#Plus Max Director

[gullivertravelstowonderland]

Hyperfixating on Grounded... thinking about a Portal 2 au 👀

Also very tempted to draw my sona snuggling a stuffed aphid bc they're baby <3

[maxe-murderer]

btw babes if you get the chance to go see purlie victorious on broadway go see it HOLY SHIT it was amazing. i wanna kiss everything abt this show. i wanna kiss the concept of this show. wanna kiss the set. the set got applause listen the set got applause. everyone was fucking amazing and the cast was so sweet afterward and just HOLY SHIT its a great show

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

[rubycruzin4abruzin]

never been (stage) kissed

Summary: After years of being a struggling actress in Los Angeles, you finally land your big break! The only problem is, you’ve been cast opposite your longtime celebrity crush… Ruby Cruz. What will you do when the director demands a kiss between the two of you?

Pairing: ruby cruz x actress!reader

Contains: mature language, small amount of adult humor, kissing, fluff, thigh touching, in depth details of Hollywood movie shooting, anxious!reader, publicity tweets and comments, ruby being the sweetest girl EVER

Word Count: 3.1k

A/N: This is a Real Person Fiction. I’ve included a mass disclaimer of RPF guidelines here. Make SURE to click the link before reading, it’s extremely important for the safety of all Real People involved in this fiction.

———

You stared at the movie script in your hand, biting your lip to stop from squealing. After being in Los Angeles for the past five years, you had finally landed your big break.

You had known that you wanted to act ever since your mother signed you up to be a munchkin in a community theatre production of “The Wizard of Oz.” Of course, being a stubborn elementary schooler, you fought her on it, saying the songs were “stupid” and the costumes were “itchy.” But as soon as opening night came, and the lights hit your face, you put on a smile and celebrated the death of the Wicked Witch like it was something you’d been waiting for your entire life.

After the song's last note, deafening applause echoed around the theater, causing adrenaline to course through your veins. In that moment, you decided to spend the rest of your life chasing that feeling.

When you reached middle school, you joined their drama department, taking theatre as an elective class while occasionally participating in the school plays. Once high school rolled around, you began to take some of the more advanced classes, and even competed in a couple One-Act Play competitions. A lot of the people you started taking classes with eventually got bored and left to pursue other hobbies, but over the years you just fell more and more in love with acting, and became completely dedicated to your craft.

Instead of attending college, after you graduated high school you packed up whatever you needed and moved across the country to a small town about half an hour away from Los Angeles. The area was slightly sketchy, your apartment was small, and you had to work two jobs while sharing with four other roommates just to make rent.

Los Angeles kinda… sucked. But you had stars in your eyes and couldn’t be happier.

Unfortunately, you were kind of in for a rude awakening once audition season rolled around. Back in high school, you would book leads left and right. Now, it seemed like the only gigs you could book were background work, maybe a role in a rinky-dink student film if you were lucky. You always took what you could get, but you longed for something that could get your foot in the door.

One day, one of the short films you starred in entitled “Attack of the Killer Zombie Prom Queens” got entered into some film festival, and not only did it win an award you couldn’t remember the name of, it ended up going viral on YouTube, and not in a bad way either. Your performance in that film was astounding.

Plus, not that this was the sole reason the film blew up, but as an actress in your early 20’s who tended to take care of herself, you were kind of… well… hot.

Suddenly, you were getting recognized in public, signed with an agency, and landing more notable roles. You were featured in a music video for an up-and-coming country artist, booked a commercial for a costume makeup company (in which you brought back your look from “Attack of the Killer Zombie Prom Queens”), and even starred in three episodes of a new series on HBO Max.

Just when you thought life couldn’t get any better, one day you were coming back from what was either your third or fourth audition of the day, when you got a call from your agent on the drive home. You groaned, almost certain she was calling to schedule another “last-minute” audition. Sure you appreciated how hard she worked to get you booked, but you were also so tired after a long day.

To your surprise, when you picked up the phone, she ecstatically announced that you had booked a huge role.

In a feature film.

Starring alongside your celebrity crush… Ruby Cruz.

You had to pull over on the side of a highway to keep from swerving out of excitement.

Ruby had been your celebrity crush since you saw her in the Disney+ series “Willow.” Her masculine ambience, her devil-may-care attitude, and the way she swung her sword had you absolutely drooling. Somehow, you finished the entire series in two days, and immediately ran to IMDB to add Every Single Thing she’s been in to your watch list.

Now, you stood in front of the building where your first read-through was supposed to take place, the script for “Aliens of Atlantis” resting in your shaking hands. You gulped as you pushed open the door, wondering how you were going to keep your cool around Ruby when the very thought of her practically sent you into cardiac arrest.

Walking into the reading room, you were met with several chairs arranged into a circle and sounds of chatter from the other actors. You recognized a few of them from some smaller projects, even recognizing one from a movie that had come out the previous year. Your eyes scanned the room for Ruby, heart beating out of your chest when they landed on the back of a choppy brunette bob.

When Ruby turned around, you swore her blue eyes sparkled under the fluorescent lights. She caught you staring at her from across the room, and shot you a wide toothy smile before walking over to you.

“Hey,” she started. “You must be Zephyra.”

You blinked at her. “I’m sorry, what?”

“Zephyra.” She repeated. “You’re playing the alien queen of Atlantis, right?”

She furrowed her eyebrows at you slightly and tilted her head, worried she may have gotten you mixed up with someone else.

Her words clicked in your head, finally. “Oh! Yes! I’m playing the role of Zephyra.”

Ruby’s smile returned as she let out a lighthearted chuckle. You swallowed, trying to keep your cool. You still had trouble wrapping your mind around the fact that you were standing in front of the Ruby Cruz, and having a semi-successful conversation.

She stuck out her hand, offering a handshake. “Hi, I’m Ruby. I’m playing Calantha.”

You took her hand, electric shocks vibrating through your body at her touch. “Nice to meet you.”

After removing her hand (much to your displeasure), she turned to walk back over to her seat, but not before flashing you a smile over her shoulder. “Can’t wait to work with you!”

God, why did she have to be so cool?

The table read went fairly well, in your opinion. The movie was about Calantha, an underwater adventurer, finding the lost city of Atlantis during an expedition. Once there, she finds the city being ruled by aliens who’s spaceship crashed near the area about 100 years ago. Calantha finds Zephyra, the alien queen, who makes her promise to keep their secret, and in return, Calantha will help her run the city.

You were playing Zephyra, of course, since being in “Attack of the Killer Zombie Prom Queens” proved you looked hot even in otherworldly makeup. You kind of thought there might be some romantic or even sexual tension between Calantha and Zephyra, but you brushed it off as you thought that might not be the artistic intention.

Once filming started, your days were basically exclusively spent on set. Not that you were complaining, you loved every second. Even after coming home at 1am when you left for work at 6am, a blissful smile would be painted across your tired face.

The only thing that bothered you was that you barely ever got to talk to Ruby on set. It was more your fault than hers. Every time you two were working together, your brain short circuited and you couldn’t get out anything more than a few dim-witted babbles. Ruby was always so sweet about it though, always lightheartedly chuckling at your barely-comprehensible speech, sometimes even giving your upper arm a squeeze if you felt especially nervous.

You knew she meant well, but any touch from your celebrity crush was sure to do the opposite of calming you down.

