#Please I've been trying to write this for so LONG

[shoresoftheshadowlands]

For me this is part of my aversion to small-talk and verbal chatting. If its in text, I can usually glance back right away at what was said. When its verbal, I have to struggle so hard and I get headaches quickly trying to hold everything together. It isn't anything against anyone trying to talk to me, it's just I cannot follow it, especially if people are talking too slow, or being too roundabout on what they're trying to convey, which I know is part of the art of small talk. I know its an important skill to have, but damn, it sucks.

It's even worse when it isn't small talk but some kind of lecture I'm getting for some reason, especially when it's complete BS (I live in a household of far rights, if you know you know), or if it's something that is a non issue that, for some reason 'today', it is suddenly their problem (For example, I organize the space behind my desk in a way that works for ME. It is in MY room which I pay rent for. It may look disorganized at first glance but isn't actually messy. Got a lecture today about how I must clean up and organize and so on because partner is coming to visit.

And I basically just said 'Look, this is organized in a way that works for me,' (I did not bother trying to explain how or why it does because it wouldn't matter in the long run trust me) and I explained that anything that does need tidying up I've already begun working on (Which she did not notice whatsoever, and instead got on my ass about 'all the dishes and stuff' which are clean, or was a take out container I'd only just been using moments prior to her walking in so it wasn't like it was sitting here moldy) Queue the 'Well I know you love me but I am beginning to suspect you don't like me very much!' because I am short and to the point and we've done this dance countless times and I'm so tired. I say 'While I'm gone please DO NOT DECORATE MY ROOM FOR ME.'

I come home. Wow, looks like my room is decorated! And there's nick-nacks and shit in place of where my things need to go! Great! I hate it! Exactly what I asked you not to do! COOL! I'm so glad you value your 37 year old disabled adult child's wishes and boundaries!

But even trying to maintain a conversation about it, verbally because her reading comprehension is shit and she doesn't understand what I'm saying even when I write it down very clearly, we are always at an impass of 'wow this lecture is going on for so long I don't even know how we started' or 'nod and agree, it will be over sooner'

the curse of adhd:

i will remember with absolute clarity, when the thought strikes me that i have a text to send someone, that this is the fourth time in three days i've attempted to send this specific text

i will forget, in the time it takes me to pick up my phone, that i picked it up intending to send a text

[the-modern-typewriter]

Hiii! Could you please write some hurt comfort hero and villain? Where it has a “who did this to you” vibes! Thanks! No pressure if you don’t want to!

"You look..." The villain's gaze travelled slowly up the hero, taking in the hard lines of them, the uncanny iciness that had replaced a once warm, familiar face. "Different."

"And you look like hell. Let's get you out of here."

Despite the fact that the hero had just blown the villain's chains to smithereens, the villain didn't move. They leaned heavily against the cold concrete wall of their cell, still staring.

The hero's fingers flexed agitated at their sides.

"I can - if you're hurt, I can help you stand. I don't - you're safe now."

It was like an act they didn't know how to play any more. The script was the same, but the tongue behind the words was a sharper thing. A whittled thing. Made hard and venomous with desperation. Like the world had taken an axe to everything that made the hero them and started hacking.

"Who did this to you?" the villain demanded.

"What?"

"You're all..." Their head lolled, as they tried to tilt it customarily to one side. Their broken fingers hurt too much to wiggle them effectively in the hero's direction, but they did their best. "Not you. All..."

"They hurt you," the hero said. Flat. Deadly.

The villain wet their cracked, swollen lips. Their voice came out raspy. "I heard screaming."

"Yeah." Something dark and protective simmered in the hero's eyes. It looked awfully a lot like 'they deserved it'. Like how the villain's eyes used to look, through a mirror darkly, until the pain scorched through everything cold and steely inside them.

"You killed people. You killed...you came for me."

"We need to go," the hero said, through gritted teeth. "We need to get you out of here. Come on." The hero ducked down, only to falter when their gruff tug immediately made the villain's whole world go fuzzy with hurting. The touch turned gentle as the villain flinched. The hero's hands floundered, like they no longer knew the language of caring, but still remembered that they wanted to try.

A stupid prickle of tears stung the villain's eyes.

"Who did this to you? Who-"

"-Please," the hero said. "Put your arms around me. You need to work with me here. Please."

The villain wrapped their aching arms around the hero's shoulders. The hero lifted them up, holding them oh so carefully. Being upright was still enough to make the villain's vision pop and then blacken.

When they regained consciousness, they were walking through a slaughter house. Blood everywhere. As if a hurricane given teeth and claws had ripped through the building.

"Did I do this?" the villain asked.

"No, love."

But that wasn't quite right.

"No, I mean - I was gone," the villain said. Their head felt so fuzzy with everything they had been given, but the sharp edges of the hero were so clear, if only they could find the words to paint the picture half as well, let the knowledge swirling inside them settle. "You were on your own. How long have you been trying to rescue me?"

"It's going to be alright, okay? I've got you. You're alright."

"Are you?"

"I'm not the one who's been tortured!" It came out a snap, and maybe the villain should have flinched after an eternity of raised voices and raised weapons, but they didn't.

"You don't do so well on your own," the villain said instead, softly. "You never have."

The hero's throat bobbed as they swallowed, convulsive, choking something down. "Don't."

The villain raised a hand, rubbing their thumb over the gaunt line of the hero's face.

The hero flinched back.

"It's going to be alright," the villain said. "You're going to be alright. I've got you."

"You -" The hero laughed then, a broken thing. They jerked their head to the side but it didn't hide the tears glinting in their eyes. "Maybe let's not focus on me right now. You were - what they did to you - they told that they - I should have got here faster."

"I'm sorry they used me against you."

"Don't."

"Tell me their names?"

"They're all dead."

"Tell me anyway."

"I killed them."

"I know, love. Tell me anyway."

The hero swore, but the villain could practically watch some life creep back into those icy eyes. Some horror. Some thing that wasn't a stranger. Their hero. The hero held them a little tighter, cradling them a little closer against their chest.

"Just - later. Let me get you help. You need help."

Well, the villain couldn't argue with that. Still. Their own body didn't feel half as perturbing as the way the hero's eyes iced over again, determined to see through the job, to not shatter no matter what they'd done to get to where they were. To get the villain back. To save them.

They tucked themselves closer to the hero's chest, to their heart - thumping proof of life, proof of hope, proof that maybe they hadn't entirely lost the thing they cared about most of all.

Who did this to you?

But the villain didn't really need to ask.

The answer was always their own name.

[tojipie]

Crybaby gf x Toji explains my life so simply, and I’ve been reading them like once since day omg. I’m so obsessed with it. I was wondering if i could please request one where someone is passive aggressive towards her, maybe someone from the zenin clan?

content: crybaby reader, violence, blood, fighting, (happy ending :3 !) ˚ ✧ ───

what i've come to accept is that I simply cannot stop writing toji resorting to violence when reader's feelings get hurt

It had been years since Toji had attended a family event like this. a clan reunion dinner of sorts. You’d been cautious after receiving a sealed envelope with the Zenin crest last month, reluctantly passing it to Toji after he’d gotten home from work.

“How do they know where I fucking live… freaks,” he mutters, eyes scanning the parchment before blowing wide after reading what the invite was for.

“Wait, Naoya's engaged?” he laughs, folding the letter up and handing it back to you. 

Naoya. You'd heard that name once or twice from him. Never anything good.

“What's so funny?” you ask.

“Nothing," He laughs. "Just didn’t think it’d be to a woman.”

˚ ✧ ──────────

Toji pulls your seat out for you, letting you scooch in until your stomach presses up against the table. The raven-haired man settles in the seat next to you with a sigh, drumming on the table absentmindedly as the rest of his estranged family files in.

You feel ten, maybe fifteen pairs of emerald eyes bore into you in the few moments it takes for everyone to settle. Servants in black and white uniforms weave in and out of the room, their heads low as they hand out drinks.

