#PEDICO

[jackredfieldwasmyjacob]

i just came across my new least favourite word, the latin verb glubo , which unfortunately means 'to masturbate'

[tower-of-hana]

The Rest of My Translation of (some of) Martial's Epigrams

I posted about a part of this translation project and got a lot of replies from sexbots which I thought was funny so here's the rest:

Keep in mind that this was a project that I did for school so please manage your expectations and be nice

2.47 

Subdola famosae moneo fuge retia moechae,

Levior o conchis, Galle, Cytheriacis.

Confidis natibus? non est pedico maritus:

Quae faciat duo sunt: irrumat aut futuit. adultress

I warn you, stay away from the deceitful loose woman, flee from the notorious net of the adultress,

Smoother oh Gallus, than Venus' conch shells 

Do you believe in your butt? He is not a married sodomite: 

What he does are two things: he sucks or he has sex.

7.35

Inguina succinctus nigra tibi servos aluta

Stat, quotiens calidis tota foveris aquis.

Sed meus, ut de me taceam, Laecania, servos

Iudaeum nuda sub cute pondus habet,

Sed nudi tecum iuvenesque senesque lavantur.

An sola est servi mentula vera tui?

Ecquid femineos sequeris, matrona, recessus,

Secretusque tua, cunne, lavaris aqua?

Do the groins of the slaves, tucked up by black leather, become erect for you,

as often as you refreshed yourself in the water?

But my Daughter, to shut up about myself, Laecania, The slaves have the burden of the Jews under their naked skin, 

but young men and old men bathe naked with you.

Or is slave dick alone your truth?

Maybe the wife attained a woman’s retreat,

And your secret, cunt: do you wash in the water?

3.87

Narrat te, Chione, rumor numquam esse fututam

Atque nihil cunno purius esse tuo.

Tecta tamen non hac, qua debes, parte lavaris:

Si pudor est, transfer subligar in faciem.

Rumor tells me, Chionos, that you will never have sex 

And that nothing is purer than your vulva 

However this is not the part you should hide when you bathe:

If you have any shame, move your underwear to your face

3.52

Empta domus fuerat tibi, Tongiliane, ducentis:

Abstulit hanc nimium casus in urbe frequens.

Conlatum est deciens. Rogo, non potes ipse videri

Incendisse tuam, Tongiliane, domum?

You bought this house for 200 Tongilianus: 

 A common accident in this city stole it from you.

You collected 10 times its value. 

Was it not possible, I ask,

that you burned your own house down?

3.43

Mentiris iuvenem tinctis, Laetine, capillis,

Tam subito corvus, qui modo cycnus eras.

Non omnes fallis; scit te Proserpina canum:

Personam capiti detrahet illa tuo.

You fabricate youth with your dyed hair Laetinus,

nevertheless suddenly you are a raven, when just recently you were a swan.

Not everyone is deceived, Proserpina knows that you are gray:

She will remove the mask from your head.

5.9

Languebam: sed tu comitatus protinus ad me Venisti centum, Symmache, discipulis. Centum me tetigere manus aquilone gelatae: Non habui febrem, Symmache, nunc habeo.

I felt sick, and Symmachus, you came straight to me with 100 students.

100 hands frozen by the North Wind touched me:

I did not have a fever, Symmachus, but now I do.

3.89

Utere lactucis et mollibus utere malvis:

Nam faciem durum, Phoebe, cacantis habes.

Enjoy lettuce and soft lesser mallow-plant:

For you, Phoebus, have a constipated face.

4.87

Infantem secum semper tua Bassa, Fabulle,

Conlocat et lusus deliciasque vocat,

Et, quo mireris magis, infantaria non est.

Ergo quid in causa est? Pedere Bassa solet.

Your wife Bassa always has a child with her, Fabullus, which she calls her darling and delight,

And so that you have more reason for wonder, she is not a good mother.

Therefore why does she do it? Because she farts a lot.  

6.36

Mentula tam magna est, quantus tibi, Papyle, nasus,

Ut possis, quotiens arrigis, olfacere.

Your penis and nose are so big, Papyle, 

that you can smell it when you have an erection.

1.19

Si memini, fuerant tibi quattuor, Aelia, dentes:               

expulit una duos tussis et una duos.

iam secura potes totis tussire diebus:

nil istic quod agat tertia tussis habet.  

If I remember, you had four teeth Aelia:

One cough expelled two and another expelled two more.

Already safe, you are able to cough every day:

The third cough has no effect in this situation.

1.23

Invitas nullum nisi cum quo, Cotta, lavaris

et dant convivam balnea sola tibi

Mirabar quare numquam me, Cotta, vocasses:

iam scio me nudum displicuisse tibi.  

