#Painting Tools Market Share
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Painting Tools Market Predicted to Witness Steady Growth by 2028
The painting tools market is expected to register notable gains by 2028 due to the expanding automotive industry across the globe.
Painting and coatings make products visually appealing and provide an added layer of protection and durability to products without adding any significant weight. Prevalent use of painting and coatings in varied applications has bolstered product uptake in recent years. Additionally, increasing adoption of flexible packaging solutions that utilize coated barrier systems, which enhance the recyclability and reusability of the packaging, has propelled market expansion.
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The painting tools market has been segmented based on application, product, and region. With respect to product, the market has further been bifurcated into masking tapes, brushes, spray gun, rollers, trays, scrapers, knives, and others (extension poles, sanding tools, trowels).
The brushes sub-segment is projected to grow at a CAGR of around 5.4% in terms of revenue over the assessment period. Paint brushes are one of the most fundamental and oldest tools that are used for painting. Brushes are utilized to paint corners, walls, and ceilings, which is not possible with rollers and spray guns. Paint brushes are classified on the basis of types of bristles, shapes, and sizes. Surging demand for paint brushes with high-quality natural or synthetic bristles that deliver a smooth finish and provide a comfortable grip is likely to drive segmental growth in the forthcoming years.
From the application perspective, the painting tools market has been divided into packaging, construction, industrial machineries & equipment, residential, furniture, commercial, appliances, industrial, and automotive.
The packaging sub-segment is slated to reach a substantial valuation by 2028, expanding at a CAGR of approximately 3% through the review timeline. Paints and coatings provide all the features required for primary and secondary packing, including high performance, lightweight, low contamination, and airtightness. Packaging items use about 70% less plastic as well as take up lesser space than rigid packaging options. In addition, the use of improved paints and coatings on these packaging helps in protecting the goods from outside influences, which is estimated to boost product demand over the forthcoming years.
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On the regional front, the Middle East & Africa painting tools market is poised to see robust expansion at a CAGR of more than 4.5% over the forecast period owing to high infrastructure spending and widespread post-war construction activities. The MEA painting tools market is dominated by Saudi Arabia and South Africa in terms of market share, with Saudi Arabia emerging as the fastest expanding market in the region. Notably, the booming domestic construction industry would bolster paint consumption, which is likely to drive regional market growth. Moreover, economic diversification and the growing tourism sector in the region are set to augment industry uptake over the upcoming years.
Table of Contents (ToC) of the report:
Chapter 1 Methodology and Scope
1.1 Market definitions
1.2 Base estimation & working
1.2.1 North America
1.2.2 Europe
1.2.3 Asia Pacific (APAC)
1.2.4 Latin America (LATAM)
1.2.5 Middle East & Africa (MEA)
1.3 Forecast calculations
1.3.1 COVID-19 impact calculations on industry forecast
1.4 Data Sources
1.4.1 Primary
1.4.2 Secondary
Chapter 2 Executive Summary
2.1 Global Painting Tools industry 360° synopsis, 2018 – 2028
2.1.1 Business trends
2.1.2 Product trends
2.1.3 Application trends
2.1.4 Regional trends
Browse complete Table of Contents (ToC) of this research report @ https://www.gminsights.com/toc/detail/painting-tools-market
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#Painting Tools Market Analysis#Painting Tools Market by Type#Painting Tools Market Share#Painting Tools Market Development
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25 Prose Tips For Writers 🖋️✨ Part 1
Hey there!📚✨
As writers, we all know that feeling when we read a sentence so beautifully crafted that it takes our breath away. We pause, reread it, and marvel at how the author managed to string those words together in such a captivating way. Well, today I'm going to unpack a few secrets to creating that same magic in your own writing. These same tips I use in my writing.
But before I begin, please remember that writing is an art form, and like any art, it's subjective. What sounds beautiful to one person might not resonate with another. The tips I'm about to share are meant to be tools in your writer's toolkit, not rigid rules. Feel free to experiment, play around, and find what works best for your unique voice and style.
Power of Rhythm 🎵
One of the most overlooked aspects of beautiful prose is rhythm. Just like music, writing has a flow and cadence that can make it pleasing to the ear (or mind's ear, in this case). Here are some ways to incorporate rhythm into your writing:
a) Vary your sentence length: Mix short, punchy sentences with longer, flowing ones. This creates a natural ebb and flow that keeps your reader engaged.
Example: "The sun set. Darkness crept in, wrapping the world in its velvet embrace. Stars winked to life, one by one, until the sky was a glittering tapestry of light."
b) Use repetition strategically: Repeating words or phrases can create a hypnotic effect and emphasize important points.
Example: "She walked through the forest, through the shadows, through the whispers of ancient trees. Through it all, she walked with purpose."
c) Pay attention to the stressed syllables: In English, we naturally stress certain syllables in words. Try to end important sentences with stressed syllables for a stronger impact.
Example: "Her heart raced as she approached the door." (Stronger ending) vs. "She approached the door as her heart raced." (Weaker ending)
Paint with Words 🎨
Beautiful prose often creates vivid imagery in the reader's mind. Here are some techniques to help you paint with words:
a) Use specific, concrete details: Instead of general descriptions, zoom in on particular details that bring a scene to life.
Example: Instead of: "The room was messy." Try: "Crumpled papers overflowed from the waste bin, books lay spine-up on every surface, and a half-eaten sandwich peeked out from under a stack of wrinkled clothes."
b) Appeal to all five senses: Don't just describe what things look like. Include smells, sounds, textures, and tastes to create a fully immersive experience.
Example: "The market bustled with life. Colorful fruits glistened in the morning sun, their sweet aroma mingling with the earthy scent of fresh herbs. Vendors called out their wares in sing-song voices, while customers haggled in animated tones. Sarah's fingers brushed against the rough burlap sacks of grain as she passed, and she could almost taste the tang of ripe oranges on her tongue."
c) Use unexpected comparisons: Fresh similes and metaphors can breathe new life into descriptions.
Example: Instead of: "The old man was very thin." Try: "The old man was a whisper of his former self, as if life had slowly erased him, leaving behind only the faintest outline."
Choose Your Words Wisely 📚
Every word in your prose should earn its place. Here are some tips for selecting the right words:
a) Embrace strong verbs: Replace weak verb + adverb combinations with single, powerful verbs.
Example: Instead of: "She walked quickly to the store." Try: "She hurried to the store." or "She dashed to the store."
b) Be specific: Use precise nouns instead of general ones.
Example: Instead of: "She picked up the flower." Try: "She plucked the daisy."
c) Avoid clichés: Clichés can make your writing feel stale. Try to find fresh ways to express common ideas.
Example: Instead of: "It was raining cats and dogs." Try: "The rain fell in sheets, transforming the streets into rushing rivers."
Play with Sound 🎶
The sound of words can contribute greatly to the beauty of your prose. Here are some techniques to make your writing more musical:
a) Alliteration: Repeating initial consonant sounds can create a pleasing effect.
Example: "She sells seashells by the seashore."
b) Assonance: Repeating vowel sounds can add a subtle musicality to your prose.
Example: "The light of the bright sky might ignite a fight."
c) Onomatopoeia: Using words that sound like what they describe can make your writing more immersive.
Example: "The bees buzzed and hummed as they flitted from flower to flower."
Art of Sentence Structure 🏗️
How you structure your sentences can greatly affect the flow and impact of your prose. Here are some tips:
a) Use parallel structure: When listing items or actions, keep the grammatical structure consistent.
Example: "She came, she saw, she conquered."
b) Try periodic sentences: Build suspense by putting the main clause at the end of the sentence.
Example: "Through storm and strife, across oceans and continents, despite all odds and obstacles, they persevered."
c) Experiment with sentence fragments: While not grammatically correct, sentence fragments can be powerful when used intentionally for emphasis or style.
Example: "She stood at the edge of the cliff. Heart racing. Palms sweating. Ready to jump."
Power of White Space ⬜
Sometimes, what you don't say is just as important as what you do. Use paragraph breaks and short sentences to create pauses and emphasize important moments.
Example: "He opened the letter with trembling hands.
Inside, a single word.
'Yes.'"
Read Your Work Aloud 🗣️
One of the best ways to polish your prose is to read it aloud. This helps you catch awkward phrasing, repetitive words, and rhythm issues that you might miss when reading silently.
Edit Ruthlessly ✂️
Beautiful prose often comes from rigorous editing. Don't be afraid to cut words, sentences, or even entire paragraphs if they don't serve the overall beauty and effectiveness of your writing.
Study the Masters 📖
Please! Read widely and pay attention to how your favorite authors craft their prose. Analyze sentences you find particularly beautiful and try to understand what makes them work.
Practice, Practice, Practice 💪
Like any skill, writing beautiful prose takes practice. Set aside time to experiment with different techniques and styles. Try writing exercises focused on specific aspects of prose, like describing a scene using only sound words, or rewriting a simple sentence in ten different ways.
Remember, that developing your prose style is a journey, not a destination. It's okay if your first draft isn't perfect – that's what editing is for! The most important thing is to keep writing, keep experimenting, and keep finding joy in the process.
Here are a few more unique tips to help you on your prose-perfecting journey:
Create a Word Bank 🏦
Keep a notebook or digital file where you collect beautiful words, phrases, or sentences you come across in your reading. This can be a great resource when you're looking for inspiration or the perfect word to complete a sentence.
Use the "Rule of Three" 3️⃣
There's something inherently satisfying about groups of three. Use this to your advantage in your writing, whether it's in listing items, repeating phrases, or structuring your paragraphs.
Example: "The old house groaned, creaked, and whispered its secrets to the night."
Power of Silence 🤫
Sometimes, the most powerful prose comes from what's left unsaid. Use implication and subtext to add depth to your writing.
Example: Instead of: "She was heartbroken when he left." Try: "She stared at his empty chair across the breakfast table, the untouched coffee growing cold."
Play with Perspective 👁️
Experiment with different points of view to find the most impactful way to tell your story. Sometimes, an unexpected perspective can make your prose truly memorable.
Example: Instead of describing a bustling city from a human perspective, try describing it from the point of view of a bird soaring overhead, or a coin passed from hand to hand.
Use Punctuation Creatively 🖋️
While it's important to use punctuation correctly, don't be afraid to bend the rules a little for stylistic effect. Em dashes, ellipses, and even unconventional use of periods can add rhythm and emphasis to your prose.
Example: "She hesitated—heart pounding, palms sweating—then knocked on the door."
Create Contrast 🌓
Juxtapose different elements in your writing to create interest and emphasis. This can be in terms of tone, pacing, or even the literal elements you're describing.
Example: "The delicate butterfly alighted on the rusted barrel of the abandoned tank."
Use Synesthesia 🌈
Synesthesia is a condition where one sensory experience triggers another. While not everyone experiences this, using synesthetic descriptions in your writing can create vivid and unique imagery.
Example: "The violin's melody tasted like honey on her tongue."
Experiment with Sentence Diagrams 📊
Remember those sentence diagrams from school? Try diagramming some of your favorite sentences from literature. This can give you insight into how complex sentences are structured and help you craft your own.
Create a Sensory Tour 🚶♀️
When describing a setting, try taking your reader on a sensory tour. Move from one sense to another, creating a full, immersive experience.
Example: "The old bookstore welcomed her with the musty scent of aging paper. Dust motes danced in the shafts of sunlight piercing the high windows. Her fingers trailed over the cracked leather spines as she moved deeper into the stacks, the floorboards creaking a greeting beneath her feet. In the distance, she could hear the soft ticking of an ancient clock and taste the faint bitterness of old coffee in the air."
Use Active Voice (Most of the Time) 🏃♂️
While passive voice has its place, active voice generally creates more dynamic and engaging prose. Compare these two sentences:
Passive: "The ball was thrown by the boy." Active: "The boy threw the ball."
Magic of Ordinary Moments ✨
Sometimes, the most beautiful prose comes from describing everyday occurrences in a new light. Challenge yourself to find beauty and meaning in the mundane.
Example: "The kettle's whistle pierced the quiet morning, a clarion call heralding the day's first cup of possibility."
Play with Time ⏳
Experiment with how you present the passage of time in your prose. You can stretch a moment out over several paragraphs or compress years into a single sentence.
Example: "In that heartbeat between his question and her answer, universes were born and died, civilizations rose and fell, and their entire future hung in the balance."
Use Anaphora for Emphasis 🔁
Anaphora is the repetition of a word or phrase at the beginning of successive clauses or sentences. It can create a powerful rhythm and emphasize key points.
Example: "She was the sunrise after the longest night. She was the first bloom of spring after a harsh winter. She was the cool breeze on a sweltering summer day. She was hope personified, walking among us."
Create Word Pictures 🖼️
Try to create images that linger in the reader's mind long after they've finished reading. These don't have to be elaborate – sometimes a simple, unexpected combination of words can be incredibly powerful.
Example: "Her laughter was a flock of birds taking flight."
Use Rhetorical Devices 🎭
Familiarize yourself with rhetorical devices like chiasmus, antithesis, and oxymoron. These can add depth and interest to your prose.
Example of chiasmus: "Ask not what your country can do for you – ask what you can do for your country." - John F. Kennedy
Even the most accomplished authors continue to hone their craft with each new piece they write. Don't be discouraged if your first attempts don't sound exactly like you imagined – keep practicing, keep experimenting, and most importantly, keep writing.
Your unique voice and perspective are what will ultimately make your prose beautiful. These techniques are simply tools to help you express that voice more effectively. Use them, adapt them, or discard them as you see fit. The most important thing is to write in a way that feels authentic to you and brings you joy.
Happy writing, everyone! 🖋️💖📚 - Rin T
Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!
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Google’s enshittification memos
[Note, 9 October 2023: Google disputes the veracity of this claim, but has declined to provide the exhibits and testimony to support its claims. Read more about this here.]
When I think about how the old, good internet turned into the enshitternet, I imagine a series of small compromises, each seemingly reasonable at the time, each contributing to a cultural norm of making good things worse, and worse, and worse.
Think about Unity President Marc Whitten's nonpology for his company's disastrous rug-pull, in which they declared that everyone who had paid good money to use their tool to make a game would have to keep paying, every time someone downloaded that game:
The most fundamental thing that we’re trying to do is we’re building a sustainable business for Unity. And for us, that means that we do need to have a model that includes some sort of balancing change, including shared success.
https://www.wired.com/story/unity-walks-back-policies-lost-trust/
"Shared success" is code for, "If you use our tool to make money, we should make money too." This is bullshit. It's like saying, "We just want to find a way to share the success of the painters who use our brushes, so every time you sell a painting, we want to tax that sale." Or "Every time you sell a house, the company that made the hammer gets to wet its beak."
And note that they're not talking about shared risk here – no one at Unity is saying, "If you try to make a game with our tools and you lose a million bucks, we're on the hook for ten percent of your losses." This isn't partnership, it's extortion.
