#PoV trap
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agentrouka-blog · 3 months ago
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GRRM hates fanfic and has already shut down Sansa/Sandor and Jon/Arya shippers before, why do you think he never denied Jon/Dany?
The former two pairings are comparatively easy to dismiss, I imagine, because they are pretty out there as far as probability goes. He's not giving anything away by being fairly unambiguous about rejecting the option. It really isn't a credible line of speculation.
Outright denying the very possibility of Dany and Jon as love interests, on the other hand, does take away from the game of "see with your eyes" and unreliable narrators that he has set up from the beginning. There's still plenty of people who will not believe Dany is on a villain arc because her own POV obviously portrays her as the hero of her own story, surrounded by otherwise a sycophant like Barristan who doesn't question her at all, or a figure set up to be more obviously unreliable in his own way, naive and uncertain Quentyn, whom Dany considers the "sun's son". Nothing explicitly hinders people from falling for her delusions if they aren't inclined to critical thinking. Which is how he challenges the reader.
An outright denial of the classic expectation for a female heroine, of a romantic entanglement with the elligible hero, would really shake that up because GRRM hasn't presented other credible attractive options on that front in Westeros, so if genuine romance is not in Dany's future at all... what is she working towards, thematically?
He'd be spoiling his own set-up.
He also hasn't outright denied Jonsa, btw. Just refused to comment.
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dcxdpdabbles · 3 months ago
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DCxDP fanfic Idea: Marriage trap the Office supplier!
Danny had developed an appreciation for office supplies. He didn't know where it came from; just that one day, as he was cleaning his parents' office, he noticed their invoices and Order forms were out of order, so he chose to organize the binders.
It was just to make things easier to find the information when Tax season came around, but he found a strange joy in locating the correct stamps to mark each form.
Approved with a little thumbs up.
E-mailed with a flying envelope.
Entered with a little arrow.
Scanned with a picture of a scanning machine. Completed with a little check mark. Even the Cancelled and its accompanying x-out circle made him feel giggly.
Before long, Danny went hunting from some dividers and was excited to assign colors to certain tasks. He even made sure to separate everything by the order in which it was completed. By the time he was done, he realized he had no more use for his stamps, so he chose to go about the rest of the office.
He did not sleep that night. The next morning, the Fentons woke to their office lab in its best state since they had moved in. Everything had a place, and everything was neat and tidy with Danny happily explaining his organization system- all written down and marked on colorful legal pads he found shoved in a box.
Since then, Danny would excitably talk about the newest pen, sticky note, paperclips, or paper clamps he had found. Often, they were in strange shapes- "Look, Dad, these are sticky notes shaped like toast inside a Toaster holder!"- and no one could tell why it bought him such joy.
Even desk organizers excited him, often seen changing up his things every once in a while with new highlighters or traveling pens. His two best friends were often spotted walking behind Danny at any store within a fifty-mile radius of Amity Park that sold office supplies.
But that meant no one was surprised when Danny eagerly announced he would work in an office until he had enough money to open his own stationery store. What was surprising was that Danny somehow managed to find a job at Wayne Enterprise right out of high school as an office admin assistant.
A high-ranked one. He was the right-hand man to Bruce Wayne himself, working as a personal assistant then anyhting else.
It was clear across state lines no one knows how Danny even managed to land an interview since Mr. Wayne asked for at least a bachelor in office management to even apply or that Danny seemed unworried about living in a crime-infested city working for the man that was target a lot due to his wealth.
Danny only talked about all the superb brands of pens and notepads he would get with his new salary.
What was more shocking was how efficant Danny was at his job. He breezed through his work like a pro, getting Mr. Wayne on time every time (no one knows how) and cheerfully gaining the approval of the board.
Danny often stepped in for Mr. Wayne, Mr. Wayne-Drake or Mr. Fox, quietly becoming known as "Third-in-Comand" at WE despite the fact everyone knew him as "just the admin assistant"
He was also known for being very excited to show his desk to the office, covered in cute or interesting supplies from around the world. He spent hours schooling through websites and making wishlists of things he wanted to buy and try out.
