#Pam Murphy

[movienized-com]

Krapopolis

Krapopolis (Serie 2023) #RichardAyoade #MattBerry #PamMurphy #DuncanTrussell #HannahWaddingham #DavidPressman Mehr auf:

Serie Jahr: 2023- Genre: Anime / Comedy Hauptrollen: Richard Ayoade, Matt Berry, Pam Murphy, Duncan Trussell, Hannah Waddingham, David Pressman, Keith David, Michael Urie, Eric Bauza, Matt Gourley, Ben Stiller, Amber Stevens West, Kari Wahlgren, Dave Franco … Serienbeschreibung: Auch im mythischen Griechenland der Antike gibt es Familienprobleme. Tyrannis (Richard Ayoade) ist Teil einer…

[virtualdavis]

Hibernal High

I almost preempted this evening’s post with an update on the rising, rising, rising lake levels. Given the alarming uptick — Lake Champlain has risen approximately 2’ in the last couple of days with waters currently approaching spring flood stage — our attention is focused on meteorological forecasts. But angsty fretting serves no one, so let’s instead honor the hibernal solstice with an exciting…

[mymilovesfashion]

[2024 year in review ~ Vogue CS #1]

JAN - Alessandra Ambrosio

FEB - Celeste Fitzpatrick, Michaela Hlavackova

MAR - Monica Bellucci, Nyakong Chan; Georgia Palmer (digital)

APR - Dalton Dubois

MAY - Heather Kemesky, Jasroop Kaur Singh, Pam Lucas, Krystyna Pyszková, Helen Beard

JUN - Fernando Lindez, Filip Hrivnak, Luna Passos

JUL - Ashley Graham, Maaike Klaasen, Sabina Jakubowicz

AUG - Celine Goebel, Janine Suarez, Tereza Petržilková, Vendy Dušková, Josef Dostal

SEP - Gwendoline Christie, Steinberg

OCT - Nathy Peluso, Delilah Belle, Róisín Murphy

NOV - Hannah Motler, Sonya Mohova

[ljones41]

"OUR MUTUAL FRIEND" (1998) - Second Review

"OUR MUTUAL FRIEND" (1998) Second Review

Several years ago, I had written a review of "OUR MUTUAL FRIEND", the BBC's 1998 adaptation of Charles Dickens' 1865 novel. Needless to say, my opinion of it proved to be mixed. But after numerous re-watches of the four-part miniseries, I came to the conclusion that my views had undergone a tremendous change . . . as the following new review will convey.

During my recent re-watch of "OUR MUTUAL FRIEND", I continued to find it a complicated tale. It featured at least four subplots (and not three, as I had originally assumed). And they all stemmed from the alleged death of John Harmon, the estranged heir to a fortune created by his father, a former collector from London's rubbish. "OUR MUTUAL FRIEND" began with a solicitor named Mortimer Lightwood informing the circumstances on the death of his late client and the details of Mr. Harmon Sr.'s will to his aunt and a group of listeners at a London society party. According to Lightwood, Mr. Harmon made his fortune from London's rubbish. The terms of his will stipulated that his fortune should go to John, returning to Britain after years spent abroad. The will allowed John to inherit his father's money on the condition that he marry a woman he has never met, Miss Bella Wilfer. However, Lightwood received news that John Harmon's body had been found in the Thames River. He and his close friend, Eugene Wrayburn, head toward the river to identify the body. And it was this sequence that led to the following subplots:

*Mr. Harmon's employees, Nicodemus and Henrietta Boffin inherit the Harmon fortune and take Bella Wilfer on as a ward/companion to compensate for her loss, following John Harmon's "death".

*John Harmon fakes his death and assumes the identity of John Rokesmith, the Boffins' social secretary, in order to ascertain Bella Wilfer's character.

*Gaffer Hexam, the waterman and scavenger who found Harmon's "body", ends being accused of murdering "Harmon" by Hexam's duplicitous former partner, Roger "Rogue" Riderhood.

*While accompanying his friend, Mortimer Lightwood, to identify Harmon's body, Eugene Wrayburn meets and falls in love with Hexam's daughter, Lizzie.

*Bradley Headstone, the schoolmaster of Charley Hexam, Lizzie's younger brother, develops a romantic, yet violent obsession with Lizzie and a deep hatred of Eugene.

*Mr. Boffin hires a ballad-seller with a wooden leg named Silas Wegg to read for him. When he finds Harmon's will in one of the Harmon dust piles, Wegg schemes with a taxidermist named Mr. Venus to blackmail the newly rich dustman.

*Mr. and Mrs. Lammle, a society couple who had married each other for money and discovered that neither had any, plot to swindle Mr. Boffin of his money.

I have experienced a handful of movies, novels and television shows in which disparate subplots eventually form into one main narrative. A major example of this was the 2002 novel and its 2008 movie adaptation, "MIRACLE AT ST. ANNA". But I cannot recall any form of fiction in which a particular narrative divides into a series of subplots from one main action or character. When I first saw "OUR MUTUAL FRIEND", I found this narrative device not only original, but rather disconcerting.

