#Or any other historical time period for that matter
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Imagine your Otp
Person A: “If I were rich, I wouldn’t hesitate. If I were rich I’d marry you as soon as the courthouse doors opened. I would change my name. I would change my face. I’d come back to you as a king. How could they refuse our love then?”
#For my regency fans#Or any other historical time period for that matter#wlw prompts#fanfic inspiration#otp ideas#fanfic things#fanfic prompts#otp prompt#tag your otp#otp things#fanfic inspo#imagine your otp#otp inspiration#happy pride 🌈#pride 2024
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this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣
so what are some signs to look for? let's use this very good example.
what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?
your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?
Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.
But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.
This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.
Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.
Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:
-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.
-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?
-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!
-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?
Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.
peace n love
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nocturne (interlude) — mizu x f!reader
synopsis: it seems as if you've always managed to bump into your father's regular in untimely situations. it also can't be helped that you think he's absolutely handsome.
content: reader is a daughter of a medic and an apothecary, golden retriever x black cat trope, might contain historically inaccurate terms (not that well versed in the edo period or japanese culture. forgive me), mizu will be referred with he/him pronouns, mizu being emotionally constipated ig, slight mention of violence and gore, fluff, pre-relationship, meet cute, sfw.
a/n: heyaaa :D its been awhile since ive posteddd. considering this as a break from comms and sch!! ill try to be more active in posting as my xmas break is approaching hehe <33 current hyperfixation is mizu from blue eyed samurai. (I HIGHLY SUGGEST WATCHING IT !!!) enjoyy part 2!! (my love mine all mine)
You can still remember the first time you met him.
It was quite easy to recall the memory with ease. It was after all one of the nights where there weren't many customers fluttering about to avail your father's services in medicine due to idiotic accidents and miscalculated duels. You watched your father pull out herb after herb, vial after vial, stitch after stitch as more and more swordsmen of all ranks came in and out of the shop.
You were quite well-known around town as the daughter of the medic—often smiling and huffing about. Some say you were too naive to be comfortable and accommodating to your father's customers but others also claim you were elegant and a ray of sunshine due to your approachable and easygoing nature. None of that mattered anyway, not when the field of medicine was your only focus in life.
Your father doesn't like to call you his apprentice but you knew you were his. After all, with all the knowledge he's passed down unto you, you might as well run your own apothecary but alas, you still had much to learn.
It was also a quiet agreement among men that no one pays too much attention to the daughter of the skilled medic and apothecary. You suppose it's because of your father's standing and reputation that most men would rather cut off their arms than get on the bad side of one of the only medics who can actually do a decent job in life-threatening situations.
Which brings us to the current topic at hand.
It had been a cold winter that night. Your father had been busy making fresh medicine at the behest of a high lord in one of the rich provincial states up north. It was up to you to man the front and be alert in case any wanderers might walk in asking for help.
The harsh breeze of that winter night was your first cue. The doors had swung open which left you scrambling off your seat then a second later, a man with a lean stature stumbles his way through—arm clutching the side of his stomach.
Your breath hitches as he props himself against the wooden pillar. He looks up at you, blue eyes clear and intense that it left you speechless from where you stood.
"I-I," He gasps for air, eyebrows scrunching from the pain. "Help-I need—"
You wasted no time in aiding him as you took wide strides to his injured form, arms holding out to keep him steady as he began to wobble back and forth. You scream for your father, worried that the man before you would pass out at any moment.
Thankfully aware of the situation, your father prepares the receiving area. You look back at the injured patient with worry in your eyes as you further assess all sorts of damage on his figure.
However, you can't help but find yourself entranced by his clear blue eyes. Despite being on the brink of utter exhaustion, he has managed to keep himself awake perched up on your shoulder.
He locks eyes with you, blinking slowly, and just as you begin to get lost in those blue hues of his, his body begins to fall.
"Sir, wait—!"
Then he's out like a light.
The next time you met him had been purely coincidental.
After that night, the man left quietly like the leaves falling gently along the stream. He left quite a hefty sum of money on your father's desk and kept the bed clean at his departure. It's safe to say that your father was overjoyed by the payment.
Your father had sent you on an errand to town to gather some supplies from a supplier he trusts. He had been busy attending to patients and manning the counter to be the one to get the package himself.
"You have nothing better to do anyway, might as well be useful to your old dad," Your father scrunched his nose playfully as he placed a bag of money on your palms. "And if a man approaches you, remember to use that knife I gave you and make clean perforation at the jugular vein—"
You had stopped your father right there.
It didn't bother you that much and this also was an opportunity to get some leisure time. You did as you were told and saved a bit of money for window shopping.
Stumbling upon an artisan selling hair ornaments, your eyes immediately dart toward a golden hairpin with imitations of sakura leaves. Upon reaching out to inspect it, a hand collides with your own causing you to let out a gasp.
"Apologies—" Your eyes dart up to look at the stranger but is met instead with familiar blue eyes, this time under the disguise of orange tint sunglasses. "Oh! It's you."
The man furrows his eyebrows in confusion. "Are you Mr. Gojo's—?"
"Daughter?" You perk up with a smile. You shift from heel to heel at the intensity of his gaze. Somehow, you're feeling quite nervous with this gentleman. "Yeah. I caught you that night."
"Ah," The man nods, awkward in his stance before turning back toward the array of ornaments in front of him. "Thank you."
"I-It was no problem," You stammered, hands smoothing out the fabric of your kimono. "It's what we do after all."
There's a hum of response coming from the man before silence ensues between the two of you. He had gotten back to analyzing other items that the vendor was offering and you could only stand there, discreetly watching his every move.
You didn't have the opportunity to take a good look at him besides his eyes that night. Your father seemed like he had recognized the man before you and ushered you out of the room before you could have the chance to offer help. Though, now, you could see that he had a proportionate height—a few inches taller than you but still tall nonetheless. His shoulders evoke confidence with every move of his body but his face talks of the mystery hidden under the guise of his kasa. He was pretty, yet... handsome. You've never come across a man who could embody both sides of the spectrum.
"Do you need something?" His voice had startled you out of your daydream causing your cheeks to flush. He raises his eyebrow with his ever-perpetual glare. You give him a sheepish smile.
"I've never gotten your name, sir." You purse your lips, tilting your head as he squints his eyes at your request.
"My name? Why?"
Your mouth opens and closes like a fish out of water at his response. Why? What does he mean why? This man was truly cynical, you think.
"Well, I saved you, didn't I?"
"Correction. Your father did." The man deadpans. You giggle at his tone, eyes crinkling in amusement.
"Alright, no need to get so philosophical with me," You jest, trying to get him to lighten up to you. You take a step closer, trying to gauge his expressions as you give him a lighthearted smile. "Is getting to know people a crime now?"
The man sighs before looking at the array of hair ornaments to your right. He then grabs the hairpin you were looking at and tosses a bag of coins toward the vendor. He places it within your palms before adjusting his cloak. You flinch at the sudden gesture, unaware of his intentions.
"It's Mizu." He says before turning and leaving without further explanation. You stand, agape as the man further blends in with crowd with each step he takes away from you.
This man—No, Mizu, surely is interesting.
This next meeting was one you were thankful of.
Now, it wasn't as if your meetings were solely limited by chance. He became a regular after your father's incredible work on him. You watch him arrive usually at the end of every week, either looking to restock the medicine that your father gave him or get himself treated for an unwanted injury.
You tried interacting with him during his visits but Mizu always either cut the conversation short or grunted in annoyance. He never tried to entertain much of your whims and only left you grasping at straws for whatever possible chance of interaction he might give you.
Although, despite being cold towards you, he still has the heart to help you in mundane tasks whenever he encounters the chance. For instance, upon seeing you struggling with the basin, he immediately walked over and carried to where your father is with ease. He also grabbed your freshly bought basket of fruits and guarded you on your way back home. He even thumped the back of your head lightly with his hand on his way out while you were fixing up the front.
He was an enigma. A puzzle you desperately tried to solve but always failed.
The thought of his gentlemanly actions had always left your heart thumping faster and louder within the confines of your chest. Wanting to know him, get closer to him, see the corners of his lips upturned—anything to see a version of him only you can keep.
It also seems that your father is familiar with his master. You hear talks between them, asking about the well-being of a man named 'Master Eiji', the one whom Mizu calls his swordfather. You ought to know better than to eavesdrop but somehow your attention has always been led towards his very existence.
Your father had always been strict about you ever since you were but a wee girl. He had expressed the importance of having a fruitful marriage with someone who is of your deserving. He, after all, was in a true love marriage with your mother and was together for at least 25 years before your mother succumbed to her illness at the age of 45.
It also didn't help that you were deemed the sunlight of the town, often getting several interested looks from promising men. But all your suitors couldn't take the intensity of your father's expectations. It's safe to say that you won't be getting married for awhile.
"Just stay here, my daughter," Your father sighs as he serves you seconds of your favorite food. "Who the hell cares about marriage anyway."
You laugh, reaching out to pat your old man's hand. "It's going to look bad for you if you don't marry off your one and only daughter, y'know?"
"That's precisely why I don't want to do any of that," Your father grumbles, taking a sip of his soup. "Work here, eat, sleep, go have fun. That's what your mother would've wanted anyway."
You were grateful for your circumstances, yes, but you've always wanted to help out as much as you can for your dad. His reputation as a skilled medic can only take so much before others will come to expect more. So as long as you're in his care, you try to help out around his shop as much as you can.
Although you wonder if your father would allow him to—
Ah, forget it. Convincing your father was a lost cause.
Back to the current task at hand, your father had tasked you to gather some herbs from the forest near your humble abode as it is less taxing for your finances when you have easy access to one nearby. Gearing up for the coldness of winter, you stepped out of your house in pursuit of such herbs. With a hop on your step, you wish to finish your task sooner than later to prepare for a certain gentleman possibly visiting later at night.
The only you thing you didn't account for was the possible danger you'd be encountering.
"Listen, I-I don't want any trouble," You slowly backed away as a group of men began surrounding you. It was uncommon to encounter bandits around this area as this was situated near the town. You're not so sure as to what prompted this criminals to stage a robbery in broad daylight.
"Oh, c'mon little miss," One of the bandits chuckled. He twirled a knife in his hand as he approached you menacingly. "We just wanna know what you're up to."
Your breath speeds up as one of his companions playfully advanced with a jump in his step. You flinched back, heartbeat thumping as the crunch of leaves around you signified their slow advance towards your figure. You clutched the knife your father gave you within your hands, ready to use it in case one of them tries something.
Jugular vein. Neck. Neck. Vein. Keep it fast. Right side.
"Perhaps we could do something fun, darling? I'm sure you'd love it." Wide grins and loud laughter erupted from their lips.
Vein. Lethal point. Could head straight through the liver. Artery. Perforation.
Your head had begun to ramble, your father's words echoing within the depths of your mind. Just as you adjusted your grip on your knife and one of the bandits had began to finally get whatever they aimed for in the first place, a breeze of wind suddenly alerted you of a new presence.
You shut your eyes in fear as one of the men at the far back screamed.
"What the fuck?!" The leader bellowed as he watched his man crumple to the ground, holding what was left of his dismembered arm. The other bandits begin turning towards the new opponent, swords ready as they watched him step over their comrade.
You open your teary eyes, locking gazes with the familiar hues of blue hidden under orange tint. There's some sort of hardened glare as Mizu looked at you up and down, assessing your well-being within a matter of seconds.
"This is Takayama's jurisdiction," Mizu's deep voice bellowed as he placed his hand on the scabbard of his sword. "I suggest you leave."
The leader lets out a scoff as he widens his shoulders to appear more menacing to him. Mizu only looks at him under the guise of his kasa.
"You are outnumbered, samurai," The man smirks. It might've been intimidating with the number of men that surrounded Mizu but you were well aware of his prowess as a swordsman and completely had faith in his abilities. "Your talks of dominance do not affect me."
Mizu chuckles, one hand reaching up to push back his glasses up the bridge of his nose.
"We'll see about that."
"Thank you," You smile widely, eyes crinkling as you grab his extended hand.
The bandits groaned in pain as they crumbled to the ground. Some have even passed out from the harsh hits that Mizu had inflicted. You watched him twirl and move with elegance, slicing and hitting with precise angles that left you in awe at his performance.
It took at most 15 minutes for him to finish all of them and another 3 minutes for you to pick your jaw off the floor and fix yourself up.
"It's no problem," Mizu nods at your gratitude. He holds your hand firm as you wobble back and forth to stay back in balance. "Although, I advise that you venture towards areas within the town vicinity. This area is bordering outside of Takayama, thus the bandits."
"Ah," You let out a soft laugh. "There were more herbs here. I thought it was safe."
Mizu doesn't reply back as he gazes at you from the comforts of his glasses. You flush at his stare, still not being able to handle its intensity. You look down to busy yourself with, staring at your conjoined hands before finally taking notice of a scratch on the side of his hand to his wrist.
"You're injured," You whispered as you pulled his hand close to yours. You hear Mizu's breath hitch as he stumbles slightly at the pull of your hand. You look up at him as he furrows his eyebrows.
"I-It's fine, it doesn't hurt." He tries to reason with you but your grip on his hand remains steady.