One day, during a filming session, you and Ruby were meant to be sitting especially close to each other. You were sure you felt some romantic tension between the two characters, but you chalked it up to your crush on the actress and tried to downplay it. The director, however, seemed very frustrated today, this was the nineteenth take of this particular scene and he still wasn’t happy.

“Cut!” He yelled, letting out a frustrated sigh as you and Ruby turned your attention towards him.

“Everything alright, sir?” Ruby asked, making you glad you weren’t the only one who noticed his irritation.

“This scene… it’s missing something.” He brought his hand to his chin and squinted at the both of you. “Do we think we could add a kiss? Right here?”

Your heart stopped, and all the moisture disappeared from your mouth.

It wasn’t like you hadn’t kissed people before. You had your fair share of dates back in high school, that wasn’t the problem.

You’ve kissed, but you’ve never stage kissed.

Sure you had plenty of acting experiences, but the roles you played never required kissing. Instead of playing Aurora, you made a fabulous Maleficent. While Elle Woods locked lips with Emmett, you were busy portraying a hilarious Paulette. And of course, nobody wants to make out with a zombie prom queen.

You had no idea if there was any difference between actual kisses and stage-kisses. Obviously, sex scenes in movies weren’t real. But kisses? What if there is a difference and you go to kiss Ruby on camera and make her uncomfortable? What if she pushes you away? What if she gets mad? You don’t know how you’d recover from something like that, and your mind swarmed with plans to flee the country if that did happen.

Ruby opened her mouth to answer the director, before looking at you for confirmation and noticing your overly-panicked state. She sent you a reassuring smile, and placed a gentle hand on your back.

She turned to the director. “Could we pick this up after lunch? I think my scene partner and I have some things to discuss.”

The director agreed, and since it was still about thirty minutes to lunch, decided to use that time to record some “room noise.” You and Ruby were meant to sit still and quietly, the only thing you heard being the echo of your heartbeat in your ears.

Suddenly, you received a text notification, causing sound to go off and the director to groan and shoot you an annoyed look. You mumbled a quick “sorry” before switching your phone to vibrate and looking to see who texted you.

After wolfing down a sandwich from the craft services table, you stood in front of the trailer with Ruby’s name on the door, wringing your clammy hands while deciding whether or not to knock. You took a deep breath, raised your knuckles, and knocked three times, taking a step back after.

She answered almost immediately, staring down at you with a comforting grin. “Hey, come on in.”

Walking up the stairs and into Ruby’s trailer, you couldn’t help but notice how much cleaner it was than yours. You weren’t necessarily sloppy, but your vanity was covered in various bottles of blue face paint, while your floor held multiple alien-like prosthetics. Ruby’s was tidier, with a small couch pushed up against the wall, and her vanity holding nothing but some makeup basics and a half-full can of Dr. Pepper she had been drinking right before you walked in.

Ruby took a seat in her vanity chair and took a sip from her Dr. Pepper, motioning for you to sit on the small couch. “What’s going on? You didn’t seem too comfortable with the kissing scene.”

You gulped, staring down at your lap. “It’s not that…”

Ruby sat up, leaning forward to gawk at you. “Oh my god… have you never been kissed?”

“What? No! Of course I have…” you trailed off. “I just… I’ve never stage kissed before, and I know you have, so is it any different from regular kissing? I feel so stupid for asking and I’m so sorry but I didn’t wanna do it wrong while filming and I’m kinda embarrassed that I don’t know the answer so that’s why I wanted to ask you privately because I didn’t wanna fuck up…”

Ruby stared at you, silent and wide eyed. You felt your heartbeat in your ears as you tried to decipher what she was thinking. Suddenly, she threw her head back and let out a hearty laugh. Your heart sank. Here you were being awkward and vulnerable in front of your crush, and she was laughing at you.

Just before you decided to get up and walk out, Ruby calmed down, wiping away a tear and smiling apologetically. “I’m sorry, I promise I’m not making fun of you. I didn’t mean to laugh, really. You’re just so cute.”

You felt your cheeks burn at her words. She thinks you’re cute?

Ruby threw her soda away in a nearby trash can and moved to sit next to you on the small couch. She criss-crossed her legs, turning to face you while pondering how to answer your question.

“So… stage kisses are different from regular kisses, but they’re also not, you know? Like, we’re kissing but we’re not like… kissing.”

She peered over at you, studying your facial expressions. You looked more confused than ever, so she continued her explanation.

“So, if you’re asking if my lips will physically be on your lips… then the answer is yes, they will. But they’re not exactly like the real thing, because it’s more of a demonstration to the audience rather than an act of passion between two people.”

“A demonstration?” You cocked your head. Ruby nodded.

“Yeah, so say the camera was over there…” she pointed out in front of you. “…then you might cup my jaw, or cradle the back of my head. But if you were to grab my face or something like that, it’d look pretty awkward in a fifty-fifty profile shot.”

You nodded in understanding. “Ok… I think I get what you’re saying.”

“There are also different types of kissing.” Ruby continued. “Like, it should portray how your character feels about the other character. When Zephyra has scenes with Calantha, how does she feel?”

You gulped, focusing on your lap again. “Well, to be honest, it kinda feels like there’s a lot of romantic or sexual tension between our characters, but I’ve sort of been suppressing it because I’m not sure that was the intention.”

“But you feel like Zephyra is attracted to Calantha sexually?” Ruby asked. You nodded. “Great! You don’t necessarily have to make it explicit, but something like that can help you dive deeper into your character.”

Ruby scooted closer to you, taking your hands in hers. She gazed at you with half lidded eyes, causing your breathing to accelerate.

“I want you to kiss me.”

Ruby’s words barely resonated in your head, there was no way you heard her correctly. “You… huh?”

“For practice.” Ruby clarified, letting go of your hands. “Like you would during filming. Is that ok?”

An involuntary swallow forced itself down your throat as you nodded. You couldn’t believe you were about to kiss your celebrity crush, even if it was only for practice.

You pressed your hand into her warm cheek, pulling her close and quickly pecking her lips before retreating away. Your face burned from embarrassment while Ruby cocked her head, clearly confused.

“That’s it?” She asked. “My bad, I didn’t realize Calantha was your grandmother.”

Ruby moved closer and cradled the back of your head, entangling her fingers into your soft locks. You felt your hands sweat as her big blue eyes gazed into yours. “I was thinking maybe something more like this…”

She crashed her lips into yours, causing warmth to explode in your chest. Her fingers played with your hair as you began to kiss back, and your arms wrapped around her waist. Holy shit could she kiss! You could barely fathom how soft her lips were, tasting faintly of Dr. Pepper and vanilla lip balm. As hard as you tried to act professional and pretend there was a camera in front of you, every inch of your body screamed at you to succumb to your most primal instincts.

You lifted one hand from her waist and moved to rest it on her mid-thigh, causing a gentle moan to escape from her lips and a shiver to run down her body. Startled, you moved back, throughly convinced that you majorly fucked up.

“Shit, I’m sorry!” You exclaimed, pulling back your hand like it had touched fire. “I wasn’t thinking, fuck. I got too swept up in the moment. I shouldn’t have touched you, that was completely unprofessional.”

“Hm…?” Ruby blinked, still in a daze. “Oh. Oh! You’re good! Don’t be sorry. I liked it. Really.”

Ruby grinned at you shyly. You stared back at her, a question you weren’t quite sure how to ask lingering at the tip of your tongue. “Ruby, are we still… practicing?”

