#Paradis

[newjeansaot]

Random meeting

[poohadventuresinseamajors]

Do you ever jusr existed?

[lerefugedeluza]

La nature recèle de paradis.

[unteriors]

Cadow Street, Paradis, Louisiana.

[spyxslayer]

Mikasa After Eren: A Deep Dive Into Why I Don't Think She Married (And Why That's Beautiful)

Look, I know this is probably going to be controversial, but I've been thinking A LOT about Attack on Titan's ending lately, particularly about Mikasa's story after Eren's death. The series didn't give us a simple "happily ever after" ending - and it wasn't meant to. At its core, Attack on Titan shows us that while the cycle of hatred will inevitably continue, there will also be times of peace. But it's also about something even more personal: the freedom to choose your own path.

While scrolling through forums and social media, I've seen countless debates about whether Mikasa married Jean and had a family or chose to remain single. Both sides want what's best for Mikasa, and after diving deep into the evidence, I've become convinced that she likely didn't remarry - and that this was her choosing her own path to happiness.

Why I'm Writing This

First off, I want to be clear: this isn't about bashing the "Mikasa married Jean" theory. If that interpretation makes you happy, that's valid! Isayama deliberately left things ambiguous enough for fans to find their own meaning. But I've noticed some really interesting details that point to a different reading of the ending, one that I think actually fits better with Mikasa's character arc and the themes of the series.

The Promise She Refused to Make (And Why That's SO Important)

Let's start with what I think is one of the most powerful moments: the cabin scene. But here's something crucial that often gets overlooked - this wasn't the first promise between them that got broken. Remember, Mikasa had already broken her promise "not to talk about that stuff" when she brought up wanting to live out Eren's last four years peacefully together. It was this broken promise that prompted Eren to ask for one final, different promise - to throw away the scarf, forget him, and find freedom.

And what does Mikasa do? She tightens the scarf instead. I get chills thinking about this moment because it shows exactly who Mikasa is. She's not just defying Eren; she's choosing her own definition of freedom.

This is so perfectly Mikasa, especially as an Ackerman. Her bloodline literally exists to resist the Founding Titan's control, and here she is, refusing to let even Eren dictate how she should live or remember him. Throughout the rest of her life, we see her wearing that scarf and visiting his grave. She made her choice, and she stuck to it.

But here's what really gets me: her defiance of Eren's request isn't just about the scarf. It's about her entire approach to life after his death. When Eren tells her to forget him and move on, he's essentially trying to write her story for her. But Mikasa has always been about making her own choices, hasn't she? Even her love for Eren wasn't because of her Ackerman blood - it was her choice, her truth.

Let's Talk About Visual Evidence

One thing that really stands out to me is how the anime handles these post-time skip scenes. The time lapse sequence showing Mikasa's visits to Eren's grave uses some interesting artistic choices that seem deliberately crafted to maintain ambiguity. All the scenes are shown from a distance, with figures drawn without detailed features, often from behind or from far away perspectives.

Those "Family Scenes"

Look at how these moments are depicted:

Every scene is shown from a distance

Character features are kept minimal and undefined

Faces are often turned away or obscured

The positioning of figures seems carefully planned and meaningful

The artistic style emphasizes silhouettes over detail

These artistic choices feel intentional - creating just enough ambiguity to let viewers draw their own conclusions rather than definitively showing Mikasa with a new family.

The Grave Visits and Family Positioning

Okay, let's break down that scene with the "family" at the grave, because the positioning tells us SO much:

On the Front Left (Near the Heart):

The grown figure who stands behind Mikasa on the left? I believe this is her adopted child from the earlier scenes, now grown (honoring her “Papa”).

This positioning on the left suggests they're directly connected to Mikasa's heart.

At funerals or memorials, family members of the deceased are positioned at the left and toward the front near the deceased (or their portrait) in several cultures.

They (or she) appear to have their own child now too!

On the Right and Back Right (Supporting Roles):

Friends of the deceased are often positioned at the right and in the back during funerals/memorials.

The man standing directly to Mikasa's right (and behind Mikasa in the manga)? That's likely Jean in his continued supportive role.

Further back on the right, I think we're seeing Armin with his grandchild.

