. I'm right here, sweetheart.”

The pet name tasted like bile in his mouth. As if he deserved to call you that. 

“Wha’ happened,” You slurred. “I feel sick…”

A hand clamped over his mouth. His stomach did a flip. God, he was gonna be sick himself. First, he ruined his brother's life, then his own, and now he was ruining yours. That's so like him. This was so like him.

“Yeah,” Stan started, almost breathless. “You're sick, honey. But, I'm gonna take care of you, okay? Everything’s gonna be alright.”

His heart skipped a beat when you didn't reply. Pressing a finger to the pulse point on your throat, he held his breath and listened to the frantic beating of his own heart. Then, he exhaled in relief. Just sleeping. Of course.

Stan stood above you for a moment, looking over you. He could turn back now. He could bring you back upstairs and let you sleep on the couch. In the morning, he could fake being ill and blame it on his cooking. You could go home, he’d give you time to sleep it off and everything would go back to normal and you'd have no idea!

Then, Stan sighed. He could do all that. He could do it right now. But, he wouldn't. Because he didn't want to. He had wanted you right here, and he had you. No amount of guilt would ever make him give you up.

Stan leaned forward and pressed a kiss to your forehead. 

This was just who he was. And it may be his fault, but you needed him now. He needed to be responsible for you. He needed to take care of you. He needed to be your hero. He needed to be needed by you.

And that's just what he'd do.

[mo0nfairy]

ᥫ᭡ . # ۫ , ⸺ LET YOU BREAK MY HEART AGAIN !

summary :: together in blissful matrimony, miguel o'hara has never felt true happiness until he was by your side. when you're unexpectedly taken from him, he'll do anything in his power to avenge your death. what he doesn't expect is to find you during that process. or, at least, one version of you.

word count :: 2.9k

content warnings :: obsessive!miguel, yandere!miguel, death, deafness (reader is deaf & mute in one reality), spiders, marriage, gore, grief, noncon touching, drugging (venom is put into readers system).

authors note :: Y/H/N = your hero name.

miguel o'hara's yandere traits are . . .

smothering, territorial, & paranoid

──── The gentle melody of piano and harp paint the room in an array of romantic hues. Snow drifts through the Winter air from outside the frozen windows of the venue. Family and friends stand around and admire the beautiful scene before them. You're adorned head-to-toe in white, like an angel who had just descended from the clouds. Miguel is dressed in the finest suit he searched high and low for to ensure it was perfect for this day. However, he knows no one is paying attention to him when you look as breathtaking as you do. His rough-skinned, yet gentle-mannered hand rests on your lower back, the other interlocking your hands together. With your head resting against his shoulder, he sways your body along to the gentle hum of music pervading the air.

Your first dance.

The golden light from the chandelier above serves as a spotlight for you and Miguel. Feeling his chest begin to shake, you move your head to look him in the eye. Tears of sheer happiness were cascading down his cheeks and a weak smile is plastered on his face. You swear that if you were to look up 'devotion' in a dictionary, the way he is looking at you would take up the entire page.

Miguel briefly disentangles his constricted hold on your hand to express his current, overwhelming feelings. He points his middle and ring finger down, the rest of the digits left pointing up. "I love you," that is what he is telling you. When he had first learned you were deaf, he spent his nights studying ASL and SSL in order to communicate with you. However, that single symbol is the one he always finds himself reverting to when all other signs and words fail him. I love you, I love you, I love you. Although Miguel won't express it verbally, he will express the three words through his hands for as long as he lives.

And Miguel remembers the best day of his life just as much as the worst day.

Just one month after you had both gleefully tied the knot, the two of you had gone on a stroll through Nueva York. The moon hangs heavy in the sky and darkness settles against the faint streetlights. Miguel made the vow to always protect you and you've found it to be comforting, relaxing. After a whole lifetime of being deaf and mute, you knew that you were far more vulnerable than others. Knowing you have the Spiderman as your husband causes your concern of any potential assailants to fade away. It's evident in the way his grip on your waist tightens when passerbys walk by and the perceptible shift in his eye when someone stares at you for a little too long.

