#People will identify themselves where they belong

[eroticcannibal]

Now of course this is an issue, and has always been an issue to some extent, but we really need to put the blame where it belongs: with right wingers.

Man-hate is actually *quite rare*, thinking all men are inherently evil is a *minority* viewpoint and always has been. And what has always happened (and is only really increasing with social media tbh) is anti-feminists have exagurated the prevelance of these views to silence any feminist sentiment and radicalise men again feminism. It's a very easy thing to do, to convince men that any criticism of men as a group is some misandrist attack, shut down their critical thinking so that when they for example see a statistic, what they read is "hey dude! I think you personally are evil and responsible for bad things!". It's the same tactic that gets cis people in a panic when they hear the word "pronouns" and white people thinking any acknowledgement of POC means you want them to be ashamed of being white.

It's cult tactics, and at this point all the coddling men in the world will not undo it. It's self reinforcing, it is not rooted in reality. The vast, vast majority of these men, if willing to engage and be honest, when sat down and asked for specific examples of this "man hate" that drove them to radicalisation cannot identify much at all that qualifies. What they *can* identify is guilt over the actions of other men that has been exploited by bad actors. While this is not about *white* guilt, I cannot for the life of me remember her name but that white anti racist activist that did the rounds on tumblr a few years ago, and her experiences with the hostility of white people when confronted with white guilt, their ability to convince themselves they were being attacked for being white when uncomfortable with their guilt, is a good demonstration of this behaviour.

I couldn't have said it better myself.

[dogs-in-a-trenchcoat]

Can't believe I'm still stumbling across exclus in fuckin 2023 im so tired.

[genderqueerdykes]

you can tell who's actually a part of the lesbian and dyke community and who sits on the sidelines and tries to define these entire identities based off of their own speculation as an outsider. i'm not saying these people aren't lesbians- but when you refuse to actually interact with the broader dyke community outside of your tiny insulated echo-chamber, you are actively refusing to acknowledge how the lesbian community actually functions and behaves

people who think that lesbianism is all about femmes and women are people who refuse to immerse themselves in real lesbian and dyke spaces. masculinity has ALWAYS been a part of lesbianism. there is NO point in queer history where masculinity HASN'T been a big part of the dyke experience. boydykes, studs, bois, bulldykes, male lesbians, ftm lesbians, daddy dykes, testo butches, genderfluid dykes, multigender dykes, masculine agender lesbians, transmasc dykes... these people have ALWAYS been in the lesbian community.

if you believe that lesbianism is strictly about femmes and butches who water down their butchness to mean "androgynous/SLIGHTLY masc woman" for the "safety" of femmes, you have no clue what the lesbian community is actually like and i encourage you to explore the community as a whole, because if you can't handle butches, testo dykes, transmasc lesbians, male lesbians, lesboys, guydykes, studs, bois, bulldykes or any other type of masculine lesbian, you don't belong.

interact with real dykes and lesbians and you'll see masculinity is a permanent, inseparable part of the dyke community. you can't only accept the lesbians you personally like. you also have to accept the ones with identities you don't understand or agree with. you don't have to date butches and male lesbians if you don't want to. you have the right to be attracted to who you're attracted to. but the second you try to exclude these people based off of your own personal tastes, you are committing a grave misdeed to this community by actively participating in the silencing and alienation of masc and male dykes.

you drank the radfem kool aid if you genuinely believe this. this belief stems from the "lesbian separatism movement" in the American 1980s which specifically started to remove butches and transmasc lesbians from the community. if you seriously believe lesbianism is about "EWW NO MEN MEN DNI", hiding from men, hating men, forming "women and non binary spaces only", excluding men and mascs, shaming butches who want top surgery and testosterone, you are not a lesbian: you are a terf, and a radfem. your beliefs don't line up with the real lesbian and dyke communities. you have been brainwashed. this is your sign to wake up.

we aren't standing for this bullshit anymore. we've always been here and your "lesbian means non-men loving non-men" definition of lesbianism is the least historically accurate definition of these terms that you could ever possibly ascribe to them. that definition is factually incorrect and will never be the proper definition. stop defining lesbianism by who we exclude and start defining it by the vast and varied members of our community that we include. our lives depend on it. i don't care if you're not personally attracted to lesboys and testo butches- we belong. it's not about who you're personally attracted to, it's about who feels sapphic, who feels like a lesbian, who feels like a dyke, no matter how they identify. you are not the protagonist of the lesbian community. let go and learn to accept.

[soon-palestine]

as an american citizen, you have the right to assemble. the police and other governmental agencies violate this right through mass arrests, illegal use of force, criminalization of protest and other means that threaten our right to free expression.

DO NOT TALK TO THE POLICE:

they are not your friends. they are not there to protect you, regardless of your race. their presence there is to protect the interests of the state.

what to do if you are detained or stopped by the police:

do not resist, even if you think they are violating your rights.

calmly ask someone to record.

ask if you’re free to leave. if you are, walk away.

how to stay safe during a protest:

write phone/legal aid numbers on your body. bring a sharpie for others to do this.

ALWAYS use the buddy system. don’t be selfish & stick to your own friend group. if you see someone alone, invite them into your circle.

don’t know where to seek legal aid?

before attending/during a protest, visit http://nlg.org/chapters/#massdefense.

NLG chapters are organized into regions. find. your region and write their number on your body.

encourage others around you to write that same number on their body.

4. if you are threatened with or under arrest:

you have the right to know why you’re being arrested. calmly ask. if they refuse to provide a reason, stay quiet and ask for legal representation immediately.

do not give any information or sign anything without a lawyer present.

what to do with your phone during a protest:

put your phone on airplane mode

disable face ID/touch, replace with 6-digit passcode instead

spreading awareness is great but avoid posting photos of people that include identifying features.

police want everyone to leave the area, what should that look like:

shutting down a protect through a dispersal order must be the last resort for police.

a clear danger must be present.

police must give adequate time for protesters to disperse and an exit route.

what are your rights if you’re being stopped or detained by police:

you do not have to consent to you or your belongings being searched. if you consent, anything can be used against you in court.

police can conduct a “pat down” if they suspect you have a weapon.

if you see someone being detained, what should you do:

record the interaction. police can not demand to view or delete any footage without a warrant.

use calming affirmations towards the person being detained. they are likely scared. be there for them.

use whatever privilege you have to protect others.

if you see a disabled person struggling, offer to help. find medics to assist people experiencing anxiety or having a panic attack. if you see a BIPOC being harassed, surround them.

personal note on using your privilege: i have seen white people, countless times, place themselves in front of BIPOC when police draw weapons/approach protests. it often works.

do not be a person that just acknowledges their privilege, use it for good.

10. remember that we protect us. ignite this chant as a reminder to everyone present if you have to. communities are supposed to help one another. don’t be a sell out, offer support, share resources, food and water. be a kind soul.

if you can not participate in a protest for whatever reason, you can still help! drop-off supplies! (water bottles, allergy-friendly foods/snacks with ingredients labels on them, sharpies, cards with legal aid numbers on them, masks, makeup remover wipes, hand sanitizer, etc)

sources/disclaimer: main source:

@ACLU and my own opinions. this is not legal advice. consult legal representation if you are in need of assistance.

stay safe, be on the right side of history. black lives matter, no one is illegal, we protect us, land back, all oppression is connected and free palestine. 🇵🇸

[sodomit]

TRANSUNITY

Transunity is a political theory that was actively talked about on Tumblr a couple of years ago, but has since fallen out of the public spotlight. And this is unfortunate, because it could have really improved a lot of the discourse around gender.

There exists a blog under that name ( @transunity ), but it has been inactive for a year. I am not affiliated with that blog anyhow, I never had any personal contacts with its mods, but I want to get their general ideas to circulate again, so I'm trying to bring this back up in a semi organized fashion. My take on transunity is just my take, if you're one of the original coiners, and you disagree, I encourage you to talk about it, because we still have much more in common with each other than different.

GENERAL VIEWS

I believe that one of the fundamental ideas more trans people need to understand is that we're all more or less in the same place in the eyes of the society (when other factors, such as ethnicity or disability, are considered). To be trans is to fail the gender role system, from the point of view of cis people we can no longer be proper men or women. All kinds of trans people regardless of identity are affected by misogyny and misandry (not a type of marginalization by itself, but turns into a vector of oppression when overlapping with a different marginalization), which forms the foundation of transmisogyny, transandrophobia, and exorsexism*. These types of bigotry are not exclusive and unique to specific gender identities either and may be applied to any trans person for as long as it's convenient to the oppressor.

Trans people do not have gendered power over each other, and intra community bigotry is better conceptualized as a form of lateral aggression.

Gender assignment and sex are never strictly binary (especially with inclusion of intersex people, who belong in gender conversations even if they don't identify as trans) and need to be understood as much more fluid and not strictly correlating with one's actual position in life.

WHAT WE NEED TO REDUCE

The following things should be discussed more critically:

- "Powerjacketing" - implying someone has gendered privilege as a means of delegitimizing their words, while in reality they do not have this privilege;

- Malgendering - forcing trans people to choose between being gendered correctly and speaking up about their mistreatment (e.g. questioning trans women's womanhood on the basis of them aggressively defending themselves or trans men's manhood on the basis of them asking for help) or implying there's something wrong with them in a way that reinforces gender stereotypes;

- Assuming that some trans people are exempt from some forms of oppression on the basis of gender assignment/sex (e.g. by calling all trans people who were assigned female "tme"** or claiming trans people who were assigned male are inherently incapable of understanding fear of sexual assault);

- Assuming that oppression of trans people is rooted in gender assignment/sex (such as, calling reproductive oppression "sex based oppression"***);

- Gatekeeping certain identities, such as "transmasc", "transbian", "femboy" as exclusive to any gender assignment/sex;

- Creating a duality out of "transsexual" and "cissexual", where not medically transitioning trans people are assumed to have some kind of a gendered privilege, or to not be trans in any meaningful material way. Various transmed ideas about dysphoria and transition go there too;

- Accusing trans people who take inspiration from each other of appropriation (trans headcanons, kinks, drag culture, etc).

SYMBOL

The following image is the official transunity symbol developed by the original transunity bloggers. Sorry about the glitch effect, I wasn't able to find one without it.

* Transmisogyny, transandrophobia, and exorsexism are not exclusive to specific identities, although they do primarily target traits associated with these identities. They can be conceptualized as bigotry and oppression towards people who are recognized as incorrectly entering respectively womanhood, manhood, and a status beyond gender binary (for the latter no normative form exists****). However, it's not wrong to use them to mean "oppression of trans women" and so forth, for as long as you're not claiming it's exclusive.

