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doormatty3 · 2 months ago

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Blizzards and Beef Stew - Chapter 6 (Patrick Wilson x FOC)

Masterlist Ao3

Blizzards and Beef Stew Masterlink

Summary

[Patrick Wilson x Original Female Character] [Patrick Wilson x Original Character] Éléanor had always adored winter: its snow, its crisp air. But what she treasured most was retreating to her cosy cabin in the Swedish mountains. There, she could bake, sketch, and enjoy the solitude, far from the noise of the world. At least, that’s how it used to be—until a new neighbour arrived. Patrick Wilson was tall, charming, and with a smile that seemed to melt the coldest days. As they struck up a friendship, Éléanor found herself drawn to him, even though he remained oddly secretive about his last name and evasive about his work. But when a fierce snowstorm trapped them both, it became clear that Patrick might just be the warmth she needed in more ways than one. OR: Patrick uses his body to warm up Éléanor in the snowy mountains.

Wordcount: 5581

Éléanor woke up slowly, the soft light of morning filtering through the windows, casting a gentle glow across the room. She blinked, momentarily disoriented, before remembering where she was—Patrick’s couch, wrapped up in his blankets, the memory of last night still fresh in her mind. A mix of emotions stirred within her: contentment from the quiet intimacy they’d shared, a hint of embarrassment from how things had played out, and something deeper that left her feeling warm and a little vulnerable.

The storm still raged outside, the wind howling softly, but it wasn’t as brutal as the night before. Snow had piled up high around the cabin, turning the world outside into a quiet, white wilderness. Éléanor’s gaze drifted to the couch beside her, where Patrick still slept, his broad chest rising and falling with each breath.

For a moment, she let herself look at him—really look.

His shirtless body was sprawled comfortably under the blanket, and her eyes traced the lines of his muscles, now highlighted by the morning light creeping through the window. His chest was broader than she’d really noticed before, the pale skin dusted with a light covering of chest hair, something she hadn’t noticed in the dark last night. It curled softly, catching the flicker of firelight, giving him a rugged, masculine edge that made her pulse quicken.

His face was relaxed and peaceful, a stark contrast to the tension he’d carried last night. His lips were slightly parted, and his dark lashes cast faint shadows against his skin. Watching him like this, she felt a warmth that had nothing to do with the blankets or the fire.

His stubble had grown more noticeable, the coarse hairs along his jawline now thicker, and a shadow of a moustache was forming, giving him an almost roguish appearance. Flecks of grey dotted his sideburns, and as the light hit his face, it gave him a certain maturity that contrasted with his boyish grin.

She found it hard to tear her eyes away—so she didn’t.

Her eyes trailed down his body, taking in his flat, defined stomach and the curve of his hips. His boxers clung to him, riding low on his waist, leaving little to the imagination. The blanket had slipped just enough to reveal the curve of his muscular thighs, and Éléanor’s face flushed as she caught herself staring.

God, he was so attractive.

With a deep breath, she slipped out from under the covers, careful not to disturb him.

The wooden floor was cold under her feet as she padded towards the small kitchen, grabbing his sweater that lay discarded on the floor and pulling it over her head.

She wanted to keep busy, to distract herself from the tangle of emotions still swirling inside her. Pulling Patrick’s pullover tighter around her, she began to rummage through what little they had left, trying to piece together some kind of breakfast. Eggs, a few slices of bread, some cheese—it wasn’t much, but it would do.

As she stood by the counter, cracking the eggs into a bowl and slicing up the bread, her thoughts drifted back to the events of the night before. The way Patrick had panicked, the way they’d calmed each other down afterwards, cuddling in the firelight. She couldn’t help but feel grateful for the way they’d handled it. It could have been awkward—embarrassing even—but instead, it had made her feel closer to him in a way she hadn’t expected.

As she mixed the eggs in a bowl, trying to figure out how to cook it without a stove, she heard a soft shuffle behind her. Before she could turn around, Patrick’s arms slid around her waist, pulling her gently back against his chest.

She melted into him, feeling the solid warmth of his body pressing against her back. His chest hair brushed against the back of her neck as he leaned down, his chin resting on her head and his breath against her.

“Morning,” he murmured, his voice rough with sleep, vibrating against her skin. The sound sent a shiver down her spine.

Éléanor smiled, leaning back into him, enjoying the easy warmth between them. “Morning,” she replied softly, turning her head slightly to glance at him. His eyes were still heavy-lidded, his hair tousled from sleep, but there was a soft smile playing at his lips.

He tightened his arms around her just slightly, pulling her closer. “What are you doing?” he asked and stifled a yawn.

“Trying to make breakfast with what little we have,” she said with a soft laugh. “But the stove doesn’t work, and I have no idea how to cook this without it.”

Patrick chuckled, leaning in to press a soft kiss to her shoulder, his touch warm and reassuring. “We’ll figure something out.” His gaze dropped to the bowl in her hands and then flicked back up with a crooked smile. “Or, we could just stick to bread and cheese. A low-maintenance breakfast.”

Éléanor laughed, the sound light and easy, and she felt the tension from the previous night fully dissolve. She caught herself blushing slightly, a bit embarrassed she hadn’t thought of that simple solution first. The eggs were wasted now, a casualty of their morning scramble, but she found she didn’t really mind.

“Honestly, that’s probably the best idea I’ve heard all morning,” she admitted, glancing over at the loaf of crusty bread and the wedge of cheese sitting on the counter. The simplicity of it, the way the fire crackled in the background, made her feel at ease. She let out a small sigh, comforted by the idea that life didn’t have to be perfect to be good.

Patrick’s smile widened, the corners of his eyes crinkling with warmth. “See? It’s the small things,” he said, reaching out to tuck a stray lock of hair behind her ear. The gesture was so natural, so effortlessly caring, that it sent a tiny flutter through her chest.

She set the bowl down on the counter, the broken eggs an afterthought now, and reached for a knife to slice into the cheese. “Next time, I’m sticking to the basics,” she joked, her voice touched with a playful self-mockery and lingering embarrassment.

Patrick’s deep, warm laugh filled the small kitchen, wrapping around her like a favourite blanket. “No need to overthink it,” he said, his eyes finding hers, their familiar sparkle comforting. “It’s not really about the eggs or anything. It’s about mornings like this.”

A soft pause settled between them, broken only by the crackle of the fire and the occasional pop of a burning log. His gaze drifted down, a playful smirk forming as he tilted his head. “You’re wearing my sweater,” he remarked, his voice low and teasing. The brush of his lips against the side of her neck caused her skin to erupt in goosebumps.

Éléanor felt the warmth rise in her cheeks, and she couldn’t help but grin as she turned just enough to catch his eyes. “You didn’t exactly leave me much choice,” she shot back, the humour in her voice softening the air between them. “You were hogging all the blankets.”

He chuckled, the sound vibrating against her skin as he nuzzled closer. “Fair enough,” he admitted, his breath warm and unwavering. The nearness was intoxicating, a blend of comfort and tension that made her pulse quicken.

For a moment, they simply stood there, wrapped in the golden glow of the morning sun filtering through the window. His hands rested gently on her waist, and fingers splayed as if to anchor them both at that moment. She could feel the steady rhythm of his breathing, the rise and fall of his chest against her back. It was an odd mix of domesticity and heat, standing there in his oversized pullover while he held her, both of them pretending that the night before hadn’t changed everything.

Reluctantly, Patrick let his arms fall, stepping away with a small sigh as he moved towards the table where he stretched, his body unfolding in a way that drew her eyes once more. His boxers clung to him, highlighting the sculpted muscles of his thighs and the curve of his back in a way that had her biting her lip. She couldn’t help but notice the way they fit snugly over his ass—tight, firm, and perfectly shaped.

His back muscles rippled as he reached for the ceiling, the light catching on the ridges of his shoulders and the faint sheen of sweat that lingered from the warmth of the room.

Éléanor’s pulse quickened as she watched him, a smile tugging at her lips before she turned to grab the simple breakfast supplies. Patrick brought the bread and cheese from the counter and placed them on the small, weathered table. She followed, carrying two mismatched mugs of instant coffee—more than enough given the circumstances of the power outage.

Patrick leaned over to stoke the fire, the crackle growing stronger as new flames licked at the logs. The warm glow cast long, shifting shadows that danced across the cabin walls, contrasting with the cold, pearly light outside. Snowflakes continued to drift steadily down, adding to the thick blanket that muted all sound beyond the walls.

They settled into the nook beside the fire, knees touching beneath the table, sharing the kind of comfortable silence that spoke more than words could. The flickering light played on their faces, illuminating the curve of Patrick’s smile as he passed her a piece of bread. Their fingers brushed, and a warm spark passed between them.

“So... the storm’s still going,” Patrick finally said, glancing out the window, his eyes following the swirling snow that danced in chaotic patterns against the glass—a sea of white that refused to calm. “Looks like it’s not letting up anytime soon,” he said, his voice low and thoughtful.

“Could be worse,” Éléanor said with a teasing grin, her tone light, though her heart beat just a little faster. “We have food, warmth... and decent company.”