Notice how Jean's potential daughter (maybe with Pieck?) might be standing near Armin with her children.

One of those children has dark hair similar to Pieck's while the other’s hair color resembles Jean’s - another subtle detail!

Why This Makes Sense:

The positioning mirrors the relationships: chosen family closer to the heart, supporting friends on the right.

It shows multiple generations coming to honor Eren's memory.

Some characters (like Annie, Pieck, and others) might have passed away by this point, explaining their absence.

It feels like a collective decision to show the next generation Eren's legacy.

Think about it: what could be more meaningful than all of them bringing their grandchildren to understand the sacrifice that made their peaceful lives possible?

Let's Talk About Jean (And Why This Matters)

I know what you're thinking - what about that man we see with Mikasa at Eren's grave? A lot of fans assume it's Jean and that they're married, but let me break down why I think there's more to this story:

The Chemistry (or Lack Thereof)

Let's really break down why the Jean-Mikasa romance theory doesn't hold up when we look at their actual interactions:

Training Days Interactions

Remember how their dynamic played out during training? Jean would try to talk to Mikasa, and she would:

Consistently look past him to check on Eren

Walk away mid-conversation if she thought Eren needed her

Respond with polite but minimal answers before returning her attention to Eren

Show zero interest in Jean's attempts at deeper conversation

There's this one telling moment during training when Jean tried to compliment Mikasa's hair, and she immediately turned the conversation to asking about Eren's whereabouts. Classic Mikasa!

The Reality vs. Jean's Imagination

Jean's crush on Mikasa reveals a lot about how he sees an idealized version of her rather than who she really is.

What Jean Imagines:

A refined, sophisticated woman interested in literature and culture

Someone who would enjoy quiet, intellectual conversations

A traditionally feminine personality who'd appreciate his gallant gestures

Someone who would want a conventional family life

Who Mikasa Actually Is:

Straightforward and action-oriented

Focused on practical matters over intellectual pursuits

Someone who expresses care through protection rather than words

A person whose emotional world revolves around her chosen family (primarily Eren)

Their Actual Interactions

Throughout the series, look at how they actually interact:

Mikasa rarely initiates conversations with Jean

Her responses to him are typically brief and practical

She's never shown seeking his company or opinion specifically

Even in group settings, she gravitates toward Eren or Armin

Remember that scene where Jean tries to engage Mikasa in a discussion about military strategy? Her response is to simply state she'll do whatever helps protect Eren. It's a perfect example of how they're fundamentally misaligned in their priorities and ways of thinking.

The Emotional Investment Contrast

The difference in their emotional investment is stark:

Jean blushes and gets flustered around Mikasa

Mikasa remains completely unaffected by his presence

Her emotional reactions are saved exclusively for Eren

Even when Jean actively tries to help or protect her, she rarely acknowledges it beyond basic courtesy

Their interactions consistently show a one-sided attraction where Jean projects his ideals onto someone who, while respectful of him as a comrade, has never shown any hint of reciprocating his romantic interest.

Jean's Evolution (This Makes So Much More Sense)

Here's what I think really happened with Jean:

He was there at the grave as a supportive friend, not a husband.

At some point, seeing Mikasa's unwavering devotion to Eren might have been his wake-up call.

He probably realized he loved the idea of being in love with her more than who she actually was.

This understanding likely helped him move on emotionally while maintaining their friendship.

Supporting her visits to Eren's grave shows his maturity, his care for her, and the depth of their platonic bond.

The Political Reality

Here's something that often gets overlooked in the "Mikasa married Jean" theory - the political situation in Paradis. Let's break this down:

Jean was a known anti-Yeagerist.

Living permanently in Paradis would be incredibly dangerous for him.

Even with Historia's protection, his safety couldn't be guaranteed long-term.

At best, he might manage occasional visits under Historia's protection.

The logistics of a marriage under these circumstances seem highly improbable.

Jean's Dream Sequence (This Is FASCINATING)

Remember that scene where we see Jean's dream of domestic life? Let's break it down because the details are WILD:

He's sitting OUTSIDE on the porch, looking in through a closed window at a woman with dark hair and a baby.

There's literal physical separation between him and this family scene.

Windows in storytelling often symbolizes something desired but out of reach.

