#Peach is an anime fan

[robdogdraws]

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[sarukaiwolf]

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WA! WA! WA!!

The Waruio Gang is all here! (Colorized)

WaRio! WaLuigi! WaPeach!

Here to laugh at your tiny balls!

Look how small they are!

They're not even regulation standard!

[the-gamer-land]

[hotwaterandmilk]

I'm seeing "Wedding Peach was unsuccessful" trotted out on Twitter again and it's honestly kind of funny to me. You can dislike the series, but you're rewriting history if you suggest it was a massive commercial flop/astronomical failure — it simply wasn't.

The Wedding Peach TV series maintained viewership throughout its run which is why it aired an entire year's worth of episodes (the full length it was intended to run) and didn't get cancelled like Nurse Angel Ririka SOS, for example.

I'm not going to pretend it did Sailor Moon numbers, dear god, it absolutely didn't get close hence why it wrapped as it did. I would suggest looking back now, that it was the definition of a mid-performing title for the time period. It sold toys decently but not outrageously, it got viewers but not an outstanding number, and it garnered a small but dedicated fanbase of male otaku. All of which is par for the course when it comes to a mid title in 1995.

Wedding Peach DX was produced because the TV series LD sales were decent enough to warrant it. Children were not buying LD box sets at this time, adult fans were and it was this interest that justified the creation of the four DX episodes as direct-to-video releases. If a series doesn't sell well they don't make more episodes, let alone higher quality deluxe episodes specifically for the home video market (and thus for older audiences with spending power).

It is very important to point out that Wedding Peach DX had NO INVOLVEMENT from the original creative team. Tomita Sukehiro and Yazawa Nao did not contribute to its creation, Tadano Kazuko didn't provide designs. Yuyama Kunihiko was the driving force behind the production of the DX episodes and he served as both director and writer for all four episodes (bringing on Wedding Peach animator and soon-to-be frequent Pokémon collaborator, Ichiishi Sayuri to serve as character designer).

What inspired these to be fanservice dreck to the level they ended up being is honestly beyond me. I mean the otaku market definitely wanted more episodes featuring the characters (and more songs featuring the seiyuu, if you want to see how keen otaku were for FURIL please see this post) but part of what they liked about the characters at the time was their (barfbarfbarf) perceived purity and innocence. The DX including panty shots and swimsuits kind of threw them for a loop. Even now, if you look at discussions about the DX among otaku there's a bit of a divide in opinion.

The DX episode sales were (as far as I can tell based on magazines from the time) also mid, but enough to cover four episodes. Three and four don't seem to have sold as well as one and two, but again the stats from the time aren't comprehensive. I think the fact that there weren't any after episode four says it all, honestly. OVA episodes are expensive to produce and it was extremely common for them to stop immediately if the sales weren't there. DX didn't justify its existence beyond those four episodes and Yuyama moved onto a far more successful project in Pokémon.

On that topic, I think it's important to note that Wedding Peach was OLM's first television series (albeit a coproduction with KSS). If it and the studio's adaptation of Mojacko hadn't made some level of profit it would have been quite difficult for them to adapt Pokémon. Neither Mojacko nor Wedding Peach set records with their viewership or sales numbers, but they both did "OK". It was in Pokémon however, that that OLM truly found a successful property with the series still running today. Sometimes you've got to have a few runs at producing things before you find success. Wedding Peach was one of these early runs, a project where a lot of people cut their teeth but one that didn't justify its own continuation beyond a certain point. Just a very standard media mix from the mid-90s, in other words.

Wedding Peach is a problematic title with indifference through to outright objection to representing love outside of heterosexual romance. Looking back now it feels like an absolute dinosaur on so many levels. Between the anime's fatphobic episode and Momoko dropping some gender essentialism, I'm not surprised people want to relegate it to the dustbin of history.

However, I think it is very telling that Tomita Sukehiro, when presented with the opportunity to tell a similar story in the modern day, chose to represent not just queer love, but platonic and familial love in Wedding Apple. While he can't undo the regressive and cringy elements of the original series, as a creator he has progressed and I'd like to think we can all continue to improve our outlooks and output as we grow.

Disliking Wedding Peach in the modern day is completely understandable. I'm not going to pretend anyone should watch it in 2024 without knowing that it is a camp, cheaply made relic of a time when heterosexuality was considered magic. However, just because it pandered to all the worst things trending at the time doesn't mean it didn't sell enough products or hold enough viewers to justify its production. It did, it just wasn't a strong enough property to go beyond that and that's representative of mediocrity rather than mind blowing commercial failure imho.

[goodbyelloww]

[brenni-murasaki]

💕💖💖P i n k 💖💖💕

[popmella]

Hi guys! Sorry for not posting >.<

Here’s my princess peach fan art!

[pixiedustandfairypowers]

The Mario/Bowser/Peach love triangle will always be the funniest thing to me

I know many of you are thinking that it's not really a love triangle since one of them is clearly more evil than the other and there's absolutely no chance that Peach would ever actually get together with Bowser... right?

I dunno about you, but it seems to me that this kind of reaction is a bit more than just being worried that he's going to hurt his friend. The second one especially is in the context of a scene where Bowser starts offering Peach flowers and this panicked reaction seems to indicate that Mario has some sort of insecurity that she might WILLINGLY choose Bowser over him. Like the whole ordeal that she had been through wouldn't be enough to turn her off of Bowser completely.

And Bowser himself was quite insecure throughout the 2023 movie:

"So like Peach was super impressed?"

"Does the Princess like him?"

"DO PRINCESSES FIND HIM ATTRACTIVE!?!?"

Also another way that they're similar:

Even when they're imprisoned all they can think about is their love for her while there's romantic song playing.

Mario is obviously a good guy but his motives for rescuing Peach seem less than perfect, as on some level he just really wants to be with her and I think he's under the impression that for all the obstacles he clears for her to rescue her, that Peach might one day reciprocate his feelings. And in Bowser's case, he thinks that kidnapping her and giving her all the best things in the world would win her over: the finest dress, the finest cake, a wedding on the moon, he'd even steal a powerful star so they could be invincible together.

I also think that both guys feel insecure because the other has something that he doesn't: in Mario's case, he's just a lowly plumber who has feelings for a princess, and there's no way that someone of his status would ever be interesting to someone like her. And in Bowser's case, he may be a king and have many riches to be proud of but he's also not human and therefore has reason to be insecure about whether or not a princess could ever find a turtle like him to be attractive.

But as we all know, she just straight up rejects both of them.

"Enough!"

But with the way she's scolding them, it's like she's putting both of them ON THE SAME LEVEL, like she's just tired of constantly being caught up in their silly love rivalry where at the end of the day, it was all just a way for them to show off and win her over without really taking the time to consider her feelings at all. Even if she did truly have romantic feelings for Mario somewhere, do you really think her priority is trying to navigate those when she's under the constant stress of being kidnapped and running a kingdom to go with it?

On some level, I'm not really sure I ever want this love triangle resolved. It's just too funny otherwise. This idea that Mario and Bowser are actually friends deep down...

...but all of their fighting, their famous deep seated rivalry, is not so much due to them hating each other personally, but instead it's all because of a girl.

[balu8]

Peach Momoko: Nausicaä

[peach-fiz]

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[mintisse]

I'm rewatching Wedding Peach

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[artifexdemon]

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