#PRABHA
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More pre-partition posters, yet again
#Manorama#Koel#Prem Nagar#Grammophone Singer#Bibbo#Surendra#Meetha Zahar#Badnami#Asha Poslay#Asha Posley#Ladies Only#Sabita Devi#Bollywood#Old Bollywood#Punjabi cinema#Punjabi movies#Prabha#Vintage Bollywood
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"All We Imagine as Light" de Payal Kapadia avec Kani Kusruti, Divya Prabha, Chhaya Kadam et Hridhu Haroon, octobre 2024.
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Kalki 2898 AD Global Box Office Collection Day 20: Prabhas's epic sci-fi indomitable at box office, grosses ₹ 960.40 Cr globally, the overseas gross breaches $31 Million!
Kalki 2898 AD Global Box Office Collection Day 20: Nag Ashwin directed and co-wrote the first installment of the Kalki Cinematic Universe, “Kalki 2898 AD.” Invincible at box office, within 20 days the film has grossed a mammoth ₹ 960.40 Cr globally. On the other hand, at the domestic box office, it has reached the ₹ 589.80 Cr net mark. The film accumulated ₹ 584.70 Cr net in the last 19 days in…
#Amitabh Bachchan#Box office 2024#Deepika Padukone#Global Box Office Collection Day 20#HIndi#Kalki 2898 AD#Prabha
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#youtube#amazing facts#random facts#trending#telugu#tollywood#latest tollywood news#tollwoodnews#prabha#google trends#trending news#trendingtopics#trends#trendingnow#make this go viral#viralpost#viral trends#viral video#viral#viral page
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సరికొత్త చరిత్ర సృష్టించిన ప్రభాస్ | Prabhas Adipurush Creat New Records...
#youtube#prabha#adipurush#adipurush trailer#adipurushteaser#adipurutrailer#kritisanon#omraout#adipurushsongs
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If it was platonic why was Deva's hand aching to touch Varadha's as soon as he put his hand on Deva's thigh?
If it was platonic why was deva's arm readily hanging waiting to hold onto Varadha’s body?
If it was platonic why was Deva running his hand along Varadha's arm and squeezed his elbow?
If it was platonic why was Deva's instinct to run his fingers through Varadha's hair?
If it was platonic why did he put his hand on Varadha's chest and softly pat it in soothing manner?
If it was platonic.......but it never was, wasn't it? because they always have been in love.
#salaar#varadha rajamannar#varadeva#devaratha raisaar#prabhas#prithviraj sukumaran#Varadha keeps moving around finding the best position to sleep on Deva’s lap#and yet Deva never fails trying to put his hand on him#like even since the beginning his hand keep trying to adjust to his movements#he’s not hesitating#he didn’t wait till Varadha completely still on his lap#but the moment Varadha initiated the touch he was so eager to reciprocate ten folds#deva having the prettiest longest fingers like gosh look at those slender beauties#think about how softly he would hold Varadha with those hands
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PRABHAS & PRITHVIRAJ SUKUMARAN in SALAAR: PART 1 - CEASEFIRE (2023)
#filmedit#movieedit#tollywoodedit#filmgifs#dailytvfilmgifs#dailyflicks#cinematv#userfilm#tvandfilm#moviegifs#telugu cinema#tollywood#bollywoodedit#prabhas#prithviraj sukumaran#salaar#*#roedits#twblood#listen im so [redacted]#lets leave it at that#q
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THE HOT MEDIEVAL & FANTASY MEN MELEE
QUALIFYING ROUND: 46th Tilt
Amarendra Baahubali, Baahubali Series (2015-2017) VS. Prince Oberyn Martell, Game of Thrones (2011-2019)
Propaganda
Amarendra Baahubali, Baahubali Series (2015-2017) Portrayed by: Prabhas
No Text Propaganda Submitted
Prince Oberyn Martell, Game of Thrones (2011-2019) Portrayed by: Pedro Pascal
“I mean it's Pedro Pascal. But also, we stan a respectful king (of our hearts). The ONLY GoT man with rights. Has only daughters but made sure they got an education! Hot, bi and ready to kill people, fiercely loyal, passionate and REALLY HOT. Would live in Dorne eating fruit with him 10/10 no notes.���
Additional Propaganda Under the Cut
Additional Propaganda
For Amarendra Baahubali:
No Additional Propaganda Submitted
For Oberyn Martell:
#medieval hotties qualifiers#amarendra baahubali#oberyn martell#prince oberyn#baahubali#game of thrones#prabhas#pedro pascal#fuck that medieval man
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Me if Prabhas, Charan, Prithviraj, Tarak, SS Rajamoli sir and Prashant Neel sir basically every South Indian star found out our Tumblr Blog:-
@mayakimayahai @mahi-wayy @ranisingsnew @ulaganayagi @maraudersbitchesassemble @ek-ladki-bheegi-bhagi-si
#prabhas#devaratha raisaar#salaar#ram charan#varadharaj mannar#prithviraj sukumaran#varadeva#varadha#shrey's rants#thalapathy vijay#tarak
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deva: a weapon.
the movie does everything to show us that deva holds no agency over himself or his actions and that he has no ambition whatsoever.
his main trait is loyalty, and this is emphasized again and again.
