#Percy was doing the majority of the work

[winn-wynn]

It be hella funny everytime Percy threatened to quit fudge upped his salary

[aroaceleovaldez]

i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies

BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...

[bright-eyes-strawberry-lies]

“Percy asked the gods to change” - because of LUKE. Because LUKE asked him to use his leverage with the gods to force change!

[atlabeth]

geyser

series masterlist

pairing: luke castellan x daughter of poseidon!reader

summary: percy learns about the first girl luke castellan ever loved.

a/n: this is a lil sad. sorry about that. but i really like it and it came out of nowhere in like 2 days so i hope you enjoy despite the sadness. title from the mitski song

wc: 6.5k

warning(s): major character death; not shown but hangs over the whole fic. angst made angstier by fluffy flashbacks. mostly told through percy’s pov but includes luke, annabeth, and reader povs

also if you saw this before on another account DONT WORRY... that account was also me. im just doing some stuff behind the scenes right now as i figure stuff out lol i promise no plagiarism is going on

Percy thought that his head might explode. 

He didn’t know how he was still walking, honestly. His mom died, he killed a— no, the— Minotaur, all the Greek myths were real and his dad was one of them, and now he had to deal with that freak accident with Clarisse and the toilets. 

At least he would be ready next time she tried to beat him up. Percy had been the new kid enough to know there would be a next time.

All he could do was stare at the Minotaur horn in his hands, the only sign that what happened outside the border was real. The horn in his hands and the hole in his heart. 

Percy swallowed the lump in his throat. He’d been thrown into the deep end, and the only thing on his mind was when he would start to drown. 

“Hey.” Percy looked up to see the counselor he’d met earlier with Annabeth—Luke. He tossed a ziploc bag at him and he caught it, taking a moment to look at what was in it. 

“I stole you some toiletries from the camp store,” he explained. “Thought it might make you feel more at home.” 

“…Thanks.” He didn’t know if Luke was joking, but the damage had already been done. And it was the nicest thing someone had done for him so far. He set it down next to his Minotaur shoebox. “Is this the best that it gets?” 

Luke’s lips quirked up in a slight smile. “For now. We’re a little crowded, if you couldn’t tell.” 

“Just a little bit.” Percy stood up from his sleeping bag and worked out the knot in his shoulder. “Where’s your bed? Assuming you have one.” 

“I couldn’t wrangle all these cats without some back support,” he said, and he pointed to a bed in the corner. It was the only one on its own without a bunk, and he had a fair amount of decorations. Counselor privileges, he figured. Percy walked over, Luke trailing behind him. 

“Nice place,” he said. Percy picked up the Yankee’s cap on his bedside table and nodded as he looked back at him. “Nice taste.” 

“It’s for Annabeth,” Luke said. “She wanted us to match.” 

Percy nodded again in approval. “Good taste for both of you.”

Luke had various other things around — an alarm clock knocked over next to the baseball cap, a huskie sticker on the wall half-scraped off, a poster for an album he didn’t recognize. 

But the thing that caught his eye was a polaroid hanging on the wall, surrounded by a smattering of others varying in size. 

The first one had to be an old picture—Luke didn’t have his scar, and the biggest smile stretched across his face. He had a girl close with an arm slung around her waist, and she might’ve been smiling even more than Luke. A bright energy emanated around her, something that must have transferred through the picture, because Percy found himself feeling a little better just looking at her. He wondered if she was a camper. 

His eyes flicked to the next picture, which was another one of Luke and that girl. They were both laughing as she tried to put a blue hat on Luke’s head, and he protested with a hand on her wrist. They were in the forefront of a baseball game, Percy noticed.

There were other pictures, too—Luke, a girl dressed all punk, and what looked like a young version of Annabeth, most notably—but a majority of them were either Luke and that girl, or the girl all on her own. In every single one, she beamed brighter than the sun. 

Percy pointed at the picture of Luke and the girl at the baseball game, his curiosity getting the better of him. “Who’s that?”

That seemed to catch Luke off-guard, his lips parting for a moment as if he wanted to say something. It barely took him any time to get back on track, but Percy found himself frowning. 

“That’s…” Luke cleared his throat, wet his lips, shook his head. “A friend. A very good friend.”

“Does she go here?” Percy asked. 

“She did.” 

He frowned. “Where is she, then?” 

“Percy—” Luke’s voice was strained, but he didn’t really notice as he went on. 

“I didn’t see her around,” he continued, “and you look pretty close.” 

Luke blinked a couple times, and Percy swore he could see the telltale glimmer of tears starting in his eyes. A muscle worked in his jaw, and suddenly Percy was worried that he’d said something horribly wrong. He had a talent for that, it seemed. 

Fortunately, he was saved by the bell—conch shell?—and something like relief flooded through Luke’s expression. Tension still coiled in his body. 

“Come on,” he said, that camp counselor smile coming back as he put his hand on Percy’s shoulder and guided him away from the enclave. “That means dinner’s about to start.”

Percy’s frown deepened as curiosity won out again. “Was she your—”

“You don’t wanna be late,” Luke continued, ignoring his attempt. “I assume you’re pretty hungry after two days spent out?”

Well, that only made him want to push harder. But Percy figured he wouldn’t get anything out of him—especially not now. 

“…Yeah,” Percy said. “Starving.”

An odd look flickered across his face, but again, it only lasted for a second before he was back to normal. He cupped his hands around his mouth and yelled, “Eleven! Fall in!” 

Percy was at the back of the line by virtue of him being the new kid, and he found himself looking back at that picture of Luke and the girl. He didn’t know why, but something drew him to her. Before Percy could think about it more, the line was moving and his growling stomach drew his attention away. 

He would have plenty of time to ask Luke about it later. 

Or rather, ask him and piss off the only person who’d tried to be his friend so far. 

…Gods. 

Maybe he was going to drown sooner than he thought. 

-

“Luke—” 

“No!” 

“Luke, please!” 

“Annabeth will kill me if she knows—” 

“She won’t know!” 

“Alright, alright— stay still, you two!” 

Your mother laughed from behind the camera as you and Luke fought with each other, you trying your damnedest to get your Red Sox cap on his head as he tried his damnedest to stop you. The frantic laughter on both sides made it a little difficult for either of you to succeed in your quest, but eventually, you got the rock up the hill and the hat on his head. 

“Take the picture, Mom!” you exclaimed, pulling Luke even closer by his arms so he couldn’t get it off. “I need the proof!” 

“I knew this was a bad idea,” Luke groaned, staring at the camera as you wrapped your arm around his side and leaned into him. He could already imagine your victorious smile, brighter than the sun beating down on them in the stadium, and just the thought of it made one of his own flit across his lips. 

“Oh, shut up, Castellan,” you said. “You chose to come to this game. Everyone’s gonna know you’re a Red Sox fan now.”

“You said you wouldn’t tell her!” Luke defended, wrenching his arms free of your control to take the hat off his head. “I don’t even care about baseball!” 

“You care so much about it,” you said cloyingly, “and you’re ride or die for the Boston Red Sox.” 

“If you say a single word—” 

“Okay, kids!” Your mother pointed at the seats next to her. “The game’s about to start—you can keep arguing, but only if you sit down so I can see.” 

“Sorry, Mom.” You grinned at her as you pulled Luke over to your seats—they were a step up from nosebleeds, but they were the ones closest to the balcony so you could at least peer over the railing down to the diamond.

“It’s alright, sweetheart.” She glanced at Luke with a smile, and he could really see where you got it from. “We’ve gotta make him a fan somehow.” 

“I guess I can live with the brand.” Luke set the cap back on your head once you were seated, purposefully pulling the brim a little over your eyes, and he smiled at you. “Even though it looks better on you, anyways.” 

“You just don’t have what it takes to be a Red Sox fan in the heart of Yank territory,” you mused, pushing the hat back up so you could see. “It’s fine.” 

Luke rolled his eyes, but he could hardly bite back his smile. 

“I am glad you came, though,” you said, glancing back at him. “I’m glad you came with me in the first place. This is gonna be the best semester.”

“Thanks for having me,” Luke said. “It’s… it’s been a while since I’ve left camp.” 

“Fingers crossed for no monster attacks, eh?” You held up your hand. “At least, not during the game. I could live with it happening any other time.” 

“Don’t speak it into existence,” your mom said. “We’re going to have a monster-free school year.” 

To humor her, you made a claw over your heart and pushed out. She hummed in satisfaction, and you looked over at Luke. “It’s gonna be fine.” 

“Yeah,” he said. “Because two kids like us aren’t gonna draw any attention.” 

“Oh, I know we will,” you said. “But I know it’ll be fine.” 

Luke frowned. “How can you be so sure?” 

You shrugged with a smile. “I’ve got you.”

And in that moment, he was thankful for the freakish heat that honestly made no sense in the spring—at least it covered up any sign of what your words did to him. 

Luke thought you were joking when you asked him if he wanted to come back home with you for the school year. He didn’t know why you wanted to go back in the first place, being a Big Three kid that apparently had a death wish, but the thought of him leaving camp was almost inconceivable. 

Even after you assured him you weren’t joking, he still wasn’t sure. He was on the run with you for three years, then… 

Well, he couldn’t think about it for too long. But Luke had been on the outskirts of regular society for so long, doing nothing but fighting for his life, that he didn’t know if he could actually function at a normal school.

But it felt right for you two to get some normal time together after you were separated for so long. It took him a semester to decide, but one day during your usual Iris message conversations, he told you he’d love to spend the rest of the year in Boston with you. Luke still remembered the grin you wore, your disbelieving but victorious cheers, the apology you yelled back at your mother for your noise. 

Luke watched you as you talked with your mom, discussing Boston’s chances and player statistics and baseball jargon he didn’t think he’d ever understand, and he knew he would sit through a thousand Red Sox games if it meant he would get to keep seeing your smile.

You must have felt his eyes on you, because you glanced over at him. “Are you okay?” 

Luke smiled. Gods, he was so glad you were here. 

“Never better.” 

-

“That one nearly got me,” Luke said. 

Percy huffed as he picked up his sword from the ground—he was pretty sure he would officially lose his mind if Luke disarmed him with that stupid move one more time. One benefit to the Hermes cabin being too scared to associate with him after getting claimed was that he wasn’t making a fool out of himself in front of other people. 

“Maybe I can only beat you when I pour water on myself,” he said. 

Luke chuckled as he took a bottle from the cooler on the side and held it up. “Wanna try?” 

He shook his head. “I think my arms will fall off if I keep going with you.” 

He tipped his shoulder. “Fair.” 

Percy stared at the ground as Luke gathered himself, trying to put the free range thoughts roaming around his head in order. It didn’t help that he’d gained a million questions after Poseidon claimed him, and it didn’t help that there’s been a newest addition to his dream last night. 

He still felt strange asking Luke about it, but he had to know more about her. Percy didn’t know why it felt like his mission to find out who this mysterious girl was, or why he felt that strange connection to her. Maybe it was the way Luke acted whenever he brought her up, maybe it was that she’d popped up in his dream next to him at the very end, maybe it was just plain old curiosity. 

“I’m not supposed to be alive,” Percy said, breaking the silence. “I could die at any time in a bunch of different horrible ways. So will you tell me more about that girl on your wall?”  

Again, Luke seemed to be caught off guard by it. Percy heard the crunch of plastic as his hand clenched ever so slightly around the bottle, and he tried to cover it up with an arched eyebrow. “Why do you want to know so badly?” 

He shrugged. What was he supposed to say? 

“I’m curious,” he decided. 

Luke huffed a dry laugh before he took a sip of water, and he stared off into the distance for a while. He did a lot of staring whenever this girl was brought up. They looked like they were best friends in those pictures, but maybe whatever they had ended badly. And if she was a demigod too…

Well, it would make sense why he didn’t want to talk about her. 

“You know that phrase about curiosity?” Luke asked. 

“And how it killed the cat?” 

He nodded, drinking some more. “It goes double for demigods.” 

“Everything else wants to kill me,” Percy said. “So curiosity’s gonna have to get in line.” 

Luke’s laugh was a little more genuine this time, and he shook his head. “I guess I can tell you a little about her. You actually probably have a right to know.” 

“Is she a half-blood?” Percy asked immediately. 

He nodded. “Yeah.” 

“Who’s her parent?” 

Luke capped his water bottle and looked at Percy for a good, long moment. His face glowed in the warm afternoon sun, his scar cast in a softer light than usual. The scar used to unnerve him, but he’d gotten used to it after weeks staring at it during sword fighting. 

“She was a child of Poseidon, Percy,” he said. “Just like you.” 

Percy felt short of breath, like Luke had just knocked his sword out of his hand and shoved him to the ground. But he stood on his own two legs that somehow still worked, and Luke hadn’t moved. 

He had a sister? 

“I have a sister?” 

“…Had,” Luke corrected. “She… she died a few years back.” 

A vice latched onto Percy’s heart. He was still having a hard time breathing. No wonder Luke always used past tense when he was talking about her. 

He had a sister, he wasn’t alone, but he was because she was dead. And if Luke was one of her friends, that meant she died young. 

Gods. 