Danny Fenton was a gift among the staff. He ran the office like a smoothly oiled machine, employing new systems and communication means that errors rarely happened in different departments.
WE genuinely feared the day he would leave the company to open that store. They tried to bride him by offering to pay his entire college career and make him a head of any department he wanted, or even officially give him Mr. Wayne's PA position but Danny insisted he wanted to open his store someday.
A plan was hatched by a low-level intern who had personally seen Danny take minutes with an invisible-ink pen and black light at his interview, only to witness the man fight for his right to have a paid internship and full benefits.
He mentioned how convient it was that Danny was close to every member of the Waynes. Yes. Bruce Wayne made it clear he would not be adopting the boy seeing as he was too old for that but what if....they ensured Danny stayed with WE if they made it the family bussiness?
Danny could still be a Wayne. They just had to get him to marry into the family, and WE could keep the embodiment of an office employee forever.
His idea spread through the company like wild fire, and not long, every single person who's checks were signed by Bruce Wayne was gunning for a chance to give Danny and a Wayne a wedding.
(Unknown to them, Danny is the hero Phantom, who, upon learning Batman's ID, instantly asked to work for him in an office setting because he wanted to open a stationery shop one day. Feeling blackmailed, Bruce allowed it, thinking he would catch Danny lacking, only to....find out the kid genuinely loved his job? And was good at it?
His kids are close to him as fellow vigilantes and are unaware of the WE employee's goal.
Danny just really likes Office Supplies. It might have something to do with his Ghost Obsession changing, or it's a Specail interest. He doesn't really care for the reason)
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emilyjunk · 2 months ago
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"Kevin isn't that bad it's not like he beats her, why does she need to kill him or fake her death, just get divorced" you are the point of the show, you are missing the crucial reveal. Allison sees Kevin in every single scene as she does their last scene together, but we as the audience aren't privy to that and we only see sitcom Kevin which is Kevin's self perception. He is not suddenly becoming scary and threatening to her. He was like that the whole time. We only see Allison's feelings about Kevin and the aftermath of her interactions with Kevin -- this is the ONLY time we see Kevin from her POV except for the brief initial breaking of the sitcom cam. Every other time we see Kevin on screen it's from Kevin's POV. Even after she cuts her hand we only see the bandage in her singular pov when she is away from kevin, but when it shifts back to sitcom Kevin it's gone.... We do not see the reality of her interactions with Kevin, that's the point of the show!!! Because when Kevin is on screen, it's Kevin's world! We only see Kevin from anyone else's lens in ONE scene at the end, which is when Allison decides to leave, so yes the sitcom cam "softens his abuse" but it also just fully acts as an unreliable narration because we never literally see Kevin from anyone else's POV until the series finale so every time Kevin is on screen it isn't even an accurate portrayal of what's happening, it's Kevin's perception of what's happening. Allison has viewed him like that the entire show, we as the audience just did not get to witness that POV until the end
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yourlocalabomination · 6 months ago
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I HAVE BEEN FUCKING VINDICATED- ITS GREEN
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Go wild with this pic lads.
Also you guys are so welcome for me asking btw xxx
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daneecastle · 7 months ago
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Reversed Veil of Worlds:
Crowley's POV
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5/20 pages
6-10 | 11-15 | 16-20
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rosaluxembae · 2 years ago
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"It was me made up that name. Her face was long and horsey. Mine isn't. I was pretty." - Jeyne Poole
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Honestly, I think with Arya’s POV trap, it’s very, very likely that she’s completely misremembering the “Horseface” incident.
Especially as you consider how her memories change going forward. She starts out saying that Jeyne called her that, then progresses to saying both Jeyne and Sansa called her by the name.