Even in his own dream, he can't fully be part of this scenario - isn't that telling?

Here's the thing about Jean's dream that I find really important: it's not that Jean can't or won't ever have a wife and kids. He absolutely can and deserves that happiness! But this specific dream, with (potentially) Mikasa and her baby? That's what's out of reach. I think this scene could actually foreshadow Mikasa with her adopted child, with Jean wishing he could be the husband and father but knowing he can't be - even if he stays close to them and considers them family in a different way.

(And who knows? Maybe his dream wife will be someone else we know. ;)

A Better Match for Jean

You know who I think would actually be a better match for Jean? Pieck! Let me break down why their chemistry actually makes so much more sense:

Personality Alignment

Think about what Jean actually wants in a partner:

Someone intellectually curious who loves books and history.

A strategic thinker who can match his analytical mind.

A person who can engage in deep conversations.

Someone who balances practicality with idealism.

Now look at Pieck:

She's consistently shown to be highly intelligent and analytical.

Her strategic thinking saved the Cart unit multiple times.

She demonstrates both wit and wisdom in her conversations.

She shares Jean's ability to see both the bigger picture and immediate practical concerns.

Their Actual Interactions

We see hints of their compatibility in their interactions:

During the alliance formation, they show mutual respect for each other's tactical thinking.

They work well together in combat situations, complementing each other's strengths.

Their conversations, though limited, show an easy understanding of each other's thought processes.

Both demonstrate similar values about protecting their comrades while thinking strategically.

Shared Perspectives

They align on so many levels:

Both are pragmatic idealists who want to fight for a better world.

They share similar views about the complexity of the conflict.

Neither is blindly loyal - they both think critically about their allegiances.

They both value intelligence and strategic thinking over raw power.

Political Alignment

Unlike the complications with Jean and Mikasa:

They're on the same side politically after the war

Neither would have to compromise their beliefs or safety to be together

They could live freely without fear of persecution

They share similar hopes for the future of both Paradis and Marley

Communication Styles

Their way of interacting just fits:

Both are capable of witty, intelligent banter.

They share a similar dry sense of humor.

They can be serious when needed but also lighten the mood.

Their communication styles complement rather than clash.

Consider how Pieck typically analyzes situations with careful consideration - just like Jean does. They both take time to think things through, unlike the more impulsive characters in the series. This similarity in approach suggests they'd understand each other's decision-making process in a way that other potential pairings might not.

When you look at all these factors together, doesn't it make so much more sense for Jean to find happiness with someone who actually matches his intellectual and emotional needs? Someone who can engage with him on the level he's always wanted? Pieck fits that role perfectly, while still allowing him to maintain his meaningful friendship with Mikasa.

(also…maybe the woman of Jean’s dreams IS actually Pieck! ;) )

The Adoption Theory (Which I Love)

Now, about that child we see... What if Mikasa adopted? The more I think about it, the more perfect this feels.

Why Adoption Makes Sense:

Mikasa's Own Experience:

She was adopted by the Yeagers.

She knows firsthand how powerful chosen family can be.

It would be a beautiful way to honor Carla's memory.

Character Consistency:

Allows her to protect and nurture someone.

Creates family bonds without needing to "move on" romantically.

Fits with her understanding that family isn't about blood.

The Visual Evidence:

Her Ackerman mark stays covered in the manga.

The family scenes are deliberately drawn at a distance.

The positioning of figures in these scenes feels meaningful.

The Timeline Doesn't Add Up

Here's something that's been on my mind about the "Mikasa got married" theory, specifically about that scene with the baby at Eren's grave. People often say this happened at the 10-year mark because of Eren's comment about wanting Mikasa to "not get over him for at least 10 years" before even considering another guy. But let's actually break down this timeline:

If that scene really shows Mikasa and, in my opinion, Jean, married with their biological child, the math does not seem to work alongside that specific 10-year theory. Think about it:

They would need time to develop a relationship

Then get married

Then conceive and carry a child (9-10 months in Japanese counting)

So either:

Mikasa started developing feelings for Jean before the 10-year mark (going against Eren's wish that she clearly respected, whether she knew about this or not)

She somehow fell in love with Jean instantly right at the 10-year mark, got married (or got together) immediately, and got pregnant right away

OR if she waited the full 10 years before even considering Jean, that scene with the baby would have to be at least 11 years after Eren's death

None of these scenarios really fit with what we know about Mikasa's devotion to honoring Eren's memory, do they?