You invite nobody except those whom you bathe with, Cotta,

And only baths give guests to you

I used to be amazed you never invited me, Cotta:

Now I know you did not like to see me naked.

2.30

Mutua viginti sestertia forte rogabam,

quae vel donanti non grave munus erat.

quippe rogabatur fidusque vetusque sodalis

et cuius laxas arca flagellat opes.

is mihi ‘dives eris, si causas egeris’ inquit.

quod peto da, Gai: non peto consilium.  

By chance I asked for a loan of 20 Sestertii. 

That is not even a large obligation, 

As I was asking a loyal and old friend who can whip up vast wealth.

He said “you would be rich if you took cases”.

Give me what I ask for, Gaius: I did not ask for advice. 

1.38

Quem recitas meus est, o Fidentine, libellus

sed male cum recitas, incipit esse tuus. 

The little book which you recite from is mine, oh Fidentinus,

But when you recite it badly it begins to be yours.

1.58

Milia pro puero centum me mango poposcit:

risi ego, sed Phoebus protinus illa dedit.

hoc dolet et queritur de me mea mentula secum

laudatur meam Phoebus in invidiam.

sed sesteriolum donavit mentula Phoebo

bis decies: hoc da tu mihi, pluris emam.  

A slave dealer asked me to pay 100,000 for a boy:

I smiled but Phoebus paid him immediately.

This hurt my penis and it complains to itself about me,

And Phoebus is praised, which makes me jealous.  

But his penis gave a silver coin to Phoebus 20 times:

Do this for me and I will buy more.

1.83

Os et labra tibi lingit, Manneia, catellus:

non miror, merdas si libet esse cani.  

The puppy licks face and lips Manneia.

I am not surprised, since your dog likes to eat shit.

2.16

Zoilus aegrotat: faciunt hanc stragula febrem.

si fuerit sanus, coccina quid facient?

quid torus a Nilo, quid Sidone tinctus olenti?

ostendit stultas quid nisi morbus opes?  

Quid tibi cum medicis? dimitte Machaonas omnis.

vis fieri sanus? stragula sume mea.

Zolius is sick: the bedsheets cause his cold.

If he was healthy, how would he use his scarlet covers?

Why is his bed from the Nile, soaked with Phonetian perfumes?

What shows stupid wealth, if not sickness?

What business do you have with doctors? Send away all the doctors.

Want to get better? Borrow my bedsheets.

[giancarlonicoli]

22 set 2023 11:16

SALUTI ROMANI - PAOLO ROMANI PATTEGGIA UNA CONDANNA A DUE ANNI (CON PENA SOSPESA) PER I FONDI SOTTRATTI A FORZA ITALIA QUANDO ERA A CAPO DEL GRUPPO PARLAMENTARE - ALL'EX MINISTRO DELLO SVILUPPO ECONOMICO CONFISCATI 345MILA EURO, SOMMA CHE ERA STATA SEQUESTRATA DALLA GUARDIA DI FINANZA - L’ALTRA CONDANNA PER PECULATO PER AVER DATO IL TELEFONINO DI SERVIZIO ALLA FIGLIA, QUANDO ERA ASSESSORE AL COMUNE DI MONZA… -

Estratto dell’articolo di Federico Berni per www.corriere.it

Due anni (pena sospesa) per il reato di peculato. L’ex senatore Paolo Romani, già ministro dello Sviluppo Economico tra il 2010 e il 2011 all’epoca del quarto governo di Silvio Berlusconi, […] ha chiuso con il patteggiamento la vicenda che lo vedeva accusato di peculato per aver sottratto dalle casse di Forza Italia, quando era a capo del gruppo parlamentare, una cifra pari a quasi 350mila euro, assieme al complice Domenico Pedico, imprenditore, che ha patteggiato un anno e nove mesi.

Un'indagine partita da alcune segnalazioni per operazioni sospette sui conti del partito, ed emersa a luglio 2022, quando il politico lombardo, interrogato dagli inquirenti, si era avvalso della facoltà di non rispondere. In quella dichiarazione aveva reso, tuttavia, dichiarazioni spontanee nelle quali aveva parlato di «assoluta buonafede» nella movimentazione dei fondi, che sarebbero serviti per anticipare spese a seguito del Patto del Nazareno del 2013.

La sentenza pronunciata giovedì 21 settembre dal gup Silvia Pansini prevede anche la confisca della somma di 345mila euro che era stata sequestrata dalla Guardia di Finanza. Romani ha dunque scelto il patteggiamento, in continuazione con un’altra condanna, ancora per peculato, per aver dato il suo telefonino di servizio alla figlia, quando ricopriva l’incarico di assessore all’Urbanistica al comune di Monza.