How did a company like Unity �� which became a market leader by making a tool that understood the needs of game developers and filled them – turn into a protection racket? One bad decision at a time. One rationalization and then another. Slowly, and then all at once.
When I think about this enshittification curve, I often think of Google, a company that had its users' backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the "don't be evil" gig because that mattered to them.
People make fun of that "don't be evil" motto, but if your key employees took the gig because they didn't want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too:
https://theintercept.com/2018/09/13/google-china-search-engine-employee-resigns/
Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, "Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we're gonna stay the fuck away from them":
http://infolab.stanford.edu/pub/papers/google.pdf
Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:
https://abc.xyz/investor/founders-letters/ipo-letter/
And yet, it's turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company's big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies:
https://pluralistic.net/2023/05/14/googles-ai-hype-circle/
How did the company get this bad? In part, this is the "curse of bigness." The company can't grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies:
https://killedbygoogle.com/
Theoretically, the company could pursue new lines of business in-house, and indeed, the current leaders of companies like Amazon, Microsoft and Apple are all execs who figured out how to get the whole company to do something new, and were elevated to the CEO's office, making each one a billionaire and sealing their place in history.
It is for this very reason that any exec at a large firm who tries to make a business-wide improvement gets immediately and repeatedly knifed by all their colleagues, who correctly reason that if someone else becomes CEO, then they won't become CEO. Machiavelli was an optimist:
https://pluralistic.net/2023/07/28/microincentives-and-enshittification/
With no growth from new customers, and no growth from new businesses, "growth" has to come from squeezing workers (say, laying off 12,000 engineers after a stock buyback that would have paid their salaries for the next 27 years), or business customers (say, by colluding with Facebook to rig the ad market with the Jedi Blue conspiracy), or end-users.
Now, in theory, we might never know exactly what led to the enshittification of Google. In theory, all of compromises, debates and plots could be lost to history. But tech is not an oral culture, it's a written one, and techies write everything down and nothing is ever truly deleted.
Time and again, Big Tech tells on itself. Think of FTX's main conspirators all hanging out in a group chat called "Wirefraud." Amazon naming its program targeting weak, small publishers the "Gazelle Project" ("approach these small publishers the way a cheetah would pursue a sickly gazelle”). Amazon documenting the fact that users were unknowingly signing up for Prime and getting pissed; then figuring out how to reduce accidental signups, then deciding not to do it because it liked the money too much. Think of Zuck emailing his CFO in the middle of the night to defend his outsized offer to buy Instagram on the basis that users like Insta better and Facebook couldn't compete with them on quality.
It's like every Big Tech schemer has a folder on their desktop called "Mens Rea" filled with files like "Copy_of_Premeditated_Murder.docx":
https://doctorow.medium.com/big-tech-cant-stop-telling-on-itself-f7f0eb6d215a?sk=351f8a54ab8e02d7340620e5eec5024d
Right now, Google's on trial for its sins against antitrust law. It's a hard case to make. To secure a win, the prosecutors at the DoJ Antitrust Division are going to have to prove what was going on in Google execs' minds when the took the actions that led to the company's dominance. They're going to have to show that the company deliberately undertook to harm its users and customers.
Of course, it helps that Google put it all in writing.
Last week, there was a huge kerfuffile over the DoJ's practice of posting its exhibits from the trial to a website each night. This is a totally normal thing to do – a practice that dates back to the Microsoft antitrust trial. But Google pitched a tantrum over this and said that the docs the DoJ were posting would be turned into "clickbait." Which is another way of saying, "the public would find these documents very interesting, and they would be damning to us and our case":
https://www.bigtechontrial.com/p/secrecy-is-systemic
After initially deferring to Google, Judge Amit Mehta finally gave the Justice Department the greenlight to post the document. It's up. It's wild:
https://www.justice.gov/d9/2023-09/416692.pdf
The document is described as "notes for a course on communication" that Google VP for Finance Michael Roszak prepared. Roszak says he can't remember whether he ever gave the presentation, but insists that the remit for the course required him to tell students "things I didn't believe," and that's why the document is "full of hyperbole and exaggeration."
OK.
But here's what the document says: "search advertising is one of the world's greatest business models ever created…illicit businesses (cigarettes or drugs) could rival these economics…[W]e can mostly ignore the demand side…(users and queries) and only focus on the supply side of advertisers, ad formats and sales."
It goes on to say that this might be changing, and proposes a way to balance the interests of the search and ads teams, which are at odds, with search worrying that ads are pushing them to produce "unnatural search experiences to chase revenue."
"Unnatural search experiences to chase revenue" is a thinly veiled euphemism for the prophetic warnings in that 1998 Pagerank paper: "The goals of the advertising business model do not always correspond to providing quality search to users." Or, more plainly, "ads will turn our search engine into a pile of shit."
And, as Roszak writes, Google is "able to ignore one of the fundamental laws of economics…supply and demand." That is, the company has become so dominant and cemented its position so thoroughly as the default search engine across every platforms and system that even if it makes its search terrible to goose revenues, users won't leave. As Lily Tomlin put it on SNL: "We don't have to care, we're the phone company."
In the enshittification cycle, companies first lure in users with surpluses – like providing the best search results rather than the most profitable ones – with an eye to locking them in. In Google's case, that lock-in has multiple facets, but the big one is spending billions of dollars – enough to buy a whole Twitter, every single year – to be the default search everywhere.
Google doesn't buy its way to dominance because it has the very best search results and it wants to shield you from inferior competitors. The economically rational case for buying default position is that preventing competition is more profitable than succeeding by outperforming competitors. The best reason to buy the default everywhere is that it lets you lower quality without losing business. You can "ignore the demand side, and only focus on advertisers."
For a lot of people, the analysis stops here. "If you're not paying for the product, you're the product." Google locks in users and sells them to advertisers, who are their co-conspirators in a scheme to screw the rest of us.
But that's not right. For one thing, paying for a product doesn't mean you won't be the product. Apple charges a thousand bucks for an iPhone and then nonconsensually spies on every iOS user in order to target ads to them (and lies about it):
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
John Deere charges six figures for its tractors, then runs a grift that blocks farmers from fixing their own machines, and then uses their control over repair to silence farmers who complain about it:
https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it
Fair treatment from a corporation isn't a loyalty program that you earn by through sufficient spending. Companies that can sell you out, will sell you out, and then cry victim, insisting that they were only doing their fiduciary duty for their sacred shareholders. Companies are disciplined by fear of competition, regulation or – in the case of tech platforms – customers seizing the means of computation and installing ad-blockers, alternative clients, multiprotocol readers, etc:
https://doctorow.medium.com/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse-3cc01e7e4604?sk=85b3f5f7d051804521c3411711f0b554
Which is where the next stage of enshittification comes in: when the platform withdraws the surplus it had allocated to lure in – and then lock in – business customers (like advertisers) and reallocate it to the platform's shareholders.
For Google, there are several rackets that let it screw over advertisers as well as searchers (the advertisers are paying for the product, and they're also the product). Some of those rackets are well-known, like Jedi Blue, the market-rigging conspiracy that Google and Facebook colluded on:
https://en.wikipedia.org/wiki/Jedi_Blue
But thanks to the antitrust trial, we're learning about more of these. Megan Gray – ex-FTC, ex-DuckDuckGo – was in the courtroom last week when evidence was presented on Google execs' panic over a decline in "ad generating searches" and the sleazy gimmick they came up with to address it: manipulating the "semantic matching" on user queries:
https://www.wired.com/story/google-antitrust-lawsuit-search-results/
When you send a query to Google, it expands that query with terms that are similar – for example, if you search on "Weds" it might also search for "Wednesday." In the slides shown in the Google trial, we learned about another kind of semantic matching that Google performed, this one intended to turn your search results into "a twisted shopping mall you can’t escape."
Here's how that worked: when you ran a query like "children's clothing," Google secretly appended the brand name of a kids' clothing manufacturer to the query. This, in turn, triggered a ton of ads – because rival brands will have bought ads against their competitors' name (like Pepsi buying ads that are shown over queries for Coke).
Here we see surpluses being taken away from both end-users and business customers – that is, searchers and advertisers. For searchers, it doesn't matter how much you refine your query, you're still going to get crummy search results because there's an unkillable, hidden search term stuck to your query, like a piece of shit that Google keeps sticking to the sole of your shoe.
But for advertisers, this is also a scam. They're paying to be matched to users who search on a brand name, and you didn't search on that brand name. It's especially bad for the company whose name has been appended to your search, because Google has a protection racket where the company that matches your search has to pay extra in order to show up overtop of rivals who are worse matches. Both the matching company and those rivals have given Google a credit-card that Google gets to bill every time a user searches on the company's name, and Google is just running fraudulent charges through those cards.
And, of course, Google put this in writing. I mean, of course they did. As we learned from the documentary The Incredibles, supervillains can't stop themselves from monologuing, and in big, sprawling monopolists, these monologues have to transmitted electronically – and often indelibly – to far-flung co-cabalists.
As Gray points out, this is an incredibly blunt enshittification technique: "it hadn’t even occurred to me that Google just flat out deletes queries and replaces them with ones that monetize better." We don't know how long Google did this for or how frequently this bait-and-switch was deployed.
But if this is a blunt way of Google smashing its fist down on the scales that balance search quality against ad revenues, there's plenty of subtler ways the company could sneak a thumb on there. A Google exec at the trial rhapsodized about his company's "contract with the user" to deliver an "honest results policy," but given how bad Google search is these days, we're left to either believe he's lying or that Google sucks at search.
The paper trail offers a tantalizing look at how a company went from doing something that was so good it felt like a magic trick to being "able to ignore one of the fundamental laws of economics…supply and demand," able to "ignore the demand side…(users and queries) and only focus on the supply side of advertisers."
What's more, this is a system where everyone loses (except for Google): this isn't a grift run by Google and advertisers on users – it's a grift Google runs on everyone.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics
My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!
#pluralistic#enshittification#semantic matching#google#antitrust#trustbusting#transparency#fatfingers#serp#the algorithm#telling on yourself
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Sylus: Naked and feisty
Warning: 16+, Suggestive content, almost nudity, female!mc
Author's notes: I wrote this 6 days ago and i just wanted to share even if it's not in the posting calendar lol.
"Why are you only in your underwear?" Sylus stops in his tracks the moment you set your foot out of the guest bedroom, towel around your neck and a comb in your hand.
"I'd like to ask you the same thing," The brush in your hand combed through your wet, freshly washed hair, leaving a few droplets onto the polished cement floor.
A sigh escaped his lips and an evident frown on his face. "This is my house, you brat, I can do whatever I want." thick and veiny hands traveled to the ribbon of his robe, un-doing the knot that held his cover in place. Swiftly, he threw the robe towards your way and pointed at it: "Put that on."
"It's night time," She tilted her head with a smirk, "I like to sleep naked." You lied to him and he, for sure, was not buying into it. A quick gruff escaped his lips and he made his way to the kitchen, ignoring your attempts at getting on his nerves.
"Do what you want, but just so you know," he tilted the moka pot into his small mug, opening a cabinet and getting a jar. "There's eyes all over my house, not mine, of course. Your images would be in the black market by tomorrow morning. You wouldn't want that *do you?"
"Hundreds of men lusted after seeing you at the auction, even with the mask on, they would be fools if they don't notice you right away." He sipped on his coffee, eyes on the woman that sat on his black couch, smirking at him in her lacy, maroon underwear.
It was a feast for his eyes
The n109 zone is a cold and chilly island, much less inside the home of the onichynus' leader. The hairs on your body was practically standing from the cold air, yet you remain determined to walk around in your bare clothing. Why were you doing this in the first place? There was only one reason:
You wanted him to loose his composure.
Petty and childish? Most definitely, but Sylus' irritable yet in one way or another: tolerant.
*towards you at least.
It was pure curiosity and presumably something that you can use when the time calls for it - A tool against him, his weakness.
"It's not as if this is the first time someone has seen me in this state," You chimed, almost worried that you sounded over confident to the point of faking it — No one has seen you naked before, not even your doctor, Zayne.
"tch—" Sylus clicked his tongue at the thought. God knows what he was imagining to have a scowl on his face.
Swift, and calm, almost tempting like a fox, you make your way to the towering curtains that blocked the full length window. A slither of silver peeked through the awning, hitting the floor.
"Let them see what they want to see, yeah? My body's not that different from any body else," Your fingers tugged on the black out curtains, pulling it to reveal the view of the dark, decrepit city, and a bunch of ravens and crows flying about the night sky.
Certainly there was no one in sight, yet you feel a gaze - more than one, and the strongest one coming from from that behind you.
You turn your heel and came face to face with his bare chest. A hand pressed you back against the glass with slight force, a knee squeezed in between yours. His fingers under your chin tilted you up to look at him and his eyes - filled with uncoceivable emotions, bore holes into your own eyes.
"If you like to parade your body around so much, Should i carve out a statue to your liking and display it in the middle of Linkon city? Or would you like me to commission that damned lemurian to paint you naked, You decide." there was a lace of venom in his voice, irritation colder than the breeze. "But between you and me,"
Behind you you hear the crows gawk in their flight.
He pulls himself closer to your neck, "i'll kill anyone who lays his eyes on your bare body."
Before your could retort, a spine chilling sting traveled from your neck, a pinch in your neck caused by his teeth nibbling, sucking until you pushed him away.
Sylus smirked at the sight of the hickey before turning his attention to the bird on the branch. Seeing a crow jerk its head in curiosity, he let out a chuckle.
"I don't share, Little brat." Sylus whispered to you, his voice deeper than anything you have heard someone speak. "and if you want to walk around naked," Without warning, he slung you onto his shoulder like a sack of cement and pulled on the curtains to a close.
"You can do so in my bedroom."
#lnds#lnds sylus#lads xavier#love and deepspace#love and deepspace sylus#sylus#lads sylus#l&ds sylus#sylus x reader#sylus love and deepspace#l&ds#sylus lnd#SYLUS
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TW: jumping on the manwhore au but aftermath, discussion of S/A, read carefully.
Three weeks pass.
Odysseus is carried through them with ecstasy and joy, reuniting and grieving and laughing and rearranging.
But then everything settles down, and-
It was him who'd ordered it. Ordered owls to be carved into every free inch of Ithaka, coveted shipments of the secretive birds for his personal menagerie, sold trinkets in the market. Made no secret of who favoured them, when he had half the houses painted blue.
But now every step he takes in his own home haunts him.
He cannot so much as look to the side before feeling the urge to flinch away, shame growing inside of him until it chokes him up. Cannot look at any owls. Cannot look at any of his men.
("Well, if our captain can't think his way out of it, at least now we know talking filthy works just as well!" One of the men chortles, unaware of how Odysseus' blood had run cold, standing with his hand raised to knock.)