The problem I initially had with "OUR MUTUAL FRIEND" was that I only enjoyed only one major subplot - the bizarre "love triangle" between Eugene Wrayburn, Lizzie Hexam and Bradley Headstone. I cannot deny that I found it very interesting and very tense. Yet another re-watch of the miniseries made me aware of the mistakes I had made in judgment. One, my views of the miniseries' other subplots turned out to be more interesting than I had initially assumed. It finally occurred to me how wealth, greed and/or class played major roles in Dickens' story. The Harmon fortune had attracted greedy types like Silas Wegg and the Lammles. Even Bella Wilfer was willing to use the Boffins to find a wealthy husband within London's high society. Gaffar Hexam's discovery of the fake John Harmon's body and the reward he had received led his greedy and jealous former partner to accuse him of murder.

John's deception also exposed a good deal of class bigotry in this tale. Upper-class types like Lady Tippins seemed appalled at the idea of lower-class citizens like the Boffins inheriting a large fortune. She seemed to harbor this attitude that attorney Mortimer Lightwood should automatically take control of the Harmon fortune. As the Boffins' protégé, Bella initially regarded John as beneath her, due to his position as the Boffins' social secretary, John Rokesmith. Class bigotry practically reeked throughout the love triangle between Lizzie, Eugene and Bradley. Despite being in love with Lizzie, the upper-class Eugene seemed more wiling to view her as a potential mistress, instead of a wife. Bradley Headstone, who came from the same class as Lizzie, seemed more than willing to marry her. Yet, he also regarded her as being socially beneath him, due to her lack of education. He seemed to believe Lizzie should be grateful to marry him and reacted with surprise when she rejected his offer. And Eugene not only regarded Bradley as a romantic rival, but also as a man who was socially beneath him. The miniseries ended with Mortimer Lightwood attending a society party aboard a River Thames steamer. He and a shy man named Mr. Tremlow defended a particular marriage that crossed class lines, despite the other partygoers' disapproval and contempt. This ending is one of the main reasons I truly enjoy this adaptation of Dickens' novel. I found it emotionally satisfying, yet very poignant.

Sandy Welch made some changes in Dickens' narrative. Instead of pursuing heiress Georgiana Podsnap and attempting to trap her into marriage with fortune hunter Fascinating Fledgby, Alfred and Sophia Lammles set their sights on the Boffins' money. Welch's screenplay had excluded Fledgby altogether, along with his moneylending business. These changes made sense to me, considering the Lammles' arc with Fledgby and Miss Podsnap had nothing to do with John Harmon or his fortune. The Lammles met a nameless heiress (a stand-in for Georgiana Podsnap?) at a rail station near the end, as they boarded a train for Dover and the English Channel. Due to Welch's erasure of the Fledgby character, she reduced Mr. Riah's character as a close friend of both Lizzie and her friend, dollmaker Jenny Wren. Mr. Riah only played a role by helping Lizzie find a job outside of London.

It seemed a pity that Welch had eliminated the Fledgby character and his arc with Mr. Riah. It would have given the miniseries a peek into Victorian anti-Semitism, something the novel managed to achieve on a small scale. But as I had pointed out - Fledgby and Mr. Riah's arc had no connection to John Harmon, his fortune and his deception. To understand what I am trying to say, let me clarify. All of the other arcs in "OUR MUTUAL FRIEND" either began with Mr. Harmon Sr.'s will or with John Harmon's actions following his arrival in London. The former's will led John to create and participate in his deception in order to judge Bella. If Mr. Harmon had not made that condition for John to marry Bella in order to inherit his fortune, chances are John would have never conceived his deception. He would have never been attacked by the man he had recruited to impersonate him. Hexam would have never found the impersonator's body and found himself falsely accused of murder by his former partner.

Even if Mr. Harmon's will had not changed, John could have simply adhered to and inherit his father's fortune, leading to a possible loveless marriage to Bella. With no body to find, Mortimer and especially Eugene would have never met Lizzie. As Charly Hexam's tutor, Bradley Headstone probably would have met Lizzie and fallen in love with her anyway. But I believe she still would have rejected him. It is possible the Lammles would have focused their attention on John. But I suspect they would have very little success in befriending him. If John had immediately inherited his father's fortune, the Boffins would have inherited one of the Harmons' dust piles. Does this mean Mr. Boffin would have hired Wegg as his reader anyway? I wonder.

I cannot deny that "OUR MUTUAL FRIEND" did such an excellent job in exploring the effects of wealth, greed and class in Victorian London. All or most of the subplots seemed to flow from John Harmon and his decision to fake his death. Like the River Thames that flows through southern England and London. Is it any wonder that Dickens had decided to set his novel along the river - even outside of London? The story began with Lizzie and and her father scavenging along the Thames and ended on that lovely moment when both Mortimer and a shy man named Mr. Tremlow defended a recent marriage that crossed class lines at a society party aboard a steamer on the river.

