#Or any other historical time period for that matter
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Imagine your Otp
Person A: “If I were rich, I wouldn’t hesitate. If I were rich I’d marry you as soon as the courthouse doors opened. I would change my name. I would change my face. I’d come back to you as a king. How could they refuse our love then?”
#For my regency fans#Or any other historical time period for that matter#wlw prompts#fanfic inspiration#otp ideas#fanfic things#fanfic prompts#otp prompt#tag your otp#otp things#fanfic inspo#imagine your otp#otp inspiration#happy pride 🌈#pride 2024
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this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣
so what are some signs to look for? let's use this very good example.

what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?
your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?

Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.

But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.

This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.
Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.
Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:
-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.
-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?
-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!
-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?
Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.
peace n love
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School sucks!
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Minatozaki Sana x female reader
Warnings: Loser reader, popular girl Sana, awkward talks, history class (if that's a warning for anyone), reader is like super nerdy, some self-doubt, mentions of presentation anxiety
Story: Reader and Sana are paired together for group work. Sana flirts, reader blushes.
Authors note: This was quite fun as someone who has history advanced class. Sometimes, I feel like an absolute nerdy loser during school. Anyways, enjoy the read♥︎
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The school bell rings as the clock strikes eight o'clock. School has started, and the students of the eleventh grade wait patiently for their history teacher. Monday first period was always reserved for history. A few students quickly shove some snacks into their mouths, and others spend the time on their phone for as long as they still could.
The door slides open, and the teacher walks inside. Measured steps walk towards the front of the class.
"Good morning, class." Greets the history teacher. Everyone gets up and bows down while mumbling a 'Good morning'.
"I've planned a class project for the week. The project will include a presentation, a handout, and a test on all of the presented topics. The timeline for preparation as well as presenting will take about two and a half weeks. I will choose the groups. Every group includes two students."
Groans and complaints roar through the classroom. Nobody seems to be in the mood for such a time-consuming project. The mentions of a test seemed to wrap it up nicely.
One student, though, was all excited for the project. Y/n. Her love for history was indescribable. Always top of the class with a perfect score. Her love for history started at a very young age. Most of her free time was reserved for researching historic events. On top of that, she is also class president. A trustful student at that.
Y/n smiled brightly while already planning out the structure of this project.
There is another person in this classroom. Her excitement was on the bare minimum. Minatozaki Sana. She is one of the most popular girls at school. Everyone is head over heels for either her or one of her friends. Hirai Momo and Myoui Mina are always on her side, the Japanese girls never seen separate.
Sana groans and glances out of the window. She wasn't exactly stupid or not good in history. The subject just didn't matter to her that much. There were better things she could spend her free time with. Such as shopping.
The teacher had already started putting together the pairs. Some students are happy while some others try to hide their frustrations. Y/n patiently waited for her turn.
"Y/n, you will be in a group with Sana."
Y/n smiles and turns to glance at Sana. The two never spoke much. The class president waves joyfully and nicely greets Sana. The Japanese girl, on the other hand, did not react that excitedly. She almost rolled her eyes and turned her head away.
♡
After class, Y/n makes her way to Sana.
"Hello, Sana. Since we're in one group, I wanted to discuss some things for the start. When do you have time for meeting up after school? I already planned some things for the presentation and hand out-"
"First of all, I don't have any time for this project. I really need some new clothes, so I'll be spending my free time shopping. Secondly, I think you can handle this perfectly on your own for now. I'll tell you when I'm free, just get started and I'll help you later on. What's even our topic?"
"Oh, um, our topic is Napoleon and him taking over Europe. Please text me when you're free. Here's my number."
You hand her your phone and watch her type in your number into her contacts. She smiles and hands you back your phone.
"Thanks, Sana, I'll be looking forward to our work together."
You smile back and leave the classroom to get to your other class.
♡
A week has passed. Sana hasn't texted you yet, and the project is due in three days. You did most of the research yourself as expected. People mostly let you do the work since you're the class best. Sana isn't an exception there.
You thought she would have messaged you by now, but the contact between the two of you stays silent. Sana doesn't even talk to you at school. You feel really frustrated about this. She didn't even talk to you in history class.
You never minded being the nerdy outcast, but sometimes it was just lonely. Nobody would want to pair up with you. Many would just use you for good grades. You didn't think Sana would be the same. She actually looked so sweet.
A notification from your phone interrupts your train of thoughts. It's a text message from Sana.
'Send me your address, I'm coming over wince I have some free time. Can't leave you all alone with the project ;)'
You sit up and look at the message for a few seconds. That was quick. You didn't think the odds would change this fast, but here you are. You type in your address and see her reply with thumbs up. She's quite silly if you think about it.
♡
The wait for Sana is uncomfortable and embarrassingly long. You get a light stomach ache, which is quite normal in stressful situations. Everything related to the topic is laid out on your desk, sorted neatly. Your right leg bounces on the stop to relieve some stress.
Your parents aren't home for the night. They went out for dinner. You often told them that you wouldn't be eating with them since you were so caught up in studying. School is something very important to you, and you take it very seriously.
The door rings, and your body almost explodes with nervousness. She's here, at your house. This is weird. Nobody's ever been at your house. You apparently take too long for her liking, so Sana rings the doorbell again.
The sounds of your footsteps are muffled due to the carpet. You carefully open the door and glance at Sana. She looks nice, maybe a bit overdressed. You, on the other hand, are dressed in casual clothes.
Sana smiles at you and moves past you inside of your house without even asking for permission. You look after her in confusion, but quickly close the door to catch up with her.
"Where's your bedroom?"
Sana asks. You lead her to your room and close the door after the two of you enter. Sana takes a good look at your room. She grins at the decor and the posters.
"Kpop? Really? Didn't think you'd be this nerdy."
You blush and look down at your feet.
"It's actually really nice to listen to. You should give it a chance."
Sana shrugs and picks up some other items. She often giggles to herself. You can't really do anything else other than watching her inspect everything in your room. Maybe this was a bad idea.
"How about we start on the project? It's due in three days, and there are still some things we need to do."
Sana nods and looks at the already gathered papers on your desk.
"Did you already start with the hand out?"
You shake your head and walk over to your desk.
"No, I focused on the presentation first. It's the most important thing about our project. All of the information I gathered should be helpful for the handout, though."
Sana nods and takes some of the papers. She reads through the information and nods to herself.
"Wait, wasn't Napoleon like active during the first world war?"
You stop with what you're doing and slowly turn to look at Sana. This question was not expected.
"No. Napoleon's era was during the late eighteen century up to the early nineteen century. World War One happened in 1914 until 1918. Why did you think Napoleon ruled during world war one?"
"I don't know. My concept of time is not that great."
You nod and get back to the information. Sana grabs a paper and starts with the handout.
"I can start on the handout. After I'm done, we can copy this and print it out a few times. What do you want on the handout?"
"Uhm, maybe Napoleon's way of taking over Europe, and we should definitely bring in the code civil."
Sana just nods and raises her eyebrows at what you said. Her knowledge of history could be compared to the intelligence of a potato. This was just not her strong suit.
"Wow, you're really into the topic. It's a shame that you're this nerdy. You're actually kinda cute."
Sana winks at you, and you blush. Why is she acting like this? At first she didn't want to talk to you, and now she is flirting with you? What is this behaviour?
The evening goes on with the two of you working on the project. Sana is surprisingly very good at making handouts. Her questions on Napoleon, on the other hand, have you in a state of shock.
During the work, Sana makes some flirty comments towards you. It's weird since she doesn't really talk to you, like ever, but this seems to be different. You don't know what has gotten into her.
Sana leaves after two hours. She winks at you and then walks off into the night. Your face is beet red. Nobody has ever acted like this with you before.
♡
You sit down in the cafeteria to eat some food. While munching on some rice, you finish some English homework. You're so deep in thoughts that you don't notice three girls walking over to you.
They put down their trays and sit down at your table. You lift your head to see who it's is. It's Sana and her friends Mina and Momo. Sana sat down next to you while the other girls obtained the seats across from you. Sana smiles and clings onto your arm.
"Hi, I hope you don't mind us sitting here. We just thought you were a bit lonely, all by yourself. What are you working on, honey?"
You stop in your tracks and look at Sana. Your face heats up, and you stammer for words. Momo and Mina are suddenly very interested in the food, but you can see the smile on their faces.
"Uh, uh, I'm working on English homework."
"Cute."
Sana coes and presses herself against your body. You side eye her and get back to your homework.
It is really hard trying to concentrate, while Sana distracts you from homework. She would squeeze your arm and whisper flirty stuff in your ear. Momo is too interested in her food to even notice the commotion between Sana and yourself. You sometimes think she's in a different universe, deeply engaged in her thoughts. Mina, on the other hand, did notice the little situation between Sana and you, yet she did not comment on it.
You really ask yourself why this is happening. Yesterday, you were a lonesome loser with nerdy interests, and now you're apparently the hottest thing in school, according to Sana. This didn't make much sense.
Though you had the idea that this would hold on until the final test on all of the projects was written. Many people feigned a friendship before, only to leave you after they got a good grade. It was sad that no one was really interested in your personality and rather your intelligence. Maybe this was Sana's plan. Use you for good grades and then leave.
♡
Finally, presentation day arrived. You were quite nervous about your end result. There was always a certain fear inside your body when it came to presentations. The thought of people laughing over your mistakes hunt you in every nightmare.
You sit beside Sana while watching another group present. Your leg bounces up and down in a fast rhythm. The pressure of presenting in front of the entire class presses down on you. Anxiety fills your mind and body. Your hands start shaking too.
Sana is focused on drawing a cute little figure into her notebook. She barely pays attention to the group that's currently presenting. What does catch her attention is the way you're behaving. The fast-paced leg bouncing and the shaky hands as you try to take notes on what the other students are saying. She glances at you for a few seconds before she gently puts a hand on your knee. She presses down onto your leg so it doesn't bounce anymore.
You look at Sana. Shock and confusion spread across your face. Sana smiles and caresses your knee with her thumb.
"It's fine, Y/n. Try to focus on something else. It's just a presentation. The others won't throw rotten tomatoes when you make a mistake."
You nod and try to calm down. Sana's gentle gestures helped a lot during the process. The group came to an end, and you raised your hand to give some feedback. Everything felt more at ease now that Sana was silently comforting you.
It's now your turn to present. You get up and walk to the front of the class. The PowerPoint starts, and you go over the agenda and explain the different topics. Sana notices a slight shake in your voice. She grabs your hand and holds it while you're presenting. The action is hidden so other classmates don't notice the affectionate gesture.
The presentation goes smoothly with no mistakes. The feedback is good, and the teacher seems pleased with the final product of your research. You give the teacher as well as some classmates the handout.
After class, you stop Sana and thank her for the help. She smiles and gives your hand a gentle kiss before disappearing into the crowded hallway.
♡
Sana asked you to study with her for the upcoming history test. To you, the topics and different timelines were easily understandable, yet to her, it was a disaster. Sana had not made any notes on the presentation, so you both decided to research the different presented topics.
You would give Sana a topic, and she should research about it and write down notes. At the end of your study session, she should present everything she researched. You did this four days in a row. Between researching, you also asked her questions about the different historic events. It helped her memorising everything, from dates to persons active during the historic eras.
Also, Momo and Mina started getting closer to you. The trio overall warmed up and took you in, almost like they adopted you. Momo was hesitant at first. She was always a bit introverted, so she got to know you at a slow pace. Mina was about the same. After a few days of sharing a table at lunch, the two of them started talking to you like you've been friends for a long time.
Sana kept her clingy energy with you. She used every opportunity to be close to you and seek your company. She even asked to be seated next to you in most classes.
All of this did not make sense to you. Yes, you enjoyed the company and the maybe promising friendships that could evolve, but on the other hand, you knew what happened. After the test, Sana would disappear with her friends and leave you alone.
The days went by quickly, and the ache in your stomach grew bigger with every passing hour. You did not want them to leave you. The time you had with these three girls was awesome. You have never met people like that before.
After the test was done, you thought Sana wouldn't even talk to you. To your surprise, she still hung out with you. Why's that?
♡
You open your history textbook, and a note falls onto your lap. Your name is written on one side in neat handwriting. Nobody usually got access to your books, so this is weird. How did anyone manage to slip a note in there?
You take the note and open it up. Inside, there is a small text.
Dear Y/n, I've been admiring you over the last month. I was so happy when our history teacher paired us together for the project. You are such a caring and fantastic person. I really like you. Would you meet me after school for more clarity? Yours sincerely, Sana.
Your eyes widen. Sana wrote a confession letter to you? How is this possible?! You always thought she was annoyed when you were around. Well, she did get closer to you over the last two weeks, but you never expected this.
You carefully fold the letter and put it into your pocket. One thing was clear. You definitely needed clarity on this. Everything is so confusing right now. How long has she liked you? Or is this only a trap? The anticipation for the meet-up after school grows with every second.
♡
Sana leans against the school wall while waiting for you. You take small but firm steps into her direction. She looks up and meets your gaze. A shy smile spreads across her face. You have never seen Sana this unsure in your life. Usually, she is always this confident girl, but right now, it seems like she's scared for your reaction.
You smile back and still in front of Sana. Silence fills up the space. Neither of you is sure how to start this conversation. You don't know what to say or how to open up this topic. Sana, let's out a deep breath.
"So you've read the letter?"
You nod and pull it out of your pocket as proof. Sana nods and looks at you curiously.
"Well, what do you have to say?"
"I, uhm, I honestly don't know. All of this is new to me. I've never had anyone confess to me. If I'm honest, I don't know why you're into me. I mean, there's not much to like about me."
Sana stares at you in disbelief. She steps closer and takes your hand. Her eyes meet yours. Her brown orbs sparkle a little.
"Are you kidding me? You're such a wonderful person, I don't get how people don't like you. There should be people standing in a line to date you. Even if you're nerdy or if you're not that popular. I think you're perfect. You're just right the way you are."
Your eyes fill up with adoration. Sana has just the right words to swoon you. Butterflies errupt in your stomach and spread a tingly feeling in your body. You giggle and hide your face in your hands.
Sana grins and takes your hands from your face again.
"So what do you say? Are you up for a date?"
You take a moment to think about it. After some consideration, you nod slowly. Sana excitedly jumps around and laughs happily.
"I honestly thought you would dump me after the project. Most people did that, so I was unsure about you and your friends staying."
Sana stops and frowns.
"I would've never done that. That's just low. Anyone who did that should be ashamed of themselves."
You smile. Sana takes your hand. The two of you start walking. Sana chats about all kinds of things while you listen carefully. It's a nice combo. You notice after some time that Sana is walking you home. The path, too engraved in your mind to not notice.
You stop at your house and turn to Sana.
"Thank you."
You shyly smile again. Sana grins and looks at you.
"For asking you out or walking you home?"
"Both."
You giggle and glance at her. Sana leans in and kisses your cheek. The kiss is gentle and soft. It could also be mistaken for a peck with how delicate it is. Your cheeks heat up and turn into a rose pink colour. Sana steps away from you and winks before walking off. She waves one last time before rounding the corner.
You step inside your house and hold the cheek she just kissed. Your other hand reaches for the letter. A smile spreads across your face as you soak up the lovely feeling of Sana's adoration for you.
♡
#twice#twice imagines#twice x y/n#twice x you#fluff#twice fluff#sana#minatozaki sana#minatozaki sana x reader#sana x reader
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nocturne (interlude) — mizu x f!reader

