#Peter Hessler

[el-ffej]

Interesting article by Hessler in The New Yorker - here's the link:

How Chinese Students Experience America

[sinoeurovoices]

西方記者辛苦耕耘六十年，今日繞回改革前?

在毛時代，西方記者有關中國的報導,一般都不能發自中國。他們身在海外，尤其在香港。工作方法主要是讀北京發出來的官方報道的英文翻譯，再加點自己的分析，很難深入，只能反映中共自己願意說的政治表層。唯一的例外是一位匈牙利老傳教士，拉達尼神父(Father Laszlo Ladany)。他中文好，頭腦靈，能「倒著讀」官方媒體，歸納出一些較深入的消息。比如看到這麽一條消息：「英勇的解放軍戰士在合肥附近搶救13名煤礦工人」，拉達尼就知道在合肥附近大概發生過可怕的大規模礦山災難。拉達尼從1953年到1982年出版定期刊物「中國新聞分析」（China News Analysis）。 西方學者的情況與記者差不多，只能遠距離看中國。我1966年春天在哈佛大學跟傅高義（Ezra…

[lonelyzarquon]

Peter Cushing in Scream and Scream Again (1970)

[weirdlookindog]

Scream and Scream Again (1970) - VHS cover

[mater-argento]

[moviesandmania]

SCREAM AND SCREAM AGAIN (1970) Reviews of star-studded British sci-fi horror

‘Triple distilled horror… as powerful as a vat of acid!’ Scream and Scream Again is a 1970 science fiction horror film about a serial killer who drains his victims’ blood on the loose in London. Directed by Gordon Hessler from a screenplay written by Christopher Wicking (To the Devil a Daughter; Demons of the Mind; Blood from the Mummy’s Tomb; et al), adapted from Peter Saxon‘s novel The…

[docrotten]

SCREAM AND SCREAM AGAIN (1970) – Episode 207 – Decades Of Horror 1970

“Smells like cheese, looks like ham… [takes a bite of sandwich] Oh, no problem. It’s chicken.” Rest assured, Grue Believers. Nothing about this movie resembles chicken. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, and Jeff Mohr – as they dive into that strange vat of boiling acid known as Scream and Scream Again (1970)!

Decades of Horror 1970s Episode 207 – Scream and Scream Again (1970)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

A serial killer who drains his victims’ blood is on the loose in London. The police follow him to a house owned by an eccentric scientist.

  Directed by: Gordon Hessler

Writing Credits: Christopher Wicking (screenplay); Peter Saxon (novel)

Selected Cast:

Vincent Price as Dr. Browning

Christopher Lee as Fremont

Peter Cushing as Major Heinrich Benedek

Alfred Marks as Detective Supt. Bellaver

Michael Gothard as Keith

Christopher Matthews as Dr. David Sorel

Judy Huxtable as Sylvia

Anthony Newlands as Ludwig

Kenneth Benda as Prof. Kingsmill

Marshall Jones as Konratz

Uta Levka as Jane

Yutte Stensgaard as Erika

Julian Holloway as Detective Constable Griffin

Judy Bloom as Helen Bradford (as Judi Bloom)

Peter Sallis as Schweitz

Clifford Earl as Detective Sgt. Jimmy Joyce

Nigel Lambert as Ken Sparten

David Lodge as Detective Inspector Phil Strickland

First, take a killer film title and an equally killer poster. Then grab a bizarre tale that includes long (yet exciting) car chases, vampires (sort of), Frankenstein (sort of), Nazis (sort of), super Vulcan nerve pinches (sort of), and a bubbling vat of acid. Then cast it with three iconic horror actors and what do you get? Scream and Scream Again from Amicus, directed by Gordon Hessler, and featuring Vincent Price, Christopher Lee, and Peter Cushing. Even if all three are never in the same scene, the results are oddly compelling, yet … goofy and frustrating. Despite the negatives, this film has grown a cult following. What might the Grue Crew make of it?

At the time of this writing, Scream and Scream Again is available to stream from Tubi and Freevee, as well as various PPV options. The film is available on physical media as a Special Edition Blu-ray from Kino Lorber.

Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Jeff, will be Effects (1979), inspired by George Romero’s Martin (1977) and featuring Tom Savini, as both an effects artist and an actor.

We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at feedback@gruesomemagazine.com. 

Check out this episode!

[drzito]

Las 242 peliculas que he visto en 2023 (parte 1)

Tarzan y su compañera (Cedric Gibbons, 1934).

2. El fantasma y la Sra Muir (Joseph L Mankiewicz, 1947)

3. Odio entre hermanos (Joseph L Mankiewicz, 1949)

4. Testigo accidental (Richard Fleischer, 1952)

5. El rastro de la pantera (William A Wellman, 1954)

6. El tigre dormido (Joseph Losey, 1954)

7. El quinteto de la muerte (Alexander McKendrick, 1955)

8. 40 pistolas (Samuel Fuller, 1957)

9. La maldición de Frankenstein (Terence Fisher, 1957)

10. Ocho horas de terror (Seijun Suzuki, 1957)

11. The Trollenberg terror (Quentin Lawrence, 1958)

12. La Venganza (Juan Antonio Bardem, 1958)

13. Un golpe de gracia (Jack Arnold, 1959)

14. A todo riesgo (Claude Sautet, 1960)

15. La evasion (Jacques Becker, 1960)

16. El sabor del miedo (Seth Holt, 1961)

17. Detective bureau 2 3. Go to hell bastards! (Seijun Suzuki, 1963)

18. The white tiger tattoo (Seijun Suzuki, 1965)

19. A traves del huracan (Monte Hellman, 1966)

20. El Tiroteo (Monte Hellman, 1966)

21. La soltera retozona (Silvio Narizzano, 1966)

22. Dimension 5 (Franklin Adreon, 1966)

23. Los Productores (Mel Brooks, 1967)

24. Un hombre (Martin Ritt, 1967)

25. Sebastian (David Greene, 1968)

26. El Bastardo (Duccio Tessari, 1968)

27. El lagarto negro (Kinji Fukasaku, 1968)

28. La louve solitaire (Edouard Logereau, 1968)

29. Aquel dia frio en el parque (Robert Altman, 1969)

30. Corazones en fuga (Michael Powell, 1969)

31. La bestia ciega (Yasuzo Masumura, 1969).

32. El bosque del lobo (Pedro Olea, 1970)

33. El grito del fantasma (Gordon Hessler, 1970)

34. Drácula y las mellizas (John Hough, 1971).

35. ¡Que viene Valdez! (Edwin Sherin, 1971)