As for the production values for "OUR MUTUAL FRIEND", I still remain impressed as ever. David Odd's cinematography still strikes me as colorful and epic. I am not surprised that he had received a BAFTA Award nomination for his work. Malcolm Thornton won a BAFTA Award for the miniseries' excellent production designs. His recreation of mid-19th century London and the River Thames struck me as colorful, well-detailed and just outstanding. Mike O'Neil had earned a BAFTA nomination for his costume designs. A part of me wish he had won. I still find them beautiful and a near reflection of Britain in the 1860s, as shown in the images below:

My opinion of "OUR MUTUAL FRIEND" may have improved over the years, but I still have a few issues with it. One of those issues remained John Harmon's deception regarding his identity - namely how it affected Bella Wilfer. I still find it problematic that John did not reveal his true identity to her, until a few months after their wedding. And I found Bella's lack of hostility toward his revelation implausible. Although I found Silas Wegg's attempt to blackmail Mr. Boffin interesting, I found his constant complaints about his target and plotting with Mr. Venus rather irritating after two episodes or so.

The performances featured in the 1998 miniseries more than satisfied me. I found Harmon's gradual love for Bella very interesting to watch, thanks to Steven Mackintosh's subtle performance. And Anna Friel did a great job in developing Bella Wilfur from a materialistic and ambitious young woman, to one for whom love and morality meant more to her than material wealth. "OUR MUTUAL FRIEND" also featured excellent performances from Peter Vaughn and Pam Ferris as the Boffins, Kenneth Cranham as Silas Wegg, Margaret Tyzack as the imperious Tippins, and Dominic Mafham as Mortimer Lightwood. The miniseries also featured first-rate supporting performances from the likes of David Schofield as the no-nonsense Gaffer Hexam, Anthony Calf and Doon Mackichan as the Lammles, Paul Bailey as Charley Hexam, Peter Wight as Mr. Wilfer, Cyril Sharps as the kindly Mr. Riah, Linda Bassett as pub owner Abby Potterson, Edna Doré as the kindly, yet proud Betty Higden; and Robert Lang as the reserved and shy Mr. Tremlow, whom I believe provided one of the best moments in the series.

But there seemed to be performances that I believe stood above the others. Timothy Spall gave one of his more subtle performances as the enigmatic taxidermist Mr. Venus, who found himself drawn reluctantly in Wegg's scheming. Some have complained that Katy Murphy had been too old, as a thirty-something actress, to portray dollmaker Jenny Wren, a character in her late teen or early 20s. But the other two actresses I have seen portray Jenny were either 30 or older, so I do not understand the complaint. And Murphy did such an excellent job in conveying Jenny's emotional, yet blunt personality. I thought David Bradley did a superb job in his portrayal of the sly, yet malevolent waterman, Rogue Riderhood. Unlike other actors in the role, he did not succumb to occasional histrionics.

In my previous review of "OUR MUTUAL FRIEND", I had accused David Morrissey of engaging in histrionics in his portrayal of the violently jealous headmaster, Bradley Headstone. I had been wrong. Morrissey only did it once in a scene that featured Lizzie Hexam's rejection of his marriage proposal. Otherwise, I thought the actor gave a brilliant performance. One would think portraying the reserved Lizzie Hexam would be a walk in the park for any actress. Yet, I believe Keeley Hawes took the portrayal to another level by not only conveying Lizzie's dislike of Headstone, and her wariness toward Eugene Wrayburn's feelings for her; but also her streak of insecurity that led her to doubt her worthiness for someone like Eugene. I had earlier accuse the actress of being unable of to express Lizzie's true feelings for Eugene until the last episode. But I forgot that Hawes did convey moments of attraction toward Eugene. And in portraying a reserved character like Lizzie, she did an effective job of conveying the character's penchant for keeping such feelings closely to her chest. I have said this before and I will say it again - I believe Paul McGann gave the best performance in "OUR MUTUAL FRIEND", for his portrayal of the ambiguous Eugene Wrayburn. If one closely observe the character, he is not exactly a nice man. At least most of the time. McGann did a beautiful job in his portrayal of the indolent, yet patronizing attorney; conveying both the negative and surprisingly, the character's positive traits. And thanks to McGann's performance, one could see Eugene's struggle between his love for Lizzie and his wariness over her class.

Do I still believe "OUR MUTUAL FRIEND" was flawed? Well . . . I point out a few. As I had stated in my previous review, the 1864-65 novel is not considered among Charles Dickens' best works. But my opinion of the 1998 adaptation certainly has improved a great deal over the years. Screenwriter Sandy Welch and director Julian Farino did excellent jobs in translating Dickens' tale to the television screen. And the production not only featured first-rate work from the crew, but also superb performances from an excellent cast led by Steven Mackintosh. If I must be honest, not only has my opinion of "OUR MUTUAL FRIEND" improved over the years, I now consider it one of the best adaptations of any of Dickens' works.

[mrsdeliberatecreater]

“A magnetized piece of steel will lift about twelve times its own weight, and if you demagnetize this same piece of steel, it will not even lift a feather.”