synopsis: it seems as if you've always managed to bump into your father's regular in untimely situations. it also can't be helped that you think he's absolutely handsome.
content: reader is a daughter of a medic and an apothecary, golden retriever x black cat trope, might contain historically inaccurate terms (not that well versed in the edo period or japanese culture. forgive me), mizu will be referred with he/him pronouns, mizu being emotionally constipated ig, slight mention of violence and gore, fluff, pre-relationship, meet cute, sfw.
a/n: heyaaa :D its been awhile since ive posteddd. considering this as a break from comms and sch!! ill try to be more active in posting as my xmas break is approaching hehe <33 current hyperfixation is mizu from blue eyed samurai. (I HIGHLY SUGGEST WATCHING IT !!!) enjoyy part 2!! (my love mine all mine)
You can still remember the first time you met him.
It was quite easy to recall the memory with ease. It was after all one of the nights where there weren't many customers fluttering about to avail your father's services in medicine due to idiotic accidents and miscalculated duels. You watched your father pull out herb after herb, vial after vial, stitch after stitch as more and more swordsmen of all ranks came in and out of the shop.
You were quite well-known around town as the daughter of the medic—often smiling and huffing about. Some say you were too naive to be comfortable and accommodating to your father's customers but others also claim you were elegant and a ray of sunshine due to your approachable and easygoing nature. None of that mattered anyway, not when the field of medicine was your only focus in life.
Your father doesn't like to call you his apprentice but you knew you were his. After all, with all the knowledge he's passed down unto you, you might as well run your own apothecary but alas, you still had much to learn.
It was also a quiet agreement among men that no one pays too much attention to the daughter of the skilled medic and apothecary. You suppose it's because of your father's standing and reputation that most men would rather cut off their arms than get on the bad side of one of the only medics who can actually do a decent job in life-threatening situations.
Which brings us to the current topic at hand.
It had been a cold winter that night. Your father had been busy making fresh medicine at the behest of a high lord in one of the rich provincial states up north. It was up to you to man the front and be alert in case any wanderers might walk in asking for help.
The harsh breeze of that winter night was your first cue. The doors had swung open which left you scrambling off your seat then a second later, a man with a lean stature stumbles his way through—arm clutching the side of his stomach.
Your breath hitches as he props himself against the wooden pillar. He looks up at you, blue eyes clear and intense that it left you speechless from where you stood.
"I-I," He gasps for air, eyebrows scrunching from the pain. "Help-I need—"
You wasted no time in aiding him as you took wide strides to his injured form, arms holding out to keep him steady as he began to wobble back and forth. You scream for your father, worried that the man before you would pass out at any moment.
Thankfully aware of the situation, your father prepares the receiving area. You look back at the injured patient with worry in your eyes as you further assess all sorts of damage on his figure.
However, you can't help but find yourself entranced by his clear blue eyes. Despite being on the brink of utter exhaustion, he has managed to keep himself awake perched up on your shoulder.
He locks eyes with you, blinking slowly, and just as you begin to get lost in those blue hues of his, his body begins to fall.
"Sir, wait—!"
Then he's out like a light.
The next time you met him had been purely coincidental.
After that night, the man left quietly like the leaves falling gently along the stream. He left quite a hefty sum of money on your father's desk and kept the bed clean at his departure. It's safe to say that your father was overjoyed by the payment.
Your father had sent you on an errand to town to gather some supplies from a supplier he trusts. He had been busy attending to patients and manning the counter to be the one to get the package himself.
"You have nothing better to do anyway, might as well be useful to your old dad," Your father scrunched his nose playfully as he placed a bag of money on your palms. "And if a man approaches you, remember to use that knife I gave you and make clean perforation at the jugular vein—"
You had stopped your father right there.
It didn't bother you that much and this also was an opportunity to get some leisure time. You did as you were told and saved a bit of money for window shopping.
Stumbling upon an artisan selling hair ornaments, your eyes immediately dart toward a golden hairpin with imitations of sakura leaves. Upon reaching out to inspect it, a hand collides with your own causing you to let out a gasp.
"Apologies—" Your eyes dart up to look at the stranger but is met instead with familiar blue eyes, this time under the disguise of orange tint sunglasses. "Oh! It's you."
The man furrows his eyebrows in confusion. "Are you Mr. Gojo's—?"
"Daughter?" You perk up with a smile. You shift from heel to heel at the intensity of his gaze. Somehow, you're feeling quite nervous with this gentleman. "Yeah. I caught you that night."
"Ah," The man nods, awkward in his stance before turning back toward the array of ornaments in front of him. "Thank you."
"I-It was no problem," You stammered, hands smoothing out the fabric of your kimono. "It's what we do after all."
There's a hum of response coming from the man before silence ensues between the two of you. He had gotten back to analyzing other items that the vendor was offering and you could only stand there, discreetly watching his every move.
You didn't have the opportunity to take a good look at him besides his eyes that night. Your father seemed like he had recognized the man before you and ushered you out of the room before you could have the chance to offer help. Though, now, you could see that he had a proportionate height—a few inches taller than you but still tall nonetheless. His shoulders evoke confidence with every move of his body but his face talks of the mystery hidden under the guise of his kasa. He was pretty, yet... handsome. You've never come across a man who could embody both sides of the spectrum.
"Do you need something?" His voice had startled you out of your daydream causing your cheeks to flush. He raises his eyebrow with his ever-perpetual glare. You give him a sheepish smile.
"I've never gotten your name, sir." You purse your lips, tilting your head as he squints his eyes at your request.
"My name? Why?"
Your mouth opens and closes like a fish out of water at his response. Why? What does he mean why? This man was truly cynical, you think.
"Well, I saved you, didn't I?"
"Correction. Your father did." The man deadpans. You giggle at his tone, eyes crinkling in amusement.
"Alright, no need to get so philosophical with me," You jest, trying to get him to lighten up to you. You take a step closer, trying to gauge his expressions as you give him a lighthearted smile. "Is getting to know people a crime now?"
The man sighs before looking at the array of hair ornaments to your right. He then grabs the hairpin you were looking at and tosses a bag of coins toward the vendor. He places it within your palms before adjusting his cloak. You flinch at the sudden gesture, unaware of his intentions.
"It's Mizu." He says before turning and leaving without further explanation. You stand, agape as the man further blends in with crowd with each step he takes away from you.
This man—No, Mizu, surely is interesting.
This next meeting was one you were thankful of.
Now, it wasn't as if your meetings were solely limited by chance. He became a regular after your father's incredible work on him. You watch him arrive usually at the end of every week, either looking to restock the medicine that your father gave him or get himself treated for an unwanted injury.
You tried interacting with him during his visits but Mizu always either cut the conversation short or grunted in annoyance. He never tried to entertain much of your whims and only left you grasping at straws for whatever possible chance of interaction he might give you.
Although, despite being cold towards you, he still has the heart to help you in mundane tasks whenever he encounters the chance. For instance, upon seeing you struggling with the basin, he immediately walked over and carried to where your father is with ease. He also grabbed your freshly bought basket of fruits and guarded you on your way back home. He even thumped the back of your head lightly with his hand on his way out while you were fixing up the front.
He was an enigma. A puzzle you desperately tried to solve but always failed.
The thought of his gentlemanly actions had always left your heart thumping faster and louder within the confines of your chest. Wanting to know him, get closer to him, see the corners of his lips upturned—anything to see a version of him only you can keep.
It also seems that your father is familiar with his master. You hear talks between them, asking about the well-being of a man named 'Master Eiji', the one whom Mizu calls his swordfather. You ought to know better than to eavesdrop but somehow your attention has always been led towards his very existence.
Your father had always been strict about you ever since you were but a wee girl. He had expressed the importance of having a fruitful marriage with someone who is of your deserving. He, after all, was in a true love marriage with your mother and was together for at least 25 years before your mother succumbed to her illness at the age of 45.
It also didn't help that you were deemed the sunlight of the town, often getting several interested looks from promising men. But all your suitors couldn't take the intensity of your father's expectations. It's safe to say that you won't be getting married for awhile.
"Just stay here, my daughter," Your father sighs as he serves you seconds of your favorite food. "Who the hell cares about marriage anyway."
You laugh, reaching out to pat your old man's hand. "It's going to look bad for you if you don't marry off your one and only daughter, y'know?"
"That's precisely why I don't want to do any of that," Your father grumbles, taking a sip of his soup. "Work here, eat, sleep, go have fun. That's what your mother would've wanted anyway."
You were grateful for your circumstances, yes, but you've always wanted to help out as much as you can for your dad. His reputation as a skilled medic can only take so much before others will come to expect more. So as long as you're in his care, you try to help out around his shop as much as you can.
Although you wonder if your father would allow him to—
Ah, forget it. Convincing your father was a lost cause.
Back to the current task at hand, your father had tasked you to gather some herbs from the forest near your humble abode as it is less taxing for your finances when you have easy access to one nearby. Gearing up for the coldness of winter, you stepped out of your house in pursuit of such herbs. With a hop on your step, you wish to finish your task sooner than later to prepare for a certain gentleman possibly visiting later at night.
The only you thing you didn't account for was the possible danger you'd be encountering.
