#Peter Kiefer

[bauerntanz]

für Selbstabholer

Die Handbibliothek eines Antiquars bietet das baden-württembergische Auktionshaus Kiefer, Pforzheim, in seiner 135. Auktion vom 25. bis 27. September an. Das sind ca 15 lfd. Meter Bücher. Die kleine Bibliothek kann vor Ort nahe Hannover besichtigt werden. Angeboten wird sie für Selbstabholer. Der Schätzpreis liegt bei 600,00 €... ->

Die Handbibliothek eines Antiquars bietet das baden-württembergische Auktionshaus Kiefer in seiner 135. Auktion an, die vom 25. bis 27. September stattfindet. Das sind ca 15 lfd. Meter Bücher. Die zur Versteigerung anstehende kleine Bibliothek kann vor Ort nahe Hannover besichtigt werden. Angeboten wird sie für Selbstabholer. Der Schätzpreis liegt bei 600,00 €. 1979 gründete Peter Kiefer aus…

[sammybrrr]

The boys❤️

Credit: childrenofthenight9 on insta

[mikey-stardust-way]

I learned how to make gifs through a program- enjoy tumblr the most moe anime girl to ever exist.

Dr Peter Morgan from Article 99!!! Gif credit is me~

[brokehorrorfan]

Pentagram Peter Pan has The Lost Boys apparel available until Monday, September 16. The line includes T-shirts ($30), long sleeves ($37), hoodies ($49), sweatpants ($47), and flight bags ($30). They’ll ship in 4-8 weeks.

[the-unsea]

My The Night Agent head canon is that when he is away on missions, Peter texts Rose a picture of a troll from every new burner phone so she knows he is okay.    I am looking forward to S2, I hope they don’t shoe horn her in like Kim from 24, but I also don’t want them to forget her.

[100-art]

100+ Famous Modern Art Artists of All Time

2/8/2024 ♦ Framed Poster Print ♦ Canvas Print ♦ Metal Print ♦ Acrylic Print ♦ Wood Prints 🌐 Worldwide shipping

[weirdgenetic-fuckup]

☆•☆•☆•☆•☆•☆KINKTOBER•☆•☆•☆•☆•☆•☆•☆•☆•☆

Masterlist

These are all the 'spots' that have been filled, please I don't know who to write for for most of these give me suggestions :')

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Peter Steele

James Hetfield

Slash

Slash

James Hetfield

James Hetfield

Slash

Axl Rose

Axl Rose

Kirk Hammett

Dave Mustaine

Dave Mustaine

Nikki Sixx

Jason Newsted

Izzy Stradlin

Kirk Hammett

James Hetfield

Axl Rose

Slash

Dave Mustaine

Steven Adler

Dave Mustaine

Izzy Stradlin

Slash

Tom Kiefer

Duff McKagan

Steven Adler

Dave Mustaine

Slash

James Hetfield

James Hetfield

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its all smut (obviously)

[shelbgrey]

Just the world ruining something great again. This master piece doesn't need to me remade, it was perfect the way it was 😭😭😭

I was enjoying my day then it was all ruined when I heard about this crap…what the hell?!😭😡😷

(Why the hell are these three guys looking at me like that?!😐)

[hotmusketeerspoll]

Here are all the entrants for the final round of the Tournament

The final polls will begin next Tuesday. If you have any last minute propaganda you'd like added for any of the finalists, send it in now!

Cardinal Richelieu

Tim Curry & Peter Capaldi

Aramis

Santiago Cabrera & Miya Rurika

Milady de Winter

Faye Dunaway & Maimie McCoy

Athos

Kiefer Sutherland & Tom Burke

Porthos

Ray Stevenson & Howard Charles

Rochefort

Christopher Lee & Michael Wincott

D'Artagnan

Jeremy Brett  & Luke Pasqualino

Constance Bonacieux

Julie Delpy & Tamla Kari

Queen Anne of Austria

Angela Lansbury & Alexandra Dowling

Duke of Buckingham

Simon Ward & Orlando Bloom

King Louis XIV

Richard Chamberlain, Leonardo DiCaprio & Manaki Reika

[nerds-yearbook]