So, IMO, if we progress backwards, it’s likely that Jeyne DID call her that, but Arya’s also looking at the entire scenario through the heavy veil of self pity she has for most of her first few chapters.
So, here’s my thoughts, they are not canon, they’re not GRRM’s thoughts, or yours. Just mine.
Jeyne did call Arya “Horseface”, but it wasn’t during bullying. Jeyne never bullied Arya, but they had conflict because they’re two very different people and this would have been something that, as both matured, they would have grown out of.
Instead, Jeyne called Arya “horseface” when they had a fight as children too young to understand the difference in their rank, when they had the kinds of fights little kids have.
At some point, someone likely stepped in and stopped Jeyne, BUT, because it was a mutual conflict, Arya probably got some kind of lecture, too.
Now, again, looking at this through Arya’s POV, remembering her persecution complex, Arya doesn’t recall this as a mutual argument that got out of hand. As far as she’s concerned, she was the great and innocent victim of a horrible injustice.
I suspect that this will become more apparent as her character matures and starts looking at herself and her past relationships with grown up eyes.
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blushweddinggowns · 1 year ago
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Jonathan didn’t know how else to say it but…Steve Harrington was weird. Like really, really weird. And he wasn’t even talking about Steve and Eddie. He thought Harrington was plenty weird all on his own. 
Jonathan really didn’t understand why Eddie was always marked as the strange one in the duo. To him, Eddie made perfect sense. Poor background, unique interests, drug dealer, loud and obnoxious as a coping mechanism, but still managing to be a pretty good guy all around. It was normal for a guy like that to be a little out there. 
But Steve didn’t make any sense to him. Zero. Zilch. 
Because he was rich, handsome, athletic, a total jock in every sense of the word. Half the school wanted to get in his pants, while the other half desperately tried to figure out how he got so many girls. By all accounts, he should be an asshole. Someone who basked in his own popularity, not someone who literally shunned it. Steve was the only person he’d ever met who had it all, and didn’t care. 
All he seemed to care about was freaking Eddie Munson of all people. They had been attached at the hip since grade school and even with Eddie disappearing for two years, Steve was right back at his side nearly the moment he got back. 
He didn’t go to parties, never bragged about his conquests unless someone asked, and even then he was always incredibly vague, and from what he’d heard from Nancy, he didn’t even sleep at his own house 90 percent of the time. If you were looking for Steve Harrington, all you really had to do was track down Eddie Munson.
Jonathan had only purchased weed a handful of times in his young life, but every single time Steve had been there. Either in the van waiting when Eddie dropped something off, or sitting right next to him on the park bench, popping gum and reading a comic book while Eddie did his business. 
And he was…intensely protective over him. Which was weird considering how Munson was scary enough in his own right, at least on the outside. Like getting into multiple fights, protective. Making girls cry who had the audacity to say anything about Eddie’s antics, protective. Like cursing out an actual teacher, protective. 
Like comforting your best friend after a near death experience instead of your literal girlfriend protective. Who did that? And maybe it hadn’t been official back then, but still. You’d think you’d spend time cuddling your crush in your lap instead of your childhood buddy. And there was also the weird hair smelling thing they kept doing. He hadn’t looked too closely at the time, but Steve had turned to bury his face in Eddie’s hair every few minutes after the 83 showdown. He hadn’t seen a repeat of that since, though. Maybe…maybe Eddie had gotten demon guts in his hair? And Steve had been trying to find the source?
He didn’t fucking know. He just…didn’t get him. And now he got him even less. The guy pulled freaking Nancy Wheeler as his girlfriend, and he didn't spend every possible waking moment with her? 
But it wasn’t just him prioritizing Eddie over Nancy. It was the fact that he didn’t care that Nancy was with him more often than her actual boyfriend. Which was fantastic for Jonathan, even if it was a bit of a double edged sword. Because Nancy was gorgeous and so fucking smart and cool and…and Jonathan liked her so much he kind of wanted to die.
