#Peter Fritz Walter Photography
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der pauker, axel von ambesser 1958
#der pauker#axel von ambesser#1958#heinz rühmann#wera frydtberg#klaus löwitsch#hans zander#gert fröbe#peter kraus#bruni löbel#ernst reinhold#fritz wepper#michael verhoeven#peter vogel#walter sedlmayr#der geteilte himmel#in weiter ferne so nah!#obst & gemüse oder der kunde ist könig#material#flyweight#about photography#mdma
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Loosely based on the Charles Dickens’ classic novel, “Great Expectations” is a sensual tale of a young man’s unforgettable passage into manhood, and the three individuals who will undeniably change his life forever. Through the surprising interactions of these vivid characters, “Great Expectations” takes a unique and contemporary look at life’s great coincidences. Credits: TheMovieDb. Film Cast: Finnegan Bell: Ethan Hawke Estella: Gwyneth Paltrow Walter Plane: Hank Azaria Joe: Chris Cooper Ms. Dinsmoor: Anne Bancroft Prisoner / Lustig: Robert De Niro Jerry Ragno: Josh Mostel Maggie: Kim Dickens Erica Thall: Nell Campbell Owen: Gabriel Mann Finnegan at Age 10: Jeremy James Kissner Estella at Age 10: Raquel Beaudene Carter Macleish: Stephen Spinella Ruth Shepard: Marla Sucharetza Lois Pope: Isabelle Anderson Man on Phone: Peter Jacobson Marcy: Drena De Niro Anton Le Farge: Lance Reddick Mr. Barrow: Craig Braun Mrs. Barrow: Kim Snyder Security Guard: Nicholas Wolfert Ted Rabinowitz: Gerry Bamman Senator Elwood: Dorin Seymour Hitman #1: Clem Caserta Hitman #2: Frank Pietrangolare Hitman #3: Dennis Paladino Hitman #4: Clem Caserta Jr. Cop on Boat: Marc Macaulay Clemma: Ana Susana Gerardino Waiter: Francis Dumaurier Lover: Pedro Barquin 7 Year Old Girl: Kendall Williamson Singing Indian Woman: Shobha Jain Singing Indian Girl: Aditi Jain Anchor Woman: Margo Peace Waitress: Kimmy Suzuki Doorman: John P. Casey Taxi Driver: Adusah Boakye Gallery Waitress: Dyan Kane Gallery Receptionist: Anne Ok Gallery Guest: Alva Chinn Gallery Guest: G.B. Thomas Gallery Guest: Albert Zihenni Gallery Guest: Fritz Michel Gallery Guest: Lisa Herth Gallery Guest: Nino Pepicelli Gallery Guest: Wills Robbins Gallery Guest: Jewel Turner Gallery Guest: Jim Taylor McNickle Gallery Guest: Martin Alvin Gallery Guest: William Rothlein Gallery Guest (uncredited): Maria Capp Gallery Guest (uncredited): Stephen Sherman Cop #2 (uncredited): Paul Neglio DJ (voice) (uncredited): Gary Newton Richard (uncredited): Dale Resteghini Film Crew: Director: Alfonso Cuarón Novel: Charles Dickens Original Music Composer: Patrick Doyle Screenplay: Mitch Glazer Editor: Steven Weisberg Director of Photography: Emmanuel Lubezki Production Design: Tony Burrough Art Direction: John Kasarda Set Decoration: Susan Bode Tyson Costume Design: Judianna Makovsky Sound Designer: Richard Beggs Executive Producer: Deborah Lee Producer: Art Linson Co-Producer: John Linson Casting: Jill Greenberg Sands Makeup Artist: Vivian Baker Key Makeup Artist: Angel De Angelis Makeup & Hair: Ilona Herman Makeup Artist: Manlio Rocchetti Hairstylist: Anthony Veader Key Makeup Artist: Cecilia Verardi Makeup Artist: Linda Kamp Makeup Artist: Sara Seidman Vance Movie Reviews:
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7 REgards
Most photos on this page were taken in bed where I am staying pretty constantly now since more than a year, with lymph edema in my legs and feet. There are 7 different regards in this series of autoportraits taken on a single afternoon, each with its own unique expression: —The Defiant Regard—The Dreamy Regard—The Loving Regard—The Philosopher Regard—The Reflective Regard—The Shy Regard The…
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I went to my first convention in 1983. I cut school (with permission from my Mom because rebellious I am not) and took the bus to see Tom Baker.
So, because I’m in a reflective mood, here’s a mostly comprehensive list of famous folks I’ve encountered over the years.