36. Sangre en la tumba de la momia (Seth Holt, 1971)

37. El Otro (Robert Mulligan, 1972)

38. Hermanas (Brian de Palma, 1972)

39. Imagenes (Robert Altman, 1972)

40. Morgiana (Juraj Herz, 1972)

41. El ataque de los muertos sin ojos (Amando de Ossorio, 1973)

42. El programa final (Robert Fuest, 1973)

43. Flor de santidad (Adolfo Marsillach, 1973)

44. Lemora, un cuento sobrenatural (Richard Blackburn, 1973)

45. Messiah of Evil (Willard Huyck y Gloria Katz, 1973)

46. Una vela para el diablo (Eugenio Martin, 1973).

47. Daguerrotipos (Agnes Varda, 1975)

48. La noche de las gaviotas (Armando de Ossorio, 1975)

49. Picnic en Hanging Rock (Peter Weir, 1975)

50. El otro Sr Klein (Joseph Losey, 1976)

51. Terror al anochecer (Charles B Pierce, 1976)

52. El desafio del bufalo blanco (J Lee Thompson, 1977)

53. Largo fin de semana (Colin Eggleston, 1978)

54. El grito (Jerzy Skolimowski, 1978)

55. Los ojos del bosque (John Hough, 1980)

56. Alison’s birthday (Ian Coughlan, 1981)

57. Muertos y enterrados (Gary Sherman, 1981)

58. Wilczyca (Marek Piestrak, 1983)

59. En compañia de lobos (Neil Jordan, 1984).

60. Sangre Facil (Joel Coen, 1984)

61. Sole survivor: Unico superviviente (Thom Eberhardt, 1984)

62. Tasio (Montxo Armendariz, 1984)

63. El tren del infierno (Andréi Konchalovski, 1985)

64. El corazon del angel (Alan Parker, 1987)

65. Jovenes Ocultos (Joel Schumacher, 1987)

66. La chaqueta metalica (Stanley Kubrick, 1987)

67. El fluir de las lagrimas (Won Kar Wai, 1988)

68. Ensalada de gemelas (Jim Abrahams, 1988)

69. Kadaicha, la piedra de la muerte (James Bogle, 1988)

70. Pacto de Sangre (Stan Winston, 1988)

71. Avalon (Barry Levinson, 1990).

72. Misery (Rob Reiner, 1990)

73. La Teranyina (Antoni Verdaguer, 1990)

74. La Tutora (William Friedkin, 1990)

75. Morir Todavia (Kenneth Branagh, 1990)

76. La jungla de cristal 2 (Renny Harlin, 1990)

77. Solo en casa (Chris Columbus, 1990)

78. Alien 3 (David Fincher, 1992)

79. Mi novia es un zombi (Michele Soavi, 1994)

80. Nadja (Michael Almereyda, 1994)

81. Esto (no) es un secuestro (Ted Demme, 1994)

82. Dos Policias Rebeldes (Michael Bay, 1995)

83. El demonio vestido de azul (Carl Franklin, 1995)

84. Heat (Michael Mann, 1995)

85. Jovenes y brujas (Andrew Fleming, 1996)

86. Agarrame esos fantasmas (Peter Jackson, 1996)

87. Herbert's Hippopotamus: Marcuse and Revolution in Paradise (Paul Alexander Juutilainen, 1996).

88. La Roca (Michael Bay, 1996)

89. Tierra (Julio Medem, 1996)

90. 99.9. La frecuencia del terror (Agusti Villaronga, 1997)

91. Fallen (Gregory Hoblit, 1998)

92. Un plan sencillo (Sam Raimi, 1998)

93. El halcon ingles (Steven Soderbergh, 1999).

94. Ilusiones de un mentiroso (Peter Kassovitz. 1999)

95. Flores de otro mundo (Iciar Bollain, 1999)

96. Ravenous (Antonia Bird, 1999)

97. Wisconsin Death Trip (James Marsh, 1999)

98. Dagon: La secta del mar (Stuart Gordon, 2001)

99. Escalofrio (Bill Paxton, 2001)

100. Dracula: Pages from a Virgin's Diary (Guy Maddin, 2002)

101. 2 hermanas (Jee-Woon Kim, 2003)

102. Dos policias rebeldes II (Michael Bay, 2003)

103. Los Angeles Play Itself (Thom Andersen, 2003)

104. El reportero: La leyenda de Ron Burgundy (Adam McKay, 2004)

105. El Septimo Dia (Carlos Saura, 2004)

106. La vida que te espera (Manuel Gutierrez Aragon, 2004)

107. Los Edukadores (Hans Weingartner, 2004)

108. Misteriosa obsesion (Joseph Ruben, 2004)

109. Yo, Robot (Alex Proyas, 2004)

110. Hostel (Eli Roth, 2005)

111. Wolf Creek (Greg McLean, 2005)

112. Bajo cero (Frank Marshall, 2006)

113. El Inadaptado (Jens Lien, 2006)

114. Sheitan (Kim Chapiron, 2006)

115. The last winter (Larry Fessenden, 2006)

116. 30 dias de oscuridad (David Slade, 2007)

117. Borderland. Al otro lado de la frontera (Zev Berman, 2007)

118. Diarios de la calle (Richard LaGravenese, 2007)

119. Frontera(s) (Xavier Gens, 2007)

120. Hostel 2 (Eli Roth, 2007)

121. Water Lilies (Celine Sciamma, 2007)

[praxismatters]

THE EVENS ARTS PRIZE 2023

Exploring the critical imaginaries of AI The Evens Arts Prize 2023 is dedicated to artistic practices that challenge prevailing systems of knowledge and experiments new alliances between living beings and machines. 