"Listen, I-I don't want any trouble," You slowly backed away as a group of men began surrounding you. It was uncommon to encounter bandits around this area as this was situated near the town. You're not so sure as to what prompted this criminals to stage a robbery in broad daylight.
"Oh, c'mon little miss," One of the bandits chuckled. He twirled a knife in his hand as he approached you menacingly. "We just wanna know what you're up to."
Your breath speeds up as one of his companions playfully advanced with a jump in his step. You flinched back, heartbeat thumping as the crunch of leaves around you signified their slow advance towards your figure. You clutched the knife your father gave you within your hands, ready to use it in case one of them tries something.
Jugular vein. Neck. Neck. Vein. Keep it fast. Right side.
"Perhaps we could do something fun, darling? I'm sure you'd love it." Wide grins and loud laughter erupted from their lips.
Vein. Lethal point. Could head straight through the liver. Artery. Perforation.
Your head had begun to ramble, your father's words echoing within the depths of your mind. Just as you adjusted your grip on your knife and one of the bandits had began to finally get whatever they aimed for in the first place, a breeze of wind suddenly alerted you of a new presence.
You shut your eyes in fear as one of the men at the far back screamed.
"What the fuck?!" The leader bellowed as he watched his man crumple to the ground, holding what was left of his dismembered arm. The other bandits begin turning towards the new opponent, swords ready as they watched him step over their comrade.
You open your teary eyes, locking gazes with the familiar hues of blue hidden under orange tint. There's some sort of hardened glare as Mizu looked at you up and down, assessing your well-being within a matter of seconds.
"This is Takayama's jurisdiction," Mizu's deep voice bellowed as he placed his hand on the scabbard of his sword. "I suggest you leave."
The leader lets out a scoff as he widens his shoulders to appear more menacing to him. Mizu only looks at him under the guise of his kasa.
"You are outnumbered, samurai," The man smirks. It might've been intimidating with the number of men that surrounded Mizu but you were well aware of his prowess as a swordsman and completely had faith in his abilities. "Your talks of dominance do not affect me."
Mizu chuckles, one hand reaching up to push back his glasses up the bridge of his nose.
"We'll see about that."
"Thank you," You smile widely, eyes crinkling as you grab his extended hand.
The bandits groaned in pain as they crumbled to the ground. Some have even passed out from the harsh hits that Mizu had inflicted. You watched him twirl and move with elegance, slicing and hitting with precise angles that left you in awe at his performance.
It took at most 15 minutes for him to finish all of them and another 3 minutes for you to pick your jaw off the floor and fix yourself up.
"It's no problem," Mizu nods at your gratitude. He holds your hand firm as you wobble back and forth to stay back in balance. "Although, I advise that you venture towards areas within the town vicinity. This area is bordering outside of Takayama, thus the bandits."
"Ah," You let out a soft laugh. "There were more herbs here. I thought it was safe."
Mizu doesn't reply back as he gazes at you from the comforts of his glasses. You flush at his stare, still not being able to handle its intensity. You look down to busy yourself with, staring at your conjoined hands before finally taking notice of a scratch on the side of his hand to his wrist.
"You're injured," You whispered as you pulled his hand close to yours. You hear Mizu's breath hitch as he stumbles slightly at the pull of your hand. You look up at him as he furrows his eyebrows.
"I-It's fine, it doesn't hurt." He tries to reason with you but your grip on his hand remains steady.
"You saved me so I'll repay you by treating this. Alright?" You give him your best smile and suddenly the samurai doesn't have the heart in him to say no. At the sound of his reluctant silence, you enthusiastically pull out your satchel filled with medicinal tools. It was handy that you always kept your tools with you no matter where you went.
You applied antiseptic, brushing it with a clean cloth along the wound. Whether Mizu felt the pain or not, he only remained as still as a rock while you worked.
"You're early today," You try to make conversation as you clean his wound up. Mizu stays silent for a few seconds before replying.
"I had free time," He says. "I... was also out of medicine so..."
You hum, nodding along his words as you make gentle strokes to ease the pain (if he ever felt it).
"If you ever need to go out like this again," He picks up the conversation making your heart skip a beat. There's a pause of silence before he continues. "Let me—If I'm there, let me know. You don't need to endanger yourself like this."
You let out a quiet laugh as you finally wrapped his wound with a white strip of cloth. You look at him with softened eyes, reveling in his slightly flushed cheeks and gaze dulled by sincerity. There's a pause of comfortable silence between the two of you, only lost in each other's gazes.
You slowly reach out, hands pausing as you communicate a request for consent. Mizu only gives you a small nod before you reach out to pull off his glasses. Those same beautiful blue orbs stare back at you as you revel in their gaze.
"You're more handsome like this," You whisper as you take a step closer to him. Snow gently falls around you, cascading in gentle flow as you breathe out puffs of air. Mizu tilts his head with an upturn of the corner of his lips.
There it is.
You flush in his gaze as he reaches up to brush a stray hair away from your face. "You're jesting," He says with a quiet tone.
Your gaze at him doesn't waver. "I'd say yes if you asked me to marry you."
Mizu let's out a chuckle, eyebrow raised at your bold response. "You are one dangerous lady, Y/N. Does your father know that?"
You roll your eyes at him. "How could he know when all he does is keep men away from me," You tilt your head playfully, "Although, I do wonder why he often keeps you close. Perhaps, he's found you to be worthy of a man."
Mizu laughs at your praises, shoulders shaking as the two of you stand close to one another, basking in the soft breeze of the winter sky. He lifts his hand up and flicks your forehead. You flinch back, holding your forehead in pain as you give him a glare.
"Ow?!" You frown as he looks at you with a smirk on his lips. "What a way to turn off a lady!"
"You're too adorable to be a lady," Mizu teases as he crosses his arms over his chest. He tilts his head as he looks at you with squinted eyes in thought. "Kind of like a.... puppy."
Your jaw drops at his comparison causing him to release a few chuckles. It wasn't fair that he was out here causing poor things to your heart and raised by a father who was direct and determined to achieve the things he wanted in life, you didn't allow yourself to back down.
With wide strides, you easily reach where he stands before standing on your toes and grabbing his face as you placed a chaste kiss on his cheek.
"Wha-?!" His face flushes a deep red as he moves back holding his cheek. You flash him a cheeky grin as he looks at you with wide eyes.
"I'll be waiting for your proposal, Mizu," You giggle, swaying back and forth with your hands tucked behind you. You put on his glasses before leaning slightly forward with eyes squinted playfully. "Or shall I be the one to propose, hm? Seeing as your blushing from just a kiss on the cheek."
Mizu takes a few seconds before collecting himself. There's an unreadable look on his face before makes careful steps towards you. You watch him, curious as he stops in front of you—hand reaching out to pull his glasses off from your face. You expect him to start berating you for invading his space but what you received after was certainly something you never took into account.
He leans down and gingerly places a kiss on your lips. Your breath hitches as he presses himself close before pulling away all to fast. Your lips tingle as you watch him put on his glasses back with a smile.
"I'm no coward, Y/N," He adjusts your cloak as you remain speechless in front of him. "I don't make promises I can't keep."
And just as he enters, he walks off with quiet footsteps, leaving you grasping at whatever was left of your brain after what he just did. Your face flushes a deep red as your fingertips touches your lips with shaky movements.
Did this man just—
"Are you coming?!" He calls over from the dirt path back to your house. You stumble in your footing as you rush over to him.
"I-I'm coming!" You stammer as you gather your things and rushed towards him. He greets you with a smile and this time with his glasses tucked away. Blue hues greet your flushed form and suddenly an overwhelming realization washes over you.
Oh, I'm definitely not going to let this man go.
a/n: MY WIFE MIZU MY WIFEEE,,,,, planning to make a pt2 idk lemme guys know if u want one. will also fix my archive, tumblr's getting messy. NOT PROOFREAD but will fix if ever i do go back on this after my finals. HOPE YALL ENJOYED THIS!
#arthenaa#mizu x reader#mizu blue eye samurai#blue eye samurai x reader#the blue eyed samurai#Spotify
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Recent article on NPR about the history of artificial light somewhat frustrated me -- they portrayed all of pre-kerosene history as dark and heinously expensive at all times. Thing is, the writers based their findings solely on tallow candles, & ignored oil lamps, beeswax candles, clever use of refraction & outdoor light including moon/starlight... Also seemed to ignore the ubiquity of hearths / cook fires. Was wondering if you'd be willing to talk about non-tallow light? This isn't to ignore that truly, artificial lighting WAS much more difficult & expensive for much of human history, but acting like tallow candles were the ONLY light source seems very silly! (Plus your other lovely post about bottles of water used to make those candles more efficient via refraction & focus)
I'm betting the article you mean is this one - which refers back to this one.
For matching reference, my own posts about period lighting are here, One and Two, including observations about painting walls white, how to light candles and lamps without matches, and several other matters.
*****
It didn't take too much listening before I got tetchy, because the first half of this podcast seems more about mocking how WEIRD and PRIMITIVE old-time people were, than passing on any useful information.
Despite the presence of Jane Brox (author of "Brilliant: The Evolution of Artificial Light") whale oil only gets touched on in passing, and olive oil isn't mentioned at all.
Instead she starts talking about using oily seabirds (stormy petrels) as "candles", despite this scholarly study concluding that it was something talked about far more than done, besides being so very, very localised that its relevance to the history of lighting is very, very small.
But hey, WEIRD and PRIMITIVE, right?
*****
By contrast, making candles was so commonplace that it was another of those jobs which created surnames. Fletcher once put feathers on arrows, Cooper made barrels, Fisher, Miller, Baker and Farmer are obvious, and Chandler used to make candles.
Lampier, of course, made lamps, which helped keep those naked candle-flames away from anywhere they shouldn't touch. The man on the left is making the lantern bodies, the one on the right is shaving sheets of horn as windows.