And he couldn’t do a damn thing about it. Even if he’d come close, way more than once. There were probably a dozen times where he’d almost kissed her. And the last one would have happened if they hadn’t been interrupted. They had been talking next to his car during lunch, Jonathan couldn’t even remember what it had been about. He just remembered that he had said something to make her laugh. And she looked so freaking beautiful when she laughed. She looked pretty all the time, but something about seeing her happy made her jump from a 10/10 to a 15. 
The sun was in her hair, and her eyes crinkled in that cute way that he loved, and Jonathan had been leaning in before he knew it was happening. And if Steve and Eddie hadn’t walked by right in that moment, it would have happened. He had jumped nearly ten feet in the air when he spotted him out of the corner of his eye, fully expecting Steve to start tearing into him for being so close to his girlfriend. 
But he just smiled and waved when he saw them, and went right back to their conversation before walking off. 
See? Weird.
He didn’t know why it didn’t bother Nancy more, how little he cared about what the two of them were up to. Part of him was praying it was because she was falling out of love with him, and all of the romantic tension they had together wasn’t in his head. 
But he just couldn’t bring himself to make that final step. Mostly because he was busy trying to take care of Will most of the time. Even if he got his way he wasn’t exactly in a position to be a good boyfriend. His little brother came first, especially after everything he had been through. And he was struggling, Jonathan could see it. And he spent most of his spare moments trying his damndest to get Will to open up. It hadn’t worked. But he kept trying.
But there was another part to it too. He…he didn’t want to be that guy. The kind of guy to make moves on a taken girl. Especially Steve’s girl. Both him and Eddie had risked their lives last year helping them out, and what? He was going to thank them by breaking Steve’s heart? He couldn’t bring himself to do it. 
Even if Eddie wanted him to. Which was just one more thing he didn’t get, the weird encouragement Eddie would give him when it came to his best friend’s girlfriend. If Jonathan mentioned a movie he wanted to see, preferably with her, Eddie would always be sure to keep Steve busy on friday nights for her to be free. If Jonathan had his mom’s car for a week and really wanted to be the one to pick her up in the morning, Eddie would conveniently find a reason that Steve couldn’t. 
It was weird, and kind of fucked up, but Jonathan had at least a small idea on why he was doing it. It was pretty obvious, after you got a little closer to the two of them. Eddie was in love with Steve. But Steve wasn’t in love with Eddie, not when he had Nancy on his arm. It explained why he monopolized all of his time, why he hung around them on their dates, why he was so open to letting another guy swoop in on her. 
He never actually asked him about it. It felt like a fucked up thing to say, especially if he was wrong. But Jonathan couldn’t think of any other explanation. So he kind of just…went with it. At this point it felt like he was Eddie’s co-conspirator to break them up, even if it was never explicitly said.
Which was fucked up, on both their ends. Yeah Steve was weird, and kind of a bitch, but he was a good guy all in all. He was Eddie’s best friend for a reason. 
So Jonathan held back his feelings. Or at least he did for as long as he could. But then Nancy came to him for help to expose the Hawkins lab. And they ended up on this crazy fucking adventure together. And he just fell more and more in love with every wild stunt she did. 
And then they kissed at Murray’s and Jonathan didn’t have the strength to say no. How could he? It just…happened. And okay yes. He feels bad for Steve. But he doesn’t regret it. Not even slightly. And maybe that made him the biggest asshole in the world, but it was hard to care when Nancy freaking Wheeler wanted him of all people. 
It was pretty easy to shove the guilt right out of his mind. That was until they saw Steve and Eddie next, right in front of the Hawkins lab. Steve had instantly brightened at the sight of her, immediately sweeping her up into a big hug. 
And Jonathan couldn’t bring himself to watch it. He just couldn’t. Because that was probably going to be the last time they hugged like that. He was already in too deep and there was no way in hell that he was going to let last night be a one night stand. He hadn’t exactly asked Nancy to break up with him yet, but he was going to. 