The Jury is composed of Daniel Blanga Gubbay, Artistic Co-Director, Kunstenfestivaldesarts; Nicolas Bourriaud, Artistic Director, 15th Gwangju Biennale; Elena Filipovic, Director and Curator, Kunsthalle Basel; Matteo Pasquinelli, Associate Professor in Philosophy of Science, Ca’ Foscari University; Gosia Plysa, Director, Unsound. The Jury Chair is André Wilkens, Director, European Cultural Foundation. Artistic Director:  Anne Davidian, curator.

Focus of the Evens Arts Prize 2023 The widespread use of AI applications, particularly in the form of text-to-image generators and large language models, has sparked intense scrutiny and debate. These discussions, fueled by both excitement about their potential and concerns about their biases, bring to the forefront crucial questions about human subjectivity, autonomy, and agency.

Technical systems are deeply intertwined with social systems, shaping our lived experiences, aspirations, and politics. Together with artists, how can we better understand and address the impact of AI and the broader constellation of digital technologies and algorithmic politics? What new imaginaries and alliances can we cultivate between living beings and machines?

The new edition of the Evens Arts Prize seeks to highlight artistic projects that explore alternative cosmologies and epistemologies, question human exceptionalism, and shed light on issues such as surveillance, manipulation, extractivism, digital governance, justice, care, and responsibility in the age of machine intelligence. Of particular interest are practices that experiment with AI to challenge prevailing systems of knowledge and power asymmetries, mobilise technologies towards emancipatory community outcomes, and envision democratic futures.

The laureate is selected by an independent jury from a list of nominations put forward by representatives of major European cultural institutions.

The Nominators of the Evens Arts Prize 2023 Ramon Amaro, Senior Researcher in Digital Culture, Nieuwe Instituut, Rotterdam; Zdenka Badovinac, Director, Museum of Contemporary Art, Zagreb; Lars Bang Larsen, Head of Art & Research, Art Hub, Copenhagen; Leonardo Bigazzi, Curator, Foundation In Between Art Films, Rome; Mercedes Bunz, Professor Digital Culture & Humanities, King's College, London; Francesca Corona, Artistic Director, Festival d'Automne, Paris; Julia Eckhardt, Artistic Director, Q-02, Brussels; Silvia Fanti, Artistic Director, Live Arts Week /Xing, Bologna; iLiana Fokianaki, Founder, State of Concept, Athens; Cyrus Goberville, Head of Cultural Programming, Bourse de Commerce | Pinault Collection, Paris; Stefanie Hessler, Director, Swiss Institute, New York; Mathilde Henrot, Programmer, Locarno Film Festival; Nora N. Khan & Andrea Bellini, Artistic Directors, Biennale Image en Mouvement 2024, Geneva; Peter Kirn, Director, MusicMakers HackLab, CTM Festival, Berlin; Inga Lace, Curator, Latvian Centre for Contemporary Art, Riga; Andrea Lissoni, Director, Haus der Kunst, Munich; Frank Madlener, Director, IRCAM, Paris; Anna Manubens, Director, Hangar, Barcelona; Anne Hilde Neset, Director, Henie Onstad, Høvikodden; Nóra Ó Murchú, Artistic Director, transmediale, Berlin; Maria Ines Rodriguez, Director, Walter Leblanc Foundation, Brussels; Nadim Samman, Curator for the Digital Sphere, KW Institute for Contemporary Art, Berlin; Andras Siebold, Artistic Director, Kampnagel, Hamburg; Caspar Sonnen, Head of New Media, International Documentary Film Festival (IDFA), Amsterdam; Marlies Wirth, Curator for Digital Arts, MAK, Vienna; Ben Vickers, Curator, Publisher, CTO, Serpentine Galleries, London.

The Evens Arts Prize The Evens Arts Prize honours artists who engage with contemporary challenges in Europe and shape inspirational visions for our common world. Far from reducing artistic practice to a function – whether a social balm or a political catalyst – the Evens Arts Prize supports aesthetically and intellectually powerful work that pushes the understanding of alterity, difference, and plurality in new directions, questions values and narratives, creates space for silenced or dissonant voices, and reflects on diverse forms of togetherness and belonging.