Patrick raised an eyebrow, a smirk curving his lips in response. “Decent? That’s all I get?”

“Well,” she said, the blush rising to her cheeks as she held his gaze, her pulse fluttering under his scrutiny. “I didn’t want to inflate your ego too much.”

He laughed softly, the sound low and rich, the kind that made her stomach flip. Leaning back in his chair, he looked relaxed, but there was an unmistakable spark in his eyes, a playful warmth that drew her in. “More than decent,” he corrected, his voice dipping into a tone that was both teasing and sincere.

Éléanor took another sip of coffee, cradling the warm mug in her hands as she glanced out the window at the snow piling higher in an attempt to stop the fluttering in her chest. “You know … This is probably the most basic breakfast I’ve made in years,” Éléanor said, smiling over the rim of her mug as she took a sip of coffee.

Patrick’s eyes didn’t leave her. “Hey, it’s perfect,” he said, the simplicity of the moment not lost on him. “We’ve got everything we need right here.”

The fire’s warmth settled around them, casting a golden glow that made the cabin feel cocooned from the storm. The silence that followed wasn’t uncomfortable; it was heavy with unsaid things, a shared realisation that the world outside had ceased to matter for now.

“I guess we’re lucky we even have this,” Éléanor said softly, her voice trailing as she looked back at him, their faces close enough to feel the heat radiating between them. “It could’ve been much worse.”

Patrick nodded, but his eyes lingered on her, darkening with an emotion that made the room feel warmer still. “Yeah,” he said, his voice dropping to a near whisper. “I’m glad it’s you I’m stuck here with. You’re... pretty decent company .” The playful curve of his lips softened, revealing a sincerity that wrapped around her like a blanket.

He leaned forward, the movement deliberate, and brushed his fingers across her hand. The touch sent a spark through her, lingering even as he set her empty mug aside with care. When he turned back to her, his expression had shifted, eyes intense, as if he were trying to memorise every detail.

Patrick’s hand lifted, moving slowly until it cupped her cheek, his thumb grazing the curve of her jaw with a tenderness that left her breathless. Éléanor leaned into his touch, her heartbeat thundering in her chest as their eyes met, the distance between them shrinking with every second.

Neither of them spoke.

Patrick moved first, leaning in and closing the small space between them. When their lips met, it was as if a spark had lit a fuse.

Éléanor’s hand slid up to the back of his neck, her fingers tangling in his hair, pulling him closer with an unspoken plea. He responded in kind, his arm wrapping around her waist with a sure but tender touch.

In a seamless motion, they rose together, the movement natural and instinctive, their lips never breaking contact. Patrick guided her backwards, steps slow and steady but charged with intent as they made their way towards the couch.

Éléanor’s heart pounded in her chest, her body alive with sensation. Every brush of Patrick’s lips, every touch of his hand on her skin, sent sparks of warmth coursing through her, making her pulse race.

Patrick gently eased her down onto the couch, his body hovering over hers as their kisses grew more urgent, more demanding, more desperate.

The space between them seemed to evaporate as his hands moved over her back, tracing her curves with a mix of tenderness and raw need. His touch was everywhere —gentle but commanding, igniting a fire that blazed hotter with each passing second.

Éléanor’s fingers threaded through his hair, pulling him closer, craving more. She felt like she was burning from the inside, her skin tingling with a fierce energy, like that fuse they had lit had finally exploded.

There was nothing else—just him.

They broke the kiss for just a moment, both of them breathing heavily, their foreheads resting together as they tried to catch their breath. Patrick’s hands were still on her waist, his thumb brushing lightly against her skin, the simple touch sending waves of heat through her, stoking the fire that was already burning inside her.

“Are you sure about this?” His voice was low, husky, each word a quiet rumble that made her heart race. His breath was warm against her lips, his question lingering between them.

Éléanor smiled, her heart fluttering with a mix of excitement and certainty. She reached up, her hand cupping his cheek, her thumb grazing the stubble along his jaw as she looked into his eyes. “Yeah,” she whispered, her voice soft but steady, filled with the surety she felt at that moment. “I’m sure.”

With that, Patrick’s lips were on hers again, the kiss deeper this time, more confident. His hand slid under her sweater, his fingers brushing against her bare skin. Éléanor gasped into his mouth, arching her back as she pressed herself closer to him, her body responding to his every touch.

Patrick slowly began to lift the fabric, his hands warm and steady. Éléanor shifted beneath him, helping him peel it away, her skin instantly exposed to the cool air of the cabin, leaving her in only her panties.

But before she could feel the cold, Patrick was there, his hands on her bare waist, his mouth covering hers in another slow, deep kiss. Before he lowered himself, pressing hot, open-mouthed kisses along her collarbone. His lips moved with a deliberate slowness, trailing down the sensitive skin of her neck and over her chest, each kiss drawing a soft gasp from Éléanor.

She let her hands wander across his broad shoulders, feeling the strength in him as he held her close, his body warm against hers. His lips brushed over the swell of her breasts, his breath teasing against her skin before he dipped his head lower, leaving a trail of heated kisses as he moved down her body.

The firelight flickered, casting golden shadows across the room, making the moment feel all the more intimate, as if they were the only two people in the world.

Patrick’s hands traced the curve of her waist, pulling her closer as he kissed just above the waistband of her panties, his breath warm against her skin. Éléanor’s breath hitched as his lips lingered there, his touch sending waves of pleasure through her.

He kissed his way back up, capturing her mouth in a deep, passionate kiss that left her breathless, his hands roaming over her sides. Then, with a smooth, almost teasing motion, he tugged at her underwear again before sliding them down and tossing them aside.

She felt the cold air on her overheated, exposed skin, and her nerves thrummed in arousal.

Éléanor’s hands slid down his chest, feeling the warmth of his skin under her palms, her fingers grazing the elastic of his boxers. She felt his hard cock through the thin layer of fabric and was desperate to feel him, to continue what they had started yesterday.

So she pushed his boxers down, leaving them both completely exposed, their bodies pressed together, skin against skin.

Patrick looked down at Éléanor in the soft morning light, his features softened by the glow filtering through the windows. The shadows from the slowly burning fire danced across his sharp jawline, but it was the intensity in his eyes, the way he looked at her like she was the only thing that mattered at that moment, that made Éléanor feel like she was melting beneath him.

His chest, broad and strong, rose and fell with steady breaths, but the tension in his muscles betrayed the restraint he was barely holding onto.

Éléanor’s eyes dropped to his body, taking in the sight of him, her breath catching in her throat. He was perfect—every inch of him strong and toned, his cock hard and thick, standing proudly against his abdomen. She reached out, her hand wrapping around him, her fingers brushing over his length. Patrick let out a low groan, his hips pushing forward slightly into her hand as he closed his eyes for a moment, savouring the sensation.

But he didn’t let her linger there long.

His fingers traced lightly over her skin, starting at her collarbone and slowly moving downward, exploring her curves as if committing every inch of her to memory. Éléanor shivered at the warmth of his touch, her body responding to the slow burn of his attention before her mind could even catch up.

His hands, big and slightly rough, slid over her breasts, his thumbs brushing over her nipples with just enough pressure to make her gasp.

Patrick’s mouth followed, placing soft kisses along her collarbone, then lower, his lips brushing over her chest, leaving a trail of heat in their wake. Éléanor arched into him, her breath coming faster as his lips closed around her nipple, his hand still gently kneading the other breast.

The sensation was overwhelming—his warmth against the cool air of the cabin, the firelight flickering beside them, and the intimacy of his touch sending jolts of pleasure through her.

Éléanor’s fingers tangled in his hair, pulling him closer, her body instinctively moving with his as he kissed and touched her with growing intensity. His hands roamed lower, brushing over her stomach and down to her hips, and then, with a firm but gentle grip, he guided her legs apart. The warmth of his fingers, firm but gentle, made her hips lift involuntarily, a soft moan escaping her lips.

Without a word, he slid his hand between her legs, his fingers finding her cunt wet.

He paused for just a second, letting the sensation sink in for both of them. “Éléanor,” he murmured, his voice thick with desire, his fingers brushing over her sex with a soft touch, barely parting the netherlips but enough to feel her wetness.

Patrick’s eyes flicked up to meet hers, and a low groan rumbled from his chest as he watched Éléanor gasping and her body trembling under his touch.

He slipped two of his thick, strong fingers into her cunt, pressing them in deep and curling them just enough to find that sensitive spot within her, the one that made her back arch and her breath catch in her throat.

Éléanor moaned, her hands gripping his shoulders, her body reacting to every movement he made. The way his fingers curled inside her and the steady pressure he applied sent wave after wave of desire through her.

Patrick watched her closely, his gaze locked on her face as he continued to finger her with that perfect rhythm, his thumb now brushing over her clit in slow, firm circles. The pleasure was instantaneous, sharp, her hips instinctively lifting to meet his hand. Éléanor moaned into his mouth, her body trembling as he played her like an instrument he knew too well.