It's cheaper than glass, less easily broken yet is translucent enough, when shaved properly thin, to give quite adequate light.


*****
The podcast has a digression about measuring the light output of a reproduction Ancient Babylonian lamp. Here's an original and a repro.


Yet that too says nothing about what fuel the lamp is or should be burning - olive oil, traded all over the Mediterranean by ancient olive-growing cultures.
These are Roman oil-lamps, from simple and cheap to elaborate and costly.



As for beeswax, so far as the podcast is concerned might as well not exist, despite being a by-product of honey, which was THE principal pre-sugar sweetener for centuries when not being made into all that mead whose existence, production and quaffing nobody questions.
Oh yeah, and then there was the amazed discovery (2:40 / 1:25, depending on which you're listening to) that melted beef fat "...smells really nasty, like, ANIMAL nasty,"
Why is this guy surprised? It's part of an animal!
*****
It's the same sort of infotainment ignorance as displayed by this TikTok twit, right up to complaining about the effort involved in preparation of anything because not having powered appliances was so labour-intensive, oh woe. Yes, it was, welcome to any historical period before about 1920. That's where "the daily grind" originates.
However the implication (listen, it's there) that cattle were raised just to provide fat for candles is ludicrous. The fat was a by-product, not a main one, and was often a butcher's side-line, while members of the Chandlers' Guild only worked with superior beeswax.
I don't think you could make candles like these with tallow:


...and you definitely couldn't make one meant to be hand-held.



Picture evidence shows, by their clothing, the class of society who bought these, and tallow-greasy fingers would have been a no-no.

A Chandler didn't make individual candles. By the time that fresh batch is hung up, the first batch away down at the end is cool enough to be dipped again.

A chandler's shop in a medieval city would look very similar, and often had a horizontal wheel on which to hang each batch of candles, rotating them up and around to cool, then back to the dipping pot. Non-modern people may not have had modern tech or time-and-motion studies, but they weren't stupid.
*****
By contrast, the podcast's disparaging attitude of WEIRD and PRIMITIVE is emphasised by what seems a deliberate avoidance of anything which counters it (examples of that in my own posts) and finally at 11.24 / 9:50 came this:
"Even when you get all the way to the 1700s (...) most people are still subsistence farmers, living in some kind of hut, trying to grow enough food not to starve to death (...) and light? Light still comes from finding stuff that's lying around and just lighting it on fire."
Some kind of hut...
Stuff that's lying around...
After making such a declaration, I'm surprised - since they'd been implying it for half the podcast - someone didn't just go ahead and announce that "there's some lovely filth down here..."
That's when I stopped listening.
Enough is enough, and I'd had it.
*****
ETA:
cc: @asmuchasidliketo :->
Here's a photo of what purports to be a Petrel (not petrol, that's something else) Candle, held in the Pitt-Rivers Museum, Oxford. It's mentioned in that scholarly article I linked above.

Just as "one swallow doesn't make a summer", so one - and only one - known example of this, which may have been a fake-up to spoof the Southerners, doesn't prove it was a common or even rare practice.
There's another reason to take this with a big pinch of salt, so maybe Jane Brox was on a low-sodium diet when she wrote her book.
Creatures with a layer of fat or blubber for insulation all have it like any other form of insulation, on the outside, where it does some good. A wick passed through the inside couldn't draw on it for fuel since there's a layer of muscle and another of internal organs for the oil to get through first.
The cropped-off bottle just visible to the left is a far more likely way seabirds became lamp fuel: by rendering out their oil. This oil is from the Northern Fulmar, Fulmaris glaciaris (or glacialis, I've seen both. Same bird regardless).
Incidentally, the Wikipedia article on European Storm Petrel mentions a supernatural connection, that the petrels were the souls of drowned sailors, and killing them is unlucky.
Not just killing them but making them into candles sounds like A Bad Idea, and is yet another reason why, IMO, the candle thing may be a folktale, or a deliberate leg-pull, or...
Let's just say "improbable" and leave it there. :-P
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Whispers Of Magnolia - 1
Previous. Next
A/N: This is a love story set during segregation times. The languages are harsh but please be aware that I am trying to be as historically accurate as possible for fictional content. Racial slurs will be used, and some chapters involve really dark content: Death and Non consensual sex. The first couple of chapters are just a couple thousand words but as we get deeper into the story, the chapters will get longer… like 8K+ words. Please read at your own will, I do NOT want to see any negative comments about my own period piece that YOU can simply not read just because you don’t agree about it.
With all that being said, Chapter one.
S/O to my friend for the Illustration of the cover… idk if I might keep it though
Banners used are made by @firefly-graphics
Chapter One
Evangeline had learned early that silence was survival.
The grand estate of the Rollins family sat like a crown atop the highest hill in the city, an ivory palace untouched by time. The driveway was longer than any road she had ever walked, lined with magnolia trees whose sweet fragrance carried on the humid summer air. She used to think the trees were beautiful, until she realized that no matter how much they bloomed, their roots never left the soil. Much like her own life.
Every morning before sunrise, Evangeline and her mother, Lena, walked up that winding drive, dressed in pressed uniforms that were never theirs, carrying burdens they had no choice but to bear.
Inside the house, wealth whispered in the details—the crystal chandeliers, the velvet drapes, the marble floors polished so fine she could see her own reflection in them. But reflections meant nothing when the people inside never truly saw you.
Mrs. Rollins, a woman of delicate features but a sharp tongue, never lifted a hand for herself. Everything was Lena’s responsibility—preparing breakfast, ironing the linens, making sure the children looked presentable before they went off to school. Evangeline was tasked with the smaller jobs: dusting shelves filled with books she wasn’t allowed to touch, setting the silverware at a table she would never eat at, scrubbing footprints from floors that would never carry her anywhere but back to the servants’ quarters.
The Rollins’ daughter, Margaret, was a few years older than Evangeline, but they lived in different worlds. Margaret had beaus who sent her flowers and whispered promises of a bright future. Evangeline had calloused hands and a mother who prayed that she’d keep her head down long enough to survive.
“You work quiet, you work quick,” Lena always told her, smoothing the wrinkles from Evangeline’s apron before they stepped into the house each day. “And you never, ever look them in the eye too long.”
Evangeline obeyed.
At least, until he arrived.
The day Roman Reigns first stepped into the Rollins estate, the air in the room seemed to shift. Businessmen were always coming and going, men with fine suits and finer words, but none like him. He carried danger the way other men carried pocket watches—like it was something precious, something he never let slip from his grasp.
His name was whispered through the house before he even entered. Mr. Rollins himself stood straighter in his presence. He wasn’t just a businessman; he was the businessman. The one men feared. The one they followed. The one they never questioned.
And in the briefest of moments, he looked at Evangeline.
Not past her. Not through her. But at her.
His dark eyes locked onto hers, and for the first time in her life, Evangeline felt like someone had truly seen her.
She didn’t know it then, but that single glance would change everything.
I’ll only continue to post more of this if it gets a lot of traction 😭 if not, I’ll finish The Secretary first and then continue on with this. I hope you guys like this though🥺🫶🏾
VIP TAGLIST : @wrestlingprincess80 @whatdoeseverybodywant @pr0tost4r @paigereeder @alyyaanna @raya-hunter01 @mzv11 @trippinsorrows @partypoison00 @isabella-2025 @jstarr86 @chrisevanswife0405 @fearlesschimera @cyberdejos2 @whowrotethenote @potatosackk @ajaxcleaningsupplies @sayyestoheav3nn @chasssssworld @christinabae @glittergirl7 @itskii01 @fame-ass-ers @li-da-savage @ashykneee @kianaleani @holisticcoach @pittieprincess22 @sabrina-carpenter-stan-account @amandairene88 @luvrsluxe
#empressdede#empresswriting#wwe#black reader#roman reigns#roman reigns x black oc#roman reigns x oc#roman reigns x black reader#Whispers of Magnolia
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Fantasy Guide to Royal and Noble Marriages

Marriage is an important part of the life of both royal and nobles in any setting, either historical fiction or fantasy. Marriages are not only life long commitments but they are business and protection deals by families. These are strategies, not relationships. So how can we write them?
Why make a Marriage?

Marriage is at its heart, the seal on an agreement. Two families may come to an agreement to share resources, connections and support one another. For a noble family, it could be about elevation. For example, if the daughter of an Earl marries a Duke, her siblings can now make higher marriages and her family would be more important thanks to this link. It could even be about money. In the late Victorian - Early Edwardian period, many impoverished English peers married wealthy American women for their fortunes. In exchange, the women became titled aristocrats. Royal marriages are made for more universal perks. A royal marriage can change the political layout of the world, it could isolate a kingdom or be the starting gun or a war or end a years long conflict. For example, Kingdom A might be being threatened by Kingdom B. Kingdom C has a powerful military. Kingdom A might offer up a marriage deal to Kingdom C, with the caveat that C protect A from B. C would obligated to act if A gets attacked by B, since A is now an ally. A marriage cements the deal as it creates family ties, which is seen as a sort of permanent stamp on negotiations. After all, would you screw over family?
Marriages of Choice vs Arranged Marriages

Marriages can either be made on behalf of a royal/noble or made by themselves. An heir might be more restricted in this case whilst a younger children have a little more leeway especially if they are part of a large family.
Marriages are not always arranged. But that doesn't mean there aren't restrictions. Any royal or noble will have a list of certain attributes their spouse must have or certain attributes they cannot have. Marriages of choice have to be approved by parents (and the crown if you are a high ranking noble) and if you are royal, sometimes by the government itself.
Arranged marriages are agreements between two families. They might want each other's protection, support or they might simply want to do business together such as opening trade corridors or lifting embargoes on certain items. Arranged marriages are usually made on behalf of both spouses and they are expected to agree to the match for the sake of their family or country.
Screwing over the Deal

Making a marriage doesn't mean that the deal will last forever. Alliances change and circumstances shift. Whilst everyone may be all friendly during negotiations and for some time after, politics is the aim of the game. Treaties can be broken, war can break out and marriages can become unpopular choices. If a country has welcomed a bride/groom one day and then their country becomes the enemy, the bride/groom could become an enemy as well and face isolation and disrespect from the public - even their new family. However they are expected to be loyal to their new family and country, even over their own family and kingdom. These marriages have no promise of happiness. They are a job, a duty to ensure the family is taken care of and securing their futures.
Timeline of a Royal Marriage between Two Royal Families

Offer: The suggestion is made.
Negotiations: The discussion through ambassadors of what a marriage might entails, what each side is willing to provide or what they demand of the marriage. This can take weeks, months even years before a marriage is agreed.
Betrothal: Marriage is approved, treaty signed and the couple is engaged. Betrothals can last from anything from a few weeks to years
Wedding: If one spouse has to travel to their new home, they will travel to their new home and meet their new court, new family and their spouse. Once they arrive, the wedding will take place in a matter of days.
Married Life

These marriages are public, so it is expected for the couple to at least act civil. If they do not like one another or can't stand the sight of another or they just don't love each other, is irrelevant to society and their expectations. They are expected to attend certain events together, sire children and do their duty. There's no rules saying they must live together, so many lived separate lives. The higher ranking spouse is expected to provide their spouse with an allowance and a staff. For international marriages, spouses are not permitted to hire a large party of their own attendants even if they accompany them to their new country. They may keep one or two for company but a newly minted royal should not be waited on by foreign servants, they are a royal of their new kingdom now.
What makes a "good" marriage?