("This day, you've lost it all, consider this as my goodbye-")
("Come on, she's a beautiful, powerful lady! How bad could it really have been, Captain?")
("Captain?" Eurylochus whispers, as Odysseus wipes the blood off his mouth and reaches for his cloak. The ships are silent, even though the roar of the waves has left. Eyes stare at him from all directions, wide and-
Pitying? Horrified? Odysseus can't really tell.
"Full speed ahead," He says, voice ruined, and keeps his chin high as he hobbles back to his room.)
(When the sirens come, all he sees is Penelope. It is nice, at least, to know that he can discard the intrusive thoughts creeping in about natural reactions and forced pleasures.)
("Please- please don't do this, don't make me choose, I'll do anything-")
("Leave me the fuck alone, both of you. If Penelope does not take me back after all of this, it's her choice. But I have to get all of us off this island and it's better me than you.")
"Ody- Your Majesty!" Odysseus reaches into his robes, pulls out the whittling tool and the wood, busies himself as he walks. It's one of the younger men, the ones who'd barely been boys when they left. "Listen, we were wondering if- if you'd come join us at the festival! The- all of the men, really, we've been- heh- missing you since we now have to share you with the rest of the kingdom. We could- we could sing together? Like we used to?"
Athena's prayers.
"You go ahead," Odysseus murmurs, eyes on the carving. "Next time."
"But you didn't come for the last one either!"
"I have-" He hears his own sharp tone, stops and swallows to soften it. He was terrible to all of them, he knows, those last few days aboard the ship, rude and sharp and brutal like all the other royals, where he never was before. "I have work to do. Have a good day. I've heard the new hound stock is coming in today, you should see if you want a pet."
He ignores whatever is said in response, walking on. He wonders, darkly, what they think of him. Do they still think he enjoyed it? That it was a privilege to be had by gods?
("He won't speak to us!" One of them hiss that night, when the lad comes back sniffling and downcast, like all the others. They'd grown up with Odysseus, almost like younger brothers, and all of the younger ones were taking the sudden frigid silence hard. They all were. Somewhere they had lost their friend, left him behind without noticing, until only their king returned. "He cannot possibly think we think less of him for sacrificing so much, for- the gods are impossible to hold up against, he can't think we blame him for-"
"We don't know what he thinks," Polites says, pulling his head out of his hands and wrapping his arms around himself. "He doesn't even look at us."
The men around the fire are all silent.
"He has to know, right?" Someone whispers. "He has to.")
"What did happen on the trip back?" Penelope says, voice quiet, sitting next to him. He jolts. When did he reach their bedroom? "Something did. You have barely touched me since that first day."
Odysseus opens his mouth, but for the first time, he has nothing to say. What can he? She had known, the first second he had turned his eyes from her in shame, and yanked him back in anyway with eyes blazing like a lion, growling that she didn't care what he had to do to come back, as long as he had.
Odysseus doesn't feel like he has.
Penelope carefully takes the whittling knife away from him, as well as the spear he'd carved. "And you have not prayed, after your return."
(He had tried. Had walked right upto the temple steps when everyone was asleep, and then turned around and thrown up in a bush.)
"Have you heard the story of the high priestess Medusa?" He murmurs, staring at the wall. Watches the shadows dancing across. "Athena used to tell me about her. One of her favourite devotees. I never understood why she cursed her, when it was not her fault."
Penelope puts a hand on his shoulder. Both of them are shaking. She has seen the scars, the ones that glow beautiful and bright, left behind by each god who touched him.
"A gorgon, snake-woman, capable of turning anyone she looked upon to stone, gods and humans alike. No eyes upon her, ever again."
The breeze blows in.
"At the time, I thought it to be a curse." He whispers. Remembers the story of the way she had screamed in the temple bower for Athena's help, insane, at the feeling he knows now is violation of self and celibacy both; Athena's chosen, ripped away from one of their ways of worship by force. "Now I know it was a blessing."
"But-" Penelope swallows. "Perseus-"
"Was a mercy." He looks at the ground. "She was pregnant. She did not wish to be. Athena granted her so."
"The shield is to honor her," Penelope murmurs. "Not a trophy."
He hums.
"I-" Penelope starts, voice thick. "I remember when you asked. When we first got married. If I was fine with not being joined with you in bed often, as long as I was satisfied. Was it-?"
"Only her priestesses can have true celibacy, her devotees less, me lesser. I had a crown to continue, so Athena accepted a more lenient vow, when I became her student." He stares out at the sea, the sky. "But I had vowed. I had sworn." A half-sob escapes him, some delayed noise of grief. It feels far away now, and the scars have all healed, but he cannot move past the violation, the stares, the whispers. The shame of betrayal. "I had an oath, Penelope."
"It was not your fault," Penelope whispers, taking his hand like he will shatter like glass. "Poseidon seems to target all of Athena's people. If anything-"
"We fought," He says, turning his head to press his face to her shoulder, shuddering as he confesses it. Abandoned by his own god. "She left. Maybe this is her punishment, all the eyes, all the time. Paranoid that another Olympian will jump out of the shadows, do it again."
"Or," Penelope says after a long pause. "She does not know. Only one way to truly find out."
Odysseus considers.
"Could you," He swallows, throat clicking. "Could you get me- the things from my shrine?"
-
He does not expect her to actually arrive.
He shakes in front of her, for the first time, feeling small and foolish and broken. Wishes he could go back to being twelve, do it all over correctly. "Lady Athena," He says, as formally as he can. "I beg your forgiveness. Please- please, is there anything I can do to-"
"About time," She interrupts, bored. "Finally willing to concede that I was right?"
Odysseus feels bile rise in his throat. "Yes, goddess. I was- stupid, to ever consider otherwise."
Penelope's hand is clenched tight in his robes, kneeling with him.
"Good," Athena says, pleased. "A war well won, all things considered. Our glory will go down in the history books." A pause. "Why are you on the floor?"
"What?" He chokes out.
"You've never kneeled to me once, even when I've taken you out at the ankles, you impudent brat," She snorts. Odysseus feels his pounding heart freeze in his chest at the- fondness in her voice. Fondness. She is not furious with him, not unforgiving. "What, do you want something else-"
She knocks him on the head, flicking him on the forehead playfully- then freezes as he looks up at her. Goes completely still, and he knows she can see what they did to him.
Penelope's hand reaches out to steady him.
"Only your forgiveness, goddess," His voice breaks. "Only that."
-
After, Penelope holds him, crying silently herself as she wipes at his cheeks. Athena sits with her head in her hands, helmet removed, anger finally under control but completely silent. Just sits there at the edge of their bed, bent over, face buried in her own palms.
Finally, she straightens, inhaling. Turns to look at him. "You may not be alive to see it," She tells him, quiet and furious. "But this is their last transgression, I swear to you. I will find a way to get revenge. They will die."
"I do not-"
"They will die. And no vows have been broken." She hesitates, hand hovering over his ankle. Odysseus crumbles, nodding desperately, and nearly passes out at the relief of the familiar touch, sharp and cleansing, godly and unlike the chaos of all the others. "You need not apologise to me about that."
He sniffs, turning his face into Penelope's shoulder. It feels freeing, some latent relief that Athena finally sees him, understands, forgives. She is not the terrifying goddess so far removed, cold and cruel, that he was starting to think she truly might be; bowed over in grief and horror for him, like a friend- he just wishes this was not the reason why.
Her eyes are gold at the edges. Crying. Nauseated almost, at the fact that- her uncle. Her father.
"Would you-" Odysseus wheezes. His heart hurts still, for their fight, for what happened after, for how hard he knows she will take it. "Can you-"
"Anything, champion," She says softly, strained. Gives him a half-smile. "My friend."
"The wings-" He whispers, feeling stupid, but-
"Slow," Penelope murmurs, reaching out to steady Athena as she climbs in close. Her voice is wrecked. She does not say anything more.
Owl wings fold around him, not white or blue or pink, patterned and brown like the mud; home. Home.
"No one will see you," Athena murmurs, and her voice is wretched, but caring. "No one can see you. Peace."
"Peace," Odysseus repeats, and leans into them both, letting the darkness shroud around them like an embrace. Peace.
Home.
#odysseus#athena#penelope of ithaca#epic the musical#manwhore au#tw sex assault#medusa#my fic#idk how to explain it but. athenas champion. i feel like he Would in some versions be celibate in worship as well yknow
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I finally planted my garden last week! We had a couple of days of sun which gave me hope, but it's once again raining every day. Thoughts and prayers for my tomato plants, but I couldn't keep everyone in the greenhouse forever, I had to make room for other plants.
(In the fourth picture above you can see what's inside the hügelkultur mound—it's a pile of branches + llama manure + compost + potting soil. One thing I find great about it is how well it retains moisture! Well it's not a problem this year so far but during heat waves I water these plants a lot less than non-mound plants.)
In the greenhouse my seedlings have been struggling due to lack of sun. Impossible to get courgette plants so I had to buy a few from the young couple in town who recently started a plant nursery—they didn't have many either, and I had to share with the mayor who also came looking for courgette plants because slugs devoured all of his.
He must have seen on my face that I thought my plants didn't stand a chance if slugs don't even respect municipal authority, because he kindly advised me to place crowns of bedstraw (see above) around my plants to protect them. I didn't dare to ask "If it works so well why do you have no courgette plants left?" I just said thank you, and then spent an entire evening last week weaving this sticky weed into crowns and whatsapping photos of my art to the mayor, who always replied "More! More! It needs to be thicker! Like a doughnut!"
Meanwhile 1 leek in the greenhouse suddenly grew a lot thicker while the other 3 remained skinny and fearful-looking and I'm not sure why. They share a pot, so maybe it's like vanishing twin syndrome. My bell pepper seeds had the same asynchronous development issue—one pot is just now starting to have timid seedlings while the other (right next to it) already contains a grown-up plant with baby peppers:
By far my happiest greenhouse plants are the potatoes and lettuce. They shot up so fast! I've been eating a lot of lettuce lately but I can't keep up with how quickly they grow in this cold, rainy spring. And I haven't had any slug raids in the greenhouse so that's great.
My greenhouse squash, onions and pickles are still tiny and not worth a photo (harsh, but this post already has too many photos). My strawberries in the aquaponic towers are beautiful despite the lack of sun and I've been getting mini-harvests of 2-3 strawberries a day for two weeks! They're done now, but I started more seeds so maybe I can get a second round at the end of the month.
Three more things:
1. Morille helped a lot as I was planting the garden. She kept an eye on my gardening tools so no one would steal them, and sometimes used them as cheek-scratchers. At one point I put one of my beautiful bedstraw crowns around her neck so she looked like Philip III of Spain in that painting where he wears a big ruff, but tragically she ran away in outrage before I could take a picture, and when she returned she'd got rid of her collar.
2. At the cow parade the other day there was a lady at the market who sold jars of homemade pesto sauce made from all kinds of different plants, and it opened up my mind to entirely new pesto horizons!! I always make the traditional kind with basil, but I have plants that grow much faster than basil, like my rocket, so I tried making pesto with 1/3 basil 2/3 rocket (plus garlic, olive oil, parmesan, cashews) and it was so good! I have to explore all of her recipes now, like plantain or nettle or sage pesto...
3. There's a monster in the greenhouse. It appeared practically overnight and is quickly claiming more and more territory. Unlike last year it's not a parsley monster—it's my lemon balm. One day it was growing in its vertical tower, luxuriant but tidy, like a normal plant, and the next it had quintupled in volume and was threatening to swallow the nearest planter. Look at the tiny tomato plants, they look terrified of it!
I urgently need to fight back against this giant mélisse (as we call lemon balm) but I've been really busy and I keep putting it off, and then remembering anxiously at 11pm that I still have this creature to take care of, which is ironic seeing as lemon balm is supposed to relieve stress and anxiety. This is the exact opposite of why I planted you. Anyway if you never hear from me again after this post it's because I finally engaged in battle against this year's vegetal menace, and lost.
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Supply Run - Return (part two)
AO3
PART ONE
Supply Run - Exchange (part three)
Pairing: Mando/Din Djarin x afab!Reader
Word Count: 8.0k
Summary: You’ve been Mando’s crew partner for a year now. Throughout that year Mando has warmed up to you and given you signs that your heart throbbing crush on him is reciprocated. There’s one thing making you hesitate. The condoms he bought on the most recent supply run.
Chapter Summary: While Mando takes a trip to the market and gets what he needs, he ponders your relationship and what it means to him.
Content Warnings: MDNI, 18+ only! Switching POVs, post season 2, the Crest lives, strangers to friends to lovers, mentions of Grogu, soft!Mando, insecure!Mando (a smidge), helmet loopholes, pining, idiots in love, jealous!reader, sad!reader for a little, mentions of sex work (sex work is work!), eventual SMUT (making out, grinding, f!receiving fingering, f!receiving oral sex, p in v, PRAISE kink, dirty talk), FLUFF, cuddling, happy ending guaranteed!
A/N: Thank you all so much for the responses on the first part! This is my first fic that I've ever shared and it makes me so happy that other people enjoy my writing! Enjoy!
Mando handed his scope off to you in the worn down store. Wallpaper peeled from the ancient wooden planks of the walls. Cobwebs littered the untouched areas of the store. The work stations in the back, visible from the pick up counter at the front, were in complete disarray. Several projects started, but not finished. Several projects finished, but not retrieved.
You took the scope in your hand and twisted it in your hands until your gaze landed on the name of the manufacturer and the serial number. Your eyebrows shot up once the brand of the scope was revealed, it twisted in your hands once more. Hands raising the metal tube so it was level with your eyes, you looked into the scope.
“Ah! I know what it is!”
Mando watched in confusion as you ran to a workstation and grabbed a singular tool. How did you know what was wrong so quickly? He sat in the hull of the Crest for hours attempting to fix the scope. The motions of taking the scope apart and putting it back together were etched into his brain from the number of times he did so.
You returned to the front of the store with the tool in hand. “This manufacturer has been having these issues lately. They built their magnification system like no one else, but they didn’t seem to account for the need to recalibrate the scope every once in a while. Recalibrating too often causes the lenses to misalign.”
Mando calibrated his every day. He had to. It was part of his job. A miscalibration could be the difference between a two hour hunt and a twelve hour hunt.
Your face twisted in concentration as you inserted the tool into the side of the scope. Jostling the metal, it popped open and allowed access to the inside. “For some reason they put these weird pins in…” You trailed off while you removed a total of three thin metal pins. Once the pins were removed, you clicked the top of the scope back into place and handed it to Mando.
Mando previously took the scope apart countless times. He never noticed any pins.
“Twenty credits, please.” You said with a smile. Your gaze met his–you somehow found it through his black visor–and you maintained eye contact.
The display on the inside of Mando’s helmet only progressed seven minutes after he entered the store. Inside of his helmet his eyebrows shot up. He was impressed. Not only with your efficiency, but with the reasonable price as well.