The Arrowverse expanded with the addition of DC Legends of Tomorrow, which premiered on January 21, 2016. Time traveler Rip Hunter (played by Arthur Darvill, who also played time traveler Rory Williams on Doctor Who) put together a team to save the world and time. The show also featured Victor Garber (Alias/Titanic) as Dr. Martin Stein and Brandon Routh (Superman Returns/Scott Pilgrim vs the World) as Ray Palmer. Also included in the cast were Caity Lotz - Sara Lance, Franz Drameh - Jefferson Jackson, Ciara Renee - Kendra Saunders, Falk Hentschel - Carter Hall, Amy Louise Pemberton - Gideon, Dominic Purcell - Mick Rory, Wentworth Miller - Leonard Snart, Stephen Amell - Oliver Queen, Katie Cassidy - Laurel Lance, Casper Crump - Vandal Savage, Peter Francis James - Aldus Boardman, Kiefer O' Reilly - Jonas, and Alice Duncan - Miranda Coburn. Part of the episode took place in 1975. ("Pilot pt 1" DC Legends of Tomorrow, TV Event)

[calibansisland]

Koninklijk Museum voor Schone Kunsten, Antwerpen. Boy & Erik Stappaerts, 2 conflict paintings + color method in 7 layers; Jean Michel Basquiat, Kings of Egypt II; overview with Anselm Kiefer; overview with Berlinde de Bruyckere, Schmerzensmann 1; Jean Fouquet, Madonna surrounded by seraphim and cherubim; Frans Francken II, A collector's cabinet; Henri de Braekeleer, The Art Lover; Paul Delvaux, Ecce Homo; Auguste Rodin, Pierre de Wissant; Philip Aguire y Otegui, Petit Monument; Jef Verheyen & Englebert van Anderlecht, The One and the Other – Neither One Nor the other; Jan van Beers, Henri Rochefort; Jan van Beers, Charles V as child; Peter Paul Rubens, Henry IV in the battle of Ivry (+ details); Valerius de Saedeleer, Snow in Flanders

[hesawifebeaterdanusethegun]

Kiefer Sutherland in The Last Days of Frankie the Fly (Dir. Peter Markle, 1996)

[floridakilo]

Daniel Craig, Ben Foster, Viggo Mortensen, Peter Weller, how do you rank them from best to worst Burroughs on screen performance? (I refuse to include Kiefer Sutherland)

the way you listed it is what i would rank them except switch foster and weller… cronenberg’s naked lunch was the best burroughs representation before queer…

[hit-song-showdown]

Year-End Poll #59: 2008

[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Flo-Rida, Leona Lewis, Alicia Keys, Lil Wayne, OneRepublic, Jordin Sparks, Sara Bareilles Usher, Chris Brown. End description]

More information about this blog here

Now well into the latter half of the decade, the direction pop music has been heading is even more evident. The music is starting to skew electronic in its sound and the plugin Auto-Tune is starting to be featured more as a stylistic choice, as seen with T-Pain and Lil Wayne. Lil Wayne's influence over rap would become even more prominent in the late 2000's and early 2010s. Especially with the artists that would eventually be signed to his label, Young Money Entertainment.

There are many reasons why the sound of pop was skewing towards club and dance music. Modern production techniques worked really well with the style, music-purchasing platforms such as iTunes worked better for listening to individual singles rather than full albums (which caters to dance music well), and the 2008 financial crisis. With the recession, more and more people were looking to pop music as an escape. As touring and traditional concerts became less financially accessible for both artists and audiences, clubs and parties served as environments to experience music with a group. To quote this article on the subject:

With themes of luxury, escapism and radical optimism, these upbeat and positive tracks provided comfort in the fantasy of extravagance. Despite most peoples’ situations at the time, almost every song on the radio was about loving life and getting money. Music was fast and people were dancing. (Amanda Kiefer)

But more than that, CD sales plummeted after the recession, while online music consumption soared. More and more, music was making its home on the internet.

There are a surprising number of articles written about dance music in the face of global financial inequality (and many of them have started popping up recently, I wonder why...), so I've linked to a few below.

"How music has responded to a decade of economic inequality" Scott Timberg, Vox

"The Recession in the Music Industry - a Cause Analysis" Peter Tschmuck

"How the Recession is Impacting Music, Too" Laura Palotie (this article is from 2008, so it's interesting as a contemporary reading of the situation.)

[demisexualnathanvuornos]

Lucas Bryant as (Step)Dad (2004-2023) [for Finnish Father's Day 2023]

1. Nathan Wuornos (Haven 3x13 Thanks for the Memories/ 5x26 Forever, 2013/2015)

2. Young Chuck Taggart (Odyssey 5 1x14 Begotten, 2004)

3. Calvin Puddie (Playing House, 2006)

4. Harry (Faux Baby webseries 1x5 Super Dad, 2008)

5. Peter Claus (Merry In-Laws, 2012)

6. Jesse Powell (Cracked 1x12 Old Soldiers, 2012)

7. Daniel Kenman (Secret Summer, 2016)

8. Colin Fitzgerald (Summer Love, 2016)

9. Phillip Anderson (Frankie Drake Mysteries 1x8 Pilot, 2018)

10. Jack Sutherland (Time for You to Come Home for Christmas, 2019)

11. Matthew Anderson (The Angel Tree, 2020)

12. Matthew Jamison (Five More Minutes: Moments Like These, 2022)

13. Eric Parsons (A World Record Christmas, 2023)

1. Biological father of James Cogan (Steve Lund), 20 years before he was born. Gets to raise him after the finale from a baby.