The family had barely tolerated Toji for years. The family reject bringing an outsider as his plus one clearly wasn't helping. You brace yourself for the cacophony of whispers from the other women at the table, slinking into your seat to try and appear smaller. 

Except, the insults never come. A certain lithe blond had already captured the room’s attention, graciously greeting each guest with a confident smile. 

“You’ve grown so much Naoya.” An older woman gushes, patting his cheek. He accepts the affection warmly. 

He seems nice enough, you think to yourself. Watching as his smile morphs into a look of disgust as soon as she sits back down. 

Right, never cast judgment too quickly.

Naoya acts fast, snatching a perfectly folded handkerchief from his suit’s front pocket, to scrub the spot she’d touched. He tosses the fabric to a passing waitress, stealing a glass of wine off of her serving platter before downing the entire thing in two gulps.

So this was the infamous blond. Toji’s bratty cousin and subsequent family nemesis. Interesting. 

"So where's his fiance?" You whisper to Toji, trying to make yourself small at his side.

"Dunno," he snorts, "They probably won't meet each other til' their wedding day." He explains. Weird.

Newly inspired, you decide to take a sip from your own glass, wincing at the harsh aftertaste that blooms on your tongue. 

“Too strong?” Toji asks softly. You nod sheepishly, thanking him as he switches your glass for his cup of water.

“Definitely the real stuff.” You mutter, trying not to gag. 

“They’ve been aging this stuff since he was born,” Toji explains. “Family tradition, everyone gets a barrel that the family cracks open at one point or another.”

“So when are we opening your barrel?” 

Toji pauses, a faint playful smile on his lips.

“Shit, you think the family dud gets a barrel?” He doesn’t look hurt at the admission, but the creases around his eyes tell a different story.

An older man saunters up to the two of you, clapping Toji on the back before you can say anything.

“How long has it been my boy?” He exclaims, pulling the younger man into a hug and stepping back to give him a once-over.

Maybe an uncle, you think. They share the same hearty laugh.

Toji chuckles, the corner of his mouth lifting. “Couple years at least.”

“This your lady?” The older man asks, shooting you a wink. 

Strange, you realize this is the first anyone in the room besides Toji had acknowledged you tonight. 

“You know it,” Toji remarks fondly, laughing as the Uncle makes a quip you can’t quite hear before returning to his seat.

Nayoa kisses his teeth loudly, locking eyes with you from across the table. His words are loud when he cuts in, the room going silent as he speaks.

“So were you trying to water down your bloodline when you chose her?” A few partygoers laugh. 

Your eyes frantically scan the room, confirming your worst fear. Almost everyone was laughing at the two of you. Your vision blurs as tears gather in the corner of your eyes.

Naoya smiles coyly, leaning forward as he continues. “Or do you like the thought of children that are as useless as you ar–”

“You shut the fuck up when I’m talking.” Toji seethes, pointing the prongs of his fork in the direction of the blond. You feel every eye in the room bore into the both of you, jagged emeralds picking your every atom apart. Toji doesn’t seem to care, chest heaving as he waits for a response.

Naoya's smile fades. The younger man looks Toji up and down before taking a long sip from his cup of wine.

“I guess we have our answer.” He teases, reveling in the tauntful laughs that his joke earns.

Your stomach churns painfully, eyes zoning in on the glass of wine Toji had stolen from you earlier. Would downing the whole thing somehow get you drunk enough to forget this entire ordeal? If there was a time to leave, it would be now.

“Baby,” you mutter, tugging on the waist of Toji’s dress pants. “Let’s just go.”

“Fuck that,” your boyfriend spits, glaring down his shit-faced little cousin. You glue your eyes to the floor.

“Say it again.” He commands, his tone incredulous.

“What? That whatever spawn you two crank out will be duds?” Naoya asks innocently. “You can’t possibly be mad at me for pointing out the obvious?”

You feel Toji’s warmth leave your side as your boyfriend launches forward, knocking plates out of the way as he barrels over the table and tackles his cousin.

The table erupts in hysterics, the older men in the room urge the two of them to break it up while the women stare into their plates, horrified. You swear you hear a baby crying.

“Let me go you fucking ape!” you hear the blond grunt, driving his knee into Toji’s ribcage repeatedly as your boyfriend attempts to hold him down by the shoulders. Crimson rivets of blood leak down from Naoya's nose, accentuating the cracks in his lips.

You scurry back from the table, hand over your mouth as you take in the debacle. That churning feeling in your stomach has been replaced by something… much different. 

Something thick and viscous in the depths of your soul. Something saccharine sweet that makes your head swim.

Toji looked, for lack of a better word, fucking hot like this.

His hair disheveled and sticking to his forehead, blood splattered across his cheek, face contorted in a manic smile so wide that the corner of his lips threatened to split. And he was doing it in defense of you. His sweet girl.

Your boyfriend manages to pin Naoya’s arm behind his back, pressing his weight forward and bending it at an angle that elicits a yelp from the younger man. Toji grabs him by the scruff of his neck, angling his head so Naoya is forced to look you in the eyes.

“Apologize.” He commands his voice a low, menacing rasp that sends a chill down your spine. The others in the room feel less important as the gravity of the situation washes over you.

Naoya laughs like it's the most ridiculous thing he’s ever heard.

“For what?” he spits, glaring at you through silky black-tipped bangs.

You flinch as the blond’s head is slammed down onto the tablecloth, his cheek squished into the plain linen by a hand large enough to dwarf his entire skull.

“I said, apologize,” Toji states plainly, his tone harsh and unwavering.

Naoya pants, eyes darting around the room as if searching for someone—anyone—brave enough to intervene. No one moves.

The younger man seems to mull it over, giving in as his arm twists to its limit.

“I’'m-- shit! I'm sorry,” He grunts, gasping in relief as your boyfriend releases him from his grip.

The room remains silent. A few relatives exchange horrified glances. The tension is suffocating, yet you can’t help but feel a flicker of triumph.

Toji saunters back into his seat like nothing happened, glancing up through his hair to address the room.

“Eat,” It isn't a suggestion. 

The scraping of utensils against plates resumes hesitantly, the family too shaken to address the elephant in the room.

You sit quietly, your heart still racing. Toji’s hand finds your thigh under the table, his touch firm and grounding. 

The rest of the meal passes in awkward silence, punctuated only by the occasional cough or clink of silverware. Naoya sits at the far end of the table, mercilessly scrubbing at the blood that stains the front of his pristine white dress shirt.

When the meal is over, Toji doesn’t wait for the formalities to begin. He stands abruptly, helping you to your feet. “Get up,” he commands, a tender hand finding its home on the small of your back.

The two of you stride out of the room, the weight of a dozen judging stares on your back. The moment you’re outside, Toji lets out a soft chuckle, the sound rumbling deep in his chest.

“Did you see his face?” he says, grinning like a man who’s just won the lottery. Toji holds his arm behind his back just like he had done to his cousin, forcing an exaggeratedly pained look.

You can’t help it—you laugh, a real, unrestrained laugh that shakes the tension from your body. 

“You’re insane,” you manage between giggles.

"Maybe,” he smirks, wrapping an arm around your shoulders as you walk toward the car. 

[crimsonrubie]

Move to your side of the couch

Requested by: @snugglepotato

Pairing: Husband!Katsuki Bakugou x Wife!Reader

Warnings: Fluffy fluff and just a tiiiny bit steamy? It's my first time writing anything steamy so please excuse any errors

A/N: I am so so SO sorry this took so long- my exams start tomorrow and I tried my best with this one. I'm so sorry it's short but I hope it's okay!

"Move." You tilt your head up at the command from your husband. He has just showered after his shift today and ate the dinner you made him.

"But I'm comfortable here."

"Move your ass from my spot now."

"Oh, come on it's comfy here Katsuki! There are other spots on the couch you can sit on!" You argued back with an annoyed frown.

"I want that one. Move before I move you myself."