However, if that baby is adopted? The timeline makes perfect sense. Mikasa could have waited the full 10 years, processed her grief, and then chosen to create family through adoption - all while staying true to both Eren's wishes and her own heart.

Those Final Scenes (Let's Get Into the Details)

The Ackerman Mark and A Mother's Request

Before we dive into those final scenes, we need to talk about something significant: the Ackerman mark. Mikasa's mother made her promise to pass down this crest when she had children of her own.

But in the manga, we see that mark stayed covered until the end. Why?

I think there are several powerful reasons:

If she adopted rather than had biological children, there was no crest to pass down.

With the Titans gone, the burden of the Ackerman bloodline no longer needed to be carried forward.

Keeping it covered became her personal reminder that she makes her own choices.

Most importantly, it symbolizes her refusal to be a slave to anyone or anything - not the Founding Titan, not even Eren's wishes.

That "Wedding Ring" Debate

The anime's final scene has sparked so much discussion about whether there's a ring visible through the flowers. Here's my take:

This detail wasn't in the manga at all.

If there was meant to be a literal wedding ring, why hide it behind flowers?

The ambiguity feels purposeful.

What if it's not actually a ring at all, but the shadows and flowers create that impression for symbolism?

I believe this was an artistic choice, a stylistic depiction, meant to symbolize her eternal bond with Eren rather than showing a physical wedding ring

(Also, in Japan, wedding rings are commonly gold, whereas "commitment rings" are often silver.)

I believe the ring's appearance is a visual metaphor meant solely for the audience's understanding, similar to other symbolic elements in anime. We see this technique used in other moments, like when Mikasa envisions her younger self and child Eren at the grave. Another example would be how Demon Slayer depicts elemental effects around swords - these visual flourishes exist to convey meaning to viewers while not being literally visible to the characters within the story world.

And here's something interesting to consider: if Mikasa did marry someone else, why would she choose to be buried with Eren? Now, I know some will say "but people who remarry sometimes choose to be buried with their first spouse!" And that's absolutely true! But combined with everything else we've discussed - the scarf, the covered mark, the ambiguous ring - doesn't it make more sense that she remained single while creating her own kind of family?

The Itterashai Connection: A Beautiful Confirmation

Okay, can we talk about that Japanese exclusive ending song "Itterashai" for a minute? Released in 2023, this ending provides what I think is some of the strongest evidence for Mikasa's eternal connection to Eren. Here's why it's so significant:

Shows elderly Mikasa at Eren's grave.

As she's placed in water, she returns to her younger self.

Birds appear throughout (a constant symbol of Eren in the series).

She finally reunites with Eren in what appears to be the afterlife.

The title "Itterashai" means "see you later" - exactly what Mikasa always said to Eren.

Think about it: why would they release this Japanese-exclusive ending that so beautifully depicts Mikasa's reunion with Eren if we were meant to believe she found her true happiness with someone else?

The Final Resting Place

The gravestone details are incredibly moving and telling. It reads exactly: "here forever, rest, peacefully, most beloved, my dear, 854". This sounds more like a message from a widow to her eternal love than from someone who moved on to a new marriage, doesn't it?

Even in death, Mikasa chose to be buried with Eren, still wearing his scarf. Yes, some might argue that people who remarry sometimes choose to be buried with their first spouse. But combined with everything else - the covered mark, the ambiguous ring, the consistent devotion throughout her life - doesn't it paint a picture of someone who never truly wanted or needed another romantic relationship?

The Last Visit (This Part Gets Me Emotional)

The way Mikasa's story ends is so powerful:

She's buried with Eren's scarf

The gravestone reads "here forever, rest, peacefully, most beloved, my dear"

She kept her promise to herself, not to Eren's request

She lived life on her own terms while honoring her love

Here's Why This Matters So Much

I think this interpretation shows something really beautiful about love and loss:

Moving forward doesn't mean replacing what you lost

There are many ways to build a family

Choosing your own path to happiness takes courage

Sometimes the most powerful love stories don't follow conventional patterns

What's Actually Tragic Here?

