#Parlane

[axnewxera]

@escortingsecrets

"Wait... is that Rufus Shinra??"

It was typically common courtesy to respect the privacy of other patrons at the Honeybee Inn. What happens at Honeybee, stays at Honeybee. But when the recently-appointed ruler of the world shows up... well, it's hard to ignore. Even if his father was also a regular there.

Rufus had kept his cool, silently wondering if his father had gotten the incessant gawking every time he walked through those doors. But he kept his head held high, and before he knew it, Rufus Shinra, king of the world, was in a private room awaiting his assigned Honeybee.

The host had sat him down, asking all sorts of questions about his tastes and what sort of Honeybee he wanted. Judging by the amount of time he'd been waiting since then, he imagined the staff were frantically trying to find the perfect one for him, the highest of VIPs.

It was a fairly open secret that the great President Shinra inhabited this place fairly often. In truth, Rufus found it extremely distasteful, and he hated how public it all felt. Any peon with a camera could make his presence there global news in a matter of seconds. Rufus silently started to wonder if this might have been a bad idea. Too late now to take it back.

The door started to open, no doubt his Honeybee entering the room. Rufus rose to his feet, ready to shake their hand in greeting. "I'd say 'fashionably late', but the slutty bee look is more tacky than fashionable," he said with a smirk.

[strathshepard]

Charles Mingus and Horace Parlan playing at the Five Spot while Orson Welles listens, 1958. Photography Dennis Stock

[musicollage]

Charles Mingus - Mingus Ah Um. 1959 : Columbia CL 1370.

! acquire the album ★ attach a coffee !

[vinyl-artwork]

Horace Parlan, Headin' South, 1962.

Photo by Ronnie Brathwaite.

[jazzdailyblog]

Roland Kirk's Flute Odyssey: A Review of "I Talk with the Spirits"

Introduction: Roland Kirk’s 1965 album “I Talk with the Spirits” stands as a unique and mesmerizing entry in the jazz world. Departing from his usual array of instruments, Kirk focuses solely on flutes for this recording, showcasing his mastery of the instrument and his innovative approach to music. Recorded in September 1964 and released in March 1965 on the Limelight label, this album offers a…

[radiophd]

rosy parlane -- pinxit

[arterrorist]

Record fair haul 🤩

Jazz is beautiful 🥰

[musicwithoutborders]

Horace Parlan · Bent Jædig · Thad Jones, For You I Jazz Night, 2009

[unproduciblesmackdown]

this counts as summer stogging (summer stock blogging)

Doing great here in Connecticut pic.twitter.com/CSVaci8Az8

— Will Roland (@will_roland) August 16, 2023

[bantennewscoid-blog]

Maksimalkan Potensi, Fasilitas Kawasan Kuliner Parlan Kota Tangerang Perlu Dilengkapi

TANGERANG – Pj Walikota Tangerang, Nurdin mengunjungi kawasan Kuliner Parlan Alun-alun Ahmad Yani Kota Tangerang. Sambil berbincang, Nurdin melihat potensi kawasan kuliner Parlan yang masih bisa terus didorong peningkatannya baik secara fasilitas maupun potensi wisata. “Ini sudah baik, tinggal bagaimana kita terus mengupayakan fasilitas penunjang lainnya seperti air, listrik, serta tata letak…

[axnewxera]

Smash. Of course he still has to ask nicely~

Send in 'SMASH' if your muse would sleep with mine if they could or send 'PASS' if not

"Well.... it seems I've made an impression after all. Rest assured the feeling's mutual... as long as you ask nicely."

[sgurumiyaji]

本日のおはジャズ「Motoring Along」Al & Zoot '74

まさか自分がこの辺のジャズを聴く事になるとは思いませんでした。でも、最近聴きまくってるお陰で、どっちがどっちだか聞き分けも出来なかった'57年のCoral盤でさえ分かる様になりました。オントップ気味にキビキビして音飛びも激し目なのがズートで、レイドバック気味で若干音が硬めなのがアル。でも、基本、双子みたいに似通ってます。

しかし、このアルバムでは、二人ともキャラが全く変わっていて、完全に別の方向性でサックス吹いてます。二人ともブルージーさが増したのは同じですが、ズートはベン・ウェブスターっぽくなり、アルは時折タレンタインか？って思う様なファンキーなフレイジング。そして、かつてよりキビキビしてます。凄いキャラ変（笑）

聴き所は無伴奏で二人だけになるとこ。書き符か⁈って思うくらいピッタリとハモるとこが有ったり、方向性は違っててもやはりツインズだなと。

実はこのアルバム、ホレス・パーラン(p)の参加に惹かれて買ったのです。���ィミニッシュやヘキサ・トニックなどのパターンが色々聴こえて来ますが、すぐに辞めちゃうとこが好きなんです。幾何学的なフレーズは好きなんだけどメカニカルにはなりたくない…って気持ちの表れかなと思います。そこがチックと違うとこ。

この方、右手が不自由なんですが全くそれを感じさせない演奏でビックリします。是非コレをご覧ください。https://youtu.be/VheygQOEWHg

リズムセクションは二人ともデンマーク人なのですが、全く知らない人だけど素晴らしいです。比較的現代的なトリオとオールド・スタイルのフロントって組み合わせは、この時代結構有ったかも。ここではそれがハマって上手く行った、良盤と言えるのではないでしょうか。

[vinyl-artwork]

Horace Parlan, George Tucker, Al Harewood - Us Three, 1960.

Cover artwork by Reid Miles.

[jazzdailyblog]

Archie Shepp: Exploring Jazz's Boundaries with Passion and Innovation

Introduction: Archie Shepp is a jazz saxophonist, composer, and educator known for his pioneering work in the avant-garde jazz movement of the 1960s. His music is characterized by its passionate intensity, innovative approach to improvisation, and exploration of African-American musical traditions. This blog post delves into Shepp’s life, music, and lasting impact on the world of jazz. Early…

[axnewxera]

Rufus put his hand up against Shivan's, bringing the straw up to his lips and taking a sip. "The woes of the working class," he said with a playful smile. "What do you need done? I haven't humiliated Heidegger in some time. He can do it for you."

Shivan rolled his eyes at that, before raising the straw again. "Well, then take a sip. I have some things I need done- I can't sit in your lap forever, Mr. President." He teased.

[themusicaldesk]

Charles Mingus and Horace Parlan playing at the Five Spot while Orson Welles listens, 1958

by Dennis Stock