• he is enraged at the mistreatment of aadhya, but where an actual 'hero' would save her, disregarding any rules or conditions – he remains bound by his mother's words.
• he is a weapon in the hands of anybody he gives his loyalty to, and throughout the movie, all of his actions aren't really credited to him, but to the person he commits these acts for/with permission of:
1. in the first scene, we see both deva and varadha, without hesitation, understand that deva has to complete the task for varadha's honor
2. it's evident, when bilal tells aadhya, that the only person who can keep her safe is 'amma' (because it is true, only deva's mother can allow deva to help)
3. when we are first introduced to deva, it is through his mother describing him as a "blood-shedding weapon"
4. when varadha comes to ask deva to accompany him, the narration doesn't feel accurate. varadha has barely voiced his request for deva to go with him – it is actually deva who wants to protect him after seeing his condition, but the narration is: "on one hand varadha had decided to take deva, no matter what, and on the other hand, his mother would not allow him to go" further emphasizing that deva is comparable to an object between the only two people who 'own' him
5. in the first action sequence, after his mother releases him from the promise he made to her, we have this shot:
framing deva's mother as if it is her who is responsible for that first blow
6. even after she has given him agency over himself, he still follows his mother's orders, not bothering to put any energy into what he thinks is the correct thing to do
7. we also see this when radha rama blames varadha for vishnu's death and has to be reminded that – no. it was the new guy who dealt the blow.
8. and again, when naarang heads in varadha's direction, completely disregarding deva and all of deva's attempts to provoke him, even though deva is the one who killed vishnu
it's an interesting way of depicting his personality – the movie equates him to a weapon at every turn, either metaphorically or though dialogue
which also makes it extremely significant, that the ONLY TIME deva has ever acted on his own (according to what we know) is when he: 1. went against his mother: to make a promise to varadha instead 2. did not follow varadha's explicit instructions: and pleaded with naarang to leave varadha alone
deva only breaks free from the narrative for varadha – which really speaks about varadha's importance and the power that varadha holds over deva.
#first point can alternatively be understood as: varadha honor IS deva's to protect#deva: a weapon to be wielded by those he gives himself to#character analysis#devaratha raisaar#salaar#prabhas#varadeva
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GUYSSS LOOK EHAT I FOUND ON TIKTOK
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@mahi-wayy @myvarya @sada-siva-sanyaasi @rambheem-is-real @sada-siva-sanyaasi @ahamasmiyodhah @miladysproblems <3
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it’s 6am and im drowning in varadeva thoughts!
prashanth neel really created 2 stalwart hulks w the physical dexterity to turn all of khansaar crimson red, while simultaneously building them to have the SOFTEST heart for each other!
they meet after 25 long years, and require no acclimation WHATSOEVER before displaying physical affection towards each other! not a moment of awkwardness. they melt and shrink w each other without any hesitation. tol big men soo smol 🥺 so attuned to each other’s bodies (!!despite the physical distance that stretched for more than 2 decades!!)
idk man but it’s fr refreshing to see two big men, carrying the capacity for such extreme violence, also embrace each other so intimately and be so vulnerable w each other!
they do not feel any pressure to give in to the macho-man-lacking-emotions persona bc they simply do not give a fuck! they feel a lot and their feelings towards each other are far greater than any possible need to push out an image of a tough, ruthless interior. they missed each other, and everyone will have to endure that!
just boyfriends always caring for each other. varadha looking out to ensure his man has his chili powder (to be loved is to be seen!! bc you remembered that detail for 25 years?) deva making space for him to lay his head, CARESSING him, making sure he’s taken care of in such a vulnerable drunken state, remaining by his side through the night 🥹🥹 he would jump in and fight off the nightmares for varadha if he could!
these are all !!open!! declarations of love, your honor! and my men don’t shy away from it either. they love each other and they will make it everyone’s problem (cue the flashback to narang’s beheading for being audacious enough to touch deva’s varadha in his presence)
#salaar#i should be sleeping#but these two are robbing me of my sleep#no fragile masculinity in sight#varadeva#prabhas#prithviraj sukumaran#varadha rajamannar#devaratha raisaar
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Kalki 2898AD Release Trailer - Bhairava Character Analysis!