You know what's interesting? Some people see Mikasa not remarrying as tragic, but I see it as triumphant. She:

Chose her own path

Created family on her own terms

Remained true to herself

Found happiness without compromising who she was

The Broader Themes: Why This Matters

Before we go deeper into the evidence, I think it's important to understand why this interpretation of Mikasa's ending matters so much in the context of Attack on Titan's broader themes.

The Cycle of Violence and Peace

Attack on Titan shows us something profound about human nature - that while cycles of hatred and violence may be inevitable, they're always interrupted by periods of peace. We see this play out in Mikasa's story too. After all the violence and loss, she finds her own kind of peace - not by following others' expectations of moving on through marriage, but living life her own way, paved by the sacrifice of Eren and so many others she cared for.

True Freedom

The series constantly asks us: what is true freedom? Is it what others tell us freedom should look like, or is it the ability to choose our own path, even if that path isn't what others, or even we, expect? Mikasa's choice - to honor her love for Eren while still living fully - represents perhaps the purest form of freedom in the series. She's not bound by:

Others' expectations of how to move on.

Traditional ideas of what happiness should look like.

Even Eren's own wishes for her future.

The Path Forward

What's beautiful about this interpretation is how it shows there are many ways to move forward after loss:

You can honor past love while still living fully.

Creating family doesn't always mean marriage and biological children.

Supporting friends can be family without romantic attachment.

Peace can be found in choosing your own definition of happiness.

Breaking Free from Expectations

In a way, Mikasa's choice mirrors the series' central conflict about breaking free from predetermined paths. Just as humanity had to break free from the walls that contained them, Mikasa breaks free from societal expectations about how she should find happiness after loss. By choosing to:

Adopt rather than have biological children.

Maintain her love for Eren while still living fully.

Create family through chosen bonds rather than marriage.

Define freedom on her own terms.

She demonstrates exactly what Attack on Titan has been telling us all along – despite the inevitable cycle of hatred and war, true freedom comes from making your own choices, even when they go against what others think is best for you.

Read "A Second Chance: The Modern Day Connection" HERE!

A Final Thought

You know what really gets me about this whole thing? The way Mikasa's story challenges our assumptions about what a "happy ending" looks like. She didn't need a new romance to have a fulfilled life. She chose her own path, created her own family, and lived authentically. And isn't that what freedom - a core theme of Attack on Titan - is really about?

What Do You Think?

I'm really curious to hear other perspectives on this. Maybe you've noticed details I missed, or maybe you see these same details differently. That's what I love about Attack on Titan - there's always more to discuss and discover.

One thing's for sure though: Mikasa's story shows us that there are many ways to live a fulfilling life after loss. Sometimes the bravest choice is staying true to yourself, even when others think you should choose differently.

[thinkingimages]

André Breton (1896, France - 1966, France) | Souvenir du paradis terrestre, 1953

Le mur de l’atelier d’André Breton, entré par dation au Musée en 2003, évoque la seconde pièce de l’appartement de la rue Fontaine à Paris, occupé par le poète, de 1922 à sa mort en 1966. Les 212 œuvres d’art et objets qui y sont regroupés rappellent l’esthétique défendue par Breton dans ses écrits et à travers sa collection. Il n’a cessé de l’enrichir, guidé par « un irrésistible besoin de possession », qu’il attribuait au désir de « s’approprier les pouvoirs des objets » ayant suscité en lui surprise et interrogation. Autour des chefs-d’œuvre des artistes qu’il a soutenus (Notre avenir est dans l’air, 1912, de Picasso, LHOOQ, 1919, de Picabia, Tête, 1927, de Miró, Boule suspendue, 1930-1931, de Giacometti, La Boîte-en-valise, 1935-1941, et Coin de chasteté, 1954/1963, de Duchamp), sont soigneusement accumulées des pièces en résonnance avec sa poétique de « l’œil à l’état sauvage, œil premier, libre de toute entrave » : des tableaux, des masques et des objets océaniens, précolombiens et nord-américains, ainsi que des objets trouvés, des objets populaires, des pierres, des racines, des boîtes de papillons. 