[volumina-vetustiora]

I guess I should finish it then:

ut res verae maneant eum in solo pedico.

uxor eius domum textilibus xylinis variis coloribus impressis implevit.

[skorshy-blog]

Look out for that "Pedico" ! Vid coming soon ! Go cop that #Chedda - Single by Wreckit Ralf on Apple Music. https://itun.es/us/_t_Sdb<br>  : Www.tunevibe.com/producers/skorshy/ #fortherecord#february#music#skopro#alien#edm#pedico#zen#yeek#ocf#SMG#trap#world#live#23#tatted#hiphop#legends#skorsh#hd#hs#studio#effen#love#skgotbeats#musicbeast

[pietroguerravideo]

Il senatore Paolo Romani indagato a Monza: «Sottratti 350 mila euro dai conti di FI»

Il senatore Paolo Romani indagato a Monza: «Sottratti 350 mila euro dai conti di FI»

L’accusa è di peculato. Il senatore di «Cambiamo!» avrebbe svolto operazioni illecite ai danni del suo ex partito, in collaborazione con l’imprenditore Domenico Pedico, anche lui indagato source

[louismontielt]

A Glitch "Pedico Graeca (ελληνικά) ~ Ètude II” This art piece created for my PhD and Research about "Artistic Practices, Digital Art in Social Networks & Net Art" used techniques diversity artistic, re-mixed apropiation of video or image and original work from called data-moshing, generative art and glitch art, artwork which remove image's & video i-frames (also known as key frames and altered binary code) causing it to look extremely senses and distorted; created for virtual gallery on-line. by ™℗®© Louis M o n t i e l ~ FOLLOW ME ~ Instagram ~ louismontielt Facebook ~ Louis Montiel YouTube ~ Louis M o n t i e l #visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #datamoshing #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #pixelsortingeffect (at Paris, France) https://www.instagram.com/p/CEXDCavnDdg/?igshid=169merr1strea

[delhi-architect2]

ArchDaily - Pedico Shop / murmuur architecten + Robbrecht & Daem architecten

© Filip Dujardin

architects: Robbrecht & Daem architecten

architects: murmuur architecten

Location: 2440 Geel, Belgium

Project Year: 2014

Photographs: Filip Dujardin

Area: 2327.0 m2

Read more »

from ArchDaily https://www.archdaily.com/942750/pedico-shop-murmuur-architecten-plus-robbrecht-and-daem-architecten Originally published on ARCHDAILY RSS Feed: https://www.archdaily.com/

[barneycblog]

Reflections on the “F” Word

While I disapprove of the word’s overuse and find it annoying much of the time, it remains one of the more interesting monosyllabic expletives in the English language for a variety of reasons. Just by its sound it can describe, pain, pleasure, hate and love. In language it can function as many parts of speech: a verb both transitive and intransitive; a gerund; a noun or pronoun; an adjective; an adverb; and an interjection. It’s a versatile word from a grammatical perspective and one that can describe with pointed emphasis a wide range of emotions, feelings, states of being and circumstances as these examples found on the web will attest:

• Ignorance: Fucked if I know. • Trouble: I guess I’m fucked now! • Fraud: I got fucked at the used car lot. • Aggression: Fuck you! • Displeasure: What the fuck is going on here? • Difficulty: I can't understand this fucking job. • Incompetence: He‘s a fuck-off. • Suspicion: What the fuck are you doing? • Enjoyment: I had a fucking good time. • Request: Get the fuck out of here. • Hostility: I'm going to knock your fucking head off. • Greeting: How the fuck are you? • Apathy: Who gives a fuck? • Innovation: Get a bigger fucking hammer. • Surprise: Fuck! You scared the shit out of me! • Anxiety: Today is really fucked.

Roots Linguisticians really have no clear idea where the word comes from. A few myths and folk etymologies have sprung up in the absence of a definite origin. The most common derive it from “fornication under consent of the king” or “for unlawful carnal knowledge,” and as with almost every other etymology based on an acronym, neither is true.

In English, swear words tend to have Germanic, rather than Latin etymology. We know where “shit” comes from—no pun intended. It has a Germanic root with obvious connections to words in other languages: Dutch schijt, German Scheiße, Swedish skit. It also shows up in Old English, as the verb scittan. The experts can trace a clear, linear etymology for it. Alas, the same can’t be said for “fuck,” although the search for its roots makes for an interesting etymological expedition.