Because he was a dick like that, apparently. But maybe they could find a way to do it…kindly? If that was even possible. And if there was anyone who would be able to help soften the blow for Steve, it would be Eddie Munson. 
Jonathan walked up to him as the other two started talking. He jerked his head to the side, “Hey can I talk to you for a second?”
Eddie nodded, following him over to a safe distance from the car. He didn’t really think Eddie would be mad at him for what he did. But he was still a little nervous to say it out loud. 
He avoided saying what he truly wanted, deflecting with a question, “So um, Steve and Nancy, how uh, serious are they?”
Eddie stared at him like he’d magically grown a second head, “Huh?”
“They’ve almost been together for like a year now right?” Jonathan pressed, “Is he…y’know. In love with her?”
But Eddie was still looking at him like he’d asked something insane. He narrowed his eyes at him, “Are…are you kidding me right now?”
“What?” Jonathan asked, almost as equally confused as Eddie, “Why would I be kidding?”
Eddie raised a brow at him, “You think Steve and Nancy are dating? For like, real? After all this time? After last year. That’s what you think?”
Jonathan really wished Eddie would just tell him what the hell he was talking about instead of emphasizing every other word. He crossed his arms over his chest, feeling oddly defensive when he asked, “What else am I supposed to think?”
He hadn’t expected Eddie to bark out a laugh at the question. It took a second for him to compose himself to talk again while Jonathan looked on, more confused than ever. 
Eddie eventually straightened, holding a fist in front of his mouth while he struggled for the words, “Jonathan, dude, last year you saw me in his lap. With my arms around his neck. While he kissed me to make me feel better.”
Jonathan blinked at him, “Huh?”
He hadn’t remembered the kissing part. And in his defense he had been a bit distracted with the news that his brother was alive. But the hair smelling thing…had…had Steve been kissing the top of his head that whole time? Right in front of him? 
Eddie looked way too amused at Jonathan’s shock, “So what do you think that means bud? Is that something you do with your friends?”
“But Nancy! And all the other girls-”
“Fake, fake, fake and fake,” Eddie said with a grin, “That boy’s all mine. And has been for years. Him and Nance are just friends. Really good friends but that’s it.”
Eddie put a hand on his shoulder, voice softening a little but still a little too tickled for Jonathan’s liking, “We all kind of thought you knew man. I guess I underestimated our own acting skills there.”
Jonathan slowly nodded, even though his brain was still struggling to catch up with everything he’d said. But it made sense. It actually made perfect sense. That’s why Steve didn’t care that he was all over her, that’s why Eddie had been so encouraging, that’s why Steve was so fucking weird. The guy had been basically married since he was in third grade. 
“Holy shit,” Jonathan finally breathed out, “That makes so much sense.”
But then a realization hit him, “Wait, so all of this time Nancy has been single?”
“And ready to mingle,” Eddie added with a wink, “Though if it helps, you’re the only one she’s set her sights on. That and Tom Cruise but I think you still have good odds.”
As wonderful as that revelation was, it kind of also made him want to smash his head into a wall. How could he have been so blind? 
“Don’t worry about it,” Eddie said, like he could read his mind, “We do actually try to hide it most of the time. It’s not completely your fault for not seeing the hints.”
He only had one more question, a stupid one but he still wanted to be sure, “So um, hypothetically. If I, uh, slept with his fake girlfriend, he wouldn’t be mad about it?”
Eddie laughed, “He’d be ecstatic. Half the time those two talk is about you. He’s been waiting for you to make a move as long as Nancy has. And he will definitely get a kick out of this conversation when I tell him, that’s for damn sure.”
Jonathan nodded. That was…some pretty fantastic news. Besides the sting that he could have had her weeks or even months ago, it was a good fucking feeling to know that they hadn’t done anything wrong. It was kind of weird, knowing that Steve Harrington of all people was gay. But he didn’t care. That might have been how his dad tried to raise him, but his mom had stopped all the homophobic shit the second he ditched.