There are many theories circulating about Bhairava's character and its importance in the movie. Here's my two cents regarding this. And to be honest, it isn't entirely my views too. It's what we came up when discussing in the Varadeva Discord Server.
First of all, there's a huge chance that Deepika's baby is red herring and Bhairava is the real Kalki. Ashwathama will realise this at the end of the movie and change his stance.
But my favourite theory is Bhairava being Lord Shiva. When Bhairava called himself the 'living legend in Kashi' in the Bujji & Bhairava series, it kind of stuck with me. Who's more legendary than Lord Shiva in Kashi? And the story goes that Shiva gave Kalki the divine weapon, the all-knowing talking parrot and the white horse. Bhairava have all the three; we saw the weapon in the first promo and Bujji's brain and body are the talking parrot and white horse equivalent. if Bhairava is Shiva, he's actually protecting the baby while pretending to hunt him for the Complex as well as testing Ashwathama's determination for redemption. In Mahabharata, Ashwathama was born after Dronacharya performed several years of severe penance to please Shiva as he wanted a son who possessed the strength and bravery of Shiva. So, it would make sense that Shiva aids him in his journey of redemption.
What if Bhairava is neither Kalki nor Shiva? Then what is his character doing in the movie?
"Despite the endless opportunities spanning over the generations, man fails to redeem himself and he never will."
I think this quote by Kamal Haasan's character, Kali is the key to Bhairava's significance in the movie, if he is not the titular character 'Kalki'.
There are many worlds in Hinduism, but our Puranas predominantly talk about the Swarga (abode of Devas), Prithvi (abode of humans) and Patal (abode of demons). There are also three worlds in the film: Complex, Shambala and Kashi. Unlike Puranas, where there were three races inhabiting the three worlds, in the film, the three worlds are inhabited by the humans only.
The Complex is the place where God is banned. They treat Supreme Yaskin as the God. They have conquered the world and taken all the resources for themselves. In appearance, the Complex gives the illusion of Swarga, but it actually embodies the demonic qualities of Patal.
Shambala is the place where they still believe in God and hope for his return to save them. They fight the Complex and their unjust actions. They are safe haven for anyone who wants to escape the hold of the Complex. In appearance, they are an underground society (Patal), but they are actually the forces of righteousness in the desolate world, fighting on the side of God and thus symbolises Devas of Swarga.
Then there is Kashi, the last surviving city. They are neutral. They are neither the evil conqueror nor the righteous warriors. They are humans who are trying to survive in an unfair world. They are not on anyone's side, but their own side. They represent the humans of Prithvi.
"In this world, there's only one side to be on. Your own side."
Bhairava and the bounty hunters of Kashi are the representation of the man in Kali's quote. They embody the qualities of selfishness, greed, and going to any extent to accomplish their goals, without caring about the consequences of their actions.
To be fair, Bhairava isn't doing anything wrong. He's trying to survive in a world which has lost all hopes. But he's so caught up in this mode of survival that he can't recognise this new hope for a better tomorrow, that Ashwathama and the people of Shambala are seeing in Sumati and her baby. All he sees the 5-star bounty that is his one shot at entering the Complex. He's not realising that he's fighting for the wrong side, that he's fighting to keep the old hierarchies intact that had made this world a hopeless place for him and others like him in the first place. He's helping the people who are the cause of all his problems under the illusion of becoming one of them.
Bhairava represents the man who is given numerous chances by the God, but he's so trapped in the Maya (worldly illusion) that he fails to recognise him and hence, is forever doomed to be trapped in the cycle of suffering.
Will Bhairava recognise the truth before it's too late? Or he will handover Sumati over to the Complex?
Bhairava's action would decide if the world is worth saving or not. If God should keep his promise and take birth to save all the humans? Or he should just let the humans rot in the hell, they have turned the Earth into.
The movie is not just about Ashwathama's redemption, but also the redemption of the mankind, represented by Bhairava.
As Kali said, humans have given numerous opportunities by the God to redeem themselves, but they have failed each time. Like Duryodhana failed when he refused to give even five villages to Pandavas, when Krishna asked, leading to his defeat in the Mahabharata war. Maybe that's why Ashwathama is having flashbacks of Mahabharata when fighting with Bhairava. He is seeing his past self in him. When he went against the Lord himself, blinded by his ambition and loyalty for Duryodhana.
Humanity is given another chance. Kali is sure we will fail this time too. It's up to Bhairava now, if humans fail again or they finally succeed in redeeming themselves this time.
#kalki2898ad#prabhas#deepika padukone#amitabh bachchan#kamal haasan#nag ashwin#bujji#bhairava#desiblr#desi tumblr#indian cinema#telugu movies
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Kalki 2898AD🛐🛐🛐🛐🛐🛐
Where are those people who called this cheap copy of dune and madmaxfury? Hope you guys are fine
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