You've always known he wouldn't let anything happen to you.

The following events all happen quicker than either of you can think. Just as you're crossing the bridge that overlooks the entire city in all its glory, a sudden black hole forms, framed with iridescent hues and overwhelming force. The power of the portals sudden appearance causes the bridge to vibrate beneath your feet. Screams of terror from pedestrians falling to their death goes unbeknownst to you as Miguel holds you against him with constricted tension and hides your face in his chest. The man you have chosen to spend the rest of your life ignores his duty of being the city’s superhero. All in favor of your life.

The remnants of the platform you stood on soon crumble. The red glare of Miguel’s web shoots from his wrist, to where it wraps itself around one of the numerous pillars spread upon the bridge to ensnare you further. But it was so quick, the way you slip from his tenacious grasp. Almost as if someone had forcefully snatched you from him. Innocent civilians shout and plead for Spiderman to save them, but Miguel can't hear them over the thumping of his own heartbeat. Even if he were to hear them, it would not stop him from tearing this entire city asunder in order to get to you.

He forms his hand into the same sign he uses to say 'I love you' and another blaring-red web, the same hue as his panic, springs from him and down to wrap itself around your body. He's done this a million times for others and saved the lives of practically everyone in the city. But, this is you. Miguel is digging his claws into crumbled pieces of the wreckage and shoving them through the air as if they were merely nothing, all in favor of saving you. However, you're both picking up speed and accelerating closer and closer and closer to the unforgiving ground. He latches his talons into a protruding pipe caused by the chaos and clings tight to the web connecting you with him, watching in trepidation as you continue to fall. Attempting to pull the web towards him and bring you back into his arms, where you belong, his efforts were futile.

A loud crack! permeates and his world falls apart.

Practically faster than light, Miguel is pummeling to the ground and to where you now lay. Your chest is flat with no breath and your body is lifeless. Blood is caked on your skull and it cascades onto the pavement beneath you. He rushes to your side, a mantra of ‘no’’s invading the dead, silent air. His heart is paralyzed in his chest as reality sinks into his bones. Desperate pleads escape through loud, violent sobs, begging for you to just open your eyes, hold your hand up, and tell him 'I love you, too'. He knows you cannot hear him, he knows this. But, this does not stop him from begging you, begging God, begging the universe, begging anyone to not do this to him, to not take away the only thing that has ever mattered to him. The only thing that has ever made him happy.

He'll never forget how he had stayed there for hours, ensnaring your lifeless body in his arms as the night faded into dawn. He'll never forget when he left you through brute force and was sent back to the desolate building he could only call home when you were in it. He'll never forget how he had spent days upon days studying the sudden black hole that formed and declared to destroy whoever caused it. The person responsible had taken you from him and if every soul in the galaxy has to pay in order for him to avenge the only one he loves, then so be it.

A year had gone by and every second without you become more tortuous than the last. Things that made him once glisten with joy only make his empty heart lurch with grief. Miguel is now present in the Spider-Society, desperate to manipulate any and all sources to eradicate who had so selfishly taken you from him. He'll just have to endure the yapping teenage-spiders that push at his buttons for the time being. All for you, he reminds himself.

At times, unbeknownst to Miguel, he'll start mumbling your wedding vows under his breath in front of the other spider-people to ease his mind. He knows it by heart; he will never forget it. They may all stare in disturbed confusion, but to mention your name to a man like him would be nothing short of a death sentence. "It's a soft spot, don’t poke it" Jess informs the others.

When the day is finally over and his everlasting efforts were brought to no avail, Miguel will return to the house you had planned on spending the rest of your lives in. Together. All life has been sucked out of the property. The wedding photos scattered about the premise have been derelict with shattered glass after enraged fits. The 'Just Married!' paint still sits on his car and decays with age, but he refuses to ever scrub it off. Your wedding ring, wedding dress/suit, and flower bouquet sit in indestructible cages he operated to preserve them. He fidgets with the wedding ring he vowed to never take off as he wallows in the despair of his silent home. If only he had been quicker; if only he hadn't been so weak.