“What about their oath?” Percy asked, trying to ignore the aching in his chest. “I’m already on thin ice for my whole existing thing. How did Poseidon get away with two kids so close to each other?” 

Luke shrugged. “I’ve never known why gods do things. Her mother was a great woman, though—I could see what drew Poseidon to her against the oath.” 

One half of Percy wanted to ask every question that kept popping into his head. The other side of him wanted to break down and cry. 

“How did you meet her?” 

“We ran into each other when we were both young,” he said. “Both child runaways, both demigods, both New Englanders—we decided to rough it out on the road together. Couldn’t be any worse than doing it on our own.”

Percy tried to imagine it. A young Luke and a younger version of that girl—maybe Percy’s age—living together in the wilderness and fighting monsters. Surviving off of nothing but their wit and skill, facing death each day before they’d even reached middle school. 

“It… it didn’t happen then, did it?” he asked hesitantly. 

Luke shook his head. “Couple years later. All we did was watch each other’s backs out there.” 

Percy couldn’t help himself. “What happened to her?”  

“The same thing that happens to everyone,” Luke said flatly. “There’s a reason I’m the oldest one here.” 

“That doesn’t make it better,” Percy insisted. “It— it makes it worse, Luke. You see that, right?”  

Luke stared at his empty water bottle then tossed it back into the cooler. When his gaze met Percy’s, he was shocked by how… tired he looked. Beyond exhausted—bone-weary. Percy wanted to say more, but he didn’t get the chance. 

“This isn’t good conversation,” Luke said, “and it’s getting late. You should hit the showers before dinner.” 

The sun still beat down on them, bright and angry in the sky, but Percy provided no argument. He had a lot to think about. 

Before they went their separate ways, Percy stopped and looked back at him. “I’m sorry she’s gone, Luke.” 

Luke’s gaze went unfocused for a moment, his eyes growing glossy. “So am I.” 

-

Percy sat on the floor of the Hermes cabin in the corner that used to be his, staring at his meager belongings. He had to decide what to take on his quest, which was made easier by the fact that he hardly had anything to his name. Things could always be worse, though. At least he would have a change of clothes. 

He should’ve been doing this in his own cabin, but it felt too empty, too suffocating in its silence. Eleven was still more familiar. He heard the door open and saw Luke walk in, and his eyes lit up when he saw Percy. 

“Hey,” he said. “I wanted to see you before you left. How’re you feeling pre-quest?” 

“Like the world’s about to end,” he said. 

Luke’s lips twitched into a smile as he sat on the bed across from Percy. “Understandable. It kinda is.” 

“It’s just overwhelming.” Percy shoved the unfolded clothes into his backpack. “I have to clear mine and my dad’s names and get Zeus’s bolt back, or else war will start. No pressure at all.” 

“You were chosen for a reason,” Luke said. “You may not see it, Percy, but you’ve improved a lot since you got here. If anyone can do this, I think it’s you.” 

Percy looked up at him, and he was reminded of the way their last conversation went. He was asking before he could really stop himself. 

“I could die on this quest and never see you again,” Percy said. “So could you tell me more about my sister before I go?”  

Luke smiled wistfully and sighed. “You really won’t let this go, will you?” 

“It’s not really something you just let go,” he said. “Besides, I… I saw her in my dream last night.” 

Luke’s smile faded. “You did?”  

Percy nodded. “For a split second, but I know it was her. I felt the same way I did whenever I looked at her pictures. And… it’s the second time she’s shown up.” 

He let out a long sigh and shook his head, his gaze trailing off to the wall. He always looked so much older when he talked about this girl, like he was a war veteran reminiscing on his lost love. And from what he’d gathered, it might not have been too far off. 

“I told you we ran together when we were young,” he said, and Percy nodded. “We were both nine, and it should’ve been terrible, but she had a way of making everything better. Always found the bright side of things, was always able to make me laugh.” 

“She was from Massachusetts—right in the middle of Boston.” Luke chuckled as he looked at Percy. “Huge Red Sox fan.” 

Percy grimaced. “We all make mistakes.” 

Luke smiled, though it faded a bit. “We got separated for a while, but we found each other again when I got to camp. Things were more peaceful than they are now, so she’d been claimed at camp pretty quickly. I figure Poseidon wanted her to have the protection of him openly standing behind her after what happened.” 

He frowned. “What do you mean, ‘what happened’?” 

Luke shook his head. “That would be an awful story to send you off on.” 

Percy wanted to protest, but he didn’t. Luke was probably right—Percy didn’t want to make him relive it and then have to go on a death quest right after.

“A happier part, then,” he suggested.

“She ran away from home as a kid to protect her mom, but now that she had an idea of what she was doing, she started going back to school. She invited me to stay with her during the school year one year, and I accepted. That—” Luke’s throat bobbed, and the other hand clenched into a fist— “that was when she died.” 

In his stunned silence, Luke got up and went over to his alcove. He pulled the drawer open on his bedside table and pulled out a neatly folded piece of paper. It must’ve been folded and crumpled a million other times in messier ways by all the creases he could see, but when Luke opened it, he could see handwriting all over the front. 

A letter. 

“We Iris messaged each other constantly while she was at school,” he said, “and we wrote back and forth when we couldn’t. This was the last letter she sent me.” 

Percy’s first instinct was to say he wouldn’t be able to read it, but he realized that he didn’t really care. These were words that his sister wrote—he would sit here the rest of the day forcing sentences to make sense if that was what it took. 

So he took the letter when Luke offered it. 

To the one and only Luke Castellan, 

My mom said yes! After a very long interrogation (she now knows basically everything about you) and a million promises that you would be as careful as possible and that you were good enough at sword fighting to take down anything that could come after us, she said you can spend the year here. We spent a couple hours every day making my mom’s study into a guest room, so you have a place to stay.

I’m an idiot that didn’t bring enough drachmas so that’s why I have to send this letter—hopefully it gets to you soon enough, because we’re gonna come get you a week before my winter break is over. Mom is letting me drive down because she says I have to get my permit soon. It makes sense that my first big test is getting to you. If we don’t make it, it’s because we died in a fiery crash. 

Just kidding. I’m a great driver. But tell me some of your favorite songs when you reply and I’ll burn a CD for the ride—I figured out how to use LimeWire. Oh, and throw in a couple drachmas with the envelope so I can Iris message you next time. I miss your face and your voice, and my hand is cramping up writing all of this. 

But this is so exciting! I can’t wait to introduce you to all my friends at school, and show you my favorite places in the city, and make you into a Red Sox fan. And you can come to my soccer games— I’m the greatest forward there is. 

Jokes aside, I’m going to make sure you have the best time. We’ll spend every second together, Luke. We’re gonna make up for the time we lost. 

I can’t wait to see you again.

Your hurricane.  

It took Percy a long time to get through it with the words swimming all over, and it didn’t help that his vision had grown blurry. 

Tears, he realized as he blinked, and he did it again to make sure they wouldn’t fall. He couldn’t cry in front of Luke, not over a girl he didn’t even know—even if she was his sister. But maybe he was grieving that—the fact that he would never get to know her. 

“God, man. I— I’m sorry.” Percy couldn’t think of anything else to say. “She sounds like she was great.” 

Luke couldn’t even manage a smile this time as he stared at the wall. Percy was surprised he could even talk to him about it. 

“She was,” he murmured. “You would’ve liked her. And gods,” this time, a bit of a smile broke through despite it all, “she would have loved a little brother.” 

“I’m gonna make her proud on this quest,” Percy vowed. “I’m gonna clear our dad’s name for her.”

Something in Luke’s gaze had changed—sadness, almost regret. “You’re a good kid, Percy. I hope your quest doesn’t change that.” 

I hope I come back alive, he wanted to say. But given the topic matter, he didn’t. Percy carefully folded the letter back up and handed it to Luke. 

“Thank you for telling me about her, man,” Percy said. “I… I know it can’t be easy.”

Luke let out a shuddering breath as he stared at the closed letter—Percy wondered how many times he must have sat in this same position, reading her words. “No better way to honor her memory than helping her brother.” He glanced at Percy. “I see a lot of her in you.” 

He’d been wondering if he had anything in common with her. Percy felt a sudden flare of anger shoot through him—it wasn’t fair that she was dead. Poseidon was a god, and she was a teenager. He should have saved her. 

Percy’s mouth was drier than a desert. A part of him wanted to curl up in a ball and sob over the sister he never got the chance to know, but the other part of him knew—from what little Luke had told him about her—that she wouldn’t want him to. 

“I should get going,” Percy said, standing up from the floor. “We have to leave for the quest soon, and Annabeth and Grover are probably wondering where I am, and…” 

Percy trailed off, and Luke nodded in understanding. He turned around and took one of the photos off the wall—one of you alone in the middle of a park, wearing a bucket hat and absolutely beaming. 

“You deserve to have a part of her with you,” he said. “For good luck.” 

He felt himself choking up, and he pushed it down as he accepted the photo. “Thanks, man. It means a lot.”

“Good luck, Percy,” Luke said. “You’ve got a lot of people rooting for you.”

Percy found himself studying the picture of you once he made it outside, trying to memorize your face. With your wide, infectious smile that emanated pure sunlight, he could have mistaken you for an Apollo kid. But when he looked at you, he got that same warmth that he felt every time he imagined his father. 

“I won’t let you down,” he murmured. “I promise.” 

-

After sleeping in his train seat for half the day, Percy vowed to never complain about his bed in Cabin Three again. He was gonna be going down to the Underworld with permanent cricks in his neck. 

Grover was still sound asleep—Percy envied him for how easily it came to him in the worst conditions—but thankfully, Annabeth wasn’t. Her gaze was focused on the view as their train chugged along. 

Percy cleared his throat in a flawless attempt at getting her attention, and it worked. 

“You’re awake,” she said. 

“Unfortunately.” Percy sighed. “How much longer do you think it’ll be?” 

“Another day, at least,” she said. “And we’ve got a layover in St. Louis.” 

“St. Louis,” he hummed. “Nice.” 

They sat in silence for a while—there wasn’t much to talk about when they were coming off of two— or was it three, now?—near-death experiences. But eventually, Annabeth cleared her throat, taking a page from his book, and it worked again. 

“There— there’s probably something you should know,” Annabeth said, and that worked even better than clearing her throat. “You’re not the only Big Three kid to come through Camp Half-blood lately.” 

“I know,” he said. “Grover and Luke explained it.” 

Her eyes widened slightly and she leaned forward in her seat. “Luke did?” 

“…Yeah. You all already told me about Thalia.” Percy glanced away, suddenly feeling a chill in the train car. “Luke told me about my sister.” 

Annabeth went silent. 

“It’s okay,” he said. “I kind of annoyed Luke until he told me. Doesn’t really seem like a subject people at camp like to talk about.” 

“I’m just surprised he did,” she murmured. “They were… they were close, Percy. Her death destroyed him—Thalia and your sister. All of it’s complicated.”  

“Yeah,” he sighed, “I got some of that.” 

“I only knew her for a year at camp, but everyone loved her,” she said. “She was nice. Popular. Always helped when she could, always had the biggest, most infectious smile on her face.” Annabeth looked down at her hands. “She didn’t deserve the fate she got.” 

Percy didn’t think he’d ever grieved so much for someone he never knew. “But her and Luke—were they…?” 

“Yeah,” Annabeth said, “they were a thing, later on.” 

That seemed to be all she wanted to say on the matter. Percy decided not to push. 

“How did you meet her?” he asked. 

Annabeth’s lips pressed into a thin line. “I met her on the day I thought I would die.”

-

For the first time in her life, Annabeth Chase couldn’t think. 

It had all happened so fast. One second she was running with Luke and Thalia and Grover, praying to her mother and any other gods that would listen to make the horde of monsters let up even a centimeter.

The next, she’d collapsed on the ground, never so grateful to have grass and dirt and dust in her face. But she could hear Luke yelling, barely able to make it out in her delirious state—she didn’t know when she’d last had a sip of water, and they’d been running for at least three miles—but he sounded hysterical. 

She remembered her last clear thought: they weren’t going to make it. 

But they had. They had, so why was Luke losing his mind? 

Annabeth pulled herself up from the ground—how long had she been bleeding out of those slashes on her arm?—and looked for the rest of her friends. Luke wasn’t yelling anymore, instead arguing with someone she didn’t recognize in a bright orange shirt. Grover’s furry legs trembled as he stared down the hill they’d just gotten up, completely silent, and Thalia— 

Where was Thalia? 

Annabeth tried to get up but her legs gave out almost immediately, and steady arms caught her before she could fall to the ground again. Kind eyes served to ease some of her panic—she was older than Annabeth, maybe around Luke or Thalia’s age. 

Thalia— 

“Hey, you’re okay,” the voice said, and Annabeth’s attention was drawn back to you. “I’ve got you.” 

“Where’s Thalia?” she blurted out, because now she couldn’t think of anything else. 

Your brows creased and you glanced back down the hill—Annabeth did too, and she saw Grover and Luke arguing with each other. Or rather, Luke was yelling at him as Grover anxiously hooked his hands through his hair. 

“I don’t know,” you said, “but right now, I need to make sure you’re okay. Are you hurt?” 

Annabeth absentmindedly held up her arm, but she was only focused on her friends. Why wasn’t Thalia with them? Why was Luke so upset?