“Fuck, you’re so wet,” Patrick groaned, his voice barely a whisper, full of awe and lust. His thumb pressed against her clit again, his fingers moving in rhythm with the growing tension between them. Éléanor’s body responded instantly, tightening around him, her hands gripping his shoulders tighter, nails digging into his skin as she urged him on.

“Patrick…” she gasped, barely able to form words, her hips grinding against his hand as her body moved in sync with his. His fingers pumped inside her, slow but steady, the high building with each thrust. She felt his cock, hard and hot, pressing against her thigh as his thumb continued its relentless work on her clit, sending her closer and closer to the edge.

He could feel it too—the way her body tensed and quivered beneath him, the growing wetness that coated his fingers as he stroked her deeply, curling his fingers inside her just to hear that sweet gasp leave her lips. The sensation of her slick heat gripping him made his cock ache with need, and the way her body responded to his touch only heightened his arousal.

Éléanor’s hips bucked against his hand, her moans growing louder as she felt herself teetering on the brink. Patrick’s fingers moved faster, his thumb pressing firmly against her clit, sending her spiralling into a frenzy of pleasure. Her breaths came in ragged gasps as she clung to him, her body trembling under the overwhelming sensation.

Éléanor’s hand shot up, tangling in his hair, pulling him down for a kiss that was anything but gentle. Her lips moved urgently against his, her breath hot and uneven as she kissed him deeply, swallowing his groans of pleasure. She was so close, her body strung tight, every nerve on fire as he continued his slow, torturous rhythm.

And then he stopped.

He withdrew his fingers slightly, his thumb easing its pressure, leaving her right at the precipice but holding her there, not letting her fall. Éléanor let out a frustrated gasp, her body aching for release as she looked up at him in confusion.

He cupped her face with his now damp fingers, his thumb brushing over her cheek as he kissed her again, softer this time, more controlled. “Not yet,” he whispered against her lips, his voice thick with desire but laced with restraint. He was holding back, savouring every moment, wanting to prolong the pleasure for as long as possible.

Éléanor’s body throbbed with need, every nerve alight with the desire for more, but as Patrick kissed her again, slower, deeper, she melted into him, letting herself get lost in the heat of the moment.

He started to move his fingers inside her again, slow and teasing.

She needed more, her hips rolling against his hand as she sought relief from the unbearable tension building inside her. But Patrick was in control now, his lips ghosting over her neck, the soft, teasing brush of his mouth making her moan with frustration and desire.

“Patrick, please…” she whispered, her voice barely audible, breathless with need.

He lifted his head, his dark, hungry eyes meeting hers.

A smile played at the corner of his lips, and he kissed her again, this time slower, deeper, letting her feel the heat of him. His free hand traced up her side, his fingers brushing over her bare breast, teasing the sensitive skin. Éléanor gasped into his mouth as his hand cupped her breast, his thumb rolling over her nipple again, making it peak under his touch.

Her body responded to every move he made, a slow, torturous build of pleasure that had her squirming beneath him. Patrick broke the kiss, his lips moving to her jawline, trailing hot kisses down her neck and over her collarbone. He paused at her breast, his tongue flicking over her nipple before he took it into his mouth, sucking gently.

Éléanor cried out, her back arching, her body pressing closer to him as the sensation of his mouth on her breast and his fingers inside her drove her crazy. The combination of his touch, his lips, and the deliberate, slow pace was overwhelming, every nerve in her body alive and burning for him.

Patrick’s fingers curled inside her again, pressing against that spot deep within her, his thumb rubbing slow circles over her clit. Éléanor’s breath hitched, her entire body tensing as the pleasure surged through her in waves. She could feel the edge approaching again, that delicious tightness in her core building, but Patrick kept her on the brink again .

Her fingers tangled in his hair, pulling him back up to her lips, and she kissed him with a fierce intensity, her frustration and desire pouring into the kiss. Patrick groaned into her mouth, his own need evident as he pressed his hips against her, his hard cock rubbing against her thigh, spreading precum on her skin.

“Patrick… I need you,” Éléanor murmured, her voice a breathless plea against his lips, her desperation raw and unguarded.

He pulled back just enough to meet her gaze, his hand still working her slowly. His eyes darkened at her words, the intensity in them almost too much to bear. He kissed her again, rougher this time, before pulling his hand away, leaving her empty and aching for more.

Patrick’s fingers paused for a moment as he looked into Éléanor’s eyes, his breath hot and heavy against her skin. He pulled back slightly, the desire still strong between them, but his gaze softened, filled with a mix of hunger and care.

“I should grab a condom,” he murmured, his voice low but steady, breaking the tension just enough to pull them both back to reality, and the memory of last night flickered in his eyes.

Éléanor nodded, her chest still rising and falling quickly as she tried to catch her breath. “Yes… please,” she whispered, her body already aching for him to return, the intensity of the moment too much to wait.

Patrick reached for his wallet on the side table, his mouth curving in a small, knowing smile as he pulled out the condom, seemingly having placed it there sometime after last night, perhaps in a mix of preparation and nerves.

Without thinking, she reached out, her fingers brushing his wrist as she spoke softly, “Let me…”

Patrick shook his head gently, his thumb grazing her knuckles as he held her gaze, his expression soft yet resolute. His eyes stayed on hers as he shook his head, his voice low and soothing. “No, it’s fine—I’ll do it. I don’t think I’ll be able to keep it together if you touch my dick now.”

She watched as his fingers deftly tore open the small packet, the tearing sound loud in the quiet room. His fingers brushed her thigh as he rolled the condom over his hard cock. Her heart pounded in her chest, the sight of him making her thighs clench together in anticipation.

Patrick leaned forward again, his body pressing into hers, the warmth of his skin seeping into her. His lips found hers, slow and deliberate. His hand, rough yet gentle, slid down her side, tracing the curve of her waist before his fingers brushed over the sensitive skin between her legs.

Éléanor gasped into his mouth, her hips instinctively arching towards his touch as his fingers explored her wet sex once more. He teased her, his thumb circling her clit with agonising slowness while his fingers slipped inside her, stretching her just enough to remind her of how much she needed him.

“You’re so perfect like this,” he whispered against her lips, his voice rough and low, sending shivers down her spine. Every inch of her body responded to him, the heat between them growing unbearable, her need for him nearly overwhelming.

Patrick could feel it, too, the way her body clenched around his fingers, her slick heat making his head spin. He groaned softly, the sound reverberating between them, as he moved his hand to guide his cock to her entrance.

She moaned into his mouth, her body trembling with need. Patrick’s cock brushed against her again, the condom in place, and this time there was no hesitation—not like last night. His hand gripped her thigh, pulling her leg up to wrap around his waist as he slowly pushed inside her.

Éléanor’s sharp intake of breath echoed in the room as her body responded to the delicious stretch, her nails digging into his back as she pulled him closer. Patrick’s heart raced, his body trembling as he fought to maintain control, the feeling of her slick heat surrounding him inch by inch.

The sensation of him filling her, stretching her slowly, was everything she had been craving and everything she didn’t know she was craving.

“God… you feel incredible,” he breathed, his forehead resting against hers as he pushed deeper, his cock sinking into her with slow, measured thrusts. He could feel every pulse of her body, every tremor as her walls gripped him tighter.

Her body responded instantly, arching up to meet him, desperate for more. But Patrick moved with deliberate care, easing into her slowly. Filling her inch by inch until he was fully inside her. He groaned against her neck, his breath ragged as he held himself still for a moment, letting her adjust to the feeling of him.

Éléanor’s hips rolled instinctively, urging him deeper, her breath coming in shallow gasps. “Patrick, move,” she whispered, her voice laced with need as her legs wrapped around his waist. She was losing herself in the feeling of him, the fullness, the weight, the stretch.

He started slow, his thrusts gentle but deep, each one sending ripples of pleasure through them both. Patrick could feel the way her body responded to him, the soft moans escaping her lips driving him wild.

As his pace quickened, he kissed her again, hard and desperate. His hands roamed over her body, one cupping her breast, kneading gently, while the other slipped between them, his fingers finding her clit again.

Éléanor gasped loudly, her body trembling beneath him as he worked her with expert precision, his cock moving in sync with his fingers. Every thrust, every touch, brought her closer to the edge, and Patrick could feel her body tightening around him, her breath coming faster, her moans louder.

He couldn’t hold back anymore, the pressure inside him building as he lost himself in the moment.

His hips moved with a deep, driving rhythm, each thrust intensifying as his fingers circled her clit with relentless precision. Éléanor’s breath hitched, her gasps quickening as her body arched beneath him, her soft cries filling the room.

“Patrick… I—I’m so close,” she whispered, her voice laced with desperate need, her body tightening around him as she felt the pressure mounting, ready to break.

Patrick groaned in response, his own control fraying as his movements became more urgent, his fingers working her with precision. He kissed her again, his lips crashing against hers as the tension in her body snapped with a particularly rough flick of his finger on her clit.

Éléanor’s orgasm hit her like a tidal wave, her body arching off the couch as her walls clenched around him. She gasped his name, her voice trembling with the intensity of her release, her fingers gripping his shoulders as wave after wave of pleasure washed over her.