“I’m impressed.” He stated. Nodding at you, he retrieved a few credits from his utility belt and set them on the paint chipped counter. He turned and walked a few paces and then stopped in front of the door.
He’s been looking for a crew mate for weeks. The potential candidates he’s stumbled across were either annoying, rude, or incompetent. Throughout his time as a bounty hunter he’s been to countless repair shops. The service was always lack-luster, prices were too high, repair time much too long.
Sure, he just met you eight minutes ago, but you had potential. He turned on his heel and faced you. Armor glinted in the low lighting of the run down shop.
“Are you in the market for a new job?”
–
Walking to the market, he’d been reflecting on his decision to bring you onto the Crest as a crew partner.
It was the best decision he ever made, besides saving Grogu from the Empire.
You were intelligent. Friendly. Resourceful. Efficient. Brave.
You stared a Mandalorian straight in the eyes–well, visor–and didn’t even flinch. You didn’t even break eye contact, unlike everyone else. People would turn to whoever they’re with to avoid his gaze. They spoke like he wasn’t a meter or two away–and like he couldn’t amplify their voices with his helmet.
His tall, broad stance usually set everyone on edge. The heavy weight of beskar armor, a reminder of his skillset, didn’t aid in calming the nerves of anyone either. He was typically soft spoken around others, as he noticed people’s reactions when he spoke–eyes wide, speech stuttering, shaking hands–scared.
Everyone was afraid of him.
Except you.
When you first boarded the Razor Crest, Mando was extremely careful in making sure you were comfortable. The majority of his days not hunting were spent in the cockpit or in his bunk. Whenever you crossed paths in the hull you offered him a small smile and quickly looked away. Did your bravery fade away?
He came back from a hunt one day, quarry in tow, and he was relieved to hear, “How was your day?” Fall from your lips once the bounty was in carbonite.
Still cautious–mindful of how the modulator made his voice sound–he kept his answers short and to the point.
“Fine.”
“Busy.”
“Awful.”
Hearing the four words you said after each return from a hunt, and being able to give you a response without you slinking away, made the hunts worth it.
One night always stood out in his mind. It was just like any other return from one of his hunts. Mando dragged the quarry up the Crest’s ramp by a cord tied around their ankles. He lifted the man to stand up, doing so effortlessly with a few grunts to spare.
Your living space was in the hull, so he always tried to make the ends of his hunts fast. You didn’t have any choice but to watch. Mando didn’t want to make you watch for too long. Maker, he didn’t want you to watch at all.
His fist slammed the button to begin the freezing process. Breathing heavily, he stood and watched the bounty as they froze into the carbonite cell. A blanket of silence covered the hull once the hissing of the freezing mechanisms came to a stop.
“How was your day?”
There it is. His favorite part after the hunt. Knowing you were there, safe within the hull, and that you wanted to be friendly with him–even after witnessing him freeze a person he tracked down for several hours.
“Nothing you want to hear about,” he replied, his voice tinged with tiredness. The helmet’s modulator most likely didn’t register the sleep in his voice. Truly, he didn’t think that you would want to hear about it. The Mandalorian was afraid that hearing about his hunts would put you on edge. You already extended a branch of friendliness to him twice a day. He didn’t want to give that up by talking about the bounties he tracks down.
“Try me.”
Those words.
Those words have only ever been spoken to him by enemies. It always caused annoyance to wash over him, head to toe. He’s a Mandalorian. Confident of his skills in combat. No matter the odds, Mando knew he would like them.
But when those words tumbled from your lips, it was different. When his enemies weren’t scared of him, it was annoying. When you weren’t scared of him, adoration filled his body. And not adoration in a patronizing way, but adoration as a form of respect.
It made him want you that much more.
Snapping out of his thoughts, Mando realized the crotch of his pants were tight. Nonchalantly, he clasped his hands together and rested them below his belt.
“Quarry tried to escape and they ran. Would have been back four hours ago,” the modulator gritted out. Again, he was conscious of how the modulator warped his voice. “Not too fun,” he added in an attempt to make the conversation more casual.
You were silent. He whispered a curse to himself under his helmet, one that he was certain wouldn’t be picked up by his modulator. Was his answer too much? Mando quickly became nervous and started to shift his weight from one foot to the other. The silence you left in the air made him a bit anxious.
The T shape of his visor peered over to you. You stood still in shock, reminiscent of the people that saw him in public. Before his thoughts could spiral too much, you replied, “Oh, I’m sorry.”
Dank farrik. He didn’t want you to feel like you had to comfort him. “You don’t have to be sorry,” his chest brushed against your shoulder as he swiftly hopped onto the first rung of the ladder up to the cockpit. “It’s my job.”
“That doesn’t mean it sucks any less,” you said. He smiled underneath his helmet at your consideration. Your eyes widened and your mouth opened and closed as you realized what you said, “sorry, I probably shouldn’t have said that your job sucks.”
You weren’t wrong. Making his way through tough terrain, relying on a blinking red light on a piece of metal to guide him. Finding them was a task in itself, but dragging them back to the Crest was the other half of his job that sucked. Mando looked over his shoulder at you and replied matter-of-factly, “My job does suck.”
A giggle bubbled out from your chest. Every once in a while you would be reading a funny article on your Holopad and your laughs would echo through the hull of the Crest, making their way up into the cockpit. He needed more of them. His silver helmet shook slightly from side to side and he turned back to climb the ladder. But not before he also let out a small chuckle.
If you were comfortable enough to stand up to him, and laugh at his awful attempts at jokes–after he just hauled a bounty onto the ship–Mando realized he was safe.
Not only were you safe with him. He felt safe with you, in more ways than one.
Kriff it. You extended a friendly attitude towards him–a faceless warrior covered in impenetrable armor–then he could extend a friendly attitude towards you as well.
You asked him about this day, both in the mornings and the evenings. He learned about what you like and didn’t like. One item stood out to him. Caf. He always entered into a cloud of caf scent when he sauntered into the hull in the mornings. Mando was usually up before you, so he figured he would start making you a cup every morning. Confident enough in knowing which kinds of caf you preferred, he would stock up on caf every supply run.
The Mandalorian got closer to you, both physically and emotionally. Sometimes he would catch his hands landing on your waist or your lower back when he passed you on the ship. You’d shoot him a small smile in response. The distance he kept from you only decreased. He wanted to see your smile more and more.
One thing he didn’t see coming was your interest in Mando’a. He would mumble to himself in the ship while completing various tasks.
“What’s that word mean?” You’d occasionally ask. The Mandalorian would explain their meanings, sometimes struggling to translate the word to Basic.
He must have taught you at least two dozen words in Mando’a by now. Each time you asked you would give him your full attention.
At night, if he amplified the sound with his helmet enough, he could hear you practicing the words and recalling their meanings. It motivated him to share more words with you.
–
All of these experiences have led to this day. He’s been planning it for a month or two now.
He wants to ask you on a date. Nerves bubbled up from his stomach and throughout his body. They suddenly came to a halt.
Not now. First, he needs to collect information on a quarry.
Lost in his thoughts, he looked up and the market filled his vision with you in his peripheral. It wasn’t too busy, part of the reason why he was comfortable enough for you to shop on your own. He clarified the meet up point to you and watched as you took off. You had a bounce in your step, probably due to your excitement at shopping alone.
Once he meandered further into the market he began to collect information. This market was the bounty’s last location. Mando’s guess was that he either simply wanted to be in a small city, gambled their life savings away, or they paid for visit after visit with the workers at the brothel until they ran out of credits.
Only one way to find out. The gambling and brothels didn’t start up until later in the afternoon. To kill the time, and to possibly find the quarry, Mando wandered throughout the different sections of the market.
He asked a few vendors about the bounty. Mando described the man to many market sellers and only got a slight lead from one woman donned in patterned fabrics.
“I think he went that way,” the woman gestured with one of her hands towards an intersection, “Take the left path. I don’t know anything else beyond that.”
Mando dropped a few credits into her hand and gave her a polite nod, “Thank you.” He continued on and curved his gait to take the left path. From the signs and general merchandise displayed on each stall, he knew he was entering the clothing section of the market.
The helmet covering his head swiveled from left to right and right to left. No one matched the description of his quarry. Repeating his previous process, he made his way down the stall-lined alley and asked a couple different vendors.
Once the last vendor finished talking, and provided him with another lead, he dug his hand into his pocket and slid the credits on the stall’s counter towards them. Turning his back towards the vendor, his feet carried him two steps back into the market.
Then he saw you.
You stood hunched over a table of colorful bracelets. Tapping his fingers to the temple of his helmet, Mando zoomed in and the helmet displayed your face to him, deep in thought. Looking down, you were hovering your hands over a grid of various green bracelets.
You stopped on one. Mostly brown, almost too much to be in the green section, Mando thought. Nonetheless, the green and silver streaks peeked in and out of the thick threads of brown that made up the bracelet. Your fingers sorted through the sizes of the bracelet and selected one that looked close to your size.
Clutching it in one hand, the other hand searched for another of the same bracelet. It was larger than the previous size. You set the smaller bracelet down and tested the strings. The bracelet was adjustable, and you smiled at the discovery.
You transferred the bracelets onto the table of the stall and used one hand to dig into your pockets. Palm held out flat, Mando guessed that about twenty credits sat in your palm. He followed your gaze to the sign listing the prices.
PRICES
1 bracelet = 15 credits
2 = 30 credits
3 = 45 credits
4 = 60 credits
Shoulders falling, you dropped the credits back into your pocket and returned the bracelets to their original spot in the grid of green. Ground crunched beneath your shoes as you turned and continued wandering through the market.
Mando noted it was the third stall to the left of the bright green stall on the left side of the alley.
Not wanting you to realize he saw you, the Mandalorian walked in the opposite direction you took. After twenty minutes he noticed that the stalls became much more strange than the stalls in the clothing section of the market. Peering at the different products for sale, he saw a potions shop offering “super strength elixir” and a vendor selling various pet-like creatures. A few more vendors passed his peripheral vision as he continued his strides. They came to a stop once a building larger than the surrounding stalls came into view.
His helmet tilted upwards to read the sign displayed front and center on the large building: BROTHEL.
Tapping the side of his helmet, the time on the helmet’s display indicated that the brothel and gambling scenes had just begun. Mando tapped the temple of his helmet once again and the warm bodies within the building lit up, like he had x-ray vision. He counted a dozen in total. One body stood in the same spot inside near an entryway–the bouncer, Mando thought.
The bouncer was the individual that allowed access in and out of the building. If their memory was decent, they would be like a living guest book. Mando figured he could bribe them to reveal information, which was his usual plan with most of the beings he spoke with.
He sauntered over to the side of the building the bouncer was standing at. A singular light flickered over the side door, the sun was still out, so Mando was confused why it was on. The beskar helmet observed the side door.
Metal. Double deadbolts. Keypad on the left side. Small slit at eye level–neck level for the Mandalorian.
As soon as he crouched down to look near the slit, it slid open and revealed a thick pair of black eyebrows. Black eyes bore into the brow of Mando’s helmet, as the bouncer couldn’t seem to find his eyes.
“Do you have an appointment?” The bouncer asked. The voice behind the door was gruff, as if the words had to crawl from the depths of his throat.
“No,” Mando responded.
Black eyes blinked and then disappeared when the bouncer closed the metal slit.
Mando was taken aback and furrowed his brow. His fist pounded on the door. He just wanted this hunt to be over with. He wanted to get back to you.
The slit in the door revealed two black eyes once more.
“I have credits and will pay you if you give me information on a client your establishment may have served.” Mando’s modulator gritted out loudly. Straight and to the point. All business.
Eyes disappeared again, but were then accompanied with the sounds of the deadbolts unlocking. The metal door swung open to reveal a man dressed in all black with a silver name tag. Black hair matched the rest of his ensemble.
Still holding the door, the bouncer asked, “What’s the bounty look like?”
An eyebrow raised inside Mando’s helmet, but he figured the bouncer knew the drill by now. Even other bounty hunters knew that brothels were what many bounties visited. A gloved hand unbuttoned a pocket on his belt and retrieved a bounty puck. Clicking the side of it, the puck displayed the quarry.
The man stepped out of the doorway and onto the pavement, pulling the door closed behind him. His black eyes slightly squinted when his gaze trailed up and down the hologram.
“Ah yeah, I’ve seen this guy. He has a type, always goes for the blondes.”
“Does he have any upcoming appointments?” Mando questioned.
The bouncer sighed in thought and pulled a small notepad from his pocket. Mando mirrored the man’s motion and produced a pen and notepad from his pocket.
“The guy has an appointment in two days. He just asked to see a blonde. Figures.” The man shrugged and opened his notepad. Mando noticed it was a planner, and the bouncer flipped to the pages for the appointments two days from today.
“Which workers would take him as a client?” Mando’s modulator churned the words. His pen clicked as he readied himself to write.
The man donned in black made a fist with one hand and raised a finger with each name, “Ari. Taima. And Nomi. They would be in rooms one, five, or seven.”
Wow, Mando thought, this guy really knew the drill. He quickly finished up writing down the names and room numbers of each worker. The pen scratched feverishly against the cream colored paper, leaving behind black strokes to form letters and numbers. Notepad folding closed and the pen clicking, signifying the end of his notes, Mando returned the pen and paper to their place in his pocket. His opposing hand reached into a different pocket and produced a sizable amount of credits. Feeling generous, thankful that this hunt was going to be quick, he compensated the bouncer handsomely.
First task done. Second task on the horizon.
Creaking produced from the hinges of the metal door as the bouncer disappeared behind it once more. Flickering light gleamed off the beskar armor that protected the Mandalorian in combat. Although he wasn’t going into combat, because he wouldn’t be nervous if he was.
Mando trained most of his life with the greatest warriors in the galaxy. Combat flowed through his blood easily. It was a part of him.
But he was never trained on how to ask people out on dates.
On top of that, he was never trained on how to ask you out on a date.
He didn’t want to misread the situation. You could just be friendly. Who would want to date a man and not know what he looks like? Who would want to constantly live on a ship, without a permanent home?
Being Mando, he prepared for the worst. If you said no, he figured that you would be uncomfortable living with the man who asked you out on a date. Knowing that he’s attracted to you. He would fly wherever you wanted and give you some credits to get started. Kriff, he’d send credits for however long it takes for you to get on your feet. Then he’d leave you alone.
Admittedly, the Mandalorian would probably keep an eye on you to make sure you were safe. You just wouldn’t know he’s there.
But if you said yes.
Mando’s chest bloomed with anticipation. Firework-like tingles trailed up and down his limbs at the thought. He bit his lip within the confines of his helmet when he realized his pants had gotten tighter. Thankfully he was a Mandalorian, because heat washed over his face, half due to arousal and the other half in embarrassment.
The brown eyes underneath the helmet widened. If he wanted to do more with you and you agreed, he didn’t have protection.