** Labels like "tma" and "tme" still may be used, but solely in a self assigned manner. I believe that an individual trans person is capable of evaluating whether they're affected by transmisogyny and in what way, and they should be trusted on this. However, no gender assignment and no current gender identity makes anyone inherently tme.

*** "Sex based oppression" instead of "reproductive oppression" reinforces the idea that people who share a specific body part (e.g. an uterus in context of conversations about abortion) are inherently of the same sex. This type of essentialism is desperately needed by terfs in this discussion, as they're trying to sell the ideas of "sex based oppression" and "sex based privilege" to people they want to recruit in their ideology. Invoking the idea of "sex" as something trans men and some nonbinary people are oppressed through is not the correct way to respond to people who say we don't experience any gendered violence besides "just transphobia", it has shitty implications and helps shitty people.

**** Lack of existence of normative nonbinary gender does not mean that these genders are not recognized by the society as a deviant, marginalized identity, and that binary people cannot be pushed into this zone.

[letters-to-lgbt-kids]

My dear lgbt+ kids,

Someone requested some advice on whether to openly tell people you are mentally ill/neurodivergent/invisibly disabled or not.

There's some research that suggests that, for example, autistic people are more likely to identify as lgbt+ than their non-autistic peers - so this is absolutely a topic that belongs on a lgbt+ blog and I'm sure there are a lot of you who had to make that decision (and probably keep having to make it as coming-outs of any sort are rarely one-and-done!).

In fact, I had/have to make that decision myself! As an autistic person with depression and anxiety, I could tell you now why I personally decided to be open about all those diagnoses - but the right decision for me isn't necessarily the right decision for you as my life isn't yours.

So, what I'll do instead is to write down a general list with (potential) pros and cons, and I encourage you to nitpick it. Personalize it, take some time to decide how much, if at all, each point weighs in your own decision. There's no right or wrong answer here. It's all about your highly individual situation, about your safety and comfort.

Reasons not to be open about it:

It may put you at risk for various sorts of hate, discrimination, negative stigma and bad treatment

It may put a burden on you to educate others and discuss any misconceptions or myths they believe in, including potentially hurtful or disstressing ones (maybe even fruitlessly so which may cause frustrations or fights)

It may change the way people treat you, even in well-meant ways (babying you, pitying you, trying to "help" against your wishes etc.)

It may feel like a loss of privacy, make you feel "naked" or emotionally vulnerable, make you worry more about the way others perceive you etc.

Reasons to be open about it:

It may help others understand you or your behavior better, which may have positive effects on your relationships

It may allow you to ask for support and help more easily (either from friends and loved ones or in the workplace, school etc.)

It may make you feel empowered and help you accept/love yourself as a disabled person more

It may contribute to making your specific diagnosis more visible in society (which may also make you feel pride in breaking down stereotypes and supporting your community)

It may discourage people from assigning wrong or hurtful labels to you (either armchair-diagnosing you or labeling you as weird, crazy, lazy, gross etc.)

It's important to keep in mind that some people do not have the option to make this decision for themselves, for example because they have highly visible symptoms or they are in a position where their caretakers make the decision for them. This adds another layer to why we can't judge one decision as better or worse than the other - it's not always their own decision.

With all my love,

Your Tumblr Dad

[harmoonix]

🎐Spirit of the Wind🎐

(Astrology Observations)

🎐 - Juno/Moon in Air Signs, these natives are looking for communication in their relationships, they are so good at expressing themselves in love & very devoted to their partners

🎐 - Aries Moons/Moon in the 1st house natives are very confident even if they don't always show it they give that energy sometimes in their personality

🎐 - I think Mercurial Moons (Gemini and Virgo moons) may get triggered the most and maybe sometimes Leo Moons too

🎐 - Lilith aspecting Saturn can bring conflicts especially with their dad/older brother/cousins/grandfather's and so on like there is always someone toxic in their family

🎐 - Moon aspecting Juno natives can be the most clingiest people, they will attach to your heart and will never go

🎐 - North Node sextile/trine/conjunct Jupiter can face many opportunities/benefits in their lives/journey/path, (in harsh aspects is like you are blinded from them and you can't see the opportunities you have in front of you)

🎐 - Pluto square/opposite/conjunct north node will mostly experience a rebirth with every thing that happens in their lives, I met so many natives with those aspects who are so experienced in their lives

🎐 - Moon sqaure/opposite/conjunct Saturn can tend to have a nostalgic mood/aura around them, something about them reminds you about the past

🎐 - Venus in Air houses (3rd,7th,11th house) have the best humour in a love/friend relationship, they will know how to comfort you both emotionally and physically

🎐 - Venus in Virgo/Venus in the 6th house will share their nurturing/healing energy with those who need it, these placements are healing and awaken type of natives

🎐 - Neptune/Pluto conjunct the ascendant will feel like they belong in the world, they can feel sometimes outcasted or maybe out of the crowd but that's what makes them unique they're just born different (in a nice way I love them so much)

🎐 - Uranus conjunct the ascendant will make the native very creative, they are the type of people who come off with the best ideas and the best plans for everything

🎐 - Sun opposite Lilith (h12) can attract other people only with their presence, Lilith can feel very strong when aspects the sun but when it's opposite, it will share that energy to themselves

🎐 - Lilith (h12) square/opposite/parallel/conjunct Moon are so seductive at first and is the fact that in contact with others it will just make them more curious about your life

🎐 - Uranus in the 7th house can make the native confused about their relationships and love life, they're like "What tf happens in my life now"

🎐 - South Node in the 9th house natives can feel very detached from religion/religiously detached and honestly you can't blame at all for that. Is the south node energy

🎐- Although im still not sure if Jupiter represents the husband in modern astrology instead of Mars but in vedic chart Jupiter it still represents the husband and i love to read about it 😭✋🏼

🎐 - Think at Vesta Asteroid (4) as a the point where your soul feels at home, feels safe, feels free. For example I have my Vesta in the 2nd house (Venus rules that house, and I tend to believe food brings me soul happiness especially chocolate 🍫✋🏼😭)

🎐 - I honestly love natives with Scorpio/ Sagittarius or Capricorn in big 6 because they honestly don't give a single f about what people say about them, really

🎐 - Someone asked me if the people with moon prominence in the chart feel the Intensity when the moon is changing signs and phases 😭✋🏼 yes they can, I feel like crazy when the moon is at first quarter

🎐 - Okayyy so there is an asteroid opposite to Lilith (h12) called (White Moon Selena h56) honestly is a good asteroid, is like a pure energy in your birth chart but in the same time it shows what things bring you happines, use this chart to identify what can bring your happiness

🎐 - I think I never mentioned before but Sun in the 6th house natives really can shine everywhere they go with their nurturing energy

🎐 - Do people with asc - pluto aspects seem maybe rude/harsh at first😭? Is because they have the Pluto aura around them which can make them seem like a bad guy, but they can be the sweetest people

🎐 - Moon at the 6°, 18° degrees really so observe everything in the room even the small details like wow idk how they can be so focused on everything and analyzing every detail

🎐 - Neptune in the 1st house natives or Neptune aspecting the ascendant may have something unique about their skin like moles or maybe birth marks? maybe freckles too

🎐 - Uranus in the 9th house natives can end up travelling to places they never expected, like those people who wake up in the middle or nowhere or "I never imagined I would travel here" kind of vibe

🎐 If you have Saturn in Cancer or Saturn in the 4th house you kinda have a lot of family karma, and generational karma as well. Is not bad but try to not blame yourself for this

🎐 Pluto in the 7th house is one of the placements I wish I had in my chart because I just love the meaning behind this placement is that the relationships change you very intensely and the same happens with Venus - Pluto aspects, if you have both you are more wise/mature in the future relationships

🎐 Gemini/Sagittarius and Pisces Mercury can indicate a person may talk too fast/bold way of talking/sometimes they can be a bit too harsh in their talking too

🎐 Juno in the 9th/12th house can indicate that you may find your lover in a forgien country or somewhere away from your home maybe while traveling

🎐 Juno in the 6th/Juno in Virgo can indicate a spouse/specific person who loves to take care of their mental health a lot they actually have a very healing energy

🎐 Juno aspecting the ascendant people will see you as someone ideal to marry/or to date (Unless they are like "Would you like to have kids* yeah my Juno rejects these things.

🎐 Juno in the 11th house or in Aquarius can indicate a spouse/specific person who appreciates your *weird* side, and also someone who gives you freedom

🎐 From Tarzan's jungle we did a bigggg jump back in the north America to visit the indigenous American culture because 😍😍😍 their culture is extremely beautiful and unique and here we met Pocahontas which by way was based by the legend of Pocahontas🎐

��🌲First let me say they are so beautiful if you think Pocahontas is pretty you need to look for how indigenous north American people look like (Slightly different from the south american ones but still share a close thing together). Their connection with nature and with the earth is very pure 🌲🌲

Have a very beautiful day to all of you who read my notes, Harmoonix ♥️❤️

[ugly-anarchist]

While yes intersex people can use intersex as their gender identity, that isn't what intersex is. Intersex is a natural biological variation that cannot be transitioned into or out of. It is a description of the natural state of our bodies. It is the same as me being autistic, white, and short. These are descriptions of things about me that I cannot change but are still important facets of my life as a human being. (Obviously some are more important than others)

(While the body can be changed, there are separate words for someone who willingly changes the natural state of their body, like altersex. Intersex people can also be altersex.)

On the other hand, gender identity and transness are personal identifiers that can be chosen. (And by chosen I mean that while you can't choose your gender you can choose the label you use for it) And it is also fluid and can change over time. Gender looks different for everyone and isn't based on any material thing that can be observed in the physical world. Gender is based more-so in what makes you happiest, and the most satisfied with your life. Gender is just as real as everything else I've mentioned, but it's just not a physical thing.

This is why transness is self determined and intersexuality is not.

Trans and cis are adjectives that describe a person's experience with their gender. A trans man/woman is just a man/woman who has a different experience with their gender than cis people do.

But if a person exists who is rejected by both cis and trans people, then what are they? What are they supposed to do? How are they supposed to identify? Cis and trans as labels were not designed with intersex people in mind and often do not fit our experiences, but we're forced to use this binary because perisex trans people insist that you must be one if you're not the other.

But, trans people also insist that being intersex is inherently trans. Any deviation from the sex binary is seen as trans. Intersex history is seen as trans history, intersex animals are called biologically trans, and intersex experiences and terms are often taken by trans people and applied to themselves.

We're inherently trans but the trans experience is inherently a perisex one. Our experiences are identical to trans experiences but only trans people are allowed to say that. Our bodies are deemed the ideal trans bodies but the natural state of our bodies is used as proof that we don't fit in with trans people. Trans people wish they could gain access to the violence done to our bodies. Our bodies are held up as proof that gender and sex is a spectrum but if we talk about our complicated experiences with sex and gender then we're called terf psyops and cis invaders.