The video of you dancing in matrimonial bliss ends and the monitor shuts off faster than Miguel could even blink.

The hefty, metal doors to the headquarters open to where several spider-people enter, pantomiming dramatically about the success of their previous missions. Their sudden appearance startles him, to where he demands to know why Lyla hadn't informed him of the spiders' incoming. Jess then enlightens him on his strict rule he set to not disturb him whenever your face is on screen. He exhales with a sigh of defeat and prepares himself for the onslaught of mayhem that would soon come his way. This time, however, a new recruit has joined the group.

Full-body suit hiding any form of physical identity and a soft voice that rarely comes out, Y/H/N from Earth-555 was requested to join the team by Jessica Drew herself. And Miguel couldn't care less if he tried. He'll let another spider on the team if it means keeping the multiverse stable and fueling his progress to one day finally kill the one responsible for your demise. Still, something allures him about this new recruit. Their real name and face are left a mystery to him, but there are certain moments with this stranger where he can't but be reminded of you. That soft voice and heedful hearing prevent him from fully indulging in your memory, but there are certain tics and habits they possess that catch him off guard.

The way you tap your feet when you’re focused, the way you scratch your wrists when you’re anxious, and the way you fidget with the hem of your clothes when you’re bored. And this is what life had been like for a while. Staring at the countless monitors that display a myriad of different information until his brain rots and returning hole to bathe in his misery until the next day repeats.

Several months into Y/H/N's time here is when the doors to the headquarters slam open and several spider-people all clamor in. All were breathless and bruised from a mission that ended messily. The new hero is in the mayhem, as well, exasperated as they rest against the wall. Miguel rolls his eyes at the sudden intrusion and leaves his spot at his desk to find out what these idiots had done now. They all scramble to defend themselves and point their finger at one another, while that new recruit is still trying to catch their breath in the corner. Pathetic. They should know by now that the sake of the multiverse can't afford even a minor mistake. Seeing them left so weak after a fight causes a dry laugh to escape his throat.

Their gloved fingers then grasp hold of the hem of their mask, before forcefully yanking it from their head. And it is like a miracle had materialized right before Miguel's eyes.

His stomach drops at the sudden intrusion of emotions. Shock, elation, disbelief, infatuation. Y/H/N, Earth-555's Spiderman, is his Y/N. You stand before him as you did all those years ago. Despite the dirt and blood smothered into your exposed skin, Miguel thinks you look almost as beautiful as you did when you walked down the aisle.

All you do is clench your eyes shut and try to wait for the pain in your abdomen to ease. The clattering arguments of the others only add fuel to the flame that is your suffering. Soon, there is a sudden wave of silence that washes over. Even with the agony coursing through your body, you were still able to catch the abrupt shift in the atmosphere. You open your eyes to find the man you had feared most, Miguel O'Hara, treading towards you and towering over you with his large figure. Paralyzed with fear, you had jumped to the conclusion that you had enranged him in some way. The terror is so overwhelming, you completely miss the sheer look of love in his eyes and how his pupils had morphed into the shape of a heart.

Eventually, you gain control of your numb body and make a break for it. Pain pumps like a drug through your damaged body, but you persevere and use every sliver of strength left in you to run from him. You're running through the city, dodging past all the numerous spider-people, and webbing through different buildings to escape this maniac of a man. During this, your name and demands for your return are shouted profusely. You don't have time to acknowledge how on Earth he had found out what your actual name was.

Mistakenly, you take a quick glance over your shoulder and almost shiver with fear at the sight alone. Miguel is barrelling after you on all fours like some sort of fucking animal, with fangs and claws out and all. Broken glass protrudes into his limbs from the numerous windows and walls he barreled through. Blood seeps through the torn cuts of his suit, exposing his bruised skin. The excess of vermillion webs clutters the complex from his frivolous attempts at retrieving you. It is utterly terrifying.

