The Book of Eleanor
Eleanor of Aquitaine has always been one of those women from history that I love without knowing very much about them. Amongst the women of the 12th century who obeyed their husbands, who followed convention, Eleanor was someone who stood out because she didn’t do those things; because she was named her father’s heir in the duchy of Aquitaine and she was named duchess in her own right after his…
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pamela anderson by steve kaufman
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BACCANO GAUNTLET ROUND 2 MASTERPOST
Lana v. Frank
Fred v. Leeza Laforet
Sham v. Pamela
Rachel v. Isaac Dian
Dallas Genoard v. Charon Walken
Huey Laforet v. Chané Laforet
Czeslaw Meyer v. Nader Schasschule
Gretto Avaro v. Esperanza C. Boroñal
Donatello v. Sylvie Lumiere
The President of the Daily Days v. Roy Maddock
Berga Gandor v. Carlotta
Chaini v. Claire Stanfield
Christopher Shaldred v. Eve Genoard
Angelo v. Victor Talbot
Kate Gandor v. Miria Harvent
Feldt Nibiru v. Laz Smith
Melvi Dormentaire v. Ennis
Donny v. Charkie
Carnea Kaufman v. Ronny Schiatto
Niki v. Edith
Mark Wilmens v. Maria Barcelito
Molsa Martillo v. Rail
Graham Specter v. Firo Prochainezo
Lebreau Fermet Viralesque v. Nice Holystone
Misery v. Adele
Lucrezia de Dormentaire v. Nile
Jacuzzi Splot v. Luck Gandor
Aging v. Lua Klein v. Fil
Carol v. Nicola Casetti
Paula Wilmens v. Denkuro Togo
Begg Garrott v. Claudia Walken
Ricardo Russo v. Tick Jefferson
Maiza Avaro v. Monica Campanella
Elmer C. Albatross v. Juliano
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Sam Shepard in The Right Stuff (Philip Kaufman, 1983)
Cast: Sam Shepard, Fred Ward, Dennis Quaid, Ed Harris, Scott Glenn, Lance Henriksen, Scott Paulin, Barbara Hershey, Veronica Cartwright, Jane Dornacker, Kim Stanley, Pamela Reed, Donald Moffat, Levon Helm, Mary Jo Deschanel, Jeff Goldblum, Harry Shearer, Scott Wilson, Kathy Baker. Screenplay: Philip Kaufman, based on a book by Tom Wolfe. Cinematography: Caleb Deschanel. Production design: Geoffrey Kirkland. Film editing: Glenn Farr, Lisa Fruchtman, Tom Rolf, Stephen A. Rotter, Douglas Stewart. Music: Bill Conti.
With its brightly irreverent attitude toward subject matter that typically brought out pious patriotism in Americans, d MoffaThe Right Stuff feels more like a film of the 1970s than of the Reagan '80s, which may be why it was a box-office disappointment. It remains true that some of the parts of the film -- the caricatures of the German scientists, the publicists, the press, and politicians like Lyndon Johnson (Donald Moffat) -- don't fit snugly with the genuine heroism shown by the astronauts and test pilot. But that's because writer-director Philip Kaufman dared to assume a point of view on the material that was fresh and unconventional -- a rarity in American film of the '80s. Some of the tone of the film can be found in its source, Tom Wolfe's book, which was designed as a corrective to the "official story" of the Mercury 7 that was provided by Life magazine. Instead of squeaky clean superbeings devoted to wife and family, the astronauts were just human beings, frequently raunchy, irreverent, and more than a little inclined to step out of marital bounds. The film's great glory is its all-star cast (though few of the actors in it were stars before it was made), with particularly good work coming from Sam Shepard, who received a supporting actor Oscar nomination as Chuck Yeager, the test pilot that the astronauts wanted to be, even as NASA and the scientists wanted them just to be glorified lab rats, plus Scott Glenn as Alan Shepard, Ed Harris as John Glenn, Dennis Quaid as Gordon Cooper, and Fred Ward as Gus Grissom. There is similar strength in the female cast, particularly Barbara Hershey as Glennis Yeager, Veronica Cartwright as Betty Grissom, Pamela Reed as Trudy Cooper, and Mary Jo Deschanel as the publicity-shy Annie Glenn, whose embarrassment at her stammer leads to a wonderfully satisfying standoff against an increasingly irate LBJ -- a man whose whims were seldom ignored. Deschanel's husband, Caleb, is the film's cinematographer. (Yes, they are the parents of Zooey Deschanel.) The movie was nominated for eight Academy Awards and won four: for sound, film editing, sound effects editing, and Bill Conti's score.