Where exactly are intersex people supposed to fit into the trans/cis binary? Our experiences cannot be defined in the same way that perisex trans people define themselves.

When an intersex person identifies as transfem when they were afab or as transmasc while they were amab or calls themselves cistrans or transmascfem or transfemmasc, this isn't an attempt to invade spaces we don't belong or destroy the trans community. We're trying to describe our very complicated experiences with gender with the limited tools that we have, the tools that have been forced on us but simultaneously denied to us.

Can we just let intersex trans people have their weird gender labels in peace? This isn't about you, it's not an attack on you or your community, it's just us trying to exist comfortably.

[missmastectomy]

I was hesitant to write this post, but I want to talk about why so many women and teenage girls are getting double mastectomies.

The justification a lot of trans people use for elective double mastectomies is that "top surgery" helps people feel comfortable in their bodies. Traditionally, this surgery was restricted to transmen. In the recent decade, however, nonbinary identified and even non-trans identified women have been getting mastectomies. I remember clear as day when my coworker (who identified as a "cis" woman) told me that at 18 she was planning on saving for top surgery. I myself got my breasts removed when I identified as nonbinary, having been on testosterone for 2 years.

It's important to remember that no person is born wanting surgery. Society creates conditions that are hostile to women, GNC, and gay people, and this hostility encourages a dissociated state. The body is removed from the mind - instead of the body being an intrinsic part of your personhood, a mechanism through which we experience the world, it instead becomes ornamental. This is perfectly represented by all forms of non-reconstructive cosmetic surgery, which risk people's health for entirely aesthetic reasons.

So, why do teen girls want to remove their breasts? For those of who experienced unwanted sexual advances from a young age, the answer is intuitive. Breasts are inherently sexualized. They are not seen as a vital organ that contributes to bodily function and health, but as a decoration, the only purpose of which is to attract men and feed babies. In this way, a woman's breasts do not even belong to her. When men openly gawk at a woman without a bra, when relatives grope at her as a pubescent girl, when we are exposed to an endless stream of hyper-sexualized images of women with their cleavage out, a message is sent loud and clear: existing in a female body is unsafe.

I want to make it very clear that an elective mastectomy and the practices of breast ironing are very different, but there are commonalities in the attitudes behind both. Breast ironing is done to pubescent girls in order to "prevent" her being sexually assaulted or harassed by men, sometimes including male relatives. When I hear stories of girls in the West starving themselves and binding to hide their chests, I can't help but see similarities. When I was binding and restricting calories as a 15 year old, I would have said I was doing it so that I could pass as a man. But I would have been lying to you. I was lying to myself. I didn't hate my breasts because I was "born in the wrong body." I hated my breasts because they were used to justify my sexualization. From my perspective they put me in danger.

We often hear that women's rights in the West have been secured, but you need only look at the war on women's bodies to see that that is a fantasy. When young girls constantly receive the messaging that your curves and boobs WILL attract men and that you will be objectified for it, many will try to opt out.

Take Liv Hewson, for example.

She says herself that her anorexia was a manifestation of "gender dysphoria," but the question remains - where did this dysphoria come from? Why would anorexia develop as an outlet for it? What makes more sense: a young woman was born hating her body and her breasts because she has a gendered, non-female soul, or that same woman hates her body because she has been conditioned as such by a patriarchal society, the same society that encourages extreme self harm and body modification through a multi-billion dollar cosmetic industry?

Gender dysphoria in young women needs to be demystified. It's not special, it's not unique. It is NOT evidence that she needs invasive surgery or steroids to feel comfortable in her body. It is evidence that she is in pain. In order to address the rising rate of transition in young women, we must first acknowledge the conditions that nurture this form of self-hatred.

Transition IS a feminist issue. It is just as relevant in Western feminism as tackling the beauty industry, female sexualization, and violence perpetrated against women through porn. All of these issues are deeply interconnected. When we approach dysphoric women with compassion and encourage them to perceive their bodies as a part of themselves that deserves to remain intact and whole, rather than as their enemy, we take a necessary step towards female liberation.

[plutoswritingplanet]

Taking What's Not Yours (Dracule Mihawk x Reader)

a/n: soooooo, there is this pirate warlooooord. basically, i've watched the live action show on Netflix and immediately had to commit a one shot.

Warnings: Pure Smut (i had to get it out of my system), Wall Donging, Use of Alcohol, Stealing, Plotting, Lollygagging, inappropriate use of that cunty cross necklace.

Summary: A misguided attempt at impressing your friend lands you in a very peculiar situation. (cross-posted on AO3)

   The bar buzzed with the energy of drunken people. Your throat still burned with the after-taste of the cheapest rum the establishment had to offer, and for a second you've become deeply worried about losing your eyesight, as faint notes of straight methanol registers in your brain. Then, the pleasant buzz hits your nerves like a suffocating blanket, and in one moment you sense all your troubles drifting away. And there has been quite a lot of troubles on your mind lately.

Mainly, the Marines, their presence an annoying nuisance. By no means were you a pirate, no. You searched for freedom in different ways, such as stealing as much, and as often as you could. Money was the driving force of your life, but you'd be lying, if you said it was the only pleasure you seek. The thrill of the chase, of finding that perfect little trinket you can grab, and your victim would be non the wiser. The euphoria of creating distractions in one place, so you can strike like a viper in another. It made your blood boil with excitement incomparable to anything else. 

On top of that, besides the occasional confrontation, the Marines simply couldn't identify you. All it took, was a bandana around the lower half of your face, and suddenly you were able to march into a bar, such as this, filled with Marines, and no one would notice. Your eyes fall onto a rather skinny one, the belt of his too big uniform is digging into his waist, betraying how little there actually is of him. He looks back at you, smiles, and joins a group of his friends at one of the tables. You reciprocate the smile with a glint in your eye. The poor bastard doesn't know it was you, who stole an antique photo of his grandma right from his breast pocket. 

In your defense, the small frame was made of gold. And damned pretty at that. It fetched you a pretty price too, one you were currently drinking away, waiting for your friend to join you in your efforts of landing under the table by the end of the night. 

You barely manage to go through one fourth of the bottle, when they arrive, smile on their face and hair wild from running through the streets. It all goes downhill from there, as stories and alcohol flow freely between the two of you. It's a welcomed distraction from the gray reality of life, a small ray of sunshine in this murky town. They tell you about the latest heist they've pulled, eyes sparkling in the dim light, as they recount a particularly risky part of their daring escape. You snort into your glass, shake your head.

- See, that's where we're different. - you counter, leaning back into your chair - For me, it's all about stealth. In and out, so they won't know when they've been robbed. 

Your friend giggles to themselves. The drink in their glass splashes slightly, as they place it forcefully on the table. 

- You really think you're that good, huh? - they challenge, and already, you can feel the tingling sensation of excitement at the tips of your fingers. 

- I know so. 

They furrow their brows, turning towards the crowd currently hounding the bartender. There's a mischievous smirk playing around on their lips, as they turn their attention back to you.

- So, if I were to choose any person here, and told you to steal from them unnoticed, you'd do it?

The absolute gall of this question. Of course, you would. Hell, you'd do it multiple times, until this whole bar was filled with people suddenly missing their belongings. Because nothing compared to the thrill of reaching into someone else's pocket unnoticed.

- You know what? - your eyes run across the gathered crowd, smirk playing around on your lips, as you've spotted your chosen victim. - See that guy in the black coat? The one with the big ass hat. I bet I can get that fancy necklace off of him, in like, three minutes tops. 

As you speak, your friend follows your gaze through the Marines, and the pirates, and all the in-betweens. But when their eyes finally land on your target, they freeze in their spot, before rather rudely grabbing your shirt at the collar. Then, so fast, the world starts to spin in front of your eyes, they yank you under the table. Your stomach lurches with protest at the sudden movement. You give your friend a confused shake of your head. 

- Do you have any idea, who you're talking about? - they whisper-yell, eyes wide and clearly terrified. 

- What, about the hat guy?

Apparently you've said it too loud, because your friend nearly launches themselves at you. 

- That's Dracule fucking Mihawk.

From the way they've said the man's name, you gather, it should be at least familiar to you. Unfortunately, you can't say you know much of the world outside of the town, so your confused expression deepens. 

- He's like, the biggest deal - Your friend continues, their grip on your shirt loosening slightly - Like, children read stories about him and shit.

- I didn't - you shrug, before rising slightly up, so you can peek from above the table. 

The hat man has turned his back to you, his stature rather impressing, as he towers over everyone in the establishment. Your eyes follow the dark lapels of his coat, thief senses greedily gliding over the handle of his sword secured to his back. It's reminiscent of a cross, with gigantic, shiny gems nearly tempting you to do something unwise. Your friend tugs you back down, and your chin scratches on the rough surface of the table.

- What is he, like, a missionary? - you ask, fighting the urge to roll your eyes.

- What?

- You know, the cross and all that...

- What kind of missionaries have you been seeing?

Fair point, you think, before risking another peek, against your friend's efforts to pull you down.

 The man, Mihawk, takes a long swing from a flagon filled with something you can't really identify. You watch almost greedily, as his Adam's apple moves, when he swallows his drink. Then, your eyes drift to the necklace, nestled on his exposed chest. Gold, real gold, you can see it from here. Another cross, albeit, much simpler, than what he had on his back. A week of drinks, and fancy ones at that flash before your eyes. 

- Don't even think about it - your friend warns, finally giving up, and letting go of your shirt. 

Your eyes stay fixated on your prize. If you could just see where the clasp of the necklace is...

- Think about what...? - your voice betrays you, and you wet your lips with your tongue in concentration.

- He'll kill you - your friend warns - Like, actually kill you. This is not a man you should fuck with.

At that, you finally tear away, your eyes meeting your friends, a sea of mischief swirling in them.

- Who said anything about fucking? - you say with a wink, and before your friend can say anything else, you rise from your seat.

Taking the half-empty bottle of rum in one, smooth movement, you begin to make your way towards the bar, adding a stumble and a drunken giggle for good measure. The previous ungodly ammounts of liquor circulating your body definitely help with the impression, but you're pleasantly surprised, that your head stays relatively clear. Although, if your target is truly as powerful and dangerous, as your friend makes him out to be, then perhaps you really lost your mind for good. Best not to dwell on it though. 

The man barely spares you a glance, as you collide with the bar right next to him, arm brushing against his in a deliberate movement. You make sure to press your chest against the countertop, before waving at the bartender a bit too enthusiastically. The leftover liquor in your bottle sloshes out, landing straight onto the man's chest and lap. At that, he finally moves, annoyance clear in his rigid posture. Traces of liquid fall all the way from his collarbones to the belt buckle of his trousers.  