Somehow in the midst of chaos, you had found yourself back in the headquarters. The 'Go-Home Machine' practically calls out for you with its luminescent hues. You hear the muffled shouts of your name and the thumping of racing footsteps. In an attempt to use your webs for faster travel, you realize that during your chase, you had entirely run out of web fuel. Shit. From here, you resort to using your legs for once and practically throw yourself into the machine. The translucent spider above uses its limbs to piece together bits of the portals' walls as if it were merely stacking legos. Hope pokes at your brain, but you don't dare let yourself think the storm had washed over just yet. A deafening crash then permeates through the headquarters.

"STOP THEM! NOW!" The echo sends a chill straight into your bones. You watch the machine sputter with increased energy and hope that with enough time, this predator on your tail will find something else for dinner.

Miguel springs into the air as if he were weightless, before landing above you on the thick facade while it buzzes from heightened energy. You have nothing but this wall to protect you from this absolute rabid dog. Sheer trepidation caresses your skin with it's ice-cold touch as he attempts to claw through the membrane of space and time protecting you.

He is bone-chillingly terrifying as he slams all the strength in his body against the barrier. It becomes increasingly difficult for him to keep his grasp on the machine as it continues to charge with intensifying energy. This does not halt his efforts, though. If anything, Miguel has now become increasingly aggressive as the prospect of you leaving him again becomes more profound. The technology whirs from every punch and thrash Miguel gives in order to get to you. Static bolts of energy protrude the air like lightning bolts when he is finally able to tear a hole through the surface, eyes wide and crazed like some sort of beast.

In an attempt to stop him, you try and piece together the chunks of radiation that had been discarded from his unwanted entry. Upon doing so, Miguel is finally able to reach through the opening and dig his talons into your wrist. Your escape was right at the edge of your fingertips, but now you have been flung straight into the jaws of this monster. You splat harshly against the ground and with the state your body was now in, you knew for certain you could not fight anymore.

However, you don't even have a mere second to think of leaving anymore. Not when this vampire-spider has you pinned to the floor with ease faster than you could produce a single thought. He begins to shush you like a baby while you fight and thrash at his chest. His large hand cups your cheek with the same softness you would use to handle a kitten, while the other utilizes his strength to restrain your body.

"I got you! I got you back with me!" The pitch in his voice had raised as he pours his heart out to you. "I never thought I would see you again, but you’re here. My Y/N, you’ve come back to me…” Red eyes are blown wide and they practically stare daggers into you. All as if you were some sort of prey.

The only thing his words do justice in is confusing you further. What you had perceived before as anger was actually... Desperation? Relief? Love? This man has never spoken a single word to you for the entirety of your several months spent in the complex. You are perplexed as you try to think of what had triggered him to suddenly act this way towards you.

"I will never let anything happen to you again... Just let me under your skin..." Miguel's lips find their way down to your ear as he whispers to you the same way a lover would. The entire moment is so deranged, it makes you shudder with horror.

His teeth then sink into the nape of your neck as if his fangs were two needles. With a yelp, you feel warm blood escape and seep down your flesh. Something new swims through your bloodstream that was induced by his bite. Your body begins to fail you and lethargy envelops you like a warm blanket. And this man is like goddamn Dracula, slurping and drinking every last drop of your delicious essence. His calloused hands savor the feel of your body against his and he indulges in how much he had missed this, missed you. With a final, feeble attempt to defend yourself against your assailant, you're soon enveloped into a deep slumber within Miguel's embrace.

⁺ 🎧 , 🪷 ۫ you are currently listening to . . . ⁺ 🪺 , 🎵 ꪆ

❝ ONE DAY, I WILL STOP

FALLING IN LOVE WITH YOU . . . ❞

i wrote this all in one sitting after an all-nighter please bare with me lmao.

did you guys also know that the pupils of his eyes canonically turn into hearts?