DOCTOR WHO
Carole Ann Ford
Anneke Wills
Patrick Troughton
Frazer Hines
Nicholas Courtney
John Levene
Terence Dicks
Jon Pertwee
Richard Franklin
Tom Baker
Ian Marter
John Nahan-Turner
Sarah Sutton
Peter Davison
Mark Strickson
Gary Downie
Nicola Bryant
Colin Baker
Sylvester McCoy
Lisa Bowerman
India Fisher
Maggie Stables
DOCTOR WHO NOVELISTS
Peter Angelides
Stephen Cole
Paul Cornell
David A. McIntee
Justin Richards
Dave Stone
Keith Topping
Mike Tucker
STAR TREK
James Doohan
Nichelle Nichols
Walter Koenig
George Takei
Majel Barrett
Mark Lenard
Angelique Pettyjohn
Wil Wheaton
Jonathan Frakes
Michael Dorn
John DeLancie
BLAKE’S 7
Paul Darrow
Scott Fredericks
Michael Keating
Sally Knyvette
Terry Nation
Jacqueline Pearce
AUTHORS/ARTISTS
Douglas Adams
Danny Biederman (The Incredible World of Sci-Fi)
Ben Bova
Marion Zimmer Bradley
David Brin
Chris Bunch
David Cherry
Alan Cole
John DeChancie
Harlan Ellison
Neil Gaiman
Jon Heitland (The Man from U.N.C.L.E. Book)
Robert Jordan
Fritz Leiber
Ian McCaig
Julian May
Larry Niven
Jerry Pournelle
Philip Pullman
Somtow Sucharitkul
AT THE AIRPORT
LL Cool J
Mickey Rooney
AT WORK
Buzz Aldrin
Jim Carrey
George Casey
David Crosby
Leonardo DiCaprio
Jeff Goldblum
John Larroquette
Branford Marsalis
George R.R. Martin
Joe Montana
Graham Nash
Ted Post
Sherwood Smith
Shirley Temple
Mel Torme
Maxine Waters
Tad Williams
VARIOUS CONVENTIONS
Sharon Farrell (actress best known for multiple appearances in The Man from U.N.C.L.E.)
Lou Ferrigno (The Incredible Hulk)
Jonathan Frid (Dark Shadows)
Gerald Fried (composer - Star Trek, The Man from U.N.C.L.E.)
Richard Hatch (Battlestar Galactica)
Fred Koenekamp (director of photography - The Man from U.N.C.L.E.)
Gil Gerard (Buck Rogers in the 25th Century)
Herb Jefferson Jr. (Battlestar Galactica)
George Lehr (assistant to the producer - The Man from U.N.C.L.E.)
Bob May (Lost in Space)
Ty Olsson (he’s been in everything)
Mark Ryan (Robin of Sherwood)
Lalo Schifrin (composer - The Man from U.N.C.L.E., Mission: Impossible, Bullitt)
Robert Short (visual effects)
Richard Simmons
GOT A LETTER/PICTURE/DM FROM
David Baddiel
Peter Buck (R.E.M.)
Johnny Cash
P.N. Elrod
Pauley Perrette
Robert Vaughn
EVERYWHERE ELSE
Trace Beaulieu
Michael Berryman
Bruce Campbell
Frank Conniff
Doug Drexler (visual effects)
Laurence Fishburn
Eleanor Keaton
Gabriel Macht
Craig Miller
Vincent Schiavelli
Marc Singer
French Stewart
Gina Torres
Tree
James Van Over
Bill Warren
Peter Weller
Marv Wolfman
Noel Wolfman
#personal#feel free to ask me questions#i have stories#and i'm feeling like a fandom grandma and want to share before the stories are lost forever#no i'm not that old#but still#pretty fucking old
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SUMMARY Martin W. Harrow (David Wayne) is a compulsive child-murderer, and the public demands of the mayor and police that he be caught. The police start a crackdown on criminal operations, dive bars and hangouts in the city, hoping that the murderer will turn up in one of the many raids. This pressure is preventing the city’s crime syndicate from doing business, and its boss, Marshall (Martin Gabel), organizes his forces to find and stop the murderer, so the police will stop the crackdown and go back to business as usual. Meanwhile, Police Inspector Carney (Howard Da Silva) has a psychiatrist examining patients who have been released from mental hospitals as possible suspects.
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At the same time that the police focus on Harrow, finding incriminating evidence – the shoes of the dead children – in his apartment, the criminals track him down with his intended next victim. They capture him, and place him on trial by his “peers” in the Los Angeles criminal underworld. Harrow makes an impassioned plea for his life, explaining that he is unable to stop himself from committing his unspeakable crimes. Just as he is about to be killed by the crowd, the police arrive to take him away, but not before Marshall has shot and killed his alcoholic lawyer, Dan Langley (Luther Adler).
BEHIND THE SCENES Joseph Losey had seen the original Fritz Lang’s “M” (1931 film)in Munich in the year of its release and viewed it again before shooting his own version nineteen years later. Seymour Nebenzal, the producer of Lang’s M, proposed a version closely modeled on the original script (by Thea von Harbou and Lang) but set in contemporary Los Angeles Losey was reluctant ‘I had twice refused to direct it but finally my financial situation dictated my acceptance of the project. The contract is not found but legal correspondence four years later indicates that it involved a $10,000 deferment, once the bank loan had been paid off and a number of other charges met By March 1954 Losey had received no statement of account from Nebenzal or Colombia. According to Thomas Elsaesser, Lang never forgave Nebenzal and was not prepared to acknowledge the director Losey, as a member of his profession. (Yet Lang himself was not above directing remakes)”
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The new screenplay, by Norman Reilly Raine and Leo Katcher, was graced by additional dialogue from Waldo Salt Losey was anxious to update the psychology of the fictional child-murderer. The production file notes on Martin Harrow, the killer, dated 31 May 1950, are based on a study by Wertham and Menninger of two actual psychotic Hillers. “Harrow was isolated in his youth by religion and by poverty. He is suffering from hyper sensitivity. He was sexually attached to his mother. This resulted in frustration, hatred of father. No less simplistic is the explanation for the killer’s habit of collecting his small victims’ shoes not found in Lang’s version: the shoe and foot as sexual symbol. Losey also contributed his own abiding fixations.