You cursed under your breath in Ancient Greek as you cradled her arm, and you looked back down the hill. Annabeth could see at least half a dozen other kids. 

“We’ve got two half-bloods and a satyr, one injured!” you yelled back. “Get Molly and Brayden!” 

“Three,” Annabeth found herself saying. “There’s three half-bloods—” 

“Annabeth!” 

Her head shot up at the sound of Luke calling her name as he bounded over, and her eyes widened at the blood steadily spidering across the fabric of his shirt. 

“Luke, you’re hurt—” 

“I’m fine,” he insisted. “It’s fine.” 

“We have Apollo kids coming,” you said, looking up at him, still cradling Annabeth’s arm. “We’ll get y—” 

Your sentence stuck in your throat, and Annabeth could see tears welling in your eyes as your brows furrowed. She thought Luke’s eyes might burst out of his skull as he stared at you, his lips parted but nothing coming out. Neither of you were able to form words. 

When he finally did get something out, it was a single name. One Annabeth knew by heart, one that he’d mourned for years. 

“Luke?” you whispered. 

Before he had the chance to do anything, two teenagers got over the hill and called out your name, the same one Luke used. He always said you were dead, but you clearly weren’t dead, because you were here and you had her arm in your grasp and while your hands were cold, they weren’t cold enough to be dead— 

“Molly’s gonna take care of you,” you said, looking back at Annabeth and cutting off her inner dialogue. “She’ll get you to the infirmary and heal you up, okay?” 

“My friends—” 

“They’re gonna be okay too,” you said. “I promise.” 

Annabeth looked up at Luke, and he nodded. “We’ll be with you soon, Annabeth. We— we have to talk about some things.” 

So she went with Molly down the hill, and Annabeth put pressure on her bleeding wound when she told her to—it had started to sting like hell now that her adrenaline was fading. 

She looked back just in time to see you and Luke share the tightest hug ever. 

The hug of two people who realized they weren’t seeing ghosts, Annabeth thought. 

-

You bolted up in bed, eyes wide and your chest heaving as you rapidly sucked in air. Your fingers found purchase in your bedsheets, desperate for something familiar—it took a second for you to recognize your surroundings, that you weren’t in an endless void, but your childhood bedroom offered little comfort.  

You ran a hand over your forehead, damp with sweat, as you tried to calm down. Your breathing slowed, but you couldn’t shake that awful feeling that hung over you in your sleep. 

Your nightmares were getting worse, you knew that much. That raspy, demented voice used to be a rarity, and now it appeared every night. You could usually deal with your nightmares, but the sense of absolute dread that voice and the pit fostered in you was too much. You hadn’t managed to sleep through the night once since you came home for the school year.

You could deal with the monsters—to you, this was the worst part of your godly blood.

A knock rattled on the door out of nowhere, and you nearly jumped out of your skin. The only thing that calmed you down was the thought that monsters didn’t knock. 

“Come in,” you croaked, your throat drier than a desert. 

Thankfully, a monster hadn’t come to make your night even more miserable. Luke stood in the doorway, his eyebrows creased in concern, messy curls hanging just above his eyes. He wore the Red Sox t-shirt you’d bought for him at the game you dragged him to, and in your addled state, you didn’t even think to tease him about it. 

“Are you okay?” He should’ve been as disoriented as you, but his alerted eyes told a different story. 

You could only think of one thing. “How did you know?” 

Luke’s lips parted for a moment, as if he hadn’t even considered it. “I could just feel it.”

You managed a smile despite every atom in your body screaming at you. “I think that means you can come in.” 

He closed the door behind him, and you shifted over in your bed to make room for him. There wasn’t much in a twin, but you made it work. Luke’s weight pressed into the mattress, making you adjust your position, and it was more comforting than any amount of blankets. 

“You’re so cold,” he murmured, laying the back of his hand against your arm. “How do you live like that?” 

“Blame my dad,” you said. “I’ve got water in my blood.” 

“I think that’s probably a bad thing,” Luke said, and you knocked your shoulder into his with a huff. 

“You know what I mean.” 

Luke let his hand fall back in his lap, and as you brought your knees up to your chest, you pulled the covers with them. 

“So,” Luke said, glancing at you, “what’s got you awake at the witching hour?” 

“The usual,” you mumbled. 

“Nightmares that might be prophetic?” he asked. 

You made a lazy gesture with your hand. “Bingo.” 

“The worst sense of dread imaginable?” 

“Bullseye.” 

“I’m sorry,” he said. 

You shrugged. “It’s nothing I can’t deal with.” 

“You don’t always have to put on a front, y’know,” Luke said. You felt his eyes on you. “You don’t always have to be strong.” 

“I’m naturally strong,” you said with mock austerity. “Comes with the god for a dad.” 

Luke chuckled and shook his head. “You know what I mean.” 

“Yeah,” you murmured. 

You leaned into his side, fitting your head into the crook of his neck. Luke wrapped his arm around you, pulling you closer, and you let out a contented sigh. 

That voice in your nightmares seemed so small when you had Luke. 

“Can you stay?” you asked softly. 

He didn’t hesitate. “Of course.” 

“Just like old times,” you whispered. 

“Just like old times,” he agreed. 

Luke ran hot, and you’d never been more thankful for it as you fully settled into his side. Icy blood ran through your veins, and you let out a shaky sigh. You could hear his steady breathing, feel his heartbeat through his chest, and the anxiety from earlier began to steadily fade. You never felt safer than when you were with Luke. 

There was something between you—you weren’t that stupid—but you hadn’t talked about it. With you and Luke, it was just… you and Luke. You didn’t have to put a label to it. 

How could you put a label to your relationship, when you’d spent your first few years together fighting for each day, and then the next few thinking the other was dead? 

Maybe someday, you would talk about it. But for now, this was more than enough. 

“Don’t worry,” Luke murmured in your ear as your eyes began to droop. “I’m not gonna let anything happen to you.” 

And by the gods, you believed him. 

[seafoamsol]

The best years of my life...

... what I wouldn't give to have them back.

I had the great pleasure of working with @spiderscribe on a DeadCeptor work for the @tf-bigbang, which you can (and should!) read [ HERE ]!

Details and artist commentary under the cut!

Okay, first off, I just wanna say, thank you so much to @spiderscribe for picking up my very loose scribble and taking the jump. She's an absolute champ, and I IMPLORE you to read her writing. She did a knockout job on the fic, and guaranteed, these two pieces wouldn't have been so elaborate without her. If you're a fan of deadceptor, parallels, lovers to enemies to apocalyptic teammates to ???s, I'm sure you'll find that and more in there.

[ HERE ] is the link to that, if you missed it the first time around.

The background for the supermarket was a MASSIVE undertaking. I ended up blurring it in the final to keep the dream-like quality, but there is a lot happening there! Most of the time I spent on the background was (jokingly) complaining though.

Anyone who works retail will know the agony of customer-misplaced stock. The little canisters of energon additives seem like prime candidates to be placed willy-nilly.

The little warning sign... My favorite soda, apple sidra, has a carcinogen warning, so I'm familiar with it. It was slightly surprising to me that those warnings are not countrywide, despite the fact that they very clearly say "California Proposition 65", and well. Not something else, like "Federal" or whatever.

The bags of nuts and bolts below, I asked several people what flavor they would be, and I suppose I failed in my job, because I wanted the purple to be the "regular" flavor, and the green to be the "sour". But grape and lemon-lime work as well!

The tub is full of rust-sticks. I have no idea if that came across. My friends kept calling the individually wrapped ones slim jims, which I mean, I guess!

The car batteries... My idea was that they were similar to shots, in a way? So that's how I ended up with a battery with enough terminals to rival an international airport. It's also sunset-coloured, because, I don't know, that's what Party Flavor is to me.

Okay. The second illustration. This one was a headache, mostly due to my own lack of planning, and the fact that I lost the file for... basically everything I did, including the above illustration. So it was a bit of a rush job.

The background bots started off as these very vague silhouettes, which I'm a little proud of. Look at how nice and somewhat readable they are! Okay, now what if I ruined it? What? You don't like that? That's rather unfortunate, because that's what I proceeded to do. In fact, if I take off all.. 10 or something adjustment layers, they look like this:

My process went: Shadow block> Fill rest of form> Color randomiser> Copy and skew (to populate background)> Hue adjustment> Gradient map> Fill Light> Chromatic aberration> Vignette> Levels> Curves.

The.... Magenta cube is there because due to the nature of the color randomiser, the foot had a high value, and stuck out like nobody's business in the end.

Here's what it would look like without the cube. Begone, distracting white blob! (I didn't have to worry about the lava arm because Percy happened to cover it up. What a save! But if he didn't then... there would have been a second cube.)

Basically, it was a mess. But... at least it came out fine in the end! I hope!

I'd love to have speedpaints on hand, but I was switching between CSP and PS for a good majority of the work.

I'd say that's it for these two pieces! I actually have more, but those demand more time. I'm much slower at doing inks than I am at painting, but I hope you'll get to see them soon.

[xoxochb]

“you’re falling asleep.”

“I’m awake, sweet girl.”

you don’t believe it for a second. percy’s green eyes are half-lidded as you stare into them. heavy blinking as if there were bricks upon them. his hand, tracing your spine, has grown lighter with its touch, stopping on occasions.

sliding his hand to your waist, percy begins to sit upwards against the headboard to keep himself awake like he says. you follow his new seating position and sit up beside him this time instead of on top of him. yet you keep your body against his.

percy takes your hand, which previously traced his chest, and intertwines it with his, kissing the back of it softly.

“what’re you up to tomorrow?”

you think for a second before responding, “probably nothing. reading, I guess.”

the widest of grins take’s over his mouth. for a majority of last week you’d been as busy as possible so most days were spent outside of cabin three. though this week you had made sure to clear your schedule.

“what’re you reading this time?”

“rereading. shatter me.”

“oh, here we go again.” despite this, percy snakes an arm around your waist and pulls you back to lay on top of him.

“what’s wrong with it?” you laugh. though you are well aware.

“you’re gonna leave me for that psycho blond dude.”

“never.” you slip your arms around percy’s neck and press a kiss to his cheek. “I think I’m gonna finish off the rest of my cake tomorrow too.”

“do I get a say in that?” his hand rubs your back soothingly.

“I’ll give you a sliver. but I get the rest.”

“atta girl.”

“that was meant to be insulting.” you lift your head from his shoulder, throwing him an unamused look. he only smiles in return, using this opportunity to place a swift kiss to your lips.

“yeah, but I like when you’re mean to me. turns me on.”

you dramatically drop your head back onto his shoulder with a huff. “you are a piece of work.”

“I think you mean art, sweet girl.”

you roll your eyes whilst tangling your legs with his. “whatever helps you sleep at night.”

“for the majority, you do.”

you grimace. “you’re weird.”

with a smirk, percy responds, “I’m starting to think you’re now bullying me because you know that—”

“shhhh.” you place your index over his lips with a shake of your head. he kisses your finger twice.

“my mouth is sealed if you want it to be, sweet girl.”

you don’t wish for it. you enjoy listening to his voice as hypnos takes you into his arms for the night. you sigh defeatedly. “no. tell me about that dream you had last night.”

percy’s hold around your waist tightens and he happily kisses your temple. “so it started off with me and you and we were—”

“how about no.”

[burr-ell]

I was reminded today of the work Laura did with Vex from roughly episodes 59-72 of C1 and just how much was going on in the background to get from beat to beat, and it really is a showcase of her work at its strongest.

We start with the Feywild conversation in 1x59, where she's fretting so much about going to Syngorn and facing her father again that she's truly vulnerable to someone who isn't her brother for the first time; she is then immediately validated and supported when Percy not only reassures her personally of her worth, but declares it to her father's face and by extension to all of Syngorn. Following that, she's still flirtatious, but she's now more tenderly affectionate and playful with Percy, teasing him about being grumpy in the mornings and having a shooting competition mid-battle. She has a conversation with Vax in 1x63 where he insists that the title was nice but she didn't need it to be worthy, and then immediately following the break, Laura actively has Vex seek out Percy to talk about the title and how much she appreciates it.

Following the battle with Saundor, Laura repeatedly mentions that when Vex goes to sleep, she keeps holding Fenthras and hearing Saundor's words—unwanted daughter, unproven ally, selfish and cruel—over and over in her mind. She takes some extra time with the card-reader in Ank'harel in 1x65 to ask about whether she made the right choice to reject Saundor. After the emotional turmoil of Percy's death and her confession at his resurrection, they still have a "really third-grade" moment in the library in 1x70 where even when the entire rest of the party knows, she can't say it to Percy himself. Instead, in 1x71, she fusses endlessly over making sure Percy's sniper nest is secured before the Vorugal fight.