[paulgadzikowski]

[angstflavoured]

A little fiddauthor analysis...

Making this post mostly just to get all of my thoughts out about it regarding how I think it is inherently very toxic on both ends, despite people treating it as more wholesome near the beginning when they were both younger… and the fact that I think it’s very incredibly one-sided. I’m strictly going to be talking about CANON events, not headcanons or speculations or AU’s. If you wanna draw Fiddleford and Ford being cute and hugging and dating, I don’t care, I like a lot of the content for them myself. It isn’t canon to the show and doesn’t affect or harm anybody. That’s what a fandom is and I’m not trying to police anyone, I just think a lot of people misinterpret their relationship and thought it would be fun to talk about it because I find their dynamic really interesting. I’m going to be using a lot of direct quotes and scenes from Ford’s journal, TBOB, and the show, so buckle in baby ! This was supposed to be a quicker and smaller one while I work on my Billford essay, but I had a lot more to say than I thought…

First off, it’s interesting to see how Ford thinks their interaction after so long is going to go. In Journal 3 he says he has “no choice” but to call Fiddleford up to work on the portal because Ford just doesn’t have the smarts to do what he wants to do himself, and he thinks he’s going to have to literally beg Fiddleford to join him. But as we see in the journal and in the show, it hardly takes ANY convincing at all for Fiddleford to drop everything he was doing and leave his wife and kid for months on end to work on a project he knows nothing about. All the info he has he got over a short phone call. It seems like Ford, at this point being so close with Bill and thinking he’s the only one who cares about him, just assumed that most people he used to talk with don’t think about him anymore. He’s had Bill whispering in his ear that he’s the only one who understands him, so it makes sense he doesn’t think Fiddleford will want to do this with him. But from what it looks like, Fiddleford either has been waiting every second for Ford specifically to get back to him, or just has been waiting for any excuse to get the hell away from his family which is… yeesh. Either way, not very healthy regarding his wife and kid. He doesn’t seem to really care all that much about either of them, but more on that later.

Obviously Ford cares about Fiddleford, as soon as he comes down to live with him, Ford hasn’t been so happy in a good while. He missed human connection, despite how good things were going with Bill. Having another person there to talk with was nice. Despite Fiddleford having strange quirks that did irk Ford, he found them endearing and genuinely felt better in his company.

But I think the biggest thing here a lot of people overlook is that Ford only ever refers to Fiddleford as his college buddy in the show, and in the journals as “my assistant.” I’ve seen so many people have Ford call him his partner, but he actually only calls him this like once in the show i think. It’s always my assistant, my research, my theory. Which is funny because Ford didn’t come up with any of this stuff with the portal on his own. Bill was the one that gave him the blueprints. Fiddleford even questions Ford at one point, asking if he had help coming up with them because of how complex they are, and Ford decidedly DOESN’T mention Bill and instead tells him “with hard work, anything is possible.” (Btw he does refer to Bill as his partner multiple times… just sayin.)

The way he talks to and about Fiddleford, Ford is always talking down. He does think that Fiddleford is smart and does think he has a brilliant mind, but he still thinks that he’s below him.

Because Ford has Bill.

And oh my lord, do I not see anyone talk about this. Soooo many comics always depict Fiddleford knowing about Bill existence, but I think the biggest roadblock with their ship and a huge point of contention is that Fiddleford never canonically knows about Ford’s relationship with Bill until after he’s already lost his mind when he’s old. He doesn’t even KNOW that he exists until he’s half sucked through the portal. People ignore this, but it’s so important to their dynamic. Ford doesn’t think that Fiddleford could handle it, and he doesn’t think he necessarily deserves to know. Because Bill is Fords thing. Their relationship is special. Ford is special.

Ford claims he doesn’t tell Fiddleford about Bill because he would throw him in a looney bin, despite their research being so whimsical and ridiculous already. They’re literally building a portal to a different dimension, Fiddleford would’ve believed him. And the way Ford talks about it, you can tell it’s less about Fiddleford thinking he’s crazy and more about something else.