Patrick followed her, his thrusts becoming erratic as he chased his own release. With a final deep thrust, he groaned her name, his body shuddering as he came, the condom filling with his cum. His body collapsed against hers, both of them breathless and spent.

For a few moments, neither of them moved. The only sound in the room was their soft, shared breaths and the crackling of the fire nearby. Patrick slowly pulled out, carefully removing the condom and tossing it aside before settling back down beside her.

They lay in a comfortable silence, their bodies entwined as the room slowly settled around them. The soft, golden morning light spilt in through the windows, warming the space as they stayed close, wrapped in each other’s presence. Patrick’s fingers traced gentle, soothing patterns on her arm, and Éléanor let herself sink into the comfort of his steady heartbeat beneath her hand.

She felt like she could stay here forever, wrapped in this quiet, unhurried happiness.

18 notes · View notes

charliedawn · 5 months ago

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Another weird request by yours truly!!! How would the slashers react to the nurse dating Anton Chigurh? BUT! The nurse is almost the complete opposite of him. He's an assassin, they're a nurse, they heal people, he kills people. The nurse is bubbly and very sweet while Anton is stone cold with a deep voice. (You know how he is if you've watched the movie). Also, the nurse is smaller compared to him. They go up to a little bit more than halfway up his chest. Even though they're in a relationship, they act like father and child sometimes. Example: While he's out killing people, he got her tickets to the little mermaid or Indiana Jones. THEY SIT ON HIS SHOULDERA FOR FUN, I STAND BY THAT-The nurse sees something shiny and wants it, but he picks them up and places them on a couch.

Anton: No

Nusre: Aww

But don't get me wrong when I say the nurse is sweet, but when it comes to her man's, she will drag a bitch. Example: Someone's flirting with Anton, they run up behind them and start dragging them by their hair until they throw them down a stairwell, not caring if they're alive or not. Another example: They're talking to him up close, and someone bust through the door, and they immediately take his gun from his side and shoots them. After they put the gun back, they say, "I'm sorry, but what were you saying?" I know this is a lot of information to take in, but can you still try and make this one how you did the Henry cavil one, but since Anton's an assassin, they'll think differently.

Anton really didn’t want to get involved with your work, as he never really involved you in his. He liked you innocent and sweet. You were the perfect cover and even though he had never felt real emotion in his life, you were the only person whose death would actually bother him. And when you got together, he knew you were a strange person, but that’s why he knew you would be perfect.

Freddy Krueger:

"YOU ! I know you !"

Freddy was the first to recognise him. They locked eyes and Freddy smiled from ear to ear. He didn’t remember a lot of people’s brains he visited in their sleep. But oh boy did he remember that one.

"I highly doubt that." Anton answered with a raised eyebrow and looked Freddy up and down. Anton then thought he would have surely remembered the little burnt face goblin if he had seen him before.

"Yeah ! You’re that little freak ! Damn. The nightmares you had ! Ah ! Priceless ! You were the talk of the town between us demons !"

Anton’s eyes narrowed as he then said.

"So…you saw me ?"

There was a moment of silence before Freddy grinned.

"Yeah. I saw you. Whatcha gonna do about it, tough guy ?"

There was a silent standoff before you arrived and Anton focused on you…reminding himself to take care of that Freddy guy later.

Arthur:

Arthur had just finished colouring his hair when he heard a knock at his door and when he opened the door—he was surprised to find someone else with you. You introduced Anton to Arthur and they civilly shook hands. But, as they locked eyes—Arthur smiled knowingly. And while you went to make some tea, they started talking. There was a sort of…connection that formed between the two men.

It led to Anton revealing his identity and secret job. To which Arthur didn’t seem surprised.

"You let fate decide their destiny with a coin ?" Arthur asked—curious. "Isn’t it rather comical to let fate decide of a man’s death instead of yourself ?"

Anton smiled.

"And you play with their lives. I wonder. Does that make you the best psychopath out of both of us ?"

Arthur shrugged.

"You take pleasure in their suffering. I do not. I consider myself a part of them."

Anton shook his head.

"Wrong. WE are not them. WE will never be. And I do not kill only for pleasure. I kill because…It is what I am best at. You consider it healing, I consider it a sport."

Arthur chuckled.

"And yet, you let Y/N live…Tell me. Did the coin also decide of her fate ? Or did you ?"

They stayed silent for a moment before you brought back tea.

Jason Voorhees:

At lunch time, Anton sat next to Jason. Jason didn’t really look at him or acknowledge him at first. He was really into his lunch, but then Anton asked:

"Good ?"

Jason froze. He then looked at Anton with a surprised expression. Was he talking to him ? He then straightened up and nodded. Anton smiled.

"So…Y/N told me you killed 152 people ? Impressive."

Jason blinked twice. Anton had a rather creepy smile on his face. Of morbid fascination. Jason didn’t know what to answer. He then replied in sign language.

Who. Are. You.

You were about to translate when Anton smirked and surprised everyone when he replied in perfect sign language.

Anton. Y/N’s boyfriend.

Jason’s eyes widened when he looked at you—as if looking for confirmation, which you gave. Jason’s eyes returned to Anton who was still staring at him unblinkingly—making Jason uncomfortable. The rest of the dinner went by very slowly as Jason could feel Anton’s eyes on him all along.

Lunch couldn’t end any sooner. He was more than happy to return to his room afterwards and try to forget that rather awkward moment.

Patrick Bateman:

As a fellow psychopath, Patrick could tell right away that he was addressing a fellow faker. However, unlike what most people would expect, psychopaths do not always get along because even though they have the same ‘pathology’, psychopaths cannot read each other well. They are masters at copying others’ emotions and interpret them…But how can they translate each other’s emotions when they neither have them ? It would end in a VERY awkward conversation.

Anton: "…"

Patrick: "…"

Y/N: "Hum…so Patrick, I would like to introduce you to my boyfriend, Anton."

Patrick *plasters a fake smile on his face and reaches out to shake his hand* : "Pleasure." (Absolutely doesn’t mean it.)

Anton: "Same." (Absolutely doesn’t mean it either.)

However, the moment you are out of the room ? All forms of politeness would simply vanish between the two…

Patrick: "…Why do you put up with them ? What is the point of this relationship ? For what purpose ?"

Anton: "…None of that concerns you."

Patrick: "You are right. It doesn’t concern me. At all. But, I am curious."

Anton: "I see. Then I will answer you by telling you that I do not know myself and that one day, I just realised that their life had become…not so unimportant to me."

And that was how Anton explained your relationship and Patrick huffed.

"…You do not love them."

To which Anton replied truthfully.

"Perhaps not. But their existence has grown to mean something for me. And that is more than I thought possible…"

Bo:

Bo: "Hey, Y/N. Who’s yer friend ?"

You: "My boyfriend ! Anton."

Bo *looks at Anton* : "Boyfriend…You don’t say…"

They both stared at each other before Bo smirked.

Bo *smirks and shakes his hand* : "Welcome then, Anton."

Anton shook his hand, but there was a clear tension there. When you left to keep an eye on the other slashers, Bo suddenly yanked Anton by the arm.

"Listen here, bucko. I know a killer’s eyes when I fuckin’ see one. And if ya ever so much as lay a single finger on that sweetheart, am gonna hang you by the intestines at the front gate, ya got me ?"

Anton had a surprising reaction. He smiled. He the caught Bo’s hands and forced them off him.

"You think I am scared of you ? Think again. And next time you touch me ? It will be the last time."

The Penny Brothers:

Pennywise is a BIG fan of Anton. Pennywise doesn’t like emotions and besides, what is there to guilt trip when the man is guiltless ? Anton would fear neither Pennywise or Penny, which means both clowns wouldn’t see him as food. Penny found him boring, but Pennywise was actually unusually chatty cause BOY…that brain’s got a whole lot of blood and gore.

Pennywise *smirks*: "So much blood ! So much violence ! Ahahah ! I like you."

Penny would just be confused. It isn’t often he has to deal with emotionless people. He doesn’t like it.

Norman Bates:

Norman wasn’t thrilled. That’s for sure.

He knew from the start that Anton wasn’t good enough for you. (No one is really.) He glared at Anton and refused to shake his hand—which is rather rare for Norman who is usually very polite.

Once you were out of the room, he glared at Anton once more and seethed.

"If you know what is good for you…You will stay away from them."

To which, Anton only smiled and replied.

"Funny how you think…you have any power over them or me. You may used to have control, but they are mine now. And that…that will remain so, Mr. Bates."

Norman gritted his teeth and his hand twitched. How dared that man…! But before he could reply, you came back…

"Hey ! Everything’s fine ?"

Both nodded.

Both smiled.

Both lied.

Freddy Krueger (A continuation) :

Freddy grinned before looking at Anton as you were about to leave. He cackled.

"No offense, nurse Y/N. But you have SHITTY taste."

You both turned towards Freddy. Before Anton could say anything, your smile had turned into a scowl and you glared at Freddy.

"What did you just say, Freddy ?"

Freddy—oblivious to the danger planning in the air—dug his grave deeper. He snickered.