And then after all of that, we get the culmination of that work: the conversation she has with Percy in 1x72 about forgiveness. She reveals how inspired she was by his choice to forgive his worst enemy, and how she connected it to Saundor being so lost in his betrayal and grudge that he became a corrupted shade of himself. And then she brings it to the Elvish language, how Fenthras in part means growth, how not only do you have to forgive other people to grow you have to forgive yourself, and she reveals that she carved the Elvish word for forgive directly onto Saundor's old bow. It's an incredibly beautiful and romantic conversation, yes, but it's also a major moment of personal triumph for Vex, taking this Vestige that effectively represented bitterness and resentment and not only restoring its original meaning, but adding to it, making it hers, and on top of it all letting go of trauma and abuse at the hands of an elven city. It's stellar character work, mostly in these small details that add up over time, and they culminate in this absolutely incredible moment that just feels so earned.

[kamaluhkhan]

TIME TO PRETEND

pairing: luke castellan x gn!poseidon!reader word count: 5k chapter summary: you're the eldest child of poseidon and the hero of the last great prophecy. you left your demigod life behind after defeating kronos. now, years later, you find yourself back at camp half blood for the summer.....which means dealing with luke castellan, and all that history (tension?) left unresolved between you. warnings: some nicknames for reader are based on female characters (mermista, sailor neptune) but they're still written as gender neutral. reader has tattoos. mention of alcohol + death (post-titan war). spoilers for the entire pjo (book) series, mostly references to the last olympian. timeline is all over the place but set in the early 2000s for vibes. no betrayal (au where chris was the one who sided w kronos and led the titan army) so slightly ooc luke <3 author's note: welcome to another product of my pjo hyperfixation !!! i wanted to finish the nemesis!reader series first but it's summer and i felt like reworking my tsitp series in a camp half-blood setting with bb luke. so prepare for childhood friends to lovers drama! summertime vibes! nostalgia! angst! would love to know what y'all think about this and if you want a part 2 so feel free to scream at me in the comments. otherwise, enjoy and thanks 4 reading 💙

♪: time to pretend by mgmt

YOU’VE GOT MAIL!

1 new message 

from: LukeNotSkywalker

to: Mermista86

subject: you are GETTING that record deal

Hey,

Your demo CD just came in the mail — and, Connor as my witness, I’ve already listened to it five times!!! 

It’s amazing. You’re amazing. The label would totally lose out if they didn’t sign you. 

Things have been pretty chaotic around here, with the summer term happening soon. Speaking of which: are you coming back? Chiron gave me the list of returning campers and counsellors this morning and said he hadn’t heard from you, so I thought I’d ask. I know you’ll be busy with the band, but if you get the chance, it’d be really great to see you.

Anyways, I’m leading the next Shield & Sword session, so I’d better go. Talk soon ;)

- L

FOUR YEARS LATER

TURBULENT WATERS? ALT-ROCK BAND MIDNIGHT SIRENS HIT ROUGH PATCH AFTER LEAD GUITARIST GETS INTO VIOLENT ALTERCATION 

the cover is the nail in the coffin: a blurry picture of you, an electric blue guitar forgotten at your feet, lunging forward into a crowd, with your bandmates on stage behind you in shock. 

you’d gone all this time without any major incidents, and one stupid chimera managed to burn down everything you worked for in one fell swoop.

“that’d be $8.50,” the cashier informs. 

you tear your attention away from the magazine, instead fishing through your pocket for some change. meanwhile, the cashier furrows their brow, leans down slightly to get a better look at you underneath your sunglasses and baseball cap. 

“hey, do i know you?”

“nope,” you say instantly, slapping a $10 bill onto the counter. “keep the change.” you gather your pile of necessary roadtrip supplies (slushies, m&m’s, and goldfish) before rushing out the door, your half-brother trailing behind you.

you slide into the driver’s seat, set each slushie in a cup holder, and hand the rest to percy once he’s slipped into the passenger side. 

“seatbelt,” you remind him. you shake your hair out after removing your baseball cap disguise. “i promised your mom i’d be responsible.” 

percy does as he’s told, though not without mumbling about how he’s practically an adult and a demigod who’s been in much more dangerous situations than a car ride up to long island. you just tell him to put on some music, even though he has a point. he’ll be 18 in august and you’re only five years older, but the fact is that you gave sally jackson your word. 

plus — you’re his older sibling, so gods forbid you let him get hurt. a seatbelt seems like a band-aid solution for one of the most powerful demigods out there, but still.

percy flips through a few radio stations while he sips his blue raspberry slushie. when he doesn’t find anything good, he opens the glove compartment and surveys your music collection before sliding a cd into the stereo. 

instantly, the familiar sound of david bowie’s voice eases the tension in your shoulders.

“good choice?” 

you nod and percy smiles triumphantly. you reach over to steal a few goldfish from the bag he just opened and ruffle his hair playfully, for good measure. 

you’re perfectly happy, driving along a long island highway while getting lost in the glam rock world of ziggy stardust, but it isn’t long until percy interrupts: 

“are you finally gonna tell me what happened, or do i have to read it from some trashy gossip magazine like everyone else?”

“well, your dyslexic ass can barely read so….”

you look over at him briefly, and laugh when you see him stick his slightly-blue tongue out to you. 

“at least my dyslexic ass is actually decent at ancient greek. luke told me you failed the reading test, like, a million times.”

your heart twinges at the mention of your old friend. 

friend.

if you could still call him that. 

thankfully, percy doesn’t give you much room to dwell on the past, too focused on your drama-filled present.

“so, what is it? you got kicked out of the band? lost everything? have nowhere else to go?”

you roll your eyes at his dramatics. “i did not get kicked out.” 

“then, what happened?”

“just the usual.” you shrug. “monster attack, mortals who can’t see through the mist. i tried to explain it away after — something about how i saw someone in the crowd attack another person and i stepped in to help. most people bought it, but the media loves drama and the label’s worried i’m a flight risk now. apparently, everything will blow over if i just keep a low profile for the next few months. so….no. i didn’t lose everything.” you take a deep, like when anyone other than children of poseidon are about to go underwater and they’re not quite sure when they can come up for air. 

“i just don’t really have anywhere else to go,” you finish.

“damn.” percy offers you a blue shark gummy (or whale - you and percy had already debated the shape of the candy that sally packed for the trip, and the jury’s still out). you gratefully accept. “well, i know it’s not the best reason, but i’m excited to spend the summer together.”

despite everything, you find yourself smiling. 

“me too, kid.” 

“it’d give me a chance to kick your ass in sword-fighting.”

“you wish!” you nudge his shoulder, both of you giggling. once the laughter’s died down, you glance at percy once more. “hey – did you tell anyone i was coming?”

percy shakes his head. “why?”

you take a long swig of your drink until you’re on the brink of brain freeze. 

“no reason.”

it’s just after lunch when you arrive at camp half-blood. 

you weren’t sure what you were expecting — maybe not some futuristic technological developments that had been discovered within the years you were gone, but definitely not for camp to look pretty much exactly the same as when you left. 

instantly, you find comfort in the familiar scenes: a dragon, peleus, guarding the magical borders; dryads and satyrs picking strawberries in the fields next to the forest; chiron standing near the central guidepost, greeting and guiding every camper in the right direction.

chiron smiles down at percy and practically does a double take when his eyes land on you.

“mx. l/n! it has been a while. are you here to drop off your brother, or do you plan on staying for the summer?”

before you can answer, someone appears behind him. 

“perce! hey!” 

“hey, luke.”

luke gives him a side hug, and percy shoves him away with a laugh when he ruffles his hair. it’s then that luke acknowledges you, though he looks like that’s the last thing he wants to do.

“i thought i’d never see you again. what are you doing here? ”

chiron turns to you expectedly. “i believe you have yet to answer that question of mine as well.”

“staying for the summer…” you adjust the shoulder strap of your backpack, uneased by luke’s cold demeanor. “i hope that’s okay.”

“of course!” chiron’s smile grows wide, eyes crinkling. “you’ll resume your position as head counsellor of cabin 3.”

“so i’m dethroned? just like that?” percy guffaws.

you nudge percy’s shoulder. “fulfill the next great prophecy, and then we’ll talk.” 

percy rolls his eyes playfully. luke, on the other hand, doesn’t seem to appreciate your tongue-in-cheek remark. his jaw tightens, and he suddenly finds a deep interest in the clipboard he’s holding.

chiron clears his throat, likely sensing the tension. “yes, well, i’m sure you remember how things work around here. if not, mr. castellan has been keeping this ship afloat. he's always here to help.”

“always.” luke smiles, but it’s elastic, threatening to snap at any moment. someone calls his name, and he walks away to deal with whatever chaos is waiting for him.

summer — age 15

you weren’t exactly conscious when you first arrived at camp half-blood. 

apparently, coach hedge, a satyr and protector, found you just in time and had to practically drag you up half-blood hill after a particularly gruesome fury attack. 

when you woke up and saw luke sleeping next to you in a chair, his curls overgrown and falling onto his eyes, you thought you had died and gone to elysium. 

you took in your unfamiliar surroundings. some sort of infirmary, with only your best friend next to you, the one you hadn’t seen in almost a year since you’d parted ways. 

then, you remembered what was happening before you passed out; it was more likely that you were being tricked into a false sense of security by that fury, who definitely planned on devouring you later.

with a newfound sense of urgency, you decided it was time to get out of there before it was too late. you were reaching for your knife when you felt a hand grab your shoulder. without losing a second, you twisted your body around, weapon at the ready.

whoever it was watching over you sure looked like luke. he was wearing a bright orange shirt and leather cord necklace with one clay bead. another point of difference was the jagged scar that cut across his left cheek.

“it’s just me,” he said, gently. “you’re fine here. you’re safe.”

you weren’t convinced, kept your knife in front of you to keep distance. “prove it.” you narrowed your eyes. “tell me something only luke would know.”

“you’re left-handed.”

“that’s a great observation,” you scoff.

“storm is your favourite x-men character.”

“that’s a very popular opinion.”

“your aunt would make us mango lassi after swim camp when she got home from work,” luke tries for the third time. “and, my mom - she used to call you ‘starfish.’”

your heart skipped a beat.

that was the confirmation you needed. 

the knife dropped from your hand, clattered on the wooden floor, as you pulled luke in for a hug. you were greeted by a familiar scent, that pear shampoo luke loved because it made his hair so soft, mixed with the smell of fresh pine trees. 

“it’s really you,” you mumbled into his shoulder.

despite sleeping for gods know how long, you were exhausted. you rested your weight into luke, but he didn’t seem to care.

“it’s really you. i thought i’d never see you again.”

“where are we?” you asked, breaking away to face luke. you ignored the wooziness you felt throughout your body; luke seemed to sense it, his grip around you tightening. “are annabeth and thalia here, too? how’d you get here?” your thumb traced the unfamiliar scar on his face. “what happened? are you okay —”

“i-i’ll answer all your questions, but you lost a lot of blood.” luke guided you to lay back down in bed. “we’ll explain everything. just get some rest.”

a third scenario entered your mind: this was all a dream. you’d close your eyes and when you opened them again, luke would be gone. you’d be alone again.

you couldn’t let go of luke’s hand, even as he tucked you back into bed. you tugged his wrist, silently urging him to join you.

“will you stay with me?” you finally croaked when he continued standing. 

luke looked at you, and you nodded once as final confirmation. then, he removed his shoes and slipped into the bed next to you. it was luke, all sweet pear and soft curls and strong heartbeat, and you held on to him in fear that he might slip away.

“always,” he whispered.

during the orientation video you were later shown, you learned that camp half-blood’s motto is keeping young heroes safe (mostly) for over three millennia!  

luke had used that word, too. safe.

chiron told you this was to be your new home as he walked you to the poseidon cabin. he told you that you were safe now, though you noticed how the word almost got caught in his throat. he gave you a sad smile you didn’t quite understand.

you did wonder, at first, if those words were true: this place, a home for you and other children of gods. somewhere safe.

and, well.

you came to understand chiron’s general melancholy a few weeks later, and every week after that. he was used to training and sending heroes off to their potential death, and you would be no different. stolen lightning bolts, deadly quests, cryptic prophecies. a pending war between divine forces you had been entangled with long before you knew. heartache and betrayal and loss beyond measure. 

but, there were other things, too. 

annabeth, fitting in perfectly at the athena cabin, continued being her genius self, leading her team to victory every capture the flag game. she was extra patient in helping you with ancient greek, especially after chiron had given up.

chris rodriguez, luke’s half-brother, would tell you jokes from across the dining pavilion, knowing that you hated sitting alone at the poseidon table. michael yew, son of apollo, taught you how to play guitar at the bonfire one week; you’d ask for more and more lessons until you could start playing on your own. charles beckendorf made you a celestial bronze sword that shone like that burst of light when the sun hits the ocean at sunset. it transformed into a ring that you would never take off, unless in battle. you might not have gotten along with mr. d, but you spent free time picking fresh strawberries with his son, castor. you made matching friendship bracelets with silena beauregard, who was really the only person you confided in, about how you maybe possibly felt something other than friendship when it came to luke. she told you about her crush on clarisse larue, the daughter of ares whom you would always partner with during sparring practice. you taught ethan nakamura, who didn’t have his own cabin as the child of nemesis, how to properly hold a sword. thalia’s tree stood tall at the top of the hill where you almost bled to death, protecting you and everyone inside the magical borders. you, annabeth, and luke would share a picnic there every thursday.

you had been on the run for so long, always looking over your shoulder for monsters, sleeping with one eye open to be one step ahead of death, jumping from one place to the next so quickly to avoid danger.

so, yes. 

it was nice to stay in one place, where you knew you were as safe as demigods could be. it was nice to spend your time learning and training and laughing instead of just surviving. 

it was nice to have a place to call home. and people to call it home with.

now 

the first week passes in the blink of an eye, and it’s like you never left.

tie-dye, volleyball, strawberry picking, kitchen duty, and cabin inspection. 

luke has everyone on a tight schedule — one, you notice, conveniently places the two of you at opposite ends of camp at all times.

still, you catch up with clarisse and the stoll brothers, spend time with annabeth and percy, say hi to pollux and katie gardner and others you vaguely recognize as five years older than what you remember. there are also a lot of faces you don’t recognize at all.

of course, you try not to think about the faces you wished you could see: friends you grew up with and would never have a laugh with again, younger campers you had trained who would never grow up. all lost because of the gods and the titans and a prophecy you never asked to be a part of. 

it’s a side effect of being back here; their ghosts are harder to ignore.

again — trying not to think about it.

anyways.

climbing wall, armory, sword-fighting practice, archery field, and free time on the beach.

to conclude: capture-the-flag, a friday night camp-half blood tradition.

you’re praising annabeth for her latest strategy that led to blue team victory when you notice luke. he was also on the blue team, but instead of celebrating with the rest of you, he’s speaking to someone who’s wearing a red helmet. they seem to be in a heated discussion, one that luke is not wanting to continue. his tells are the same, after all these years: the impatient tapping of his foot, his eyes searching for an out.

you give it to him.