"You saved me so I'll repay you by treating this. Alright?" You give him your best smile and suddenly the samurai doesn't have the heart in him to say no. At the sound of his reluctant silence, you enthusiastically pull out your satchel filled with medicinal tools. It was handy that you always kept your tools with you no matter where you went.
You applied antiseptic, brushing it with a clean cloth along the wound. Whether Mizu felt the pain or not, he only remained as still as a rock while you worked.
"You're early today," You try to make conversation as you clean his wound up. Mizu stays silent for a few seconds before replying.
"I had free time," He says. "I... was also out of medicine so..."
You hum, nodding along his words as you make gentle strokes to ease the pain (if he ever felt it).
"If you ever need to go out like this again," He picks up the conversation making your heart skip a beat. There's a pause of silence before he continues. "Let me—If I'm there, let me know. You don't need to endanger yourself like this."
You let out a quiet laugh as you finally wrapped his wound with a white strip of cloth. You look at him with softened eyes, reveling in his slightly flushed cheeks and gaze dulled by sincerity. There's a pause of comfortable silence between the two of you, only lost in each other's gazes.
You slowly reach out, hands pausing as you communicate a request for consent. Mizu only gives you a small nod before you reach out to pull off his glasses. Those same beautiful blue orbs stare back at you as you revel in their gaze.
"You're more handsome like this," You whisper as you take a step closer to him. Snow gently falls around you, cascading in gentle flow as you breathe out puffs of air. Mizu tilts his head with an upturn of the corner of his lips.
There it is.
You flush in his gaze as he reaches up to brush a stray hair away from your face. "You're jesting," He says with a quiet tone.
Your gaze at him doesn't waver. "I'd say yes if you asked me to marry you."
Mizu let's out a chuckle, eyebrow raised at your bold response. "You are one dangerous lady, Y/N. Does your father know that?"
You roll your eyes at him. "How could he know when all he does is keep men away from me," You tilt your head playfully, "Although, I do wonder why he often keeps you close. Perhaps, he's found you to be worthy of a man."
Mizu laughs at your praises, shoulders shaking as the two of you stand close to one another, basking in the soft breeze of the winter sky. He lifts his hand up and flicks your forehead. You flinch back, holding your forehead in pain as you give him a glare.
"Ow?!" You frown as he looks at you with a smirk on his lips. "What a way to turn off a lady!"
"You're too adorable to be a lady," Mizu teases as he crosses his arms over his chest. He tilts his head as he looks at you with squinted eyes in thought. "Kind of like a.... puppy."
Your jaw drops at his comparison causing him to release a few chuckles. It wasn't fair that he was out here causing poor things to your heart and raised by a father who was direct and determined to achieve the things he wanted in life, you didn't allow yourself to back down.
With wide strides, you easily reach where he stands before standing on your toes and grabbing his face as you placed a chaste kiss on his cheek.
"Wha-?!" His face flushes a deep red as he moves back holding his cheek. You flash him a cheeky grin as he looks at you with wide eyes.
"I'll be waiting for your proposal, Mizu," You giggle, swaying back and forth with your hands tucked behind you. You put on his glasses before leaning slightly forward with eyes squinted playfully. "Or shall I be the one to propose, hm? Seeing as your blushing from just a kiss on the cheek."
Mizu takes a few seconds before collecting himself. There's an unreadable look on his face before makes careful steps towards you. You watch him, curious as he stops in front of you—hand reaching out to pull his glasses off from your face. You expect him to start berating you for invading his space but what you received after was certainly something you never took into account.
He leans down and gingerly places a kiss on your lips. Your breath hitches as he presses himself close before pulling away all to fast. Your lips tingle as you watch him put on his glasses back with a smile.
"I'm no coward, Y/N," He adjusts your cloak as you remain speechless in front of him. "I don't make promises I can't keep."
And just as he enters, he walks off with quiet footsteps, leaving you grasping at whatever was left of your brain after what he just did. Your face flushes a deep red as your fingertips touches your lips with shaky movements.
Did this man just—
"Are you coming?!" He calls over from the dirt path back to your house. You stumble in your footing as you rush over to him.
"I-I'm coming!" You stammer as you gather your things and rushed towards him. He greets you with a smile and this time with his glasses tucked away. Blue hues greet your flushed form and suddenly an overwhelming realization washes over you.
Oh, I'm definitely not going to let this man go.
a/n: MY WIFE MIZU MY WIFEEE,,,,, planning to make a pt2 idk lemme guys know if u want one. will also fix my archive, tumblr's getting messy. NOT PROOFREAD but will fix if ever i do go back on this after my finals. HOPE YALL ENJOYED THIS!
#arthenaa#mizu x reader#mizu blue eye samurai#blue eye samurai x reader#the blue eyed samurai#Spotify
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Recent article on NPR about the history of artificial light somewhat frustrated me -- they portrayed all of pre-kerosene history as dark and heinously expensive at all times. Thing is, the writers based their findings solely on tallow candles, & ignored oil lamps, beeswax candles, clever use of refraction & outdoor light including moon/starlight... Also seemed to ignore the ubiquity of hearths / cook fires. Was wondering if you'd be willing to talk about non-tallow light? This isn't to ignore that truly, artificial lighting WAS much more difficult & expensive for much of human history, but acting like tallow candles were the ONLY light source seems very silly! (Plus your other lovely post about bottles of water used to make those candles more efficient via refraction & focus)
I'm betting the article you mean is this one - which refers back to this one.
For matching reference, my own posts about period lighting are here, One and Two, including observations about painting walls white, how to light candles and lamps without matches, and several other matters.
*****
It didn't take too much listening before I got tetchy, because the first half of this podcast seems more about mocking how WEIRD and PRIMITIVE old-time people were, than passing on any useful information.
Despite the presence of Jane Brox (author of "Brilliant: The Evolution of Artificial Light") whale oil only gets touched on in passing, and olive oil isn't mentioned at all.
Instead she starts talking about using oily seabirds (stormy petrels) as "candles", despite this scholarly study concluding that it was something talked about far more than done, besides being so very, very localised that its relevance to the history of lighting is very, very small.
But hey, WEIRD and PRIMITIVE, right?
*****
By contrast, making candles was so commonplace that it was another of those jobs which created surnames. Fletcher once put feathers on arrows, Cooper made barrels, Fisher, Miller, Baker and Farmer are obvious, and Chandler used to make candles.
Lampier, of course, made lamps, which helped keep those naked candle-flames away from anywhere they shouldn't touch. The man on the left is making the lantern bodies, the one on the right is shaving sheets of horn as windows.
It's cheaper than glass, less easily broken yet is translucent enough, when shaved properly thin, to give quite adequate light.
*****
The podcast has a digression about measuring the light output of a reproduction Ancient Babylonian lamp. Here's an original and a repro.
Yet that too says nothing about what fuel the lamp is or should be burning - olive oil, traded all over the Mediterranean by ancient olive-growing cultures.
These are Roman oil-lamps, from simple and cheap to elaborate and costly.
As for beeswax, so far as the podcast is concerned might as well not exist, despite being a by-product of honey, which was THE principal pre-sugar sweetener for centuries when not being made into all that mead whose existence, production and quaffing nobody questions.
Oh yeah, and then there was the amazed discovery (2:40 / 1:25, depending on which you're listening to) that melted beef fat "...smells really nasty, like, ANIMAL nasty,"
Why is this guy surprised? It's part of an animal!
*****
It's the same sort of infotainment ignorance as displayed by this TikTok twit, right up to complaining about the effort involved in preparation of anything because not having powered appliances was so labour-intensive, oh woe. Yes, it was, welcome to any historical period before about 1920. That's where "the daily grind" originates.
However the implication (listen, it's there) that cattle were raised just to provide fat for candles is ludicrous. The fat was a by-product, not a main one, and was often a butcher's side-line, while members of the Chandlers' Guild only worked with superior beeswax.
I don't think you could make candles like these with tallow:
...and you definitely couldn't make one meant to be hand-held.
Picture evidence shows, by their clothing, the class of society who bought these, and tallow-greasy fingers would have been a no-no.
A Chandler didn't make individual candles. By the time that fresh batch is hung up, the first batch away down at the end is cool enough to be dipped again.
A chandler's shop in a medieval city would look very similar, and often had a horizontal wheel on which to hang each batch of candles, rotating them up and around to cool, then back to the dipping pot. Non-modern people may not have had modern tech or time-and-motion studies, but they weren't stupid.
*****
By contrast, the podcast's disparaging attitude of WEIRD and PRIMITIVE is emphasised by what seems a deliberate avoidance of anything which counters it (examples of that in my own posts) and finally at 11.24 / 9:50 came this:
"Even when you get all the way to the 1700s (...) most people are still subsistence farmers, living in some kind of hut, trying to grow enough food not to starve to death (...) and light? Light still comes from finding stuff that's lying around and just lighting it on fire."
Some kind of hut...
Stuff that's lying around...
After making such a declaration, I'm surprised - since they'd been implying it for half the podcast - someone didn't just go ahead and announce that "there's some lovely filth down here..."
That's when I stopped listening.
Enough is enough, and I'd had it.
*****
ETA:
cc: @asmuchasidliketo :->
Here's a photo of what purports to be a Petrel (not petrol, that's something else) Candle, held in the Pitt-Rivers Museum, Oxford. It's mentioned in that scholarly article I linked above.
Just as "one swallow doesn't make a summer", so one - and only one - known example of this, which may have been a fake-up to spoof the Southerners, doesn't prove it was a common or even rare practice.
There's another reason to take this with a big pinch of salt, so maybe Jane Brox was on a low-sodium diet when she wrote her book.
Creatures with a layer of fat or blubber for insulation all have it like any other form of insulation, on the outside, where it does some good. A wick passed through the inside couldn't draw on it for fuel since there's a layer of muscle and another of internal organs for the oil to get through first.
The cropped-off bottle just visible to the left is a far more likely way seabirds became lamp fuel: by rendering out their oil. This oil is from the Northern Fulmar, Fulmaris glaciaris (or glacialis, I've seen both. Same bird regardless).
Incidentally, the Wikipedia article on European Storm Petrel mentions a supernatural connection, that the petrels were the souls of drowned sailors, and killing them is unlucky.
Not just killing them but making them into candles sounds like A Bad Idea, and is yet another reason why, IMO, the candle thing may be a folktale, or a deliberate leg-pull, or...
Let's just say "improbable" and leave it there. :-P
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School sucks!
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Minatozaki Sana x female reader
Warnings: Loser reader, popular girl Sana, awkward talks, history class (if that's a warning for anyone), reader is like super nerdy, some self-doubt, mentions of presentation anxiety
Story: Reader and Sana are paired together for group work. Sana flirts, reader blushes.
Authors note: This was quite fun as someone who has history advanced class. Sometimes, I feel like an absolute nerdy loser during school. Anyways, enjoy the read♥︎
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The school bell rings as the clock strikes eight o'clock. School has started, and the students of the eleventh grade wait patiently for their history teacher. Monday first period was always reserved for history. A few students quickly shove some snacks into their mouths, and others spend the time on their phone for as long as they still could.
The door slides open, and the teacher walks inside. Measured steps walk towards the front of the class.
"Good morning, class." Greets the history teacher. Everyone gets up and bows down while mumbling a 'Good morning'.
"I've planned a class project for the week. The project will include a presentation, a handout, and a test on all of the presented topics. The timeline for preparation as well as presenting will take about two and a half weeks. I will choose the groups. Every group includes two students."
Groans and complaints roar through the classroom. Nobody seems to be in the mood for such a time-consuming project. The mentions of a test seemed to wrap it up nicely.
One student, though, was all excited for the project. Y/n. Her love for history was indescribable. Always top of the class with a perfect score. Her love for history started at a very young age. Most of her free time was reserved for researching historic events. On top of that, she is also class president. A trustful student at that.
Y/n smiled brightly while already planning out the structure of this project.
There is another person in this classroom. Her excitement was on the bare minimum. Minatozaki Sana. She is one of the most popular girls at school. Everyone is head over heels for either her or one of her friends. Hirai Momo and Myoui Mina are always on her side, the Japanese girls never seen separate.
Sana groans and glances out of the window. She wasn't exactly stupid or not good in history. The subject just didn't matter to her that much. There were better things she could spend her free time with. Such as shopping.
The teacher had already started putting together the pairs. Some students are happy while some others try to hide their frustrations. Y/n patiently waited for her turn.
"Y/n, you will be in a group with Sana."
Y/n smiles and turns to glance at Sana. The two never spoke much. The class president waves joyfully and nicely greets Sana. The Japanese girl, on the other hand, did not react that excitedly. She almost rolled her eyes and turned her head away.
♡
After class, Y/n makes her way to Sana.
"Hello, Sana. Since we're in one group, I wanted to discuss some things for the start. When do you have time for meeting up after school? I already planned some things for the presentation and hand out-"
"First of all, I don't have any time for this project. I really need some new clothes, so I'll be spending my free time shopping. Secondly, I think you can handle this perfectly on your own for now. I'll tell you when I'm free, just get started and I'll help you later on. What's even our topic?"
"Oh, um, our topic is Napoleon and him taking over Europe. Please text me when you're free. Here's my number."