As mentioned above, marriages and relationships are expected to fall into certain perameters. Any spouse - chosen or assigned - should meet certain standards such as be of appropriate rank, follow societal norms and even sometimes be of the same religion. Marriages to anybody who falls out of these standards can be seen as a devasting move - the marriage of Edward IV is still remarked on as a contributing factor to the end of the Plantagenet dynasty. Making the wrong choice of spouse in society's eyes can lead to gossip, being shunned, being disrespected and even barred from succeeding to your birthright. Unequal marriages or morganatic marriages, can even bar children from succession, disallow the couple from attending events together and deny the spouse the style they ought to be entitled to - the marriage of Archduke Franz Ferdinand is a good example to study. A good marriage is seen as one that adheres to all the expectations of society - even if it is an unhappy one.
#Fantasy Guide to Royal and Noble Marriages#Fantasy Guide#Writing royal characters#Writing royalty#Writing nobles#Nobles#writing#writeblr#writing resources#writing reference#writing advice#spilled words#ask answered questions#ask answered#writers#Writing guide#Writer's resources#Writer's reference#Writer's research
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Gotham-Amity Co-op AU Part 3
Part 1 | Previous | Next
“Hola beauties, and welcome back to Fashionable History, I’m Paulina,”
“And I’m Star, and on this channel, we teach you how to be at the height of fashion, no matter what time period you find yourself in.”
“Now for our long-time viewers who missed our community posts, you might be wondering about the change in location. Well, we are moving up in the world. That’s right, fam, we are officially-
“College girlies!” The two shouted into the camera.
“Ah, such a big step,” ‘Star’ sighed.
“Indeed it is. And to celebrate, let us dress up like we’re going to meet the queen of fashion herself: Marie Antoinette!”
***
“So you would think it would be hard to demonstrate Amity Park’s weirdness while no longer living there, but you would be wrong,” a black man said into the camera while walking down a hallway, his glasses fallen ever so slightly down his nose. There were voices in the background progressively getting louder. “You see, Danny’s mentor popped by this morning, and apparently, he decided that the perfect way to tutor Danny and piss off his bosses at the same time was to allow a bunch of college kids to summon a historical figure of their choosing to discuss their area of expertise. Once a week.
“Jazz got to go first.”
The black man stopped in a doorway. Much clearer in the background was a woman’s even voice. “And Jazz, being the future psychologist that she is, picked the most sex-obsessed man in history.”
The camera flipped to show a young red-head sitting across an older man with a white beard in a blue three piece suit. In the background was a younger man, his blue eyes glazed over as he sat there sipping from his mug, his head of black hair bobbing as he fought to stay awake. Really, it wouldn’t gather a second glance, except for the tiny detail that the older man’s skin was as green as a sunburnt person’s was red.
“-indeed homosexuality is not an illness, and in fact the only link between it and mental health has been observed to be caused by familial and community reactions.”
“That is good to hear. Indeed, many people throughout history were homosexual, and a lot of them did not show any other signs of mental illnesses.”
“It is. However, with the recent pushes for public acceptance of those not heterosexual, many have come forward with sexual orientations beyond just hetero and homosexuality, including those that are attracted to both men and women at the same time, as well as those who experience no sexual attraction or are completely repulsed by the idea of anything sexual.”
The camera flipped back to the first man. “She is explaining how psychology has developed in the last 100 years without trying to rip apart Freud’s work.
“This isn’t even the first time something like this has happened. Occasionally, we’d get guest speakers that would turn out to be some famous author or pioneer in their field. It’s how our English teacher got his copy of the Tempest signed by the original author. I think this might be the first one that won’t end in a raid by government idiots in white, though.
“So yeah, we occasionally get to talk to dead celebrities and don’t bat an eye at it. Amity Park is very weird.”
***
“Danny! You left your cups in the sink again!”
“How can you tell it’s mine?”
“They’re glowing green and you’re the only one that drinks ectoplasm! Now take care of them before you bring the food to life again!”
“Fine…”
The camera pans over to a goth woman giving the camera a flat look. On screen, there’s some text that reads: ‘When your boyfriend forgets to clean off his dishes after his mildly radioactive smoothies.’
***
“Urgh!” Just die you stupid, lazy skeleton!”
“How long is this attack going to be!”
“I don’t care, because when it’s finally my turn, I am going to stab the dust out of this depressed sack of bones!”
On screen was a couch, and on that couch sat 3 young adults, two women and one man. One of the women was Valarie Gray, US National Taekwondo Silver Medalist, was jabbing her thumb down on the d-pad of her controller, lips pulled back in a snarl. The other was Samantha Manson, more known for the TikTok channel Our Strange Lives. The man was a muscular blond. All three were focusing on the screen, their eyes emitting faint light and Valarie’s teeth seemed to be getting sharper.
Quietly a blond woman walked on screen, a backpack slung over her shoulder. The woman was Star Strong from Fashionable History.
“You guys are still streaming?”
“This boss is stupid difficult and Manson and Gray are the only ones willing to play.”
“What happened to the guys?”
“Fowley, Wes, Singh all had work. Fenton got to the first boss and then lost it because ‘Goat Mom just wanted to protect us’ before getting a call from his lil sis asking for help. Kwan is working on a lab with a guy from his chem class, and Kyle passed out a couple hours ago.”
“Stop dodging!”
“Wanna play?”
“Can’t. Going to the library to study for a calc exam I have coming up. See you guys later.”
“Later.”
“FUC-”
***
“And so, with this polaroid image, we have evidence to prove that-”
“Hey, Wes, do you have something I can use for a collage? Oh sweet, thanks bro!”
“What? No! Kyle! Get back with that! That was the proof I was going to use to prove the existence of Yetis!”
“Oh damn. This is some nice creature work! Danny, your friend has an incredible costume, man!”
“Thanks, Kyle! I’ll pass it on!”
***
Tim paused the video right as Wesley Weston stood to chase his older brother.
There.
The red-head’s eyes had a slight glow to them. Tim clicked over to the other images he had gathered of the Amity Park teens, all with their eyes glowing or other signs of something inhuman.
Tim had been introduced to this group by Stephanie when she found a martial arts demonstration Gray did that involved breaking multiple boards, all several feet above her head. Stephanie had meant it as a ‘check out his cool person doing what we’re doing,’ but Tim noticed something. All the boards were being held by seemingly the same person- or at least people dressed very similarly. And not in a way where they’re sitting on a ledge above Gray and are switching out the board each time she broke one. More that there were multiple companies of the same white glove all holding a board and all floating several feet above where they should have been. That was already a little weird, but it could’ve been some special effects or just a uniform.
No, what caught Tim’s attention was the quick glimpse of the face of one of the board holders. It was youthful- late teens- but with paper white hair that showed no signs of bleaching. Now these features would have been a thing to cement the mysterious person in Tim’s mind. But it wasn’t that.
No, what got Tim to do some digging to find out about a previously unknown supposed hero from a small town that has been blacked-out by the US government, was his eyes.
His calm, glowing Lazarus green eyes.
***
So we finally get a taste for the shenanigans our liminals are up to. Sam, Tucker, and Danny all share a TikTok where they show off how weird the other two are and how weird their town is. Wes is trying to prove cryptids exist, which Kyle ruins. Dash has a gaming stream that most often Kwan joins in on, and Paulina and Star do dress history. Oh, and Valarie is a national taekwondo because karate has only been an event for one Olympic games, but taekwondo has been an event since 2000 and Val seems more like a kicker than a thrower. Plus, I actually took taekwondo when I was younger.
We do get another Bat showing up at the end. There is absolutely no plot, however, so who knows where this is going. Certainly not me!
I'm still looking for names (please, I need them). As for majors:
Jazz-Psych (obviously)
Kyle- Liberal Arts (I wanna put him in accounting, but Liberal Arts works for now)
Tuck- Comp Sci
Danny- Poly Sci, minor in Astronomy
Sam- Double Poly Sci and Environmental Science
Val- Criminal Justice
Dash- Undecided (both me and him)
Kwan- Pre-Med for now, though he wants to do Child Development/Education
Paulina- Fashion Marketing
Star- Sports Science
Mikey- Music
Wes- Journalism
#liminal amity park#dp x dc crossover#danny fenton#paulina sanchez#dash baxter#sam manson#jazz fenton#tucker foley#valarie gray#star strong#wes weston#kyle weston#mikey#tim drake#finally some more dc#also our kids acting liminal#or at least they glow#danny drinks ectoplasm smoothies#amity park is weird#amity park/gotham co op#no beta we die like danny and jason#part 3 of idk how many still
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Short sample clip because Tumblr is being a butt and refusing to upload the full video without crashing (hellsite my beloved and beloathed)
Here's the link if you want to see the full in-hand spinning demo video with captions (you don't have to subscribe or download anything to watch...I mean it's lovely for me if you do subscribe obviously, but don't let Substack bully you. It's a link. You can open it with no strings, no matter what they say lol.)
More about the textile history inspiration behind my historical fantasy novel Wyrd Weaving below the cut!
When I first conceived of the idea that is now becoming Wyrd Weaving, an historical fantasy novel set between Northumbria and Svealand in the tumultuous early 9th century, I only knew two things for certain. I knew I wanted to write a story centering the lives of women, queer people, and gender-nonconforming people in the 800s. So often stories set in the “Viking Age” center only the pursuits of men (wealthy men especially), and I wanted to dig for what other stories were buried there, waiting to be told. I also knew without doubt that fiber arts would somehow comprise a significant portion of the story’s magical realism elements.
I’ve knitted since my late teens, and have harbored and interest in all sorts of fiber arts for even longer than that. When I decided to get serious about writing a story centering the lives of medieval women (in Europe primarily, though several other unique period cultures factor into the story as well), I knew I had to do a deep dive into historical spinning and weaving. Women at all levels of society spent more time on aspects of cloth production than any other chore during this period, yet arts like spinning and weaving are almost never shown in novels, movies, or TV set in the early Middle Ages.
That wasn’t going to fly for Wyrd Weaving, a story inspired by the countless forgotten fiber artists who quite literally wove the history of our society. This first short video about my (mis)adventures in historical textile research gives you a glimpse at how and why I learned in-hand or “twiddle” spinning, the style of spinning prominent in early 9th century northern Europe. Enjoy!
#historical fantasy novel#historical fiction#historical fantasy#textile history#spinning#in hand spinning#spinning yarn#novel research#fiber arts#womens history#medieval history#early medieval#my writing#wyrd weaving#shannon purdy jones#authors of tumblr#queer author
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What would you say is the main responsibility/task of each communist party in each european country nowadays? How would the whatever task be done? While this of course differs with every country, I've often thought about this bc of the lack of support the communist party in my country gets. On top of me only just having started organizing and being inexperienced I often ask what I should do when me and my comrades genuinely don't have a lot of support anywhere, especially among workers (who are mostly nationalistic right wingers or centrists). Thank you if you decide to answer, I appreciate hearing your thoughts bc of the way you articulate things and bc of your experience within your own party
Broadly speaking, the main priority is achieving political independence and recognition.
Most of Europe has a context of historical communist parties getting whatever flavor of reformist deviation last century, resulting in the struggle of new parties (such as the PdA in Austria) to be recognized as separate organizations from the historical parties (KPÖ in this case), even when the historical communist party doesn't even exist anymore (the case of the NCPN in the Netherlands). This has nuances or course, the Swedish marxist-leninists, for instance, have managed to constitute themselves with the same name as the historical party (SKP). In eastern Europe, this is further complicated because communist parties are either wholesale banned or struggle a lot with the demonized legacy of the ruling communist parties from the cold war. Ukraine's UCU and many other similarly communist parties have faced considerable state violence, with the case of the Kononovich brothers being recent.
By political independence I mean being able to articulate the class interests of the proletariat on any given relevant issue, avoiding tailism and ceding ground to the logic of reformism, lesser-evilism, social peace, etc. Both of these issues have been, at this time best overcome by the KKE.
Recognition and independence to hand in hand, you could be the smartest marxist in the continent tucked away in some corner of the internet writing pages upon pages of excellent analysis, but if nobody recognizes you and your party as dependable and a serious organization, you might as well be masturbating over a copy of Capital.
This is solved by becoming a consistent ally of the working class in every single struggle you are able to, from the most immediatist to the most revolutionary. And on top of this, it is crucial European parties recover the focus on work as the base of their work. The student, housing, queer, etc. movements will have varying importance depending on time and place, will be more or less permeable to communist positions, and it'll be more or less useful to participate in them. But the worker's movement, whose mobilizations always have a direct relation with the mode of production and capitalism's prime contradiction, should at all times be the focus of any pretension of revolutionary work.
As time passes, a party will become a recognizable and trusted ally of the working class, by virtue of constructing that political independence, our work will always be consistent in its goal and interests it defends. Social-democrats, anarchists, worker's unions, will in some form or another falter in their support, due to the influence of bourgeois interests in their politics. If a party fails to continuously and consciously constitute its political independence, it will also falter and the workers' confidence will be eroded. If you imagine worker's mobilizations like a river that periodically swells up to flood everything in its path, and that at other times is an imperceptible stream, a communist party should act like sediment. It is not external to the river, it is an inextricable component part of it, the solid matter that, after a flood, when the river shrinks back down, remains in its path. It doesn't disappear, it's the memory of the previous courses the river has taken, and the size it achieved. When the river swells up again, it'll do so treading on the path marked by the sediment.
Though the experience of the workers' own immediatist struggles, in which the untrustworthiness of worker's unions and social-democracy especially eventually becomes relevant, having the communist party as a referent, a handful of communists who have lived and breathed the same victories, defeats and betrayals as the rest of the workers, a small hegemony of communist positions can begin to appear. If people begin to trust communists and our ideas again, it'll be because their own experience will show that, eventually, the only remaining dependable faction is the politically independent communist party. The same can be achieved in other movements. For instance, in my university, the communists have become the referent organization for matters of security and organization of structures, after years of consistently being the most trustworthy organization in those matters. The as of yet relatively small sympathy students and workers have acquired towards us and our political analysis has been gained through this, not by simply being the most correct.