He was raised better than to judge two people for being happy together. And the fact that they trusted him with something so big made him feel…kind of special. Definitely not like an asshole. The two of them wandered back to Steve and Nancy and Eddie didn’t hesitate to pull him into his arms. 
Jonathan watched as he whispered something to him before kissing his cheek, like it was the most natural thing in the world. And for them it probably was. He saddled next to Nancy. He didn’t exactly have the confidence to be that affectionate in public like those two did, but he’d like to work his way up to it. He gently took her hand in his, blushing at the way it made her smile. 
She squeezed his hand back before shuffling a little closer to lean into him. He didn’t have much time to indulge in it, not when the lights all suddenly came back on. But as they all hurried inside, he couldn’t help but think that maybe, just maybe, everything would be okay.
From the latest chapter of this fic
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puppetmaster13u · 7 months ago
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Prompt 268
Fright Knight sighs, running a clawed hand through his hair in an attempt to stop the flames from flickering into being. It had been far too long since he had taken a human-ish form. His human-ish form. Ugh. He didn’t exactly care for his human form after so long as a ghost, but needs must he supposed. 
Especially with the whole, we’re going to punch a backdoor into the literal daycare part of the Infinite Realms and be surprised when literal toddlers go exploring. 
Well, at least it got him off of guard duty for a bit, which was relieving. Not that he didn’t love the darkness, but it got boring in the shadow of his sword for literal centuries with nothing else happening. He was a warrior for Realm’s sake! Borderline an Ancient in both power and age! He wasn’t meant to stay so still for so long. 
So while ghostling wrangling wasn’t exactly in his area of expertise, he could definitely gather them back up to the Realms. And deal with the curs who had decided to attack literal babies. 
The Daycare area was already understaffed due to just how large it was, and the one in charge of this section had practically sobbed to the Council (In another world they would have been put on hold for a century in line for their concerns, and then more once a Sarcophagus was opened, but they had told the other ghosts in distress, causing others to let them go up in said line) how they were almost certain they had felt at least one core form Outside the realms thanks to the breach. 
Which had understandably put everyone at an uproar. 
So here he was slipping between shadows to do reconnaissance and take stock of if any Ghostlings had left the city. And gently scruffing those he comes across in exasperation because what are you doing, ghostling? Look at the mess, what would your caretaker say? 
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club-cheongyang · 9 months ago
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bigcats-birds-and-books · 7 months ago
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Books of 2024: THE GREAT CITIES DUOLOGY by N. K. Jemisin.
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agentrouka-blog · 1 year ago
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Can you elaborate on “maybe show her (Sansa) being actually valued by a single character in their POV” - don’t you think that ever happens in AGOT?
Rarely, vaguely, too late in the game? Plus, it's competing with family members actively voicing disapproval or open chastisement.
Sansa being described as "charmed and gracious" by Cat is fairly impersonal, Jon describes her as "radiant" which is sweet but fleeting, Ned describes her as "only eleven" then spends the rest of the book dismissing her every concern or snapping at her until she's used as a hostage against him. Bran has the grace to remind Robb that "she's lost her wolf" when he's all "what's wrong with the girl", and Jon has the grace to include her in his musings about his sisters' safety. Pit that against Arya's projection of a Mean Older Sister who has everything? Arya who is showered with attention and affection from Jon and Ned, is "friends with everybody" and has four heart-to-heart conversations about her feelings, and is praised by a supercool sword master who sacrifices himself to save her life.
The only character who consistently at least approves of Sansa or prioritizes worry over her is Catelyn, whom many readers are also biased against because GRRM was so heavy-handed in her scene with Jon. It doesn't confer the same sense of undisputed value to be loved by a character who isn't unquestionably sympathetic. Same with Evil Bully Jeyne. The only person who bothers to have ANY serious conversation with Sansa at all is the Hound! The only one!