You hand her your phone and watch her type in your number into her contacts. She smiles and hands you back your phone.
"Thanks, Sana, I'll be looking forward to our work together."
You smile back and leave the classroom to get to your other class.
♡
A week has passed. Sana hasn't texted you yet, and the project is due in three days. You did most of the research yourself as expected. People mostly let you do the work since you're the class best. Sana isn't an exception there.
You thought she would have messaged you by now, but the contact between the two of you stays silent. Sana doesn't even talk to you at school. You feel really frustrated about this. She didn't even talk to you in history class.
You never minded being the nerdy outcast, but sometimes it was just lonely. Nobody would want to pair up with you. Many would just use you for good grades. You didn't think Sana would be the same. She actually looked so sweet.
A notification from your phone interrupts your train of thoughts. It's a text message from Sana.
'Send me your address, I'm coming over wince I have some free time. Can't leave you all alone with the project ;)'
You sit up and look at the message for a few seconds. That was quick. You didn't think the odds would change this fast, but here you are. You type in your address and see her reply with thumbs up. She's quite silly if you think about it.
♡
The wait for Sana is uncomfortable and embarrassingly long. You get a light stomach ache, which is quite normal in stressful situations. Everything related to the topic is laid out on your desk, sorted neatly. Your right leg bounces on the stop to relieve some stress.
Your parents aren't home for the night. They went out for dinner. You often told them that you wouldn't be eating with them since you were so caught up in studying. School is something very important to you, and you take it very seriously.
The door rings, and your body almost explodes with nervousness. She's here, at your house. This is weird. Nobody's ever been at your house. You apparently take too long for her liking, so Sana rings the doorbell again.
The sounds of your footsteps are muffled due to the carpet. You carefully open the door and glance at Sana. She looks nice, maybe a bit overdressed. You, on the other hand, are dressed in casual clothes.
Sana smiles at you and moves past you inside of your house without even asking for permission. You look after her in confusion, but quickly close the door to catch up with her.
"Where's your bedroom?"
Sana asks. You lead her to your room and close the door after the two of you enter. Sana takes a good look at your room. She grins at the decor and the posters.
"Kpop? Really? Didn't think you'd be this nerdy."
You blush and look down at your feet.
"It's actually really nice to listen to. You should give it a chance."
Sana shrugs and picks up some other items. She often giggles to herself. You can't really do anything else other than watching her inspect everything in your room. Maybe this was a bad idea.
"How about we start on the project? It's due in three days, and there are still some things we need to do."
Sana nods and looks at the already gathered papers on your desk.
"Did you already start with the hand out?"
You shake your head and walk over to your desk.
"No, I focused on the presentation first. It's the most important thing about our project. All of the information I gathered should be helpful for the handout, though."
Sana nods and takes some of the papers. She reads through the information and nods to herself.
"Wait, wasn't Napoleon like active during the first world war?"
You stop with what you're doing and slowly turn to look at Sana. This question was not expected.
"No. Napoleon's era was during the late eighteen century up to the early nineteen century. World War One happened in 1914 until 1918. Why did you think Napoleon ruled during world war one?"
"I don't know. My concept of time is not that great."
You nod and get back to the information. Sana grabs a paper and starts with the handout.
"I can start on the handout. After I'm done, we can copy this and print it out a few times. What do you want on the handout?"
"Uhm, maybe Napoleon's way of taking over Europe, and we should definitely bring in the code civil."
Sana just nods and raises her eyebrows at what you said. Her knowledge of history could be compared to the intelligence of a potato. This was just not her strong suit.
"Wow, you're really into the topic. It's a shame that you're this nerdy. You're actually kinda cute."
Sana winks at you, and you blush. Why is she acting like this? At first she didn't want to talk to you, and now she is flirting with you? What is this behaviour?
The evening goes on with the two of you working on the project. Sana is surprisingly very good at making handouts. Her questions on Napoleon, on the other hand, have you in a state of shock.
During the work, Sana makes some flirty comments towards you. It's weird since she doesn't really talk to you, like ever, but this seems to be different. You don't know what has gotten into her.
Sana leaves after two hours. She winks at you and then walks off into the night. Your face is beet red. Nobody has ever acted like this with you before.
♡
You sit down in the cafeteria to eat some food. While munching on some rice, you finish some English homework. You're so deep in thoughts that you don't notice three girls walking over to you.
They put down their trays and sit down at your table. You lift your head to see who it's is. It's Sana and her friends Mina and Momo. Sana sat down next to you while the other girls obtained the seats across from you. Sana smiles and clings onto your arm.
"Hi, I hope you don't mind us sitting here. We just thought you were a bit lonely, all by yourself. What are you working on, honey?"
You stop in your tracks and look at Sana. Your face heats up, and you stammer for words. Momo and Mina are suddenly very interested in the food, but you can see the smile on their faces.
"Uh, uh, I'm working on English homework."
"Cute."
Sana coes and presses herself against your body. You side eye her and get back to your homework.
It is really hard trying to concentrate, while Sana distracts you from homework. She would squeeze your arm and whisper flirty stuff in your ear. Momo is too interested in her food to even notice the commotion between Sana and yourself. You sometimes think she's in a different universe, deeply engaged in her thoughts. Mina, on the other hand, did notice the little situation between Sana and you, yet she did not comment on it.
You really ask yourself why this is happening. Yesterday, you were a lonesome loser with nerdy interests, and now you're apparently the hottest thing in school, according to Sana. This didn't make much sense.
Though you had the idea that this would hold on until the final test on all of the projects was written. Many people feigned a friendship before, only to leave you after they got a good grade. It was sad that no one was really interested in your personality and rather your intelligence. Maybe this was Sana's plan. Use you for good grades and then leave.
♡
Finally, presentation day arrived. You were quite nervous about your end result. There was always a certain fear inside your body when it came to presentations. The thought of people laughing over your mistakes hunt you in every nightmare.
You sit beside Sana while watching another group present. Your leg bounces up and down in a fast rhythm. The pressure of presenting in front of the entire class presses down on you. Anxiety fills your mind and body. Your hands start shaking too.
Sana is focused on drawing a cute little figure into her notebook. She barely pays attention to the group that's currently presenting. What does catch her attention is the way you're behaving. The fast-paced leg bouncing and the shaky hands as you try to take notes on what the other students are saying. She glances at you for a few seconds before she gently puts a hand on your knee. She presses down onto your leg so it doesn't bounce anymore.
You look at Sana. Shock and confusion spread across your face. Sana smiles and caresses your knee with her thumb.
"It's fine, Y/n. Try to focus on something else. It's just a presentation. The others won't throw rotten tomatoes when you make a mistake."
You nod and try to calm down. Sana's gentle gestures helped a lot during the process. The group came to an end, and you raised your hand to give some feedback. Everything felt more at ease now that Sana was silently comforting you.
It's now your turn to present. You get up and walk to the front of the class. The PowerPoint starts, and you go over the agenda and explain the different topics. Sana notices a slight shake in your voice. She grabs your hand and holds it while you're presenting. The action is hidden so other classmates don't notice the affectionate gesture.
The presentation goes smoothly with no mistakes. The feedback is good, and the teacher seems pleased with the final product of your research. You give the teacher as well as some classmates the handout.
After class, you stop Sana and thank her for the help. She smiles and gives your hand a gentle kiss before disappearing into the crowded hallway.
♡
Sana asked you to study with her for the upcoming history test. To you, the topics and different timelines were easily understandable, yet to her, it was a disaster. Sana had not made any notes on the presentation, so you both decided to research the different presented topics.
You would give Sana a topic, and she should research about it and write down notes. At the end of your study session, she should present everything she researched. You did this four days in a row. Between researching, you also asked her questions about the different historic events. It helped her memorising everything, from dates to persons active during the historic eras.
Also, Momo and Mina started getting closer to you. The trio overall warmed up and took you in, almost like they adopted you. Momo was hesitant at first. She was always a bit introverted, so she got to know you at a slow pace. Mina was about the same. After a few days of sharing a table at lunch, the two of them started talking to you like you've been friends for a long time.
Sana kept her clingy energy with you. She used every opportunity to be close to you and seek your company. She even asked to be seated next to you in most classes.
All of this did not make sense to you. Yes, you enjoyed the company and the maybe promising friendships that could evolve, but on the other hand, you knew what happened. After the test, Sana would disappear with her friends and leave you alone.
The days went by quickly, and the ache in your stomach grew bigger with every passing hour. You did not want them to leave you. The time you had with these three girls was awesome. You have never met people like that before.
After the test was done, you thought Sana wouldn't even talk to you. To your surprise, she still hung out with you. Why's that?
♡
You open your history textbook, and a note falls onto your lap. Your name is written on one side in neat handwriting. Nobody usually got access to your books, so this is weird. How did anyone manage to slip a note in there?
You take the note and open it up. Inside, there is a small text.
Dear Y/n, I've been admiring you over the last month. I was so happy when our history teacher paired us together for the project. You are such a caring and fantastic person. I really like you. Would you meet me after school for more clarity? Yours sincerely, Sana.
Your eyes widen. Sana wrote a confession letter to you? How is this possible?! You always thought she was annoyed when you were around. Well, she did get closer to you over the last two weeks, but you never expected this.
You carefully fold the letter and put it into your pocket. One thing was clear. You definitely needed clarity on this. Everything is so confusing right now. How long has she liked you? Or is this only a trap? The anticipation for the meet-up after school grows with every second.
♡
Sana leans against the school wall while waiting for you. You take small but firm steps into her direction. She looks up and meets your gaze. A shy smile spreads across her face. You have never seen Sana this unsure in your life. Usually, she is always this confident girl, but right now, it seems like she's scared for your reaction.
You smile back and still in front of Sana. Silence fills up the space. Neither of you is sure how to start this conversation. You don't know what to say or how to open up this topic. Sana, let's out a deep breath.
"So you've read the letter?"
You nod and pull it out of your pocket as proof. Sana nods and looks at you curiously.
"Well, what do you have to say?"
"I, uhm, I honestly don't know. All of this is new to me. I've never had anyone confess to me. If I'm honest, I don't know why you're into me. I mean, there's not much to like about me."
Sana stares at you in disbelief. She steps closer and takes your hand. Her eyes meet yours. Her brown orbs sparkle a little.
"Are you kidding me? You're such a wonderful person, I don't get how people don't like you. There should be people standing in a line to date you. Even if you're nerdy or if you're not that popular. I think you're perfect. You're just right the way you are."
Your eyes fill up with adoration. Sana has just the right words to swoon you. Butterflies errupt in your stomach and spread a tingly feeling in your body. You giggle and hide your face in your hands.
Sana grins and takes your hands from your face again.
"So what do you say? Are you up for a date?"
You take a moment to think about it. After some consideration, you nod slowly. Sana excitedly jumps around and laughs happily.
"I honestly thought you would dump me after the project. Most people did that, so I was unsure about you and your friends staying."
Sana stops and frowns.
"I would've never done that. That's just low. Anyone who did that should be ashamed of themselves."
You smile. Sana takes your hand. The two of you start walking. Sana chats about all kinds of things while you listen carefully. It's a nice combo. You notice after some time that Sana is walking you home. The path, too engraved in your mind to not notice.
You stop at your house and turn to Sana.
"Thank you."
You shyly smile again. Sana grins and looks at you.
"For asking you out or walking you home?"
"Both."
You giggle and glance at her. Sana leans in and kisses your cheek. The kiss is gentle and soft. It could also be mistaken for a peck with how delicate it is. Your cheeks heat up and turn into a rose pink colour. Sana steps away from you and winks before walking off. She waves one last time before rounding the corner.
You step inside your house and hold the cheek she just kissed. Your other hand reaches for the letter. A smile spreads across your face as you soak up the lovely feeling of Sana's adoration for you.
♡
#twice#twice imagines#twice x y/n#twice x you#fluff#twice fluff#sana#minatozaki sana#minatozaki sana x reader#sana x reader
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Gotham-Amity Co-op AU Part 3
Part 1 | Previous | Next
“Hola beauties, and welcome back to Fashionable History, I’m Paulina,”
“And I’m Star, and on this channel, we teach you how to be at the height of fashion, no matter what time period you find yourself in.”
“Now for our long-time viewers who missed our community posts, you might be wondering about the change in location. Well, we are moving up in the world. That’s right, fam, we are officially-
“College girlies!” The two shouted into the camera.
“Ah, such a big step,” ‘Star’ sighed.
“Indeed it is. And to celebrate, let us dress up like we’re going to meet the queen of fashion herself: Marie Antoinette!”
***
“So you would think it would be hard to demonstrate Amity Park’s weirdness while no longer living there, but you would be wrong,” a black man said into the camera while walking down a hallway, his glasses fallen ever so slightly down his nose. There were voices in the background progressively getting louder. “You see, Danny’s mentor popped by this morning, and apparently, he decided that the perfect way to tutor Danny and piss off his bosses at the same time was to allow a bunch of college kids to summon a historical figure of their choosing to discuss their area of expertise. Once a week.
“Jazz got to go first.”
The black man stopped in a doorway. Much clearer in the background was a woman’s even voice. “And Jazz, being the future psychologist that she is, picked the most sex-obsessed man in history.”