It may be a native English word, from a Proto-Germanic verb along the lines of fukkon, which could in turn be from the Proto Indo European root pewg-, meaning “to jab” or “to hit”. Under this etymology, its origins are as clear as shit’s. But this explanation may rest more on speculation than fact.

Germanic words of similar form (f + vowel + consonant) and meaning ”copulate” are many. One of them is ficken. They often have additional senses, especially 'cheat,' but their basic meaning is 'move back and forth.' Most probably, fuck is a borrowing from Low German and has no cognates outside Germanic.

Early records of “fuck” are chiefly from Britain’s north, especially Scotland, so it may have begun as a northerner’s verb. Not all, but many of the words that exist primarily in Scotland and northern England, for example, bairn, gang, aye, kirk, etc., are from Old Norse. The Viking invasions left their impact on English as a whole, but especially in northern Britain where their settlements were concentrated. (Even today residents of North Britain use words and speak in accents that betray their Norse roots and mystify Americans and their English cousins to the south.)

Swedish fokka (“copulate”) and Norwegian fukka (“copulate, strike, push”) are now only dialectal terms, but given that they both mean “fuck” and are apparently related, they may go back to an unattested Old Norse verb. If this etymology is to be believed, then the Old Norse version of fukka came to Scotland first, before dispersing to the rest of the English-speaking world.

Another theory traces the Modern English verb to Middle English fyke, fike ("move restlessly, fidget") which also meant "dally, flirt," and probably is from a general North Sea Germanic word (compare Middle Dutch fokken, and German ficken). This would parallel in sense the vulgar Middle English term for "have sexual intercourse," swive, from Old English swifan "to move lightly over, sweep.” But the OED remarks that these "cannot be shown to be related" to the English word. (As an aside, the Old English verb for "have sexual intercourse with" was hæman, from ham "dwelling, home," with a sense of "take home, co-habit.")

Speaking of the original Oxford English Dictionary, its editors omitted as taboo the “F” word when the "F" entries were compiled between 1893 and 1897. Dr. Johnson also had excluded the word, and “fuck” wasn't in a single English language dictionary from 1795 to 1965. The Penguin Dictionary broke the taboo in the latter year. Houghton Mifflin followed in 1969 with The American Heritage Dictionary, but it also published a “clean” edition without the word, to assure itself access to the public high school market.

The written form of the word is attested from at least the early 16th Century although the verb form appears to have been found in an English court manuscript from 1310. The second edition of the OED cites 1503, in the form fukkit, and the earliest attested appearance of the current spelling is 1535 in Sir David Lyndesay’s Ane Satyre of the Thrie Estaits: "Bischops ... may fuck thair fill and be vnmaryit.” Apparently sex scandals in the Church were prevalent even then.

As an aside, “flying fuck” originally meant "sex had on horseback" and is first attested circa 1800 in a broadside ballad called New Feats of Horsemanship.

Censorship “Fuck” was outlawed in print in England by the Obscene Publications Act of 1857, and in the U.S. by the Comstock Act of 1873. The legal barriers against use in print broke down the mid-20th Century with the "Ulysses" decision (U.S., 1933) and "Lady Chatterley's Lover" (U.S., 1959; U.K., 1960).

In 1948, the publishers of The Naked and the Dead persuaded author Norman Mailer to use the euphemism “fug.” When Mailer later was introduced to Dorothy Parker, she greeted him with, "So you're the man who can't spell 'fuck'." (The quip is sometimes attributed to Tallulah Bankhead.) The major breakthrough in publication was James Jones' From Here to Eternity (1950), with 50 fucks (down from 258 in the original manuscript).

In a 1972 monologue, the late comedian George Carlin famously listed the "Seven words you can never say on television," to wit, shit, piss, fuck, cunt, cocksucker, motherfucker, and tits.

At the time, the words were considered inappropriate for broadcast on the public airwaves in the United States, whether radio or television; and most of the words on Carlin's original list remain taboo on American broadcast television but are heard with astonishing regularity on unregulated cable as an evening watching HBO will demonstrate. But words forbidden to polite society didn’t originate with Carlin; the ancient Romans had ten words that were considered taboo (and therefore used regularly): cunnus, futuo, mentula, verpa, landica, culus, pedico, caco, fello and irrumo. I’ll let the reader translate those words for which the English equivalent isn’t obvious.

At the Movies 1939’s Gone with the Wind ends with these memorable lines:

Scarlett: Where shall I go? What shall I do? Rhett: Frankly my dear, I don’t’ give a damn.

What today is hardly regarded as even a mildly profane expression caused a sensation in the USA in 1939. Sixty-six years later the iconic quotation was voted the number one movie line of all time by the American Film Institute.