I'd be grateful to be reminded of more positive examples, but ultimately, the lack of affection toward her that GRRM built in, is pretty unfortunate. Many readers take it as confirmation that she must somehow deserve it. Many don't even realize how lonely and slighted she feels, that she deserves better and is reacting to trauma and unfair treatment and neglect. Tween girls are just hysterical and dramatic, right?
Tell me a scene of Robb or Bran or Jon thinking of her with unambiguous fondness would not have changed how readers perceive her entire situation?
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someiicecube · 2 years ago
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Fan art I drew of Solomon obey me dying in a glue trap
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tcustodisart · 4 months ago
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Would you let him run your camp?
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prolibytherium · 18 days ago
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I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?
Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate
-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)
-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.
-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.
Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.
-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.
But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')
In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.
All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.
-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?
-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.
I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.
WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.
And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.
Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.
#Sorry this turned into a 100000 word essay on The Iliad it can't be helped#I read Circe by the same author and thought it was like.. better? Definitely not great just less aggravating and kind of boring#Just rote 'you heard about this villainous woman from a Greek myth... Here's the REAL story' shit#It did have a few things I thought were good I remember it starting kind of strong and then just going limp for the remaining duration#I think part of it is that in that case she's expanding on a figure that Didn't have a whole lot of characterization in the source so#like. She had to actually Expand The Character#Again Silence of the Girls is the only Greek Mythology Retelling I have like....positive?.leaning positive? feelings towards#I've got BIG issues with it too but it does pretty much the exact opposite of everything I'm mad at SOA for and in some very#compelling ways (it's just that the author seems way more interested in Achilles and Patroclus than The Main Character Briseis#to the point of randomly starting to have Achilles POV interjections (which I thought were Good in of themselves but#really really really really really really really didn't need to be there) and then get kind of lampshaded by Briseis narrating 'I guess I#was trapped in Achilles' story the whole time lol!!!!!!')#It undermines the book on both a thematic level and just like. a construction level like it's real sloppy at times.#Also the Briseis POV sometimes has these like really out of place Author Mouthpiece Moments where she's very obviously#Stating The Point to the audience and it's like yeah we get it. We get it.#Wow in the scene were our mostly silent enslaved protagonist removes the gag from the mouth of a dead sacrificed girl as a#small but significant act of defiance and grieving in a book called 'Silence of the Girls' you inserted an ironic repeat of the line#'silence befits a woman'. in italics even. Thanks for that. I could not possibly have grasped the meaning of this scene if you didn't#spell it out for me like that. Thank you.#Actually hang on the only Greek mythology retelling I have unequivocally positive feelings for are the 'Minotaur Forgiving'#songs on 'This One's For The Dancer And This One's For The Dancer's Bouquet'. Fully love it. Like not just as songs I think it#does function well as a narrative and engages with and expands on the source in really beautiful and creative ways
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blackberrysummerblog · 1 month ago
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Thank you for the tags @monbons! And to @brilla-brilla-estrellita and @you-remind-me-of-the-babe for the tags on Wednesday. I’ve given up on ever being able to not describe a week as having been crazy busy, but I will say every time I get a tag I’m startled that it’s Wednesday/Sunday already. This year has gone so fast!
Anyway, I do have a little to share from my COBB with @rimeswithpurple, whose artwork is currently the wallpaper for both my phone and my ipad. I’ll add that the character in next chapter’s banner is just so cute I can’t get over it. Here’s a little Dev POV from Baz’s shop:
“I’m stressed,” I say, pointing to the word calming on the label.
The git actually rolls his eyes at me. “For skin. It’s calming for your skin,” he says, snatching the bottle up. “Like, redness? Irritation?”
“If it calms irritants, maybe you should put some on,” I reply coolly, leaning back in the large window seat at the front of the shop and crossing my arms. “Go on, Neal. Slather your whole self in it.”
Shepard sucks in a breath but Gareth snickers. Good man. I slide my eyes toward where Baz is perusing some book at the register, either accounting for inventory or reviewing a recipe, I can’t be sure.