The camera flipped to show a young red-head sitting across an older man with a white beard in a blue three piece suit. In the background was a younger man, his blue eyes glazed over as he sat there sipping from his mug, his head of black hair bobbing as he fought to stay awake. Really, it wouldn’t gather a second glance, except for the tiny detail that the older man’s skin was as green as a sunburnt person’s was red.
“-indeed homosexuality is not an illness, and in fact the only link between it and mental health has been observed to be caused by familial and community reactions.”
“That is good to hear. Indeed, many people throughout history were homosexual, and a lot of them did not show any other signs of mental illnesses.”
“It is. However, with the recent pushes for public acceptance of those not heterosexual, many have come forward with sexual orientations beyond just hetero and homosexuality, including those that are attracted to both men and women at the same time, as well as those who experience no sexual attraction or are completely repulsed by the idea of anything sexual.”
The camera flipped back to the first man. “She is explaining how psychology has developed in the last 100 years without trying to rip apart Freud’s work.
“This isn’t even the first time something like this has happened. Occasionally, we’d get guest speakers that would turn out to be some famous author or pioneer in their field. It’s how our English teacher got his copy of the Tempest signed by the original author. I think this might be the first one that won’t end in a raid by government idiots in white, though.
“So yeah, we occasionally get to talk to dead celebrities and don’t bat an eye at it. Amity Park is very weird.”
***
“Danny! You left your cups in the sink again!”
“How can you tell it’s mine?”
“They’re glowing green and you’re the only one that drinks ectoplasm! Now take care of them before you bring the food to life again!”
“Fine…”
The camera pans over to a goth woman giving the camera a flat look. On screen, there’s some text that reads: ‘When your boyfriend forgets to clean off his dishes after his mildly radioactive smoothies.’
***
“Urgh!” Just die you stupid, lazy skeleton!”
“How long is this attack going to be!”
“I don’t care, because when it’s finally my turn, I am going to stab the dust out of this depressed sack of bones!”
On screen was a couch, and on that couch sat 3 young adults, two women and one man. One of the women was Valarie Gray, US National Taekwondo Silver Medalist, was jabbing her thumb down on the d-pad of her controller, lips pulled back in a snarl. The other was Samantha Manson, more known for the TikTok channel Our Strange Lives. The man was a muscular blond. All three were focusing on the screen, their eyes emitting faint light and Valarie’s teeth seemed to be getting sharper.
Quietly a blond woman walked on screen, a backpack slung over her shoulder. The woman was Star Strong from Fashionable History.
“You guys are still streaming?”
“This boss is stupid difficult and Manson and Gray are the only ones willing to play.”
“What happened to the guys?”
“Fowley, Wes, Singh all had work. Fenton got to the first boss and then lost it because ‘Goat Mom just wanted to protect us’ before getting a call from his lil sis asking for help. Kwan is working on a lab with a guy from his chem class, and Kyle passed out a couple hours ago.”
“Stop dodging!”
“Wanna play?”
“Can’t. Going to the library to study for a calc exam I have coming up. See you guys later.”
“Later.”
“FUC-”
***
“And so, with this polaroid image, we have evidence to prove that-”
“Hey, Wes, do you have something I can use for a collage? Oh sweet, thanks bro!”
“What? No! Kyle! Get back with that! That was the proof I was going to use to prove the existence of Yetis!”
“Oh damn. This is some nice creature work! Danny, your friend has an incredible costume, man!”
“Thanks, Kyle! I’ll pass it on!”
***
Tim paused the video right as Wesley Weston stood to chase his older brother.
There.
The red-head’s eyes had a slight glow to them. Tim clicked over to the other images he had gathered of the Amity Park teens, all with their eyes glowing or other signs of something inhuman.
Tim had been introduced to this group by Stephanie when she found a martial arts demonstration Gray did that involved breaking multiple boards, all several feet above her head. Stephanie had meant it as a ‘check out his cool person doing what we’re doing,’ but Tim noticed something. All the boards were being held by seemingly the same person- or at least people dressed very similarly. And not in a way where they’re sitting on a ledge above Gray and are switching out the board each time she broke one. More that there were multiple companies of the same white glove all holding a board and all floating several feet above where they should have been. That was already a little weird, but it could’ve been some special effects or just a uniform.
No, what caught Tim’s attention was the quick glimpse of the face of one of the board holders. It was youthful- late teens- but with paper white hair that showed no signs of bleaching. Now these features would have been a thing to cement the mysterious person in Tim’s mind. But it wasn’t that.
No, what got Tim to do some digging to find out about a previously unknown supposed hero from a small town that has been blacked-out by the US government, was his eyes.
His calm, glowing Lazarus green eyes.
***
So we finally get a taste for the shenanigans our liminals are up to. Sam, Tucker, and Danny all share a TikTok where they show off how weird the other two are and how weird their town is. Wes is trying to prove cryptids exist, which Kyle ruins. Dash has a gaming stream that most often Kwan joins in on, and Paulina and Star do dress history. Oh, and Valarie is a national taekwondo because karate has only been an event for one Olympic games, but taekwondo has been an event since 2000 and Val seems more like a kicker than a thrower. Plus, I actually took taekwondo when I was younger.
We do get another Bat showing up at the end. There is absolutely no plot, however, so who knows where this is going. Certainly not me!
I'm still looking for names (please, I need them). As for majors:
Jazz-Psych (obviously)
Kyle- Liberal Arts (I wanna put him in accounting, but Liberal Arts works for now)
Tuck- Comp Sci
Danny- Poly Sci, minor in Astronomy
Sam- Double Poly Sci and Environmental Science
Val- Criminal Justice
Dash- Undecided (both me and him)
Kwan- Pre-Med for now, though he wants to do Child Development/Education
Paulina- Fashion Marketing
Star- Sports Science
Mikey- Music
Wes- Journalism
#liminal amity park#dp x dc crossover#danny fenton#paulina sanchez#dash baxter#sam manson#jazz fenton#tucker foley#valarie gray#star strong#wes weston#kyle weston#mikey#tim drake#finally some more dc#also our kids acting liminal#or at least they glow#danny drinks ectoplasm smoothies#amity park is weird#amity park/gotham co op#no beta we die like danny and jason#part 3 of idk how many still
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Short sample clip because Tumblr is being a butt and refusing to upload the full video without crashing (hellsite my beloved and beloathed)
Here's the link if you want to see the full in-hand spinning demo video with captions (you don't have to subscribe or download anything to watch...I mean it's lovely for me if you do subscribe obviously, but don't let Substack bully you. It's a link. You can open it with no strings, no matter what they say lol.)
More about the textile history inspiration behind my historical fantasy novel Wyrd Weaving below the cut!
When I first conceived of the idea that is now becoming Wyrd Weaving, an historical fantasy novel set between Northumbria and Svealand in the tumultuous early 9th century, I only knew two things for certain. I knew I wanted to write a story centering the lives of women, queer people, and gender-nonconforming people in the 800s. So often stories set in the “Viking Age” center only the pursuits of men (wealthy men especially), and I wanted to dig for what other stories were buried there, waiting to be told. I also knew without doubt that fiber arts would somehow comprise a significant portion of the story’s magical realism elements.
I’ve knitted since my late teens, and have harbored and interest in all sorts of fiber arts for even longer than that. When I decided to get serious about writing a story centering the lives of medieval women (in Europe primarily, though several other unique period cultures factor into the story as well), I knew I had to do a deep dive into historical spinning and weaving. Women at all levels of society spent more time on aspects of cloth production than any other chore during this period, yet arts like spinning and weaving are almost never shown in novels, movies, or TV set in the early Middle Ages.
That wasn’t going to fly for Wyrd Weaving, a story inspired by the countless forgotten fiber artists who quite literally wove the history of our society. This first short video about my (mis)adventures in historical textile research gives you a glimpse at how and why I learned in-hand or “twiddle” spinning, the style of spinning prominent in early 9th century northern Europe. Enjoy!
#historical fantasy novel#historical fiction#historical fantasy#textile history#spinning#in hand spinning#spinning yarn#novel research#fiber arts#womens history#medieval history#early medieval#my writing#wyrd weaving#shannon purdy jones#authors of tumblr#queer author
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Bankruptcy is very, very good
On THURSDAY (June 20) I'm live onstage in LOS ANGELES for a recording of the GO FACT YOURSELF podcast. On FRIDAY (June 21) I'm doing an ONLINE READING for the LOCUS AWARDS at 16hPT. On SATURDAY (June 22) I'll be in OAKLAND, CA for a panel and a keynote at the LOCUS AWARDS.
There's a truly comforting sociopathy snuggled inside capitalism ideology: if markets are systems for identifying and rewarding virtue, ability and value, then anyone who's failing in the system is actually unworthy, not unlucky; and that means the winners are not just lucky (and certainly not merely selfish), but actually the best and they owe nothing to their social inferiors apart from what their own charitable impulses dictate.
It's an economic wrapper around the old theological doctrine of providence, whereby God shows you whom he favors by giving them wealth and station, and marks out the wicked by miring them in poverty. And like the religious belief in providence, the capitalist belief in meritocracy is essential to resolving cognitive dissonance: it lets the fed winners feel morally justified in stepping over the starving losers.
The debate over merit and luck has been with us for millennia, and even the hereditary absolute monarchs of the Bronze Age had to find a way to resolve it. For the rulers of antiquity, the way to square that circle was jubilee.
Bronze Age jubilees were periodic celebrations in which all debts were canceled. Different kingdoms had different schedules for jubilees, but imagine some mix of "every x years" and "every time a new ruler takes the throne" and "every time something really portentous happens." To modern sensibilities, the idea that we would simply wipe away all debts every now and again is almost inconceivable. Why would any society practice jubilee? More importantly, how could a ruler get the wealthy creditor class to countenance a jubilee, rather than seeking a revolutionary overthrow?
The best answers to this question can be found in the scholarship of historian Michael Hudson, who has written extensively on the subject. Hudson doesn't just write for a scholarly audience, he's also a fantastic communicator with a real commitment to bringing his research to lay audiences:
https://michael-hudson.com/
Hudson's most famous saying is "debts that can't be paid, won't be paid." It's in this dense little nugget that we can find the answer the the riddle of jubilee:
https://pluralistic.net/2021/09/29/jubilance/#debt
Let's start with a simple model of debt and credit in an agricultural society. In agricultural societies, everything exists downstream of farming, which is the core activity of the civilization. If the farmers succeed, everyone can eat, and that means they can do all the other things, all the not-farming work of your society.
To farm successfully, you need credit. Farmers enter the growing season in need of inputs: seed, fertilizer, labor; they need still more labor during the harvest. Without some way to acquire these inputs before the farmer has a crop that can pay for them, there can be no crop.
No wonder, then, that the earliest "money" we have a record of is ancient Babylonian credit ledgers that record the debts of farmers who borrow against the next crop to pay for the materials and labor they'll need to grow it. Debt, not barter, is the true origin of money. The fairy tale that coin money arose spontaneously to help bartering marketgoers facilitate trade has no historical evidence, while Babylonian ledgers can be seen in person in museums all over the world.
Farming requires an enormous amount of skill, but even the most skillful farmer is a prisoner of luck. No matter how good you are at farming, no matter how hard you work, no matter how carefully you plan, you can still lose a harvest to blight, drought, storms or vermin.
So over time, every farmer loses a crop. When that happens, the farmer can't pay off their debts and must roll them over and pay them off with future harvests. That means that over time, the share of each harvest the farmer has claim to goes down. Thanks to compounding interest, no bumper crop can erase the debts of the bad harvests.
That means that, over time, "farmer" becomes a synonym for "debtor." Farmers' productive output is increasingly claimed by the rich and powerful. No matter how badly everyone needs food, the whims of the hereditary creditor class come to dictate the country's agricultural priorities. More ornamental flowers for the tables of the wealthy, fewer staple crops for the masses. "Creditor" and "debtor" no longer describe economic relations – they become hereditary castes.
That's where jubilee comes in. Without some way to interrupt this cycle of spiraling debt, society becomes so destabilized that the system collapses:
https://pluralistic.net/2022/07/08/jubilant/#construire-des-passerelles
In other words: debts that can't be paid, won't be paid. Either you wipe away the farmers' debts to the creditor class, or your society collapses, and with it, the political relations that made those debts payable.
Jubilee is long gone, but that doesn't mean that debts that can't be paid will get paid. Modern society has filled the jubilee gap with bankruptcy, a legal process for shriving a debtor of their debts.
Bankruptcy takes many forms. The most important split in bankruptcy types is between elite bankruptcy and the bankruptcy of the common person. The limited liability company was created to allow people with money to pool their funds to back corporations without being responsible for their debts. This "capital formation" is considered "efficient" by economists because it creates the backing for big, ambitious projects, from colonizing and extracting the wealth of distant lands (Hudson's Bay Company) to spinning up global manufacturing supply chains (Apple).
Limited liability means that companies can take on debt without exposing their investors to risks beyond their capital stake. If you buy $1,000 worth of Apple stock, that's all you stand to lose if Apple makes bad decisions. Apple may rack up billions in liabilities – say, by abusing its subcontractor workforce – but Apple's owners aren't on the hook for it.