The word “damn” had been prohibited by the 1930 Motion Picture Association’s Production Code (aka, the Will Hayes Office), drawn up as the country was in the grips of prohibition and a fiery debate about declining moral standards which social critics attributed in no small measure to the alleged excesses of the Hollywood dream machine and the immoral behavior of the people who starred in its films.

Against this backdrop, producer David O. Selznick and story editor Val Lewton worked hard to keep the movie close to the book. Of the word “damn” Selznik told the Hayes censors, "It is my contention that this word as used in the picture is not an oath or a curse. The worst that could be said of it is that it’s a vulgarism." In the end, the film got special dispensation to use "damn" and "hell" in specific situations.

But before they got the OK, Selznick and Lewton solicited alternate endings. They came up with 20, more or less, among them:

Frankly my dear, I don’t’ give a straw. Frankly my dear, I don’t’ give a hoot. You can go to the devil for all I care. My indifference is boundless.

The Hollywood Production Code was adopted by the film industry to counter efforts to establish government censorship of cinema in 1930, although it was not seriously enforced until 1934 and continued in effect until 1965 when it was replaced by the current ratings system.

During Hollywood’s golden age, producers, writers and directors came up with a bag of tricks designed to do an end run around the censors whom they regarded as overly zealous, excessively self-righteous and conspicuously dumb. One technique was to write witty, sharp-edged dialogue replete with double entendres and a heavy dose sexual innuendo.  

One such example comes from the 1946 film noire The Big Sleep, a mostly inscrutable piece of detective fiction penned by Raymond Chandler. The principals, Vivian Rutledge (Lauren Bacall) and Philip Marlow (Humphrey Bogart), engage in a famous, slyly flirtatious, sexy horse-race conversation scripted by an uncredited Julius Epstein. At one point, she rates him as a potential lover, using a horse analogy to talk in a veiled way about her feelings toward men and sex. The dialogue is outrageously suggestive without using a single off color word:

Vivian: Tell me: What do you usually do when you're not working? Marlowe: Oh, play the horses, fool around. Vivian: No women? Marlowe: I'm generally working on something, most of the time. Vivian: Could that be stretched to include me? Marlowe: Well I like you. I've told you that before. Vivian: I like hearing you say it. But you didn't do much about it. Marlowe: Well, neither did you. Vivian: Well, speaking of horses, I like to play them myself. But I like to see them work out a little first, see if they're front-runners or come from behind, find out what their whole card is. What makes them run. Marlowe: Find out mine? Vivian: I think so. Marlowe: Go ahead. Vivian: I'd say you don't like to be rated. You like to get out in front, open up a lead, take a little  breather in the backstretch, and then come home free. Marlowe: You don't like to be rated yourself. Vivian: I haven't met anyone yet that can do it. Any suggestions? Marlowe: Well, I can't tell till I've seen you over a distance of ground. You've got a touch of class, but, uh...I don't know how - how far you can go. Vivian: A lot depends on who's in the saddle. Go ahead Marlowe, I like the way you work. In case you don't know it, you're doing all right. Marlowe: There's one thing I can't figure out. Vivian: What makes me run? Marlowe: Uh-huh. Vivian: I'll give you a little hint. Sugar won't work. It's been tried.

“Fuck” began to break into cinema when it was uttered once in the film Vapor (1963) and in two Andy Warhol films: Poor Little Rich Girl (1965) and My Hustler (1965), and later in each of two 1967 British releases, Ulysses and I'll Never Forget What's 'is name. It was also used several times in the 1969 British film Bronco Bullfrog.  According to director Robert Altman, the first time the word "fuck" was used in a major American studio film was in 1970's M*A*S*H, spoken by Painless during the football match at the end of the film. Since then it’s been a free-for-all as many films have attempted, and succeeded, in desensitizing audiences to the shocking effects of the F-word.

Bad Santa, a dreadful black comedy in which Billy Bob Thornton spends 90 minutes uttering non-stop expletives is one example. Another is 2017’s The Wife, an altogether splendid film—a great story complemented by terrific performances by Glen Close and Jonathan Prices—that suffers from what I would argue is overuse of the “F” word.

It’s not that I’m a prude; I’m not. It’s not that I’m offended. I’m not. It’s not that I don’t use the word; I do. And its not that I’m for censorship (heaven forfend!). But as a lover of and sometimes lecturer on old films, I’m saddened that writers and directors ignore context and insert gratuitous profanity in dialogue when the scene doesn’t really call for it. Okay, Tony Soprano’s crew really does talk that way, and so does Casino’s Nicky Santoro. And the creative social commentary of George Carlin and Lewis Black would fall pretty flat were it not punctuated by a flurry of forbidden expletives. In their mouths the language works; in the mouths of lesser so-called comedians it’s just unfunny. And unnecessary. It’s all a matter of context.  