- Joseph Murphy

[clownniac]

SDV Bachelor/Bachelorette Surname Headcanons

i find it silly that we only really know the surname of like,, 3-4 characters total so i went ahead and assigned everyone their own, because it makes life easier - this is just the bachelors and bachelorettes for now but maybe i'll make another post with everyone else's

minor spoilers for alex's backstory and sam's full name under the cut :)

Bachelors:

Alex Mullner - this one is practically canon bc his grandparents are the Mullner's, but i like to think that whether or not his parents were married he refused to keep his dads surname

Elliot Arthur - i dont have much explanation for this beyond it just Feeling Right, something old and (generally) english

Harvey Lieberman - i saw someone headcanon harvey as jewish, and lieberman means "dear/beloved" so this was another one that just Felt Right

Sam O'Neil - picking a surname for sam was kinda tricky tbh bc it had to flow nicely with samson And the rest of his family's names, but O'Neil means warrior which suits kent and it sounds nice

Sebastian Kang - couple headcanons in this reasoning: his bio dad is half korean And seb is a natural ginger, so Kang bc it means "ginger" in korean

Shane Miller - shane has always just been a purple haired alcoholic version of nick miller to me tbh

Bachelorettes:

Abigail Duval - duval is french for "from the valley" which ties in pierres whole frenchness And the game itself

Emily Murphy - this was another case of finding a name that flowed nicely for multiple characters (Haley)

Haley Murphy - same as above ^^

Leah Reilly - reilly means courageous which i feel she is for taking the risk of being an artist (speaking as an artist shh), and it sounds nice

Maru Taylor - this was mostly because it is Hard to find a surname that flows nicely with the name demetrius

Penny Adams - this will make little to no sense to anyone else but adams has always felt like a ginger name to me, and it works well enough with pam

[luwe21]

Monsters: The Story of Lyle and Erik Menendez Story

The show was chaotic. Not shade the actors involved, of course, but it was a charade of what really happened.

After the brothers killed their parents, they went on a spending spree, it was true, and they were seen at a basketball game. In a way, this card is proof of what the brothers were capable of. They brutally killed their parents and then sat at a game completely relaxed and unexcited.

The portrayal of the two brothers was a grotesque caricature of their real-life counterparts. In particular, Lyle was portrayed as the typical toxic male stereotype of the spoiled rich boy and Erik as the typical weak, soft gay stereotype. None of this is true. It is sad that we still need the stereotypes to portray men. And the incest was unnecessary. What Lyle did to Erik on the show was a behavioral problem, not incest. Young children explore their own bodies and those of others, so-called "doctor" play. But normal play should never involve penetration. This is the problematic and borderline behavior of young children who may have been molested, raped or abused by their caregivers and should always be evaluated or treated by professionals. The choice of actors was also very deliberate. Of course, they couldn't be ordinary people, they had to be male models. As with Dahmers Story, fans are attracted to the actors and forget that this are real life crimes.

Erik gives a good and thoughtful answer to the chaos of a show. "Why is truth not enough?" The truth is already a spectacle. Two young men kill their rich and famous parents for unknown reasons. Then they spent a lot of money and "celebrated" until they were caught and sent to prison.

Violence is never the answer. But isn't that also true for their parents? Were they left with no choice but to kill their parents? Sadly, it seems that even today, there is often no chance of justice for victims of the rich and powerful. Some celebrities are even victims and have not gotten justice either.

This needs to be corrected. Man beings can be victims and can be oppressed. This is a fundamental truth that is not yet represented in some legal systems. Rape doesn't have to involve penetration to be rape.

I am appalled by Pam Bozanich's statements and her still hardened stance on the crime. She believes to this day that the brother's fabricated the abuse and molestation to avoid the death penalty and that it is still "just for money".

All I know from my love of true crime is that nobody would kill their parents like that just for money.

Nobody would disfigure their parents with multiple gunshots if it wasn't deeply personal.

And I also know that juries are reluctant and too "proud" to retry a case.

The case is complicated and involves a lot of factors that can't be proven 100% and is based on personal statements rather than concrete evidence.

The show hasn't helped at all. Except make Ryan Murphy and Netflix richer and spread misinformation. Maybe it helps a little to shine a light on the brothers, but not much.

[librarycards]

Currently, I'm reading Octavia Butler's Patternist series, and I have also read her Lilith's Brood series. The way she writes about eugenics and breeding is really interesting to me. Do you have any recs that treat those topics similarly?

lmao this is also something i'm very obsessed with in a way that is Definitely Very Psychologically Healthy! here are some books with similar themes that might interest you.

Ann Halam, Dr. Franklin's Island (a retelling of The Island of Dr Moreau)

Sara Flannery Murphy, Girl One

C Pam Zhang, Land of Milk and Honey

Sarah Gailey, The Echo Wife

Larissa Lai, Salt Fish Girl

These all have eugenics and particularly creation/breeding as primary themes. Not really monsterfucking, though, so sorry if you were hoping for that!

[dorothydalmati1]

American Dad! Season 9 Episode 3: Can I Be Frank with You?

Written by Judah Miller

Storyboard by Jamie Iglehart & Erik Kuska

Directed by Pam Cooke & Valerie Fletcher

Animation timed by Hunilla Fodor, Christine Smith, Jenni McCosker, Juli Murphy & Celeste Mari Williams

[justinspoliticalcorner]

Tim Murphy at Mother Jones:

Arizona’s fourth legislative district, located in the suburban heart of Maricopa County, might be the ultimate bellwether in the ultimate bellwether state. And this fall, the stakes are impossibly high, not just at the presidential level—where polls show Donald Trump and Kamala Harris in a dead heat—but all the way down the ballot. Republicans control both chambers of the legislature by just one vote. In Arizona, where each legislative district elects two representatives, control of the state house could come down to Democrats’ efforts to flip one seat and hold another in this district that includes parts of Phoenix and Scottsdale.