Economists like this because it means that you can invest in Apple without having to be privy to its daily management decisions, which means that Apple can accumulate huge pools of capital, "lever them up" by borrowing even more, and then put all that money to work on R&D, product development, marketing, and, of course, "incentives" for key employees and managers.
But limited liability also does a lot of work in the political sphere. Once an individual crosses a certain wealth threshold, they become an LLC. Accountants and wealth managers and financial planners insist on this. For freelancers and other sole practitioners, the benefits of forming an LLC are modest – a few more tax write-offs and the ability to get a business credit-card with slightly superior perks.
But for the truly wealthy, transforming yourself into the "natural person" at the center of a vast pool of LLCs is essential because it allows you to accumulate and shed debts. You can secretly own rental properties and abuse your tenants, accumulate vast liabilities as local authorities pile fine upon fine, and then simply dispose of the LLC and its debts. Plan this gambit carefully enough and the debtor LLC will have no assets in its bankruptcy estate apart from the crumbling apartment building, and its most senior secured creditor will be another of your LLCs. This lets the slumlord move an apartment block from one pocket to another, leaving the debt behind.
For the corporate person, shedding debts through bankruptcy is an honorable practice. Far from being a source of shame, the well-timed, well-structured bankruptcy is just evidence of financial acumen. Think of the private equity looters who buy a company by borrowing against it, pay themselves a huge "special dividend," then wipe away the debt by taking the company bankrupt (which also lets them shed obligations to suppliers, workers, and especially, retirees and their pensions). As Trump (a serial bankrupt who has stiffed legions of contractors and creditors) would say, "That makes me smart."
The apotheosis of elite bankruptcy is found in massive corporate bankruptcies, in which a corporation kills and maims huge numbers of people, then maneuvers to get its case heard in one of three US federal courtrooms where specialist judges rubber-stamp "involuntary third-party releases" that wipe out the company's obligations to it victims for pennies on the dollar, while the company gets to keep billions:
https://pluralistic.net/2021/07/29/impunity-corrodes/#morally-bankrupt
This process was so flagrantly abused by companies like Johnson & Johnson (which spent years knowingly advising women to dust their vulvas with asbestos-tainted talc, creating an epidemic of grotesque and lethal genital cancers) that it is finally generating some scrutiny and pushback:
https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit
But the precarious state of elite bankruptcies has more to do with the personal corruption of the small cabal of judges who run the system than public outrage over their rulings; like that one judge in Texas who was secretly fucking the lawyer whose clients he was also handing hundreds of millions of dollars to:
https://pluralistic.net/2023/10/16/texas-two-step/#david-jones
Certainly, we don't hear much about the "moral hazard" of allowing the Sackler opioid family to keep as much as ten billion dollars in the family's offshore accounts while walking away from the victims of their drug-pushing empire, no matter what bizarre tricks they deploy in pulling off the stunt:
https://pluralistic.net/2023/08/11/justice-delayed/#justice-redeemed
But when it comes to canceling the debts of normal people, the "moral hazard" is front and center. If you're a person who borrowed $79k in student loans, paid back $190k and still owe $236k, we can't cancel your debt, because of the message that would send to other people who want to (checks notes) get an education:
https://pluralistic.net/2020/12/04/kawaski-trawick/#strike-debt
The anti-jubilee side also wants us to think of the poor creditors: who would loan money to the next generation of students if student debt cancellation was a possibility? Of course, these are federally guaranteed loans, risk-free, free money for people who already have money, a kind of UBI for the people who need it least. The idea that this credit pool would dry up if you were limited to only collecting the debts that can be paid – rather than insisting that debts that can't be paid still be paid – elevates the hereditary creditor class to a kind of fragile, easily frightened, endangered species.
But the most powerful arguments against bankruptcy are rooted in the idea of providence. In an efficient market, anyone who goes bankrupt was necessarily reckless. They were entrusted with credit they weren't entitled to, because they lacked the intrinsic merit that would let them manage that credit wisely. Letting them walk away from their debts means that they will never learn from their mistakes, and that their fellow born-to-be-poors will learn the wrong thing from those debts: that there's an easy life in borrowing, spending, and discharging your debts in bankruptcy.
As it happens, this is an empirically testable proposition. If this view of personal bankruptcy as a personal failure is correct, then people who go bankrupt and live to borrow again should end up bankrupt again, too. On the other hand, if we accept the jubilee view – that debt is the result of accumulated misfortunes, often including the misfortune of birth into poor station – then bankruptcy represents a second chance with an opportunity to dodge misfortune.
In a new study from IZA Institute of Labor Economics's Gustaf Bruze, Alexander Kjær Hilsløv and Jonas Maibom, we get just such an empirical analysis. It's called "The Long-Run Effects of Individual Debt Relief," and it examines the lives of people for a full quarter-century after a bankruptcy:
https://docs.iza.org/dp17047.pdf
The study follows Danish bankruptcies following the introduction of continental Europe's first modern bankruptcy system, which Denmark instituted in 1984. Prior to that, the Danes – like most of Europe – did not allow for a discharge of personal debt through bankruptcy. Instead, a debtor who went bankrupt would be expected to have about 20% of their lifetime wages garnished to pay back their creditors, until the debts were repaid or they died (whichever came first).
After 1984, Denmark bankruptcy system imported features of US/UK/Commonwealth bankruptcy, including the ability to restructure and discharge your debts. Not everyone is eligible for this kind of bankruptcy: there's a bureaucratic system that verifies that people seeking bankruptcy discharge don't have a lot of assets that could go to their creditors.
But for the (un)lucky people who qualify for bankruptcy discharges, there's a fascinating natural experiment in which the fortunes of people who see debt relief can be compared to bankrupt people who couldn't get their debts wiped out.
It turns out that the Bronze Age has a thing or two to teach us. Here's the headline finding: people who discharge their debts in bankruptcy experience "a large increase in earned income, employment, assets, real estate, secured debt, home ownership, and wealth that persists for more than 25 years after a court ruling."
After people are given the benefits of bankruptcy, they are less likely to rely on public benefits. They get better jobs. Their families live better lives. Their creditors get some of their money back (which is all they can realistically expect, since "debts that can't be paid, won't be paid").
As Jason Kilborn writes for Credit Slips, "the benefits of debt relief are not only substantial but robust, as debtors learn their lesson (if there was one to learn) about managing their finances, and they capitalize (literally) on their fresh start."
Score one for the luck-based theory of wealth, and minus one for the providential meritocracy hypothesis.
Americans should take note of these findings. After all, Danes are insulated from the leading American cause of bankruptcy: medical debts. In America, breaking a bone or getting cancer or even kidney stone can wipe out a lifetime of hard work, careful planning and prudential spending. The US refuses to seriously grapple with this problem. The best we can come up with is the (welcome, but tiny) step of banning credit bureaux from trashing your credit score because of your medical debt:
https://www.whitehouse.gov/briefing-room/statements-releases/2024/06/11/fact-sheet-vice-president-harris-announces-proposal-to-prohibit-medical-bills-from-being-included-on-credit-reports-and-calls-on-states-and-localities-to-take-further-actions-to-reduce-medical-debt/
Millennia ago, everyone understood that debts that can't be paid, won't be paid, and they created a system for discharging debts and freeing productive people from the tyranny of accumulated liabilities, to the benefit of all. Dismantling that system required us to invent an elaborate theological system and dress it up in economic language.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/06/17/lovilee-jubilee/#debts-that-cant-be-paid-wont-be-paid
#pluralistic#debt#debts that cant be paid wont be paid#jubilee#denmark#great danes#bankruptcy#second chances#scholarship#economics#iza#Gustaf Bruze#Alexander Kjær Hilsløv#Jonas Maibom#michael hudson
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Fantasy Guide to Royal and Noble Marriages
Marriage is an important part of the life of both royal and nobles in any setting, either historical fiction or fantasy. Marriages are not only life long commitments but they are business and protection deals by families. These are strategies, not relationships. So how can we write them?
Why make a Marriage?
Marriage is at its heart, the seal on an agreement. Two families may come to an agreement to share resources, connections and support one another. For a noble family, it could be about elevation. For example, if the daughter of an Earl marries a Duke, her siblings can now make higher marriages and her family would be more important thanks to this link. It could even be about money. In the late Victorian - Early Edwardian period, many impoverished English peers married wealthy American women for their fortunes. In exchange, the women became titled aristocrats. Royal marriages are made for more universal perks. A royal marriage can change the political layout of the world, it could isolate a kingdom or be the starting gun or a war or end a years long conflict. For example, Kingdom A might be being threatened by Kingdom B. Kingdom C has a powerful military. Kingdom A might offer up a marriage deal to Kingdom C, with the caveat that C protect A from B. C would obligated to act if A gets attacked by B, since A is now an ally. A marriage cements the deal as it creates family ties, which is seen as a sort of permanent stamp on negotiations. After all, would you screw over family?
Marriages of Choice vs Arranged Marriages
Marriages can either be made on behalf of a royal/noble or made by themselves. An heir might be more restricted in this case whilst a younger children have a little more leeway especially if they are part of a large family.
Marriages are not always arranged. But that doesn't mean there aren't restrictions. Any royal or noble will have a list of certain attributes their spouse must have or certain attributes they cannot have. Marriages of choice have to be approved by parents (and the crown if you are a high ranking noble) and if you are royal, sometimes by the government itself.
Arranged marriages are agreements between two families. They might want each other's protection, support or they might simply want to do business together such as opening trade corridors or lifting embargoes on certain items. Arranged marriages are usually made on behalf of both spouses and they are expected to agree to the match for the sake of their family or country.
Screwing over the Deal
Making a marriage doesn't mean that the deal will last forever. Alliances change and circumstances shift. Whilst everyone may be all friendly during negotiations and for some time after, politics is the aim of the game. Treaties can be broken, war can break out and marriages can become unpopular choices. If a country has welcomed a bride/groom one day and then their country becomes the enemy, the bride/groom could become an enemy as well and face isolation and disrespect from the public - even their new family. However they are expected to be loyal to their new family and country, even over their own family and kingdom. These marriages have no promise of happiness. They are a job, a duty to ensure the family is taken care of and securing their futures.
Timeline of a Royal Marriage between Two Royal Families
Offer: The suggestion is made.
Negotiations: The discussion through ambassadors of what a marriage might entails, what each side is willing to provide or what they demand of the marriage. This can take weeks, months even years before a marriage is agreed.
Betrothal: Marriage is approved, treaty signed and the couple is engaged. Betrothals can last from anything from a few weeks to years
Wedding: If one spouse has to travel to their new home, they will travel to their new home and meet their new court, new family and their spouse. Once they arrive, the wedding will take place in a matter of days.
Married Life
These marriages are public, so it is expected for the couple to at least act civil. If they do not like one another or can't stand the sight of another or they just don't love each other, is irrelevant to society and their expectations. They are expected to attend certain events together, sire children and do their duty. There's no rules saying they must live together, so many lived separate lives. The higher ranking spouse is expected to provide their spouse with an allowance and a staff. For international marriages, spouses are not permitted to hire a large party of their own attendants even if they accompany them to their new country. They may keep one or two for company but a newly minted royal should not be waited on by foreign servants, they are a royal of their new kingdom now.
What makes a "good" marriage?
As mentioned above, marriages and relationships are expected to fall into certain perameters. Any spouse - chosen or assigned - should meet certain standards such as be of appropriate rank, follow societal norms and even sometimes be of the same religion. Marriages to anybody who falls out of these standards can be seen as a devasting move - the marriage of Edward IV is still remarked on as a contributing factor to the end of the Plantagenet dynasty. Making the wrong choice of spouse in society's eyes can lead to gossip, being shunned, being disrespected and even barred from succeeding to your birthright. Unequal marriages or morganatic marriages, can even bar children from succession, disallow the couple from attending events together and deny the spouse the style they ought to be entitled to - the marriage of Archduke Franz Ferdinand is a good example to study. A good marriage is seen as one that adheres to all the expectations of society - even if it is an unhappy one.
#Fantasy Guide to Royal and Noble Marriages#Fantasy Guide#Writing royal characters#Writing royalty#Writing nobles#Nobles#writing#writeblr#writing resources#writing reference#writing advice#spilled words#ask answered questions#ask answered#writers#Writing guide#Writer's resources#Writer's reference#Writer's research
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Apparently unpopular opinion, but what I can judge from the screenshots we got today, the Capital is not just St. Petersburg, it’s more of a melange between St. Petersburg and Moscow. (Tbh, we got just one shot of the capital, so any opinion here is not really objective, but whatever)
Okay, so there is this:
My first thought was “wow is that inspired by Nevsky or by Tverskaya?”. (i. e. Nevsky Prospect in St. Petersburg and Tverskaya Street in Moscow). Consensus on Twitter is that this photo stinks of Nevsky vibes, however, I would like to point out several things, e. g. there are no sunny days in St Petersburg from architecture of the two Russian capitals to game design decisions made to create an atmosphere of a certain time period.
1) Architecture
I recall some people seeing the picture above and instantly suggesting Nevsky as an inspiration behind. I would like to point out, especially to the people who’d never been to either of the cities, that Moscow and St. Petersburg partly resemble each other (dear people of St. Petersburg - I know, sacrilegious of me to compare you with greedy Muscovites, no I’m not sorry).