Turning on his heel, cape whipping behind him, he made a quick pace back to the brothel.
Once he arrived at the gray building, the light at the side of the building having more of a purpose, Mando glided towards the same door as before. Bringing a fist up to the metal, he knocked three times.
Knock. Knock. Knock.
Clink. Shhhkt.
“Do you sell condoms?” the modulator quickly blurted.
All business.
—
He arrived at the meet up point before you. Leaning against a nearby tree, Mando checked the time constantly, as if he was devoted to the action more than his Creed. If you were late, he always went looking.
Thankfully, you trudged up to the food stall on time with a hefty bag full of purchases. Fine, brown gravel grinded against the soles of Mando’s shoes as he made his way over to you. His gloved hand slipped the bag from your grasp and the pair of you began walking back to the Crest.
Both of you carried on with your normal post-supply run routines. You and Mando, but this time just Mando, piled the purchases from the market onto the hull’s floor. From there, the items could be sorted through and put in their respective places around the Crest.
As Mando finished unloading the large bag of purchases, he quickly dug around for the receipts. He knew how much you liked to review the shopping haul each time a supply run was completed. Mando enjoyed seeing the satisfaction wash over your face after you read over the receipts.
But this time was different. You froze once you got to the last receipt.
Mando’s helmet tilted in confusion. He took a few steps closer towards you, “What’s wrong? Did we forget something?”
You remained still while your eyes darted over the lines on the receipt. With your back turned to him, Mando found the opportunity to zoom in on the ink printed on the flimsy paper.
ITEMS PURCHASED (1)
CONDOM - 12 PACK
Oh. Fuck. FUCK.
He hasn’t even asked you on a date yet and now you probably already think he’s a perv. Nerves took over his body as you continued to stand still.
Your hand quickly crushed the receipts and threw them in the trash, “Nope! The last receipt didn’t look familiar but,” you trailed off slightly but recovered, “I remembered what I bought from the place.” A nervous laugh–obviously fake, Mando knew what your real one sounded like–escaped from your lips.
He fucked it up. You knew he was interested in you like that. And you didn’t feel the same. He hasn’t even asked you on the date yet. It’s all screwed up now.
But he also felt like he didn’t have enough evidence. What if you did like him but the idea of…needing to use the condoms…made you nervous.
Mando had to at least try. The least he had to do was ask you.
He cleared his throat and grabbed the bag off of the floor. You stood away from him, biting the inside of your cheek, nervously watching his movements.
“I’m going to go to the night market,” he informed you, “I have some business with a bounty I need to take care of.”
The bounty wouldn’t be captured until two days from now. In reality, he was really going to go and purchase snacks, takeout, and a pair of those bracelets you admired. It would have been suspicious if he met you back at the meet up point with bags full of snacks. The beskar man figured it would be best to hold off on buying them until later, and tell you he was getting a bounty, so you wouldn’t catch on.
He should’ve waited for this second trip to buy the condoms, he thought.
–
Mando left to, “Go to the night market,” he said. You saw the condom listed on the market receipts, you knew where he went tonight. What he’s going to do.
The brothels.
Yeah, sure, he’s paying a worker to give him a service. No feelings attached. But you didn’t want him to be with anyone else. Was Mando necessarily yours? No. Have you ever had sex with him? Also no.
That didn’t stop you from getting jealous.
And it wasn’t just jealousy. It was fear. What if he fell in love with one of them? Or what if he was going on dates? He could have a romantic interest you don’t even know about. Next thing you know, they’re going steady and you’re kicked off the ship. Or worse, you have to watch him love someone that isn’t you.
No more silence with him in the cockpit, watching as the hyperspace lights soar past the windshield. Feet tapping down the ladder as you both began your nighttime routines. He’d wait in the hull near the door of the fresher in just his helmet, undershirt, sleep pants, and socks. As he lifted off the wall from his leaning stance he’d ask you, “Are you done?” Holding his own hands in front of him, trying to seem relaxed, as if he was trying to look less intimidating. “Yeah,” you’d quickly respond, leaving the fresher and brushing past him. Sometimes his hand found your waist as he passed, or the small of your back. “Thank you,” he’d grunt gently as he closed the fresher door.
No more of Mando letting out a small, “Good night,” before lingering on your closing eyes and watching as your lips smiled, forming your response, “Good night.”
Falling asleep, you knew you’d wake up to him. He would be up before you on most days, leaving you a fresh cup of caf and your favorite ration pack (when he had them). The short chatter between you two, going over the logistics of the next hunt, telling stories from your past, or just thinking out loud to each other. Gone.
You would be banished from home.
The fear struck your chest. Heat searing through your ribcage and meeting your spine, the visions repeated over and over in your head. Tears fell like waterfalls from your eyes. Most streams connected underneath your chin and trailed down your neck. Your back met the hull’s wall as you sank down onto the floor. Deep breaths. In through the nose, out through the mouth. Your head was heavy and numb.
Just breathe. You knew you weren’t going to die. Go through some heartbreak? Maybe, but you knew you’d be alive. It helped. Your breath slowed and the fear dissipated into the air around you. That didn’t stop the flow of tears down your cheeks as your eyes were fixed on the closed ramp.
–
Mando’s footsteps set a steady pace back to the market.
Crunch. Crunch. Crunch. Crunch.
He displayed a map of the marketplace as an overlay on the display of his helmet. Mando usually reserved this practice for combat to aid in determining exit strategies and the best plan of attack.
But now he was using it to calculate the most efficient route throughout the marketplace in order to see you again sooner.
Closing the overlay from the helmet’s display, he was met with the sight of the market. Long strings of lights decorated the different stalls. Many vendors took advantage of the dark and used different, bright combinations to reel in customers. Some lights were multicolored. Some flashing. Some huge and some small. He thought of the “ooh”s, and, “ahh”s that you would let out at the brilliant display.
The Mandalorian started in the food section of the market. Carefully examining which vendors carried your favorite snacks, he made purchase after purchase in quick succession. His helmet remained on a swivel, scanning the stalls from right to left and left to right.
A stall offering your favorite kind of takeout came into view.
Once Mando arrived at the stall he ordered two takeout meals. The vendor looked startled and confused as he ordered. They shakily accepted the credits for the two meals. Gazes drifted away from Mando and quickly returned as he stood waiting for the meals to be prepared. A bell rang and he retrieved two warm containers, placing them in his bag alongside the snacks.
One last stop. The bracelets.
Marching through the food district, he came upon an intersection at which the left path led him to the clothing district. Yet again, his helmet pivoted on his neck from one side to another.
The third stall to the left of the bright green stall on the left side of the alley.
Mando continued his steady pace until the bright green stall came into view. The brightness of the exterior paint was exaggerated by the warm light emitted by lanterns, which decorated the outside of the shop. He didn’t notice before but the store sold children’s clothes. Onesies. Small shoes. Tiny hats.
A small tunic. Small enough for a human child younger than one year old. The tunic reminded him of Grogu’s. Mando’s bare hands brushed against the material countless times as he cradled The Child in his arms.
The last time he spoke about Grogu was with you. You listened and offered support. He’s never had anyone do that for him.
His visor turned to his left. The soft fairy lights of the stall reflected off of the beskar helmet on his head. As if the beskar reflected a dark sky decorated with bright stars. Various fabrics hung from the side of the vendor’s stall to cover the old wooden planks. Little accessories were placed throughout the shop on different tables and displays.
Mando wasn’t focused on those items, he was focused on the long table of bracelets organized by color. His feet carried him to the green section. The helmet turned downwards to allow him to observe the selection.
Shit.
There were so many bracelets similar to the pair you held, just all in different combinations of green, silver, and brown. Was it the bracelet with the large green cord and the small silver and brown threads? Or the one with the large silver cord and green and brown threads? Or thick brown cord with streaks of green and silver? His hands hovered over the options, doing his best to recall the details from earlier in the day.
“It’s this one,” a woman’s voice said.
A bit startled, the Mandalorian looked up and found a woman standing on the other side of the table. She wore long robes with intricate patterns. Jewelry decorated every limb and part of her body, like jewels were dripping down from her skin from a storm of gemstones. Hair cascaded around her shoulders and down her back. Her smile was kind and her gaze met Mando at his eyebrow.
A good try, he thought.
“I’m sorry?” He replies. She couldn’t possibly know which bracelet he was trying to find.
“You were watching them earlier. From across the street,” she let out faint exhales as she let out a short laugh, “Maybe you should hide a little better next time.”
She reached out and picked two bracelets out of the display grid. “I remember the sizes too,” she said, “The person you watched held onto them for so long, they seemed pretty attached to them. I kept track of which bracelets they were just in case.” The robed woman shot him a friendly wink.
“In case of what?” Mando questioned. He was still in shock that the woman noticed him staring at you from across the street.
The woman glanced up at him like that was a dumb question, “In case you came back to get them, Mandalorian. This isn’t my first day on the job.”
It saved him the time and stress of trying to remember which one it was, so he shrugged and watched the woman’s jewelry dangle as she typed onto the register.
Beep. Beep. Beep beep. Ching.
“Okay sir, twenty credits please!” The woman extended her hand out and waited for Mando to place credits into her palm. She was met with the tilting of the black T shape on Mando’s beskar helmet.
“I thought the price was thirty,” he stated as he began to reach into his pockets to retrieve his credits.
The woman let out another small laugh, “Oh, I suppose I should have made the sign larger,” her decorated fingers pointed to a small sign above the one that displays the bracelet prices.
$10 OFF WHEN YOU BUY TWO OR MORE
Mando’s shoulders dip in realization that you could’ve bought the bracelets in the first place. A sigh escapes his modulator and he hands the credits over to the intricately robed vendor. The credits clink into her palm, and then into the register.
He waits silently for her to package them up in a small bag.
“They like you, you know,” the woman mentions, “No one like them would be deciding on which bracelets to buy for that long if they didn’t.” She paused as she was about to place the larger of the two into the small bag, “And look at the size of this one! It’s definitely for you.”
The Mandalorian nods, “I appreciate that,” he pauses before turning away, “let’s hope they do.”
–
Mando sets a faster pace back to the Crest than the one he took from the Crest to the market. He’s impatient, he can’t wait to walk up the ramp and see your body curled up, comfortable and safe, while you sleep soundly in your bed–if you can even call it that, he thought. You usually went to bed early when he went on hunts, otherwise you would be awake talking to him.
Slipping the bag from his shoulder, an ungloved hand rummaged through the contents searching for a small bag. His fingers found the familiar texture and he pulled it out from between the snacks and the takeout.
Mando slung the bag back over his shoulder, pulled the larger of the two bracelets out of the small bag, and slipped his hand through the ring of brown, silver, and green. Grabbing one of the ends with his fingers and pinning it to his palm, the other hand tightened the bracelet to a comfortable size around his wrist.
Once the small bag was returned to its place inside of the larger one, Mando peered around him to get a good look of his surroundings.
The sun was about to set, leaving only a sliver of light available to provide dim light to the landscape. Rocks littered the ground. Shadows from each one making them appear larger in the light of the impending dusk. He reached up and tapped a finger to the temple of his helmet. No living thing was around him.
He paused and set the bag on the ground. Doing one last scan of the area, one of his hands gripped the chin of his helmet and lifted the beskar from his head. The hand held the helmet at his side while he marveled at his wrist.
He caught a good patch of remaining light and watched as the green and silver threads gleamed against the thick brown ones. The bracelet was beautiful. Not only because of the design, but because you picked it out. And it was for him.
Becoming paranoid, the Mandalorian quickly slipped his helmet back onto his head. He waited for the seal of the helmet to engage before continuing back towards the Crest. This time, at an even faster pace.
–
You sat there until you heard heavy footsteps approaching from outside, the hydraulics of the ramp coming to life. Thinking fast, you stood up and made your way towards the fresher to start your nighttime routine.
“Why are you still awake?” Mando’s voice was confused. He stood in front at the top of the ramp with his helmet tilted, hands resting on his hips, but his shoulders were slumped, a bag slung around one. He looked…worried.
Mando was right. Usually when he went on hunts you went to bed early. Nowadays the only thing that kept you awake was him. Talking with him was how you spent most evenings on the Crest, your voices echoed and bounced back to each other in the hull.
He’s used to seeing you curled up on the sleeping pad covered in blankets. Soft breaths came from your body and radiated throughout the Crest. Just like a minute ago, his footsteps would come up the ramp with his bounty in tow. Soft grunts could be heard kitty-corner from your spot in the hull. A hiss of mechanisms as they froze the bounty in carbonite. Then a bit of silence.
The absence of the carbonite freezing stood out in your mind. No bounty, even when he said he was going to go and find one. Your eyes teared up slightly again as the realization truly set in. Mando really did go to the brothel.
You just wanted this night to be like any other night he came back to the Crest with a bounty.
After the bounty was frozen, heavy footsteps made their way across the floor of the hull. But they always stopped a few paces away from your bed, halting for a moment. Mando would complete his nightly routine. Setting the Crest’s coordinates for the next planet and showering in the fresher if he needed to–he usually did.
No matter what the events of his nightly routine were, it always ended with him standing in the doorway of his bunk–the sound of his footsteps always stopped partially inside.
“Good night, cyar'ika.”
You didn’t know what the Mando’a meant, since Mando never used that word around you, but you knew that the, “good night,” was all you needed to finally fall asleep.
You always waited up for him, only until reasonable hours of the night, of course, but he didn’t know it.
The sound of his footsteps in the present snapped you out of your hazy state. Crying really does a number on your brain.
“Just…couldn’t fall asleep,” you offered him a small smile as you pulled some products out of the tiny fresher cabinet. You wet your face and applied a small amount onto your fingertips, tapping them together for both hands to have the product. As you lifted your face and your hands to the mirror to begin washing your face, you were met with swollen lips, puffy eyes, and slight tear trails dried onto your face, despite the water you just splashed onto it. You froze.
There goes any of your chances to get away with how you spent your night. Staying up late staring at the Crest’s ramp. Waiting for Mando to come home. At least what you thought was home.
“What’s wrong?” Mando’s voice got clearer as he approached the fresher door. His strides long, footsteps clunking, as he removed his leather gloves and tucked the pair into his utility belt.
You went to turn away from him but he got there faster than you could. His ungloved hand rested on your shoulder, grip slow yet firm as he turned you to face him. He rubbed tiny circles onto your skin with his thumb once his eyes beneath the helmet noticed yours.
Your reflection on the silver beskar of his helmet stared back at you. Could you even get away with a lie at this point? What else would have made you cry? It’s not exactly like you could have said the truth either.
Oh yeah, I was sitting here having a panic attack as you participated in a perfectly normal service that is offered on this planet. Then I spiraled and thought about how you might not even want me to be here, that you’ll find another partner to be on this ship with you, and toss me away like none of this meant anything to you.