“sorry, i need to borrow this guy.” you say, grabbing luke’s wrist. “camp emergency.” 

if the person said anything, you didn’t hear it, because you were already dragging luke away from the crowd, towards the armory shed. 

“what’s the emergency?” luke wonders, brows furrowed in concern. he has deep shadows under his eyes, too. keeping the ship that is camp half-blood afloat has clearly taken a toll on him. 

“you wanting to get out of that conversation. you’re welcome.” you wink at him; luke flushes, and you’re not sure if it’s because he’s annoyed, or if he's just flustered. “so, are you gonna keep ignoring me the whole summer?”

you put your helmet on one of the shelves and turn back to luke. you expected him to start removing his armor as well, but he doesn’t. he just glares at you, arms crossed over his chest.

so, he’s annoyed, then. 

“what do you expect?” luke hisses. “you can’t come back here and pretend that everything can be like it was when we were kids. things are different now, especially between us.”

you decide to take him up on his challenge. 

“oh? tell me, luke, what exactly is different between us?”

luke shakes his head in disbelief. you remove your chest plate, and that’s when the tattoo on your waist becomes visible. it’s a magnolia, like one of the flowers that bloomed on the tree outside may castellan’s house. 

something in luke softens, then. he sighs. 

“you could have at least given me a warning.”

he storms off, and you’re left half-armored, wondering what he meant by that.

you figure it out once a few of you settle down for a late-night, underground poker game, and you’re trying not to stare at luke’s hands.

it starts with you telling yourself that you’re just trying to predict what cards he’s holding, figure out if he’s bluffing, and if he’s about to lose everything he’d so confidently bet on. 

but then you notice the silver thumb ring that thalia got him for his 17th birthday. you notice an array of hair ties and elastic bands he keeps just in case a camper needs them, and woven bracelets given to him by his admirers. you notice how the tattoo on his wrist is covered. (it’s hidden well, but you know it’s there — you’d gotten one of a wing, the kind that might be found on a pair of magical red converse, at the same time)

you also notice the forest green painted on luke’s nails, the same shade worn by the person beside him.

van, the new head counsellor of the hephaestus cabin. you’d seen them at staff meetings, but you somehow did not notice that they were dating luke. 

he moved on — is that why luke needed a warning? is that what's changed between you?

it’s fine. whatever. so what if luke has a new partner? it’s not like the two of you were anything, officially. 

luke has a new partner. they’re wearing matching nail polish. they’re one of those couples.

well, van is also wearing a nickleback shirt and luke hates nickleback, unless that fundamental part of his personality changed, too. 

“yo, sailor neptune. you in or not?” travis brings you out of your daze, by using a nickname luke once called you.

back before becoming heroes, when you and luke were just kids, you’d watch cartoons in his living room on saturday mornings — x-men, she-ra: princess of power, teenage mutant ninja turtles, sailor moon. a lifetime ago.

you look around the table and see that everyone has been waiting for you to take your turn. even luke raises an eyebrow at you.

“yeah.” you clear your throat and throw some chips into the centre. “i’m in.”

you have decent enough cards to keep you in the game, and you’re comfortable that you can play the odds in your favor. the stoll brothers are good liars, you know that, and so is luke. malcolm pace is good at strategy, but thankfully not as good as his half-sister annabeth. pollux, who had invited you to the game, already folded along with butch, the son of iris who has a rainbow tattoo on his bicep to prove it. beside you, lou ellen, daughter of the hecate, contemplates her next move. clovis has fallen asleep, true to their title as head counsellor of the hypnos cabin. you can’t get a read on van, but they keep raising the stakes so confidently, and you’ve always liked a good challenge.

soon enough, it’s only you and van in the bet. when it comes time to reveal your cards, you curse yourself for overplaying your hand.

“good game,” van says to you as they collect their winnings. “you really had me going there.” 

“yeah.” your smile is strained, but it’s there nonetheless. “tried my best.”

“guess the curse of achilles doesn’t help as much in poker as it does in capture the flag.” 

“excuse me?” you raise an eyebrow.

luke, who had one arm casually draped around van’s chair the entire game, pulls away. “van, maybe don’t —”

“it’s not like it’s a secret, luke. they’re the prophecy kid, everyone knows they bathed in the river styx to be able to fight kronos. it’s camp legend.”

other than you, luke, and van, everyone else is occupied with something else. connor busies himself shuffling the cards, while lou ellen, malcolm, and pollux get up for more drinks. it seems like butch and travis have their own bet going to see who can balance the most chips on clovis’ forehead without waking him up. 

van waits for an answer. you’re a little queasy, and it’s not from the wine pollux managed to snag from his dad’s office. you’re suddenly faced with the reality that your life is reduced to a legend. you try your best to swallow that feeling, of being made into a greek tragic hero while your heart is still beating, and your life is still a mess.

“that’s relevant, why?”

“just that some people might consider the invulnerability thing an unfair advantage in physical competitions like capture the flag,” van explains. “increased strength and all that.” 

“that would mean nothing without a good strategy,” you counter.

“that’s what i said,” luke grumbles. 

you recognize van now as the person luke was arguing with earlier. it must have been about this. 

about you. 

“okay, y’all were best friends, so luke is obviously going to take your side.”

you’re not sure what stings more: friends or were. 

“although, he never really talks about you, which is weird because you’re, like, famous in and outside camp.”

ouch. that definitely stings the most. luke winces slightly, almost like he feels it, too.

“alright, alright,” connor interjects, shuffling the cards in his hands. “another round?” 

you’re the only one who decides to call it a night. everyone says goodbye; even van, who’s blissfully unaware of the effect their words had on you. luke avoids your gaze. the game continues without you.

percy’s snoring provides enough cover as you sneak into your shared cabin. you try to sleep, but it doesn’t come easy. 

you feel the spot underneath your rib, the one spot you’re truly vulnerable, ache.

summer — age 17

for the first time in your life, you couldn’t breathe underwater. you were swimming in acid, and your skin was melting away.

at least, that’s what it felt like to bathe in the river styx. achilles could have mentioned that, but all he gave was a cryptic warning about anchoring yourself to what makes you mortal.

you really tried at first. you thought about your friends at camp. you thought about percy, about your aunt back when she was still around. you even thought about may castellan, burnt cookies and saturday mornings.

the pain was too much, though. 

you were forgetting where you were, who you were. with every passing second, you were dissolving into nothing.

“if you wanted to go for a swim, you should have told me. i would have worn my swimsuit.”

luke’s voice echoed across the waves. you tilted your head up to see him sitting on the dock above you, his feet dangling into the water. he had rolled up his jeans to just above his ankles so they didn’t get wet, but his shoes were still on, which was a bit strange. the sun made his eyes look like burnt amber, his teeth sparkling as he smiled at you. 

okay. cool.

you were at camp. it was mid-afternoon, free period. the two of you had been at the edge of the lake, until you became impatient and jumped in, fully clothed. behind him, you could see that annabeth, thalia, and percy were waiting for you on the shore. they were each wearing orange camp shirts, which was also strange; you couldn’t remember a time when you were all there together, as campers.

“we better go, sailor,” luke said, amusement laced throughout his words. “come on. those cabins aren’t gonna inspect themselves.”

luke extended his hand to you. when you hesitated, he added:

“i can’t do this without you. will you stay with me?”

you reached up and grabbed luke’s hand.

always.

you emerged from the water, catching your breath as you collapsed on the sand. 

“oh gods. are you okay?”

your cousin, nico diangelo, son of hades, knelt down next to you. he tried to check your pulse, but you waved him away. your eyes searched for luke, but he wasn’t there, despite feeling the ghost of his hand in your own. 

oh.

you weren’t at camp; you were in the underworld. it was nico’s idea for you to take on the curse of achilles so that you’d be strong enough to face kronos. 

“did it work?”

you got up, a bit uneasy on your feet at first. nico helped steady you, his hands cold on your skin.

you felt….stronger wasn’t the right word. you felt adrenaline coursing through your veins, like you could swim across the biggest ocean without pausing once. like you could defeat an entire army and not break a sweat. maybe even take down a titan or two while you're at it.

you needed to see luke again, to meet him and the others in manhattan before it was too late.

“let’s hope so.”

now

you always loved mornings at camp half-blood. the beach was particularly beautiful at sunrise, the water peaceful.

the morning after that impromptu poker game, you need that peacefulness to wash over you. you’re awake after a rather sleepless night, deciding to go for a quick run before breakfast. you get dressed and grab your mp3 player, as quietly as you can to avoid waking up percy (who, truthfully, could probably sleep through a hurricane anyways). 

you jog from one end of the beach to the other. you set a steady rhythm, somewhere between the beat of your music and the sound of waves gently washing over the shore. when you make your way back down to where you started, you notice someone sitting nearby.

luke doesn’t say anything when you first sit next to him. he’s wearing a dark blue hoodie over his usual orange shirt, a cigarette tucked behind his ear. you imagine that he confiscated it from a camper on the way here. 

“morning,” he finally whispers, eyes fixed towards the ocean. 

you shiver, and not just from the cool morning air. you’re reminded of the last time luke spoke to you so softly, the last time you’d caught an early morning sunrise together. such a contrast to where you are now.

“morning,” you finally reply. 

as the sound of waves fills the silence between you, luke surprises you by taking a lighter out of his pocket. he lights the cigarette and takes a puff. then, he hands it to you. 

it’s such an odd, though not unwelcomed, gesture. a peace offering, you figure, but it’s just so not luke that you can’t help yourself.

“is golden boy luke castellan, offering me contraband? what planet am i on?”

the hint of a smile creeps onto his face. “like i said: things are different now,” he echoes his words from the night before, but this time you don’t sense any hostility.

you take a drag of the cigarette. your fingers brush against his when you return it to him.

you decide to offer a peace offering as well, and present to him one of your earbuds — he accepts. you have to slide across the sand to move closer to him, but he doesn’t seem to mind. 

i’m feelin’ rough, i’m feeling raw / i’m in the prime of my life….

as the song plays, you glance to see luke nodding along, tapping a finger on his knee to the beat. he lets the cigarette smoulder in his other hand.

we’re fated to pretend / to pretend / yeah, yeah, yeah….

when the song is over, luke turns to you. 

“new group?” he brings the cigarette to his lips, then gives it back to you.

“kinda.” you inhale, letting the smoke warm your lungs before explaining. “this is considered they’re breakthrough album. they’re from connecticut, actually.”

“oh, yeah? guess that’s where all the talent is from.”

luke bumps his shoulder against yours knowingly. you feel your cheeks heat up at his praise, his witty sincerity.

this is familiar — you and luke, at the beach, sharing music. it’s familiar, and for a few moments, you can act like there isn’t a wall between you, of unresolved feelings and harsh words. you can pretend that nothing has changed.

“you know, nickleback are from connecticut, too. which means you just called them talented.”

luke coughs on some smoke as he exhales with a laugh. “what? no i didn’t!”

“in a roundabout way. i always knew you were an undercover fan,” you tease.

“i have better taste than that.”

“do you?”

“you’re fucking with me,” luke deadpans.

you crack a smile. “yeah, i’m fucking with you.”

“gods, you scared me for a second,” he laughs, and you can’t help but follow. luke glances at you and the sunshine highlights his smile, his dark brown curls, the ever-changing color of his eyes. golden, radiant. 

you shiver again, looking away. before you know it, you feel something draped across your shoulders.

“i’m not sure van would like it if i was wearing your hoodie.” you joke, but your words are laced with a bitterness you hope luke doesn’t catch. unlucky for you, luke still knows you too well, whether he likes it or not.

“you don’t get to do that.”

“do what?”

luke scoffs. “be jealous.” 