Moscow is not only the Seven Sisters and modern skyscrapers. Petersburg is not only 200-300 y.o. buildings. Both cities underwent major changes during 19th and 20th centuries, both cities eventually adopted a somewhat similar style, a mix of late empire (1910s) and early soviet rule (1920s-1930s). Moreover, in many cases, these are even the same buildings, with a ground level from say 1913 and other floors from e.g. 1927. I’ll do you one better, if you compare historical districts of major cities of former Russian empire (e.g. Kyiv or Minsk), you’ll see the same thing. Yes, they’re not identical, but you can clearly see this specific architectural style of 1910-1920s.
Coming back to our screenshot above, I definitely can see Nevsky Prospect influence. However, when I saw those little decorative towers, they immediately reminded me of Tverskaya. I did some digging, and hey, there is actually something similar there:
Yes, not identical, but again, imo design of the Capital is done with goal to remind you of something you saw, not a copy, but close enough to understand the influence, to get the atmosphere of the city.
2) Historical aspect
Okay, from now on it’s my deluded gibberish, but hear me out. Considering the technologies presented in Pathologic (antibiotics, that massive ass artillery gun from P1 which honestly suspiciously looks like Schwerer Gustav), the game can be placed somewhere vaguely in 1920s-1930s. Taking into account what kind of language characters speak (for instance, Dankovsky speaks in a very specific manner, such Russian is more found in literature, than in actual spoken language. The same applies for most of the Utopians), lack of soviet-specific abbreviations and vocabulary, we can say that apparently October Revolution never happened. To be honest, Daniil wouldn’t survive the Revolution or early Soviet rule (read about repressions against intellectuals or the infamous Philosopher’s steamer)
You can argue: “but hey, isn’t Pathologic just a theatre play where such details don’t matter?”. Yes and no. Because it’s a theatre play, many otherwise important details are omitted. However, developers drop hints here and there, to set the tone and visually convey what kind of country and society they’re talking about. No offence to non-russian-speaking fans, but I’m still convinced that IPL still considers russian-speaking countries their primary audience. This leads to certain design choices, including architecture of the Capital.
In my opinion, IPL had to mix visuals of Moscow and St. Petersburg in order to convey a certain vibe. You see, since it’s somewhat suggested that revolution didn’t happen, developers have to utilise aesthetics of 1910s culture to show that we are talking about “Russia” from works of Gorky, Chekhov, and Bunin. At the same time, IPL have to add elements of early soviet culture, so the game world doesn’t look like weird 1910s with antibiotics and far too much advanced technologies.
How’s that connected to the Capital? Russian capital in late empire was St. Petersburg. In later years - Moscow. Moreover, if we are talking about Dankovsky as a character, his design (among other things) is heavily influenced by works of Bulgakov. But in Russian mindset Bulgakov is tightly associated with 1920s Moscow, you just can’t escape it. So, consequently, IPL decide not to sacrifice one for another, and just mix the two capitals, stylistically, in order to create the desired impression on the player.
We’ll see if all that is at least partially true from P3. Hopefully, even from the upcoming demo.
#also note the pre-reform orthography!!#and the electrotheatre right there#do you know what’s also on Tverskaya?#you guessed it! Stanislavsky Electrotheatre!#pathologic#pathologic 3#daniil dankovsky#даниил данковский#мор утопия
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Let this be a living example that knowing the beliefs of any individual who wrote any piece of text- be it literature, articles, or posts- can and should drastically alter your perception on what the text is actually communicating, even if that knowledge has, on its face, changed none of the actual printed words. This is how application of real-world context works, and this is how it applies to any recorded medium.
It reminds me heavily of a quote from video essayist Jacob Geller, regarding the 1938 film Olympia- "It's different when Nazis do it". Olympia is a film that, on its face, simply depicts an artistic documentation of the 1936 Berlin Olympics. But within the context of its production taking place during the Nazi regime, with its director being a well known Nazi propagandist... The way the movie fixates on the power and elegance of the human form and Ancient Greek statues quickly shifts from being completely innocuous appreciation to the worship of what is perceived as the ideal forms of the "Aryan race". Suddenly, you understand the movie not to be a pretty inoffensive documentation of a historical event, but a propaganda piece.
Understanding the time period in which something was made, as well as the setting it was produced in/for, and whatever ideologies an artist may hold and experiences they've had is absolutely critical to getting a full understanding of anyone's work. There are some things that are near completely anodyne on their face, but the revelation of what the author thinks and feels about other people and the world around them totally redefines every word on the page.
This image is such a prime example of why context matters. This opinion, laid bare, stripped of context, is both inoffensive and nonsensical. No one's ever thought it to be lame to create your own nickname... But on its own, that's a harmless kind of wrong. ... But with the addition of them being marked as Anti-Trans (red) on Shinigami Eyes, a browser extension dedicated to crowdsourcing keeping track of Trans Friendly and Transphobic creators... Suddenly, "Nicknames" doesn't mean "Nicknames" anymore. Suddenly, you realize that "Nicknames" is code for "Chosen Names of Trans People". Suddenly this isn't about thinking choosing your own nickname is lame, this is about thinking that trans people shouldn't have the right to name themselves. Suddenly it's about invalidating identities, thinking they're worth mocking. Thinking that people who identify as trans are "just trying to be cool", and that they're not actually what they say they are, because you don't get to choose your gender nickname, that's something already decided for you.
Suddenly, you realize, it's not about "being lame".
It's about Transphobic Violence.
This is why you cannot ignore when an artist, author, essayist, developer, musician- so on and so forth- is bigoted. This is why you can't ignore the context behind their upbringing. This is why you can't ignore the context behind their lived experience, their ideals, their goals, their message. Yes, it may appear innocent on its face. Yes, it may look fine stripped from the context of it being written by an inevitably flawed human being. But what's really being said here? What do those words mean... To the one who wrote them?
Context redefines Text.
Even if the words didn't change.
#this post is a bit random. not apologizing. it was just such a perfect encapsulation#i am still tagging this as homestuck because this is ultimately EXACTLY how i feel about hussie + their works. you must understand this.#its so applicable to hussie + homestuck + analysis of homestuck that it is fucking painful. PLEASE understand this. PLEASEEEE#homestuck#homestuck meta#homestuck analysis#andrew hussie#context#literary analysis#essay writing#cw nazi#cw transphobia#nekro.pdf#nekro.txt
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Once again, my thoughts are entirely occupied with War of the Rohirrim
Today's thoughts: marriage
So it's pretty obvious that Héra had no intention to marry Wulf, I feel the film makes that pretty obvious, at most she's more about just staying his friend (at least at the start) so I wanna ask, in a hypothetical situation where Wulf doesn't go batshit insane and start a war that kills…so many people. Would Helm make Héra marry the Gondorian Prince or not?
I'm squarely in the "he won't" camp. LOTR marriages are almost always about love first and foremost, the stark contrast to the historical history they base themselves on where arranged marriage is the norm as women and love have no say in the matter, it's entirely strategic considerations. If Héra doesn't love this guy, I think Helm would be…probably upset but accepting, he's smart enough to find another way to shore up the alliance between Rohan and Gondor, maybe Haleth or Háma meet someone from Gondor they love instead and they can get that marriage alliance that way, or just…simple pragmatism, I'm certain Gondor desires a secure eastern flank as much as Rohan wants a secure western one, they don't ever appear to have any overlapping claims on each others territory so the alliance is pragmatic for both parties regardless of marriage alliances.
I feel confident in this based on Haleth and Háma, they don't have partners. None that we see or are named and given their fates…it would be easier to really ram the emotional point home with a distraught partner. The boys are 30 and 22 respectively, that's quite old to not be married in the Anglo-Saxon world that Rohan is largely based on. Surely Helm if he was all about legacy and alliances would have organised marriages for them both by now, the fact he hasn't, kinda tells me that he doesn't want to force his children to do anything they don't want to do (within reason), he's content to let them find someone on their own and have that based on love rather that politics.
So maybe he might have been upset if Héra rejects the Gondorian Prince but I can't see him forcing her into it, if she's not down for it, she's just not. Based on the evidence of her brother's seemingly not being married or at least betrothed and that marriage in LOTR…is almost entirety love based rather than political based as marriage was in the time periods it's based on
#lord of the rings#lotr#lotr:wotr#lotr: war of the rohirrim#the war of the rohirrim#war of the rohirrim#baron rambles
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❝𝐖𝐄 𝐀𝐑𝐄 𝐀𝐋𝐋 𝐅𝐎𝐎𝐋𝐒 𝐈𝐍 𝐋𝐎𝐕𝐄❞ welcome to kentopedia's love through the ages collab. in honor of another lonely valentine’s day, i wanted to combine my two greatest loves: history and literature! so this is for anyone who wants a passionate romance and loves the aesthetics of the past. because i know that no matter when you live and die, your favs will always choose you ♡
STATUS: CLOSED
♛ — TO JOIN
submit a piece based off a time in history you find interesting. it can be an au of your favorite classic novel, a song you enjoy from a period before your own, a piece of art you enjoy, or something entirely your own. be creative!!
please reblog this post & send me an ask with the character you'd like to write about and the inspiration. for example: "nanami + renaissance" (which is what i’ll be writing teehee).
♛ — REQUIREMENTS
no fandom limitation, but i will cap it off at 2 entries per character (i won’t count mine in that limit!). and you can join as many times as you want.
this is a historical au collab, so i will not accept any submissions based in the 21st century :) but it can go back as far as you want!
there is no deadline. minimum of 500 words, but no maximum. i love long fics! please use the read more feature on your posts.
♛ — OTHER
anyone can join, this is not limited to followers. no age requirement, but you must be 18+ to submit nsfw pieces, with an age indicator. make sure to follow the rules of all creators involved (including me!).
submissions can be as historically accurate or inaccurate as you want them to be, and could include fantasy elements too! this is all about capturing the aesthetics of a time period, but i will never limit anyone’s creativity. it can be extremely niche too!
all forms of art are welcome, not just writing, as long as they are of your own creation.
nsfw, sfw, dark content, etc. is all acceptable. be sure to tag accordingly!
♛ — TO SUBMIT
tag me in your submission so i can also add you to the masterlist. also, link this post on your submission to spread the love to other readers! i will be reading all the submissions and reblogging with feedback as well. let me know if you have any questions!
bungo stray dogs . . .
nakahara chuuya and post wwii yakuza by @cheriiyaya
nakahara chuuya and the 1800s italian mafia by @osaemu
dazai osamu & fyodor dostoevsky as rival painters in the renaissance by @aureatchi
dazai osamu & fyodor dostoevsky in the trojan war by @fyorina
fyodor dostoevsky and victorian era royalty by @verlainepaul
dazai osamu as a fallen angel by @chuuyrr
jujutsu kaisen . . .
nanami kento and the renaissance by @kentopedia
okkotsu yuta as an edo period samurai by @anqelically
gojo satoru & geto suguru and the medieval period by @flowerpersephone
geto suguru as a nineteenth century vampire by @todorokies
nanami kento and the victorian era by @starsinmylatte
gojo satoru and orpheus and eurydice by @forest-hashira
geto suguru and the american old west by @forest-hashira
geto suguru and phantom of the opera by @mynahx3
geto suguru and ancient greece by @mochimooon
nanami kento and the heian period by @purpleqilinwrites
fushiguro toji as a medieval bandit by @honeybleed
true form sukuna ryomen and ancient greece by @girlwithsharpt33th
okkotsu yuuta and post apocalyptic 1600s by @atsquie
nanami kento as a medieval knight by @mynahx3
nanami kento and the regency period by @kentopedia
nanami kento and ancient japan by @mynahx3
attack on titan . . .
reiner braun as a wwii soldier by @thel0v3hashira143
levi ackerman and the impressionist era by @be-co-me
armin arlert and the early 20th century by @crazychaoticizzy
eren jaeger and the age of piracy by @bloompompom
demon slayer . . .
shinazugawa sanemi and antony & cleopatra by @mitsuristoleme
tengen uzui and the roaring 20s by @forest-hashira
haikyuu . . .
kuroo tetsurō and the space race by @ktsumu
kuroo tetsurō & iwaizumi hajime in regency era inspired japan by @jarjarwinx
persona 5 . . .
akira kurusu and the prohibition era by @clubkira
genshin impact . . .
albedo as a renaissance artist by @clubkira
dainsleif in the greatest showman by @rubysm
blue lock . . .
noel noa and indonesian colonization by
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I think I agree with you giving GRRM half points in the Question of Small clothes. While medieval women didn't wear pants, a lot of textual evidence points to them using rags during their period. This lady has done some experiments and has found that wearing rags tied to a belt to be the comfiest:
https://wh1350.at/en/equipment/menstruation-in-medieval-times-a-practical-experiment/
That scene between Jamie and Cerci would work if you visualised rags tied to a belt ("laced" underwear), but the GRRM would probably have mentioned period blood as an edgy moment. I think he would have also made a big deal of free bleeding too though
Honestly, given some of the quotes people brought up, I want to lock GRRM in a room with some paper and a pencil and say "okay, draw smallclothes."