"I mean…I get it that he is a pretty impressive guy. He is one hell of a psychopath. But, did you see that haircut ? I wouldn’t be caught dead with that thing. His hairdresser must be blind and…"

Anton didn’t get mad or annoyed by the rude comment. But, he smirked and took a step back—waiting for what he knew was coming. You didn’t care about the patients being rude with you, but with your boyfriend ? That was crossing a line.

You jumped on Freddy and started hitting him. You were about to rip his eyes out when Anton wordlessly got you off Freddy and carried you over his shoulder.

"Home ?"

You immediately relaxed and nodded.

"Home."

#freddy krueger #arthur fleck #jason voorhees #patrick bateman #norman bates #bo sinclair #fandoms #imagine #fanfic #pennywise 1990 #pennywise 2017 #slashers #anton x reader #anton chigurh

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bookshelf-dust · 2 years ago

Note

I'M HERE TO REQUEST AGAIN

this is going to be a bit angsty, but it's hurt/comfort. basically while he's in class some guys make fun of him by saying he's way out of reader's league and he gets self-conscious. reader and the Hellfire table notices he's not talking much at lunch so reader goes to talk to him (established relationship)

hope this wasn't too specific!<33 (don't worry about rushing the writing, enjoy the process!!)

glittery curls

gareth emerson x gn!reader

word count: 1,426

warnings: swearing, patrick and jason’s goons being assholes, angst, comfort, fluff

a/n: hi sweetheart! thank you for requesting. i’m so sorry it took me a little while and i hope that’s okay! this is a sweet idea and please don’t worry about it being too specific—it’s perfect like always! and thank you for being sweet about not rushing. i appreciate that more than you know <3

————

“Bend down a little, Gare.”

“Whatever you say, your highness.”

He has glitter in his hair. The girls had a project due, and Gareth, being the loving brother that he is, offered his services. You’ve been picking chunks and flecks of glitter out of his hair for three days. He claims to have washed it since, too.

He bends a little at the waist so that you can see his hair more clearly. You use your nails to grab at a piece of purple glitter from the roots of his hair.

“Kiss my ass, Emerson.”

He pinches your side at that remark and you let out a small squeal before presenting the glitter to him, a victorious look on your face. Gareth quirks a brow, examining the intruder, and then you wipe your finger off on his shirt before turning to go to your next class.

He catches your hand before you get too far. “Hey, hey, hey, where’s my kiss?”

Gareth “demands goodbye kisses” Emerson.

You pretend to be annoyed at the premise, and he pouts so hard you bring both hands to his face, apologizing repeatedly.

“Here, here!” You kiss him, short and sweet (you are in school, after all). He tastes like strawberries. You wonder if he had some for breakfast.

“Thank you,” he says. You plant another on his nose before leaving him to it.

Gareth adjusts the bag on his shoulder and turns to head into his classroom.

“That’s just sad, man.”

Gareth wouldn’t have thought anyone was talking to him if it weren’t for the closeness of the voice. He turns his head, finding Patrick staring at him. Andy and Jason linger further behind.

“I’m sorry?” Gareth’s tone changes into something much more serious, deeper even, than what he’d been using with you.

“You, dude. You’re totally head over heels for them, and they’re way out of your league.”

Patrick turns to watch you at the very end of the hallway, where you turn a corner and then you’re out of sight. He shakes his head. “It’s just depressing, man.”

Gareth feels his face warming. “What are you talking about, McKinney?”

Patrick laughs, and it doesn’t do anything but heighten Gareth’s frustration. He doesn’t understand where this is coming from.

“You and them,” Patrick says, nodding towards where you’d walked away. “You looked lovesick, and that’s just weird to me because the two of you make absolutely no sense.” Andy chuckles, and Gareth shoots him a look. He quiets.

“They’re pretty damn smart, and could be friends with anyone they want, but pick you and your group of freaks? Yeah, that just doesn’t check out, man. It’s probably best if you save yourself the trouble and dump ‘em now. That way you won’t have to deal with it when they realize the truth.”

Gareth decides he’s had enough of this shit. “Fuck you, man. Why don’t you mind your own business? Last time I checked, your last girlfriend cheated on you with Andy, so I really don’t think you have any reason to be giving me relationship advice.”

He pushes past the other boys and into the classroom, heading straight for his seat in the back against the wall.

Gareth barely hears a word of the lecture he’s supposed to be paying attention to. He’s amazed that he even manages to take notes.

Patrick’s comments race through his mind, over and over again. They pick at his every insecurity, his every vulnerability.

What if he’s right? You’re fucking insanely smart, Gareth thinks. You could be with anyone you wanted, and he knows that. Up until that conversation, Gareth thought your choosing him had meant something. That he was special. That his friends were special, and they were all worth more than whatever the people at school thought.

Now he’s not so sure.

He tries to distract himself from his buzzing mind by paying extra attention in his classes. It only partially works. All he can think about is that maybe you really are way out of his league.

Gareth gets to the Hellfire table at lunch before you do. He sits down beside Jeff, who’s too busy arguing with Mike about something to notice that something’s wrong.

You, however, clock it before you even take your seat. His arms are crossed and he’s bouncing his knee. He’s not laughing or splitting a cheese stick with Dustin. Something’s wrong with your boy.

Eddie seems to have noticed it too. He hasn’t sat yet, but he’s walking to the table just as you are, and shoots you a look over Gareth’s head. One that says, you seein’ this? You nod.

Eddie’s known Gareth long enough to know that when he gets quiet, he’s frustrated. Gareth being quiet is never a good thing. When he’s sad, he talks about it, and he might be a bit downcast, but he’s still Gareth.

Eddie has witnessed many a Gareth outburst, and they aren’t usually pretty. He knows you can handle it though. You’re exceptionally good at calming him down.

You slide into your seat, and Gareth doesn’t even look at you. You decide to take it easy.

You rub your thumb across the bare expanse of arm under his sleeve. That gets his attention. He turns to look at you. “Hey,” he says.

“Hey.” You keep rubbing his arm. “You okay?”

Gareth uncrosses his arms and sits up in his chair. “I’m fine.”

“Don’t bullshit me, Emerson,” you say, keeping your voice low as to not cause a scene. He turns his head to look at you. You only use his last name when he’s being a pain in the ass. The thing is, Gareth doesn’t really give a shit if he’s being an ass right now.

He doesn’t feel like arguing with you. He’s too upset. Gareth is quiet for the rest of lunch, and he avoids you the rest of the day. It’s not until you drive over to his house after school that you get a chance to ask him what’s wrong.

He lets you in and leads you to his room without a word. “Gareth,” you start, “will you please tell me what’s wrong? I really don’t like seeing you like this.”

He tosses his head back, exasperated. “And you think I like feeling like this?”

“I know you don’t Gare, but I can’t help you if you don’t talk to me.”

Gareth takes one look at you, giving your most pleading and sincere eyes, and he’s done for. He runs both of his hands down his face and sits on the edge of his bed.

“After you went to class this morning? Patrick showed up and told me that the two of us being together doesn’t make sense.”

“What?” You ask, quickly becoming upset.

“He said that you’re way out of my league and too good for me and that someday you’re going to realize that I’m a piece of shit and you shouldn’t have chosen me.”

You realize his eyes are glossy and you rush to crouch in front of him, hands on his forearms. They’re warm under the tips of your fingers.

“Hey, hey, hey, don’t listen to any of his shit okay?”

“Stop,” Gareth says.

“What do you mean?” You don’t understand.

“I mean that I’m in love with you and they’re telling me that this is bullshit, that you don’t care and that you’re just going to leave me at some point and so I’m upset—”

“What?” You cut him off.

“Huh?” Gareth doesn’t realize what he says for a second. “Shit.”

You stare up at him.

“I’ve never said that before,” he tells you.

“No,” you shake your head. That knocked the breath right out of you. “But before you say anything else, I am not going to just up and leave you or something, Gareth. You’re the best thing that’s ever happened to me.”

“I chose you because you’re the best boy in the world. And because I love you, too.”

The boy in question smiles at you.

“You love me too?” He asks shyly.

You bring a hand to his cheek, and he leans into the touch.

“Yeah. And it’s okay to be upset, Gare, because he was being an asshole, but I would never leave you, okay?”

“Okay,” he says, nodding. Gareth wraps his arms around you and practically scoops you up.

“Sweetheart,” you say after a moment, pulling away from him. He looks at you, confused.

“You’ve still got glitter in your hair.”

He drops his head to your shoulder. “Dammit.”