The truly magnificent performance of a drunken, apologetic girl you gave at that moment, would ensure you the entry to the most prestigious acting schools. Your eyes widen comically, as you follow the trajectory of your drink. He barely flinches, as his entire front becomes covered in alcohol, but he does react, as soon as you start apologizing, a lot, your voice quivering as if you're about to burst out crying. 

Don't look up, you remind yourself, as your body moves closer to his. You pull down the sleeve of your shirt and reach towards him, trying to dry some of the liquor off his skin. For the split second you manage to make contact, your heart nearly jumps out of your chest. He's incredibly warm, his skin pulled taut against prominent muscles. Then, your sleeve reaches the golden necklace.

His arm immediately shoots out, grabbing you by the wrist and nearly shoving you off. It was enough, though. That short moment of contact revealed more than you've bargained for.  

- Leave - you truly flinch at the sound of his gravely voice, no acting needed - You've embarrassed yourself quite enough, woman.

Your head nods fervently, hair jumping around your face. He releases your wrist, and you mutter another string of "I'm so sorry, sir". Then, you throw in a sniffle, for good measure, but your treacherous eyes drift upwards, desperate to catch a glimpse of the man's face, as you're only inches from him. Yellow envelops you in an instant, a piercing, unrelenting gaze, which breaks through all your defenses. Your gaze hardens in an instant, challenge rising in your posture like its second nature. One of the man's prominent eyebrows shoot upwards ever so slightly, and you know it's your time to exit the stage. 

So you bow your head again and slip past him as quickly, as you physically can. His golden gaze follows you, the feeling of his eyes at the back of your neck makes your shoulders tense. With a stumble, this one not rehearsed, you push past the gathered patrons, until you reach the doors to the restrooms, nearly falling through them, in your haste to remove yourself from this strange situation. 

Your body collides with the row of basins, as you lean forward to try and catch your breath. Your heart is thrumming in your chest, the sound of blood rushing through your ears deafening. It's fear, you're aware. You've never been so close to being exposed, no one has ever seen straight through you, and so quickly at that. Chills run the length of your spine with such force you physically cringe. 

And then, something else starts to brew in the pit of your stomach. Something that starts at the tips of your fingers, spreading upwards, until it settles in your chest. The magnetic pull of excitement, the danger of a new challenge. Your brain feels hot inside your skull, as you gather all the information you managed to pull out. 

The necklace is heavy, but strangely, not as heavy, as solid gold would be. The clasp is sturdy, but small. You could feel it, with how the strap tightened, when you pulled at it. And one more thing. As you tried to "dry" it, the body of the necklace shifted slightly, so you could see the clasp peeking over the man's shoulder. You were almost entirely sure it was one of those old-timey ones. The one, where two halves fit together, incredibly easy to open. 

God, you really are going to pull this off. You hype yourself up, in front of the mirror, jumping from leg to leg, like a sportsman ready to fight for their team. Easy. Quiet. In and out. You've done it a thousand times, why would this one be different? After this rather pathetic pep talk, you make up your mind. Splashing some water onto your face, you give yourself one last look in the mirror, determination filling your eyes to the brim. 

And then, you're out, the door to the bathroom swings behind you, as you easily blend into the crowd of rowdy patrons. He's almost impossible to miss amongst the ruckus, with his straight posture and that damned hat. There is a plan forming in your head, as you stalk towards him. The unfortunate waiter, with a tray filled with tall beer glasses walks towards you, and with ease, you slide your leg to the side, making him trip right onto the floor. 

It creates enough of a distraction for you to smoothly move behind your target, and as he looks over at the screaming crowd, you hand makes its way behind the collar of his coat. With the warmth of his skin just under your fingertips, you touch the clasp of the necklace. It unravels immediately, sliding off of his neck, where, just out of his vision, your other hand waits. The cross lands in your palm just as the man realizes what is happening.

His entire body jerks in your direction, large hands immediately flying towards the gigantic sword on his back. Thankfully, you're faster. Fingers squeeze around the smaller cross, and suddenly all pretense is gone, as you bolt back to the restrooms. You don't stop to check if the man is pursuing you, a flurry of emotions chasing you out of the establishment. Excitement, yes, of course, but mostly impossible to explain fear. In that moment you know, you can't get caught if you want your life to continue. 

So, you barrel through the doors to the restroom and immediately jump onto one of the basins. Your hands make quick work opening the small window just below the ceiling, its lock coming undone under the prying of your lockpick. Night air floods the bathroom with the crisp smell of the harbour. Putting all your concentration into athletics, you jump through the small opening, squeezing through. Your shirt catches onto the lock and tears with the force of your body. You land on your face, right into the cobbled street below.  Only then do you risk taking the time, and looking around, eyes scanning the dark, as your breath quickens. 

Nothing. A dog is barking somewhere, and even from the outside you can hear the sounds of the patrons screaming over each other. For a split second you wonder, if one of the voices belongs to your target, but decide against it. He didn't seem the type to raise his voice. Perhaps that was one of the things, which unsettled you about him. 

Tossing the necklace a couple of times in your hand, you observe as the gold shines in the light coming from the lanterns strung out around the city. There, right under the lower half of the cross, you could see a tiny groove. As if it was meant to be unscrewed or something of the sort. Deciding against hanging around in the ark alley right outside the bar, you put the necklace around your neck.

You manage to take about five steps, before some force grabs onto the back of your shirt. A hand twists itself into the torn material, and yanks you back so fast, and so hard, you completely loose balance. The brick wall of the lower part of the bar greets you with sharp pain, the impact knocking the wind out of your lungs. Stars swim in front of your eyes and your stomach twists and turns, as a sudden wave of nausea overcomes you. 

Then, all you see is yellow. 

He's here, arm pressed right under your chin with unwavering strength, his golden eyes bearing into you, watching you struggle against him. The smell of smoke, seawater and wine engulfs you whole, and suddenly the weight of the stolen necklace on your chest becomes unbearable. It's getting harder and harder to breathe. If you thought you were scared of the strange man before, now you're downright terrified. 

- Not many people would dare to steal from me - his voice is steady, almost bored, but your ears pick up on the subtle tone of curiosity - Let alone do so successfully.

Perhaps it's the alcohol in your system, or perhaps your ego has grown much too big, but you almost feel as if the man is impressed. 

- Tell me, what is your name? - his arm digs a bit further into your skin before retracting ever so slightly, not enough to choke you, but enough to remind you, that he could do so very easily. 

Your tongue darts out to wet you lips, and you will yourself to sound even a fraction less scared than you truly felt.

- I'm nobody - you whisper fervently - I'm nothing. It was a stupid joke, I'm so sorry.

His eyes scan your face, taking in your disheveled hair, the way your eyebrows scrunch together, the way your lips tremble. His gaze slides further down to your panicked pulse running rampant, catching slightly at your heaving chest, before snapping back up. Freezing chills run up and down your body, and your legs kick out slightly, trying to find better footing, to regain some control over the situation. He gives you no such chance, as his arm pushes your neck further into the wall, and as your breath leaves you, your body starts to struggle. 

- Nobody. Nothing. And yet you've managed to steal from me - something akin to subdued mirth flashes in his golden irises - If only for a moment. 

His other hand rises and your heart stops in your chest, as you feel the tips of his fingers tracing the line of the necklace, from the juncture between your neck and your arm, sliding lower. There is no mistaking the small gasp leaving your lips, when he reaches the heavy cross nestled right on top of your breasts. He taps the goden piece once, twice, before grasping it firmly and giving it a hard yank. The clasp at the back digs painfully into your skin before it gives out, snapping and falling right into his hand. 

- You're a curious little thief - his voice lowers, as he inclines his head to look at you closer - For that reason, I'll let you live, this one time. The world needs some chaos, after all.  

You expect him to move away, give you space to breathe and disapear into the night. Yet, none of you make a move. Your body stays pinned to the wall, the bricks spreading cold throughout your back. He never retreats, standing firmly in his place, as his arm still presses itself into the crook of your neck. Finally, you risk enough to get a good look at him, from the silky black hair, the perfectly trimmed facial hair and the elegant dip of his collar bones. And, oh, his pupils are dilated. For the first time, you discover a change in his unrelenting gaze. 

The gold retracts, giving way to the swallowing blackness of his pupil, as his eyebrows furrow in confusion at the situation at hand. You'd be confused too, if you didn't feel the tell-tale buzzing forming in your guts, low in your stomach. Your tongue darts out again, wetting your lips, and with undeniable satisfaction you watch his gaze flicker downwards. 

- Is there something else you want? - his eyes snap back up at the husky tone of your voice, and you give him just a tiny ghost of a smirk.

He recoils immediately, albeit, never taking the arm off of your body.

- I am not some teenage boy who can't control his urges - he sounds almost offended, as he straightens himself, and fixes you with a stern glare. 

Too bad. His previous slip-up has already filled your head with devious ideas, which in turn, sparked a sudden flame of confidence. So, with a self-assured smile, you lean back, finally finding your footing, only to raise one of your legs, purposefully running your calf the length of his thigh. His breath hitches ever so slightly, evident more by the movement of his Adam's apple, than any sound. Then, you reach your prize, your knee knocking into something that could only be described as a sizeable erection.

- My research says otherwise, sir. - you counter with a pointed look, and the man before you freezes in his spot. 

Time seems to slow down and stretch like taffy, as the man continues to stare at you, thoughts running through his head. Oh, how much you'd give to know them all. Will he kill you, you wonder as your eyes dart around the small creases forming on his forehead. Will he kiss you, his lips are parted and invitingly plush. Will there be more, your eyes follow the lines of muscles exposed under his unbuttoned coat. 

At first you don't even notice, when he had taken his arm back. That is until you feel him take a firm grab of the back of your head, gathering the roots of your hair in his grasp. There is no denying the choked whine that escapes you, as he cranes your head back, nor is there a point denying the groan he gives out at your reaction. 

An unspoken understanding blooms between the two of you, both of you suddenly knowing exactly how this encounter will end. For your part, you were more than excited, breathing heavily, as your mind became foggy from the feeling of his fingers in your hair. And if his darkened eyes and slight blush dusting the highest points of his cheekbones were any indication, you seemed to have similar effect on the man. 

- For all the research you seem to be doing - your brain feels hot and heavy in your skull, as you try to shift your focus onto his words, and not the way his lips curled into something akin of a smirk - There's one thing you didn't bother to check, did you?

All you can do is stare at him blankly. his other hand starts to toy with the necklace, turning it in his palm. 

- Have you checked, if my necklace is made of gold? - he asks matter-of-factly, tilting his head to the side. 

Your mouth opens and closes, no words coming out, as you continue to stare with growing confusion. Then, a glint of a golden cross catches your attention, as the man moves it higher for you to see. 

- Did you check it? - he accentuates his words, and you shiver under his intense gaze.