2. Young version of Chuck Taggart, father to Neil and Keith.

3. Expectant father, briefly co-parent, ends up with the mother (Joanne Kelly).

4. His wife (Missy Yager) gets a practice doll when they are thinking of getting kids.

5. Son of Santa, a teacher, wants to marry an astrologist (Kassia Warshawski) with a son who is in his class. Jacob Thurmeier as Max Spencer.

6. Homeless army vet suffering from PTSD makes some attempts to be a better father to his son raised by his brother.

7. Father and husband with two kids works a lot, so he has his brother take care of the kids during a summer. Max Page as Noah and Chiara Aurelia as Hailey. Emily Rose as wife.

8. Maya (Rachel Leigh Cook) works an internship at his tech company over the summer, they fall in love. Maya's daughter approves as they go sail around. Hannah Cheramy as Addison Sulliway

9. 1920s Canadian pilot and eugenics enthusiast. Has a deaf son he tries to get kidnapped and killed. He dies instead.

10. Meets a widow (Alison Sweeney) and her son on the way to figure out who saved his life years prior. Turns out it was the widow's late husband. He falls in love and gets along well with the son. In Time for Them to Come Home for Christmas (2021), Alison Sweeney's character reveals they got married. Kiefer O'Reilly as Will Moss.

11. Reunites with childhood best friend (Jill Wagner) who has a daughter and a dead husband. Also raising his nephew while his sister Zoe (Clare Filipow) is stationed over seas. Cassidy Nugent as Cassie McBride and Oscar Farrell as Owen Anderson.

12. Played football with the widow's (Ashley Williams) husband in high school, now works as a real estate person wanting to buy the house they lived in. Helps renovate the house and they fall in love while he also develops a relationship with the son. A funcle to 8 nephews. Brady Droulis as Adam Morrison.

13. Stepfather to an autistic kid. Bio dad left. Becomes Dad to Charlie and has another baby with his wife (Nikki DeLoach) in the end. Aias Dalman as Charlie Parsons.

[cantsayidont]

Haterating and hollerating through the '90s:

POSTCARDS FROM THE EDGE (1990): Carrie Fisher scripted this witty adaptation of her novel about coked-up, pill-popping actress Suzanne Yale (Meryl Streep), who overdoses in the bed of a strange man (Dennis Quaid), ends up in rehab, and learns that the only way the production insurance company will let her keep working is if she stays with her mother, an aging singer-actress-diva (Shirley MacLaine) whose love for her daughter is equaled only by her tireless determination to upstage her. (No, it's not autobiographical at all, why do you ask?) Fisher's deftly paced, funny script weaves in various serious mother-daughter moments without ever becoming mawkish, and offers a fabulous part for MacLaine, who has a ball poking fun at herself as well as Debbie Reynolds, Fisher's real-life mother and the obvious basis for the film's lightly fictionalized "Doris Mann." Curiously, the weakest link is Streep, who never quite sheds her customary air of prim affectation and always seems ill at ease with Fisher's layers of self-deprecating, sarcastic humor. CONTAINS LESBIANS? Apparently not, although I had questions about Suzanne's rehab friend Aretha (Robin Barlett). VERDICT: MacLaine's finest hour, but Streep's primness keeps it "good" rather than "great."

TERESA'S TATTOO (1993): Painfully unfunny crime comedy, directed by Melissa Etheridge's then-GF Julie Cypher and costarring Cypher's ex, Lou Diamond Phillips, along with an array of incongruously high-profile actors like Joe Pantoliano, Tippi Hedren, Mare Winningham, Diedrich Bader, k.d. lang (!), Sean Astin, Emilio Estevez, and Kiefer Sutherland, most in bit parts (some of them unbilled). The headache-inducing plot concerns a couple of brain-dead thugs whose elaborate hostage scheme hits a snag when their hostage (Adrienne Shelly) accidentally dies. Their solution is to kidnap lookalike Teresa (also Adrienne Shelly), a brainy Ph.D. candidate, and disguise her to look like the dead girl — including giving her a matching tattoo on her chest — in the hopes that the dead girl's idiot brother (C. Thomas Howell) won't notice the switch until it's too late. This truly bad grade-Z effort, barely released theatrically, feels like either a vanity project or a practical joke that got out of hand, and is interesting mostly as a curiosity for Melissa Etheridge fans: The soundtrack is M.E.-heavy, and Etheridge herself has a brief nonspeaking role. CONTAINS LESBIANS? Technically? (Etheridge has no lines and lang plays a Jesus freak.) VERDICT: May erode your affection for M.E.