Another essential foundation is that of internationalism. The propaganda of warmongers and violent xenophobes which is permeating the working class and making things such as an expanded military budget spurred by NATO and the EU, or stricter control over Europe's borders more palatable, must be faced directly and without pretensions. Solidarity work with migrants and our armies' victims beyond the Mediterranean is becoming increasingly crucial. And, once again, political independence is a prerequisite.
A common issue that springs from the small size of almost all marxist-leninist parties in Europe is that their work is predominantly agitative. Doing that kind of work I described above requires a number of hands and heads able to dedicate significant parts of free time towards those goals, so gaining new members becomes a top priority. It's a difficult cycle to get out of, growing requires actual work to be done, which requires a considerable amount of manpower for these small parties. But it is not an infinite cycle, though it may look futile, even a consistent small amount of work will eventually attract someone new. If the structure of the party is able to sustain itself with a minimum amount of members, growing becomes a question of ingenuity and time, less or luck (although luck is still involved).
Politics is a reflection of the state, at any given time, of the material conditions that continue the exploitation of our class. Therefore, only attempting to change it from the tail end, political discourse by itself, is useless. Parties must attempt to first act on the relations of labor itself, as close to the core mechanisms as possible, so that its political independence is possible, it can hold water, and it becomes a small part of the political sphere "downstream" from the relations of the organization of labor. If you want to convince workers of how chauvinism and racism is antithetical to their interests as workers, what's only going to work reliably and at a bigger scale than individuals is to be the only dependable ally in worker's struggles, holding internationalist positions. A party's positions can only be referential once its work is referential.
Tactics, then, become dictated by the needs of organizing in your own context. Perhaps participating in elections is useful to garner some recognition and use the electoral period as an opportunity for agitation, or perhaps it's more useful to ignore elections altogether. In my opinion, there is no European country where it isn't worth it to use the platform of elections, presupposing the party in question understands it is using elections, not earnestly attempting to govern some facet of the bourgeois state, although it is perfectly possible this will change in the future. Similarly, perhaps it is useful to participate in the worker's unions as a "red fraction" within it, to facilitate the party's participation in the worker's movement like I explained earlier, and without losing a clear criticism of the unions and their unreliableness, or perhaps it's better for parties to control/create a union itself. For smaller parties, generally speaking, the red fraction strategy is much more preferable. The KKE, for instance, has its own union, PAME.
In summary, the priority is political independence, with a stress on internationalism, that is only legitimized by the recognition gained through consistent organization, first in the worker's movement, through whatever means are deemed worthwhile, avoiding dogmatism, tailism, and disconnection from the reality of the working class in each country.
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sweet mother, i cannot weave.
playlist pairing: kassandra the eagle bearer x fem!reader word count: 5.2k description: kassandra was the eagle bearer. a misthios feared by all, nearly by the gods themselves. an unstoppable force, a deadly creature on the battlefield, and considered supernatural by many. and yet, you had her wrapped around your finger. tags: smut (18+), definite historical innacuracy, inaccurate ancient greek terms of endearment, period typical misogyny (not from kassandra), takes place in the midst of the peloponnesian war, risk of being caught, kassandra is a munch, reader is a bit of a pillow princess. a/n: i know most of ya'll know my blog for house of the dragon (aka my one jacaerys fic), but kassandra was my first love so she needs appreciation. this is my first time writing for wlw pairing so... please bear with me :)))).
Summertime in Athens was a lazy thing, hazy with a simmering heat and the smell of ripened fruit.
It seemed as if Apollo himself kissed your skin as you basked within the late afternoon glow. His rays brushed over your cheeks, illuminating you in gold. Your eyes were shut, your pliant body laid out against a cushioned kline. You were a beauty not even sculptors could mold out of marble. Everything about you spoke of your careless luxury; silk chiton ruffled from your relaxation, gold earrings glinting in your ears, and the scent of myrrh perfume that filled the room.
A pitcher of wine sits with a full cup on a nearby table. You’d already downed your first cup, you could feel the slight buzz of it in your veins; a gift from Dionysus. Everything felt lazy and quiet. The afternoons often stretched on endlessly, with little entertainment.
You had no other responsibilities to fill your day than to bask like a napping cat.
The bustle of your home city can be faintly heard from the balcony connecting to your rooms. The bartering of merchants in the marketplace, the boisterous laughter of a group of men who had overindulged, the din of many people moving along streets. Despite the temperature, the city still breathes.
Athens seemed to overflow with life, in spite of the Spartan siege resting just outside her walls.
Your father made sure you’d stayed far from that danger, shut safely inside your home. Where a woman should be, he tells you. He feels the brunt of this war and he does everything in his power to keep you from it. Your relationship with him was an odd one, for you were no son. However, since your mother’s life had faded during her labors, a daughter is what he must settle for. But no matter how chilled the bond between you grows, your wellbeing is paramount.
A dead girl cannot be married off for dowry.
He keeps you sheltered away behind the carefully constructed walls of wealth.
Well, until you’d met Kassandra.
The misthios had appeared one day at your villa’s doorstep, imposing and lithe as a lioness. She’d had business with your father, a contract that needed his attention. Standing before your father, who himself was stout and muscular, she outshone him like the sun does the moon. She’d seemed to be crafted specially by the gods themselves. For no other hands could’ve sculpted those lips and shoulders with such care.
You’d watched her approach, sneakily observing from above upon a terrace.
Kassandra was unlike any other woman you’d seen before. Her demeanor was relaxed and held something akin to arrogance. Armed to the teeth, toned, and protected by gold and leather… she knew nothing would dare to touch her. The mercenary could almost be considered a demigod, blessed with Zeus’ eagle to circle above her head. She was everything opposite of what you’ve been instructed to be.
She donned armor that you’d previously only thought belonged to men. It glinted as the sun struck it, illuminating her as if she was Athena coming to walk amongst mortals. The metal she wore for protection also served to accentuate her musculature, fit and lean. You’d never seen such athleticism on one woman, only ever exposed to the soft curves of yourself and your maids.
She was striking in every sense of the word, well-loved by Aphrodite herself. She had the sharp eyes of a hawk, umber and gleaming when the light hit them just right. They did not miss you, either.
Amidst a hushed conversation with your father, her gaze had found yours. It was fleeting, merely a glance. But she’d known you were there, even from your hiding spot. Even from your distance, you could see the pull of a smirk on her lips.
And there was a strange stirring in your stomach... It was something you’d only felt a few times before.
It was never in the presence of any of your father’s soldiers. The men often smelled of sweat and wine, the sight of them left a sour taste in your mouth. But around your maids, you’d noticed that recently your eyes have started to linger. Whether it be on the curve of their sternums, the beauty of their eyes, and the plushness of their lips. You’d often wonder what they might feel like upon your own. It was a secret you kept close and never dared to act upon.
But Kassandra was bringing a tidal wave of attraction upon you, even from first glance. She looked strong like a man but she was still… most definitely a woman. She was beautiful.
You should’ve known from that moment that you were doomed.
She was around often, having an objective that required constant movement around Athens. It often involved your father, the influential general that he was. You were not able to speak with her often, your father feared she might instill a sense of womanly rebellion in you. Though, you stole a few moments of furtive eye contact and quiet, imploring words.
It was upon her fifth visit that her head became buried between your thighs for the first time.
The mercenary had the unfortunate (fortunate) chance of visiting when your father had not been home. The man had been called away on some urgent business you hadn’t cared to pay attention to. What use would it be? You wouldn’t be allowed to help anyhow.
You’d welcomed her in, under the facade of the demanding rule of hospitality.
Her fingers brush against yours when you hand her a cup of sweet wine. A few words are exchanged; she asks after your father, you ask about her eagle, she compliments the wine.
One thing leads to another and your back is against a wall covered in mosaic tiles, breathy moans leaving your mouth. She has one of your thighs over her large shoulder, your silk chiton rucked up to your hips. She made a temple of your body, an altar in between your legs, and a sacrifice with her tongue.
It was your first time lying with a woman, lying with anyone. She made you feel like you were in Elysium.
She visited more often after that, no longer just to see your father.
You often awaited her at night, when she would climb up through your balcony to find your embrace. The woman could scale just about anything, it seemed.
She was something holy; borne from the gods, no doubt. You believed that even more when she played your body like a finely tuned lyre.
Every visit has you feeling like Penelope, welcoming Odysseus back to Ithaca.
Though, lately, you’ve gotten the feeling that she will soon be moving on to other places.
There was a far away look in her eyes when she gazed at you now, hidden beneath amorous hues. Her touches began to stray with a softness that had not been there before. She’s begun to linger after your satiation, lips reverently brushing over your temple when she has to depart. It made you uneasy… the affection was welcome, but it was tinged with a bittersweet omen. You did not wish for her to go.
This arrangement was not one borne of longstanding love and commitment; it was all-consuming, passionate, and free of false promises. However… you cannot deny the blossoms of affection that have been planted from all your shared intimacies with the mercenary. She would sometimes bring you fresh figs she picked along her travels, and then you would insist on sharing. Or there were times when she could not stay for long… so she’d tuck an anemone she’d saved behind your ear with a press of plush lips to the corner of your mouth.
Kassandra rarely allowed herself to have such tenderness. There were those out there who would do anything to tear away anything she cared about. It was all too easy to fall into the role of careless mercenary, only in it for the drachmae. Perhaps, if it was just her and Ikaros against the world, things would be easier.
But, there was you… saccharine and delicate, with a heart purer that King Midas’ gold. You felt like the closest thing to home she’s had in a long time.
Everyone had their vices.
There were times that she did not crave you for lust at all. Sometimes she would crawl into bed beside you with a sigh… wounded or bruised. The look in her eyes, then, tugged at your heart. They were so tired… almost sad. You could see, she needed the comfort of your sweet words and to fall asleep in a safe place. The way you rubbed the muscles of her back, pressed chaste kisses to her bruised cheekbones, and undid her braid made Kassandra believe that maybe… she could afford to have this one shred of kindness.
It was a secret, just for the two of you. Something forbidden by the laws of men, two women partaking in such carnality, but what laws had Kassandra ever abided by?
Muted footsteps catch your wandering attention, sandals across smooth stone, bringing you back from your thoughts.
You're pleased to see the familiar outline of your lover in the doorway.
Kassandra was imposing even in the simplest of times. The sun catches half of her face, causing one eye to look molten, the other dark umber in the shadows.
She utters your name in a low familiar greeting, her tongue curling over the syllables. The left corner of her lips tug up in a slow smile.
You cannot help but rake your eyes over the way her body looked in her usual armor. Her chestplate accentuated the strong slope of her arms. You admired her well-built shoulders and biceps, one marred by the scars left by an animal she’d conquered in her past. You often liked to brush your lips over it to make her shudder. Her leather pteruges rustled with each movement; accentuating the long lines of her legs. Every detail of her did not escape your notice; a vein along one of her hands, the cut of her calves, the small strands of hair that always escaped her braid.
You also do not miss how her heated eyes take you in. Like you were a nymph or nereid, basking in the sun.
To her, you were otherworldly.
The shoulder of your silk wrappings had slid down one of your shoulders, revealing a tantalizing slip of skin. The sun illuminated you like a beacon. You lounged like a big cat, easy and wanton. As you gazed at her through lazy, half-lidded eyes; she felt a familiar heat simmering between you both.
The two of you were like a conflagration, coming together to burn.
“Kassandra.” You drawl in greeting, eyes tracking her as she steps into the room.
“I thought I might find you here.” The sellsword muses, sharp eyes flicking around your rooms. She takes in the open balcony, the goblet of wine by your side, before her gaze traces you again.
“Did you?” You cannot hide the quiet tease of your voice, something salacious hidden beneath your lilting words. She hums in agreement. You shift where you lie, a strategic move that lets your dressings slip even further down your chest, revealing almost too much of your sternum. You let one of your legs fall to the side of the kline, creating an inviting cradle between your thighs.
Kassandra notices. You can see the way she tracks the movement with a heated gaze. When she meets your eyes again, she raises an amused brow.
“You’re done speaking with my father, then?” You inquire. There is a hope in your tone you cannot hide, and haven’t been able to for a while now. You cannot deny you greatly look forward to Kassandra’s visits… and you yearn for her when she is not around. She is an excitement in your dull life, a taste of the outside world you haven’t seen.
There comes that look upon her face that you are so used to seeing now. Something more somber and serious than her usual teasing facade.
“Yes… I have just completed my final task for him.”
You feel a sinking in your stomach. Your earlier flirtations now feel… silly.
“You’ve been paid then..?” You venture to ask, brows drawing together. The clenching in your chest and the downturn of your lips strangely feel like disappointment.
“I have.” Kassandra states simply. She sighs, eyes glancing out towards the balcony for a moment. She seems to be thinking something over. She takes a step closer, knees almost bumping into your shins where you recline.
“I will be leaving Athens soon… my-” She hesitates. Does she tell you everything now? Her whole purpose in coming to the city? Her quest? The cult? Her family? “... contracts now lie in other places across the Aegean. I will leave with my ship tomorrow morning.”