In their quest to hold onto the legislature, Republicans have turned to a member of a famous Arizona family—Pamela Carter, older sister of the original Wonder Woman, Lynda Carter. On the campaign trail, the candidate Carter has talked up her work as a successful entrepreneur and a record of academic accomplishment, and boasts of having “my family’s full support” for her state house run. But a review of her record and past statements tells a much different story: In contrast to the fourth district’s moderate profile, Carter is a fervently anti-abortion minister who has been “blessed with end-time revelation” and who has made confusing claims about her past. And one notable member of her family is not on board—her famous sister, an advocate for reproductive rights. “On her website, Pam claims to have her ‘family’s full support,'” Lynda Carter said in a statement to Mother Jones. “I have known Pam my entire life, which is why I sadly cannot endorse her for this or any public office.” 

Pamela Carter has offered an inconsistent accounting of her educational background. Her page at Ballotpedia states that she “earned a master’s degree in Communications and Biblical studies and attended Arizona State University,” which a spokesperson for the elections site confirmed was based on an informational survey that was “verified by the candidate.” “I was raised in Scottsdale, went right here to Arcadia High, ASU, and I just love our city,” she said on a podcast in 2022. This is technically true. Carter did attend ASU, and she does also have a master’s degree. But the reality of her resume is a bit more complicated. According to an ASU spokesperson, Carter was at one point enrolled at the university, but did not graduate. Instead, according to her LinkedIn page and other interviews, she attended an unspecified bible college in Kansas City, Missouri, and later received a master’s degree in “communications and media studies” from the Primus University of Theology, a Phoenix-based institution that affirms in its mission statement that “life begins at conception.” (One of the prerequisites for admission is that you order a copy of the founder’s book.) Primus, which aims to prepare its students “for their Ministry calling,” is not accredited by any agency recognized by the Department of Education. Instead, it cites the approval of the University Accreditation Association, which evaluates institutions on their adherence to “biblical truths.” Its degree programs are “designed for the specific and singular purpose of qualifying individuals for Christian Ministry.” But Carter has also described that degree differently in different contexts. Her campaign website during her unsuccessful 2022 campaign for Scottsdale city council said she held a “Master’s Degree in Business and Communications,” a claim she also repeated that year in an interview on a local podcast. In another video that year, she boasted of having a “master’s degree in theology, as well as in mass communications.” A current campaign biography states that “I received my master’s degree in Communications and Biblical studies.”

Carter, who did not respond to requests for comment, has leaned into her biography during her run for office, arguing that her business experiences give her an advantage in the political realm. Foremost among those ventures was Jon Cole Systems, a gym she once owned with her ex-husband, the powerlifter Jon Cole. Newspaper ads for the fitness center sometimes featured Lynda Carter, touting the benefits of Cole’s “TOTAL WOMAN” workout program. 

“It was the largest [gym] in the nation at the time,” Pamela Carter boasted in a 2022 interview, in which she suggested that working people struggling to find housing in Scottsdale needed to hustle as hard as she had when she owned two homes and was helping to run the business in the 1970s.

For a few years, the gym was a major success, with clients such as the Green Bay Packers and members of the Phoenix Suns. But it soon went downhill. The company pursued Chapter 11 bankruptcy in 1982, and was sold for $60,000 the next year, according to an Arizona Republic report in 1983. The couple divorced around the same time. After the gym business fell through, Carter went on to a long career as a Christian wellness influencer, pitching the gospel alongside weight-loss and nutrition tips. She moved to California and hosted a fitness show called “Get in Shape with Pamela Carter” (on the Trinity Broadcasting Network) and another program on CBN called “Fit for Life.”

[...]

Carter was not just pitching products, though. She was selling a very particular kind of theology, rooted in a desire to see the United States “united for Jesus,” and a belief that modern-day prophets—like herself—were transmitting revelations from God. A biography at the ministry stated that Carter “is very passionate about her love for the Lord and has been blessed with end-time revelation of His desire for His bride.” (The full revelation was available for purchase for $25.) She talked frequently about building influence on the “Media mountain” and said in 2011 that she was part of “God’s media army…to be raised up for such a time as this, to take possession of the arts, the entertainment media, the internet.” The term is often used by proponents of a Christian nationalist movement sometimes called the New Apostolic Reformation and a belief its adherents subscribe to known as Seven Mountains Dominionism, which aims to take gain influence over the seven spheres (or “mountains”) of government, education, media, family, entertainment, religion, and business.

In response to a candidate questionnaire from the city of Scottsdale two years ago, Carter said she had “been involved…as a volunteer” with three churches or organizations, all of which had ties to the NAR. They included Intercessors for America, a national prayer organization that warns that “there is an Enemy of our souls and our nation who orchestrates a coordinated battle plan that is discernible and beatable with spiritual weapons.”  Another group she touted her work with was the Kansas City-based International House of Prayer, whose founding pastor, Mike Bickle, was dismissed last year amid allegations of sexual abuse. The church, where worship services have run 24/7 since 1999, has “been criticized by some pastors for what they describe as unorthodox theology and a cultish atmosphere, charges that Mr. Bickle rejects,” the New York Times reported in 2011. (In response to a Kansas City Star investigation into Bickle earlier this year, the organization emphasized that his alleged abuse predated the church’s creation, while Bickle has admitted to “inappropriate behavior” but not “the more intense sexual activities that some are suggesting.”) Long before he was forced out, Bickle had courted controversy with his assertions from the pulpit that Oprah was a forerunner of the Antichrist and that God sent Hitler to kill Jewish people because they wouldn’t accept Christianity.