Her smile faded as her eyes went wide, her gaze dropping to her lap. It was her turn to be coy, a sight you’d never seen before.

She dropped her voice to a low whisper as she choked out her question. “Do you want to be?”

Before you could even open your mouth to answer, your phone alarm screeched from your jacket pocket. You took it out, groaning as you turned it off.

Ruby furrowed her eyebrows in confusion. “What was that?”

“My alarm,” you answered. “I have to go.”

“But lunch isn’t over for another twenty minutes.” Ruby pointed out, trying to hide her disappointment.

“Yeah, but I have to head back early so they can touch up my makeup and fix my prosthetics.”

Ruby sighed in understanding. She supposed your costume might have a bit more upkeep than hers. Your prosthetics did look a little wonky after the lunch break, never mind your smudged blue lipstain that made her apprehensive to look in a mirror.

You collected yourself and turned to walk out, but looked over your shoulder before opening the door. “Uhm… Ruby?”

“Hm?” She answered.

You wrung your hands anxiously. “Do you think we could maybe… do this again? Sometime?”

Ruby’s head shot up to look at you, and a playful smile spread across her face. “Do what? More kissing lessons?”

You rolled your eyes as she chuckled, then gave you a lopsided grin. “I’d like that. Lunch again, tomorrow?”

A blush pink color sprinkled across the apples of your cheeks as you smiled back at her, trying your best to stay cool and suppress the giddy feeling that was bubbling inside of you.

“See you then.”

[respectthepetty]

10 Anticipated BLs for 2024

Since I'm excited for ALL the GLs (Pluto, 23.5, Sunshine in the Wind, Chaser Game, Be Mine, y todo!), I'm making my list of the 10 BLs I'm excited for this year with brief reasons why I'm looking forward to them. In my normal fashion, I cheat my way into having more. All except one is Thai because Thailand loves to tease series three years in advance, then never make them, but I strongly believe these are coming:

The Next Prince

Zee continues to never play a poor person, and a trailer is supposed to drop in the first quarter of this year. I never knew there was so many fencers on BL Tumblr, so I'm looking forward to everyone's commentary on how well the characters poke with their sticks or whatever fencers do.

Jack & Joker: U Steal My Heart

It's a heist BL. It has YinWar. It has Prom x Mark. It has Bonz. It's Dee Hup House (we got beef). It's Director Tee and probably Cinematographer Jim. It might have color coding. There is not one thing I can find wrong with this series. It's perfect on paper, and I'm praying that translates well to the screen.

Spare Me Your Mercy

Like that lady in Titanic, I've been waiting 80 years for this series (give me a minute to cry about MaxTul), and it's finally near! I'm getting JJ & Tor in a Dr. Sammon piece, who I feel writes "Be Gay, Do Crime" very well, so I'll be forgiving any of these two gays' wrongs including murder, attempted murder, contemplating murder, and murdering each other in the bedroom (ahhhh!).

Wandee Goodday

Golf from The Eclipse is directing. It's about Muay Thai. It has an older doctor and a younger boxer who start off as bed friends (and I think one is actually a virgin). It has color coding. It has me already seated and waiting with popcorn, and I think it might be the first offering that will be delivered from GMMTV's 2024 lineup.

Sequels: Choco Milk Shake 2, Unintentional Love Story 2, My Doctor

Is Choco Milk Shake 2 gonna finally give me poly? Probably not, but I hope My Doctor brings the same heat the side couple did in Be Mine, Superstar, and the side couple getting the spotlight in Unintentional Love Story 2 will also make my side-couple-supremacy heart very happy this year.

Live in Love

It looks color coded. That's it. That's the reason. Keeping my expectations low because it might not get made since this is Thailand's favorite game.

Red Peafowl

The character reveals were absolute chaos, so I'm hoping that chaos transfers over to the actual series because it can either be a mess or a masterpiece, but it cannot be mediocre with Max, Cooheart, Boun, Mek, and Yacht as supports. Plus, it has color coding and a bird that is quickly becoming a Tumblr god.

Love Upon a Time

Even though it is a historical queer series, which means it could be sad, I think Domundi will keep the sass, so James' character won't be crying in the 1600s club but instead eating fruit seductively to encourage Net's character to put his homosexual skills into practice instead of simply theorizing about them, which is something I need more of. Plus, it has color coding.

Love Puzzle

This is one that might not get made because . . . Thailand. It's connected to Chains of Heart, but I don't care because the cast looks good and Poppy is gonna finally get to kiss a homie. If this doesn't get made, I will cry thug tears. It's 2024. Poppy deserves to kiss a man already.

My Stand-In

I don't understand the plot, but it doesn't matter because Pepzi and Khom are directing, and in case that means nothing, those were KinnPorsche's directors! Then, it has Up and Poom as the leads, plus a stacked supporting cast. I'm here. I'm queer. And I'm ready to be served.

Honorable Mention: Peaceful Property

It's about los espookys and features Tay and New. Will it be a QL? The streets are saying no, but all the characters are color coded, and all's I'm saying is what would be the point of color coding them if I ain't getting a BL main couple and a GL side couple? It's already canon to me.

Bonus: MosBank & JoongDunk

MosBank had like eighty projects announced for 2023, and I got NONE! Big Dragon 2, Big Dragon: The Movie, SunsetxVibes, where you at?! Y Journey: Stay Like a Local and Club Friday do not count. I don't want to watch their horror movie, but gosh darnit, if that comes out before everything else, I just might.

And I am a JoongDunk fan first, and a human second. Give my boys a gym BL already, GMMTV!

[reasonsforhope]

This is maybe an odd thing to put on a good news/reasons for hope blog, but I've also had people tell me that they find this info really, genuinely comforting, so I'm putting it up. Also, further understanding could do a ton to advance medicine, esp. re: allergies, autoimmune diseases, and depression. You can read more about this at the link.

"More than half of your body is not human, say scientists.

Human cells make up only 43% of the body's total cell count. The rest are microscopic [co-contributors].

Understanding this hidden half of ourselves - our microbiome - is rapidly transforming understanding of diseases from allergy to Parkinson's.

The field is even asking questions of what it means to be "human" and is leading to new innovative treatments as a result.

"They are essential to your health," says Prof Ruth Ley, the director of the department of microbiome science at the Max Planck Institute, "your body isn't just you."

No matter how well you wash, nearly every nook and cranny of your body is covered in microscopic creatures.

This includes bacteria, viruses, fungi and archaea (organisms originally misclassified as bacteria). The greatest concentration of this microscopic life is in the dark murky depths of our oxygen-deprived bowels.

Prof Rob Knight, from University of California San Diego, told the BBC: "You're more microbe than you are human."

Originally it was thought our cells were outnumbered 10 to one.

"That's been refined much closer to one-to-one, so the current estimate is you're about 43% human if you're counting up all the cells," he says.

But genetically we're even more outgunned.

The human genome - the full set of genetic instructions for a human being - is made up of 20,000 instructions called genes.

But add all the genes in our microbiome together and the figure comes out between two and 20 million microbial genes.

Prof Sarkis Mazmanian, a microbiologist from Caltech, argues: "We don't have just one genome, the genes of our microbiome present essentially a second genome which augment the activity of our own.

"What makes us human is, in my opinion, the combination of our own DNA, plus the DNA of our gut microbes."

It would be naive to think we carry around so much microbial material without it interacting or having any effect on our bodies at all.