Both of you were arguing for the sectional side of the L-shaped sofa, which allows the person to lie completely down, and you were occupying it at the moment, which seemed to annoy Katsuki but he was determined on making you leave his signature spot on the couch.

"I'm not moving. You want to lay down, you have the bed."

"I'm too tired for this shit."

"Great then you'll go away and-AH!" Katsuki tackled you down on the couch before you could finish your sentence, wrestling your arms down to keep you still. "Heyy! KATSUKI!" You burst out laughing as he smirked and pinned your arms but you smiled mischievously and kicked him away from you and because of your unexpected kick, he hunched back and fell on the floor.

"You little-"

You squeal when he snatches your ankle and starts pulling you to him, you try to kick with your other leg but he had anticipated your movements this time, his hand already shooting out to grab your other ankle before you could land any solid hits.

His smirk widens and he pulls harder. You yelp when you tumble down with him to the cold floor, the blanket that was covering you getting tangled in your body and going down with you in a heap on the floor.

You had landed on top of him, your head falling on his chest, cushionng your fall as he fell on his back.

You're trying to get your breath back and gasp when you're suddenly spun and pinned down underneath your hulking husband. His biceps are on full display in his black tank top and he's breathing heavily on top of you from the energy draining activity.

"It's not that deep! I just wanted to rest!" You whine, an exhilarating smile on your lips.

"Tch, you know that spot is mine, woman. I've been too soft on you." You poke your tongue out at him playfully and try to kick him with your legs again but his legs already trapped yours underneath him and he's keeping them mobile so now all your limbs are proven useless.

"Oh come on you big baby, you're really fighting with me for a spot on the couch? How about-Mmhm!" You're silenced as his lips smash against yours, your mind going mush at the sudden show of affection. His lips are a little chapped and dry but his kiss is in-between soft and rough, something so unique to Katsuki Bakugou only and his rough nature but desire to be soft with his loved ones.

Your eyes are wide at the first contact but flutter closed against your warm cheeks as you reciprocate his affections and kiss him back sweetly. His brows furrowed and he hummed into the kiss before gradually pulling back for only a few inches.

"You cheater." You let out breathily, "You won't get the couch back even with your kisses so I suggest you-mhmm." Another kiss is placed on your lips and you giggle, shifting your head to escape his attacks and your giggles intensify, "Katsuki! Stop that!"

He grumbles and places another kiss on your lips and glares at you but without any real heat in his eyes and his face is warm and red like a freshly picked tomato. "It's my spot damn it. If you won't get up then I'm going to use it with you whether you like it or not."

You raise your eyebrows in confusion. he gets up, helping you stand with an outstretched hand and sits down on the spot, laying down with his back on the couch and gestures for you to come.

You blush with a small smile in victory and tackle him with a hug, his breath momentarily leaving him as you land. "It's payback."

He only rolls his eyes, wrapping his arms around you affectionately and burying his face in your hair, taking a deep whiff of your vanilla scented shampoo and relaxing against you. You giggle and snuggle into him, as he adjusts the blanket on top of you both and rests his back against the couch.

Katsuki Bakugou gets what he wants and in this scenario he got both his spot on the couch and his wife to cuddle up to him after a long and tiring day at work.

[beautifulterriblequeen]

Wait you wrote some of the Dragon Prince's Reflections short stories? That's awesome, congratulations! What was that like and how much lore did the showrunners give you access to, or were you allowed to make your own additions to canon? 😃 Which ones did you work on if I can ask? Thanks!

Oop, this question came in while I was answering another one! I just went over which Reflections stories were my work here! tldr, most of the first volume and one in the second volume.

I worked with Devon on ideas to pitch, and then on crafting and polishing the ones that got approval. I only needed to know a little bit of lore from upcoming seasons in order to write the stories, but with the timeskip between S3 and S4, I necessarily had to know a few things, like "so it's been two years."

I did get a couple of references to look at, such as the design of the soul candle for "The Queen's Soul," since that was an asset they'd already created for the show. And I did get to watch an early version of the first episode of S4, for character/design/location/etc reasons. A picture is worth 1000 words, etc. But most of my stories were just little bubbles stuck on the side of the main plot bubble - as the Reflections series was originally pitched to be! It's full of treats and foreshadowy lil clues, but in the end it's just fun supplemental material for the extra nerdy to indulge in! So there was some freedom in pitching and writing, as long as it held to theme, and we had a lot of fun bringing these little moments to life.

Crackledrake is my favorite short story because I got to add the cute little ritual to Sunfire canon and created the lore behind it. It's inspired by the real-world tradition of snapdragon, so you can see I was super inventive with its TDP name there! I gave Janai and Amaya their own Xadian fruits and nuts, though, as they deserve. I can't say I did so with a straight face, though. My face was extremely gay about it, actually.

Rise Again was another of my pitches that got accepted, and writing it really helped me connect with Claudia in a way I hadn't before. I've felt differently about her ever since, and that wouldn't've happened if I hadn't gotten to spend time with her and give her Burnt Biscuit.

I think Changing of the Guard was already in the pitch lineup, but I was really excited to get to write for Soren and Corvus. I always enjoy when opposite personalities try to come together! I tried my best to add some angst into Corvus' backstory, but I had to trim it for length so he remains mysterious. But King Ezran's Belly Full of Jelly tart-eating contest is a thing I've put into the world, and I'm genuinely pleased with that. And then there's all the *waves Sorvus flag*. I just think they're neat! (and you're welcome)

[intramoon]

hi aj !! i have a question i dont want to sound rude please know im not trying to be rude. i came back to simblr after a long time and its been really hard not to get discouraged. :/ my account is really dead no one interacts with me anymore. stuff is so different. i remember you used to be kinda popular but how do you deal with people not interacting with you as much as they used to?? i dont mean that in a mean way!! i dont want to quit simblr but idk how to get back to how things were

Hi! Don't worry, I don't think you're being rude, I understand where you're coming from. ♡ My response will be long because I have a lot to say about the topic, hopefully, it will help you.

If you were mostly active when I was in my "prime" (assuming that's what you mean by "kinda popular"), like 2018-2021, things will never be how they were then. The community, trends, and how we interacted with each other was so much different, I don't think it will ever go back to how it was then. I am kind of happy about that. Although my relationship with that time on Simblr is nostalgic (despite being too young and miserable to enjoy it), I think the community is in a healthier place now (mostly). I have had to adjust to a couple of things since coming back. One is that the content looks different now.

In my "prime" people were just getting into editing (that was a time before ReShade). Heavy editing and experimental editing were really celebrated, partly because everyone was learning and learning from each other. We just wanted to see what was possible. Now, maybe partly in reaction to that trend and how demanding it was, people have found an appreciation for the base game, simple screenshots with really only ReShade/gshade, CAS screenshots, etc. Not to say the former doesn't exist anymore because it absolutely does and people have become truly incredible at it. In some regard, it is an acquired taste especially if that's all you do. I've thought to myself many times should I stop editing the way I do, does that impact the way people take in my content? Do I have editing blindness? lol I like how I edit, I enjoy the process and, even if I do have editing blindness, I like how it looks. Even being an alpha creator, they are fewer and fewer as people opt for MM and MMix. I've thought, do people really not like alpha content anymore? Even my story at times felt like it didn't fit into the current story ethos. I thought about stopping it. I bring that all up to say, when you're coming back to a very different Simblr it can feel like what you used to make doesn't "fit in". And it might not. I don't think that should be the goal. The community now is so much more diverse, content-wise, that anything you want to make is possible. If you sacrifice your artistic vision, you'll end up leaving again. You have to make what speaks to you, regardless of the other noise.

Two, you have to find your reason for making your art. For a moment, I really lost touch with what I was even doing here. I took some time to figure it out. I first started because I wanted to tell a story that talked about intimacy through the lens of a sex worker and someone who had no romantic or sexual experience. I wanted to do this without over-sexualizing my sex worker character and infantilizing my other character. I wanted to write some of the dialogue I was having internally. Way back when that was all I wanted to do, I didn't struggle with being seen as much because I was posting with a purpose. That purpose wasn't likes or reblogs, but to tell a story and have a conversation. Everything else came after. Anyone coming back (or looking for a reason to stay) has to find, within themselves, why they want to be here and what they want to get out of it. I promise you if you reconnect with that, posting will be easier regardless of the outcome.