[...] In that interview, Carter, who served that year as an advisor to the Trump campaign in the state, said she had acted as a prayer “intercessor” while working as a paid poll worker in Arizona. “I was dancing around, I had so much joy in just praying over every person that came in, you know, it was so fun,” she said. “But there’s also a lot of corruption I saw—not at the poll where I was working but at the election facility—and we just have to really watch and pray, watch and pray, and then you can cut that off in the spirit and then report it.”

[...] The district offers a glimpse of how reproductive rights is playing at the ballot box in a highly competitive area. Christine Marsh, the district’s Democratic state senator, won her election in 2022 by a little more than 1,000 votes by relentlessly linking a Republican incumbent to the state legislature’s 15-week abortion ban. The current Republican state representative, Matt Gress, was one of three members of his party to break ranks and vote to repeal Arizona’s 1864 abortion ban, which offered no exceptions even for cases of rape. A recent Fox News survey found that supporters of an abortion-rights ballot initiative in Arizona outnumber opponents by roughly three-to-one—and 50-percent of Republicans said they approved. Carter, though, has sung a different tune. 

Pamela Carter, the sister of Lynda Carter (who played Wonder Woman on the Wonder Woman show), is running for a State House seat in Arizona. Lynda is not backing her, citing Pamela’s anti-abortion views.

Read the full story at Mother Jones.

[nerds-yearbook]

The first episode of the Star Wars inspired cartoon Ewoks premiered on September 7, 1985. The series, along with the similarly Star Wars inspired Droids, was one of the most expensively produced cartoons in the 1980's. The events of the series took place before their introduction in Star Wars Episode VI Return of the Jedi. While the main character Wicket was played by Warwick Davis in ROTJ, he was voiced by Jim Henshaw (and Denny Delk in the second season) in the cartoon. The first episode featured the Tulga Witch Morga (Jackie Burroughs) plans to burn down the forest on the Endor moon. The episode featured other RTOJ characters Chief Chirpa (movie Jane Busby/ cartoon George Buza/Rick Cimino), Teebo (movie Jack Purvis/ cartoon Eric Peterson/James Cranna) and Logray (movie Mike Edmonds /cartoon Douglas Chamberlain). The series introduced new characters such as Aunt Bozzie (Pam Hyatt), Deej (Richard Donat), Dulok Shaman (Don Francks), Hoom (John Stocker), King Gorneesh (Dan Hennessey), Kneesa (Cree Summer/Jeanne Reynolds), Latara (Taborah Johnson/Sue Murphy), Malani (Alyson Court), Paploo (Paul Chato), Punt (Rob Cowan), Shodu (Esther Scott), Urgah (Melleny Melody), Weechee (Greg Swanson), Willy (John Stocker), and Winda (Leanne Coppen). ("The Cries of the Trees", Ewoks, TV Event)

[virtualdavis]

Enclosure

A mid morning meditation on enclosure inspired by ongoing deliberations on the height and porosity of the privacy fence that will screen the mechanicals, propane tank, etc. behind the carriage barn (south of the icehouse terrace). Enclosure: Steve Cooley improving fence height (Photo: R.P. Murphy) So muchdepends upona borderenfolding,a framedefining,a hedge ora tree linescreening,veiling,a…

[shamelessrabbithole]

Alrighty. Now that Cam has posted about the completion of principal photography of his film, I'll share some bts I found with you guys. He posted just now from Texas, so there's a chance I have some of this wrong, but I don't think so considering the timelines. Anyway, it was fun to follow along and I'm very curious to see if I got any or all of this right.

So, first, after he announced the two main stars (Kelli Burgland and Sash Jorden), I completely accidently stumbled on a bts shot posted by his DP, AJ Murphy. The shot of him (Cam) in front that Panavision sign is from the Panavision camera rental agency in Hollywood.

I followed the crewmembers and it appeared to be that they were headed for the desert. And, indeed, this was corroborated when stunt coordinator Eddie Perez posted from Lancaster, California. However, what I learned is that it wasn't some random stretch of land. It was a filming location called Rocky Buttes.

At the same time, I noticed several of Cam's friends who follow the Foxbody instagram page had also been making their own pilgrimages into the desert. With what appeared to be the intention of filming something.

And, in fact, the rainbow that Eddie Perez captured was featured in the posts of several others. Note, also, that the shack in his photo is visible in Pam's sunglasses photo as well. 👇🏻

After the desert, they went back to Los Angeles and, I'm pretty sure, hit a prop rental place before going to their next filming destination. You can see that the logo for this place is visible in Pam's second rainbow picture, below. 👇🏻

After this, the crew went to what I think is the coolest location of all which is a place called Cinepacks Studios. They have a whole environment of staged locations, including a really interesting area called "Tiny Tokyo," made to look like gritty city streets at night. Check out their website for a little video tour of the place. It's awesome.