“What?” You ask, almost startled. She was leaving? So soon? “Leaving-?” Your voice is, embarrassingly, tinged with panic. You begin to push yourself up on your elbows, chiton sliding across your skin to become entirely improper. You could care less.
Then, Kassandra does something you don’t expect.
She kneels before your kline, body half hovering over yours. The proximity is enough to have your words catching in your throat. A pretty flush settles over your cheeks as you're forced to meet her eyes. The smell of leather, olive oil, and sandalwood fills your nose.
Her strong arms cage you in at either side, your noses are almost brushing against one another. The heat of her body is palpable, even through her armor. You can feel her leather pteruges brushing your calves, the leather softly rasping over your skin. Her chestplate digs slightly into your thighs.
“Come with me.” She murmurs, tone low. The words are meant just for you.
Surprise overcomes any other emotion you’re feeling.
“What-?” Your whispered exclamation is cut off quickly.
“Come with me. Travel with me, on the Adrestia.” She implores once again, ducking her head. Her lips brush across your jaw. You make a soft noise, it sounds like a surrender. You tilt her head and you feel her brushing chaste kisses down your throat. Her touch makes you shudder, your heart kicking up its pace as your body begins to perk up.
“See the world with me. Feel the ocean breeze across your skin for the first time, leave these city walls, let me show you freedom.” Each word is murmured against you. Her warm breath fans across your skin, mingling with the clime of the day.
A gasp is torn from your lips as she nips at the junction between your neck and shoulder, trailing her lips to your exposed shoulder. You melt back into the cushions beneath you. She follows you down. It feels like molten heat is settling in your stomach. You do not know how she pulls this lust from you so easily, but you’re not complaining.
Your hands slide to her arms, feeling the well-built muscles under your palms. Your head tilts back against your pillows, lips parted with quickened breath. Her callused hands brush up to your hips, causing your chiton to bunch. She kneads into your pliant flesh.
“I could teach you to sail, have you stand with me at the helm. You would be free to do as you wished…” Kassandra breathes out over your skin, trailing lower and lower. She’s still trying to convince you, even when you haven’t given her your answer.
You knew what you wanted, wholeheartedly. Of course you would go with her. The truth is, you’d fallen deeply in love with the mercenary… You could hardly let her go. She completed you, made you whole. She was the sunlight streaming through your bedroom doorway, the honeyed taste of figs on your tongue, and she was the freedom of the eagle soaring outside. She was hard and callous, but held a gentleness reserved just for you. It was as if you’d cracked past the exterior of a pomegranate, finding the sweetened seeds within.
Besides, if you stayed, all that awaited you was a loveless marriage and a possible death on your birthing bed.
However, Kassandra isn’t leaving you in a state to speak these poetic thoughts to her.
One of her hands finds the slipping hem covering your chest. With a simple tug, she bares your chest to her.
You give a small squeak of surprise, a flush spreading to your ears. She shushes you, heated eyes meeting yours as her lips tug into a small smirk. Then, she descends upon you.
Kassandra brushes her lips over your collarbone, nipping playfully at the skin. It’s clear she intends to leave a mark… then she trails lower and lower… before she’s kissing around the mound of your breast.
You shudder, a sigh of pleasure leaving your lips. One of your hands finds her nape while the other tangles into her brunette tresses. It messes up her carefully woven braid, but neither of you really notice. You pull her closer like you can’t get enough of her, like you can meld your bodies together. Her touch is as warm and filling as the sun. It sets you ablaze, threatening to burn.
When she laves her tongue over your peak, you give a weak cry. To her, it sounds better than any song the muses could ever sing. You moan so prettily for her. She could get drunk off of that alone. No flask of even the finest bacchanal wine could make her feel as you do. She begins to lap at you in earnest, tugging whines from your lips..
“Kassandra.” You mewl, an encouragement. You do not care if anyone in the household hears.
“You always taste so sweet.” The words are murmured against your skin, skilled tongue curling around the syllables. Her voice causes a fluttering in your stomach. She trails her mouth to your other breast, kneading the previous in her hand. Her eyes are half-lidded through her long lashes as she drinks in your every reaction. Your eyes shutter, arching into her brazen touches. The want radiating through your body pools, thick and cloying, between your thighs.
She has hardly even begun, and yet you’re melting in her hands.
“I could teach you to hunt, to live for yourself. You would be beautiful with a bow. You could put the daughters of Artemis to shame.” The warrior speaks against your skin. The words are murmured between swipes of her tongue, her lashes fluttering with the ecstasy of tasting your skin.
Once she has you squirming for her, just from her mouth on your chest, you feel her body begin to slide down against yours. Her hands brush down over your thighs as her lips travel over your covered stomach… then abdomen.
“And every night… I could take you to shore. Every night would be just like this. Wouldn’t you like that?” Her words are husky and heated, leaving you more breathless by the moment.
“Y… Yes… Gods…” You nod shakily, struggling to be coherent. You shift where you lie, twitching your hips towards her.
“There are no gods here. It’s just you and me, erasmia.” The term of endearment rolls easily from Kassandra’s mouth.
Her calloused palms brush over your ankles as she gently parts them.
You blink open your hazy hues to gaze down at her… and the sight would’ve made you weak in the knees had you been standing. She’s gorgeous, the paragon of your desire. Her broad shoulders gently nudge your thighs open, she guides them to rest over her arms. She’s smiling, you realize, her head turned against the inside of your knee. You wish to see its radiance but you wouldn’t dare move her from where she is. The movement causes the silk of your skirts to bunch, dangerously close to exposing you.
Your paramour hums in satisfaction at the reveal of your bare skin. Her dark eyes are trained on your expression; eyes doe-like with soft parted lips. You feel her dangerous mouth skim across your knee, up to your thigh. They’re gentle, butterfly kisses. The way she touches you is reverential in nature.
She has never believed in the gods, for they had never done anything for her. But… having you like this… maybe there were supernatural beings in this world. Perhaps there were gods, perhaps Aphrodite had borne you from a rose. You were anointed with beauty that could rival any goddess… though she would not curse you by speaking the words aloud.
You suck in a breath as her lips skim to your inner thigh, holding it in anticipation for what you know comes next. A warm breeze blows through the open terrace. It caresses your bare chest, making you shudder. Every fibre of your being was wound with need.
But Kassandra was nothing if not a tease. You can feel her grin against your skin as she nips at your thigh. Her sharp canines travel across your plush flesh, leaving blooming red marks in their wake. It causes your muscles to twitch, shifting over her shoulders.
“I would keep you safe, of course. Nothing would touch you, nothing would even come close. Not while I’m around.” She speaks against your skin, the words almost muffled. Her nose nudges into your thigh as her face presses even closer.
You whine in frustration as the woman between your thighs travels her lips higher. She’s distinctly avoiding where you want her most, wet and weeping. Instead, her hands push you chiton around your waist. You're open, exposed for the taking. But she doesn’t seem to care. She sucks a mark into the jut of your hip bone, warm palms skimming over your thighs. She makes sure you stay open for her.
The mercenary is a terrible (beautiful) combination of passionate and possessive, often leaving marks that you struggle to hide from your father. Your body is a canvas for her marks of lust.
It is when she starts kissing across your stomach that you begin to beg. You feel close to trembling, losing yourself to the need she has (all too quickly) built you up to. There is not a sweeter torture.
“Kassandra… please.” You breathe, lips forming into a slight pout as she showers kisses on the flesh of your tummy. “I need you. Don’t be cruel.” Your voice is pathetic, tinged with desperation. You’re too entranced by her to be embarrassed by it.
She laughs softly against you. But… she can never resist you for long. You were a test of her self-control, one she often failed. You were her Achilles heel. She would do anything for you, that is what makes you so dangerous. If the knowledge of her only weakness got into the wrong hands… she could lose everything.
But Kassandra can’t help but need you anyways. She has lost so much in her life… she should at least have this luxury.
“I’ll give you what you need, o khara… I always will.” It sounds almost like a promise.
And it is. One she intends to keep.
She rips a quiet gasp from your throat as she skims her lips down your navel… and, this time, she does not stop her descent.
Kassandra, first, presses a kiss against your core. The touch surprises you and it is not nearly enough. You open your mouth to tell her such, but you’re quickly silenced.
Your lover wastes no time, perhaps just remembering that your father was still in the house or the fact that your maids could walk in at any moment. She flattens her tongue against you, tasting your essence. She groans into you, your ambrosia like honey on her tongue. You can feel the vibrations of it travelling through your body.
Your choke on your breath for a moment, hands scrambling to hold onto something. One hand tangles into her hair as the other grips the couch beneath you. She grunts at the pressure but does not protest. In fact, she follows your guidance, pressing closer.
Her tongue slides against your entrance, eagerly tasting all of you where you leak for her. You can feel her nose nudging into your pearl, sending jolts of pleasure up your spine. You moan, biting your lip to try and keep quiet.
She tsks, pulling away much to your dismay. Already, her lips are wet with your arousal.
“None of that, I want to hear you.” She rasps. You could argue, bring up the fact that anyone could very much be here. But gods, you don’t want her to stop.
You nod dumbly, tugging her face back to the apex of your thighs. She goes, chuckling at your easy compliance. You sigh in relief as her tongue swipes through your folds once more.
Your hips arch into her ministrations. You crave more… so much more. You think, in times like these, that you understand how Icarus must have felt. A strong forearm slings across your hips, pressing you flat against the cushions for her taking. Her other slides to your haunch, gripping the pliant flesh. She keeps you spread for her.
Kassandra drinks from you like she is dying of thirst. She is messy, trying to taste every bit of you. The woman was skilled with her tongue. You can feel as she dips her tongue teasingly at your entrance before lapping over your clit, suckling until she repeats the pattern again. It has you melting for her… helpless to do anything but take the gift she gives you.
She is godlike, radiant from the late sun. She could be Eros incarnate, beautiful and salacious between your thighs.
You writhe, even under her strong hold. You tug, not too hard, at her hair. You need more. You mewl with every pass of her tongue over you…
“Ah…” Your lips are parted with exerted breaths, breasts heaving with the force of them. Kassandra is enraptured by the sight, fiery eyes locked on you from where she feasts. “Kassandra.. Mm.. don’t you dare stop.” It sounds like an order from your mouth.
Soon, she zeroes in on your pearl. You think she might suffocate from how she presses her face into your cunt. If she was a lioness, she’d be mauling you. She suckles at your clit, causing your body to twitch from the overwhelming feelings of pleasure. Your eyes flutter closed, mellisonant sighs and cries of ecstasy pouring from your pretty lips.
“So beautiful…” Kassandra murmurs against you. Her hand slides from your thigh to prod at your entrance, testing. “Taste so good, can never get enough of you. And you’re always so wet…” You don’t have the awareness to feel embarrassed by her teasing.
She slides two long fingers inside you, huffing as she feels your cunt flutter around the digits. You shudder, body not knowing how to handle the twin sensations. She continues to lap at your nub. But her fingers begin a slow slide, curling within you just right.
The wet sounds between your thighs are obscene. You can feel your own slickness and her saliva on the inside of your thighs, combined with the sting of where Kassandra had marked you earlier. Her attention is never ending.
Every thrust of her fingers inside of you wrenches a moan from you. They filled you so deeply, much better than your own. She has ruined you for anyone else. Embarrassingly, you can feel your peak approaching already. Desire pools in your stomach, a coil tightening.
Kassandra can evidently feel it too, the way you flutter around her. Gods… you got so tight when you were close. It was maddening. She doubles her efforts, moaning into your cunt as she flattens her tongue over your pearl.
Her free hand moves to your hips, encouraging you to grind against her face and fingers. You do, settling into a shaky rhythm. She was giving you everything. Your breathing is labored, hardly able to moan through your panting. It’s desperate and so dirty…
Every pass of your hips as her fingers pressing closer, digits finding the spongy spot inside of you. It only takes a couple more grinds of your hips before you’re falling over the edge.
“That’s it… look at you.” Kassandra praises, voice low and heady as she guides you through your peak. She continues to murmur dirty praises into your skin as you lose yourself to hedonistic ecstasy. Her fingers slow into gentle pushes, letting your release pool between them. Waves of pleasure roll through you, and you take them gladly. There is a faint perspiration upon your brow and your cheeks are flushed prettily.
Your partner presses kisses against you, digits sheathed till you whimper in overstimulation. You nudge her head away with your palm and she takes the signal. You shudder as she pulls her fingers from you, watching with half-lidded eyes as she licks them clean. Her chin glistens with evidence of your carnal sin.
You tug her up into a kiss, pliant lips against her own. She follows your direction easily. Your arms slide around her shoulders, feeling her warmth. Her hands are planted on either side of your head, firm body balanced above you. You can taste yourself on her tongue. Your body is still buzzing from satiation, lazy and full.
Kassandra hums into the kiss. Slowly, you pull away for breath. Both of your breathing is still labored. Gently, you brush your fingers along her tan cheek. She leans into the touch, nose brushing your own. The look in her eyes can only be described as loving devotion.
“Of course I will go with you.” You utter against her, voice shot from all your keening. “There is nowhere else I would rather be than at your side, Kassandra.”
Her grin is more radiant than the stars..
-
That very night, she climbs your terrace once again.
But this time, you’ll be leaving with her.
She coaxes you out of bed with a multitude of kisses across your cheeks. There are quiet shushes and giggles as you get out of bed to dress.
Kassandra drapes a shroud around your shoulders, making sure it obscures your face. She gently guides you from your bedroom, her hands at your waist help you climb down the ivy that clings to the rough clay walls. You travel like silent mice, the guards none the wiser to your midnight escape.
Her loyal steed, Phobos, awaits you a distance away from the villa walls. She hoists you up easily, settling you onto the knit pad on the horse's back. Phobos stands still for you, quiet and patient.
She joins you, clicking her tongue and nudging her heels into the animal's side. The beast’s stride is smooth and sure, and soon enough your villa is fading into the starry sky behind you.
Kassandra’s body is warm at your back, arms strong and heavy as she holds you. She guides your head back to rest on her shoulder, murmuring words of affection into your hair.
You ride together under the protection of Selene, off to a new life you would build. Together.
#kassandra x reader#kassandra the eagle bearer#assassins creed odyssey#fanfiction#kassandra x you#kassandra of sparta#kassandra ac odyssey
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Bankruptcy is very, very good