I know I took a lot for granted way back when. Asks about me or my characters, comments, tags, and even people wanting to join me in a Discord server or stream. Sounds like we both, a one point, wish we could go back. That just means it's something to appreciate more now. You can be and make really whatever you want, which wasn't always possible. Maybe think of coming back as a small rebirth and trust that if you keep at it, you will find your people. I am still in the process of finding mine but I trust they are out there. If you're passionate people will feel it. Best of luck and I hope something in this novel helps you! ♡

[mydeareid]

Until I found you ✦ Chapter 1

Spencer Reid x female!reader

summary: you became best friends when both of you needed it the most. life circumstances separeted you, but once again, destiny reunites you.

genre: fluff, angst, comfort.

word count: 1698

warnings: NOT TOTALLY PROOF READ. at the very beginning the characters are underage. besides that, i think there aren’t other warnings. please let me know if i'm missing one :)

note: hi! i'm @evanpetersmybf but different haha. i've been wanting to write for my spence and i finally had the chance to. i love him. i'm trying my best to keep him on character! also, sorry if there are any mistakes, english isn't my first language. i hope you enjoy it!

1998.

A tiny spark of sunshine peeked through the clouds. It was winter, and even though the sun was out, the air was cold as expected. Every exhale left a white trail dissolving in the icy breeze. Because of this, the park didn’t have many visitors, only some couples, a few families, and Spencer.

He loved the weather and the atmosphere. The peace of the calm environment felt comforting. Being surrounded by nature was simply beautiful; the way the leaves swayed, the sensation of the wind hitting his face and reddening his nose, the feeling of having a moment for himself was wonderful. His hands were shoved in his pants pockets as he walked down the pavement. The boy was probably freezing, but he didn’t care—it was such a nice day and he wanted to spend some time alone.

He clearly needed a break. For a long time, he had been taking care of his mother. He deeply loved her, without question. Much of what he knew, he owed to her, but being her caregiver from a young age had taken its toll, more than he would like to admit.

After walking for about ten minutes, he sat on a wooden bench in front of a frozen lake. Just when he was about to relax, someone took a seat next to him.

“Such a pretty noon, right?”

Spencer was startled by the way you broke the ice. He never expected that someone would sit right next to him out of nowhere, especially a complete stranger. He pressed her lips together and looked around. Perhaps you were talking to someone else, although when he saw no one nearby, his eyes landed on you. Torn between deciding whether to respond or not, he finally muttered a reply.

“Sure. it’s mesmerizing”.

Seconds passed as you pulled out a small notebook and a pencil. You began sketching the landscape while you hummed a song: Man in the Mirror by Michael Jackson.

The man’s face showed an expression of doubt and curiosity. Why did you seem so comfortable sitting with a random person?

“I’m not trying to be rude, but do I know you?” As he spoke those words, his fingers were fidgeting with the sleeves of his sweater. He was nervous. What if you were a bully? Or even worse, a thief?

“Nope, we don’t know each other. But you seemed cool… And this is the best view of the lake. I needed it for my drawing”. You put down the pencil and faced Reid, giving him the sweetest grin you could. “Don’t worry, I’m almost done. And I’m sorry if I made ya’ uncomfortable”.

Spencer shook his head and his lips formed a small yet sincere smile. “It’s okay”.

Later, when you finished your art, you turned the page and sighed. “Can I draw you?”

Once again, he was flabbergasted by something related to you. It was weird for him to experience kindness or attention like this. After years of bullying, he wasn’t used to spending time with people his age. His Adam’s apple bobbed as he swallowed nervously. Eventually, he nodded.

You wasted no time and soon you made an accurate Spencer’s portrait. When you were done, you handed it to him. “I’m Y/N, by the way. Nice to meet you! You’re a great model”.

Reluctantly, Spencer took the paper with his slender fingers, his eyes fixed on the precious gift. He couldn’t believe someone had been friendly towards him. Usually, people mocked him for his appearance, his lack of social skills, and other quirks he had.

“Did you know paper was created in ancient China in 105 A.C.?” He was going to continue rambling, but quickly stopped, raising his hand as if to halt himself. “I… I’m sorry, sometimes I ramble. I’m Spencer. Thank you… For the drawing. It’s amazing”.

“Why are you apologizing? It’s always great to learn something new!”

The way you sounded so cheerful, so gentile, warmed his heart. People usually rolled their eyes and asked him to stop when he rambled, but you didn’t. This was new. So new that he didn’t even know how to react.

Nevertheless, you kept talking, and he kept listening, replying when you asked and when he had anything to say, and including some curious facts when he had the chance. Hours went by and you shared more about each other. You discovered that you were both seventeen, that he loved classical music and soap operas, that he graduated high school at twelve, and that he adored Doctor Who, Star Wars, and Star Trek. And that was the beginning of a beautiful friendship—a bond neither of you expected but both desperately needed.

To Spencer, you were an angel, an oasis in the desert, a warm blanket in winter and a refreshing lemonade in summer. He knew that he could count on you and made sure you knew you could count on him as well.

1999.

After four months of knowing each other, sometimes, he went to your place when he felt more lonely than usual; when it happened, he’d spend the night at your house as if it were a sleepover, or at least that’s how you used to call it.

Your sleepovers consisted of listening to music: The Beatles, Michael Jackson, ABBA, Queen, The Cardigans, Bonnie Tyler, Kate Bush, The Police, among others. It also included reading a book or tackling school topics you struggled with—Spencer was your human encyclopedia.

During one of those spring nights, you and Spencer were on the sofa watching Sabrina the Teenage Witch, your pick for the evening.

“Oww, Salem is so cute. I wish I had a cat”. You said wistfully.

“Did you know that if a cat owner were to die at home and the body remained undiscovered, the cat could begin to eat the owner’s remains within a few days? Studies suggest that this behavior isn’t due to malice but rather survival instincts kicking in once the food supply runs out. It’s fascinating—” Spencer blurted out in his usual rapid speech, but stopped info dumping when he saw your jaw drop and the look of shock on your face.

“I didn’t know that. Now I don’t want cats, thank you very much”. You replied, half-laughing, half-horrified.

The genius smirked and let out a small laugh. It was fun to tease you that way—it was common for him to say unsettling facts about random stuff to annoy you.

Afterward, you decided it was time for your regular music ritual. Your playlist included songs like: Boys Don’t Cry, Cheri Cheri Lady, Take on Me, Running Up That Hill, Lovefool, Creep, Forever Young, and so on.

“Why are we friends, Y/N? People normally dislike me… Why not you? I’m strange, I’m a weirdo. I don’t understand”. Spencer mumbled while Fade Into You by Mazzy Star played softly in the background. He was anxious to hear your answer. Deep down, he theorized you felt pity for him and that was the unique reason why you accepted him in your life.

“You’re special, Spence. You’re charming and lovely. It’s rare to know people like you, y’know? So smart and with so much to offer. And why would you say you’re strange? You’re Spencer Reid. You’re you. You’re an amazing person. And if being ‘strange’ is part of that, then I like it. I like you just the way you are. And you should like yourself too, Einstein”. You smiled and grabbed his left hand, intertwining his fingers with yours. “Sometimes I wish you could see yourself the way I do. I hate it when you talk poorly about yourself”.

You didn’t need to look at him to know he was blushing furiously. His brain stopped working when he listened to your enchanting reply. You were the friend he was waiting for since the day he was born. And he wasn’t planning to let you go.

When you finally got tired and sleepy, you drifted off on Spencer’s shoulder and he did the same, resting his head on yours. The music kept playing, and by the time you were peacefully asleep, Every Breath You Take was filling the room.