“well, you don’t get to tell me how to feel.”

“so, you are jealous?”

you exhale sharply; you can practically feel the wall between you two reappear.

“it’s too early, lu. and i’m too hungover to deal with this.”

there’s nothing more left to say. you get up, throw his hoodie on the sand, and walk back towards your cabin, the beach and luke further away with every step you take.

it makes sense that way: you were always the one to leave first.

[olderthannetfic]

A lot of female protag books I've seen in recent years aren't really fandom worthy? At least not fanfic worthy, not sure about the rest of fandom. I notice it's often a very explosive boom of popularity, and there is a lot of buzz but almost no fanfics for the books, movie or show at all. They're power fantasies? But they don't serve anything else that really captivates people to stick around and write.

--

Harry Potter blinded everyone to the fact that books very rarely get big fic fandoms. Yeah, there are a few exceptions, but it's just not something I would expect with 99% of books that are fandom-bait.

The reason is simple and has nothing to do with the books' content: One printing of a novel might be like 20k. A bestseller sold 5k in a week. An unpopular tv show "no one" liked had a million viewers per episode.

There's a real survivorship bias in talking about what generates a fic fandom. We can work backwards and say what generally doesn't generate one, but having all of the traits of the big fandoms' canons tells you nothing about whether this other thing will get a fic fandom.

Here are the top few book fandom sections on FFN:

Harry Potter (847K)

Twilight (222K)

Percy Jackson and the Olympians (80.5K)

Lord of the Rings (58.3K)

Hunger Games (46.4K)

Warriors (27.1K)

Mortal Instruments (17.5K)

Maximum Ride (17K)

Hobbit (13.1K)

Phantom of the Opera (12.8K)

Chronicles of Narnia (12.8K)

Gossip Girl (10.4K)

A song of Ice and Fire (10.1K)

Outsiders (9.9K)

Vampire Academy (8.7K)

Divergent Trilogy (8.4K)

Song of the Lioness (8.0K)

Inheritance Cycle (6.3K)

Look at how those numbers plummet and look at how many of these things have major, popular adaptations with a bajillion viewers.

People are always like "But Twilight...", but the existence of a few freak outliers doesn't mean other books are going to generate that kind of fic or twimoms or people turning Forks into a theme park.

So these recent books' content might contribute to them not taking off in this particular way, but lack of fic doesn't really need an explanation.

[aroaceleovaldez]

i know a lot of people talk about the Cupid Scene as not being great as Nico's coming out story (which i think is a complex matter but that's a rant for another day), but I personally find it way more compelling if it's just not Nico's coming out story at all - it's the beginning of Jason's.

Because it doesn't really work or make sense to be Nico's, right? It's not Nico's pov. Nico doesn't have a POV at all in this book. And in House of Hades, the Cupid Scene is one of the first major things Nico gets to do right out of the box jar. Why introduce a character, have him be outed as gay, lead the crew around, and then leave to go travel with someone else all in one book where he's not even a POV? It's also contrary to the way Nico generally functions as a character - he's either exposition, dues ex machina, or damsel in distress. He's kind of a damsel here, but ultimately he doesn't need anyone else to save him - or even be there. He handles it on his own. Jason is mostly just a witness.

But, if you view the Cupid Scene as being about Jason, it narratively fits a lot more; Jason at this point is dating Piper, and they're three books deep into their relationship. TLH they start dating and are relatively happy with it and where they are. SoN is a skip but we know they're happily dating during that time, and then Mark of Athena we get a slight shift. Jason and Piper see Percy and Annabeth and go "Oh! They're perfect. Their relationship is perfect. We could be happier if we were more like them." Piper and Jason are also both characters who go through an identity turmoil in general - particularly about how both of them want to be perceived by others and who they are as people. The things they identify with - their parents, their heritages, etc etc. Their orientations. Piper's get more focus earlier in HoO, and Jason gets more later.

The Cupid Scene is from Jason's POV, in a book where he is beginning to struggle with his identity and what people expect from him - particularly him not feeling like he perfectly fits with "either camp." He's too "Greek" to be "Roman" but too "Roman" to be "Greek." He's not quite one or the other. He doesn't meet the expectations either has for him. (This is bi-coding, if you couldn't tell. Just replace "Greek" and "Roman" with "Straight" and "Gay.") It starts with Cupid addressing Jason first, before Nico, very directly - asking him if he's so sure he's happy in his relationship? Does he really think it's perfect? Even Favonius very pointedly asks him if he really forget that guys can date guys? Do you have some internalized bias around that, Jason? Hm? Heck, they're both specifically in their Roman forms, not Greek. Why would they appear in their Roman forms if they're there for a Greek demigod? And very notably, they have this exchange:

(remember what I said about the bi-coding with Jason's Greek/Roman identity crisis? I don't think it's coincidence that this so pointedly comes up during the Cupid scene.)

Favonius' introduction to the Cupid scene sets up Nico's portion of it, but Cupid almost exclusively speaks to Jason for the first half of it. Then Nico steps in. He diverts the conversation away from Jason and focuses the attention onto him. Nico's the one Cupid wants, he insists, not Jason. He's the target, not Jason. This is very in line with Nico's character - practically one of his core character traits is he trusts and starts caring about people very quickly, probably quicker than he should or even wants to, and will put himself in harm's way to prevent others from being hurt. The Cupid Scene isn't the start of Nico's coming out story - Nico already knows he's gay. He has no internal doubts about that. He's known it for awhile. He's just in the closet. And he starts coming out of his own free will in the next book, first to Reyna and Coach. The Cupid Scene is Nico recognizing that Favonius and Cupid are pushing Jason for something he's not ready for and hasn't figured out yet, but something Nico has and just hasn't said out loud yet. The Cupid Scene is Nico taking the proverbial bullet/literal arrow for Jason (Jason consistently describes the arrows as whizzing by him before striking near Nico, interestingly) and being outed so Jason isn't. And that presents Jason with the path to begin questioning his identity further. (Jason also then directly compares Cupid to Aphrodite, specifically her Greek form, which also ties into Jason's greek/roman stuff.)

And I don't think it's coincidence that Jason and Nico mirror each other so much, and that their arcs in HoH are so intertwined. The Cupid Scene functionally, on a meta level, establishes an explicitly queer character to parallel Jason and for him to bounce off of during his own arc. (And, also on a meta level, establishes to the audience to be sympathetic to queer struggles, with Jason's arc then proceeding to be a queer-coded struggle.) Jason is presented as having this strange level of isolation from how others perceive him in a positive way/the expectations people have of him that wraps around to something akin to Nico's ostracization as being an outsider and atypical demigod in general. Nico is a rouge - he explicitly expresses how he feels like he doesn't fit in at either camp (something he expresses explicitly during the Cupid Scene, mirroring Jason's simultaneous questioning his own place at Camp Jupiter) and a core part of his character is that he does function outside the rules and expectations of both camps. He operates on an entirely different realm to them. If the camps are an expectation of normative concepts of acceptable relationships, Nico is outside of that. And he recognizes that he operates outside of that and will never fully fit into the mold either expect of him, and he recognizes he doesn't need to fit in, even if he theoretically could force himself to fit that mold. Jason, meanwhile, is still locked within those boundaries, and grappling with this idea of how he can exist between them.

Nico hands Jason a goblet of poison and says "how much do you trust me?" and it's Nico challenging Jason to take his own advice about trusting others about their identities, and almost immediately after that Jason gives up his praetor title to Frank. Jason's Greek/Roman arc is directly tied to Nico and the Cupid scene. BoO ends with Jason asking Nico to stay at CHB so they can hang out that summer. By TOA, we learn that Nico has started dating and is staying at CHB (is exploring the niche of expected and socially accepted relationships) while Jason has broken up with Piper and is living away from both camps (rejecting hetero/allonormative expectations), still struggling with his own identity. They functionally swap places. And that's fascinating.

Anyways i think about Jason's bi-coding a lot.

[lady-menrva]

So...about Nico...I can't make out what Rick was trying to do with his character, so I'll take this from the top.

In PJO, he had a complete arc with development, and a good characterization (especially) considering his position as a side character, and later, a major supporting character in the original saga.

However things eventually start changing for the worse:

(Excerpt from Son of Neptune)

And

(Excerpt from Battle of the Labyrinth)

In BotL this part was so important for Nico's character. It showed that he's finally come to terms with Bianca's death, atleast up to an extent.

But in son of Neptune the way Rick just ruined it, only to make Nico a redundant plot device for Hazel's resurrection was just cheap. There were other ways Hazel could've come back to life (maybe as an escaped soul, for instance).

Later on, Rick tried to make the "Bianca was the only one who accepted Nico" excuse, but of course it doesn't add up (because chronology and logic, duh).

Fast forward to Mark of Athena, things don't improve and he's still just a plot device. This could've been fixed easily by giving him a couple of short PoV chapters, maybe focusing on his journey through tartarus. Why do I say this? Because Nico is supposed to have a more important role in HoH, and the sudden narrative upgrade from plot device to side character/major supporting character is some truly unsatisfactory writing.

Now, moving on to the House of Hades, he doesn't have much of an actual characterization, even though he stars as a major supporting character (of sorts) here. A tad disappointing, if you ask me.

Again, everything flips a complete 180 in Blood of Olympus, this time for the better. He gets a layered personality, with consistent and well-written flaws (unusual for a character written by Rick), and equally important positive character traits. His interactions with anyone not named Will or Percy were top-notch, and he had a good amount of emotional depth.

But then came in the inevitable spanner in the works: Will Solace and romance.

Thereafter, ToA onwards, everything was back to square one for Nico's character, and he was diminished to "goth ball of darkness" as complex characters often are, when paired off with highly underdeveloped and one-dimensional characters (you know, he had to match Will's 'freak')

To give the sum and substance of it, he never really had a bona fide character arc aside from PJO. In HoO, there was potential, but it never went anywhere, and in ToA, even the potential was lost. Moreover, his development post PJO was in dynamic retrograde.

Anyways, I'm so used to Rick wasting potential that I'm not even surprised any more.

[demigodpolls]

calling all PJO fanfic readers!

In the interest of acknowledging great works by fandom writers, DemigodPolls is going to share a big year-end collection of 2024 Percy Jackson fanfic recommendations! In the comment section below or on this AO3 post, leave recommendations for the best PJO fanfics you've read - but there is one major rule: they MUST have been published or last updated in 2024! No exceptions! Reblogs are turned on, but please do NOT leave your recommendations in the reblogs/tags! They will not be considered! Before commenting, make sure that you read the additional specifications below the cut first. If you have nothing to recommend, please do reblog to help support fandom writers and spread the word! Thank you!!!

What we want:

strong grammar

strong writing skills

accurate/interesting depictions of PJO characters

angst/romance/drama/adventure/friendship/character studies/etc

accurately tagged stories (i.e. stories that don't surprise you with untagged triggering content)

stories written with love for the percy jackson universe and its characters

What we DON'T want:

stories that were published/last updated before 2024

stories about ships that would be age-inappropriate in canon, unless the characters are CLEARLY aged up in the story (e.g. no olympians x teenage characters, unless the younger character is explicitly an ADULT when they first meet in the fanfic)

stories that contain non-c*n, inc*st, p*dophilia

stories under 1000 words

stories that fall under "character x everyone"

stories about original characters (stories that contain some OCs in non-protagonist roles are fine, character x reader/self-inserts are fine)

stories that bash other ships/characters (i.e., don't recommend percabeth fics that bash rachel/perachel)

stories that contain non-PJO crossovers (except for RRverse crossovers, i.e. pjo + tkc is fine, toa alone is fine, tkc alone is not, pjo + harry potter is not)

stories that contain gore/extreme violence/extreme bodily harm

stories that contain cheating/infidelity (I just don't want to read those, sorry)

dialogue-only fanfics/texting-only fanfics

stories that contain W*TTG sp0ilers

can I recommend multiple things?

yes! just make sure to categorize them correctly under the relevant prompts.

can I recommend my own story?

yes, but you are highly, highly encouraged to simultaneously recommend at least one other fanfic that you yourself did not write - let's spread the love! (not required)

is smut okay?

yes! but you must specify clearly that the story contains smut in your comment, and please don't use explicit/overly sexual language in your recommendation. I also reserve the right to refuse to consider stories that contain k*nks I don't want to engage with. (ab0, hardcore bd$m, parental name k*nk to name a few)

are non-english fanfics okay?

you are absolutely welcome to recommend non-english fanfics to others in the comments! but I will not be able to put them on the final recommendation list, because I only speak english and I cannot personally vet their contents, cannot observe their grammar, and could be terribly misled by a translator. I'm very sorry! however, if you would like to put together a similar recommendation collection of non-english stories, I'd be happy to promote it on this blog.

is percico okay?

someone asked about this specifically, so here's my stance: percico is a controversial pairing due to the debated inappropriateness of the canon age gap (approx. 3 years). I personally consider 3 years between minors to be juuust beyond my comfort zone (2 years), so please respect my decision to abide by my own comfortability and refuse to consider stories that feature age gaps of this size or larger involving minors. however, you can recommend percico fics where the age gap is explicitly made smaller, or fics where nico and percy are both explicitly adults! this same rule applies to any other ship in a similar circumstance - check the wiki for canon ages if you're unsure! (and to be clear, this is solely about ages, not about the individual merit of the pairing itself. respectfully - this is me drawing a boundary about what I am comfortable with, so do not argue with me on this topic).

is caleo okay?

this pair is even more controversial nowadays, so here's my stance when it comes to weird magical circumstances: within the logic of the pjo universe, some things that seem strange from a mortal perspective are standard within the books. i.e., it's not weird to date fellow demigods, even if the person you're dating is technically your aunt/uncle/cousin/etc. likewise, it's not "weird" for a teenager to date an immortalized or de-immortalized teenager, because... I genuinely don't know, that's just how the book logic works. for that reason, caleo works are accepted. we're going to apply this same logic to pairs like theyna, which could also potentially have murky circumstances (although I do consider thaluke to be especially iffy, because it heavily depends on the situation that people write them in - so if you're unsure, go ahead and submit it, and I'll use my best judgement from there). however, I cannot begin to express my extreme disinterest in discourse about immortal dating ethics - like, I would rather do anything else. not trying to be sassy here, but I'm going to ask you guys to not pick a fight about these topics, for the simple reason that I have zero interest in debating over situations that could never occur in real-life.

are incomplete/discontinued stories okay?

yes! I'd prefer stories that have at least three chapters, but this is not required. completed one-shots are also fine!