Science is rapidly uncovering the role the microbiome plays in digestion, regulating the immune system, protecting against disease and manufacturing vital vitamins.

Prof Knight said: "We're finding ways that these tiny creatures totally transform our health in ways we never imagined until recently."

It is a new way of thinking about the microbial world. To date, our relationship with microbes has largely been one of warfare.

-via BBC News, April 10, 2018

[box-dwelling]

This needs to be made. WAA (and extended family, we may get too big for one party but this may get split over a few groups) and who I think everyone would play. Also presuming 5e for the system.

Phoenix: cleric. 1000000% with his obsession with helping people? Absolutely wants to be the healer and the cleric spell list gives a lot of options for chaotic play.

Trucy: a coward would say sorcerer. They are wrong. She is a forever DM. Don't forget she isn't just a performer, she's also a stage director. Plus her desire to constantly cheer up her friends translates perfectly into campaign design. I think he has special effects set up and has Mr Hat come out for scenes with 2 NPCs

Apollo: there are two choices. Either he's never played before and is just a begrudging human fighter, or he and Clay used to play all the time and he comes in with the most insanely fleshed out well constructed min max multiclass you've ever seen. But it's not like an annoying minmax where it take away from the other players, it's min maxed in a way to cover the rest of the parties flaws and actively heighten them all. It is a solid 50/50 he either gives no shits or gives the most shits ever

Athena: barbarian. She is using this to get out her aggression and good for her.

Pearl: she's new at this and kinda nervous but I think she has a cute little elven druid made up. She was going to go cleric but didn't want to step on Phoenix's toes.

Maya: Sorcerer and an absolute powerhouse of one at that.

Ema: Wizard. Fully roleplays the whole scholar of magic vibe too.

Edgeworth: the most paladin paladin player to ever play. His character is mounted because of his knight chess thing and they start off heavily based off a steel samurai character but I think he then uses it to channel some of his feelings about mvk so he may well go oathbreaker somewhere down the line

Klavier: Do I need to say it? Bard. Horniest horny bard you ever saw. But I think he keeps it relatively pg for trucys NPC's and focuses his flirting solely on Apollo.

Simon: samurai fighter. Edgy backstory. Actively causes chaos at all times.

Franziska: is invite but doesn't play.

[sinclairstarz]

for the cinephile byler truthers. i made the party’s modern au letterboxd accounts

in my head mike wheeler is the film bro cinephile of the party. hes a big brad pitt fan and fincher is his favorite director if you even care.. dirty dancing would be in his top 4 if he was honest. he went to see dune cause hes a scifi nerd, ended up hating it so much and complained about it to will but still gave it 2 stars cause it was pretty. did leave a very mean review. very critical rater but mostly leaves high ratings because he just doesn’t watch things he doesnt wanna see.

alternative movies i considered putting: pulp fiction (5 stars), the killer (1 star), se7en (5 stars), across the spiderverse (5 stars), nope (5 stars) , the batman 2022 (4 stars), once upon a time in hollywood (5 stars), inglorious basterds (5 stars), the matrix (half a star)

the thing is so good and he has a poster of it on his wall in canon so it felt right. it just feels wrong not to do ghostbusters (plus its one of my favorite movies…) and yall need to hear me out on brokeback 😭😭😭 ur telling me he wouldnt bawl his eyes out??? ur wrong. will byers is a jake gyllenhaal lover. he watches dirty dancing a lot for mike, and loves ghibli movies a lot. he cried during rain man. honest rater but doesnt take it too seriously, mostly 4/5 star ratings

alternatives: saltburn (half a star), asteroid city (5 stars), blackkklansman (5 stars), the force awakens (3.5 stars), the perks of being a wallflower (4.5 stars), back to the future (5 stars)

rogue one because lucas has taste. its the best star wars movie, if u care. he would love how fun and goofy ghostbusters 2 is. in my head Wes Anderson is like the party’s claimed director and they all watch his movies together and do marathons because the weirdness, comedy, and emotional commentary is a perfect mix for them. so. bottle rocket. lucas’ favorite wes anderson is the grand budapest hotel if u wanted to know. he rates things pretty highly and isn’t super critical.

alternatives: dodgeball (5 stars), scream 5 (4 stars), the matrix (3 stars), good will hunting (5 stars), jurassic park (5 stars), die hard (5 stars),

likes making lucas watch gone girl on valentines day and telling him shes gonna do that to him next time he annoys her. v for vendetta is her favorite romance movie and shes a big marvel fan (in a cool way. kind of .) but thor ragnarok is probably one of her fav marvels, along with spiderman far from home and iron man. i just know she watches Casino Royale and decided she hated James Bond and then ended up watching all the Daniel Craig Bonds with Mike and loved Skyfall so much. the song is on her playlist and she did cry after No Time To Die.

Alternatives: Superbad (5 stars), baby driver (5 stars), bottoms (5 stars), 10 things i hate about you (3.5 stars), scream (5 stars), kill bill (5 stars), lord of the rings: the return of the king (1.5 stars)

also a bit of a film nerd. i considered giving him a star wars and i know in my heart he’d probably have empire somewhere in his top 4. but star wars is lame and i wanted to give him se7en so he fucking gets se7en. he knows john wick is objectively dumb but he doesnt care hes just here for a good time. the party probably watched saltburn together and all fucking hated it. I just know hes a kurosawa nerd and always goes when the local theatres do very rare special showings of his movies.

alternatives: baby driver (4 stars), the ewok adventure (5 stars) hot fuzz (5 stars) harry potter and the sorcerers stone (4 stars) legally blonde (5 stars) spirited away (5 stars) dazed and confused (5 stars)

she likes movies that make her feel all warm and fuzzy and hopeful. i wanted to give her breakfast club, but i think she’d honestly like sixteen candles more (even though breakfast club’s better). she cried at almost every movie in her top 4 and makes max rewatch juno with her like once a month. she gives most movies 5 stars unless she really hates them, and loves any movie thats fun to watch, even if its bad. she likes movies with pretty girls and fun colors.

alternatives: barbie (5 stars), legally blonde (5 stars), inception (2 stars), heathers (5 stars) pretty in pink (4.5 stars (she was mad andi didn’t end up with ducky)) my neighbor totoro (5 stars)

in conclusion if you haven’t seen They Cloned Tyron (2023) go watch it it deserved the oscar

[absolutebl]

This Week in BL - Bunch of Stuff Coming in August

July 2023 Wk 5

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Laws of Attraction (Sat iQIYI) 2-3 of 8 - Oh good, we now know that Thailand has the same statutory rape laws as the US. Dub con is as dub con does. MEANWHILE Oh my God I love evil lawyer cutie so much. Him and his beautiful weaponized smile, maybe my new favorite character. I like the way this director is playing with noir mystery tropes, settings, and archetypes too - it’s feeling very 60s pulp, I’m getting gay Travis McGee vibes. Grandma knowing that her grandson likes boys is so sweet. I have to be completely frank here, this is what I wanted from both Manner of Death and KP. I truly love this show

Hidden Agenda that isn’t hidden (Sun GMMTV YouTube) ep 3 of 10 - It’s a very Cyrano de Bergerac kind of narrative... If Cyrano fell in love with Christian instead of Roxanne. Mock date was fun. 

Low Frequency (Sat iQIYI) ep 4 of 8 - Into the lion’s den. Investigation begins. Why isn’t the ghost acting lookout? Who are these random side characters? I’m confused. Half way through kiss is right on schedule tho. 