The scene was endearing; Spencer and you looked adorable and cozy like that, and that’s why your mother decided to take a Polaroid of both of you and made sure to hide it, so you’d never know the existence of that picture.

Months went on. The dynamic between both of you remained the same.

You were there for him when he decided to place Diana, his mom, in a mental institution. That was one of the hardest choices Spencer ever made. He would often feel guilty, that’s why he started to send her letters everyday, and also because he couldn’t visit her frequently. As a result, the now eighteen-year-old began to spend entire days at your home. He even spent the next Christmases and New Years with you and your family, until he turned twenty-one and he moved to Washington.

For a year, you stayed in touch via phone calls and letters, until one day he stopped writing to you and stopped taking your calls.

2003.

The last thing you knew about him is that he was admitted into the FBI as a profiler, and since then, he completely vanished from your life.

His sudden ghosting hurt you like a hundred stabs would. You persisted in trying to reach him, but after countless failed attempts, you gave up. Years ago, you both swore you were soulmates, that nothing would separate you. Now, it seemed like an empty promise.

Spencer’s reasons for disappearing were unclear to you, and at some point, you stopped wanting to know. In reality, he had done it to protect you. He was conscious of the dangers of his new job and didn’t want to risk your safety nor make you worry about him. He knew you very well and knew you would always be concerned about his well-being. He didn’t want to be a burden. Maybe he didn’t make the best decision, but if he had spoken to you one more time, he would’ve never been able to let you go.

[randomfoggytiger]

Hello Tiger,

I've never spoken out on this subject and I'm not going to again, but seeing Sunday's discussion, I can't remain silent. We have different concepts of what it means for a young woman to “thrive” and what it means for a man to assume a relationship openly, without looking like a deer in the headlights every time he is seen with his partner. So far, so good. As for the glaring age difference, it's controversial, but it's not the end of the world either. But what about the fact that a 55-year-old rich man goes after a 22-year-old girl, enters into a sexual relationship and brings her to live with him? 22 years! Do we have a different concept of that too? Is a 55-year-old man with a 22-year-old girl acceptable to you? For me, there's no justification - I'm still a fan of Mulder, but only of the character. For now. Please don't be offended: I'm a long-time reader of your site and even though I don't agree with your position on this subject, I enjoy reading it very much and I appreciate your willingness to write about the series. I wish you a happy 2025!! 🙏

I'm not offended, don't worry. :DDDD Age gaps relationships boil down to whether an individual can stomach that sort of dynamic or not; and no amount of logic or reasoning is going to dissuade a gut reaction. So, I get it when others can't stand it.

And thank you for the compliments! I try to keep church and state (my irl opinions and the series' meta) separate. ;)))

My Thoughts

I don't mind age gaps because I've seen/heard them done successfully-- however, those successes are incredibly rare. Stereotypically, it involves someone younger with someone older, and there's usually money to some degree. Exploitation is a huge risk to watch out for; and I've found the toxic relationships have two prominent factors in common: A. they quickly lock down a younger individual by knocking her up, thus making it harder for said individual to leave; and B. they dangle and lie and push off the type of commitment the younger individual expected, dragging on the process as long as possible while demeaning and belittling the younger person's sense of identity.

Why am I okay with David and Monique?

First off, we don't know how old Monique was when she and David began dating. She first appeared publicly at The X-Files premiere (with her friends and boss from the smoothie shop) in 2016. The two didn't appear publicly together until 2017; and I'm pretty sure she was on set a time or two while S11 of the Revival was filming. She would have been 24 or 25 then.

However, let's assume they began dating in 2015 when she was 22 (after she followed Brad on Twitter or Instagram, I can't remember which): I would immediately raise my eyebrows and go on the defensive. That would lead me down a long rabbit hole of questioning and double questioning; and I would have to arrive at a final conclusion with some sort of evidence to indicate if this was a predatory, creepy, weird, neutral, positive, or healthy relationship-- part of that process would include looking at relationships outside of the two primary "targets": kids, family members, exes, etc. Which I did, because there was a lot of ruckus (on Tumblr, sometimes Twitter) about the nature of their relationship. Next, I would look at the individuality of the people involved: was there an improper balance between the two-- was one beholden to the other? Speaking of which--

Secondly, I long suspected Monique had independence of some form apart from him-- her Instagram posts didn't change substantially after they moved in together except to now include him; she hangs out regularly with her friends; she has hobbies and interests outside of the relationship; etc., etc.-- and confirmed my suspicions yesterday with an old interview. Her parents, per the interview, were well-off enough to give her horse riding lessons... and ice skating lessons... and tennis lessons... and violin lessons... and soccer lessons, all at once (?) She traveled the world for tournaments before meeting DD.

Regardless, I just don't see David as the type to leave an ex high and dry after they part ways-- he went above and beyond to pay alimony and his kids's expenses post divorce (at apparently higher rates than is usual for his $$ bracket in NY, if I recall), and he brings all his past associates, exes, and family forward in his projects. Even if one wanted to write off their relationship as a sugar baby transaction, MP would still have the ability to network as DD's ex after taking the assets both would split post- (potential) separation.

Now, for the moral/ethical aspect: while many are against and few for the idea of age gaps, I-- personally-- weigh each case individually. Most celebrity age gaps are based on transaction, but knowingly. Leonardo DiCaprio, for example, dates only women younger than 25; but his girlfriends seem aware of that fact, and he markets them and their careers pretty generously (comparatively) so that they're established as models or socialites or etc. etc. etc. by the time the relationship comes to a close. (I've never heard one speak badly of him, but there's always that possibility.) If there is exploitation there, it's at least propagated by both parties.

In David and Monique's case, she hasn't used her relationship with DD to market this or that venture-- despite speculation that she would-- but doesn't hide it, either. He, meanwhile, brought her everywhere with him; introduced her to friends, acquaintances, and professionals along the way; and snapped countless photos of her and let her snap countless photos of him. They seem-- on a surface level-- to be attached, in love, and secure in each other. Not to the same degree that he and Tea had, but he's not the same man post- public "sex scandal" and (especially) divorce. And having gone through countless paparazzi pics of the two of them over the years, I've noted that he doesn't treat her differently than any previous "private citizen" ex, and initiates more physical contact in public than she does.

Swinging back around to the moral/ethical argument, is it right that a man thirty years MP's senior should date her-- one with kids, no less? It depends, to me. What is the health of the relationship? What is the health of their relationships outside of that relationship? Are they growing and changing or stagnating and regressing? I've seen both seem to progress rather than regress-- he and his directorial and podcast efforts, she and her arts and crafts and flower business. He and his kids seem to have a solid, loving, loyal relationship even after she joined his life; he and Tea have a cordial, publicly supportive, even loving relationship after their divorce; and he never seemed to abandon his responsibilities to his mom in her last years on earth. As for Monique, she and her friends and family seem (don't have too much information to glean from here) to still have a solid, loving, loyal relationship; she seems to keep out of business that doesn't concern her (DD and Tea's co-parenting); and she seems to not push his kids into compromising or uncomfortable situations.

As far as age gap relationships go, this appears pretty drama free, even-keel, and seemingly positive and healthy-- 'healthy' as in there are numerous signs of personal growth from both parties.

Personally, I think people settle into relationships where they feel most at home, or ones that reflect where they are in their personal lives. Those dynamics could be healthy or wickedly unhealthy; but they're where the person wants to be. (It's up to family and loved ones to rescue an abuse victim, of course, but that person picked someone who reflects how they feel about themselves in their minds, for example.) I don't know what initially drew Monique and David to each other-- maybe she makes a mean green smoothie. Maybe he has a ton of money she likes to spend (though their rather unglamorous lives, factored in with her parents' more-than stable finances, leads me to take this with a grain of salt.) All I know is what I've seen written up on the internet-- that Monique "saved him, in a way" (said a close friend-- who was not a bootlicker, because she also had biting criticisms of David to share)-- or leaked online-- that DD is MP's world and she loves him.