Because at times they're described like briefs, boxers, or panties- IE "shit his smallclothes" or "he ripped her smallclothes away" -but other times like a shift/smock or a pair of 19th-century combinations? like saying that people of any gender who were cold wore "two layers of smallclothes?" I don't know about boxers, but two layers of panties wouldn't do anything to keep you warm
Honestly it sounds like he gave this no cohesive thought and SmallclothesTM are just whatever form of underwear he needs them to be in the moment. Which, as multiple people have said, is mostly annoying because he makes such a HUUUUUGE deal about figuring out societal minutiae
"what are Aragorn's tax policies?" I don't know, George; how do his undergarments function? who makes them? what are they made OF? what properties of that material make it useful for undergarments? if it's not the real-life "using linen to wick sweat and body oils away from the body and protect unwashable outerwear from it," what are over-garments made of that they CAN be washed frequently without damage or weakening the fibers? if men and women are both wearing a brief-like lower garment called "a pair of smallclothes," why is it sometimes described as being layered for warmth?
for that matter, why are women in conventional clothing wearing them in a setting where Skirts For Women is the norm, when historically that made more sense for people wearing trousers (to prevent chafing and/or Crotch Sweat Damage to said trousers)? at least, outside of their menstrual cycle?
in conclusion, clothing history and general broader understanding of how garments/garment production and care systems work is radically undervalued in fiction. probably because of misogynistic negative associations with women and therefore "triviality" because Nothing Women Care About REALLY Matters (even though Men Wear Clothing Too). but that's another conversation
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hi ice! im sorry that you're dealing with other stresses, please don't feel any pressure to answer this quickly or anything.
im wondering if you have any advice for a Black person overcoming a lot of internalized anti-Blackness? especially pertaining to feeling like a disappointment specifically for being Black (i struggle with feeling like i will ever be attractive to a partner because of it, even if theyre also Black), and presenting in a way that makes me happy (i want to grow out an afro but i get afraid of looking "too Black", same with wearing my durag and similar things). also are there any books that you would recommend for working through that, or even just learning about Black history (reading often helps me to logic myself out of negative thought patterns and feel inspired)?
thank you! sorry if this ask is too complicated/encompasses too much
Hi! Well first, I am sorry that you've lived a life and in a world that reinforces you to hate yourself. You do not deserve that, and I'm proud of you for asking for more, and I hope you one day live a life where you love yourself and recognize how much you deserve.
If it's okay, in addition to some resources, I could give you some pointers that I gained from my own life experience unlearning internalized antiblackness. It's not an easy or short process, and there's plenty of hard truths and happy truths. I am not the sweetest advice giver either, but I promise I mean well:
1. Release the Shackles of Respectability Politics!
I was already starting to really grow into my Black identity by undergrad (my family had at least tried to help me get there through my childhood) but what really cinched it for me was the state murder of Sandra Bland. Sandra Bland was everything "right"- multiple degrees, pretty, educated, in a historically Black sorority, a college educator, a woman who spoke up for justice. Respected in her community! She was everything I thought I was supposed to be!
And the police still captured her, beat her, and murdered her in her jail cell (and lied about it, and potentially posted a picture of her dead body as her mugshot) for the audacity to question them. She's still dead! She still wasn't "good" enough to live!
No amount of being a "good, well-behaved" Black will save you in a society where being Black itself is deemed a sin. So every time you get a thought where "this isn't what society wants" or "I'm embarrassed" or "if I do this, I'll look like a bad-" cut it off! Fuck em! IT'S NOT TRUE! Recognize that you could be the finest, richest person on the street and you'd still be just a n***a in many people's eyes. 🤷🏾♀️ Point blank. They don't like you for your racial identity. They can be racist to Barack Obama and Beyonce, and they sure can be racist to you lmao.
It's not about you, you are not the problem! James Baldwin himself once said that racism is the white man's problem. It's not your responsibility to make them "like" you and "not be disappointed", it's their responsibility to respect you as a human being regardless!
2. Take Back Your Autonomy
This ties into the first one. Let's all thank Lil Nas X for this one, bc he did for my bisexuality what I had to do on my own for my Blackness. 🙏🏾
If they hate you anyway, you might as well be your most authentic self 🤷🏾♀️
Don't die disappointed because you wanted to reach white acceptance. Don't do it. If they're gonna hate you suppressed, they might as well hate you out loud 🤷🏾♀️ it's your life! It's why I don't shut up about racism lmao. You already hated me, now we'll both be uncomfortable and imma speak 🤷🏾♀️
So when you wear that durag, or wear your afro, recognize that 1) there are people just like you who love how you look because you look like them, 2) you should love how you look period because you're who matters, and 3) the day I receive a check with an undisclosed amount of reparations on it is the day I'll sit and discuss allowing whiteness to designate how the fuck I'm suppose to wear my hair lmao (and the answer will still be no). 😤
3. Accept that you're worth it
It's going to be hard. Even by wearing your afro, your own natural hair, you are making a statement of pride in your Blackness, and everyone won't understand or respect that. That was one of my first steps in high school, was cutting off all my permed hair and loving my afro. I had to write affirmations that I read daily to love myself, I was so scared. But it was worth it. My hair is healthy and happy. I had to learn brown skin was beautiful. But once I did, I couldn't stop fawning over it, on myself and others.
There are people who live their lives told by society they are perfect. Why do they get to think they're beautiful, and you don't? They're not better than you, yet they can tell you that you should hate yourself. What gives them the right? Who do they think they are? Fight back! Accept that the fight is hard, but you're worth it! Your Blackness is beautiful, and it fought hard as fuck to make it this far- honor that by honoring yourself!
4. Find some community; dive deep into Blackness
This one is self explanatory. You're gonna have to be around Black people that love themselves. Surround yourself with it. Find things they do that you like. Learn to find love in it. It could be creative, political, hell even finding a hairstyles group that shows cute ways to wear your hair. That can be a way to grow more confident and try new things. (All skinfolk ain't kinfolk though, so be aware.) But being around Black people, who care about the same things you care about, and make you feel heard, will help break that... Mind space where you feel alone and wrong. Trust, if I didn't have other Black people on this site, I would go mad from people gaslighting me that the racism I was seeing wasn't real. You need some more of us around you that reinforce your love for us, and yourself.
Here is a long paper discussing internalized antiblackness; you said you like to read lol. It admittedly focuses on Black women, BUT it might also help to use the sources that they cite to go on your own journey regardless! You could also just surround yourself with bloggers and beautiful poems and Black creations. There's beauty in all of it, you gotta let yourself find it.
I hope this helps 🙏🏾
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Time Knows No Bounds - Part Five
Warnings: Finally, the sexual tension you have been waiting for! Some NSFW parts are present, so please read responsibly and don't get caught. ;)
Info: When the font is like this, it means Ragnar is speaking in his native tongue. When he is speaking English it will just be italicized. The reader's text is just normal and anyone other than Ragnar or the reader will be in bold.
Spoilers: None, because this is completely my creation (apart from the character/legend of Ragnar Lothbrok and other historical names) it has nothing to really do with the tv series.
Plot: Ragnar, in this series, is unattached to anyone romantically. No Lagertha or Aslaug or any other baby momma's out there. No children. He has met and learned with Athelstan, because that contributes to his ability to speak with the reader. Other than that, he's just a simple gorgeous viking that lives on his farm in Kattegat, dreaming of adventure.
Summary: This will be in Ragnar's POV again. -A rude interruption leads to your freedom from the utility closet, but will the opportunity to get this close ever present itself again? Time will only tell.
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Part One Part Two Part Three Part Four
It seemed that there was destined to be an interruption at every time that he attempted to get closer to y/n. First the 'phone' that she had in her pocket back in the bedroom she had given him, chiming when the two of them had just started to lean into one another. Now to the door flying open when he had actually began to make contact with her lips. Those lips that had long been on his mind from the moment she first gave him a smirk back at him in return to his. Ragnar had been enthralled with y/n from the moment his eyes landed upon her after arriving to this time period, even more so than the advanced world around him. Y/n was by far the most breathtaking woman he had ever seen and her sassy personality and humor caused him to grow even more attracted to her as the hours flew by. What really drew him to her, was her sense of nobility: she was willing to do what she could to help him even though she had no real reason to. She could have left him there and been on her way and who knew what sort of trouble he would have found himself in. Ragnar was quite good at getting himself into trouble, and being here alone, he had no one to get him out of it. Yet y/n was adamant in helping him to fit in, and learn the way of things in this time, while also doing what she could to figure out just how he got there and how he could get back. Perhaps it was a good thing that they had been interrupted from their kiss? If he was to end up going home one day...would it not be better to avoid the temptation that y/n presented? Ragnar knew that it was silly to believe this, for they had just met, but he knew that it was only a matter of time before he ended up falling madly in love with her.
The small balding man from earlier was standing there with raised eyebrows, though the two of you had pulled apart quickly when the door had opened. The look in the man's eye told them that he had still seen their close proximity and their flushed faces no doubt gave away what had been about to happen. Y/n began to explain the situation and the man just smiled and held up his hand. "No need for explanation, this is honestly the most tame thing I have come across when opening this door." he said, as his eyes cast elsewhere, a vacant and disturbed expression on his face. "I will have maintenance fix it tonight during their shift, mark my words. It's only a matter of time before I end up getting myself locked in here and I can tell you, no one would come looking for the boss." he said with a chuckle. Y/n gave a small smile and then glanced at Ragnar before she grabbed the broom and headed out, to which he followed after her, giving a nod of thanks to the man, even though he was not 100% thankful for the interruption. He followed her back to the exhibit where he watched y/n begin to sweep up the little bits of paper, pottery and other things that were scattered across the floor. He watched her silently for a moment before he began to open his mouth to say something, but she stopped him by handing him the broom. "I need to go and find the dust pan, can you finish up for me?" she asked with a small smile on her lips. How could he say no? He gave a nod of his head and then watched her walk away, his eyes slowly roaming down her body to her backside before he sighed and looked down at the bits that still needed to be swept into a pile.
When she came back they helped one another finish sweeping and dumping the dust pan into the trash before finally they were finished and the exhibit, hopefully, looked good as new. He watched as she went around one final time to each part of the exhibit and adjusted it slightly, before she finally gave a nod and came back over to him. "That's better." she said. Ragnar smirked at her and then set the broom down against the wall. "What is next?" Y/n smirked back at him and then said that they were free to do whatever for the day, since it was still technically her day off. "This is a whole new world for you, what would you like to do?" Ragnar's mind thought back to the moment in the closet, where he had y/n pressed up against the wall with his body, his lips so close to capturing hers as he had been longing for. Yeah, there was no denying that that was what he wanted to explore right now. Yet as he looked at y/n as she stood there smiling at him with a tilted head, the way that the sunlight from the skylights above danced across her hair and lit up her eyes some, he knew that there was something more he wanted. He gestured for them to head out of the museum and as they did, his eyes searching around him at the vast city and all of its massive structures of metal and brick and...noise. So. Much. Noise. Ragnar suddenly felt overwhelmed and he rubbed the back of his neck uneasily before he felt y/n place a gentle hand on his shoulder and he looked down at her. He gave a smile and then slid his hands into the pockets of his pants...er...jeans, he believed she called them? "What is your most favorite place to go in the city?" he asked. "That is what I would like to see." he said, his smile forming into his trademark smirk.
This seemed to take y/n by surprise, her eyebrows lifting to the heaven's ever so slightly before coming back down and a smile played upon her lips. "Oh." she said before she pursed her lips and thought for a moment. "Alright, but we will need to grab some provisions first." she said, which altogether confused him. Provisions for what? She lifted her finger and wagged it in motion for him to follow her, he did not hesitate. They soon found themselves back inside her home, where he watched as she went to the kitchen and began to rummage around in the refrigerator, setting things onto the counter before diving back in again. "What are you doing?" Ragnar asked as he finally began to make his way toward the kitchen. "Do me a favor and go grab that blanket that's on the back of the couch." She said while still halfway within the box. He paused, his eyes scanning the room until they caught sight of the large blanket that was draped over the dark blue three cushioned piece of furniture and he picked it up, folding it a bit. He brought it into the kitchen and stood there as she began to put together some sort of food, that contained meat, cheese, lettuce, tomato and placed between two slices of bread. Huh. Ragnar leaned forward some, looking over her shoulder as she cut them in half and placed the pieces into a container and closed the lid. Then she grabbed a bottle of something yellow and a jar of something white, to which she placed it within a large basket. She then grabbed some bottles of water and put them inside as well, along with plates that appeared to be made out of paper and some cutlery too and then she stood there thinking for a moment before she turned and looked at him. "I think that is all we will need." "For what?" "You'll see." He groaned, letting his head fall back a bit as he did and she chuckled, hoisting the basket to him for him to carry and he lifted his head back up, stared down at her silently before pursing his lips and taking the basket from her. "Fine."