Wedding Plan (Weds YT & iQIYI) ep 2 of 7 - The kiss was nice, but it’d be nicer if Nuea had punched Lom. Manipulative arse. A trash watch is happening!

Be Mine Super Star (Mon Viki) ep 4 of 12 - Meh. 

Dinosaur Love (Sun iQIYI) ep 5 of 8 eps - The hazing has begun + secret relationship and it’s kinda like a v soft SOTUS. Dino is getting a bit too controlling and obsessive for me so it slid down the ranks. I much prefer La Cusine’s version of this dynamic. The friends protecting Dino’s interests were funny tho - boy is so obsessed he outsources his stalking. 

Be My Favorite (Fri YouTube) ep 10 of 12 - Max is BEST BOY. I hate Kawi. Tra la la. Trash watch here.

Ongoing Series - Not Thai

Jun & Jun (Korea Thurs Viki) 2 of 8 - Our ex idol is a total FLIRT. Nice to see an uke with agency. I mean baby girl is a newbie worker bee… but still flirty, good for you, sweetie. I see your little lip bite and so does your soon to be husband. Speaking of, I love Choi Jun’s style of seme aggression: a little sleezy + a bit too handsy + ultra clever with his words. Plus tie tug!!! Also threatening to take off your TAILORED suit so baby wears your shirt and smells like you? HOT. Boy you sped right past American style and into Italian - that’s real Corinthian leather, that is. 

Stay By My Side (Taiwan Fri Gaga) 5 of 10 eps - Mid series kiss right on schedule. Thank you for never upsetting me, Taiwan. Omg. Such boyfriends. Only Taiwan gets this sappy. I have to say, I watch this show after Tokyo on purpose. (I need the pallet cleanser.) Still, I’m scared that the perception will be that Bu Xia is using Jiang Chi, not in love with him, when the truth about ghosts comes out. Why doesn’t BX’s useless sister do something for her disaster brother? I guess JC likes a needy boy? Oh no, the kiss confusion. Lip touch but rejection (?). Nooooo. I suppose they have to draw this out for 10 eps. Gah, they’re so cute. But BX is a bit dim, isn’t he? Poor thing. 

Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga) 4 of 12 eps - Shin is such a worrywart, over protective, over the top boyfriend. I guess we saw a little bit of give from Minato? More than usual, baby steps. This is Japan after all.

Tokyo in April is... AKA Shigatsu no Tokyo wa (Japan Fri Gaga) ep 7 of 8 - Japan’s favorite trope = the running of the gays. Kazama knows everything now. Ep ends on one of my few triggers. SKIP! Japan you better NOT go there.

Vian the series (Vietnam YouTube ) ep 11-12fin - terrible ending, he turned back into a cat and the whole thing was pointless. I am very annoyed. 4/10 FATALLY FLAWED 

It’s airing but ...

Stay With Me ... NO I WILL NOT! And you can’t make me.

In case you missed it

Stay (Pinoy YouTube) finished its run at 7 eps. It’s mostly English & set in LA (shudder) so I did not bother. I say little to no chatter about this (that’s normal with the Pinoy stuff tho). Did anyone watch and enjoy? 

Next Week Looks Like This:

Coming August 2023

8/1 Stay Still (Hong Kong Tues YouTube) 5 eps - Yes we have had BL from Hong Kong before, but that was... before... who knows what it’ll be like now. Hayden, moves into a new apartment and starts a complicated relationship with his neighbor’s grandson, Damien, after an unexpected kiss. Meanwhile: Archie rekindles a romance with his high school sweetheart, Kelvin, who is now married.

8/11 Love Class Season 2 (Korea Fri Viki) 10 eps - Hyun, Minwoo and Joo-Hyuk are looking forward to their freshman year at college. But trials and tribulations of love that await them outside the classroom: from learning about maturity to being unable to forget the scars of past lovers. (All new cast from season 1.) 

8/12 My Personal Weatherman AKA Taikan Yoho (Japan Sat ????) 8 eps - hum. 

8/19 Love in Translation (Thai Sat One31) ? eps - Two strangers start working in a cafe together.

8/20 My Universe series begins (Thai Sun iQIYI) 24 episodes - This is sampler pack BL, 12 pairs, each pair gets 2 episodes, not entirely sure on the order they’ll drop in. Known couples include EarthBank from Destiny Seeker and KaownahTurbo from Love Stage!!!, mostly fresh faces otherwise. Jane to direct several. 

8/22 Kisseki: Dear to Me formerly known as Miracle (Taiwan Tues ????) 13 eps - From screenwriter Lin Pei Yu (We Best Love, H3: Trapped) features a student doctor forced to take care of a gangster. I love the premise and like the writer, I’m thinking Viki or Gaga will get this one.  

8/24 Man Suang (Thailand movie domestic cinemas) - historical drama about Thai burlesque with KP’s MileApo. Tong is in this one too? 

8/? Sing My Crush previously Follow The Wind (Korea ????) 8 eps - supposed to have released in the first half of 2022 this is a adaption of Myung’s webtoon, from the director of My Sweet Dear, and the Love Tractor production house, looks like Korea does About Youth.

8/? Why R U? (Korean remake)  is supposed to be out this month, filming started in sept 22. I find everything about this hilarious. I mean if Korea remakes it, we lose all the sexy and then... would we have a story at all? No we would not. Not even for six short eps. It’d be like one of those mesh shopping bags. 

We can probably expect a new BL from GMMTV too, to slot into BMF’s spot mid month. 

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

I do love a hyung romance, and this aggressive ghost-ish thing is working for me. (Low Frequency) 

Hidden Agenda + My Ride. 

So coy

I agree with @heretherebedork​ that these two make a great side couple but I am utterly in love with...

HER. (All Laws of Attraction.) 

(Last week)

[blogger360ncislarules]

TV’s number one crime-solving nun is back in action—and will be celebrating the holidays this winter.

Filming has started, in and around the Cotswolds, on the fourth series of the BBC Studios drama Sister Boniface Mysteries, created by Jude Tindall. It will air next year on BritBox International and on UKTV’s U&Drama in the UK. It has also been announced that the show will return for another feature-length Christmas special this December, written by Tindall and directed by Paul Gibson. See photos of Lorna Watson, who plays Sister Boniface, on the set and in the Christmas special above and below.

“It’s brilliant to be back with the gang for series four,” said Watson in a statement. “I feel very lucky to be part of such a lovely show and can’t wait to get cracking, solving crime in the Cotswolds sunshine.”

Gary Moyes – Courtesy of BritBox

In addition to Watson as the Vespa driving, crime-solving, Catholic nun, also returning are Max Brown as DI Sam Gillespie, Jerry Iwu as DS Felix Livingstone, and Ami Metcalf as WPC Peggy Button. The Series 4 guest cast includes Les Dennis, Katherine Kingsley, Martyn Ellis, Mina Anwar, Ed Birch, and Daniel Laurie.

The Christmas special features the Great Slaughter Amateur Dramatics Society (GSADS) pantomime. This year it’s Cinderella and with the appointment of a celebrity director the pressure is on to deliver their biggest and best performance yet. Rehearsals begin, but soon cast members start dropping like flies. Can Sister Boniface catch the killer before they strike again? Will GSADS give the public the festive theatrical treat they deserve? And, most importantly, can Sam and Felix pull off a polka in a pantomime horse?