So, in conclusion: I'm very skeptical of any relationship-- age gap or otherwise-- and need to see proof before I believe that two people are actually in love or thriving. Furthermore, it's their business; and as long as his kids aren't feeling neglected, abandoned, or "less than", and as long as there isn't abuse, manipulation, or control, then I figure let the two in the relationship sort themselves out. ;))))

[le-trash-prince]

Sorry for jumping in on a conversation, but I agree with so much of this I don't even know where to start.

when did we start only wanting media that is perfectly suited to our standards? I've been thinking a lot about this lately bc ppl will complain about a show that is all fanservice and no plot but then the same ppl will turn around and call it homophobic when a show decides to skimp on fanservice in favor of plot, and while I know that there is a middle ground, I don't think every show needs to hit that middle ground in order to have value.

it seems like a really exhausting and slightly puritan way to do things, to be constantly finding imperfections and treating them as more important than the good parts. dunno about y'all but i don't want to be unintentionally enacting puritan shit.

^ this hits SUCH a chord with me bc ppl will performatively make fun of puritans to signal that they're part of the In Crowd, but turn around and tear down a show for not aligning with their sense of ethics bc a character was/wasn't "punished by the narrative." I've even seen ppl say that queer POC writers have no business writing certain topics until their viewpoint aligns with whatever that OP thinks is correct. Ppl don't even get how puritan they're being and it's so frustrating

it becomes a game of liking the right show at the right time to get that sense of belonging. And some people can feel isolated again for not liking the show that everyone seems to love right now, so they want to at least find community in sharing their criticism.

^ this. especially with how quickly ppl move from fandom to fandom (hard to blame them when there's 543231 BL shows coming out a year), ppl fall back on criticism bc it's guaranteed to draw a strong reaction. But I think it's a rather shallow sense of community compared to the kind built around creativity. I've been into BL for over 20 years now, and I have friendships lasting just as long that were built around creativity.

Fandom used to have an attitude that the thing to do is create things if you weren't happy with the canon media, but these days that attitude is drastically different.

I've definitely seen ppl in BL tumblr deriding the fanfic mindset, as if fandom wasn't built on the backs of fanfic and doujinshi. People will act as if it’s intellectually inferior to want to engage with a show on a creative level rather than demanding that it change itself to our whims. They say that if a show is good enough, no one would need to add anything to it. Which I agree, is a deeply consumerist mindset. Even if creatives may be perfectionists, the act of creation isn’t about seeking perfection. Transformative fanworks are about collaborative artz

Many of the biggest voices in QL fandom don't make any type of fanwork, and I would argue are not part of larger transformative fandom as it exists on the verge of 2025

Plain and simple agree 🙌 It’s really easy to tell when someone lacks a practical understanding of the creative process, and I know it’s something a lot of creatives in BL/GL tumblr have frustrations with. It becomes difficult to take someone’s opinions seriously when they demonstrate ignorance of storytelling while trying to prop their opinions up by using as many words as possible.

One of the reasons I think sense-of-belonging is part of the problem, is that one constant I see in criticisms is to distance a piece of media from 'being actually queer'. For every single queer fandom I ever dipped my toe in, I have seen the 'this is for straight girls' accusation.

^ THIS TOO (i meant it when I said I agreed with too much). It’s especially frustrating when I see self-proclaimed straight allies trying to make claims over what is or isn’t queer enough… Please stop talking over us thanks. I also don’t think it’s the end of the world if a straight person enjoys a BL. I want to be able to enjoy queerness in many forms, I want to be able to share the things I love with my family, and I also know that BL helped me process my own queerness when I thought I was straight, and putting queer media in front of “straight” people can help them on their journey. I think the BL industry is certainly large enough today that it doesn’t need to be shoved into a box of “if this doesn’t upset straight ppl then it’s not queer enough.”

In terms of fandom engagement, for the time being I just try to tailor my expectations about the size of a fandom and acknowledge that the transformative side of the fandom is in the minority and number of viewers in the tag ≠ size of the fandom. Otherwise it can feel really gutting when it looks like there’s a large audience but silent audience. Still, even if we’re only reaching a small number of people, we can always try to encourage other creators and stir up conversations that generate transformative activity. In the end, the critics will leave a fandom as soon as a show is over, and when they’re gone, the ones left will be the ones who want to make something.

(I also think antis have played a large part in dismantling transformative fandom bc ppl have personally told me how nervous they get about posting or engaging with anything that could be interpreted as problematic, and rampant criticism of a show may similarly play a part in people not feeling comfortable creating for a fandom)

a question for QL fandom at large: when did we start only wanting media that is perfectly suited to our standards?

there has never been a perfect show, and there never will be a perfect show, because everybody likes different things and QL is run on shoestring budgets. i thought this was something we made our peace with as viewers of the genre!

so i'm just wondering at what point fandom decided that a show is only worthy of praise/fandom if it has no problems?

at what point did we decide that talking about the problems of a show is more important than talking about what we did enjoy and what kept us watching? i don't know when it happened, but it definitely has. critique is treated more seriously and gets more interaction than people talking about what they like.

it seems like a really exhausting and slightly puritan way to do things, to be constantly finding imperfections and treating them as more important than the good parts. dunno about y'all but i don't want to be unintentionally enacting puritan shit.

i want joy, i want fun, i want the spirit of camaraderie in fandom.

so, why did fandom begin to snub any media that didn't fit very high standards? and how can we steer ourselves away from that impulse?

(i am genuinely curious about why this is happening and how those of us who don't enjoy it can change, so please feel free to jump in, even if you are 'late' or think you only have a very small contribution to make to the discussion.)

[puffin-smoke]

I need Honey to tell Guy that they're a shifter and have it go horribly wrong. Guy either doesn't believe them or assumes they're joking. When they do show him he full on faints. I want him to be freaking the fuck out but eventually calms down. I feel like he'd approach the magical world with the curiosity of a child; asking a million questions and just being full of wonder

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[batsplat]

do you know why vale seems to have a soft spot for pedrosa?

there's not any single one reason, I don't think, but here's are a few contributing factors that come to mind:

history! in large part because of the honda link, dani's the alien he's known the longest... valentino was the number one honda rider at a time at which dani was honda's rising star. photo on the right is from the 2001 honda celebrations at the last race of the season (when dani was sixteen); from oxley's valentino rossi: all his races: "that night vale celebrated in style at a raucous honda victory party, where he taught honda youngsters daijiro kato and dani pedrosa how to drink". they've known each other forever! valentino was getting teenage dani drunk! quite natural to be fond of someone you've seen grow up like that, even if they are being moulded to be your next big rival

circumstance! the way it basically works with valentino is that if you want to have a feud with him, you generally need to have a title fight with him when you’re already ‘established’ rivals (ignore marc, that’s its own thing, 2015 is a freaky season). biaggi and valentino were enemies headed into 2001 and then were worse enemies, he was cool with sete in year one but not year two, mostly *wiggles hand* the same with casey and jorge… feuds aren't build overnight. valentino and dani weren’t ever really direct title rivals - closest they got was 2006 and 2008, but in both cases valentino probably didn’t see dani as his main problem that year. there wasn't really any competitive necessity for valentino to get nasty... also with one or two notable exceptions, valentino did kinda have dani handled in their actual wheel-to-wheel fights, which let’s face it probably didn’t hurt

yapping! so this is just a theory but it’s one I believe strongly in. you know how valentino loves to talk, right? the thing about pressers and podiums is that you're always going to have a few regular attendees, if you will, corresponding to the front runners in any given year. now, unfortunately for valentino, there were periods of time where almost every other regular attendee was someone he had pretty active beef with. that doesn’t mean he always avoided yapping at them, but relatively speaking you want a guy you can build up some good repartee with to pass the time. dani was his guy… less complicated than casey and jorge, plus dani is polite enough to go along with it and maybe even enjoy chatting to valentino (it’s been known to happen). pressers can be boring and at podiums you're still full of adrenaline, valentino wants to share a joke with someone! my completely unscientific sense is that valentino does this a lot with dani around 2008-ish to 2012, then for two years marc is the number one yap victim, then for a while it’s a bit…? oddly valentino does seem to chat quite a lot with jorge in 2015... he likes to throw in a quirky behavioural pattern sometimes to keep you guessing. anyway then in 2016 he is Actively Ignoring two of these men so vale goes!! hi there dani!! and takes it from there (though the field is more mixed up post-2015 so he becomes more of an opportunistic yapper). in general, valentino will chat to pretty much anyone with A Few Exceptions, but he does usually have a bit of an order of preference