Mando’s hand waved in front of your face and it brought you back into the present moment. “Did someone come onto the ship while I was gone?” His voice gritted out from the helmet’s modulator.
“Maker, no,” you huffed and tried to look less suspicious, hoping he’ll just drop the topic.
“Then what is it?” He murmured, his modulator barely picking up his syllables. His wide shoulders took up most of the fresher’s door frame. The grip on your shoulder tightened slightly.
“It’s…I don’t think you’ll want to hear it.” You shrugged and repressed the heat of anxiety creeping down the back of your head. Turning to wash and dry your hands, you let out a sigh and started to walk towards the main open space of the hull. Your shoulder gently bumped him as you slid past his large frame in the doorway.
Suddenly your hips were being snapped backwards and dragged back towards the fresher. His damn finger was in your belt loop again.
He pulled you close to him, feeling the heat from his knuckle dig into your hip and spread throughout the rest of your body. His helmet leaned down to look you in the eye and tilted once again.
“Try me,” he paused. He brought his hand up to grip onto the valley where your neck meets your shoulder, slowly enough so you could back away if you so desired. His large palm and thick fingers were calloused and warm. The grip he had on you was still gentle, slightly squeezing. “You know you can tell me, right?”
You let a deep inhale permeate through your lungs. The words flowed through your individual cells. Thoughts of lying escaped your body with each breath. The debate inside your head would end. Whether he had those feelings for you or not.
“I got upset because you went to the brothel.” You told him. Lips trembling and eyes squinted open in an attempt to meet his gaze.
“The brothel?” He held both of your shoulders and brought his visor closer to your face. Thumbs rubbed your shoulders yet again. He sighed as your name left his lips and traveled through his helmet, “I didn’t go to a brothel tonight.” A titled T-shaped gaze met yours. You knew he was looking you in the eyes, and yours into his.
Brows furrowed, you sniffled slightly, “I-, I saw that condoms were on the market receipts.” The thumbs on your shoulders stopped, his chest didn’t rise and fall. He froze. You made Mando freeze.
“Look I know I’m just being dramatic and paying for that kind of thing is completely normal. I just,” you trailed off and thought of a quick replacement for your worry, “I was worried you would get hurt there.”
Mando’s shoulders fell and his helmet cocked to the side. “What?” He questioned. “How would I get hurt? None of the workers there had weapons.”
“How would you know that if you didn’t go?” You whispered to him. Your gaze left his and it dropped to the shape in the center of his chestplate. The crystal shape rose up and down slowly.
“I got information on a bounty there earlier,” he sounded like he was talking to a hurt animal. Gentle. Slow. Calm. “What's the actual reason you’re upset?”
Kriff it.
“I had a panic attack because I thought you went to the brothel. Maybe you would like the worker there more than you like me, I spiraled and thought about how you might not even want me to be here, that you’ll find another partner to be on this ship with you,” your chest heaved and as you listed off your previous thoughts of worry. Your hands shook as they landed on top of Mando’s, and you took a deep breath, eyes meeting his gaze like before, “and toss me away like none of this meant anything to you.”
Mando is quick. He flipped his hands to grab one of yours and tugged you into the hull. Kneeling, he opened a cloth bag, one from the market, and dug into it to search for something.
He actually went to the night market. You thought, now you look so clingy. So needy. He was just going to show you what he got to prove he went.
He turned and held his hand out. Sitting on top of the golden skin on his palm was a bracelet.
The bracelet from the market.
“I saw you looking at these, you looked for a long time and then put them down,” He stood up and set his gait to slow steps as he made his way over to you.
You laughed nervously, accompanied by a small sniffle, “Sorry yeah, I know I just should have been getting the stuff we needed. You didn’t have to go back and get it for-.” Mando raised a finger to halt your speech and continued what he was saying previously, “you put them down. You had two bracelets.”
“They had lots of them that I liked…I had two that were a tie and I just decided to get neither-.” Mando cut you off again.
“You were holding one bracelet consistently and then picked another in a bigger size,” you froze at his words. Dank farrik. Now he was going to think you’re super clingy.
“I wasn't completely sure who you wanted to wear the bracelet, but I took a guess.” He pulled his long sleeve past his elbow and revealed his bare forearm. Strong. Capable. Solid. And a matching bracelet was donned on his wrist.
Your cheeks radiated with heat as he took your wrist and put your bracelet on you. His warm fingertips brushed the soft skin of your wrist, sending chills throughout your body at the meticulous skin-on-skin contact.
Once the bracelet was secure around your wrist, Mando dipped his head and looked down at the floor. One of his hands gripped the underside of his helmet, and the other held onto your wrist. Your breath caught in your throat at the gesture. He quickly lifted his helmet to release his mouth, and he pressed three kisses on your wrist where the bracelet was. Mando’s lips were soft and timid, his hand caressing the skin on yours. Silver from his beskar helmet blocked your view, but Mando sealed his helmet and brought his eyes underneath the visor to look into yours.
“This means everything to me.”
Supply Run - Exchange (part three)
#pedro pascal#mando#the mandalorian#mando fic#din djarin#din djarin x f!reader#din djarin fluff#din djarin smut#din djarin fanfic#the mandalorian smut#the mandalorian fanfic#din djarin x reader#din djarin x you#mando x reader#mando x you#supply run#thepascalofus#thepascalofus fic#mando fluff#mando smut#the mandalorian fanfiction
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gods of gotham- hermes
In the stories and myths, Hermes is ubiquitous, appearing at just the right times to cleverly trick a foe or impart a gift. He is ever-youthful, ever-cunning, and ever-giving. He is the messenger of the gods, the original jack of all trades. Travelers made offerings for his protection, diplomats prayed for his guidance, and merchants made sacrifices to gain his favor. But Hermes did not solely act with boyish mirth; he was a warrior god like his brethren, and his cunning and rage saw ichor and blood spilled all the same.
The friezes depict a young god, oft guiding flocks and travelers alike with his staff. His name was invoked at lodges and markets, messengers bore his sigil on their journeys, and shepherds carried his sacred tool. Silver-tongued and strategic, he was the emissary of the gods, sent to share divine guidance with the worthy. The gods and the people loved him, for he was useful. The helpful and clever- let them see him as such, let the darker aspects of his character be lost to time.
Hermes was not only a shepherd. His staff was not only for guidance. When the drums of war sounded, and the banners were raised, Hermes was there. Laying traps for enemies, leading assassins under the cover of darkness, and crafting deadly lies. He was the delivery service for divine justice, and it was oft… personal. He leveled cities and civilizations on whims, his violence was that of the gods of war, and he was efficient. The artists remember him as a genial youth, happily serving his betters; the paintings would never show him wading through the field of battle, nor would they show him executing the godly vengeance entrusted solely to him.
In Gotham, Red Robin served as a young vigilante. Small in stature and seemingly eternally youthful, he guided those seeking sanctuary to shelters and halfway houses. He was not seen as overly violent like his fellows, silver-tongued and strategic; he lingered in the shadows and plotted. The heroes and people loved him, for he was useful. The helpful and clever- let them see him as such, let the darker aspects of his character be lost from the narrative.
Red Robin was not only a guide. His bo-staff was not merely decorative. When screams sounded, and the bat-signal was lit, Red Robin was there. Laying traps for enemies, leading his team under the cover of darkness, and crafting deadly explosions. He was the delivery service for violent justice, and it was oft… personal. He dismantled corrupt governments and criminal enterprises in a single sleepless night, his violence was surgically precise, and he was efficient. The people remember him as another sidekick in the shadow of the Bat; they would never imagine his penchant for destruction, nor would they think of him executing the heroic vengeance entrusted solely to him.
Welcome back, Hermes- your people have missed you.
In Greece and Gotham, when screams echoed through the air and warriors and wounded alike prayed for salvation, justice arrived on swift wings. After the damage was done and the ashes settled, they would remember only the youthful helper. And he liked it that way.
#dc characters#dc comics#dc universe#dc#red robin#tim drake#timothy drake#batman#batfam#dc red robin#hermes#ancient greek mythology#greek myth retellings#greek mythology#bat signal#gotham
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Hi! Your art is so gorgeous!! I discovered you through the Nightmarket IF, and I've since then marvelled at your illustrations!
I wanted to ask what advice you would give to someone if they're hesitant to share their illustrations publicly and if you could recommend any software/hardware? How did you get started doing what you do?
Hi there! First off, thank you for the love :D
Working on the night market with dear Zinnia is a passion project for me and it's awesome to know people enjoy it!
As for software/hardware: I started on a wacom bamboo tablet with Paint tool SAI. That was... like fifteen years ago now haha! For the last six years I've been working on ipad pros with apple pencils and procreate for my drawing program. I really love procreate! It's super intuitive and very 'pokey' (Aka I can jab at the screen with my finger and things happen which pleases me) It's also a REALLY easy program to learn which is great for me because despite being a digital artist, I am absolutely terrible with programs and technology in general.
As for sharing.... just jump in! I know that sounds kinda crazy, but hear me out. You'll never do it if you don't do it. Even if you gotta shut your eyes and cringe as you hit the button, just start posting! I would also recommend drawing for a fandom, as that'll get more eyes on your stuff and help build a following. That's just me tho, as I'm a big ole nerd who likes a lot of fandom content hehe.
I also wanna say: interact with other people's stuff! Don't be shy, leave a reply, fill up reblog tags with comments. Make connections! I'm super shy when it comes to maintaining convos thru discord servers and groups, but I love commenting on pieces of art and comics that really jive with me. It's a two way street: you give love, and a lot of the time you get love in return. It helps humanize the whole experience and make it a bit less scary, I feel!
Good luck to you friend, I hope to see ur beautiful art cross my dash one day!
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jean kirstein headcanons <3
🎵 cry baby - the neighborhood 🎧
You and Jean had been friends for about a year before you confessed your feelings for each other, and for your one year anniversary, Jean’s gift, alongside the bundle of others he got you, was a notebook full of sketches he had made of you. You only found out how long he’d been drawing them when you realized that the one at the front was you sitting in the lecture where you first met.
a total plant dad. for one of your first dates he took you to a plant market and let you pick out three plants to take with you, which now sit on the windowsill in your shared apartment. (he also named all of them and speaks to them when no one’s around)
his favorite place to paint/draw is outside. in your apartment you have a relatively minuscule balcony, where he can often be found shirtless, letting paints coalesce across a canvas in the early hours.
he likes his coffee strong, will refuse to add sugar to it and tends to lean more towards savory than sweet.
he is the BEST gift giver. he is so thoughtful and will always paint you something for every birthday or gift giving occasion.
he’s very sentimental, harbors a cardboard box under his bed full of photos from high school and various nick nacks he had acquired throughout his life.
loves lamps. he likes a space to be cozy, and turning the overhead light on, to him, is the same as stabbing him in the eyes with a ten inch blade repeatedly. will whine, “noooooo” and bury his face in his arms any time you have to turn it on.
will pay for everything, wont even let you reach for your card, he’s just too fast.
is easily agitated, not by you though, mainly by Connie and Eren who always find a way to torment him on the regular. He blocks them at least four times a week.
loves the colour green. mainly darker shades, bring him a neon and he’ll act as if you’ve shot him.
is like a kid in a candy shop if you take him to an art shop, will take you by the hand and talk your ear off about different painting techniques and consistency’s of paint.
is extremely attentive. will instantly know if you are even so much as a little off. he knows you in and out and will simply ask, “listen or solution?” and will provide service on which you choose.
has a comically large phone, due to his hands. whenever he holds your phone it looks ridiculous.
his mother absolutely adores you, has a groupchat with you and jean where she frequently asks you two to come over for dinner.
he is an extremely cautious driver, this man will never be caught with a speeding ticket. this also manages to drive connie insane because of how fucking slow he is.
“i’m just being careful!”
“yeah okay, grandpa…” 💀
he loves to dance with you, arms wrapped around your waist as you sway to a gentle rhythm, him humming softly in your ear.
your apartment is extremely well decorated due to Jean’s artistic nature. he’s painted the walls, and made sure everything explodes with color. he believes beige home to be the death of interior design.
this also applies to beige babies, jean’s child will be having colorful toys and that’s that.
despite his size, he loves being little spoon. The feeling of your body heat against his spine helps him drift right off.
whenever he’s sick, no matter to what degree he always watches “singing in the rain” - it’s a comfort film to him due to his mother putting it on any time he had the flu growing up.
he adores jazz clubs. he just loves how peaceful and calming they are, and he likes to observe the different types of people who all come together to listen to the sweet hum of a saxophone. a lot of his art pieces are set in that environment.
he has a collection of hand cream. due to his career his hands constantly mirror that of a paint palette, and so, to ensure he doesn’t have cracked hands he always makes sure to moisturize them. his hands are his tools after all, in more ways than one���.
you will always be his no.1 muse. a perfect day for him is letting you indulge in any hobby, read, watch tv, cook, bake, and as you do that, he’ll sketch, taking extra time on your eyes and smile. he just truly believes no landscape, no still life, and no composition will ever be as beautiful as what you can make occur on his page. <3
3 aot boy headcanons down, six to go 💋
#jean x reader#jean kirschtein x reader#jean kirstein#jean kirschtein imagine#jean kirschtien#jean x you#jean x y/n#aot imagines#aot fluff#aot x y/n#aot fanfiction#aot oneshots
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Preliminaries: War of the Utility Wares!
Most pottery you find in archaeological sites isn't painted. Most pottery is unslipped, undecorated utility ware - with the assumption that "utility" typically here means "cooking over a fire." Sometimes grain storage. Usually cooking, though.
It doesn't mean they can't be beautiful in their own right. And one of my friends is working on a dissertation which among other things argues that "surface treatments" like incising and corrugation should be considered "decoration" too, when usually in archaeology "decorated" means "painted." There were lots and lots and lots of types of utility wares. Some were plain. Some were gorgeous.
So this is a Preliminary Round - four different styles traditionally called utility ware will go up against each other... only two will move on to represent utility wares in the final bracket.
Vote for your favorite: More information about each is under the cut:
Corrugated
Mesa Verde Corrugated jars. Southern Colorado, AD 1100-1300.
There are SO many different types of corrugated pottery; if I listed them all we'd be here all day. However, they all have commonalities: They were primarily (though not exclusively) made in the Mogollon cultural region, primarily (though not exclusively) plain and unpainted, and primarily (though not exclusively) used for cooking.
In this region, potters don't use pottery wheels. Pots are hand-built, typically from coil-building: using many thin coils to build up the shape of the pot. For most pots, those coils are scraped smooth as they're still wet. But for corrugated pots, those coils are only scraped smooth on the inside. The outside coils are instead pressed using a tool or the potter's thumb to make a patterned, scaled, or woven texture. Corrugation, due to its association with cooking pots, is not typically considered "decoration" by archaeologists, but it creates beautiful and captivating patterns.
Micaceous
Micaceous Bowl with Etched Flowers. Made by Virginia Romero (Taos Pueblo, 1896-1998).