Also coming up in the series, a bucking bronco goes haywire on the set of a game show, a killer scarecrow stalks the streets of Great Slaughter, the Scottish invade, a femme fatale drops to her death in a stunt gone wrong, and CC Lowsley (Robert Dawes) has arranged some team building. Meanwhile, Reverend Mother Adrian (Carolyn Pickles) is keeping a secret, and it could tear the Sisters lives apart.

“I’m thrilled that TV’s favourite forensic nun is returning for a fourth series. The alchemy created by Jude, Lorna and our wonderful cast and Midlands crew continues to delight viewers worldwide,” Neil Irvine, Executive Producer at BBC Studios said. “This series sees a serial killer on the loose at the Christmas Pantomime and a threat to the convent itself. I can’t wait for the audience to find out if this is the end for St Vincent’s…”

Sister Boniface Mysteries is made by BBC Studios Drama Productions as a co-production for BritBox International and UKTV. The script producer is Dawn Coulson-Beckett. Executive producers are Neil Irvine for BBC Studios, Stephen Nye and Robert Schildhouse for BritBox International, and Claire Hookway for UKTV.

[malegains]

LOGAN (2002-2006)

Yeah, I played for Coach Max back in the day, that man taught me most of what I know. I like to think in the years since I’ve figured out some of my own tricks, since I coach my own squad now. I’m only able to instigate the full Coach Max-inspired glute program with a few chosen players, though. The board of directors would have my head if I just had every player flip-fucking for an hour straight four days a week like how Max does it. I guess even he needs some sort of discretion, what with not initiating his players into that part of it until year two. Still, based on my own results, and the results of the lucky few players I’ve been able to practice it on, I’m convinced it’s the regular ass pounding plus the squats and lunges that gets the glutes really growing to freaky levels.

[satoshi-mochida]

Some games on the PlayStation Indies sale. Full list here, ends November 29th.

2064: Read Only Memories

A Light in the Dark A Little Lily Princess

A Space For The Unbound

Alchemic Cutie

ALTDEUS: Beyond Chronos

Battle Princess Madelyn

Broforce

Bugsnax

Caffeine: Victoria’s Legacy

Coffee Talk Coffee Talk Episode 2: Hibiscus & Butterfly

Cotton Fantasy

DJMAX RESPECT

Doki Doki Literature Club Plus

DREDGE

Fault -Milestone One-

Giga Wrecker Alt.

Hoa

Idol Manager

Ikai

Inside

Kaze and The Wild Masks

Limbo

LUNARK

MAGLAM LORD

Mercenaries Wings: The False Phoenix

METAL MAX Xeno Reborn

Metal Wolf Chaos XD

Mighty Switch Force! Collection

Monochrome Order

Mothmen 1966

MUSYNX

No Straight Roads No Time To Explain

Oddworld: Soulstorm

Panorama Cotton

Project LUX

Rabi-Ribi

River City Girls Zero

Shadows of Adam Shantae and the Pirate’s Curse Shantae: Risky’s Revenge – Director’s Cut

The Wild at Heart

TOKYO CHRONOS

Touhou Double Focus Touhou Genso Rondo: Bullet Ballet Touhou Genso Wanderer Touhou Genso Wanderer Reloaded Touhou Kobuto V: Burst Battle

Umihara Kawase BaZooKa! Undead Darlings

Undertale

Virgo Versus the Zodiac

Wavetale

When the Past was Around

White Day

[thephantomcasebook]

Hello! I'm sorry, I don't know how the financial aspect of films and series works, but I was curious, could you talk about the subject of the studio being underwater by 50 billion? I really don't understand since HBO has several series that were successful and HOTD itself was very successful, unlike its competitor from the Amazon studio. As for promotion, I don't think we need to worry, HBO is focusing on TBxTG,so I think it will be Emma and Matt and Olivia and Fabien will promote together 😊

Warner is like a big suit that keeps putting money in different pockets.

HBO is a subsidiary of Warner Brothers. HBO's earnings go into the Warner slush fund and then Warner gives HBO an operating budget. A show is commissioned by a studio who hires a production company, that is paid for by producers.

"House of the Dragon" is given a budget by HBO that is financed by Warner Brother's operating budget. Which means that the show must make back both production and marketing cost, plus salaries of cast and such.

Season 1's budget was around 230$ Million. Which means to make a profit House of the Dragon has to make back at least 780$ Million Dollars in revenue - new subscribers to "MAX", Merchandising, and physical media sales. If the show is a complete thud than they can write it off on their taxes as a loss. But if it's only okay to moderate, than its a disaster cause they can't recoup the money nor can they write off the entire production.

So, the only way that "House of the Dragon" can keep is if it is growing "MAX" by gaining new viewers by pushing subscribers to the streaming service. You need a full turn out from a wide audience.

The issue that almost sank "House of the Dragon" in season 1 was the complete lack of self-awareness from Olivia Cooke, Miguel Sapochnik, and Sara Hess, along with some of the female directors. In that for a show of this budget, of this scale, you cannot alienate an audience.

As much as they live in their Hollywood and London social bubble of "The Morality is Settled" with their childish luxury politics. Most of the world, much less their countries, doesn't believe in their elitist white girl social and political beliefs. Which means that by leading with bimbo feminism, closet lesbianism, and "commentary" on abortion ... you're not just isolating 3/4ths of a potential audience, you're turning off a global audience in general.

So while Tumblr and Reddit might find Emma D'arcy and Olivia Cooke's antics and interviews charming ... no one else did. There remained a lack of care and disinterest in the show and the hard work of others from 30 year old women acting like self-important teenager girls.

If you piss off a large contingent of the audience, then you have a net negative subscriber base, because, people will not watch your show. And then you're going to have to justify to the bean counters in accounting why your show needs a larger budget. Thus, if a large and complicated show like "House of the Dragon" doesn't have the operating budget to tell the story they need, then they cancel your show.

The issue is that due to a lack of professionalism across the board, people like Oliva Cooke and Sara Hess, don't understand this. They're not thinking of the show or below the line workers that need these jobs. They're thinking of themselves and only themselves. By running their mouth and virtue signaling through their privileged white girl luxury politics, they're making themselves look good for activists and Tumblr morons, sure. "OLIVIA IS SO GIRLIE, UWU!" but in reality, the normal person who watches this show doesn't nor wants to care about Cooke's personal politics and, in fact, they're so obscure and unrelatable to a majority of the world that people will be turned off by them.

Most people hate actors and actresses ... and no one wants to hear them talk unless they're playing a character.

So, Warner is operating in a 50 Billion Dollar Hole, and borrowing their production budget on credit from banks. That means that they have to make a shit ton of money ... and fast. Which, alternatively, means that they have to rely on their franchises to get them out of it. "House of the Dragon" is something they can lean on because "Game of Thrones" was a global phenomenon - second highest viewed TV Show of all time behind "Downton Abbey".

Therefore they need the largest audience possible in order to drive growth in "MAX". Thus. the last thing they want is a loud mouth airhead actress or writer/producer going out and making potential customers angry or antagonizing the audience and making them leave.

The worst thing that can happen to a entertainment company of any kind is for the customer to realize that said entertainment company is a luxury commodity and that they don't actually need them. Cause they'll never pay for it again.