You shake your head no, and your neck feels as if it's made of lead.

- Use your words, thief.

- No

You don't recognize your voice, so meek and small. 

Then, all thoughts leave your head, because he lifts the lover tip of the cross and places it on top of your lower lip, pressing slightly, and watching with fascination as the cold metal creates a small indent in the plush flesh. 

- Check it.

Again, your brain seems to be moving in slow motion, but when it catches on, a glint of mischief swirls in your eyes. You open your mouth, let the necklace land on your lower teeth, and then, craning your neck, you bite down, like a good thief that you are. 

It's gold alright. Albeit, the part currently between your teeth seems to be hollowed out. Your brows knit for a second, as this new information registers in your mind. So you were right before, the small indent is meant to separate one piece of the necklace from the other. 

With a slowly blooming smirk, you let your tongue dart out swirling over the metal. The man's eyes widen ever so slightly, and he pulls back at the necklace. With some fight, you let it go, but not before giving it another lick, this one much more suggestive and pointed. 

- You're a devil of a woman - Mihawk breathes, before untangling his other hand from your hair. 

Both hands now, he grips the necklace, and your mouth runs dry at the sight of his fingers smearing your saliva onto the metal. And then he pulls. Your heartbeat momentarily quickens, as your eyes register another form of metal glistening in the dim light. 

A knife. Small but incredibly sharp, your body starts to shiver but it's not out of fear. He drops the other part of the necklace into his pocket, and gathers the front of your shirt into a tight grip. Your breath hitches, as you feel the tip of the knife slide up under your clothes. It scratches a path from your navel, up to your collarbones, and as the material bunches, the man suddenly yanks the blade upwards. Your entire body jumps from the wall, and your squeak of surprise is accompanied by the loud tearing of your shirt's material. 

You fall back against the bricks, and Mihawk leans onto his heels as if he's appreciating an art piece.

- Now we match - you manage to breathe out.

He humms, deep in his chest, and as suddenly as he just tore your clothes off, he dives towards you, open mouth landing right between your breasts.

The moan he wretches from you would be embarrassing if you could only bring yourself to care. But you can't, not when his hot tongue traces patterns all across your stomach, stopping to swirl around each one of your nipples. Like a man starved, he drinks you in, hands pushing and pulling against your hips in a rythmn, that feels more and more like a promise of what's to come. 

Your hands flail at your sides, desperate to find any sort of purchase. Fingernails scarpe against the bricked wall, as Mihawk's stubble tickles a path from your collar bones and up your throat, stopping for a moment, to give a few nips to the skin just below your ear. Another whine is wrenched from you, as the man places an open mouthed kiss to the scrape your previous encounter with the surface of the table has left on your skin. Then, finally, he pulls back for just a moment, drinking in the sight of your heaving chest and the redness which has engulfed your entire face.

- Beautiful - he concludes in the same, steady tone, as if he's stating an obvious fact, not paying a compliment.

It works on you all the same, and with a gasp, you lurch forward, your lips forcefully colliding with his. The kiss is deep and filled with passion you're not sure you've ever felt in your entire life. As his mouth and tongue work the insides of yours, you feel him slide his hand from your hips to the front, fingers pulling with urgency at the laces of your breeches. You can only pray, that there's no one taking a midnight stroll through the streets, as another loud moan escapes you. He does his best to swallow it, but something tells you he takes immense pride in the reactions you give him, as his efforts at keeping you quiet are haphazard at best.

Then, after finally winning the battle with your lacing, his hand pushes itself into your undergarments. Your head smacks back against the wall, when he begins to touch you where you need him the most. Expert fingers find your bundle of nerves in an instant, but before you get too carried away, one of your arms encircles his wrist.

Mihawk tilts his head, an unspoken question clear in his golden gaze.

- No time - you pant out, and for a moment worry, he doesn't quite register your words, with the way his focus shifts immediately to your swollen lips - No time, just... Just fuck me, Mihawk.

That seems to reach him just fine, because as soon as the words leave you, his arms shoot out towards his pants. He makes quick work of the massive belt buckle, and with impatient hands yanks his erection out of his underwear. You'd lie, if you said the view didn't worry you just a little bit. But excitement was your drug of choice, and right now you felt as if you could explode at any given moment. With shaky hands, you try to shimmy out of your pants. Seeing your rather clumsy efforts, Mihawk stops you. 

With half-lidded eyes you watch him kneel down in front of you, gently pulling your breeches down, before lifting each of your feet, so you could step out of them. 

- I think I like seeing you like this - you comment, as he leans forward to kiss the space under your right knee. 

- The view from here is also quite spectacular - he counters, kissing up your thigh and making you gasp, as his stubble presses into the mound of flesh just below your stomach. 

Still, there is no time, so you reach down towards his shoulder, and pull him up. 

- Please - you whisper against his lips, and who is he, to deny a lady in need. 

Lifting one of your legs in a tight grip, finally, his hips snap up, filling you to the brim. Your muscles tense, as you try to accommodate his size. To his credit, he stays still, face pressed into the crook of your neck, where you can feel his strained breath. Finally, you let yourself relax. tapping him on the shoulder, to let him know he can continue. 

And continue he does, slowly at first, dragging your body from the wall every time he retracts, only to come back in with an agonizing pace. You don't really know who's more frustrated at that point, because as soon, as you try to wriggle your hips more, to force him to pick up the pace, all resolve seems to dissapear. His hand grips your thigh even harder, enough to leave a reminder for the later days. The other tangles itself into your hair, pulling at the strands. And then he truly puts in work, hips snapping in a punishing pace that makes your back scrape against the brick wall. You hide your face in his coat, inhaling his scent and praying that the thick material will be sufficient at muffling your moans of pleasure. 

There's pressure, building steadily in your guts, and it doesn't take you long, to feel the band snap somewhere deep inside you. Your muscles tense and your eyes roll back, as you begin to shudder in his grasp, knees giving out completely, so only his own strength is saving you from colliding with the floor. Soon, he follows with a low grunt, nearly toppling over, when his own release hits him. 

His arm holds you close to him, as he uses the other one to steady himself against the wall. Both of you are panting heavily, none of you ready to move just yet. You rest your cheek against his chest, and feel him press his face to the top of your head, inhaling your scent as if this wasn't just a quick dalliance in a dark alley. 

- You should get back to your friend - Mihawk's voice is muffled by your hair - They must be dreading all the atrocities I could've bestowed upon you.

You laugh breathlessly, finally pushing him back and appreciating the flush on his cheeks, and the way his hair has flown out of place from under that impressive hat.

- Yes, those atrocities have been very great indeed. 

***

Your friend sits alone at the same table you've left them. Their head is hidden in their hands, and three empty bottles litter the space before them. It seems they have already started to mourn your untimely death. 

The inside of the bar has quieted down, as the closing hours began to loom over the patrons, a few stragglers still hanging around the bar, sowly finishing their respective drinks. 

Unceremoniously, you sit down right in front of your friend, wincing ever so slightly at the discomfort still lingering in your muscles, kicking their leg under the table and watching them nearly jump out of their seat with fright. 

- You... - their eyes have a difficulty focusing on your face, but when they do, it's like the heavens have opened before them. - You're alive!

Your eyes are glowing, and your face is still blushed from your previous encounter. You lean forward with a brilliant smile, hands slapping onto the wooden table.

- So - you can't help but laugh - About fucking with him...

[localcatmutt]

OTHERHEARTED

What does it mean to be otherhearted?

Otherhearted is a term primarily used in the therian/otherkin community that means “to identify WITH a non-human animal/creature/being.” You may have a deeply rooted connection/relation to it, and experience shifts or traits similar to the species, BUT not identify AS it. For example, I experience many bear traits and shifts, I feel a deep connection to these animals and identify WITH them, rather than identifying AS them. The “as” or “with” are very important to distinguish a theriotype/kintype from an otherhearted “identity”.

Another common term that holds the same meaning is kithtype. The etymology of the word “kith” originally means familiarity (not family), or something/someone you are connected/close to. Then the word “type” refers to what kind of identity it is (which is kith in this case). 

To simplify the difference between kintypes and kithtypes; kin (to identify as/to be) and kith (to identify with/to be like).

Importance of Otherhearted

In the community people tend to showcase their theriotypes over kithtypes. They are held at a higher standard, and they are viewed as more important when it comes to our identity as a whole. But that couldn't be further from the truth. In fact, being a therian and being otherhearted can share most of the same experiences. You can indeed have shifts from kithtypes, mental and phantom. Being otherhearted can impact your life just as much, and you can wear all the same gear as a therian. Both are a part of your identity. Kithtypes can be just as prominent as kintypes.

The questioning process can be all the same as well. 

Belonging in the Community

People who are otherhearted are just as valid as therians, and belong in our community all the same. We all identify as, with or simply connect to animals in different ways than people who aren't in our community. Our animal hearts, minds and souls are what connects us. Not the labels. Therians, otherkin, otherhearted, coping identities/coping links… they all belong.

As I have said before, these all share similar or same experiences. Any of us can wear gear, do quads, make posts, educate or share our identities. The sole differences are the origin of these identities, and whether you identify as or with the animal/creature/being (or if it's a voluntary identity like in the case of coping links, which I will eventually address in a separate post). 

Confusing the two

It’s easy to feel lost when we’re trying to figure out what we are, and where an identity stands. Is it a theriotype? Is it a kithtype? Is it a cameo? It can be quite the confusing process. Although I think that if people knew how important being otherhearted is, they might find it easier to understand if they're kith or kin. I mean, in the end the major difference is just… are you LIKE the animal? Or ARE you the animal? Shifts don't immediately mean theriotype, so I think that's where most of the confusion lies.

Quick definition of cameo for those who don’t know of them : Cameos are simply shifts that can suddenly come and go, that arent from a known kintype. They may make a brief appearance in your life. Think of the actual word “cameo” that is used for actors who make sudden appearances in movies, and may bring an element of surprise to viewers. 

I am otherhearted

I have six primary kithtypes. Each has different levels of relevance/importance to me, but are still very important to who I am as a whole. These kithtypes are; Canines (coyotes and jackals especially), Kermode Bears/Black Bears, Ravens, Snakes, Giant River Otters and Arthropods as a whole. It's a lot, but over the years, deeply rooted connections to these animals have planted themselves into my identity. I have shifts, behaviours and traits just like them!

Sometimes I even feel confused because of how prominent they can become. 

Well, that’s all for now! I thought it would be important to talk about otherhearted identities for a change. Its not shared enough and I think that spreading more information could help people figure out experiences more easily.

Hope you enjoyed!

Last note - If I made spelling errors or definition errors let me know. Everything is based on research, and what I've been learning throughout the years I've been in the community. I have been active here for more than 7 years, and have been on many different platforms including Instagram, Amino, Tumblr, Discord groups and a few Forums. So I don't only explore newer information, but also older ones. 