They even have this insane vending machine that sells snacks and filmmaking items for crew members.

I was hoping to see more or at least get additional confirmation of the information I'd been learning, but then the steadicam guy posted using a "movie finale" track, so I got the sense that maybe it was through.

And, now that Cam has made his post, I have the confirmation that they've completed their journey. There's a side-view mirror in the first pic 👇🏻which indicates a car and possibly a body shop, which tracks with the name of the movie, Foxbody, which is a type of Ford Mustang. More of that scenery is visible in the the pic above 👆🏻 with the hashtag: inspiration.

I have no other clues as to what this film might be about, but we do know it will have stunts (because he hired a stunt coordinator), a desert component, and likely some kind of nighttime/gritty street vibe or seedy motel thing happening, because those are the kinds of sets available at Cinepacks. He also hired Madison Olandt, a choreographer that he just began following as well as an intimacy coordinator named Marci Liroff. So... that's what I got for ya, folks! 🎞️

[dailyanarchistposts]

Footnotes, 51-100

[50] Martin Crutsinger, “United States Cites China and Other Nations in Report on Unfair Trade Practices,” Associated Press, March 31, 2006.

[51] Dale Maharidge, “Rust and Rage in the Heartland,” Nation, September 20, 2004, www.thenation.com.

[52] Pam Belluck, “To Avoid Divorce, Move to Massachusetts,” New York Times, November 14, 2004, as quoted in Michelle Goldberg, Kingdom Coming, 67.

[53] By 2010, according to the Center on Budget and Policy Priorities, if the proposed federal cuts remain in place, elementary and secondary education funding will be cut by $11.5 billion, or 12 percent; 670,000 fewer women and children will receive assistance through the Women, Infants and Children Supplemental Nutrition Program; 120,000 fewer children will be served through Head Start; and 370,000 fewer low-income families, elderly people and people with disabilities will receive rental assistance with rental vouchers. See Sharon Parrott, Jim Horney, Isaac Shapiro, Ruth Carlitz, Bradley Hardy, and David Kamin, “Where Would the Cuts Be Made under the President’s Budget?: An Analysis of Reductions in Education, Human Services, Environment, and Community Development Programs,” Center on Budget and Policy Priorities, February 28, 2005, www.cbpp.org.

[54] Dale Maharidge, “Rust and Rage.”

[55] Arlie Hochschild, “The Chauffeur’s Dilemma,” American Prospect 16: 7 (July 2005), 53.

[56] Ibid.

[57] Dietrich Bonhoeffer, Life Together: The Classic Exploration of Faith in Community (New York: HarperCollins, 1954), 330.

[58] D. James Kennedy, Evangelism Explosion, 4th ed. (Wheaton, IL: Tyndale House, 1996), 59.

[59] Ibid.

[60] Ibid., 60.

[61] Ibid., 137.

[62] Ibid., 2.

[63] Ibid., 139.

[64] Ibid., 103.

[65] Ibid., 22.

[66] Margaret Thaler Singer, Cults in Our Midst: The Continuing Fight Against Their Hidden Menace (San Francisco: Jossey-Bass, 2003), 114.

[67] Robert Jay Lifton, cited in Denise Winn, The Manipulated Mind (Cambridge, MA: Malor Books, 2000), 21.

[68] William James, The Varieties of Religious Experience (Mineola, NY: Dover, 2002), 187.

[69] “Staff Biography: ‘Dr. James Kennedy,’” Center for Reclaiming America for Christ, www.reclaimamerica Us.aspx?pg=djk.

[70] “Dr. Kennedy’s Profile,” The Kennedy Commentary, www.kennedycommentary.org; Truths That Transform, Coral Ridge Ministries, www.truthsthattransform. org/ITT.asp?page=about; “About the Coral Ridge Hour,” The Coral Ridge Hour, www.coralridgehour.org page=crh.

[71] Terry Gross, “Closing the Gap Between Church and State,” Fresh Air from WHYY, May 18, 2005.

[72] Ibid.

[73] Bob Moser, “The Crusaders,” Rolling Stone, April 7, 2005, www.rollingstone.com =1140382586732&has-player=false.

[74] Ibid.

[75] Ashley Fantz, “Cross Purposes: The Rev. D. James Kennedy Teaches That Homosexuality Is a Sin. Richard Murphy Loves Him Anyway,” Broward–Palm Beach New Times, May 2, 2002.

[76] Worthy Creations, www.worthycreations.org.

[77] Rob Boston, “D. James Kennedy: Who Is He and What Does He Want?” Americans United for Separation of Church and State, www.au.org.

[78] Kennedy, Evangelism Explosion, 72.

[79] Ibid.

[80] Ibid., 73.

[81] Ibid., 84.

[82] Ibid., 42.

[83] Ibid.

[84] Paul Tillich, “You Are Accepted,” in The Shaking of the Foundations (New York: Charles Scribner’s Sons, 1948), 155.

[85] Kennedy, Evangelism Explosion, 48.

[86] D. James Kennedy and Jerry Newcombe, The Gates of Hell Shall Not Prevail (Nashville, TN: Thomas Nelson, 1996), 135.

[87] “Aggregated Grants to Coral Ridge Ministries, Coral Ridge Presbyterian Church and Evangelism Explosion” (grants cover January 1998 to February 2004), Media Transparency, www.mediatransparency.org.