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UNFOLLOW (5+ DAYS OF INACTIVITY: THE FOLLOWING HAVE BEEN REOPENED)
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In 1960, a team of Israeli secret agents is deployed to find Adolf Eichmann, the infamous Nazi architect of the Holocaust, supposedly hidden in Argentina, and get him to Israel to be judged.
Credits: TheMovieDb.
Film Cast:
Peter Malkin: Oscar Isaac
Adolf Eichmann: Ben Kingsley
Hanna Elian: Mélanie Laurent
Lothar Hermann: Peter Strauss
Rafi Eitan: Nick Kroll
Isser Harel: Lior Raz
Zvi Aharoni: Michael Aronov
Ephraim Ilian: Ohad Knoller
Yaakov Gat: Torben Liebrecht
Klaus Eichmann: Joe Alwyn
Sylvia Hermann: Haley Lu Richardson
Carlos Fuldner: Pêpê Rapazote
David Ben-Gurion: Simon Russell Beale
Fruma: Rita Pauls
Vera Eichmann: Greta Scacchi
Moshe Tabor: Greg Hill
Dani Shalom: Michael Benjamin Hernandez
Graciela: Rocío Muñoz
Annia: Ania Luzarth
Annie Werner: Tatiana Rodríguez
Herr Werner: Ezequiel Campa
Antonio: Aitor Miguens
Dvora: Antonia Desplat
Film Crew:
Director: Chris Weitz
Writer: Matthew Orton
Producer: Fred Berger
Producer: Brian Kavanaugh-Jones
Line Producer: Micaela Buye
Production Design: David Brisbin
Associate Producer: Tom Daley
Executive Producer: Ron Schmidt
Executive Producer: Matt Charman
Costume Design: Connie Balduzzi
Director of Photography: Javier Aguirresarobe
Producer: Jason Spire
Editor: Pamela Martin
Producer: Oscar Isaac
Set Decoration: Florencia Martin
Hairstylist: Florencia Grosso
ADR Recordist: Noah Dunbar
Sound Effects Editor: Adam Kopald
Lighting Artist: Chris Rodriguez
Post Production Coordinator: Matthew E. Schneider
Transportation Coordinator: Nicolas Pollastri
Researcher: Peter Cummings
CG Supervisor: Michael Wharton
Best Boy Electric: Ramón Cácceres
Still Photographer: Valeria Fiorini
Music Supervisor: Steven Gizicki
Orchestrator: Jean-Pascal Beintus
Script Supervisor: Claudia Morgado Escanilla
Key Makeup Artist: Karina Camporino
ADR Mixer: Michael Miller
Special Effects Supervisor: Eduardo Puga
Rigging Gaffer: Sebastián Mendelberg
First Assistant Director: Ricardo Méndez Matta
Special Effects Coordinator: Federico Ransenberg
Grip: Ezequiel Cardoni
Costume Assistant: Lucia Marmorek
Digital Intermediate Producer: Patrick M. Allen
Production Coordinator: Flor Colombatti
Art Direction: Kendelle Elliott
Art Direction: Rick Willoughby
Hair Department Head: Suzanne Stokes-Munton
Sound Mixer: Javier Farina
Digital Compositor: Junyoung Han
Assistant Camera: Alejo Giles
Electrician: Javier Caña
Rigging Grip: José Cangelosi
Orchestrator: Nicolas Charron
Electrician: Daniel Ring
Foley Mixer: Randy Singer
Sound Effects Editor: Ando Johnson
Supervising Dialogue Editor: Lauren Hadaway
Camera Operator: Matías Mesa
Assistant Costume Designer: Soledad Muñiz
Key Costumer: Pilar Gonzalez
Main Title Designer: Michael Riley
Boom Operator: Julián Catz
Compositing Supervisor: Robert J. Bruce
Visual Effects Supervisor: John P. Nugent
Orchestrator: Sylvain Morizet
Production Assistant: Adrian Fiszbejn
Makeup Department Head: Jane Galli
Foley Artist: Rick Owens
Sound Assistant: Giorgia Garcia-Moreno
Weapons Master: Franco Burattini
Best Boy Grip: Enrique Vélez
Key Grip: Ariel Vélez
Post Production Coordinator: Vera Fabrykant
Storyboard Artist: Poli Marichal
Rigging Grip: Sergio Olmos
Post Production Assistant: Max Pankow
Art Department Coordinator: Laura Martinez Corfield
Assistant Property Master: Mirella Hoijman
Sound Assistant: Fernando Cornaglia
Second Assistant Camera: Martin Dotta
Music Editor: Terry Wilson
Concept Artist: Pablo Olivera
Digital Compositor: Saeed Faridzadeh
Stunt Coordinator: Ariel Arredondo Lopez Dickson
Costume Assistant: Juan David Troncoso
Post Production Coordinator: Ezequiel Rossi
Music Editor: Nevin Seus
Picture Car Coordinator: Matias Di Capua
Digital Compositor: Patrick O’Keeffe
Visual Effects Producer: Edward P. Pedersen
Assistant Camera: Karim Kachou
Electrician: Julián Cantaro
Costume Assistant: Delfina De La Cárcova
Assistant Editor: Kevin Bailey
Post Production Assistant: Eden Stelmach
Transportation Captain: Diego Igartua
Casting: Avy Kaufman
Production Manager: Rodrigo Cala
Matte Painter: Matthew Ribeiro
Electrician: Walter Saavedra
ADR Voice Casti...