[mommyclaws]

Is everyone willingly ignoring it or when are we going to realize this petty label discourse has always been rooted in misogyny. This started long before Bi Lesbians. Some of you are just too new or simply never paid enough attention to realize the history of this hatred of lesbians. Do any of you remember?

First it was "Butches aren't valid" because they were invading wlw spaces with their "masculinity"

Then it was moved onto: "Trans women aren't valid" because actually they were the ones invading wlw spaces with their "masculinity" The exact same arguement being used against cis women as well.

Then "Pan/Bi women aren't valid" because your attraction to men or anyone other than a woman doesn't belong in wlw spaces.

Then it was "Nonbinary lesbians aren't valid" because if you're "not a woman" by my definition you're invading wlw spaces.

"Asexual/Aro women aren't valid" because your lack of "real" attraction to women doesn't belong in wlw spaces.

"Lesboys aren't valid" because you are invading wlw spaces with your "masculinity"

"Bi/Pan lesbians aren't valid" because your attraction to men or anyone other than a woman doesn't belong in wlw spaces.

Oh wait? Where have we heard those last two before? Wasn't everyone arguing about those SAME issues with Butches/Trans wlw and Pan/Bi wlw?

Yes, exactly. Would any of you take ONE look back and realize this is only repetition of problems we have already decided don't dictate our identities?

They say, "You're not a real lesbian unless you do this and that and even if you do that you'll never be good enough." No matter what lesbains do, there will always be a problem. Why? Because this isnt about being a lesbian, this isnt about women, this is rhetoric started by terfs and it will never be anything more.

Sure, you can follow their rules to feel valid, but you'll never be good enough. You're an invader too because they'll sprinkle in little things to feed the insecurities and rules that THEY fucking created.

You're not a real lesbian unless you're a "gold star lesbain" meaning you've never dated or been attracted to a man. You're not a real lesbian unless you're feminine. You're not a real lesbian unless you hate masculinity.

Which is just translation for: You're not a real wlw unless you hate men and don't deviate from gender norms. And, WHO would've thought! Is exactly what terfs want.

They sink their claws into the newer generations because they don't remember what our community has had to go through, all they see is the fake issues created and they think it's a threat because they're being fed "This is what's valid and this is what's not" and it seems like it's never going to end because women being anything other than passive and simple with their identities are immediately taken as a threat to the community by those who are insecure and need to demand the exclusion of anyone who doesn't follow their rules to feel like theyre part of a group.

Anti-Bi/Pan Lesbians have become sheep because they only surround themselves with online discourse instead of the real issues LGBTQ people face and in their attempt to keep a "clean community" They're more unwelcomed than the people they tell to kill themselves. So caught up in fake problems others or themslves have made up that they fail to grasp the simplest of concepts: Labels DO NOT exist in real life. Labels are created to help people describe how they feel or identify. They are not and have NEVER been a final definition.

Labels are worn HOWever and WHENever the owner feels like it. They're not collars. They're not cages. You can't use them as such. You can't use them against us.

When? WHEN? When did we decide that a label- A WORD- matters MORE than the real life feelings that real life people are experiencing?

Why did we dehumanize the ability to feel attraction and expression?

[dreaminginthedeepsouth]

MLK at 95.

January 15, 2024

ROBERT B. HUBBELL

Martin Luther King, Jr. was born 95 years ago on January 15, 1929. As a Baptist minister, he advocated non-violence while promoting civil rights. He spoke for the poor, the oppressed, and the disenfranchised. While he was imprisoned in a Birmingham jail for protesting segregation, he responded to eight white ministers who had criticized him for participating in protests that they described as “unwise and untimely.”

Dr. King’s famous reply to the white ministers explained why he traveled to Birmingham from Atlanta to protest:

I cannot sit idly by in Atlanta and not be concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly affects all indirectly. Never again can we afford to live with the narrow, provincial outside agitator" idea. Anyone who lives inside the United States can never be considered an outsider.

While Dr. King was keenly aware of the racism that served as the understructure of the Christian church in the old South, he would be shocked by the virulent, mean-spirited, anti-Christian message that animates many (not all) evangelical congregations in America today. They form the backbone of Donald Trump's support in Iowa and beyond. They have adopted Trump's message that treats the poor, oppressed, and disenfranchised as “outsiders” and “others” who do not belong in America.

Over the last several days, we have learned that members of the Texas National Guard physically blocked federal Border Patrol agents from responding to reports of immigrants in distress in the Rio Grande. The bodies of a mother and two children were later recovered from the river in the area where immigrants were reported to be in distress.

Texas, of course, denies that its cruel actions caused the drownings—a denial that should be viewed skeptically from a state whose governor—Greg Abbott—recently commented Texas troopers could not shoot immigrants crossing the border because the troopers would be charged with murder by the Biden administration. Texas governor criticized after comment about shooting migrants | The Texas Tribune.

Similar animus underlies the recent comments of Mississippi Governor Tate Reeves, who withdrew Mississippi from a federal program to provide food to school children during summer breaks. Governor Reeves said Mississippi withdrew from the program to fight “attempts to expand the welfare state.”

Blocking efforts to rescue a drowning mother and her children? Regretting the inability to shoot immigrants because it would be murder? Denying food to poor children out of spite? Who are these people? How do they look at themselves in the mirror?

Ninety-five years after Dr. King’s birth and fifty-five years after his death, it is difficult to believe that people who identify as upstanding members of the Christian church can support such actions.

Another section from Dr. King’s Letter from a Birmingham Jail is relevant to this moment in our nation’s history:

But the judgment of God is upon the church as never before. If the church of today does not recapture the sacrificial spirit of the early church, it will lose its authentic ring, forfeit the loyalty of millions, and be dismissed as an irrelevant social club with no meaning for the twentieth century. I meet young people every day whose disappointment with the church has risen to outright disgust.

Dr. King’s words were prophetic. See Pew Research (10/17/19) In U.S., Decline of Christianity Continues at Rapid Pace.

And, of course, as Dr. King recognized, “there are some notable exceptions” among church leaders who supported his work—just as there are exceptions today. Several readers have recommended Faithful America as an antidote to Christian nationalism. The organization’s helpful FAQ page explains why “Christian nationalism” is not Christian. See Resisting Christian Nationalism: FAQ + Resources | Faithful America.

On this day commemorating Dr. Martin Luther King Jr.’s birth, we can see how far we have come—and how much further we must go. He didn’t despair. Neither should we.

Robert B. Hubbell Newsletter

[artist-issues]

Tell me every reason you enjoy Zootopia enough to give it all the rewatches you do.

Every? Oh boy.

Good Story

Perfect Characters

Visual Appeal

Earnestness

Let me break it down.

1. Good Story

Zootopia’s main point is: “Try to make the world a better place by realizing we’re fundamentally the same.”

That’s a really good main point.

It has the benefit of being true. Right now our culture is super into “self-identification,” and this crazy contrast between, “I want to be able to identify as something special” and “Now that I know what categories I fit in, I can choose who’s ‘one of us’ and who’s ’not one of us.’” Okay well that sounds pretty and I’m sure it fulfills some emotional need at some point, but it’s actually super divisive, and self-serving, and it’s the seeds for all prejudices. Including racism.

Do we have differences in origins and experiences? Yes. Of course. Do we also have some fundamental things in common? Yes. Of course. Which truth are you going to give the highest priority to? If it’s “no, I’m a prey animal, I know exactly where I belong, that’s who I am, that’s how I dress, that’s my compass for how I interact with others” then you’re getting all your security from your “sense of self,” and being able to understand what that is…which is just a fancy way of saying “I’m all about me. My own perspective informs everything I do.”

Anyway. Zootopia’s message was super true.

And the coolest thing about it is that if only Judy were in the wrong, and the other half of the dynamic duo, Nick, was this open-minded, un-prejudiced guy…and she just hurts him and has to apologize…the movie’s message wouldn’t be as well-communicated.

They have their prejudices and their hurt-from-being-prejudiced-against in common!

They’re the same…because they’ve both felt what it’s like to be treated like they’re not “the same.”

Nick isn’t the only character being mistreated and written off because of his species. The whole first half of the movie is about Judy being mistreated and written off. They think she can’t be a cop because she’s little and cute and a prey-animal. They think Nick can’t be trustworthy because he’s sneaky and small and a predator.

So literally…if Judy represented one race, and Nick represented a completely different race…the movie would be saying that both those races are discriminated against. They even have discrimination in common. AND, if Nick represented men who people make assumptions about because he’s a man, and Judy represented women who people make assumptions about because she’s a woman—the movie would be saying that both those genders are falsely judged.

I mean. Wow. Right now, your movie is either pro-woman or pro-man. Right now, your movie is either BLM or white-supremacy. Everybody’s lining up on one side of the line or the other. Zootopia says, “it doesn’t matter what character you’re looking at, from the elephant that can’t remember anything to the two main characters—every single one of them has fundamental things in common, and one of those things is that they all live like they’re in their own special category. When actually, they’re all fundamentally the same.”

I don’t want to keep beating the dead horse. But I have a post somewhere that lists every background character and points out that each animal is the exact opposite of what you would assume they are based on their animal-stereotype. The otters are never shown being playful or snuggly, only traumatized and ferocious. The cheetah is fat and slow, not quick or even quick on the uptake. Etc.

Even if you look outside of characters—look at the sets. Look at the environments. The whole city is designed “for animals, by animals.” But it’s in neat little segments. The animals organize themselves by habitat. Of course, in one sense that’s practical—the polar bears can’t live in Sahara Square, etc. but the point is, by making Judy and Nick, the main characters, small animals, in a city where everything is built to accommodate by species—UGH this is so good—they have to figure out how to problem-solve in situations that weren’t made to accommodate them.

Little Rodentia? Judy has to avoid stepping on all the mice or knocking over their buildings. Parking tickets? She has to figure out how to jump to reach bigger animals’ windshields—or she inconveniences smaller animals because the tickets are all printed at the exact same size. Stuck in a cell? The guards didn’t think about the fact that small animals can fit down the pipes made to accommodate big animals.

Zootopia is a city advertised to be where all the animals can come together. But the way they do that is by trying to accommodate every species’ preferences. So then actually while they try to come together, everything from their cars to their districts remind them of their differences. The whole idea is that they prioritize the wrong truths. Yeah, mice can’t drive giraffe cars—but they still have “driving” in common. See?

And oh my word. Initially it was supposed to be a spy story. But they changed it to a buddy cop story. Why? Well because justice doesn’t discriminate. Or at least, it’s not supposed to. So then there’s another lens to look at the story’s main theme through.