Brigitte Leal

Source : Extrait du catalogue Collection art moderne - La collection du Centre Pompidou, Musée national d’art moderne , sous la direction de Brigitte Leal, Paris, Centre Pompidou, 2007

[vhscorp]

Viens me rejoindre secrètement ce soir et nous entrouvrirons ensemble, main dans la main, peau contre peau, les portes du paradis…

V. H. SCORP

[transparentgentlemenmarker]

[detournementsmineurs]

"L'Allégorie de la Vue" de Jan Brueghel et Paul Rubens (circa 1617) présentée à la conférence sur “Les Cabinets de Curiosité ou l'Art de Collectionner Gemmes et Objets Précieux” par Caroline Benzaria - Historienne de l'Art et Professeur - et Paul Paradis - Historien de l'Art et Professeur - de L’École des Arts Joailliers, novembre 2023.

[tarbuchyloewenthal]

Paradis, de facto capital of the Living Lands

i hadn't seen anyone share our first look inside paradis just yet, so i grabbed this shot from the ign preview

[melishade]

Once time passed and things calmed down for the most part, what would Paradise's general view of Eren be? Would the government try to portray him as nothing more than a traitor and monster through propaganda or something?

I feel like over time, they would vilify Eren and turn him into a sort of boogeyman. Essentially, Hitler. He'll be only seen as a monster that tried to destroy the whole world, sacrificing the people on Paradis in order to get it.

Because Eren's attack on Liberio in order to get the War Hammer Titan wasn't a success. Floch wasn't there to help guide the Jaegerists, so a lot of the political attacks that happened don't have the same effectiveness as they do in the actual story. Additionally, Optimus is there actively trying to find a more peaceful solution. And on top of all of that, Eren releasing the Rumbling killed civilians, which was briefly touched on in the show, but never really elaborated, as post Rumbling, Paradis seemed to be rallying behind Eren's ideology.

Because Eren's isn't as effective in AOP compared to AOT, majority of the Paradis population don't support him. Sure, there are a few who agree with him, but they have no real political power, and Pixis has ensured that anyone of them that did were quickly dealt with. Paradis would try to distance themselves from Eren and deny accountability, while some would still agree with Eren's genocide plan.

But it's Megatron and Armin that do their hardest to not let Eren's story be reduced to this one-sided nature. Especially Megatron. He knows humanity is fickle and this might be a wasted effort long term, but he knows that not trying was going to lead to something worse. It was just going to lead to history repeating itself. He doesn't know how Cybertron was going to be portraying him, and he knows he's done horrible things. But he once had reasons, justifiable reasons, that pushed him to do the actions that he did. If those lessons were forgotten, then Cybertron was doomed.

For Armin, it still hurts, knowing what he knows, but to the rest of the world and Paradis, Eren was in a tight situation and reacted as such, so he would try to teach the lessons of the past to prevent another Eren from being created. He didn't want anyone else losing their own friends and family to the cruelty of the world.

[poohadventuresinseamajors]

HIHI ITS ME I COME WITH MORE ART. BY MY FRIEND MAZERIETTE ON PIXILART!!!! MEANT TO SEND THESE 12/12 BUT I LITERALLY FORGOT IM SO SORRY BUT ❤❤❤

PLEASE I LOVE MAZ SO MUCH AND I FEEL TERRIBLE FOR FORGETTING GO CHECK OUT THEIR OTHER STUFF GOGOGOGGOGOGO https://www.pixilart.com/mazeriette

AAAAAAAAAAAAAAAA SO BEAUTIFUL !!!!!!

Apollos sitting in the clouds and paradis being paradis he can touch the stars !!!!!!! Thank you again !!! I’ll check their account !!!

[definitely-a-photo-blog]

[filmap]

La meglio gioventù / The Best of Youth Marco Tullio Giordana. 2003

Norwegian Church Fantoft stavkirke, Fantoftvegen 38, 5072 Bergen, Norway See in map

See in imdb

[t-a-f-a-r-i]

[vhscorp]

On parle souvent de l’enfance comme d’un bonheur ou d’un paradis perdus, mais combien d’entre nous y ont trouvé l’incompréhension, l’errance et la souffrance de la solitude…

V. H. SCORP