If someone already recommended a story that I like, should I vouch for it?

if you would like to, then absolutely!! you can respond to the appropriate prompt from this account in the comments, or you can reply to the person making the recommendation. just make sure to explicitly state which story you're advocating for.

Comments that do not follow these guidelines may be deleted!

How to make recommendations:

There are two places in which you can make your recs! You can click here to leave them on an AO3 mirror of this post, or do so in the comment section below. If the latter, continue reading. Please leave the story name, author username, story rating, main ship, and main characters in your comments - and if you'd like, definitely add some words about why you like it! AO3 direct links are not necessary, but super appreciated. But if it's not on AO3, please ensure that you make clear where exactly I can locate the story. In the comments below, you'll see comments that you can reply to, sorted by ships/lack thereof. Please sort your recommendations by replying to them accordingly (i.e. if you want to recommend 2 solangelo fics and 1 valgrace fic, leave the 2 solangelo recs under the solangelo prompt, then do the same in the valgrace prompt). You MUST explicitly state somewhere if the fanfic contains smut. If you're not sure where to put your recommendations, make your best guess - but absolutely do NOT intentionally mis-categorize your recommendations (i.e, if the pair is not canon, do not put it in the canon pairing section. Seriously. This makes things much more difficult for me while organizing fics, and I'll probably delete your comment anyway.) Lastly, please be mature about shipping. Nothing irritates me more than fighting about percy jackson ships in 2024. If you see fanfics recommended about pairings (or characters!) that you hate, do the mature thing and just scroll past it/do not engage. Character hate and ship hate is not tolerated on this blog. I am very serious about this - if you are starting a fuss about ships/characters, your comments will be deleted and your account will be permanently blocked. Respect your fellow fandom-mates! I will do my best to moderate this comment section, but before looking through them, please understand that I am not responsible for your individual well-being, and there may be fanfic recommendations that are not appropriate for minors/might contain triggering content/etc.

Here's a little form for those of you who find this easier to use, but you don't have to use it!! However, PLEASE do include the following information in your comment regardless:

story name: author: rating: ship: main characters: additional comments (what's it about? why do you like it? etc):

Don't forget, fanfics published/last updated in 2024 only!

Thank you so, so much for participating! The collection won't be published on this blog until late December, so until then, take your time, check those bookmarks, and read new PJO fanfics! Much love to all of you ♡

- demigodpolls

(art by @viria)

(dividers by @cafekitsune)

[newlyfoundwren]

Heroes of Olympus high school au where the seven all work at the same shitty fast food restaurant.

Percy: one of the managers. Didn’t really want to have the responsibility but is trying to save up for collage just in case the swim scholarship doesn’t work out. He’s the chill manager who lets you sneak food and take longer breaks. Dating Annabeth.

Annabeth: also a manager. Not as chill as Percy, but it’s mostly because she doesn’t want to get fired. Doesn’t need to work because her parents are rich but likes to have the extra money. Surprisingly is as well liked as Percy because she’ll yell at a customer that’s giving someone a hard time. ALWAYS working. Like every day she’s there

Jason: training to be a manager. Doesn’t want to be one. Nepo baby. His dad was super high up in the company and basically made him work. Super strict on the rules because he doesn’t want to disappoint his dad. Crush on Leo but he’s way to deep in the closet but it’s also made of glass

Piper: likes working (one of the few who does). It’s a good escape from all of the Hollywood drama. Was originally forced to work by her dad as a punishment for the car theft. (He was able to buy her way out of going to wilderness camp). Faked having a crush on Jason to get her mom off her back

Leo: was forced to work by one of his foster families. Stayed because he liked Piper and Jason, even after he ran away from the home he was staying at. Eventually got put with the current family and seems to like it better than some of the others. Major crush on Jason but too much going on at home to deal with that rn.

Hazel: the youngest. (She’s 14). She’s working on a work permit so she works the least. She lives with her mom and she’s working for the extra money for the two of them. Has a crush on Frank

Frank: he moved from Canada a few years back after his mom died to stay with his grandmother. She said that if he doesn’t get a job she would send him to military school. He gets a crush on Hazel while they’re working together. Gets put on most of the same shifts as Hazel because he’s doing also doing archery so he can’t work a whole lot

(Part 2)

[wisteria-lodge]

And now for a HP fandom question - do you have any thoughts on queercoding in the series and if JKR ever actually intended it, and then backtracked, or if it was always completely unintentional? I'm thinking specifically about Lupin and Tonks (as individuals, not as a ship) Inspired by your post about the intention vs how fans perceived Draco Malfoy. Thanks!

So the first thing I want to do is make a distinction between femme-coding and queer-coding. They're tropes with very similar histories, and a lot of works treat them as the same thing. But Harry Potter doesn’t, and I think we can chalk this one up to JK Rowling’s habit of grabbing aesthetics and visuals without really thinking through the history behind them. 

(Like - the goblins. She says she didn’t mean to write an antisemitic thing, and I actually do believe her. But did she use a lot of tropes and images with a long history of being tied to antisemitism? yes.)

So when I say “femme” I mean giving a male character traits stereotypically associated with femininity. Heightened sensitivity/emotionality, an interest in hair, clothes and being attractive, a love of lace/pink/frills, a dislike of violence and physical confrontation, and a preference for the soft power of manipulation, character assassination and poison - versus the hard power of direct confrontation and physical prowess. Are these things super stereotypical? Yes. But they’re ALSO traits you see all the time on male villains, especially ones that you don’t want to seem that threatening. Femme-coded villains show up a lot in children’s media, or as the Big Bad’s #2. They’re not meant to be heroic or sympathetic (since all these feminine traits are not desirable, especially for guys.) But they also aren’t scary, and you can pretty much always play them for comedy. 

For example: see almost every male Disney villain. And JKR was writing children’s literature in the 90s, so of course she’s pulling from the same zeitgeist as the Disney Renaissance. 

JKR loves herself a femme villain. The absolute gold standard is of course Lockhart - who wears pink, wants to start his own line of hair care products, is self-centered, vain, obsessed with popularity… but he sucks in a fight. His entire MO involves manipulating people into thinking he has these traditional masculine qualities when he just doesn’t. But there’s also fussy, prissy Percy wearing his prefect badge on his pajamas. Bitchy, emotional mean-girl poisoners Draco and Snape (especially early book Snape - which is Snape at his most villainous.) Draco, Percy and Snape are also unusual for being male characters who we see crying for reasons other than grief. 

Lucius Malfoy is an interesting case because he starts off quite masc. He’s threatening to curse people, the governors are scared of him, etc. But, as the books go on… and he gets less powerful… he also gets more femme. When we meet him in Book 5 he’s no longer threatening people, but bribing them, spreading rumors, and giving interviews to the Prophet casting Arthur Weasley in a negative light. He's also getting really into peacocks. In Book 2 he was a major threat, but as he gets recast as Voldemort’s #2 he becomes a more femme, soft-power villain. When he leads the attack on the Department of Mysteries, he absolutely bungles it, which defines his character (and relationship with Voldemort) for the rest of the series. And it makes sense that Lucius is given this kind of treatment! It’s a way of communicating that there's a new villain in town, a real villain. 

So, are any of these femme-coded villains additionally queer-coded? I’m actually going to say no. Queer-coding is (like it says on the tin) finding ways to imply that your character is specifically gay. Like maybe giving them a same-sex relationship that is written romantically, but not explicitly called out by the text. Or pairing up all of the characters except them. Maybe have other characters joke about them being gay, and use that as a way to talk about the subject with some plausible deniability. Or they could just play suggestively with a cigar, or a walking stick. There are different strategies.  

But Lockhart doesn't get any of that. Honestly, I think that if JKR actually thought of him as gay, she would have been a lot more wary about a scene where he keeps Harry alone with him in his office for way longer than he’s supposed to. And she might have skipped this joke: 

“Harry was hauled to the front of the class during their very next Defense Against the Dark Arts lesson, this time acting a werewolf (...) “Nice loud howl, Harry — exactly — and then, if you’ll believe it, I pounced — like this — slammed him to the floor — thus — with one hand, I managed to hold him down — with my other, I put my wand to his throat (...) he let out a piteous moan — go on, Harry — higher than that — good —” 

Like. At least she would have picked a different word than “moan,” right? Which unfortunately has slightly sexual connotations. Especially if she wanted to keep Lockhart a buffoon, to properly set up the twist at the end. 

Slughorn also gets femme-coded in a similar way: he loves his candy, his parties, his smoking jackets, his lilac silk pajamas, his web of connections he can use to get stuff (Lucius style.) We are introduced to him squatting in specifically a “fussy old lady’s” house. He’s also unusually emotional, getting weepy at Aragog‘s funeral. But I don’t think we’re meant to read him as actually gay, or else his relationship with Tom Riddle might’ve read a little too close to Tom seducing/trying to seduce him. Which is a beat JKR does subtly play out with Hepzibah Smith, but idk. by that point at least Tom is a legal adult.

(As a side note - the Harry Potter series got so lucky that all of its adult characters are played by absolutely top-shelf actors who are aware of the connotations and history behind various symbols, and do consider these things in their performances. Kenneth Brannagh and Jim Broadbent are good enough to make sure there’s not even a hint of iffy subtext when they play Lockhart and Slughorn.)

Draco, Snape, and Percy all have a case of the not-gays. Percy has a girlfriend (we don’t really see her or anything, but we’re told she’s there.) Snape of course gets his whole thing with Lily, and Draco… after one too many beats where it’s clear that Pansy is into him, but he’s not into Pansy…  gets a scene where he’s talking to his buddies with his head in her lap. (JKR uses “no one‘s good enough for me” beats with Blaise, Draco and Sirius, and the idea there seems to be more that they have undeservedly high opinions of themselves, and less that they don’t like girls.)

But, I do agree that a lot of JKR's characters do come across as a little more queer than intended. It boils down, I think, to the general lack of any kind of romance in the Harry Potter books and JKR being generally bad at/uncomfortable with writing male attraction directed at women, BUT being perfectly happy writing attraction directed at pretty guys. And because of that… yeah, it can sometimes feel like maybe Harry has a thing for Cedric. Especially when Dudley goes on to tease him about Cedric being his boyfriend, which I believe is the only actual mention of gay people in the entire series.  

So is there any intentional queer-coding in the book? It’s really subtle, but yes. I think Dumbledore is queer-coded. He is unusually emotional/cries unusually often for a Rowling guy. He is also given a scene which emphasizes his “flamboyantly” cut plum-velvet suit, and his relationship with Grindelwald is implied to be romantic for one book and two movies before being actually confirmed in Fantastic Beasts 3. (With the line of dialogue “I was in love with you.” Big step up from “We were closer than brothers.” which is an odd thing to say about someone you are interested in romantically.) 

But you brought up Tonks and Lupin, two characters very commonly interpreted as queer. So let’s get into that. JKR has said that she considers Lupin’s lycanthropy to be a metaphor for stigmatized diseases like AIDS. And… as incredible as it is to say… I actually do not think that she made the jump from there to thinking that maybe the character suffering from AIDS should be gay.

Because the narrative places so much weight on Lupin being bitten young and then on maybe not being allowed to attend school, I’m pretty sure that he’s not intended to be queer so much as he’s meant to be Ryan White, the literal poster child for AIDS activism who got infected via blood transfusion when he was two. Tragic, absolutely. But not gay. Honestly, I hope JKR was thinking of ‘lycanthropy’ as a metaphor for stigmatized illness in the abstract and not as a comment on gay people specifically. Because otherwise, Greyback’s thing about biting children becomes a mash-up of two of the biggest homophobic boogeymen from the 80s: gay men infecting people with AIDS on purpose because… idk, they hate the world or something. And the influence of gay men somehow “turning” children gay. Both absolutely real, if ridiculous, moral panics.