BLUE JUICE (1995): Tiresome comedy-drama about an aging surfer (a terribly miscast, painfully uncomfortable-looking Sean Pertwee) who's still determined to continue living like a 20-year-old surf bum with his obnoxious mates, even though his back is giving out and he's perilously close to driving away his girlfriend (a disconcertingly hot 25-year-old Catherine Zeta Jones), who is keen for him to finally cut the shit. Meanwhile, the scummiest of his mates (Ewan McGregor) doses their pal Terry (Peter Gunn) and gets him to chase after an actress from his childhood favorite TV show (Jenny Agutter) in hopes of dissuading from marrying his actual girlfriend (Michelle Chadwick), and their mate Josh (Steven Mackintosh), a successful techno producer, flirts with an attractive DJ (Colette Brown) who's actually furious at him for building a vapid techno hit around a sample of her soul singer dad's biggest hit. The latter storyline probably had the most potential (although a weird scene where Josh is castigated by a group of outraged soul fans seems like a lesser TWILIGHT ZONE plot), but none of the script's various threads ever amounts to much. CONTAINS LESBIANS? It doesn't even pass the Bechdel test. VERDICT: If you happen upon it, you may be tempted just for Zeta Jones (and/or Brown), but the rest wears out its welcome with alacrity.

HIGHER LEARNING (1995): Potent story of simmering racial tensions on the campus of a university that definitely isn't USC (writer-director John Singleton's alma mater, and where most of the film was obviously shot), let down by incredibly heavy-handed execution. (The film's final shot is of the word "UNLEARN" superimposed over a giant American flag!) A capable cast (including Omar Epps, Kristy Swanson, Michael Rapaport, Jennifer Connelly, Ice Cube, Tyra Banks, Cole Hauser, Laurence Fishburne, and Regina King) tries to maintain a sense of emotional reality through Singleton's frequent excursions into overpowering melodrama, but there are so many competing plot threads that few characters have any depth; curiously, the script's most complex characterization is in the scenes between budding white supremacist Remy (Rapaport) and Aryan Brotherhood organizer Scott (Hauser). Singleton made this film when he was 25, and there's no shame in its sense of breathless ambition (even if it inevitably bites off more than it can chew), but the overwrought stridency undercuts its intended impact. For a more effective treatment of similar themes in roughly the same period, try Gilbert Hernandez's graphic novel X, originally serialized in LOVE & ROCKETS #31–39 and first collected in 1993. CONTAINS LESBIANS? Jennifer Connelly gives Kristy Swanson a bisexual awakening. VERDICT: The '90s through a bullhorn.

CRASH (1996): Divisive David Cronenberg adaptation of the J.G. Ballard novel, about a movie producer called James Ballard (James Spader) and his desperately horny wife (Deborah Kara Unger), drawn into a loose-knit group of car-crash fetishists organized around a man called Vaughan (Elias Koteas at his creepiest), who stages recreations of famous celebrity crashes like the 1955 accident that killed James Dean. Despite some pretentious dialogue about "the reshaping of the human body by modern technology," the controlling idea might be better summarized as "anything can be a paraphilia if you get weird enough about it." Part of what offends people about the film is that Cronenberg deliberately treats the entire story with the same frosty clinical detachment, rendering the "normal" sex scenes just as remote and perverse as the characters' fixation on the grisly aftermath of car wrecks; the point is that there is no line, just different facets of the same erotic longing, which each of the (admittedly unsympathetic) principal characters embodies in different ways. Spader, Kara Unger, and Koteas are very good, as is Holly Hunter, in perhaps the bravest role of her career, but Rosanna Arquette is underutilized. A worthwhile companion piece would be Steven Soderbergh's 1989 SEX, LIES, AND VIDEOTAPE, also with Spader, which is much more highly regarded (though almost as contrived and scarcely less perverse), perhaps because it seeks to titillate where Cronenberg does not. CONTAINS LESBIANS? Briefly. (See previous note in re: underutilization of Rosanna Arquette.) VERDICT: Icy but interesting.