————

please let me know if you liked this! feedback is always appreciated!! comments and reblogs mean more than you know. <33

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behsjdjenbrbebdbe · 10 days ago

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my character/movie-based playlists:

arthur fleck (joker, 2019): 60's music that i felt really encapsulated arthur and his mental state in the first film.

joker: folie à deux (2024): i actually really like this movie and idk why people hate it so much, so i made a playlist that i think harley and arthur would've listened to together if they had ended up living together

beautiful boy (2018): songs that i feel represent both Nic and his father. rlly tragic, sorry.

chandler bing (friends, 1994): playlist i made right after matthew perry died (r.i.p. to a legend). i think chandler would love these songs and some of these songs are canon.

the substance (2024): not the kind of playlist you're thinking about. It's basically just 80's music that i think would be played during an old episode of 'Sparkle Your Life!'. It's basically just a glorfied jazzercise playlist.

charlie kelmeckis(the perks of being a wallflower, 2012): my idea of what charlie would have on his mixtape. Some songs are canon from the movie and book.

dead poets society (1989): a collection of songs that i think really reflect the vibe of the film for me, not necessarily songs that would fit the time period.

donnie darko (2001): playlist that shows donnies declining mental state in the film.

mr.robot (2015): songs that i think elliot would enjoy but also describe his descent.

fight club (1999): songs for the narrator and how he feels during his 6 month bout of insomnia. this playlist is my personal favorite bcs i'm also an insomniac (twinning)

the bear (2022): songs that i think carmy would listen to while yelling "behind!" at his chefs.

you (2018): songs that describe joe goldberg from you, not necessarily stuff he would like (he's much too pretentious to enjoy olivia rodrigo).

pearl (2022): a playlist that reminds me of the monologue scene in pearl where she says "i don't feel...well" because i really felt that. once again, not necessarily songs that match the time period or the characters potential interests.

lady bird (2017): lady bird is one of those movies where i'm pretty sure the director was in my house monitoring my daily movements for inspiration. naturally, i needed to make a playlist that i think completely captures the feeling of growing up with a not-so-healthy relationship with your mother.

gone girl (2014): a playlist based on the "cool girl" monologue and how it feels to feel forced to play a caricature of a woman just to for a man.

gone girl (2014): this time it's a nick dunne inspired playlist because unfortunately i relate to him (more so, book version nick). take that info how you will.

miles morales (spider-man: into the spider-verse, 2018): best spider-man, idc. ~ él es el mejor spider-man, no me importa.

jughead jones (riverdale, 2017): songs that i think jughead would have loved.

american psycho (2000): a mix of songs that patrick bateman would listen to in his headphones on his way to work and songs that i think describe him.

the iron claw (2023): songs that represent the tragedy of the story of the von erich family but also the beautiful bond of the brothers. Once again, these are not all time period accurate.

black swan (2010): a playlist based on nina. lots of swan references in the titles.

taxi driver (1976): a mix of songs based on the time period, things that travis bickle would listen to while driving, and songs that encapsulate the movie.

nightcrawler (2014): songs that represent lou bloom, not necessarily songs he would listen to because i don't actually believe he would listen to music on his own.

peeta mellark (hunger games, 2012): ,ovies i think peeta would either enjoy, or capture his personality and plight throughout the movies.

may december (2023): i love this movie SO MUCH, so i ofc had to make a dedicated playlist. it's through the perspective of joe ofc.

eternal sunshine of the spotless mind (2004): playlist based on the rocky relationship between clementine and joel.

mother (2020): for those who don't know, this is a japanese film based on a true story about a toxic mother and her relationship to her son. so this playlist is based on the perspective of the son, shuhei.

clay jensen (13 reasons why, 2017): playlist that clay would listen to in between tapes.

prisoners (2013): unsettling and melancholy playlist inspired by this film and the perspective of detective loki, one of the main characters.

sam evans (glee, 2009): another one of my favorite playlists bcs i'm just so proud of it. like, absolutely sam would love this playlist. i included some glee versions of songs he sang, but only ones that i liked better than the original.

sound of metal (2019): songs that i feel express ruben's reaction to his deafness and his struggle to accept change.

troy bolton (high school musical, 2006): i absolutely LOVE this franchise and so i think i'm qualified to say that troy bolten would love himself some 2000's rnb. This is why i've taken upon the burden and pleasure of making him a playlist that he would jam out to.

scott pilgrim vs. the world (2010): songs inspired by sex bob-omb and the overall playful vibes of the movie.

good will hunting (1997): these are songs that i think will would include in his rotation or songs that represent the journey that will takes during the movie.

the hunt (2012): this was a very tragic movie about a man who suffers greatly based on a false accusation. one of my worst fears is not being believed when i haven't done anything. truly there is nothing worse than injustice and with this selection of songs i tried to convey the dread, sadness, and overwhelming rage that the main character, lucas, felt when everyone he knew turned on him.

mother (2020): playlist based off the japanese drama movie i watched about the toxic relationship between mother and son. you'll probably relate to this playlist if you have mommy issues.

romeo & juliet (1996): songs that encapsulate the tragedy of their relationship. yes 'exit music (for a film)' by radiohead is involved.

the holdovers (2023): this is my actual family. lots of 60's and 70's music.

christopher moltisanti (the sopranos, 1999): one of my favorite characters from the show bcs he's unfortunately very relatable to me. mostly based on what he said in the first season, "it's like the regularness of life is too hard for me." I get that.

abigail armstrong (dance academy, 2009): based on a quote from season 1 where she said "you all want me to fail." Abigail has this need to be perfect and she feels like she's all alone, so i thought that I would turn those feelings into a playlist bcs i can relate.

tara and christian (dance academy, 2009): based off the tumultuous relationship between main characters, tara and christian. based off the quote from season 3 where tara says to christian "i just want so badly to be rid of you". even if you don't know the show, i hope you can enjoy the sad break up playlist of it all.

heres my letterboxd account btw (just in case you were curious about how i rated these films): https://boxd.it/3mh3D

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tyfinn · 28 days ago

Text

Porcelain

#10 @a-noble-dragon @schittscreekdrabblechallenge

****

David paced back and forth in front of the Christmas tree. He and Patrick had planned on decorating it last night.

He pulled out the box of ornaments Marcy sent them last year after she found some she wanted to pass down to Patrick after he got married. There were two in particular David fell in love with.

One was a porcelain snowflake with tiny flecks of crystal that glistened in the sunlight, and the other was a silver heart with a rose etched in the center.

Marcy attached a note: Looks like this one was waiting for you, David!

#schitt’s creek fanfic #writing #fanfic #schitt's creek #drabble #100 words on the first try #schitt's creek monthly color challenge

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mattnben-bennmatt · 6 months ago

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Ben Affleck's interview w/ The Hollywood Reporter (10 October 2012)

Confessions of Ben Affleck

Argo's Oscar-baiting director, newly 40, talks about his career turnaround, how anxiety drives him, what Matt Damon's wife might think when he comes over, and what he emailed J. Lo.

By Stephen Galloway

On Aug. 15, Ben Affleck — Oscar-winning wunderkind of Good Will Hunting, other half of “Bennifer,” skyrocketing superstar who soared, sank and sizzled again thanks to his directing endeavors Gone Baby Gone and The Town — turned 40.

He celebrated with a dinner party thrown by his wife, Jennifer Garner, at their Pacific Palisades home, attended by a handful of close friends on the brink of middle age, including Matt Damon, his WME agent Patrick Whitesell and Disney production president Sean Bailey.

“It was not fun for me,” says Affleck of entering his fifth decade. “It’s this moment of bifurcation between youth and middle age. One wants to think of oneself as young. One does not want to think: ‘Wait a minute! How can I be halfway to death?’ ”

Halfway to death, perhaps, but sitting with him one late September morning at Santa Monica’s Hotel Casa del Mar, this actor-turned-director — the Hollywood embodiment of nine lives — seems anything but as he bristles with nervous energy, words spilling out of him about his roller-coaster past and glittering present.

“He’s gone to the top and then to the bottom and now to the top again,” says Damon, his friend since the two met as children. “He’s gotten the full measure of what this life in Hollywood can offer, and now he is comfortable with it.”

Nearly a decade after Affleck had one of the most ignominious falls in Hollywood history — thanks in part to Gigli and dubious PR stunts like kissing Jennifer Lopez‘s derriere in a music video — he has emerged, unexpectedly and almost suddenly, as one of the best directors of his generation. Warner Bros.’ Argo, an Iranian hostage drama that he helmed, is an early leader in the awards race. Set to open Oct. 12, it was called a “tight and tense political thriller” by THR‘s Todd McCarthy and has earned the kind of raves that once would have seemed impossible for the star of Armageddon.

All this is the hard-earned climax to a deeply considered shift Affleck embarked on eight years ago, when he set out his goals and determined never again to do work he was ashamed of. “I made the decision: ‘I’m never, ever, ever going to do anything where I don’t absolutely kill myself to get it right,’ ” he recalls.

Vanished is the man who dwelt on his deep insecurity when he and this reporter last sat down about five years ago. During that conversation, he admitted the Gone Baby Gone shoot had left him physically sick from stress. “I’m very insecure,” he said. “I’m human, just like anybody else.”

Vanished, too, is the tabloid pinata with his colorful love life, personal drama (including a stint in rehab) and career highs and lows. “I tried to ignore it as much as possible,” he says of the fuss. “There was only one way to handle a situation like that: Go straight through it.”