It probably says something about the state of English-speaking society that there are people who actually count occurrences of the word ‘fuck’ in films. Director Martin Scorsese is the undisputed Father of Fuckage. “Fuck” and its derivatives is spoken a staggering 506 times in The Wolf of Wall Street, setting a new Guinness World Record for most swearing in one film. And Scorsese has two other films that made the top ten list of “fuck”-ridden films:

1. The Wolf of Wall Street (Martin Scorsese, 2013). 506 times (every 2.83 minutes). 2. Summer of Sam (Spike Lee, 1999). 435 times (every 3.06 minutes). 3. Nil by Mouth (Gary Oldman, 1997). 435 times (every 3.34 minutes). 4. Casino (Martin Scorsese, 1995). 422 times (every 2.4 minutes). 5. Alpha Dog (Nick Cassavetes, 2006). 367 times (every 3.11 minutes). 6. End of Watch (Dir. David Ayer, 2012). 326 times (every 2.99 minutes). 7. Twin Town (Kevin Allen, 1997). 318 times (every 3.21 minutes). 8. Running Scared (Wayne Kramer, 2006) 315 times (every 2.58 minutes). 9. Goodfellas (Martin Scorsese, 1990). 300 times (every 2.05 minutes). 10. Narc (Joe Carnahan, 2002). 297 times (every 2.82 minutes).

One could imagine the closing scene of Gone with the Wind if Scorsese had directed it. Perhaps it might have gone like this:

Scarlet: Rhett, I don’t know what the fuck to do! Rhett: Franky my dear, I don’t give a shit.

[novicescholar-blog]

Latin 13

Just become familiar with the -que usage for indicating and

eg 

Borgus villam intravit servumque pedicat

borgus house he enteres and slave he sodomises

Also lets have a glimpse of infinitives before we move on, im pretty sure you are familiar with them though. Its basically the ‘to do something’ form of a verb if you are in the dark on it. 

Its cool cos it can be the subject of a sentence

so 

Borgus pedicare servum vult

Borgus wants to sodomise the slave

Just look out for -re suffixes on verb stems to spot these

While we are here lets learn comparatives by insulting someone’s penis size

penis servi māior quam penis Caeciliae

The penis of the slave is bigger than the penis of Caecilius

Now seems like a good time to talk about principle parts before we get lost in verb hell.

When we learn a new verb it is generally presented in a few different forms

these forms are known as the principle parts. 

So for example the latin ‘pedicare’ or ‘ to sodomise’ 

would be presented 

pedico, pedicare, pedicavi, pedicatus.

the present, active, indicative, first person, singular,

the present active infinitive,

the perfect, active, indicative, first person, singular, and

the past participle (or perfect passive participle), singular, masculine.

Ok now lets do some vocab I guess

https://www.memrise.com/course/313058/cambridge-latin-course-book-2-9/1/

Three Slaves

three slaves are working in the house. This house is in Britannia. The slaves are working diligently, because the master they are waiting for. The slaves complain about their life.

Philus: (counting money) again it rains! Always it rains! we never see the sun. I want to return to italy. I want to see the sun.

Volubilis: (preparing food in the kitchen) where is the wine? I don’t see any wine.Who has drunk it? I am not able to drink water! The water is foul!

Bregans: ( the floor he washes) I dont want to work! I am tired. I drank much wine. I want to sleep.

( Varica sudennly enters the house. Varica is the household manager)

Varicus: Slaves! Our master arrives angry! Among the Cantici slaves have made a plot. The master is wounded

Bregans: we want to hear of this plot. Tell the tale!

Plot

Varica told the thing

‘ we were among the Cantici, because Salvius was visiting a new mine. The host was Pompeius Optatus, a good man. In the mine were working many slaves. Although many slaves were digging irion out of the ground, Salvius was not satisfied. Salvius called the slaves too him and inspected. One slave was ill. Salvius pulled the ill slave out of the crowd and shouted.

“ The ill slave is useless. I dont want to keep useless slaves.”

After he said this, Salvius handed over the slave to the executioner.

The executioner killed him at once.

This slave however had a son; his name was Alator. Alator wanted to avenge his father. And so, when the others were sleeping, Alator took a dagger. After slipping past the guards, he entered a bedroom. In this bedroom Salvius was sleeping. Then Alator made for our master and wounded him. Our master was terrified. He stretched out his hands to the slave and petitioned for mercy. The guards however heard the noise. In to the bedroom they ran and killed Alator. Then Slavius was in a rage. At once he woke Pompeius and shouted angrily.