Once again he found himself within one of those so called 'cars' and they were on their way to wherever y/n had planned on taking him. The trip did not take as long as he had thought it would, still, he was just as mesmerized by the surroundings they passed as he was the first time he had been in a 'car'. They came down a path that wound a little way, trees on either side in neat rows, flowers at full bloom within their thick foliage. Ragnar leaned closer to the window in hopes of seeing exactly where they were going until the car then came to a stop and he blinked, turning to look over at y/n as she began to open the door. "We will have to walk from here." she said with a smile, a dimple forming at the corner of her mouth that he had not noticed before but oh how he was enamored by it. He swatted her hand away from the basket when she reached for it as it sat between them, taking it in his own hand and gave her a smirk as he exited the car and walked around to where she stood waiting for him. He followed after her as they continued on to a smaller path that branched off from where the car had left them and he couldn't help but let his gaze wander from his surroundings, to roaming up and down y/n's body slowly as she walked ahead of him. From the way that her hair blew slightly in the breeze causing it to dance around her shoulders, to the way that her hips would sway as she walked. Ragnar's eyes couldn't keep from focusing on her backside longer than what was probably appropriate, but he just simply could not help himself. When she turned to look at him over her shoulder, his eyes quickly averted elsewhere before she could catch on, though when she looked back ahead, his eyes would trail right back and a smirk would form on his face.
They finally stepped off of the pathway that she had been leading them down and began a climb uphill until they reached the very top, where she then took the blanket from on top of the basket and threw it outward, allowing it to settle upon the grass. Then she lowered herself down to smooth it out, then she took the basket from his hand and set it off to the side of the blanket before standing back up. Ragnar had been about to sit down upon the blanket, thinking that was what she was aiming to do as well, but she had stopped him with a hand to his shoulder and gestured for him to look in a direction off ahead of them. He turned his gaze and she smiled at his reaction as his mouth parted ever so slightly at the sight of their view. Vast gardens and mazes lined the way below them, colorful blooms of almost every shade all intricately positioned within the maze and walkways. What truly caused Ragnar's mouth to part was the castle that was at the end of the mazes and gardens, perfectly placed like it had hopped off of the pages of a storybook. "Rosenborg Castle and gardens. One of my most favorite places." she said softly as she stood a little closer to him, tilting her head a bit as she looked up at him and then out toward the scenery. "With my love for history, this place never disappoints to fill my head with wonder." Y/n gave a soft sigh and Ragnar finally turned and looked down at her, a smile upon his face instead of his trademark smirk. "It is...quite amazing. There are not many castles back home." He lowered himself down to the blanket as she did, bringing his knees up and letting his arms drape over them lazily as he watched her begin to fish out the items from within her basket and set them out upon the blanket. "What do you call all of...this?" he said, gesturing before him at all of the food, plates, bottles of water and other things. Y/n smiled and opened the container and pulled out the bread with meat and cheese between it and set it upon a plate, handing it to him. "A picnic. That's a sandwich." she added, when he opened his mouth and pointed at the unfamiliar food item before him. His eyes lifted to hers for a moment, his eyebrow raising ever so slightly in question and he began to open his mouth once more. "No, not that kind of witch." Again, beating him to the punch.
Ragnar eyed the sandwich with suspicion at first, then watched as y/n pulled out the jar of white stuff and the bottle of yellow and pointed them to the sandwich. "Lift the bread up and I will add some of both. Mustard. Mayonnaise." she said, holding up each of the items as she named them and he just stared at them before finally doing as she said. "Something the vikings didn't get to experience. A world of flavorful food." she said, clicking her tongue in sadness. When she was finished applying the mustard and mayonnaise, Ragnar let the bread fall back down and then brought the sandwich up to his mouth and bit into it. The moment everything hit his tongue, he paused and his eyes drifted to the basket that sat behind y/n. "Is...there more in there?" he asked, after having swallowed the bite he had in his mouth. Y/n chuckled and nodded, stating she had packed several sandwiches. She then pulled out a small and rather noisy bag and he watched as she opened it, leaning forward and looking into the back as she then pulled out a flat piece of..something, and then popped it in her mouth and he could hear the sound of her crunching it. He raised an eyebrow as she continued to crunch on that piece, from what he had seen it did not look at all hard, but yet the sound was quite...loud. He smirked and then she allowed him to grab one from the bag as well and when he placed it within his mouth, he was blown away from the flavor and when he bit down on it, it would have startled him with how crunchy it was, had he not already known from overhearing y/n earlier. "What is this thing?" he asked, still crunching which made her laugh out loud. "It's called a potato chip and there are so many flavors out there." This intrigued him greatly, the fact that this delicious and crunchy form of heaven was made out of a potato and he then asked y/n exactly how they were made and what these other flavors would be. The fact that the list of flavors went on, and he literally had no idea what more than half of them were, blew his mind though she did promise to help him form a quest to try every flavor possible.
Eventually all of the food was gone and now the two of them were left with just sitting upon the quilt she had brought and watching the shadows grow longer as the day grew ever onward. Y/n told Ragnar the history of the castle that was before them as they sat upon the hill and watched people come and go across the grounds before them. How they would venture inside of it and y/n explained how it was open to the public, everyone able to tour the palace and all of its wonders. This intrigued Ragnar greatly, especially the fact that people could just waltz into the castle like that and this caused y/n to laugh. "Well, there are not that many monarchies still around anymore and even then, their power is nothing like it once was. The average person has more power these days than royalty, honestly. Governments were created, people can vote and choose how they want things to be. It's a very different world now." she said as she leaned back on her hands, her legs stretched out before her as she looked at the castle while the sun cast down upon it in a way that made it almost look like it was glowing. Ragnar glanced over at her, not being able to help himself from doing so, his own hands holding him upright as he leaned back upon them as well. He took in just how she was looking at the castle and the grounds that lay out before them, how her eyes showed just how much she admired the history that she knew, the architecture that the castle boasted even after the centuries that it had been standing there. His chest swelled a little as he gazed at her, the way the light would dance across her face as sun hit against the surface of the small lake that was in front of the castle. He finally cleared his throat and looked away for a moment. "Why are you helping me?" he asked finally after a few minutes of silence.
Y/n was silent for awhile after that question, but as he watched, he could see her face showing signs of deep thought. "Because there is a reason behind all of this happening: you suddenly coming into the future and us meeting." she paused for a moment and then looked over at him. "I want to know what that reason is." Their eyes locked for a moment, Ragnar's heart suddenly skipping at beat just from that and then y/n smirked at him. "Plus, you seem like a trouble maker. Someone's gotta keep an eye on you." At this point, Ragnar could not help himself. He leaned toward her, his left hand reaching up and placing itself against the back of her neck gently and with it he brought her toward him. The soft gasp she gave in response silencing as his mouth captured it, his lips softly pressing against hers at first before they began to guide hers in a subtly sensual dance. He could feel her hesitation in the beginning, from the way her body went stiff but after a few moments he felt her relax, give in and she began to move her lips against his as well. The sensation of her lips moving against his caused that low burning heat he had within his lower stomach to engulf into a raging inferno, escalating as her hand made its' way to the side of his face and cupped it for a moment before moving behind his head, to the back of his neck, her fingers digging slightly into the base of his hairline. Ragnar continued the kiss, slowly deepening it as he then moved his body closer to hers and began to maneuver her downward toward the blanket they were seated upon, his hand cradling her neck to guide the way. He moved so that way he was somewhat on top of her, his lips dancing against hers until they began to venture along her jawline and behind her ear, his mind and body reeling from the soft sounds of agreement that came from her mouth as he did.
The hand that he had been using to keep himself from putting all of his weight upon her, slid around her waist and then began to travel toward one of her breasts when suddenly he felt her hand catch hold of his wrist, stopping his movement. Ragnar paused and then slowly pulled his face away slightly, looking down at her with a raised eyebrow. "We should stop before someone sees." she said, which caused him to lift his had further and scan the area with his eyes before looking back down at her. "No one is watching." he said with a smirk, starting to lean back down toward her mouth, but she put a hand against his chest, once again stopping him. Y/n gave a soft chuckle and began to sit up, pushing him upward as well with the hand that was upon his chest. "I'm sure where you are from, people just fuck in the middle of the village and no one spares a passing glance, but here it is quite different. We don't need to end up in jail." Now sitting up, she began to pack up the items around her and put them into the basket. "Perhaps it's time to head back home?" she said, her eyes lifting to meet his. Ragnar quickly stood up and began to carefully roll up the blanket as she gave a soft laugh and moved from on top of it so that he could place it into the basket as well. Soon a taxi was hailed and the two of them were riding along in silence that was so thick that the tension could be cut with a knife. Glances were stolen. Lips were chewed upon slightly. Ragnar's knee was bouncing uncontrollably as he let hand rest there, fingers gripping into his flesh, his mind imagining that his hand was kneading one of those impressive mounds she had for breasts. Could this taxi possibly move any slower?
Finally back at y/n's apartment, they worked together to put away any left overs and other items before y/n stated that she was going to take a shower and Ragnar gave a nod, figuring that he would just lie down upon his bed since he still did not really understand how to work the 'TV'. He followed after her down the hallway and as he did, he couldn't help but let his eyes wander over her as she was before him. The way her back curved, down to that luscious backside...the feelings from earlier began to swell back up within him with a vengeance. Ragnar's pace quickened by a few steps and he then took hold of y/n's waist and turned her toward him suddenly. He moved her against the wall, pushing her up against it as he leaned down and claimed her lips with his once again. Any gasps or noise she may have made in reaction to this sudden movement was swallowed down by Ragnar as he pressed himself against her, his hands sliding down her sides and squeezing lightly. Y/n gave a soft moan against his mouth and this caused him to give a bit of a growl as he then moved his lips to her neck, one of his hands sliding down to cup against her bottom and giving it a hardy squeeze. Ragnar felt her fingers curl a bit into his hair and grip hard, which made him suddenly move his hand from her bottom down to that thigh and he lifted her leg up and wrapped it around his hip as he pressed his growing excitement against her. When he felt her grind against him slightly, Ragnar all but lost control and began to bite and suck against the skin of her collarbone as he used his other hand to move up under her shirt and cupped one of her breasts, giving it a firm squeeze after. Y/n's hand took hold of his braid and pulled his head back up to where she began to kiss him fervently, her tongue even darting across his bottom lip. Ragnar groaned, pressing himself more against her as his body pinned her against the wall, giving his hips a roll while holding there and then grinning against her mouth when she let out an involuntary moan. He then removed his hand from under her shirt and slid it behind her to where he cupped her other thigh and brought it up around his hip as well. He held her like that for a moment against the wall, devouring her lips, biting and sucking against that bottom lip of hers until he then moved away from the wall, carrying her down the hallway and through the doorway of his room.
Their lips never parted as he carried her, not even as he came over to the bed and lowered her down onto it, moving to hover over her. Ragnar took the time to lift her shirt up and over her head, letting his eyes roam over her flawless skin, his eyes hesitating on the odd looking bodice that was clasped around her perfect breasts (he made a mental note to ask about this later). He then began to kiss down the side of her neck, letting his lips dance across her collarbone once more before he moved them further down until he came to the tops of her breasts. He placed light kisses there at first...then he began to lick, moving the piece of fabric that kept her sensitive bud hidden from him. Once it was revealed, he took it into his mouth gently and sucked on it lightly, his eyes lifting toward y/n's face as she gasped. Her back arched upward from the bed and he let one of his arms wrap around her waist to keep her in that position as he then let his other hand begin to slide down the front of her pants, now that there was room with the angle she was in. Ragnar moaned against her skin as he swirled his tongue around her nipple, sucking and gently biting down as his fingers descended toward his objective. His index finger had just brushed against her ready clit when the sound of numerous chimes echoed around them. He paused, lifting his eyes toward her as she gave a groan. "Someone's at the door." she said, breathless. He felt her body begin to tense with the movement of trying to sit herself up, but he held her down with his palm against her pelvic bone and his mouth quickly moving to the other breast as his hand moved away the fabric from that nipple as well. She gasped, arching upward again and gave quick and eager attention to this breast for a moment before lifting his face up some and looking at her. "They can come back another day." he said with smirk, before he began to move his fingers back to her clit...when the chiming began again, this time more frequently. Ragnar gave a loud groan and let his forehead rest against her chest for a moment, before he felt her hand gently begin to push against his chest and he reluctantly rolled off of her and onto his back upon the bed, staring at the ceiling with annoyance.
Y/n gave him an apologetic look before she slipped her shirt back on over her head and adjusted her hair before heading out into the hallway and toward the front door. Ragnar waited for a moment, allowing certain body parts to adjust to the unwelcome interruption, before he pushed himself off of the bed and headed to the living room. He stopped in the doorway of the hall when he found y/n standing by the front door, now closed, with a young man standing beside her. The man cast him a look with a raised eyebrow, to which Ragnar did not hesitate to give back until his eyes moved to y/n as she spoke. "Ragnar, this is my older brother, Kyle."
Gif Credit: @captainalicen
Tag List: @cullenswife @hypocritic-trash-baby @blueeclipsepaperstudent @huskyhunnyny @wolfy1712 @shit-i-say-shit-i-think @mssbridgerton @menari @kcd15
(If I have forgotten anyone in the tag list, please let me know and I will fix it! <3 )
#ragnar lothbrok#vikings#ragnar lothbrok x reader#travis fimmel#ragnar imagine#ragnar lothbrok fanfiction#ragnar x reader#vikings fanfiction#ragnar fanfic#vikings imagine
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