He addresses all this with an openness and even sweetness that would surprise those used to the more coiled figure onscreen. “I was shocked at how warm he is,” says Alan Arkin, who plays a Hollywood producer in Argo. “He’s got a great deal of warmth, and he’s not afraid to show it. He has a wonderfully open, youthful quality that you don’t see a lot in the characters he plays.”

Sitting by a window overlooking the Pacific, in jeans and a blue-checkered shirt, unshaven and sipping from a plastic cup of soda, with flecks of gray in his beard and a gold tooth he’s never bothered to replace, he has embraced the very doubts that once assailed him. “Anxiety is a kind of fuel that activates the fight-or-flight part of the brain in me,” he says. “It makes sure that a velociraptor isn’t around the corner and that you do as much as you possibly can to survive. Because Hollywood has a lot in common with Jurassic Park and its primeval-dinosaur universe.”

Affleck, the one-time party boy, now gets up at 6, goes to bed at 9 and has been married for seven years with three children (Violet, Seraphina and Samuel) under age 7. As he discusses married life, Garner, about to fly to New York, calls on his cell.

“Hey, love, are you on the plane?” he asks gently. “I’m in an interview right now, but I love you very much.” Then he quips that her trip is doubly traumatic for the actress, “First, ’cause she’s away from the kids, second, ’cause I’m in charge.”

She might have reason to worry, given how consumed Affleck is by work. “There are so many decisions to be made, and it’s more than you can get to each day,” he says. “There is this underlying anxiety not just about getting the movie done but getting it done really well. It keeps my head spinning — even when I am giving the kids a bath. I can be giving them a bath or feeding them, and sometimes they say, ‘Dad, pay attention!’ ”

When he’s not with his family, he’s at home working in a “sort of little office hut” or developing material through Pearl Street Productions, the Warners-based company he runs with Damon, who has remained a lodestar throughout the ups and downs and who now lives down the street from him. “We see each other almost too often,” laughs Affleck. “I wonder if his wife is thinking, ‘Is he really going to come over every night?’ “

When he’s on his own, he reads and consumes films avidly. He has just finished Laurence Gonzales‘ nonfiction book Surviving Survival, about how individuals cope with horrific incidents like being attacked by sharks; he also has been reading novelist Gillian Flynn‘s suspense drama Gone Girl and David Mitchell‘s Cloud Atlas.

Rather than watch television, he recently has immersed himself in a trip through some of the greatest films ever made — from the 2011 Mexican movie Miss Bala to director Victor Fleming‘s The Wizard of Oz and Gone With the Wind, which he viewed back-to-back — as if he wants to quench a raging thirst for the knowledge that will allow him to seize the ring within his grasp. He is intrigued to hear about Memo From David O. Selznick, a collection of the Gone With the Wind producer’s notes, and orders it immediately by phone after his interview.

He also spends time at a coastal getaway near Savannah, Ga., and in his New York apartment, where he expects to move with Garner when their kids have grown up. He plays poker on a regular basis with actor Hank Azaria and his Argo producer Grant Heslov. “It’s very, very psychological,” he explains of his attraction to the game. “It’s about weakness and strength and divining whether the other person is strong or weak.”

He goes skeet shooting and admits to owning several guns — which he has embraced since his wife faced a stalker.

“The stalker had been to our house many times and ultimately came to my children’s school and was arrested,” notes Affleck of Steven Burky, who was deemed insane in 2010 then placed in a mental ward and ordered to stay away from the Affleck family for 10 years. “It gave me a stronger sense of feeling protective about my family. There’s a lot of crazy, weird people out there. It’s an ugly world.”

Affleck has given up any notion of reforming it. After once being rumored to want a career in public office, he now says, “I loathe politics.” He supports President Obama but has not actively campaigned — partly because of his workload, partly because of his political disillusionment and partly because he is convinced the president will win the election despite the Oct. 3 debate. “I watched it backstage at Jimmy Kimmel,” he says. “It wasn’t his best performance. But I am still going to vote for him, and I am very, very confident he will win.”

As to his other interests: “Kids eat up that kind of hobby time,” he admits. “I used to ride motorcycles. I used to play basketball. And now basically I’m at home with them, or I work.”

The work itself will have its greatest test with Argo. Affleck was fresh off 2010’s The Town and in talks to helm another movie at Sony when Warners showed him Chris Terrio‘s script about real-life CIA operative Tony Mendez and his little-known plan to free six men and women who had fled the U.S. embassy in Tehran when it was seized in 1979. The escapees took refuge with two Canadian diplomats, and Mendez set about creating a phony Hollywood film, Argo (that title derives from a CIA in-joke — “Ah, go f– yourself” — though it is not presented that way in the movie), as a front to squirrel them out of the country.

The moment he read it, Affleck called Heslov and George Clooney, who had been developing the project through their Smoke House production company, “and I just launched into what my take was and didn’t stop talking for 45 minutes.”

Heslov and Clooney were sold.

“This film tonally is a very tricky piece, and he had very intelligent things to say about that,” recalls Heslov, describing the movie’s tightrope balance of comedy and suspense. “His idea was to push the thriller aspect a little more than we’d originally talked about. And he was right.”

Initially, Affleck had envisioned reworking the script himself, but the draft was so impressive and his relationship with Terrio so good that he allowed Terrio to make the changes. Together, they added a new opening that succinctly explains the Iranian revolution and how it led to the capture of more than 50 Americans, who would remain captive for 444 days within the embassy.

They also worked on redefining Affleck’s character, based on Mendez. “He was a little bit more broken in the draft that we got,” notes Affleck. “He was older, an alcoholic. And I changed that and made his personal stuff revolve more around his family and losing his marriage.” Ultimately, he says, that was “the wrong choice because I ended up cutting most of it out. I cut out six or seven minutes from the final film, which is a lot.”

Other characters were merged, and some situations simplified, which later would lead to complaints from former Canadian Ambassador Ken Taylor that his country hadn’t been given its due. Affleck addressed those concerns with a card at the end of the film that explains how the CIA plot complemented Canadian efforts, which he expands on in a long interview planned for the DVD.

In preparation for the movie, he flew to Maryland and met with Mendez, who took him to a bar that turned out to be a CIA hangout — the very hangout where agent-turned-spy Aldrich Ames had met some of his Soviet contacts. He was surprised how taciturn Mendez was. “He was extremely withdrawn and very unassuming,” says Affleck, adding that he only came to understand this when he saw the 2001 Errol Morris documentary about the operative, The Little Gray Man, showing how blandness was crucial to his work, allowing him to blend into alien environments.

With Mendez on board (joined by John Goodman as real-life Hollywood makeup man John Chambers, Bryan Cranston as a CIA staffer and Arkin as a fictionalized producer), the CIA opened its doors beyond anything Affleck had experienced when he’d worked with the agency on 2002’s Tom Clancy thriller The Sum of All Fears.

Invited to visit, he was astonished that “every hallway had a pretty elaborate lock on it, and every door had a lock, and there were no windows to see in any of the rooms, so everything was secure. Some of the offices had two computers at every desk, one with huge stickers that said: ‘This is connected to the Internet. No classified information.’ I wanted to use that, except there were no computers in 1979.”

He also was surprised how low-key the place seemed, even when he stepped into its holy of holies, the futuristic Operations Center, where supersecret material and personnel were whisked away before he arrived. His impression of inactivity changed two weeks later, “when they killed Osama bin Laden.”

Thanks to the CIA’s reverence for Mendez, Affleck received permission to shoot several sequences at the agency’s headquarters in Langley, Va. — though “that meant having the trucks show up at 2 in the morning, so they could all be searched down to the screw. I’ve shot in a prison, and the search they put you through was nothing like this.”

Most of the film, remarkably, was filmed in and around Los Angeles, with a Hancock Park mansion standing in for the Canadian ambassador’s residence, where the escapees hid out. (In reality, they were kept in two separate places in Tehran.) Zsa Zsa Gabor‘s home was used for the Hollywood producer’s (she was upstairs during shooting, but too sick to come down), and the Ontario International Airport, 35 miles east of L.A., substituted for Tehran’s.

A 65-day shoot began in California then relocated to Istanbul, Turkey, for a month. Affleck had hoped to use real-life Iranian immigrants in Turkey for all the crowd sequences but well into filming found that “we couldn’t get one person of Iranian descent who speaks Farsi to be in the movie because they’re all so terrified of what that would mean for their family back home. We were completely f–ed.”

(Some of those scenes later were re-staged in Los Angeles, where there are about a half-million Farsi speakers, says Affleck. They and the CGI shots that transformed signs in English gave the film a rare authenticity and allowed it to be made for a modest $44.5 million.)

Shooting in Istanbul had its challenges, especially when Affleck came down with the flu while still acting and directing. “He was really, really sick, with a fever, the whole thing, and he didn’t take a day off,” says Heslov. “At the worst point, he left a bit early, and he had to be feeling really terrible to do that.”

His enthusiasm was matched by the extras, who often numbered around 2,500 and occasionally got out of hand, especially once when Affleck was in his car. “People were yelling and chanting and throwing stuff and having fun — and it all sort of bled over,” he explains. “I was a little scared, although I tried to summon up that director’s arrogance. All the great directors, I think, are arrogant; so I thought, ‘This is the time when I get out the bullhorn and say, ‘Back off!’ ”

He didn’t, alas. “I must not be doing something right,” he jokes.