On top of that, Remus and Sirius do get a pretty clear case of the not-gays early on (“He embraced Black like a brother.”) Buuuut Alfonso Cuarón did think through those implications for Movie 3, absolutely saw Lupin as gay, and directed David Thewlis to play him accordingly. No reports confirming or denying whether Alfonso Cuarón ships Wolfstar, but I think that if I’m an actor trying to make sense of Lupin’s motivations… and I know he didn’t show Dumbledore the Marauders’ Map and didn’t tell anyone Sirius was an animagus… and then I’m told my character is gay… well. Anyway, I think there are absolutely hints of Wolfstar in that performance. 

And there's Tonks. Tonks is introduced during a very spooky segment in Book 5: Harry has been going through it, been left alone at the Dursleys while having what sounds like a depressive episode. It’s dark, he hears intruders. It's a really good piece of writing. But JKR knows that it’s the good guys who are coming and thinks, okay. Let’s make that as clear as possible from the word go. And so the first thing Harry sees is Tonks' pink hair. And what kind of person has pink hair? A young adult. A punky young adult. And what power would a teenager think was cool? Well, the ability to change the color of their hair at will. That, by itself, would have worked perfectly fine for this character.

But then (for reasons best known to herself) JKR goes further. Even though Tonk’s hair changing color is easily 90% of the transformations we see and there is no plot reason her appearance needs to change more than that, we see her drastically change her age and body type. When you think about this power for more than five seconds, it becomes kind of OP. For worldbuilding reasons alone, my instinct would’ve been to tone it down a bit. 

But no, we have this counterculture character who seems interested in her career and not in a relationship, who can easily change anything about her body, and (if her ability works anything like Polyjuice) that means she should definitely be able to change her gender. Cool.

Then, in everyone’s least favorite romance, Tonks and Lupin are paired up. I have heard the argument that this was meant to walk back queer-coding, or to punish people who thought they were queer... but I don’t think that’s the case. I don’t think JKR expected these two to be fan favorites, and then was kind of surprised when everyone wanted to hear about their continuing adventures. 

(There are a handful of characters who JKR clearly really enjoys - and really enjoys writing - that fandom honestly could not care less about. Mundungus Fletcher and Ludo Bagman spring to mind. But the reverse is also true. She had one story for Lupin and people wanted to see more. Tonks is probably supposed to be her comment on immature young adults: she is loud, in your face, causes mild destruction and is “a little annoying at times.” But the fans fell in love with her.) 

So JKR has these two fan favorite characters and nothing for them to do. A romance is something for them to do. JKR also has a kind of weird pattern where good people need to either have kids or take care of kids. It’s not good to be a woman who isn’t involved with taking care of children in some fashion: see Rita Skeeter, Dolores Umbridge, Bellatrix Lestrange. This is also (I think) why Harry names his kids specifically after Severus, Sirius, and Albus. Since they’re good men, JKR had to find a way to give them kids after the fact. 

So yeah. I think we were meant to read Tonks and Lupin having a kid as kind of a reward, or at least as proof of their intrinsic goodness. There also just isn’t another guy in the right age range to ship Tonks with. The only other option is Sirius. 

(Harry in the books and Lupin on Pottermore both suspect that Tonks/Sirius is a thing. Completely forgetting, I guess, that they're cousins.)

[princessofghosts-posts]

Nico's Powers and Rick way of writing them.

Honestly,I've been wainting to write this.

We all know Nico powers:

Can manipulate the shadows and travel in them (Umbra-kinesis);

Can sense someone's death and soul;

Can summon ghosts and talk to them;

Can summon skeletons that obey to his orders and fight for him;

Can use dreams to send messages;

Can unconsciously split the ground and create cracks or Underworld's openings;

Can turn someone into a ghost and make them forgot their life and ability to speak;

Can turn someone into a skeleton;

Has influence on the dead and can evade them when he has to;

Can create earthquakes (not major ones like Percy);

Technically has Geo-kinesis powers too (like Hazel);

Can summon zombies to serve him;

Can conditionate the CJ's lares speaking ability by forcing them to shut up;

Can influence the dead ones with his mood;

Death-touch;

(If I missed some feel free to add)

Other than this,you need to remember that his title as Ghost King give him some more leverage,and his sword is an uniqueness in the world that give him the ability to suck someone's soul in it.

By only this list you can tell that Nico is extremely powerful,and he is still younger than Percy,with a weak physical body (depression and ED do some wonders to you-) and wasn't never "officially trained" like him since he wasn't around camp much. But he still pulled insane acts even without being 100% ok most of the time.

Nico powers,differently from Percy and Thalia,are extremely versatile. While those two can use whatever source or form of water/lightning to fight,they can't do much outside of their fathers's domains. And then you have Nico. Nico that can use his powers to travel around the world and sending messages with a mental link,other than use them to fight. People always talks about Percy controll over all types of liquid (even poison or the Underworld's rivers),but there is still water in them,so it's normal for him to do so. Thalia can use lightnings because it's normal for her to do so since those are Zeus's main sources of power. But Nico's powers are more than just controlling the dead,he can manipulate dreams (something that only the Hypnos cabin can do if I remember correctly) and can use geo-kinesis too,even tho not as much good or frequent as Hazel (before she started to work with her mist affinity). He can do it all.

I'm not trying to pull the "Nico is more powerful than Percy" argument here,but more focusing on Nico's versatility usage of his powers. And Rick made a mistake here with him,that he realized later and tried to minimize.

You see,when you have a powerscaling system,you usually take the main character as the "default": it's from them that you start to build it so other people can understand where others characters stand,compared to the MC,on the scale. Most of the time,people want their MC to grow stronger after every fight,starting from the bottom,untill they are the most powerful character in the story. It's a format done everywhere (anime,movie,comics,fanfic,books,ecc...) and Rick Riordan also used it with Percy. And when you have as MC the "most powerful character ever" (in this case the most powerful demigod since Heracles times),you need to be careful with your side characters,especially when the author doesn't want them to outshine the MC. For this reason,most of the time,they are either weaker than them or have extremely excessive drowbacks. A good example of this is Jason: Rick introduced him to us as the roman counterpart for Percy,but made us understand that he wasn't never at Percy level of power. And when you have a "side" character as Nico,adding to the fact that he's most of the time the wild card for their victories and always know everything,you have a big problem.

Riordan made it clear that no one (for now) can surpass Percy in term of abilities. But he still went out of his way making Nico's powers more versatile than the others. Logically,he should have been stronger than Percy,especially because death cannot be stoped and it's part of everyone life,but canonically it wasn't going to happen since the MC is Percy. Riordan realized in a second moment that his powers were too much and decided to make sure Nico was always held back by something from going full out (like Jason).

Nico is the only child of the big 3 that,if he use so much of his powers,has extremely horrible drowbacks even when he shouldn't. I could understand during MoA-BoO events in HoO,he was either dying or disappearing into the shadows because of his kidnapping and Tartarus,and still had an extremely draining task to finish. But from HoO to ToA there is a big timeskip (I think 6 months or more but I'm not so sure) where he should had all the time in the world to heal and having back full controll over his powers. But he doesn't. Nico still faint after shadow-travelling,even tho after his trip with the statue he should have been stronger and not having problems for a normal trip. Which sucks,especially when Rick most of the time make him pull some jaw-dropping power-play that give you the full picture on how strong he really is.

I don't think Percy had so many downgrades with his powers,I never saw him almost fainting from controlling the waters. He get tired,yes,but that's it. Thalia has more restrictions because of her fear,but I also never saw her having so many problems after using her powers (after she went with the Hunters we never see her in general anymore). Neither did Hazel with her geo-kinesis powers (before Rick decided to make her learn mist manipulation). Jason is a whole mess because he faint every day when he gets hit by a brick,even when he isn't fighting or using his powers (Rick didn't do him justice either). It's only Nico that has so many negative effects.

And the fandom can explain it,in a canon logic,with: "He's s still young,he will have time to grow stronger." (I agree) ;"He wasn't never in a good physical condition so it's normal that he has this many negative effects." (Even dying he was still able to curse someone to literally becoming a ghost) ; "He was malnourished and depressed,since he didn't take care of himself before he still have problems,wait for him to be healthy." (Again,even in those conditions he still pulled insane stunts). But,outside of the narrative,Riordan totally nerfed him because he realized that he wrote his powers too powerful and useful compared to Percy's,and since he couldn't have his MC outshined,he made sure to slow Nico in any way possible.

In BotL and TLO there are 2 scenes that,for a long time,I thought I was the only one to ever have read them since no one talked about them.

In the end of BotL when Percy get out of the Labyrinth and went with Rachel to see the coffin,Nico created an earth barrier (or something closer to it) to help them escape form Kronos's attack. He never did that after it,and I never saw people acknowledge that scene so I legitimately thought that I was imaginating it. Which was strange since it came right after the famous "Did you just throw a blue brush in the eye of the Titan Lord?" scene,but no. It really happened and Nico did use the earth at his liking. After that Riordan decided to never bought it up and Nico never manipulated the earth in that way (he still split the ground a couple of times) again.

In TLO after Nico went to free Percy from the dungeons,they escaped the palace and went to the Styx. During their escaping Nico glared at the guards,while growing weaker and weaker with each one,and they ignored them. Again,since I never saw someone talk about it I genuinely thought I was remembering things wrong. Especially because it was part of the whole "Betrayal" plot that everyone know. But again,it wasn't the case,Rick just decided to never bring it up again. It was the only time Nico did something like that. Someone can say "Well,those are the royal guards and their boss is his dad they would never go against him." but the guards were against Nico,if he didn't do whatever the fuck he did,they were going to tell Hades about their escape. So,again,Rick realized he gave him a powerful trick and then hoped that one one would remember it after he used it one time.

All of this shows that,even if he is good at writing certain things,when it comes to others topics (like power-scaling,Tartarus's trauma and many more) he just can't write well and try to put patches on the holes,without having success. But that's for another post that I will do.

Rick lack of continuation in his work,and he needs to decide what the hell he is going to do with Nico,because the guy himself is a contradiction that needs to be solved. And if I see someone else say that he is weak because he continue to faint,I'm gonna crash out very very very bad since it's Rick's fault. Nico has grown enough in his power to stand tall and use them without having majors problems (if he abuse them,then of course he is in big troubles). He isn't anymore the 13 years old kid that was dying during a world-ending trip after days of being captive by the enemy,and Riordan needs to acknowledge it and move on from that.

[kerryshifts]

hi kerry! would you like to talk about the reasons you shift for?

this conversation makes me a bit shy…….. but you asked on the right moment because i am listening to radiohead and i am a emotional. im going to over share and i’ll regret it at 3am but who cares!

so.

number one. no matter what i will say, no matter how much i talk about my drs' romantic relationships, the platonic ones are the reasons why i even started shifting in the first place. friendship is and forever will be the thing i crave for. here i was wronged so, so, so many times. what i feel for my friends it’s love. i love them like a mother loves her children….because i can’t be casual about anything. and now i am constantly angry because my love has been betrayed. everyday is a constant reminder that the people in my dr are not only friends who i am just around because we share classes or whatever, they have a piece of me in their soul like they are in mine. my heart has sections and the majority of them are about my friends…and they are going to take care of that piece of heart i gave them. i can be around them without feeling sick worrying if they are like everyone else. long live the friendships!! (especially with my girls. there’s just something about friendships with them that……i feel constantly if i am in the void. so like peace? this is not applicable for friendships breakups…ahahahah…)

number two. knowledge; and i don’t mean it in an academic way. like, i will also do that.. but i want to expand my knowledge about different kinds of human experiences. david bowie said that love dares you to change the way of caring, and this is exactly what i am going for… i want to be tested constantly so i can evolve. universe! i am easily bored. give me some suffering so i can understand what someone near (or far away) me is experiencing. this is not a very amazing mentality to have…..but what can i say. i am nothing if not a bunch of emotions mixed to each other and walking around my body hand in hand while leaving chaos in the logical part of the brain. this is also why i choose an enemies to lovers….it will challenge me. it’s absolutely perfect.

number three. my mom. i won’t say anything else, but she had to make it in the list.

number four. you know how some witches use magick to feel empowered? this is me with shifting. i wasn’t wronged only in friendships; so shifting just gives me the opportunity to…. not control, but…..something like that. if you know you know.

number five. understand. you can connect this with the second point. understand what? don’t know. but i want to understand something.

number six. food. food is about experiences and emotions and it’s a story of cultures and love and a family and inside jokes. i want all of it. because i am greedy.

number seven. well, romantic love of course has to be here. i am a lover girl. you know how i said that friendships have a piece of my heart? romance is weird for me….my body just creates a nerve that connects with everything else. and not in a toxic way. i know how to control it…sometimes. not the point. or i am crazy, or a new vein appears when i fall in love with someone (so like two times), starts trembling when i see that person and then the nerve makes everything else collapse. and then the only thing that works is my mouth used for bad jokes. but they seem to strike, so i am not complaining. but, the vein disappears when i am over it (not easy….not easy. at all. i remember it all to well) and…the nerve? don’t know. the other parts of my body fight it everyday is if it’s percy jackson vs kronos.

those are the main things. here’s a bit of my soul xxxxx