“A slave wounded me! It is a conspiracy! All the slaves are accomplices. I demand for all the death penalty!”

Pompeius, after he heard this was astonished.

“I cannot kill all the slaves. One wounded you. One therefore is guilty, the others are innocent”

“THe guards are not innocent” said salvius “they conspired with Alator”

Pompeius unwillingly consented and handed over all the guards to the executioner.

Bregans

then Varica, after he told this thing, shouted

‘Loquax, anti-loquax! the master is coming. call the slaves into the courtyard! I want to inspect them’

The slaves ran to the courtyard quickly, because they were afraid of Salvius.

The slaves drew themselves up into long lines. The estate manage was walking through the lines; the slaves he was inspecting and counting. Suddenly he shouted, 

‘where are the slave girls? I dont see any slave girls’

‘The slave girls are preparing the bedroom for our master’ responded loquax

‘ Where is our Volubilis ‘I can not see Volubilis’

‘Volubilis could not come because he is preparing food’ responded Anti-loquax.

Bredans was standing in the middle of the slaves; he had a huge dog with him

‘Look, Varica! King Cogidubnus sent this dog to our master’, said Bregans ‘the dog is very ferocious;  it can hunt beasts very well;

suddenly twenty horseman entered the courteyard. First was Salvius. After he descended from the horse, he saluted Varica.

‘I want to inspect the slaves’ said Salvius. then Salvius and Varica were walking through the rows.

The boys and line were in the first line and were greeting their master. With the boys were standing the twins.

‘Hello, master!’ said Loquax

‘ Hello, master’ said anti-loquax

Bregans, as soon as he saw Salvius ‘master! master!’ he shouted

Salvius didnt respond to the slave. Bregans again shouted, ‘Salvius! Salvius! saw the dog!’

Salvius was angry, because the slave was insolent.

‘the slave is very insolent’, said Salvius. Bregans ferociusly was beaten. Bregans fell to the floor. The dog at once out of the line erupted and made for Salvius. Several slaves out of the lines exploded and draged the dog back. Salvius after he recovered, drew his sword.

‘That dog I want to kill’ said Salvius

‘that would be difficult’ said Bregans ‘king Cogidubnus, your friend, gave you that dog’

‘yes it is difficult’ responded salvius ‘ but I can punish you. That is easy, because you are my slave’

Salvius inspects the farm

the next day Salvius wanted to inspect the farm. Varica therefore lead him through the farm. The estate manager showed the fields and harvest to the master

‘ the harvest is good, master’ said Varica ‘many slaves now  bring in grain into the granary’

Salvius after he looked around the field, said to Varica, 

‘where are the ploughmen and the foreman? surely Cervix is in charge of the ploughmen?’

‘yes master! responded Varica ‘ but the ploughmen are not working today, because cerfix is not here. her is ill’ 

Salvius responded to him ‘what did you say? he is ill? I dont want to kill an ill slave’

‘ but Cerfix is very skilled’ Exclaimed the estate-manager ‘ Cerfix can look after the farming alone’

‘quiet!’ said  Salvius ‘ I want to sell him’

as soon as he said this, he saw two slaves. slaves were rushing to the granary.

‘what are these slaves doing?’ asked Salviud

‘these slaves bring food to the ploughmen, master. does that please you?’

responded Varica

‘It doesnt please me!’ said Salvius ‘ I give no food to lazy slaves’

then the master and the estate manager arrived at the granary. Near the granary salvius saw the building. The building was half ruined.

‘what is that building?’ said Salvius

‘It is the new granary master!’ responded the estate manager ‘ the other is now full. I therefore wanted to build a new granary’

‘but why is it half ruined?’ said Salvius

Varica responded ‘ when the slaves were building the granary, master, there was a dreadful thing that happened. A bull, a feroocious anima, made an attack in this building. It terrified the slaves and destroyed the walls’.

‘who was leading this bull?’ said Salvius ‘ who was neglegent?’

‘Bregens!’

‘Oh no!’ said salvius ‘I dont trust Britains. all  Britains are stupid, but Bregand is stupider than the rest’ 

servi canem ferocem retraxerunt

mercator stultus pecuniam amisit

ego multi iuvenes in foro vidi

[koenvandamme]

pedico . geel . robbrecht en daem arch

[tubepgonoithatvd]

https://noithatviendong.com 0937626295 Nội thất gỗ Viễn Đông https://www.archdaily.com/942750/pedico-shop-murmuur-architecten-plus-robbrecht-and-daem-architecten

[usuallyrics-blog]

Off The Corner

New Lyrics has been published on usuallyrics.com https://usuallyrics.com/lyrics/off-the-corner/

Off The Corner

(feat. Rick Ross)

[Intro: Meek Mill] M-m-m-m-a No, no, no, no, no, no These hoes, they like niggas that spend money, not talk about it If you ain’t gonna get the money then watcha gonna do? Hey!