Could F ever truly appreciate the complex fates that brought me and my Muse together?

He doesn’t think Fiddleford could APPRECIATE it. The language he uses, you can tell that Ford knows that Fiddleford would see right through Bill’s facade. And Ford doesn’t want that because he wants to be friends with Bill and he wants to be special, and he’d rather hide Bill and stay in denial than tell his dearest friend, just so he can feel special a little longer.

This is why I think as much as Fiddleford’s romantic feelings for Ford were there, it never ended up going anywhere. Ford would always choose Bill over him. When Fiddleford got him the axolotl pet, Ford quickly threw it out and lied about it to Fiddleford just because Bill told him to. And there’s multiple cases of interactions like this, where Bill will talk down about Fiddleford and Ford will just be like damn… yeah. Here’s a journal excerpt from TBOB around Christmas time. For context, Ford got into a huge fight with a monster and tried to contact Bill to help him, but he didn’t come. And then Bill randomly shows up later when Ford’s at home decorating.

I was almost roasted by Krampus, and where was he? Off inspiring some other scientist? Posing for some tapestry? Were we even partners? He threw the accusation back in my face. “Hey, I’m not the one skipping portal work to carouse with a third-wheel hillbilly with second thoughts about our project!” I started to argue--but he had a point. F has seemed less and less committed to work lately.

Which is INSANE !!! when we see that only a fucking page ago, Fiddleford was explaining how he got in a fight with his wife because he didn’t get her a present for Christmas. After spending multiple weeks and making multiple prototypes for a pair of 6 fingered gloves for Ford.

And if we hop back to Journal 3, there’s a particular interaction with them which is crazy to me. While hiking up a mountain to go to Crash Site Omega, they get into a fight with the Gremloblin, which fucking swoops up Fiddleford into the sky. In Ford’s attempt to get him down, they both end up falling down through the roof of a barn, where Fiddleford gets stuck full of quills and breaks his arm.

Despite our fortune, I have become worried about my assistant. I was able to treat his physical wounds, but I fear there are mental wounds not as easily remedied. For the past several nights, he has been unable to sleep, apparently still haunted by the Gremloblin’s gaze. More alarming is his Cubic’s Cube. It has sat scrambled, unfixed, on his desk for days. I myself have survived many monster attacks without trauma, but perhaps F is more sensitive than I realized…

OH. MY. GOD. The way that Ford talks so condescendingly is enough to make any person's blood boil. It’s the same way when Fiddleford gets sucked through the portal, and when Fiddleford gets pulled back, Ford’s first words out of his mouth are “WHAT DID YOU SEE!”

As much as he cared for Fiddleford… he has no regard at all for Fiddlefords VERY VALID feelings about events that would traumatize literally anyone. But he just pats Fiddlefords back and tells him to get used to it because this is just part of the job and he shouldn’t be whining so much. He does nothing to properly comfort him and scoffs it off like “apparently he’s ‘TRAMATIZED’ or something. I’ve been through so much worse and never had a problem, I don’t get what his issue is.” And then ford is SURPRISED AND APPALLED when Fiddleford creates the memory gun.

Which oohhhhh lord, the memory gun. jesus christ. Such a big example of the distrust between them on both sides. Fiddleford literally canonically lied about destroying the gun and then erased Fords memory about it so that he could erase his own memories in secret without him knowing. And also probably fords sometimes! Not completely canon, but like…. Fiddleford did it once, I wouldn’t put it past the guy. And then when they go to the carnival, Fiddleford hands out his fucking card to Ivan (the leader of the society of the blind eye, who was a teen/early 20s at the time) so that he can erase memories for him that he didn’t like.