It’s just that every layer, every perspective you look at the movie from, is just hammering that truth into you: “Try to make the world a better place by realizing we’re fundamentally the same.”

2. Perfect Characters

Every character is so well-thought-through in this movie, even the side characters. You get the feeling you could watch a whole movie based on the side characters, because that’s the amount of love and nuance built into them.

Look at the main ones, though. Bellwhether is supposed to be soft and a follower. She’s a sheep. Instead, she’s hard and bitter—and she’s a leader. A villainous leader, but a leader, nonetheless. Even as she tries to keep animals divided based on fear of their stereotypes, she’s not fitting her own stereotype. Her voice actress has this strained, half-hoarse, but sweet voice. Like you can tell that this character has spent a lot of time under pressure and trying to manage appearances. Appearing like she’s fine, and she can handle it—until you realize that the appearance she’s really managing is “the cultural fear-based identify of the city.” They dress her in plaid and flowers and she’s a farm animal, because that’s the kind of character Judy would be most likely to trust. But she still has green eyes, and jagged teeth, so that when she does start making evil expressions there are some caricature-pieces in there that come out and accentuate that.

Nick Wilde—everybody’s favorite—is supposed to be sly and smooth and shifty. And he is. He’s a fox. But he’s also brave, helpful, and trustworthy. The first time you see him is when he’s dodging out of the way of a bigger animal ignoring him and about to run him over. Well, that’s important.

Because Judy knows what it’s like to have to get out of the way of larger animals, because they overlook her.

So right off the bat, this character she has to get along with and work with, this character who furthers her development and nails the main point, is introduced in a way that has something in common with her. But he’s also introduced in a way that gives her an opportunity to focus on a different truth—that he is different from her. Because the sheep is yelling that he’s a “fox.” Right away, we’re back to species-as-identification.

And that’s what the movie does, all the way through. It presents new animal characters, and with those new animals characters, more than one thing is true at a time. And Judy has to try to focus on which truth is more important. “Try to make the world a better place by realizing we’re all the same.” Yes, Nick is a criminal. But Nick is also brave, helpful, and eventually, becomes trustworthy.

Judy, too. Judy is an incredibly well-done character. Because she believes, in her head, that anyone can be anything—which is not what the movie ends on. In fact, she goes from saying, “anyone can be anything,” to saying, “we all have limitations.” It’s not true that a fox can be an elephant. But it is true that a fox can be trustworthy. Figure out what’s true, and try to make decisions for the better, based on that.

I could talk about character design and acting. Ginnifer Goodwin gives just the right amount of smugness and self-confidence to Judy without making her unlikeable—you don’t realize she’s smug and her self-confidence is misplaced until she does, when she fails to make the world a better place for Nick.

Judy wears tight, actionable, well-fitting uniforms for the whole movie. In her civilian clothes when she comes to Zootopia, she’s wearing athletic t-shirts and shorts. Ready for action, that’s Judy, even in her civvies. Meanwhile, Nick? Nick wears loose-fitting clothes. Loud, patterned clothes that don’t match. Like he didn’t even what, ladies and gentlemen? Like he didn’t even TRY. “Try to make the world a better place…”

Because when you meet Nick Wilde, he’s long since given up on trying, in life. So his character design reflects that. He rarely even stands up straight, or opens his eyes all the way—his default is drooping. And guess what?

When Judy “gives up?” Quits her job? Goes back home? Stops trying? Her civvies aren’t ready-for-action, trying clothes. They’re loose flannels. And her “ears are droopy.”

SERIOUSLY, you can find things like this in every corner of the movie. For every character. Not one character is a throwaway, not in voice acting, not in design, not in animation, and not in narrative.

3. Visual Appeal

Which leads me into this point—no other animated anthropomorphic animal movie is as visually appealing as Zootopia.

What Zootopia does is it matches the best of the best anthropomorphic animal designs from past Disney movies:

And they marry it with this incredible intentionality with modern CGI.

Did you know Disney invents its own software for things like fur textures?

The sheep’s wool, the velvet pig skin, the fox fur, the bunny fluff—it’s all completely different textures. There’s no one “fur” covering all the hairy mammals.

Nick isn’t just orange. He’s orange with deep red and dark tufts. Judy has black tips to her ears, too—which helps the two of them look like, in some sense, they belong “together” in every shot.

It’s so important to the movie that the animals feel like animals that they worked this hard to do this. And then that extends to the textures of the snow, the ice, the sand, the wet leaves, the grass, the fire.

Every character moves like their animal, and like themselves. Nick and Gideon are both foxes, but they don’t move similarly at all. Gideon is aggressive and glowering and physical. Nick, again, is slouchy, leans on everything, completely non-confrontational.

Other anthropomorphic animal movies like Sing or Puss in Boots—they’re not doing both as well. Zootopia is appealing, without sacrificing realism completely, and without cutting character acting.

The lighting. Nope. This post is too long, I can’t talk any more.

4. Earnestness

There is no disingenuous moment in this movie.

The animators are never lazy. They always go for the challenge. They don’t cut corners. Have you ever seen “Over the Hedge?” I like Over the Hedge. But I watched it recently and it’s crazy how many shots are strategically placed so that the animators don’t have to solve a certain effects problem.

For example, when RJ sprays Hammy with cool whip to make it look like he has rabies? He doesn’t. You never see the cool whip leave the can. It just cuts away, then cuts back when RJ is pulling the can away from his face. The shots are also cut so that you never have to see gas actually come out of Stella—and you never see Vern’s full body as he gets back into his shell, just the upper part of the shell as he wiggles it around, going through the motions of putting it back on.

That’s because that stuff would be painstaking to animate. Any time one character has to interact with props or substances (especially liquids) that are not part of their model, it’s harder on the animator.

Zootopia? We’re getting full-on views of characters getting wet, fur and all, characters touching various objects and elements, foam coming out of the mouth, new clothes, new set pieces, multiple models, huge crowd shots of different animals in different outfits, all with their own movement patterns and acting.

And all that hard work and effort, aimed so totally at the main theme of the movie? Making sure it looks as good as it can? Not just that, but the way it’s written, the acting, is so genuine. They don’t hold anything back. They don’t shy away from real emotion.

Judy Hopps’ apology scene is brutal. She’s crying, having a hard time finishing a sentence, her voice is all tight. It’s not pretty, it’s not romantic, it’s like…ugly crying. And her character is wrong in a super embarrassing way. They're not afraid to go there. The writers, the actors, the animators—they’re not afraid of being too vulnerable with these character flaws.

So many movies, especially kids’ movies today—they just pull up and shy away from being real through their characters. They think a quick sad facial expression will get the point across. And it does. The audience gets that the character feels sad about whatever the circumstance of the scene is. But not as powerfully. Because you didn’t put as much work and heart into it.

Zootopia is all heart, from work ethic to vulnerability to the filmmakers enjoying what they’re doing, enough to make it as good as it can possibly be. I can’t explain it better, other than to say, you feel like they would’ve been happy making this movie much much longer than it was. You feel like they’re cramming every bit of joy and passsion into every little joke, every side character, every hair on a CGI bear.

There you go. Long post, you did ask for it

[just-a-ghost00]

Tarot investigation : the portrait of your stalker

In this reading we will be trying to identify the person who has been stalking your socials. This reading is meant for you if you suspect someone of stalking you. There will be three sections : one for physical traits, one for personality traits and the last one for the reason why they stalk your accounts. For each section, I will be taking two to three cards. To pick your group, I invite you to choose one of the following songs.

Group 1 - You are my sunshine

Physical traits - King of cups, two of cups

This is someone that regardless of their gender appears as very soft and cutesy. They could look younger than their age. When people look at them, they seem very friendly and approachable. This could be someone that smiles a lot, who’s eyes are watery and sparkly. They could have round cheeks, wrinkles around their nose or their eyes from constantly smiling. They could tend to scrunch up their nose and look a little mischievous sometimes. They could have freckles or beauty marks on their face. They feel very fluid. So maybe they are gender fluid, maybe the way they style their outfits can vary a lot depending on their mood. They could prefer baggy clothes over tight fitting clothes. If they identify as a man, I feel like this person’s appearance is a bit different from what society deems at "manly". They look more vulnerable, more feminine. They likely don’t have a beard or if they do it is very subtle. They could wear make up or use a lot of skin care products. They groom themselves a lot. This is someone that looks very neat. They have big round eyes, full lips, puffy cheeks that look so soft and mellow. This is the type of person that people love at first glance because they look so innocent and kind. Everything about them is just so pure and beautiful. If they identify as a woman, they are fully embracing their femininity. This is someone that has a curvy body, luscious hair. They wear a lot of dresses, skirts, cute tank tops. They wear make up, do their nails, pamper themselves a lot. No matter their gender this is the type of person that is effortlessly aesthetically pleasing because they are the epitome of cuteness and charm combined. They probably look like a doll.

Personality - 2 of swords, The Tower and 10 of cups

This is someone that is tormented. Their outward appearance doesn’t let on the amount of inner turmoil they are in. This is someone that wears a lot of masks to make up for their shortcomings. This is someone that fears failure and rejection, that possibly has struggled with anxiety and/or depression most of their life. This is someone that is in a constant battle with their inner demons and despite all of that still finds the time and strength to be absolutely adorable with anyone near them. This is a person that has a lot of love to give and only wishes to be understood and loved for who they are. They long for a place where they belong. Their mind is both their best asset and their worst nightmare because depending on the phase they’re in their mind can really hinder them. This person is very analytical but also very powerful. When they are confident about themselves and feel fully supported they can move mountains and start a revolution. They are intense both in the good and the bad. They have an all or nothing type of mentality. When they like you they give you their all without question but if they don’t… you know the rest. I guess this is someone that looks like a cinnamon roll but could k*** you.

Why do they stalk you? - The World, 8 of pentacles, ace of pentacles

I am picking up on several reasons that I will list down below. This person could have several reasons to stalk your socials. 1. They would like to associate with you on a business level. This person sees potential in you and would like to get in contact in order to figure out how they can turn this opportunity into an actual project. 2. You are at a distance from each other and this person would like to get closer to you. They wish to investigate about who you are before they come towards you, whether that is to be friends or more. 3. They think the world of you. They admire your resilience, your independence, your creativity and open mindedness. You could be someone that has many talents, speaks many languages and/or travels a lot. You are unique and think out of the box which has caught their attention. 4. You voluntarily put a distance between you after encountering them to focus on your personal goals. Doing so, you surprised them and got their interest. Seeing that you were hiding away, this person has been wondering what you have been up to and they couldn’t resist the temptation to check on you. 5. As their was a ladder drawn on the 8 of pentacles card, it made me think of progress. The wheel of fortune is also a symbol of things moving forward, taking a positive turn and the ace of pentacles speaks of good news, new and tangible opportunities. So this person could want to create an opportunity to take things to the next level with you, whatever that means. They are looking for a breach, anything that could let them know that it is safe for them to interact with you and let their intentions be known.