The biennial Prize is awarded to a European artist working in the fields of visual or performing arts, including cinema, theater, dance, music; it carries a sum of €15,000. The laureates are selected by an independent jury, from a list of internationally acclaimed artists, nominated by representatives of major European cultural institutions.

The 2011, 2019 and 2021 editions were curated by Anne Davidian and celebrated Marlene Monteiro Freitas, Eszter Salamon, and Sven Augustijnen as laureates of the main prize, while Eliane Radigue and Andrea Büttner received the Special Mention of the Jury.

More about the Prize

📷 from Atlas of Anomalous AI, edited by Ben Vickers and K Allado-McDowell, Ignota Books, 2020

[booksandwords]

Map: Exploring the World by Victoria Clarke

Read time: 2 Days Rating: 4/5 Stars

The Quote: There are many different kinds of map. Part science, part artistic design, the map as a concept is complex and ever changing, encompassing a range of different forms of graphic expression and display. — John Hessler

Most of this review will just be a list of my favourite maps or notable inclusions and some interesting quotes. Honestly, this is a hard book to review purely because it is what it says on the tin, a collection of maps. Let's all be very honest here Map is a book for a particular kind of person. There are a number of fields that may find it of interest but for most people, it is just something that would not appeal. Some groups of people I think this might appeal to, the obvious is those with an amateur interest in cartography (ie the intended audience), those with an interest in anthropology, potentially art fans, or those looking to fill a reading prompt. It is an appealing coffee table book though, there are some really nice and unusual pairs of illustrations that you are likely to find anywhere else. Of the categories I listed I'm actually the anthropology (though I am using it for a prompt too).

To give you an idea of the layout of the book. For the most part, the maps are presented in sets of two. Each set is tied by having a similar topic, style or theme, though very few have similar colour themes. In most cases, the maps were created decades or longer apart. Each map is captioned by the title, year of creation and artist/ cartographer on one line. The second line has the materials it's made of and on, its dimensions and where it is currently housed. Under this is an approximately 200-word write-up on the map, its importance and the creator. I was reading this at night and found it to be quite like watching a match of tennis or test cricket (sometimes at least). Just one more game, just one more over or in this case just one more page. I found it to be quite a calming read. That said there are quite a lot of random facts I didn't know. Like where Brazil got its name from, a tree.

From here the review just devolves into a list of maps and quotes.

Olafur Eliasson's real-time neon light Daylight Map is the first one that made me this I have to mention this

City of Anarchy by Adolfo Arranz is a brilliant cutaway of Kowloon Walled City in Hong Kong

1247s A Map of the Stars by Wang Zhiyuan is stunning

Survival Map 1992-1996 (The Siege of Sarajevo) is such a dichotomy. It is a brightly coloured beautiful thing for a very dark time in human history.

Willamette River, Oregon by Daniel Coe is a gorgeous map and the colouring is fantastic.

Map of Days is a wonderful idea for a self-portrait by Grayson Perry.

Mapping the Brain by the Human Genome Project is a whole other way to present the human brain and I want it on my wall

The embossed Map of Maine is gorgeous and I want to such it.

The interactive Iceland Illustrated is a fantastic

In 1989 the-then American Cartographic Association recommended that rectangular projections should not be used at all for general-purpose world maps, but Peters' contention that we should scrutinize the way we predict the world remains valid. (p.156)

I have never seen the Upside Down World Map and I live in Australia.

I really like A Map of Vesuvius. It is a good way to show the impact of a lava flow.

“Few rulers have had as much reason to fear their enemies as King Henry VIII" — (p.176) Truer words have never been spoken.

Carta Marina is so stunningly detailed. I wish I could see it in all its in-person glory

Chicago, USA is just a smart piece of design work

Any given place holds an infinite number of things that can be mapped. An individual neighbourhood has streets and houses and parks - all of which we might expect to see on a map. But it also has power lines and Christmas lights and sounds and graffiti and people with their own aspirations and all this can be shown cartographically if we simply take the time to collect the information." — (p. 193)

This isn't the first map I've seen of Mecca but it is probably my favourite, its the colouring

Serio-Comic War Map for the Year 1877 by Frederick W. Rose is humorous.