Biggest thing we can take away from everything regarding Fiddleford’s character, is that he always takes the easy way out. He ran away from his family he obviously didn’t really care for as much as he should’ve because that was easier than talking it out or divorcing. He pushed it aside for later. Bro was literally looking for a fucken Brokeback Mountain situation, but Ford wasn’t giving anything back to him. So instead Fiddleford constantly made a fool of himself doing things for Ford and tripping over himself to show his gratitude when all the while Ford was entirely focused on Bill. and then he just goes around and starts erasing memories, because it’s easier than having to actually deal with things. Which is why I don’t foresee a reality in which Fiddauthor makes sense, in the way they actually end up doing anything together. Because Fiddleford’s too much of a coward to admit his feelings first, and Ford obviously has his sights on someone else.

And here’s the BIGGEST damning thing, like oh my god.

In Journal 3, Ford goes to a fortune teller (which don’t get me fucking started on how judgy he is to her and how much he talks down about her, DESPITE HER BEING LEGIT AND ACTUALLY WARNING HIM). Long story short, she gives Ford a spiel about how someone close to him is deceiving him. She then gives him a mood ring and says “when this is blue, you may pull through. When this is black, you can’t turn back.”

And LO AND BEHOLD!! OH MY FUCKING GOD, when they’re at the carnival and Fiddleford is talking to Ivan and whispering--

Ford. Looks down. To check if the ring is black.

I took one last look down at my hand and was strangely relieved to find that the palm reader’s ring was still blue. I shoved it in my pocket, collected F, and tried to put the whole experience out of my mind.

FORD LITERALLY THOUGHT ABOUT THE IDEA OF FIDDLEFORD BETRAYING HIM BEFORE BILL. IN FACT, HE LITERALLY NEVER MENTIONS THINKING IT WAS BILL ONCE.

He talks about how they got into a fight at dinner the night before the portal test because Fiddleford was having second thoughts about it being dangerous, and Ford told him to be there or he would get left behind. He’d do it without him.

And when Fiddleford gets pulled through the portal and quits the project, Ford says gooooddd fucking riddance, I never even needed you bro.

F, you weak-willed hayseed! Go back to your doting family and a life of fear and compromise! I weep now not for our failed partnership, but for the golden opportunity thrown away. To think I considered him a friend! I know my true friend. It is my Muse.

One of the few times he ever refers to it as partnership btw. Literally only when they break everything off.

And Ford only starts fighting with Bill about everything after it starts directly hurting him. It literally just seems like Ford is less upset about Bill’s plan being evil, and more upset at the fact that he lied to Ford LMAOOOOO he didn’t like the fact that he was disposable and lesser to Bill, despite Ford treating Fiddleford the exact same way.

At the end of all of this… it may seem like I’m really fighting against this ship, but not in the slightest. I LOVEEEE them so much, but in a way where it would be really toxic and not actually end up with anything happening.

Such a biggg theme when it comes to Ford’s character specifically is yearning. He yearns for success and attention and love and acceptance, but he’s constantly never giving other people those things. Which ends in him not receiving any in return. That is obviously until he gets back from dimension hopping and works on being a better person. When he starts towards healing, that’s when he starts receiving what he always wanted.

There’s so much tension between Ford and Fiddleford it's like disgusting, they were so incredibly gay… but, I hate to say it, it was very one-sided. They did have some fun times together and Ford enjoyed his company for quite a bit, but it was nothing like how Fiddleford felt for him. Fiddleford was always thinking about how Ford was feeling and what he was doing, and Ford never really did that for Fiddleford unless he was prompted to. But he was alwayasyayayss thinking about how Bill felt. And he always chose Bill in the end.

I just see so much of all of this get swept under the rug and never addressed, when it's kind of sad because it’s all so interesting and really adds a lot to both of their characters. They were both so morally gray back in their day, and honestly even more so now that they’re older, and its kinda sad to see that all go ignored. I JUST LOVE TOXIC GAYS SM AND THEY WERE SO TOXIC AND I’D LOVE TO SEE PEOPLE EXPLORE THAT MORE. Hopefully maybe this will prompt some people to think about it like this…….. It’s all so very tragic and their relationship was doomed from the start and i loveeeee shit like that. only misery to be had...