And I wanted to present him as a product of a mother-dominated and materialistic society of lower middle-class America, where everybody had to be big he-men otherwise they were sissies…this man undoubtedly was a concealed homosexual, totally in conflict with everything including his own mother whom he adored and hated. This approach was in strong contrast to Fritz Lang’s.
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A first-class crew and cast was assembled, with Robert Aldrich the assistant director, John Hubley the production designer, and Michel Michelet composing the music. The director of photography was Ernest Lazo, whose talents were ideally responsive to Losey’s.
Peter Lorre, who had played the psychopathic killer in Lang’s film, later joined the German refugee colony in America, Losey had employed him in The Day of Reckonitig radio series for NBC, but, writing to Brecht in May 1948, he dismissed Lorre as unacceptable for a remake of M because he is now regarded by the American movie public is a clown! To play the child killer, Losey chose David Wayne, an actor mainly associated with high comedy parts – Losey had seen him on the stage in Finan’s Rainbow. A fine supporting cast included Luther Adler, Howard da Silva, Martin Gabel and Karen Morley.
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The film was shot on location in downtown Los Angeles, including the now demolished Victorian neighborhood of Bunker Hill. David Wayne’s character lived at an eccentric Victorian mansion on Bunker Hill Avenue known as the Max Heindel house because Heindel, a famous astrologer in the early 20th century, had once lived there. Some scenes were shot on and around the funicular Angels Flight on Third Street. The most spectacular footage occurs in a lengthy sequence shot inside the Bradbury Building on the southeast corner of Broadway and Third, a block east of Angels Flight. Director Losey used the basement, the distinctive stairways and balconies, and the roof of the building.
Substantial themes were cut from Lang’s final scenario, including the gangster leader’s denunciation of liberal law courts and soft justice. Lang was staring at fascism, Losey’s chief racketeer seeks to exploit public gratitude and so get a grand jury off his back. Lang was trading in metaphysics, Losey in urban pragmatism. Whereas Peter Lorre’s pop-eyed, demented killer breaks off from his compulsions to chuckle over a whole city’s fruitless search for him, David Wayne steps over the screaming headlines like a stranger to himself. Wayne has a psychiatric history, Lorre was born to the devil.
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CAST/CREW Directed Joseph Losey
Produced Seymour Nebenzal
Written Waldo Salt (additional dialogue)
Screenplay Norman Reilly Raine Leo Katcher
Starring David Wayne Howard Da Silva Luther Adler
Music by Michel Michelet Cinematography Ernest Laszlo
David Wayne as Martin W. Harrow Howard Da Silva as Inspector Carney Luther Adler as Dan Langley Martin Gabel as Charlie Marshall Steve Brodie as Lt. Becker Raymond Burr as Pottsy Glenn Anders as Riggert Karen Morley as Mrs. Coster Norman Lloyd as Sutro John Miljan as Blind Ballon Vender Walter Burke as MacMahan Roy Engel as Police Chief Regan Benny Burt as Jansen Leonard Bremen as Lembre (as Lennie Bremen) Jim Backus as The Mayor Janine Perreau as The Last Little Girl Frances Karath as Little Girl in Hallway Robin Fletcher as Elsie Coster Bernard Szold as Bradbury Bldg. Watchman Jorja Curtright as Mrs. Stewart
“M” (1951) Retrospective SUMMARY Martin W. Harrow (David Wayne) is a compulsive child-murderer, and the public demands of the mayor and police that he be caught.
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Objects
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Interior
Apartment 302 Apartment 509 Apartment 304 3 Still Lives Apartment 301 My Creative Kitchen My Creative Piano
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Monochrome Food
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Monochrome Flowers and Bamboo
Monochrome Flowers and Bamboo
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Monochrome Interior
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Malaga
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Myanmar
Sedona Hotels Temple Sites Crafts Street Photography Portrait
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Greece 1986
Akropolis Aegina
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Lausanne 1985
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Siem Reap Temples
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Public Domain Edition
Public Domain Edition Gateway I am preparing a Public Domain Edition of all my works, literary, art, music, and photography. The Gateway Domain for this huge endeavor is here: http://peterfritzwalter.wordpress.com All sites can be accessed from this summary page: https://peterfritzwalter.wordpress.com/browse-sites/
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#All Works by Peter Fritz Walter#Artwork#Audiobooks#Books#Essays#Music#Peter Fritz Walter Author#Peter Fritz Walter Content Provider#Peter Fritz Walter Designer#Peter Fritz Walter Narrator#Photography#Public Domain Edition
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