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Title: Crusaders: An Epic History of the Wars for the Holy Lands
Author: Dan Jones
Genre/s: nonfiction, history
Content/Trigger Warning/s: war, death, murder, antisemitism, islamophobia, torture
Summary (from the publisher's website): For more than one thousand years, Christians and Muslims lived side by side, sometimes at peace and sometimes at war. When Christian armies seized Jerusalem in 1099, they began the most notorious period of conflict between the two religions. Depending on who you ask, the fall of the holy city was either an inspiring legend or the greatest of horrors. In Crusaders, Dan Jones interrogates the many sides of the larger story, charting a deeply human and avowedly pluralist path through the crusading era.
Expanding the usual timeframe, Jones looks to the roots of Christian-Muslim relations in the eighth century and tracks the influence of crusading to present day. He widens the geographical focus to far-flung regions home to so-called enemies of the Church, including Spain, North Africa, southern France, and the Baltic states. By telling intimate stories of individual journeys, Jones illuminates these centuries of war not only from the perspective of popes and kings, but from Arab-Sicilian poets, Byzantine princesses, Sunni scholars, Shi’ite viziers, Mamluk slave soldiers, Mongol chieftains, and barefoot friars.
Crusading remains a rallying call to this day, but its role in the popular imagination ignores the cooperation and complicated coexistence that were just as much a feature of the period as warfare. The age-old relationships between faith, conquest, wealth, power, and trade meant that crusading was not only about fighting for the glory of God, but also, among other earthly reasons, about gold. In this richly dramatic narrative that gives voice to sources usually pushed to the margins, Dan Jones has written an authoritative survey of the holy wars with global scope and human focus.
Buy Here: https://bookshop.org/p/books/crusaders-the-epic-history-of-the-wars-for-the-holy-lands-dan-jones/9351326
Review: I picked this up after I DNFed The Shield of Three Lions by Pamela Kaufman because I was still in the mood to read about the Crusades, but didn’t want any of the shenaniganry from Kaufman’s book. Or, okay, not THAT much shenaniganry, because there were definitely shenanigans happening in the actual historical crusades.
I’ve read some of Jones’ books before, and thought they were interesting, if rather dry. This book certainly fits in with that assessment: it’s interesting, but still rather dry. This is why I had to switch midway through to the audiobook, because it was easier to digest that way than reading it off the page.
Despite that hiccup though, this is, as I said, an interesting book. It chooses to tell the story of the crusades from the perspectives of key individuals who participated in them, which results in its very broad scope: an overview of the crusades, and what drove them. The latter is the most interesting part to me, because the book makes it very clear that, while religion WAS an aspect that drove the crusades, it was just ONE driving factor among many. Oftentimes, the real motivations driving crusades were political, social, and personal; faith came into play because the people behind the crusades were themselves religious people. Sometimes, those people took to crusading out of a genuine belief in their religion; other (lots of) times, they used their religion as an excuse to colonize some land and kill lots of people they disagreed with.
One of the more interesting ideas this book tackles is how the idea of crusading itself changed over the centuries. At first it really did mean “going to Jerusalem to free it from the Muslims for absolution of one’s sins”, but over time, the concept was increasingly changed and manipulated by secular and religious leaders alike. By the end, “crusading” was only vaguely connected to the idea of retaking Jerusalem from the Muslims, and actually meant “fighting anywhere against any enemy of the Church for absolution of one’s sins, and maybe other, more tangible rewards”.
Which now begs the question of “How is crusading perceived today?” The author does try to tackle that, but only briefly, in the book’s epilogue. I thought this was a bit sad, not least because it focused primarily on religious extremism and seemed to gloss over the use of crusading as a cover and tool for colonization, but given that this book is really just an overview, the lack of depth makes sense.
Overall, I think this book makes a great starting point for anyone who’s interested in the history of the crusades, since it offers some interesting jumping-off points that can lead the reader down paths they might find potentially interesting. The book has an extensive bibliography of both primary and secondary sources both academic and popular, so the reader can really just take a look at that and build a reading list based on whatever idea they latched onto. I also think it’s an important book to read now, given the Palestinian genocide and how Israel’s actions are painted by certain right-wingers as a “new crusade”.