[Hook: Meek Mill] I graduated from the streets, no diploma I made a million on that corner I mixed pedico with baking soda I made a million on that corner Going Donald Trump numbers on the corner I made a million on that corner Graduated from the streets, no diploma I made a million on that corner I made a million on that, I made a million on that I made a million on that corner

[Verse 1: Meek Mill] Young rich nigga, I flex, look at my neck Look at my bitch, look at my wrist, got these niggas upset Who you know blow a mill? Don’t even think twice, no sweat And these hoes around me? You don’t fuck, you don’t give them no check Cause ya’ll niggas lame as fuck, none of these chumps can’t hang with us All these chains getting tangled up And my clique armed and dangerous, and we’ll flame you up You get smoked mothafucker like angel dust Start the Rolls Royce with the angel up All these niggas on angels bruh, but I got stripes like a bengal does And my wrist look like the flash on Come that ho and bring that ass on So I can beat it up like you stole something Might pop a purple, go mad long like skrrt Been through your hood in a wraith, niggas is jealous, just look at your face 3-57 get put in your place, follow my lead all you niggas is late Like hold up, hold up, I done made a million on that corner I bought some coke but couldn’t deal with Arizona Them yellow diamonds looking clearer than Corona And if they act like they ain’t with it

[Hook]

[Verse 2: Rick Ross] I’m on the corner gettin’ cake I’m talkin’ like it’s 88 Givenchy all I really play Kingpin status when I swerve up on the block A nigga like you, you wouldn’t even get the cock Get my money dolo, I just need some help to count it I’m the richest nigga outta Dade-Broward County Feds know my game, they keep it raw, we all at odds Repossess my Lambo cause they wanna build a charge When they got my Chevy, got it runnin’ like it’s ‘sposed to Hit up on my niggas, let ’em know my shop reopened We rockin’ everything, till I’m right back on the top Nasdaq hustle bitch, come get your ass in stocks

[Hook]

[Outro: Rick Ross] Ugh, Double M, bang!

Who is Meek Mill

Robert Rihmeek Williams, famous stage name Meek Mill, is an American rapper. Born in Philadelphia, the artist began his musical career with The Bloodhoundz. In 2008, hip-hop artist T.I. made the first entry.

[libertaddigitalmisiones-blog]

DIV. CDO RADIOELÉCTRICO Y COMISARIA 25 DE MAYO UR-XI INFORMA: ESCLARECIMIENTO HECHO: ROBO RAIZ CESAR

DIV. CDO RADIOELÉCTRICO Y COMISARIA 25 DE MAYO UR-XI INFORMA: ESCLARECIMIENTO HECHO: ROBO RAIZ CESAR

Cesar de 64 años, de profesión conserje hotel colonial, Ddo. zona urbana 25 de Mayo DENUNCIO: vísperas horas 07:00 constató autores ignorados ejerciendo violencia ingresaron a su domicilio y le sustrajeron (01) talco pedico, y (01) garrafa de gas amarilla de 10kg. Tras amplio operativo realizado por personal policial de esta dependencia y Div. Comando se logró establecer que el ciudadano EDUARDO…

[louismontielt]

A Glitch "Pedico Graeca (ελληνικά) ~ Ètude I” This art piece created for my PhD and Research about "Artistic Practices, Digital Art in Social Networks & Net Art" used techniques diversity artistic, re-mixed apropiation of video or image and original work from called data-moshing, generative art and glitch art, artwork which remove image's & video i-frames (also known as key frames and altered binary code) causing it to look extremely senses and distorted; created for virtual gallery on-line. ©Louis M o n t i e l #visualartists #glitchart #glitch #glitché #pixelsorting #glitchartistscollective #glitchvideo #datamosh #digitalglitch #videoglitch #hyperspektiv #minimalart #videoart #dfkt #pixelsorter #artistsvisual #glitchartoninstagram #glitchartscollective #glitcharts #glitchartistcommunity #glitchartwork #datamoshing #glitchartists #glitchartcommunity #glitchartistcollective #glitchartist #pixelsortingart #proceduralart #creativecodeart #pixelsortingeffect (at Paris, France) https://www.instagram.com/p/CCoU6Ncneqa/?igshid=psspvbmqw94c