dani’s personality! now, obviously dani is very much capable of feuds, but he’s not that naturally combative a character. valentino generally needs a competitive justification for beef, though some personal animosity can help too… but he never really hated any of that trio of young riders to come through. valentino's known dani forever, he’s been around dani a fair bit because of their respective statuses in the sport, dani isn’t going out of his way to pick fights with valentino, so no reason not to get on! he does clearly quite like chatting to dani and seems pretty fond of him even towards the start of the alien era, at a time in which it was broadly expected that dani not casey would emerge as vale's primary challenger... god knows if the relationship would have soured if dani had assumed that mantle (probably at least a little lol) but failing that, valentino does just seem to quite like him. y’know, sometimes it’s like that

They Have Also Had Their Disagreements, But There Hasn’t Been Much Cause For It To Escalate Further. these disagreements have tended to be over racing standards, where dani is generally in the ‘you people are all insane’ camp and valentino is generally in the ‘ah it’s fine’ camp (though, obviously, there is nuance here… cf vale also criticising sic over the le mans 2011 incident that left dani with the broken collarbone). generally, they don't get into direct conflict over it, more of an underlying difference in positions (hey, aragon 2013 is an example)... but there’s been dani’s suggestion that valentino’s sepang 2015 stance is inconsistent with his generally laissez faire approach, and also some other isolated little scuffles over the years like say 2017 aragon (see below). pretty small scale stuff in the grand scheme of things and if you've been on-track rivals for that long it's kinda inevitable you'll eventually disagree about some stuff, but perhaps worth bringing up

went through all of the alien combos in my head and these two slot in just behind dani/casey as probably the two most consistently beef-free inter-alien relationships? dani/casey gets extra credit for surviving The Teammate Test. but, y'know, the thing about valentino is that he's a sociable, outgoing guy... he likes talking to people... he's actually interested in them... he's a decent conversationalist, easy to get on with, all that stuff. so if you expose valentino to this nice fella who at most was like... perhaps a bit more reserved towards the start of his time in the premier class (partly due to his mentor's approach), but really was generally pretty chill... well, if valentino isn't given any reason to hate dani, then default state is that he won't. good on them etc

[applestorms]

the winners & losers of death note

after repeatedly trying and failing to write this death note essay i'm just gonna go for it:

the fundamental flaw of L, whether you see this as a flaw/discrepancy in his character or the writing surrounding him itself, is the fact that by the time of his death, he has no clear win state. let me explain... by first talking extensively about light aljdsflksd.

MAJOR spoiler warning after this point. 3-ish (very long) sections.

1. light's goals: kira & utopian ideals (ft. fem!light)

i discussed this a bit in my tags on this post talking about how light's core character traits would translate over to a female version of himself, but to elaborate/summarize my thoughts further: i believe that light's fundamental flaw/weakness comes down to his desire to be Seen, to be recognized & validated by the people around him. i often see/hear people describing light's ultimate flaw as "ego," and while that's definitely a part of it, i think this is perhaps a more nuanced/neutral way of understanding it.

as has been pointed out before, light's goal of becoming the "god of the new world," isn't really an idea he immediately comes up with but rather is more of a retroactive justification that he clings to for the rest of the series after the initial rush of guilt he feels for murdering two people without thinking. this is perhaps even more obvious in the manga, as while episode 1 of the anime ends with light's claim to godhood, in the manga it takes him a lot longer to build up to that conclusion and really develop the full extent of his hubris. (EDIT: he totally says this in ch1 of the manga too, i just forgot. the point about it being retroactive justification still stands, though.) even so, i think post-death note light takes to this justification so easily for a reason: again, his desire to be seen.

before the death note, light takes a very understandable if somewhat flawed/juvenile approach to this sating this desire, specifically in how he aims to excel in every single system he is presented with, whether that be academics, sports/physicality (not just tennis, but physical attractiveness/neatness/cleanliness), and social interactions. it's that last category that i think is the most notable here, as light wants to succeed socially on multiple levels: on a personal scale, he aims to be pleasing and charming and polite to everyone he speaks to, for the sake of manipulating them, sure, but also so that he can extend that victory past personal relationships and into something Greater, into the Image of Light Yagami as the studious, respectable son. it isn't just enough for him to do well, he needs the reputation to go along with it, and the recognition and respect that comes with it.

this is part of the reason why the lind l. tailor moment is such a beautiful part of the writing of death note, as it is a moment where L simultaneously fucks light over massively, pinpointing his location and sending a squad his way in an instant, but also a moment where L gives light exactly what he wants: recognition. L doesn't just establish himself as a rival to take seriously w/ this move, he also reveals kira's existence to the world, that the deaths are the actions of a single person consciously and carefully acting and not just some divine power. he see's light's humanity, the potential cracks in his ego and temper, the overwhelming humanity of his ideals, efficiently using such traits to get kira to reveal himself in the first place.

i tend to take a lot of light's explanations of his actions to ryuk with a grain of salt as i think he is a lot less skilled at planning than he lets on, with his real skill being his in-the-moment acting & reactions, but i'm inclined to believe him when he tells ryuk in ch1 that

as a justification for not writing more specific deaths and therefore hiding his existence for longer. keep in mind, kira is established on the internet long before L enters the picture & the lind l. tailor incident-- light is utilizing the death note to push himself into the spotlight of the entire globe, not just the limited social sphere he grew up with.

(sidenote1: i think you can also definitely read into this on a more internal level of why light would want to be recognized so badly in the first place, considering how busy soichiro yagami most likely is and what their relationship looks like throughout the series. i don't think there's any evidence that he's actively neglectful necessarily, if anything light is described as being pretty spoiled & soichiro cares about him when he's around, but it still feels notable to me how empty his life is pre-death note. you can just Feel the silence as he goes through the motions in the first episode, barely talking to anyone as he ghosts his way through life. he might be succeeding in everything system he approaches technically, but that sure as hell doesn't make him happy. whether or not the death note makes him happy is a whole nother question...)

ANYWAYS. this is all to say that light's ideals give him a pretty clear win state, both in terms of what he actually, physically wants in terms of world domination/godhood, but also emotionally when it comes to what truly satisfies him. on a meta level, kira gives light really good motivation-- for the sake of his ideals, for the sake of trying to create his vision of a utopian society, for the sake of being Seen, he needs to keep writing names and out-thinking anyone who tries to stop him. on an internal level, it just starts getting complicated when the one who Sees him best is the one who fully dedicated to stopping him.

speaking of which.