Rating: four crusader crosses
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LA MÁS REINA REINA MÁS
Si están al día con las noticias de la #Realeza #Internacional, sabrán que #Leonor es un nombre que está sonando desde hace rato, por ella misma, por sus abuelos, por su padre y, sobre todo, por su madre. Pero no voy a hablar de la #CoronaDeEspaña. Acá la protagonista es otra Leonor, una Leonor mucho más protagonista y muy anterior.
LEONOR DE AQUITANIA La Novela, de Pamela Kaufman, cuenta la historia de una leyenda verdadera y real.
Como en verdad la novela es sumamente interesante, y vale la pena leerla, no voy a adelantar mucho de ella acá, sólo quiero contarte que en la #Historia de la #Humanidad hubo mujeres que en plena #EdadMedia tuvieron una trascendencia sin precedentes con un enorme peso gravitacional.
Bella, bellísima, dice su #Leyenda. Inteligente y rica heredera, además. Dos veces #Reina, sin enviudar. Sí, así como estás leyendo. Primero, reina de #Francia, después, de #Inglaterra. Logró una nulidad matrimonial en el #Medioevo, y sólo por eso esta mujer es un caso para estudiar y admirar. Madre de dos monarcas: Ricardo I de Inglaterra, el famoso #CorazónDeLeón, y Juan I de Inglaterra. Pero hijos, tuvo muchos más.
La casaron por conveniencia, se separó de Luis VII de Francia, y en viaje de regreso a #Aquitania, la capturaron, Enrique se casó a la fuerza con ella y la violó para consumar el matrimonio y asegurarse la posesión de las ricas y extensas tierras de Leonor. Después, Enrique se conviertió en Enrique II de Inglaterra, convirtiéndola a ella en la madre más famosa de la dinastía #Plantagenet.
Parece que te conté todo, pero no. Leer LEONOR DE AQUITANIA La Novela es algo que toda mujer #Feminista y #Curiosa debería hacer, porque es un modelo de #Fortaleza y #Resistencia de un tiempo en el que ser #Mujer era mucho más complicado de lo que podemos creer, aunque fueras bella, inteligente, rica y reina.
Flavia Vecellio Reane.
Enero 12, 2024.
@FlaVecellio
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The Amazing Readathon Week Four
The Amazing Readathon is a readathon hosted by Brianna from Four Paws and a Book and co-hosted by many others in the BookTube and Bookstagram community. This one is based on the reality TV show The Amazing Race and it’s about spending the month of June travelling the world. There are prompts and ways you can get can get bonus points (LGBTQ+ author, team genre, etc.), but there are also a whole…
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Wha if Martin Mystery airs in the US and have American voice actors instead of Canadian.
David Kaufman as Martin Mystery
Coleen O’Shaugnessy, Cathy Cavadini as Diana Lombard, Michelle DuBois
John DiMaggio as Java the Caveman
Grey DeLisle, Kimberly Brooks as Jenni Anderson
Corey Burton
Scott Menville
Greg Cipes as Marvin
Tom Kenny as Billy
Rob Paulsen
Jeff Bennett
Nora Dunn
Cree Summer
Kimberly Brooks
Laraine Newman
Ogie Banks
James Arnold Taylor
Billy West
Carlos Alazraqui
Susan Blakeslee
Darran Norris
Melissa Disney
Candi Milo
Jennifer Hale
Pamela Adlon
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Altria Group Inc (MO) Q1 2023 Earnings Call Transcript
Altria Group Inc (NYSE: MO) Q1 2023 Earnings Call Apr. 27, 2023.
Corporate participants:
Mac Livingston — Vice President, Investor Relations
Billy Gifford — Chief Executive Officer
Sal Mancuso — Executive Vice President, Chief Financial Officer
Analysts:
Bonnie Herzog — Goldman Sachs — Analyst
Vivien Azer — Cowen — Analyst
Pamela Kaufman — Morgan Stanley — Analyst
Andrei Condrea — UBS —…
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Conagra Brands Inc (CAG) Q3 2023 Earnings Call Transcript
Conagra Brands Inc (NYSE: CAG) Q3 2023 earnings call dated Apr. 05, 2023
Corporate Participants:
Melissa Napier — Senior Vice President, Investor Relations
Sean Connolly — President and Chief Executive Officer
David Marberger — Executive Vice President and Chief Financial Officer
Analysts:
Andrew Lazar — Barclays — Analyst
Ken Goldman — J.P. Morgan — Analyst
Pamela Kaufman — Morgan Stanley —…
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Pandora by Pamela Kaufman
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