[dg-outlaw]

Blue Beetle - Movie Review

Finally got to see this on HBO Max... yes, "MAX" we still think of you as HBO just as Grogu is still Baby Yoda. Deal with it.

So, back to 'Blue Beetle'.

Long review, short, I thoroughly enjoyed this movie and think it's one of DC's best in their quasi-DCEU/not DCEU or whatever is going on with WB and the DC movies these days. From what I understand, James Gunn/WB is not scrapping everything from the Snyder-verse/DCEU, but changes are coming and there's rumor that this iteration of Jaime Reyes/Blue Beetle will stick around and I really hope so. I also think it helps that there were no character cameos in the film, only mentions of heroes like Superman, Batman, etc. so this Blue Beetle could easily be folded into the upcoming Gunn-verse.

As a latino I'm both ashamed to say I don't know much about Jaime Reyes' Blue Beetle outside of his appearances on the 'Young Justice' animated series, but I was also excited to see him on the big screen (metaphorically) and plan to go back and check out his comics.

I won't do a random synopsis as you can easily hit up a Youtube trailer or read an IMDb blurb to get that info, but I will talk about some of things I really enjoyed about this film. Warning: Slight Spoiler's ahead.

First off, this was overall a well-polished, well-written, directed, acted, and enjoyable film. The CGI was CGI, but it never felt janky and I could see the attention to detail in a lot of the VFX work, even with Jaime's practical Blue Beetle suit. I also truly appreciated that this film took risks and didn't shy away from taking those risks, creating stakes and sometimes following through, and addressing certain cultural and socio-economic subject matter without being preachy. In some ways I compare it to the MCU's 'Black Panther' in tackling the cultural and socio-economic things that mainstream, especially Disney, often tries to shy away from.

While 'Blue Beetle' isn't as serious in tone as 'Black Panther' there were several moments in the film where you knew that the writer and director had some creative leeway as opposed to having lots of studio oversight, just as Ryan Coogler had in the first 'Black Panther' film. I'm not sure if this is because WB wasn't paying attention because the DCEU was dying off or if they were somehow convinced to let the creators do their thing.

There were also so many moments where my Hollywood Blockbuster/MCU-trained brain said, "now is where they pull away from the hard moment, make a joke to pull away from a real emotion, or water down the stakes", but that didn't happen in this film. Yes, it was funny throughout, and jokes were made to lighten the mood where appropriate, but it was never at a disservice to the story or the characters. There were no moments where I felt like some director/screenwriter/studio-exec was getting embarrassed because it's a superhero movie so [insert Whedon-esque quip here] to avoid showing feelings.

Plus, you had George Lopez bringing his well-known loud, wild humor as the conspiracy theory spouting, 1% hating, mad-scientist Uncle Rudy, but if anything I think he was needed to give light to a story that potential to be really dark and sad at times. This is not to say there weren't moments that tugged at your heartstrings and made you feel or think. This movie went there because yes, we can think it's cheesy because it's just a superhero movie, but in-universe these events are reality for the characters and I think other superhero movies need to remember that. This was really well done in the first transformation scene of Jaime into the Blue Beetle as it started with light humor and slowly morphed into an almost horror-film like scene. There was no gore, but you felt the terror that Jaime and his family were feeling by watching things unfold. We, as the audience know what's going on, but for him and the family, the shit was hitting the fan and they didn't know what was going on.

Honestly, I didn't know what to expect from this film. Having recently watched Shazam 2, which I thought was really funny and better than the first, but also forgettable and the Flash movie (which I also thought was fun but forgettable), I just expected more popcorn fun--the last sugary drops of the DCEU slushie before the Gunn-verse got underway. What I recalled about the trailers and vague reviews about this film was that it was a fun superhero movie that focused heavily on family.

But unlike the popcorn, turn your brain off and enjoy chaos of the Fast franchise, it didn't require Vin Diesel, 30 movies, and an endless string of memes to drill that concept into your head. Yes, Jaime Reyes is the hero in the film, but it's the collective efforts and support of his family that ends up helping him win in the end and it's what gave the movie heart.

This is also not meant to take away from Xolo Maridueña's performance as Jaime Reyes as the hero, an actor I've enjoyed since first seeing him on the Netflix series 'Cobra Kai'. Just like in 'Cobra Kai', I continue to enjoy his almost innocent boyish charm, shyness, and vulnerability he exudes on-screen. In some ways his character and performance remind me of Tom Holland's Spider-Man as just this kid trying to do the right thing, but is totally in over his head as a teen superhero (even though Jaime is a recent college grad from Gotham U). And just like Peter Park, Jaime didn't ask to be a hero and had no real aspirations for being a hero, other than to his family, but in the end he stepped up. This was not for cool points, though Jaime eventually learned to embrace the scarab's many cool powers, but because he knew it was the right thing to do. And yes, Mr. Vin Diesel, because of family.

I could go on and on about all the cultural moments and subject matter addressed in this film that I thought was really brave and refreshing in a superhero movie, but I won't as that's a giant article in it of itself. But I honestly think Disney/Marvel could take some pointers here as they often pull away just as they are about to get there. Also, no hate on MCU. There are many of the MCU films I enjoy, but the overall formula hasn't gotten tired and needs a revamp. Again, another post for another day, but just putting in a BIPOC, female, or LGBTQ character in a movie doesn't make it good and marketable. And no, we don't need PSA sob-story movies beaten into our heads, but what does it mean to be part of a marginalized community and be a hero? What does that look like? What different perspective does that character bring to the table?

In the end, yes, enjoy 'Blue Beetle' as a superhero movie, but also keep an eye out for the smaller messages and heart of this film as it was a delightful surprise for me. I hope we get to see more Blue Beetle in the future of DC films and I'd even be down for a live-action adaptation of 'Young Justice', with Jaime on the team.

[pintsizemama]

Christmas Party

Day 18

Summary: You’re invited to the management Christmas party…but it’s not what you expected.

Pairings: Max Phillips x You, Max Phillips x Female Reader

Fandom: Bloodsucking Bastards

Rating: Mature

Warnings: language, vampires, talk of orgies, creepy coworkers

Word Count: 1,134

Day 17 Day 19 Christmas Masterlist Main Masterlist AO3 Join my taglist

You sat quietly at your desk watching the rest of the office staff milling about, enjoying the Christmas party. You were already over it. You just wanted to go home and relax. Not be stuck at work hours after end of day pretending to have fun with people you barely tolerated.

“Having fun?” Tom from accounting asked as he perched on the side of your desk.

“A blast,” you deadpanned.

“Grab a drink and join us,” Tom insisted. “Live a little.”

“Maybe in a bit,” you told him to get him to leave. He was such a creep, and you didn’t want to encourage him.

“I’ll be waiting,” he promised and left, but not without checking out your tits first. You shuddered in disgust. He was fifteen years older than you, about forty pounds overweight, and missing a good chunk of hair from the top of his head. But that wasn’t even what turned you off of him. No, his personality was the absolute worst and he hit on anything that moved. More disgustingly, he was married and had children. You shook your head. You felt sorry for his poor wife.

“Hey there!” Phil, the assistant director of sales breezed over. You perked up slightly since he was one of your direct bosses. Didn’t want to piss him off with your lousy attitude.

“Hi, Phil,” you replied. He looked around and took a sip from his red solo cup.