2. L's goals: no real win state?

the lind l. tailor moment is such a fantastic instance in the story because it really works both ways in setting up the rivalry/mutual satisfaction that L and light grant each other. i've already described what light gets out of it, and simultaneous terror and delight that he gets out of it, but this is mostly an L post so let's talk about his side of things.

to my understanding, if what light fundamentally wants is to be Seen, what L fundamentally wants is to Win. ok, yeah, the way he says it is that he "hates losing," but same difference.

the problem with this desire is that in order for L to win or lose, he needs circumstances under which those options are the two main choices in the first place-- he needs a game, someone to test himself against, a challenge(r). when lind l. tailor dies and L proves kira's meager human existence to the world he practically sounds like he's cumming his pants, so i think we can assume kira stands as a particularly alluring challenge for him.

this also explains why L gets so depressed and frustrated with light over the course of the yotsuba arc. not only is light somehow out-foxing him by creating a circumstance under which he can claim not to be kira and actually be correct insofar as his memories are concerned, light has also set the game so that he's stepped off the board entirely, trusting his planning and his own non-death note influenced psyche and denouncing his role as a player entirely. in a way you could read this as light utilizing the one strength he has over L to his advantage: not just his awareness of the supernatural, as people often say, but the fact that kira has goals outside of winning, which can't really be said for L (or at least not without some additional extrapolation/interpretations of his inner psyche).

this is why my main claim here is that L doesn't really have a clear win state. for kira, winning consists of a few clear, distinct things: a utopian world, free from crime, under the reign of kira, where light has the control & worship of a god. for L, winning is a lot less distinct: really just. not letting light do all that. as this other post points out, it really isn't that far off to assume that L's motivations might've shifted from his initial state goal of executing kira, particularly as he gets more attached to light on an individual level, even if it's more as a rival than a true friendship. L is a liar and a troll, yes, but he still has "flashes of sentiment," and it makes a lot of sense to me that so many people see L winning as him stealing light away for himself to be locked away for the rest of their lives.

(sidenote2: i believe it was one of the jdramas (?) that actually does portray L winning but specifically at the cost of his own life, which again fits considering everything i just went through. i don't think L is actively suicidal at the idea of no longer having kira as a rival (well. <3< rival, the children yearn for kismesissitude), but. well, see the final section of this essay where i talk more about boredom for more on that.)

ultimately, light and L kind of suffer for the same reason: living for the rivalry, but also because of that never being truly satisfied no matter which way they come out in the end. the tragic yaoi of it all. i guess one of the conclusions here is that you should read this fic time speaks by aSmallMoon333 for a fascinating evolution of the rivalry past the supposed ending point of canon. anywho.

3. L's death: a failure of writing, or character?

hot take (??? genuinely can't tell if this is hot anymore so ig mean this like, partially sarcastically) but L's death is kind of really fucking unsatisfying, especially if you're witnessing it for the first ever time. i remember distinctly reading the manga back in high school and being really caught off guard by it, despite already having been spoiled about it, and while i pinpointed the cause initially being the fact that light doesn't even bother to write down the damn name himself, i think there's a lot more to this than that.

i've been writing about this idea of L not having a clear win state primarily under the approach of character analysis, looking at L's motivations and emotional desires to see how they inform what him winning would look like, but you could very well read this as being a flaw in the writing surrounding him as well.

L's not really a moral character, primarily because that's one of the main ways he's a foil to light-- where light is painfully, excruciatingly human, naive in his ideals, dedicated to them at all costs, L is a lot more apathetic, perhaps not to the same degree as near sometimes comes across (though he has more to him too, even if the anime doesn't really give enough time for that), but still enough to be generally considered a pretty amoral character. L definitely comes across to me as the type of person that understands the world deeply on an intellectual level, but struggles to meaningfully emotionally connect with it. the way he interacts with people is the clearest example of this, again making him a foil to light in that he gives no shits about how people view him and prefers staying hidden as much as possible, creating detailed psychological profiles of the criminals he follows but still misreading details in-the-moment while speaking to people (the autism. the autism), but i think this could very well extend to how he views morals as well, deciding that kira is evil on a logical level because people dying=bad but not really emotionally connecting with that. like,

yeah yeah they're both JUSTICE!! or whatever, but is this really true? not to get into an in-depth discussion on the nature of ethics & morality in my tumblr essay (though i actually wouldn't mind doing that...), but as the series and especially the yotsuba arc goes on, it becomes more and more clear that L's lack of attachment to people extends to his lack of attachment to traditional ethics. time and time again, L does shady shit for the sake of finding kira, whether that be covering the yagami household in a truly absurd number of cameras, recruiting actual criminals to help with the investigation, or chaining some kid to him 24/7 for weeks on end. this is a large part of the reason behind why i question what winning would actually look like for L-- would he be willing to turn kira in, should he get sufficient evidence to put light through the actual justice system? even if he is willing to give that rivalry up, i have a hard time believing he wouldn't want to confirm the death by doing it himself or something. but if that's the case, then why bother waiting? clearly, he's pretty fucking sure that light is kira, and he basically does figure everything out by the end of the yotsuba arc. so, why? is he waiting to prove it to the task force? is he still waiting for light to incriminate himself? but that seems like an awfully stupid thing to still be waiting for. what does L actually want here?

^^^ this last entire paragraph was basically my motivation for writing this, btw. ultimately, i still don't know if i have a conclusion that i'm really satisfied with, here. perhaps it really is just that light isn't the one to pull the trigger in the end, the nerve of a move that bitchy that kinda instinctively icks me out. or maybe ohba just wrote it bad!! idk. final thoughts-wise.........

one satisfying thing: in a way, light wins because he wins over people (namely, the rest of the task force), which tracks. the only reason why he keeps winning post-L death is because of this win, actually, which keeps him going for years despite the fact that he's doing objectively a dogshit job as L, as near so sweetly points out.

one unsatisfying thing: you could read L as losing because ohba doesn't actually have all that extensive of a view of what a good view of justice would look like, particularly in opposition to kira's view. in a way, L kind of just ends up representing a return to the status quo, where the criminals that kira is so desperate to purge are simply dealt with in the usual way & their crimes are a fact of life. perhaps this is asking too much, the rivalry alone is fun enough to watch without having to get too in-depth asking question about ideal global justice systems and the nature of crime & criminals. i genuinely do think a part of my frustration here is just that light was too much of a bitch to kill his main rival by his own hand, despite holding himself to a more respectable Standard in desperate moments prior (e.g. not taking the eyes deal w/ naomi misora). but it's at least an adjacent question, and maybe establishing more clearly what L's true win would've looked like could have made light's eventual victory just a bit more satisfying, instead of feeling like it comes out of nowhere after his extensive planning miraculously works perfectly according to keikaku. it's almost the marvel problem as is... but i digress.

bonus: boredom

in my recent reread/rewatch of the series, i keep getting struck by how much i really like the beginning of death note, like the beginning beginning of the series and when each main character is initially introduced, especially light and ryuk.

i don't think it's too much of a stretch to equate "boredom" with "depression" in this context. long before L is introduced to the series ryuk is the one being presented as light's equal and opposite-- parallels from opposite worlds, mutually disgusted by their own kind and the miserable state the world around them has devolved to. for L this sentiment is a bit less overt, mostly because again, apathy, but the fact that he spends the majority of his time hyperfixated on the worst parts of humanity speaks of something. perhaps i'll have more feelings about this upon rereading the ending, as that's a bit (a lot) fuzzy in my mind, but it's one of the main points i emotionally resonated with the strongest, a point of connection i keep coming back to.

light really is just a kid, at the core of everything. a teenager that did everything he was supposed to and still couldn't make himself happy with it. that's the real tragedy of death note to me, that for all he did to create a better, more ideal world, he never felt all that happy with any of it. not that he would admit that. but what is light yagami's greatest skill if not his denial...

[lunarharp]

into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.

the sweet oblivion of the victim, the poisoned freedom of the witch.

for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.

the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.

but they were never whole to begin with, were they?

qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.

olly says nothing.

[daz4i]

wait so chuuya has angel imagery about him in stormbringer. and dazai is referred to as a demon on more than one occasion. and. hold on. wait. I'm going insane. hold on.

[iniziare]

And the theme is finally up in a functional state! Informational pages are up (outside of Jingliu, Aventurine [I know Lottie, stop giving me that death glare], and Jing Yuan), aesthetic swatch is also functional for some muses so that you can control the look of the blog a bit— and I'm quite content with it for now. I'll update posts soon so that all information will still be accessible via mobile/dash view, but your best experience will be like it was before: theme, on PC, but with a more legible font and size this time 'round. ;)

Any way, I need to get some tuna for my dearest of cats as I'm almost out, but I'm considering trying to wake up Solas' voice first. Hmm, let's play eenie meenie miney mo in my inbox——