[88] Klaus Theweleit, Male Fantasies (Minneapolis, MN: University of Minnesota Press, 1987), 1:218.

[89] Francis FitzGerald, “A Disciplined, Charging Army,” New Yorker, May 18, 1981, 53, quoted in Robert Smart, “The Passion of the Christ: Reflections on Mel’s Monstrous Messiah Movie and the Culture Wars,” Jump Cut 47 (Winter 2005), www.ejumpcut.org.

[90] Karen McCarthy Brown, “Fundamentalism and the Control of Women,” in Fundamentalism and Gender, ed. John Stratton Hawley (New York: Oxford University Press, 1994), 176.

[91] Ibid., 182–183.

[92] “Dobson’s Choice: Religious Right Leader Becomes Political Power Broker,” People for the American Way Foundation, February 24, 2005, www.pfaw.

[93] James Dobson, Dare to Discipline (New York: Bantam, 1977), 23.

[94] “Dobson’s Choice.”

[95] “Right Wing Organizations: Focus on the Family,” People for the American Way Foundation, www.pfaw#.

[96] “Dobson’s Choice.”

[97] James Dobson, “The Gender Gap,” Focus on the Family, www.family.org.

[98] Mark Edmundson, “Freud and the Fundamentalist Urge,” New York Times, April 30, 2006.

[99] Ibid.

[100] Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Language and Politics (Princeton, NJ: Princeton University Press, 2000), 176.

[upthehillask]

what's your hear me out cake 😭😄

GOOD ONE I did my best to find more "unusual" ones, tho the list ended up being kind of a mix. If you think some are not “hear me out” enough, I agree!!

uhhh ok let's see....

Mother Gothel from Tangled!!!! too easy tho

Fairy Godmother from Shrek easyyy

Nick and Judy from Zootopia

Space Beth from Rick and Morty😩 tho she's proper hot

Patty and Selma from The Simpsons (I'm rewatching Simpsons rn and these sisters can get it idk bro)🚬

Grenda as well as Gruncle Stan from Gravity Falls🤭 And Bill! (Wendy obviously too but that's not a hear-me-out)

Scar from The Lion King, tho tbh most Disney villains I guess since they're all queer-coded and fabulous

Lumiere from The Beauty and The Beast (as a candelabra ofc)

Luisa from Encanto easy

Madame Medusa from The Rescuers

The Sanderson Sisters from Hocus Pocus, esp Winifred

Dina from Superstoreee

Jamie Lee Curtis in anythinggg

Bean as well as Luci from Disenchantment

Shadow Weaver from She-Ra mmm

Pam from Archer

Courtney from Dead End Paranormal Park

Bob and Linda from Bob's Burgers

Jesse from Breaking Bad

Murphy from The 100

Charlie (Bella's dad) from Twilight OMG

Venom???

Plankton from Spongebob

Half of the female characters on Brawl Stars dude😭 Max, Shelly, Piper, Amber, Maisie, Janet, freakin BELLE dude.... from males, Handsome Colt and Buster

OH MY GOD HORNET FROM HOLLOW KNIGHT GAAHHH gnawingggg and also Iselda!! And The Hollow Knight (the boss) themself!!

There's a lot more but they’re generally more conventionally hot, like half the cast in Arcane or in Legend of Korra as an example, but I'm not including a lot of those in this list

[brokehorrorfan]

Ruby Gillman, Teenage Kraken will be released on Blu-ray and DVD on September 26 via Universal. The 2023 DreamWorks computer-animated family action-comedy is currently available on PVOD and hits Digital on August 29.

Kirk DeMicco (The Croods) and Faryn Pearl co-direct from a script by Pam Brady (South Park: Bigger, Longer & Uncut) and Brian C. Brown & Elliott DiGuiseppi (Lucy in the Sky). Lana Condor, Toni Collette, Annie Murphy, Colman Domingo, and Jane Fonda star.

Special features are listed below.

Special features:

Audio commentary by director Kirk DeMicco, co-director Faryn Pearl, producer Kelly Cooney Cilella, head of character animation Carlos Fernandez Puertolas, and head of cinematography Jon Gutman

Deleted scenes with intros by co-director Faryn Pearl

Squad Solidarity: Adventures in ADR

The Kraken: Myth or Monster

Meet the Gillman Cast

The Kraken Krew: Meet the Humans Behind the Gillmans

Prom Stories

Super Sea Girl Besties

Oceanside Drawing Guide

Make Your Own Aquarium

Dive into the turbulent waters of high school with this heartwarming action comedy about a shy teenager who discovers that she’s part of a legendary royal lineage of mythical sea krakens and that her destiny, in the depths of the oceans, is bigger than she ever dreamed. Learning to be an all-powerful sea creature while hiding among humans is hard enough for Ruby, but to make matters worse, her super popular new bestie, Chelsea, is secretly a mermaid! Mermaids have been battling the krakens for eons to rule the ocean, but Chelsea has come to land to finally put an end to that conflict. However, when Chelsea double-crosses her, Ruby will ultimately need to embrace who she is and go big to protect those she loves most.

Pre-order Ruby Gillman, Teenage Kraken.