Contrary to his image as a working-class “Southie” in Good Will Hunting, and later in The Town, Affleck, the elder of two sons (his brother Casey also is an actor), grew up in relative comfort in Cambridge, Mass. His mother, Chris, had been one of the original freedom riders who went into the Deep South during the 1960s to fight for civil rights. Both she and his father, Tim, were intellectuals who gave their son the middle name Geza after a Holocaust survivor they admired. (Affleck comes from Protestant stock but is agnostic.)

Damon — who was 10 when he met his 8-year-old near-neighbor Ben — remembers the cut-and-thrust of discussions in the Affleck home. “That dinner table was one of the funnest places to be growing up because of all the debates that went on — on any subject. You had to craft an argument and a good one to survive. Ben really honed his debating skills there. He’s not a guy you want to get in a debate with.”

Adds Affleck: “My mother taught public school, went to Harvard and then got her master’s there and taught fifth and sixth grade in a public school. My dad had a more working-class lifestyle. He didn’t go to college. He was an auto mechanic and a bartender and a janitor at Harvard.”

He also was an alcoholic, a predisposition Affleck inherited. “His life sort of hit the skids when I was in my teens,” he says. “It was difficult. When one’s parent is an alcoholic, it’s hard. It was a little scary and trying, but then he got sober when I was twentysomething, and he’s been sober ever since.”

The two maintain a cordial relationship, though they don’t see each other much, says Affleck. “My father has positional vertigo, and if he flies he gets really dizzy, so he has to drive out to California, which he does a couple times a year. We talk, but we e-mail mostly.”

The problems at home peaked when Affleck’s parents split before his teens and filtered into his life at the Cambridge Rindge and Latin School, where he sought refuge in plays, appearing as Damon’s son in Friedrich Durrenmatt‘s The Visit before both started auditioning for professional roles.

“I was a bit of a f–up,” he says. “I got really good grades until the last two years, and then I didn’t. I was having issues around my dad and my mom, and things just weren’t that stable — though that puts the responsibility on them, when really I just lost focus and stopped caring.”

While Damon went to Harvard, Affleck attended the University of Vermont, where he majored in Middle Eastern Affairs before switching to Los Angeles’ Occidental College, embarking on an acting career while he and Damon were roommates in Eagle Rock, an East Los Angeles neighborhood.

He found minor success with such films as 1992’s School Ties and 1993’s Dazed and Confused. But it was Good Will Hunting — the script Affleck and Damon sold to Castle Rock Entertainment for $600,000, which went to Miramax in turnaround — that made them stars. At the Oscars, they brought their moms and soon were double-dating with Gwyneth Paltrow (Affleck) and Winona Ryder (Damon). America was enchanted. With an Academy Award for best original screenplay, Affleck was a mere 25 years old and as hot as they get.

Then something went wrong. Instead of following Hunting with equally impressive material, Affleck chose roles in such action pictures as 1998’s Armageddon and 2001’s Pearl Harbor, while Damon starred in Saving Private Ryan. Partly, says Damon, this was because these were big breaks for a relative newcomer and partly because Affleck thought he could fix scripts that didn’t work — only to discover the director is the fixer.

His movie choices solidified a lightweight image that, combined with romantic escapades, made him perfect fodder for an exploding celebrity press. When he went from dating Paltrow to media-magnet Lopez (buying her a multicarat pink diamond ring, to boot), he no longer was just an actor — he was part of a phenomenon known as Bennifer (version one). Their Bentley rides, engagements, breakups-and-makeups were chronicled almost in real time. Affleck, who had risen to earn a reported $10 million to $15 million per picture, now was more infamous than famous.

“To watch the entire world have the totally wrong idea about somebody you care about and admire was painful, just as his friend,” says Damon. “I can’t imagine what it felt like to him. I remember Ben calling and saying: ‘I can sell magazines and not movies. I’m in the worst possible place I can be.’ “

Over the next few years, everything he had built came crashing down. He already had gone into rehab for unspecified causes in 2001; then came the disappointment of his superhero-in-tights spectacle Daredevil and the disaster of Gigli, the 2003 picture in which he starred with Lopez before their relationship collapsed.

“I went to rehab for being 29 and partying too much and not having a lot of boundaries and to clear my head and try to get some idea of who I wanted to be,” explains Affleck, declining to go into further detail. “It was more a ‘let me get myself straight,’ before it became a rite of passage.”

He stays in touch with Lopez, just as he does Paltrow and his high school girlfriend, Cheyenne Rothman. “We don’t have the kind of relationship where she relies on me for advice,” he says of J.Lo, “but we do have the kind of relationship where there’ll be an e-mail saying, ‘Oh, your movie looks great.’ I remember when she got American Idol. I said: ‘This was really smart. Good luck.’ I touch base. I respect her. I like her. She’s put up with some stuff that was unfair in her life, and I’m really pleased to see her successful.”

Despite the media onslaught, Affleck’s closest friends remained convinced his talent was supreme.

“What always struck me was how smart he is,” says his longtime agent Whitesell. “He had the biggest disconnect of anybody between the way the world saw him and the way he really is. We talked to each other and said, ‘It’s going to be a long road back, but we will get there.’ “

When Affleck took the risk of going behind the cameras with Gone — a mystery about two investigators tracking a missing 4-year-old girl, released by Miramax in the post-Harvey Weinstein era — Hollywood insiders were stunned that this apparent featherweight had such depth. But the movie still was perceived either as a fluke or too dark to make Affleck a candidate for bigger films. Only Warners executive Jeff Robinov pursued him with absolute conviction.

“Gone Baby Gone was not at all financially successful,” notes Affleck. “But Robinov brought me into his office and said: ‘I think you’re a hell of a filmmaker, actor. What do you want to do? Tell us, and we’ll do it.’ And I wasn’t having those meetings with every studio.”

Affleck opted for The Town, a $37 million drama that earned $92 million domestically. Its success shocked even cynics. The flameout, who had become a byword for has-been, was now one of Hollywood’s most promising directors.

Getting there was a direct result of the decision Affleck made around 2004.

“I was frustrated with the movies that I had done,” he explains. “I knew that I had something to offer. I said: ‘Here are the things I’d like to do: I want to direct movies, and I want to be in a movie that I’m enormously proud of. I want to have kids.’ I set out goals. It was a bold thing because when one is accustomed to falling short, as I had been, one becomes fearful of making predictions. But I did.”

Garner, whom he met on Daredevil, contributed to this thinking. “Jennifer played such a profound role in making me a better person,” says Affleck. “We don’t have a perfect marriage, but she inspired me; and finding myself in that marriage and having a child dovetailed with getting to be a little more mature.”

Asked what drew him to his wife, he considers. “She truly is kind,” he says. “She means no one any harm. She doesn’t have ill will for any person. She’s not competitive with other people. She’s not spiteful.” He laughs. “It’s one of those things where it becomes almost aggravating at times. Every time I go, ‘F– him!’ I see in her face that she just thinks that’s petty and small.”

Now Affleck is concentrating on the meaningful and large. He is developing a movie adaptation of Stephen King‘s The Stand and plans to reteam with Damon on Whitey, the story of James Joseph “Whitey” Bulger Jr., a Boston crime figure who went on the run for 16 years before being captured outside his Santa Monica apartment in 2011. Affleck will direct, and Damon will star.

But other matters are beginning to weigh on him just as much as film. “One gets older,” he reflects, “and the things that you didn’t realize were absences in your life now feel like real vacancies.”

In November, he will make his seventh visit to the Democratic Republic of Congo, where bloody civil war has lasted 14 years (despite peace accords signed in 2003) and cost 5.4 million lives. It has become his abiding concern ever since “I came across this passage about how 10 times as many people have died in Congo in the wars since 1997 [as in Darfur] and was stunned that I didn’t know.”

The filmmaker first went there in 2007. “I saw terrible things,” he says. “You know: the amount of sexual-based violence against women; people suffering from preventable disease; child soldiers who needed to be integrated into society; children without schooling at all. So we started to get involved in those areas.”

Two years ago, he helped form the Eastern Congo Initiative, which provides developmental aid for local communities, working with farmers who grow cacao, among other activities.

Affleck’s commitment to Congo has not been risk-free. On one occasion, he was in a single-engine plane caught in a hailstorm, with a pilot who didn’t know his way. “We were flying through Sudan, and the hail was really banging up the plane. The pilot was saying he didn’t have enough fuel to fly back to Juba. I was terrified. It was the only time in my life where I really thought, deep in my heart, I might die.”

It’s a flash of the old insecurity that still remains, buried deep inside. He’s older, wiser, glowing in the gleam of his new film, but the fears and anxieties still have to be held at bay. Even in his work.

“Sometimes I get insecure about being a real director because I look at the great directors, and they have such command,” he says. “But maybe that keeps me critical of myself. Maybe it keeps me moving forward.”

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