In northern New Mexico, there are golden-red clays with a lot of sparkly mica in them. The mica self-tempers the clay, and creates a lovely shimmering effect when you see the pots in person. There's evidence of polished micaceous pottery being made as early as the 1300s, but it really took off as a popular type of cooking ware in the 1500s-1600s. In this time, it was made primarily by norther Pueblos like Taos, Picuris, and Nambe, but was enthusiastically adopted by the Jicarilla Apache as well, who have strong social ties to those northern Pueblos. Cimarron Micaceous, the handled jar seen above the cut, is a 1600s Apache micaceous pottery style.
Micaceous pottery is still extremely popular with Native potters today. Some of it is as an art form, with many different experiments in structure and style, but some people still swear by cooking in these micaceous clay pots - beans just taste better when cooked in clay instead of metal!
Incised
Taos Incised jar sherd. Northern New Mexico, AD 1050-1300.
Incised ware is SO underappreciated. However I am also biased because for the past three or four summers I have worked on an archaeology project in the Taos area and we find so much of it.
Incised designs are carved into the wet clay. Usually, these are not painted. Incised pottery is very common on the Great Plains, but less so in the Southwest. The Northern Pueblos like Taos and Picuris, however, has long-standing interactions with Plains groups, trading corn and buffalo hides, holding market days together, Picuris and Taos people fleeing the Spanish invasion to live in Kansas with their Apache allies. This is also visible in the sharing of pottery styles in the northern Pueblos, where incised ware is common. Parallel lines that mimic corrugation, chevrons, and herringbone patterns are common.
Plain Smudged
Reserve Plain Smudged, Mogollon Highlands, AD 600-1250.
As I described in my pottery jargon post, "smudging" is a method of getting that shiny black interior during the firing stage. During firing, different levels of oxygen will cause the minerals in the clay to turn different colors. An oxidized environment (high oxygen) turns iron-rich clays red; a recducing atmosphere (restricted oxygen) plus an infusion of carbon turns them black. To smudge a pot, the inside is polished, and then in the firing pit is covered with ash and charcoal. This puts a lot of carbon on the surface, and blocks the oxygen from reaching it. When the pot comes out of the fire, the part that was covered in charcoal will be shiny black. This was another pottery style particularly popular in Mogollon areas.
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The canvases aren’t even safe 😭 they used the Boroque era as reference for their search engines. Like I’m losing my shit constantly over ai art so bad. Like this is totally gonna be a rant so forgive me but it’s driving up the WALLS. Ai art being readily available is killing the incentive for people to be creative. I cannot tell you how many times I think I’ve found a really cool fellow artist on tiktok and then see #midjourney. I take psychic damage every time that happens to me. And I’m starting to see it infiltrating business too where they generate ai images instead of hire photographers. I also saw someone selling tshirts with ai art on it at my local farmers market. MOTHERFUCKER THE FARMERS MARKET??? HAVE YOU NO SHAME????
NAW PREACH IT cause its become a nagging issue for me for a while that i simply try to not think about and dwell on but dear FUCKING god is it everywhere and it's painfully obvious too! just about every ad takes me 3 seconds to find damning evidence that its ai and im 99% ready to just delete facebook bc #1 i dont give a fuck abt anyone on there anymore and #2 Literally every other post is the most deplorable ai shit ive ever seen that everyone is carelessly oblivious to i mean total abominations that don't make any sense as an image but ppl share bc its the most bottom of the barrel ''relatable'' shit and that's just the sad reality of it is most people don't even give a shit what they're looking at as long as it looks pretty to their eyes for 3 seconds they don't give a damn
and that's just on basic everyday world shit like u said there's so many mfs i think are decent artists where i legitimately cant tell its ai until i read their fuckshit bio or somethin, like that midjourney i didnt even know it was an ai program i would've just thought it was the name of a video game or some shit! like I feel like I'm kinda turning my back on the whole art community involuntarily bc i just dont trust any image i see most of the time and its fukkin sad i ESPECIALLY feel for the real artists prior to this shitshow who have art styles that now look so much like ai that they basically hijacked to feed the machine like I couldn't imagine spending thousands of dollars on an art college and hours of practice just for your art style to be The Blueprint for empty soulless photos cranked out at inhuman rates by any stupid fucking lazy ass clown like Fuck Man it all sucks so much and the worst part is I just feel like it's one of those things where it will not stop until Something caves and i honestly dont know which one it will be but i just know its only going to get worse idk i try to remember that i can pick up a paintbrush or even whatever the hell i want and make something beautiful while 98% of these ai sacks of shit are just limited to stealing other peoples art on the internet and they couldn't even paint a damn flower if their lives depended on it and if i was stuck on a deserted island I'd probably still find ways to make art with whatever tools and resources i have cause that's an artist baybay but as far as The Internet and its grasp it has on the world and trying to make it as a digital artist and trying to make money from your homemade artwork is very grim man and dont even get me started on art and artists in just about every job field rn my heart goes out to them
#me painting hammers at work using spray paint and a pen tip : ai mfs could never#its been irking me for a while and itll only irk me more its soOOOO#like i just draw for funsies atm and get anxious when money is involved but i am planning to start making money off of my art but with this#ai shit its gunna be fukkin hard i dread
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The Best Marketing Techniques to Sell Your House Fast
Effective marketing is crucial for selling your house quickly. This guide provides the best marketing techniques to attract potential buyers and achieve a fast sale.
1. Conducting a Market Analysis
Understanding the current real estate market is essential for creating an effective marketing strategy.
Market Trends: Analyze recent sales in your area and compare similar properties. Identify trends that could impact your sale and tailor your marketing efforts accordingly.
Seasonal Patterns: Real estate markets often have seasonal patterns, with spring and summer being peak times for buying and selling. Adjust your marketing strategy to align with these patterns.
For more insights on the real estate market, visit Dubai Real Estate.
2. Setting a Competitive Price
Pricing your home correctly is one of the most critical factors in achieving a quick sale. Overpricing can deter potential buyers, while underpricing can lead to a quick sale but at a financial loss.
Competitive Pricing: Set a competitive price based on your market analysis. Consider pricing slightly below market value to attract more buyers and create a bidding war.
Price Adjustments: Be prepared to adjust the price if you’re not receiving the desired interest. Regularly review the feedback from showings and adjust accordingly.
For assistance with pricing strategies, visit Buy Luxury Property in UAE.
3. Enhancing Curb Appeal
First impressions are vital in real estate. Enhancing your home’s curb appeal can attract more buyers and help you sell your house quickly.
Landscaping: Keep the lawn well-maintained, plant flowers, and trim bushes. A neat and attractive yard can significantly boost your home’s appeal.
Exterior Maintenance: Ensure the exterior of your house is clean and in good repair. Paint the front door, clean windows, and fix any broken fixtures to make your home more inviting.
For tips on enhancing curb appeal, visit Mortgage Brokers UAE.
4. High-Quality Photos and Virtual Tours
In today’s digital age, high-quality photos and virtual tours are essential for attracting buyers.
Professional Photography: Hire a professional photographer to take high-quality photos that showcase your home’s best features. Good lighting and angles can make a significant difference.
Virtual Tours: Offer virtual tours to give potential buyers a detailed view of your home. This can be especially useful for buyers who are unable to visit in person.
For marketing tips, visit Apartments For Rent in Dubai.
5. Staging Your Home
Staging your home can make it more appealing to potential buyers by highlighting its best features and creating an inviting atmosphere.
Decluttering: Remove personal items and excess furniture to create a clean and spacious look. Buyers should be able to envision themselves living in the space.
Neutral Decor: Use neutral colors and simple decor to appeal to a broader audience. Consider hiring a professional stager to enhance your home’s appeal.
For staging tips, visit sell house quickly.
6. Online Listings and Social Media
Online listings and social media are powerful tools for marketing your home to a wide audience.
Real Estate Websites: List your property on popular real estate websites with detailed descriptions and high-quality photos. Ensure your listing stands out with compelling headlines and accurate information.
Social Media Marketing: Use social media platforms like Facebook, Instagram, and Twitter to promote your listing. Share posts with attractive photos and virtual tours to generate interest.
For online marketing tips, visit Dubai Real Estate.
7. Hosting Open Houses
Open houses can attract multiple potential buyers and generate interest in your property.
Event Planning: Plan and promote your open house well in advance. Ensure your home is clean and well-staged for the event.
Engagement: Engage with visitors during the open house and provide detailed information about your home and the neighborhood. Collect contact information for follow-up.
For open house tips, visit Buy Luxury Property in UAE.
8. Leveraging Real Estate Agents
Working with a real estate agent can significantly enhance your marketing efforts.
Agent Network: Choose an agent with a strong network and a track record of successful sales. They can market your home to a wider audience and provide valuable insights.
Marketing Expertise: Real estate agents have access to marketing tools and platforms that can increase your property’s visibility. They can also help with pricing strategies and negotiations.
For agent recommendations, visit Mortgage Brokers UAE.
9. Utilizing Print Media
While digital marketing is crucial, print media can also play a role in attracting local buyers.
Flyers and Brochures: Create high-quality flyers and brochures with detailed information and attractive photos. Distribute them in your neighborhood and at local businesses.
Newspaper Ads: Consider placing ads in local newspapers to reach a broader audience. Highlight key features of your home and include contact information.
For print media tips, visit Apartments For Rent in Dubai.
10. Networking and Word of Mouth
Personal networks and word of mouth can be powerful tools in marketing your home.
Networking: Inform friends, family, and colleagues that your home is for sale. They might know potential buyers or spread the word within their networks.
Community Involvement: Participate in community events and engage with local groups. Building relationships can lead to valuable connections and potential buyers.
For networking tips, visit sell house quickly.
Conclusion
Effective marketing is essential for selling your house quickly. By combining digital and traditional marketing techniques, enhancing your home’s appeal, and leveraging professional expertise, you can attract more buyers and achieve a fast sale.For more information and assistance with selling your house in Dubai, visit Dubai Real Estate.
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Apple to EU: “Go fuck yourself”
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/02/06/spoil-the-bunch/#dma
There's a strain of anti-anti-monopolist that insists that they're not pro-monopoly – they're just realists who understand that global gigacorporations are too big to fail, too big to jail, and that governments can't hope to rein them in. Trying to regulate a tech giant, they say, is like trying to regulate the weather.
This ploy is cousins with Jay Rosen's idea of "savvying," defined as: "dismissing valid questions with the insider's, 'and this surprises you?'"
https://twitter.com/jayrosen_nyu/status/344825874362810369?lang=en
In both cases, an apologist for corruption masquerades as a pragmatist who understands the ways of the world, unlike you, a pathetic dreamer who foolishly hopes for a better world. In both cases, the apologist provides cover for corruption, painting it as an inevitability, not a choice. "Don't hate the player. Hate the game."
The reason this foolish nonsense flies is that we are living in an age of rampant corruption and utter impunity. Companies really do get away with both literal and figurative murder. Governments really do ignore horrible crimes by the rich and powerful, and fumble what rare, few enforcement efforts they assay.
Take the GDPR, Europe's landmark privacy law. The GDPR establishes strict limitations of data-collection and processing, and provides for brutal penalties for companies that violate its rules. The immediate impact of the GDPR was a mass-extinction event for Europe's data-brokerages and surveillance advertising companies, all of which were in obvious violation of the GDPR's rules.
But there was a curious pattern to GDPR enforcement: while smaller, EU-based companies were swiftly shuttered by its provisions, the US-based giants that conduct the most brazen, wide-ranging, illegal surveillance escaped unscathed for years and years, continuing to spy on Europeans.
One (erroneous) way to look at this is as a "compliance moat" story. In that story, GDPR requires a bunch of expensive systems that only gigantic companies like Facebook and Google can afford. These compliance costs are a "capital moat" – a way to exclude smaller companies from functioning in the market. Thus, the GDPR acted as an anticompetitive wrecking ball, clearing the field for the largest companies, who get to operate without having to contend with smaller companies nipping at their heels:
https://www.techdirt.com/2019/06/27/another-report-shows-gdpr-benefited-google-facebook-hurt-everyone-else/
This is wrong.
Oh, compliance moats are definitely real – think of the calls for AI companies to license their training data. AI companies can easily do this – they'll just buy training data from giant media companies – the very same companies that hope to use models to replace creative workers with algorithms. Create a new copyright over training data won't eliminate AI – it'll just confine AI to the largest, best capitalized companies, who will gladly provide tools to corporations hoping to fire their workforces:
https://pluralistic.net/2023/02/09/ai-monkeys-paw/#bullied-schoolkids
But just because some regulations can be compliance moats, that doesn't mean that all regulations are compliance moats. And just because some regulations are vigorously applied to small companies while leaving larger firms unscathed, it doesn't follow that the regulation in question is a compliance moat.
A harder look at what happened with the GDPR reveals a completely different dynamic at work. The reason the GDPR vaporized small surveillance companies and left the big companies untouched had nothing to do with compliance costs. The Big Tech companies don't comply with the GDPR – they just get away with violating the GDPR.
How do they get away with it? They fly Irish flags of convenience. Decades ago, Ireland started dabbling with offering tax-havens to the wealthy and mobile – they invented the duty-free store:
https://en.wikipedia.org/wiki/Duty-free_shop#1947%E2%80%931990:_duty_free_establishment
Capturing pennies from the wealthy by helping them avoid fortunes they owed in taxes elsewhere was terribly seductive. In the years that followed, Ireland began aggressively courting the wealthy on an industrial scale, offering corporations the chance to duck their obligations to their host countries by flying an Irish flag of convenience.
There are other countries who've tried this gambit – the "treasure islands" of the Caribbean, the English channel, and elsewhere – but Ireland is part of the EU. In the global competition to help the rich to get richer, Ireland had a killer advantage: access to the EU, the common market, and 500m affluent potential customers. The Caymans can hide your money for you, and there's a few super-luxe stores and art-galleries in George Town where you can spend it, but it's no Champs Elysees or Ku-Damm.
But when you're competing with other countries for the pennies of trillion-dollar tax-dodgers, any wins can be turned into a loss in an instant. After all, any corporation that is footloose enough to establish a Potemkin Headquarters in Dublin and fly the trídhathach can easily up sticks and open another Big Store HQ in some other haven that offers it a sweeter deal.
This has created a global race to the bottom among tax-havens to also serve as regulatory havens – and there's a made-in-the-EU version that sees Ireland, Malta, Cyprus and sometimes the Netherlands competing to see who can offer the most impunity for the worst crimes to the most awful corporations in the world.