Confirmation signs : fixed signs, earth and water signs, especially Scorpio and Taurus, leaves, mistletoe, repeating 2s, ladders

Group 2 - Sorry I love you

Physical traits - 7 of cups, 10 of pentacles, The Devil

This person screams "danger". This is someone that looks devilishly handsome/beautiful. So much so that they feel like they’re not real or they’re a catch. They ooze luxury. Everything about them is sensual, deep, alluring. They appear as confident, mysterious, unreachable, untamable, intimidating. They look like the kind of person that would call you out without hesitation if you crossed them. They scream authority. Nonchalance also comes to mind. They could look a little snobbish. They could have tattoos. They take extremely good care of their body and their appearance. Their presence is addictive to those around them. They are very guarded. They don’t talk a lot. Communication comes through body posture and gestures, eye contact, actions. This is someone that looks strong and indestructible. They could appear as cold, mean or disinterested. They look like the kind of person that knows their worth and takes no BS. The kind that would have no hesitation cutting you off and doesn’t need anyone. They look serious, stern even. They could frown a lot or have an inexpressive face. Their gaze is intense. If they identify as a man, they likely have a prominent jaw, narrow eyes that are deep in their eye socket, strong shoulders and arms, a broad back. Big hands. They could look older than their age or be older than you. If they identify as a woman, they have long lashes and long hair that creates a shadow on their face, prominent cheek bones, a very long neck and very thin hands. Very sharp nails also. I’m picturing people that tend to wear darker clothes, that have fair skin and dark hair/eyes.

Personality - The Star, 8 of pentacles

This is someone that is a loner, that is a hard worker and a major achiever. They are the quiet / introvert type. They don’t mingle with a lot of people. This is someone that communicates clearly and in a very efficient way. They don’t like to waste words and time. This is someone prideful and productive that takes a lot of pride in their work, accomplishments and skills. They like to read and study. They like to learn and expand their horizons. They have a curious mind and they like to be challenged. This is someone that has big aspirations and that isn’t afraid to go after what they want. They are opinionated, resilient and stubborn. They could enjoy using social media. This is someone that is admired for their work ethic and is a reliable business partner. They are very protective of their space and what they love. They are an idealist. They are loyal and committed to whatever they set their mind to. They have a hard time with change but they are also a very good listener. They know how to work with teams. They are a social butterfly though they rarely feel close to anyone. They have high standards. This is someone that likes to keep busy. They could work out a lot. They think a lot. They like to imagine things and then work hard to make them come true. This is a true dreamer.

Why do they stalk? - 7 of cups, the tower, 4 of cups

If you have had an argument with someone recently then this could be your sign that this person is stalking you because they are still not over what happened. They feel frustrated with how things went and they have unfinished business with you.

If you stopped interacting with someone all of a sudden without any explanation, this is your sign that person is stalking you because they think you are mad at them and they don’t know what they did wrong. They think that things have been cut short before they could even do anything and it makes them sad. They miss you and wish you would tell them what happened.

For some of you, I’m picking up on someone feeling like they have competition and they want to find out if their intuition is right. This person is trying to figure out what is going on in your life but they find you hard to read. Especially if you have prevented this person from being able to see your content.

Confirmation signs : Capricorn, Aquarius, Scorpio, repeating 7s, social media use, work connections

Group 3 - Something in your mouth

Physical traits - The Tower, The World, King of cups

This person is breath taking. Everything about them feels very regal and perfect, like everything is right into place and where it should be. They look very approachable despite that regal vibe. However their aura is so intense you may feel very small in comparison to them. They are definitely taller than you. With the combination of the Tower and the World card, I'm picking up on someone that comes from a different culture than yours. It gives me the feeling of a stark contrast. So if you're European, for instance, then this person is either African or Asian. I have the impression of someone that is very masculine but that allows themselves to be feminine in the presence of others, especially if it can make people more comfortable. So they would tend to smile a lot, to soften their voice, to make themselves look smaller or younger. I'm thinking of idols that are sometimes asked to act like babies when doing aegyo. This is the energy I get from this person. They may tend to dim their light and belittle themselves to make themselves look approachable or friendly. Not because they want to manipulate people but because they want to be appreciated and seen for something different than that intimidating persona that they may have naturally. I'm picking up on long fingers, rounded cheeks, freckles and beauty spots. Someone with silky or curly hair, that has a bit of a baby/innocent look. In terms of fashion they tend to wear clothes that make them look young, bright clothes rather than dark ones. If they wear dark clothes they always accessorize them to make them look less sombre. This is a person that looks very calm and collected. They walk at a slow pace, their gestures are always controlled. The emphasis is put on their eyes. They have beautiful eyes that make people feel understood and cared for. This is a person that looks very accepting of others.

Personality traits - 6 of swords, knight of pentacles, 3 of cups

Here we have someone that has been through a lot of struggles but never held any gruges against anyone. More than anything, this person tends to blame themselves rather than others and always looks at what they can do better or different. This is a hard working individual, who's patience and resilience know no equal. They are very adaptable and always push themselves past their limits to see how far they can go. They like to challenge themselves. This is a person that loves to celebrate and gather with people of all kinds, especially if they can learn from them. They are just a cutie patootie that wishes for the best for everyone and hopes that they can find people who feel the same. They strive for light hearted connections that they can feel safe with, where they don't have to change a thing about who they are. They want to be loved for themselves and not what they bring to the table. I feel like this person might have been abused in the past or made fun of. They just want to love and be loved, work hard and be a better person. And if they can gather people in the process, then that would make their day. They may be a bit stubborn. Once they have set their mind on something they rarely change course of action. They are determined and ambitious. They're not afraid to cut ties when needed. They're also not afraid to pursue something or someone if they're convinced it is good for them. This person doesn't give up easily. No matter how tough things may get.

Why do they stalk? - 10 of cups, Temperance, 6 of pentacles

You caught their eye. Not because you had something valuable that they coveted. Not because you did something specific. Just because you exist and you give them space. This person has never felt any happier and content than when around you. When interacting with you, they feel like balance is restored and they are finally where they're supposed to be. This person may consider you their soul mate or if not, they view you as family. They have the same amount of respect and love for you as they have for their siblings or parents. Which in their eyes is a lot.

They love how generous you are and keep giving without expecting anythig in return. This, to them, shows how disinterested you are and how trust worthy you can be. They know that the reason you are kind to them is because it is your nature, not because you wish to get something from them.

They feel like they can learn a lot from you and become a better person in your presence. Since this person values learning and overcoming their shadows, they feel like you would bring the best out of them, compared to others.

They feel like they can be themselves with you. They don't have to compromise as much or belittle themselves because in this connection the energies are balanced. You match their level. They can fully enjoy your interactions and moments spent together because they don't have to second guess anything, they don't have to overextend themselves to be gaining the bare minimum in terms of respect and attention. They know that you value them just as much as they value you.

Confirmation signs : fixed signs, especially Scorpio and Taurus, repeating 6s and Ts, almond shaped eyes, hands, angels

[eretzyisrael]

by Matti Friedman

The failure of Holocaust education has been most sharply observed by the writer Dara Horn, particularly in a prescient essay for The Atlantic last spring and before that in a 2021 book, People Love Dead Jews. After visiting numerous museums and speaking to educators who teach Holocaust curricula, she concludes in the essay, “The bedrock assumption that has endured for nearly half a century is that learning about the Holocaust inoculates people against antisemitism. But it doesn’t.” 

By turning the Holocaust into a generic story about prejudice, Horn argues, Holocaust education left its recipients without any understanding of the specific problem facing Jews—or even much sympathy for real Jews in the present. 

This was the argument she made half a year before the Hamas attack of October 7 and its aftershocks, when any doubts about the accuracy of Horn’s hypothesis were put to rest. The well-meaning donors who’ve footed the astronomical bill for museums, memorials, classes, and films should ask for their money back.

The confusion between knowledge of the how and of the why is illustrated, inadvertently, in the figure of one of the experts interviewed in Evil on Trial, Omer Bartov, a Holocaust historian at Brown who describes himself as a “historian of genocide.” Bartov, who is Israeli, belongs to Israel’s most unfortunate export category—namely, academics who find a home for themselves on an increasingly unhinged Western left by reassuring their comrades that their dark fantasies about Israel are sane. Barely a month after October 7, Bartov wrote a New York Times op-ed accusing Israel of “crimes against humanity” and warning of a possible “genocide” in Gaza, taking the two key terms first invented to describe the Nazis and deploying them against Jews. Then, after visiting one of the college encampments where Zionists are cast as malevolent global villains, he reassured an interviewer from Democracy Now! that he’d seen nothing amiss and that antisemitism on American campuses “does not exist in any significant form.” The protesters may be trafficking in lurid stories of Jewish evil, but the Holocaust professor thinks that this time the stories are true.Prisoner shoes on display at the Auschwitz-Birkenau concentration camp, Oświęcim, Poland. (via Alamy)

One of the blithe assumptions of Holocaust narrative has always been that no one would identify with the Nazis, but this is wrong. They’re villains, to be sure, but also strong figures, men of action. Just as the best character in Schindler’s List is the Nazi commandant played by Ralph Fiennes, the best character in Evil on Trial is Adolf Hitler, acted with deranged energy in the reenactment scenes by Károly Kozma. When I finished the series on Netflix, I saw that I could continue to Hitler’s Circle of Evil, then to Hitler: A Career, and then to five other movies with title screens featuring Nazis. All of this manages not only to bestow upon the Nazis a kind of dark glamor but also to reassure everyone that if you don’t have a red band on your arm and a skull on your hat, you’re fine. 

The Jews, on the other hand, tend to be mostly absent as real characters. They occasionally appear to be marched away with their hands up or shot into ditches in their underwear. But we don’t get a sense of who they are, or why their difference—and particularly their stubborn refusal to adopt whatever ideology is current—has repeatedly turned them into figures of hate. 

The liberal West may believe itself to be post-Christian, but it’s still the world created by an ideological system that co-opted Judaism and then developed a furious resentment toward its continued existence, thus establishing a civilizational pattern that seems destined to repeat forever.

If Holocaust stories treat Jews as props, they miss understanding what the Jews think about what’s happening to them. And what they think is worth consideration, not just out of courtesy.

Judaism is a religion with a very long memory, and Jewish texts include stories of oppression and extermination stretching back to Pharaoh in the Book of Exodus. Europe’s Jews saw the threat as a continuum that didn’t start or end with Hitler. They knew he was a symptom of the problem, not the problem itself. It is this insight, unlike the details of SS hierarchy or the sadism of Dr. Mengele, that has the power to help us make sense of the world we see right now.