“So, this party is kinda lame,” he said nonchalantly. You couldn’t help the snort that escaped. Phil smiled. He had always been nice to you, but there was something unsettling about him…probably the whole vampire thing. Half the office was vampires, which was super weird, but they were amazing workers, so everyone just went with it.

“I’ve been to better parties,” you told him.

“Wanna go to one right now?” He asked.

“Another party?” You brow furrowed in confusion.

“Yeah,” he replied. “There’s a party for upper management on the top floor. Max organizes it every year, and it’s way more fun than this one.” Max Phillips was the head of the company—and also a vampire. He was an asshole, but he was so sexy it hurt to look at him. You had a massive crush on him.

“Upper management, hmm?” You pondered. Most of the upper management were vampires. Only a few humans retained those coveted spots. “I don’t think I’m invited to that party.”

“I’m inviting you,” Phil insisted. “You can be my plus one.” You chewed your lip. You didn’t want to stay any longer than necessary…but you kind of wanted to see Max tonight. His flirty comments and hot looks helped fuel your late night fantasies.

“Come on…it’ll be fun!” Phil insisted.

“Alright,” you agreed. You’d go up and hang for an hour and then head home. It was perfect actually. Everyone on your floor would assume you were upstairs, and the upper management people would think you went back to your floor to rejoin the party. You’d be home much sooner than anticipated this way. “Just for a bit. I don’t want to make anyone jealous.”

“Well, alright then,” Phil laughed. “Let’s go.” He led you to the elevators, and swiped his key card. You waited quietly while you climbed to the top floor. The doors opened into the lobby and you both stepped out.

“It’s in the big conference room,” Phil told you. He put his hand on your lower back to steer you towards the party. You had only gone a few steps when Max came walking out of his office.

“There’s my favorite sales associate!” He said happily. He walked over and squeezed your shoulder in greeting. Your body tingled from his touch.

“Hi, Mr Phillips,” you said softly.

“Please, I’ve told you a hundred times, call me Max,” he insisted. He leaned forward to whisper in your ear, “You only call me Mr. Phillips in the bedroom, got it?” You swallowed thickly. He had never been quite that forward before, and you weren’t sure what to think.

“What are you doing up here?” He asked you.

“I brought her,” Phil answered for you. Your brain was still misfiring from Max’s comment. “She’s my plus one to the party.”

“What?” Max half shouted. “No. No, no, no. She’s not going to the party.” You felt your cheeks heat in embarrassment.

“I told you,” you turned to Phil. “I’m not upper management.”

“That’s not why you can’t go to the party, sweet cheeks,” Max told you. “Phil why don’t you continue on, and I’ll take care of my girl here?” You heart stuttered at him calling you his girl.

“But she wants to go…with me,” Phil said standing his ground.

“She’s not going anywhere with you,” Max said menacingly. Were they fighting over you? “Now get lost.” Phil stared Max down. Max growled—actually growled—and Phil scampered off.

“What was that all about?” You asked in bewilderment.

“You’re not going anywhere near the management party, honey,” Max said.

“Why?”

“Because it’s not a normal party,” he replied.

“What kind of party is it?” He looked like he didn’t want to answer. “Max?”

“It’s an orgy,” he finally admitted.

“What?” You shouted.

“Shh,” he hushed. “They’re not the far away and vampire hearing is insanely good.”

“You’re telling me all the managers are currently fucking in your conference room?”

“Yup,” he said casually. “Vampires love a good orgy, so I organize one a few times a year. Christmas is the only time we allow humans to join.”

“I, uh, what….I don’t know what to say,” you sputtered. “I guess, sorry I interrupted your orgy? I’ll just be going now.”

“No you don’t,” Max said and wrapped an arm around your waist as you turned to leave. He pulled you into his chest. “I wasn’t participating in the orgy, gorgeous.”

“You weren’t?”

“Nah,” he shrugged. “I haven’t since you came to work for us.”

“Why?”

“Because the only woman I want to fuck is you.” Your eyes widened.

“Really?”

“Yeah, I thought I made that pretty obvious,” he said with a grin.

“I didn’t realize you were serious, I just thought you were a flirt.”

“Well, I am a flirt, but it’s different with you,” Max said. “Are you interested in me?”

“Yes,” you blurted out immediately. He smiled hugely.

“Good,” he replied. “Then let’s get outta here. We can grab some dinner and go back to my penthouse…get to know each other a little better.”

“Ok,” she replied in shock. How was this happening right now?

“Perfect,” Max said. He steered you towards the elevators. Just as the doors closed you heard loud moans coming from the conference room. You burst into giggles, and Max pulled you in for a kiss.

Day 19

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[honoringthehorrific]

✝️I watched Maxxxine! Does this series close out on a high note?…✝️

As always friends, spoilers are under the cut!…

Let me just say this movie was a banger of an ending!!

The movie has so many little references to its predecessors specifically the movie pearl. Seeing Theda Bara’s star, soldiers marching on set, pearl’s dance being recreated by a young Maxine, and even some parallels between Pearl’s audition and Maxine’s the difference being Maxine walks out confident and telling the other girls they might as well just go home instead of in tears.

In this movie we see the trauma Maxine has from her time in Texas. She has somewhat frequent flashbacks to the events. Seeing Pearl in that window, feeling Pearl assault her, even seeing her friends pass on. All of this Maxine has to compartmentalize she has no time to ruminate or work through it she has to keep moving forward.

I will say while I loved this movie the twist at the end isn’t hard to spot. Atleast it wasn’t to me. Her father makes a return and tries exorcising Maxine for his own film about the corruption of Hollywood on their children. We see sprinkles of it through the movie the biggest hint to me was hearing his voice in the introduction recording of a young Max, and seeing signs about Hollywood stealing their children. Plus he was a loose end that needed wrapped up.

The aesthetics of the movie were phenomenal. I really felt wrapped up in all this warm hazy Hollywood 80s glamour and glow. The shininess and dinginess of it all makes it really captivating. It was almost shocking when the haze and glamour got ripped from us when violence started. Seeing this sort of underbelly to it all. That like the director Maxine works for says that things were just as shitty and awful back then as they are now. A man follows Maxine into an alleyway and pulls a knife on her only to immediately cower when she pulls a gun on him. She flips the tables and makes him strip, suck her gun, and lay on the ground only for her to turn his balls into hamburger meat under her heel.

Throughout the movie there’s this self preservation aspect that I noticed. Not only is Maxine defending herself repeatedly from these men who want to take advantage of her and harm her (the guy in the alley and this skeezy detective that works for her dad) but also her desperately needing this real acting role. The director tells her she needs to act as if her life depends on this role and Maxine tells her bluntly that it actually does. Maxine never has time to sit down and process what happened in Texas or work through it…but then again do we always get the time to perfectly work through our traumas? Maxine takes things into her own hands, pushes herself, and outwardly tells the cops when her coworkers start turning up dead that they need to save themselves.

When all is said and done I loved the movie and loved the end however I couldn’t help but feel…not fully satisfied. I wanted max to get a happy ending and she does for sure but there’s this whole narrative about the past coming back to bite you and we see her dad again but once he’s taken care of there’s no aknowledgement of what happened in Texas. There’s note that people know about it and police have been investigating it…but there’s no tie off to whether they drop it or what happens to Maxine because of the investigation…it’s just brought up by her father over and over and then kind of dropped.

All in all a killer watch. I didn’t really feel it had a whodunnit feel like some people had said but it definitely had a mystery going for it.

10/10 pentagram brands ⭐️