“My name is Niall,” Niall seethes, his complexion taking on an interesting colour as he looks me up and down. It feels unpleasant, like he’s taking a measurement that’s coming up gravely short. I can’t imagine why, though. I look as good as ever today, in spite of feeling utterly knackered. My hair is shiny and lying perfectly as usual, and I’m wearing skintight leather trousers with a long-sleeved sheer top in a shade of blue that particularly flatters me, unbuttoned down to there. I narrow my eyes at Niall and return the judgement in spades. He looks sickly, and his otherwise lovely thick hair is pulled up into a bun that’s giving grandmotherly vibes. His eyes are a muddy shade of blue that can only mean he’s tried to spell the colour, and I’d bet my left big toe that whatever hue of brown they are in reality would suit him much better.
I also did a little writing (finally!) for The Field Trap, which is a sequel to Field Trip of Dreams. This is Possibelf’s POV :)
Davy doesn’t even look up as they push their way through the line to stand in front of him. “Simon, Basilton,” he says as he checks off their names. “I trust you boys kissed and made up.” If he hears the rest of the class tittering, he gives no indication.
The Pitch boy smirks like the cat who got the cream. “We did indeed, sir,” he replies.
“Good,” Davy says in a tone that implies they should move along and climb aboard the coach, but Simon is clearly building up a head of steam. He’s gone red in the face and although he hasn’t started smoking yet, that’s what’s always next when it comes to Basil. I take a deep breath with the intent to diffuse the situation, but before I can open my mouth, Simon has turned to Basil and taken him by the back of the neck.
I hope everyone has a great week! No-pressure tags to: @palimpsessed, @thewholelemon, @hushed-chorus, @artsyunderstudy, @nausikaaa, @larkral, @cutestkilla, @stardustasincocaine, @letraspal, @valeffelees, @tender-ministrations, @mooncello, @youarenevertooold, @imagineacoolusername, @shrekgogurt, @iamamythologicalcreature, @j-nipper-95, @aristocratic-otter, @facewithoutheart, @beastmonstertitan, @drowninginships, @stitchy-queerista, @bookish-bogwitch, @asocialpessimist, @ic3-que3n, @raenestee, @arthurkko, @jasonfunderberkerthefrogexists, @alexalexinii, @fiend-for-culture, @ileadacharmedlife, @supercutedinosaurs, @ivelovedhimthroughworse, @shutup-andletme-go, @roomwithanopenfire, @forabeatofadrum, @prettygoododds @orange-peony, @c0nsumemy5oul and anyone else who’d like to share!
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mixelation · 8 months ago
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How often is Jigsaw, sorry Tori, trapping people in barrier death traps that slowly deplete on oxygen or boil the victim alive versus just getting people with the classic ‘Touch to instantly die’ seals. Is Tori a ninja serial killer?
see, from tori's POV, she's doing a bunch of things that feel like completely natural escalations. there's a ninja squatting on your farm and you'd feed her for a week if she got him to go away? it's okay, she can set up a barrier run on trees that will effectively last as long as the tree lives.... oh no, actually, there's now no way to let this guy go without risking him retaliating on her/other civilians and just going back to what he was doing. guess she'll leave him for dead? or maybe it's more merciful to kill this guy outright, except he's trapped in a barrier. well, she can make a vacuum inside by manipulating temperature, right? oh no, that didn't work? okay well here's a death seal you can use, enemy ninja, if you don't want to starve to death. she's going to workshop the vacuum seal now because it's bothering her it didn't work, don't mind her. oh you went for the death seal? cool, the people she's been staying with were starting to hint she should leave, and now she can use your pocket change to buy her own food and can move on assured that her nice hosts are safe :)
but then from the outside it looks like "she trapped him, spent a few days fucking around in front of him while he desperately tried to escape, until he killed himself and she was like 'oh well, free stuff!' and looted his corpse"
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