And that's why Google and Facebook haven't been extinguished by the GDPR while their rivals were. It's not compliance moats – it's impunity. Once a corporation attains a certain scale, it has the excess capital to spend on phony relocations that let it hop from jurisdiction to jurisdiction, chasing the loosest slots on the strip. Ireland is a made town, where the cops are all on the take, and two thirds of the data commissioner's rulings are eventually overturned by the federal court:
https://www.iccl.ie/digital-data/iccl-2023-gdpr-report/
This is a problem among many federations, not just the EU. The US has its onshore-offshore tax- and regulation-havens (Delaware, South Dakota, Texas, etc), and so does Canada (Alberta), and some Swiss cantons are, frankly, batshit:
https://lenews.ch/2017/11/25/swiss-fact-some-swiss-women-had-to-wait-until-1991-to-vote/
None of this is to condemn federations outright. Federations are (potentially) good! But federalism has a vulnerability: the autonomy of the federated states means that they can be played against each other by national or transnational entities, like corporations. This doesn't mean that it's impossible to regulate powerful entities within a federation – but it means that federal regulation needs to account for the risk of jurisdiction-shopping.
Enter the Digital Markets Act, a new Big Tech specific law that, among other things, bans monopoly app stores and payment processing, through which companies like Apple and Google have levied a 30% tax on the entire app market, while arrogating to themselves the right to decide which software their customers may run on their own devices:
https://pluralistic.net/2023/06/07/curatorial-vig/#app-tax
Apple has responded to this regulation with a gesture of contempt so naked and broad that it beggars belief. As Proton describes, Apple's DMA plan is the very definition of malicious compliance:
https://proton.me/blog/apple-dma-compliance-plan-trap
Recall that the DMA is intended to curtail monopoly software distribution through app stores and mobile platforms' insistence on using their payment processors, whose fees are sky-high. The law is intended to extinguish developer agreements that ban software creators from informing customers that they can get a better deal by initiating payments elsewhere, or by getting a service through the web instead of via an app.
In response, Apple, has instituted a junk fee it calls the "Core Technology Fee": EUR0.50/install for every installation over 1m. As Proton writes, as apps grow more popular, using third-party payment systems will grow less attractive. Apple has offered discounts on its eye-watering payment processing fees to a mere 20% for the first payment and 13% for renewals. Compare this with the normal – and far, far too high – payment processing fees the rest of the industry charges, which run 2-5%. On top of all this, Apple has lied about these new discounted rates, hiding a 3% "processing" fee in its headline figures.
As Proton explains, paying 17% fees and EUR0.50 for each subscriber's renewal makes most software businesses into money-losers. The only way to keep them afloat is to use Apple's old, default payment system. That choice is made more attractive by Apple's inclusion of a "scare screen" that warns you that demons will rend your soul for all eternity if you try to use an alternative payment scheme.
Apple defends this scare screen by saying that it will protect users from the intrinsic unreliability of third-party processors, but as Proton points out, there are plenty of giant corporations who get to use their own payment processors with their iOS apps, because Apple decided they were too big to fuck with. Somehow, Apple can let its customers spend money Uber, McDonald's, Airbnb, Doordash and Amazon without terrorizing them about existential security risks – but not mom-and-pop software vendors or publishers who don't want to hand 30% of their income over to a three-trillion-dollar company.
Apple has also reserved the right to cancel any alternative app store and nuke it from Apple customers' devices without warning, reason or liability. Those app stores also have to post a one-million euro line of credit in order to be considered for iOS. Given these terms, it's obvious that no one is going to offer a third-party app store for iOS and if they did, no one would list their apps in it.
The fuckery goes on and on. If an app developer opts into third-party payments, they can't use Apple's payment processing too – so any users who are scared off by the scare screen have no way to pay the app's creators. And once an app creator opts into third party payments, they can never go back – the decision is permanent.
Apple also reserves the right to change all of these policies later, for the worse ("I am altering the deal. Pray I don't alter it further" -D. Vader). They have warned developers that they might change the API for reporting external sales and revoke developers' right to use alternative app stores at its discretion, with no penalties if that screws the developer.
Apple's contempt extends beyond app marketplaces. The DMA also obliges Apple to open its platform to third party browsers and browser engines. Every browser on iOS is actually just Safari wrapped in a cosmetic skin, because Apple bans third-party browser-engines:
https://pluralistic.net/2022/12/13/kitbashed/#app-store-tax
But, as Mozilla puts it, Apple's plan for this is "as painful as possible":
https://www.theverge.com/2024/1/26/24052067/mozilla-apple-ios-browser-rules-firefox
For one thing, Apple will only allow European customers to run alternative browser engines. That means that Firefox will have to "build and maintain two separate browser implementations — a burden Apple themselves will not have to bear."
(One wonders how Apple will treat Americans living in the EU, whose Apple accounts still have US billing addresses – these people will still be entitled to the browser choice that Apple is grudgingly extending to Europeans.)
All of this sends a strong signal that Apple is planning to run the same playbook with the DMA that Google and Facebook used on the GDPR: ignore the law, use lawyerly bullshit to chaff regulators, and hope that European federalism has sufficiently deep cracks that it can hide in them when the enforcers come to call.
But Apple is about to get a nasty shock. For one thing, the DMA allows wronged parties to start their search for justice in the European federal court system – bypassing the Irish regulators and courts. For another, there is a global movement to check corporate power, and because the tech companies do the same kinds of fuckery in every territory, regulators are able to collaborate across borders to take them down.
Take Apple's app store monopoly. The best reference on this is the report published by the UK Competition and Markets Authority's Digital Markets Unit:
https://assets.publishing.service.gov.uk/media/63f61bc0d3bf7f62e8c34a02/Mobile_Ecosystems_Final_Report_amended_2.pdf
The devastating case that the DMU report was key to crafting the DMA – but it also inspired a US law aimed at forcing app markets open:
https://www.congress.gov/bill/117th-congress/senate-bill/2710
And a Japanese enforcement action:
https://asia.nikkei.com/Business/Technology/Japan-to-crack-down-on-Apple-and-Google-app-store-monopolies
And action in South Korea:
https://www.reuters.com/technology/skorea-considers-505-mln-fine-against-google-apple-over-app-market-practices-2023-10-06/
These enforcers gather for annual meetings – I spoke at one in London, convened by the Competition and Markets Authority – where they compare notes, form coalitions, and plan strategy:
https://www.eventbrite.co.uk/e/cma-data-technology-and-analytics-conference-2022-registration-308678625077
This is where the savvying breaks down. Yes, Apple is big enough to run circles around Japan, or South Korea, or the UK. But when those countries join forces with the EU, the USA and other countries that are fed up to the eyeballs with Apple's bullshit, the company is in serious danger.
It's true that Apple has convinced a bunch of its customers that buying a phone from a multi-trillion-dollar corporation makes you a member of an oppressed religious minority:
https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones
Some of those self-avowed members of the "Cult of Mac" are willing to take the company's pronouncements at face value and will dutifully repeat Apple's claims to be "protecting" its customers. But even that credulity has its breaking point – Apple can only poison the well so many times before people stop drinking from it. Remember when the company announced a miraculous reversal to its war on right to repair, later revealed to be a bald-faced lie?
https://pluralistic.net/2023/09/22/vin-locking/#thought-differently
Or when Apple claimed to be protecting phone users' privacy, which was also a lie?
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
The savvy will see Apple lying (again) and say, "this surprises you?" No, it doesn't surprise me, but it pisses me off – and I'm not the only one, and Apple's insulting lies are getting less effective by the day.
Image: Alex Popovkin, Bahia, Brazil from Brazil (modified) https://commons.wikimedia.org/wiki/File:Annelid_worm,_Atlantic_forest,_northern_littoral_of_Bahia,_Brazil_%2816107326533%29.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
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Hubertl (modified) https://commons.wikimedia.org/wiki/File:2015-03-04_Elstar_%28apple%29_starting_putrefying_IMG_9761_bis_9772.jpg
CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0/deed.en
#pluralistic#apple#malicious compliance#dma#digital markets act#eu#european union#federalism#corporatism#monopolies#trustbusting#regulation#protonmail#junk fees#cult of mac#interoperability#browser wars#firefox#mozilla#webkit#browser engines
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Maximizing Conversion Rates: Turning Leads into Loyal Clients
Article by Jonathan Bomser | CEO | AccountSend.com
In the realm of B2B sales, the journey from leads to loyal clients is a captivating narrative that blends strategy, empathy, and innovation. Within this guide, we uncover seven indispensable strategies that hold the key to skyrocketing your conversion rates. Join us as we traverse the path from lead generation to nurturing steadfast client relationships, all while delving into the invaluable insights gleaned from AccountSend.
DOWNLOAD THE CONVERSION RATES INFOGRAPHIC HERE
Peering into the Soul of Your Leads
At the heart of conversion success lies a profound understanding of your leads. It's a journey that transcends data, inviting you to explore the depths of their business aspirations, challenges, and dreams. Guiding you through this exploration is the meticulously crafted B2B contact database. This treasure trove of insights empowers you to paint a vivid portrait of your leads, allowing you to craft personalized sales strategies that resonate deeply with their unique needs.
Crafting Connections Through Personalization
Your leads aren't just entries in a sales log; they are stories yearning to be heard. Personalization is your brush, your tool to craft connections that linger. By immersing yourself in their narratives, addressing their pain points, and acknowledging their aspirations, you pave the way for genuine connections. These personalized interactions transcend transactional exchanges, laying the foundation for enduring relationships built on trust and mutual understanding.
Navigating the Terrain with Account-Based Marketing
In the sea of possibilities, precision becomes your guiding light. Enter account-based marketing (ABM), your compass in this vast expanse. ABM directs your focus towards the accounts with the greatest potential. It's the art of resource allocation, shortening sales cycles, and elevating conversion rates. With ABM, your efforts become laser-focused, nurturing connections that promise lasting value.
Value as a Prelude to the Sale
Value doesn't wait for a deal to be struck; it's a prelude that sets the stage. Share insights, offer guidance, and provide resources aligned with your lead's goals. This pre-sale value isn't just a gesture; it's a declaration of intent. By offering a taste of the value that awaits, you create a fertile ground for a productive sales journey.
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Symphony of Follow-Up Strategy
A 'no' today is a 'not yet' in disguise. Enter the art of follow-up, your symphony of persistence. A well-designed follow-up strategy transforms initial rejection into eventual acceptance. A systematic approach ensures consistent touchpoints with your leads, maintaining your presence in their minds and eventually shifting hesitation into enthusiastic embrace.
Cultivating a Pristine Contact Canvas
In the digital era, a clean contact database is your foundation for success. Regular updates, purging outdated information, and ensuring accuracy are the pillars of a quality database. A pristine contact list enhances your outreach, elevating conversion rates by guaranteeing that your efforts hit the bullseye every time.
The Science of Measurement and Refinement
No journey towards excellence is complete without measuring the terrain. Continuously gauge your conversion rates and dissect the contributing factors. This analytical exploration becomes your guide to refining your lead generation and sales strategies. Let data illuminate your path, leading to informed decisions and perpetual enhancement.
Harmonizing Conversion Mastery
Elevating conversion rates is a symphony of strategic understanding, personalization, and value delivery. These seven strategies are the notes that compose this symphony, the keys to transforming leads into devoted clients. As you integrate these strategies into your sales narrative, witness the metamorphosis of your business into a realm where loyal clients fuel perpetual growth.
#B2B Contact Database#Lead Generation#B2B Sales#Business Owners Database#Verified B2B Emails#CEO Email Addresses#Sales Lea#businessgrowth#leadgeneration#accountsend#b2b#b2bleadgeneration#b2bsales#entrepreneurship#businesstips#sales#Youtube
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2023 art retrospective! ✨
I can't believe I'm writing one of these again already; where did this year go??
Looking back on this past year, wow! I can see and feel my confidence with my art growing tremendously. Finally it feels like I'm comfortable with tools and the process. I'm not totally lost when I open a canvas; there's a sense of reassurance that I can do it, and if I can't, I will figure it out along the way.
Overall, finding time, space, and energy for art proves to be both exceedingly difficult and yet the only thing that I want to do when I get home. I know logically this is mostly because of my job--new office, new boss, new responsibilities, new position--and a few huge life transitions, but when you're someone who makes things who is not making things, it can be rough seas in the brain soup.
I think a major theme for this year was getting back into creative habits. It's an annual tradition at this point to nosedive into an artist's block death spiral. February into March into April...were all lean months for my creativity. Intense job/interpersonal stuff plus news of two of my big art inspirations both suddenly dying...the world hit me hard in these months.
I owe a lot to Lynda Barry's Making Comics for giving me my spark back and for helping to heal a part of me that I didn't realize was so broken and bruised. I remember when I picked the book up around my birthday; the cashier said the book made her cry and I didn't understand. I asked why, and she said "It's just healing." I was skeptical, but now I get it. I've been observing more, giving more credence to my creativity, and being less afraid of making a "bad" drawing.
Now I've been focusing on creating portfolio pieces that I'm proud of and happy to display in my space, as well as finally getting around to my hoard of accumulated characters. I've been picking away at my personal site and uploading much more to toyhouse to keep track of them all.
The last month or so has been completely consumed by making gifts, meeting deadlines, finishing owed art, continuing special projects 👀...so I haven't had much of a presence here. I've been doing lots of traditional art--getting back into acrylic painting and hopefully back into oils soon. I started pine needle basket weaving and have made 2.25 baskets so far! it's a long, tedious, menial process, but it's so satisfying to have something physical (and functional) that you've worked on for hours. I've also been living in my sketchbook the past week--practicing with pens, markers, and practicing itself. I've been conditioned to have the sketchbook be a precious space, and I am trying my best to break out of that. If you want to see some of my traditional sketches and offline stuff, I made a little collage for this year's picks too. ↬ sketchbook 2023
I think for next year I'd like to continue finding better balances--in how I spend my time, how I can spend my time...and to continue pushing myself out of my comfort zone with experiments and messiness. I want to continue being creative in so many more mediums--more film photography and video, hopefully!
In my sketchbook I wrote this meandering paragraph that I want to share: this is a living document--of breath, of movement, not of polished stasis. I reject capitalistic notions of being "industrious" "beautiful" "marketable" "pristine" and on public display at all times. I am not a product to be consumed; neither is my work. I embrace the messy, the incomplete, and the ugly. I refuse to tailor myself to an unseen audience. We thirst for the drafts, the brushstrokes, the incomplete works of the famous. Is this because, in our minds, this makes them more human? Less untouchably great? Or do we see ourselves in the struggles and not in the finished pieces? How charitable is that reading? What I would give to see my inspirations' marker streaks, their 12yo sparkledogs. Framing these byproducts--there's that word again--as art reframes them, reframes myself. To be human is to mark-make, to scribble in the dirt. I hear they reconstruct civilizations from stuff like that.
All my best to you & yours, and happy new year!
art featured: garden ghost | Vagabonds - Aqua Fria River | 6040 elk? | i'll still be around | blue sky | umm hihihi omg hi ...? | porcelain | nothing to remember | Lacquer | river bed-time
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