"named Bom Bahia (good bay) by the Portuguese, Bombay was ceded by Portugal to Englan as part of Catherine of Braganza's dowry when she married Charles II of England in 1661" — (p.226) How did I not know this? I mean I'm not surprised it was all to do with marriage and dowries but I didn't know

Locals and Tourists by Eric Fischer is a wonderful project idea. I'd love to see it done in other cities. Also, I like the colour choices.

The Earth Seen Through the Sphere of the Stars by Andreas Cellarius is so pretty and so intricate it looks like it belongs on a ceiling somewhere.

2MASS Redshift Survey by John Hurchra, Thomas Jarrett and others I also want on my wall. It's mapping light wavelengths look it's pretty ok.

The Court Game of Geography c. 1840-3 by W. & H. Rock is a fantastic deck of cards and I want it. I would love to see the whole deck, the book only has one suit (hearts, Europe). Honestly, I think we could use this again now.

[lavendimiademartinez]

Libros del verano (2024)

The New China Playbook (Keyu Jin) Una buena visión sobre el doble sistema de China. Para intentar comprender sin juzgar.

River Town (Peter Hessler) El choque cultural entre dos profesores de inglés y sus alumnos chinos.

Además ha salido publicado este año un libro sobre el exilio, la poesía y la república que novela la vida de mi abuelo, Gonzalo Martínez Sadoc, de Juan José Morales, profesor de literatura de la Universidad de Cádiz

Y por supuesto "Semillas de Amapola" Poesía climática, fotografía y otras reflexiones" que he publicado este año. Ya en su segunda edición, próximamente en todas las librarías.

[isfeed]

In Xi’s China, Politics Eventually Catches Up With Everyone

The author Peter Hessler posed a question with an elusive answer: How could Chinese society open up so profoundly while its politics stagnated or even regressed? Source: New York Times In Xi’s China, Politics Eventually Catches Up With Everyone

[jovialbasementbouquetblr]

2024: Peter Hessler's "How Chinese Students Experience America"

Especially interesting were the perspectives of students from non-elite Chinese universities on both China and the USA.  Especially these days, one of the best places to learn about China is in the USA.   Observations on the growth of Chinese institutions like the basketball league among the Chinese students is intriguing.  Loneliness and homesickness in a strange culture is likely the same as…

[whilereadingandwalking]

The Buried: An Archaeology of the Egyptian Revolution by Peter Hessler is a book with a tremendous span. Hessler, a writer for the New Yorker, moved with his family to Cairo in 2011. He was there to report on the Arab Spring; he mixes his up-close and personal account of the subsequent events in the city with visits to archaeological sites, flashbacks into the history of the ancient civilization, and stories of the people he befriended, from Sayyid, the man who collects the trash in the neighborhood, and his wife and family; to Manu, a translator who shared his experience as a gay man in a homophobic society; to the local who teaches Hessler and his wife Egyptian Arabic.

It’s a really incredible book. It’s impressive and indicative of Hessler’s skill that he can so artfully blend all these pieces of the story to create one coherent portrait of Egypt, its people, and the ways its history and its present blend and mirror each other. I have learned a tremendous amount about Egypt in these 480 pages, all through an intimate lens that introduces the reader to dozens of characters without allowing them to get muddled. I’m happy that I began my nonfiction marathon with this superb work.

[weirdlookindog]

Scream and Scream Again (1970)

[gwydionmisha]

After the epidemic began, though, I saw that recurring phrase—`I’m going to the hospital!'—in a new light. The textbook was accurate: if somebody’s ear hurts, often her only option is to go straight to the hospital. In China, there’s no comprehensive primary-care system, which is one reason that the coronavirus spiralled out of control so quickly in Wuhan, the capital of Hubei Province, where the epidemic started.

New Yorker story: Peter Hessler: Life on Lockdown in China