On THURSDAY (June 20) I'm live onstage in LOS ANGELES for a recording of the GO FACT YOURSELF podcast. On FRIDAY (June 21) I'm doing an ONLINE READING for the LOCUS AWARDS at 16hPT. On SATURDAY (June 22) I'll be in OAKLAND, CA for a panel and a keynote at the LOCUS AWARDS.
There's a truly comforting sociopathy snuggled inside capitalism ideology: if markets are systems for identifying and rewarding virtue, ability and value, then anyone who's failing in the system is actually unworthy, not unlucky; and that means the winners are not just lucky (and certainly not merely selfish), but actually the best and they owe nothing to their social inferiors apart from what their own charitable impulses dictate.
It's an economic wrapper around the old theological doctrine of providence, whereby God shows you whom he favors by giving them wealth and station, and marks out the wicked by miring them in poverty. And like the religious belief in providence, the capitalist belief in meritocracy is essential to resolving cognitive dissonance: it lets the fed winners feel morally justified in stepping over the starving losers.
The debate over merit and luck has been with us for millennia, and even the hereditary absolute monarchs of the Bronze Age had to find a way to resolve it. For the rulers of antiquity, the way to square that circle was jubilee.
Bronze Age jubilees were periodic celebrations in which all debts were canceled. Different kingdoms had different schedules for jubilees, but imagine some mix of "every x years" and "every time a new ruler takes the throne" and "every time something really portentous happens." To modern sensibilities, the idea that we would simply wipe away all debts every now and again is almost inconceivable. Why would any society practice jubilee? More importantly, how could a ruler get the wealthy creditor class to countenance a jubilee, rather than seeking a revolutionary overthrow?
The best answers to this question can be found in the scholarship of historian Michael Hudson, who has written extensively on the subject. Hudson doesn't just write for a scholarly audience, he's also a fantastic communicator with a real commitment to bringing his research to lay audiences:
https://michael-hudson.com/
Hudson's most famous saying is "debts that can't be paid, won't be paid." It's in this dense little nugget that we can find the answer the the riddle of jubilee:
https://pluralistic.net/2021/09/29/jubilance/#debt
Let's start with a simple model of debt and credit in an agricultural society. In agricultural societies, everything exists downstream of farming, which is the core activity of the civilization. If the farmers succeed, everyone can eat, and that means they can do all the other things, all the not-farming work of your society.
To farm successfully, you need credit. Farmers enter the growing season in need of inputs: seed, fertilizer, labor; they need still more labor during the harvest. Without some way to acquire these inputs before the farmer has a crop that can pay for them, there can be no crop.
No wonder, then, that the earliest "money" we have a record of is ancient Babylonian credit ledgers that record the debts of farmers who borrow against the next crop to pay for the materials and labor they'll need to grow it. Debt, not barter, is the true origin of money. The fairy tale that coin money arose spontaneously to help bartering marketgoers facilitate trade has no historical evidence, while Babylonian ledgers can be seen in person in museums all over the world.
Farming requires an enormous amount of skill, but even the most skillful farmer is a prisoner of luck. No matter how good you are at farming, no matter how hard you work, no matter how carefully you plan, you can still lose a harvest to blight, drought, storms or vermin.
So over time, every farmer loses a crop. When that happens, the farmer can't pay off their debts and must roll them over and pay them off with future harvests. That means that over time, the share of each harvest the farmer has claim to goes down. Thanks to compounding interest, no bumper crop can erase the debts of the bad harvests.
That means that, over time, "farmer" becomes a synonym for "debtor." Farmers' productive output is increasingly claimed by the rich and powerful. No matter how badly everyone needs food, the whims of the hereditary creditor class come to dictate the country's agricultural priorities. More ornamental flowers for the tables of the wealthy, fewer staple crops for the masses. "Creditor" and "debtor" no longer describe economic relations – they become hereditary castes.
That's where jubilee comes in. Without some way to interrupt this cycle of spiraling debt, society becomes so destabilized that the system collapses:
https://pluralistic.net/2022/07/08/jubilant/#construire-des-passerelles
In other words: debts that can't be paid, won't be paid. Either you wipe away the farmers' debts to the creditor class, or your society collapses, and with it, the political relations that made those debts payable.
Jubilee is long gone, but that doesn't mean that debts that can't be paid will get paid. Modern society has filled the jubilee gap with bankruptcy, a legal process for shriving a debtor of their debts.
Bankruptcy takes many forms. The most important split in bankruptcy types is between elite bankruptcy and the bankruptcy of the common person. The limited liability company was created to allow people with money to pool their funds to back corporations without being responsible for their debts. This "capital formation" is considered "efficient" by economists because it creates the backing for big, ambitious projects, from colonizing and extracting the wealth of distant lands (Hudson's Bay Company) to spinning up global manufacturing supply chains (Apple).
Limited liability means that companies can take on debt without exposing their investors to risks beyond their capital stake. If you buy $1,000 worth of Apple stock, that's all you stand to lose if Apple makes bad decisions. Apple may rack up billions in liabilities – say, by abusing its subcontractor workforce – but Apple's owners aren't on the hook for it.
Economists like this because it means that you can invest in Apple without having to be privy to its daily management decisions, which means that Apple can accumulate huge pools of capital, "lever them up" by borrowing even more, and then put all that money to work on R&D, product development, marketing, and, of course, "incentives" for key employees and managers.
But limited liability also does a lot of work in the political sphere. Once an individual crosses a certain wealth threshold, they become an LLC. Accountants and wealth managers and financial planners insist on this. For freelancers and other sole practitioners, the benefits of forming an LLC are modest – a few more tax write-offs and the ability to get a business credit-card with slightly superior perks.
But for the truly wealthy, transforming yourself into the "natural person" at the center of a vast pool of LLCs is essential because it allows you to accumulate and shed debts. You can secretly own rental properties and abuse your tenants, accumulate vast liabilities as local authorities pile fine upon fine, and then simply dispose of the LLC and its debts. Plan this gambit carefully enough and the debtor LLC will have no assets in its bankruptcy estate apart from the crumbling apartment building, and its most senior secured creditor will be another of your LLCs. This lets the slumlord move an apartment block from one pocket to another, leaving the debt behind.
For the corporate person, shedding debts through bankruptcy is an honorable practice. Far from being a source of shame, the well-timed, well-structured bankruptcy is just evidence of financial acumen. Think of the private equity looters who buy a company by borrowing against it, pay themselves a huge "special dividend," then wipe away the debt by taking the company bankrupt (which also lets them shed obligations to suppliers, workers, and especially, retirees and their pensions). As Trump (a serial bankrupt who has stiffed legions of contractors and creditors) would say, "That makes me smart."
The apotheosis of elite bankruptcy is found in massive corporate bankruptcies, in which a corporation kills and maims huge numbers of people, then maneuvers to get its case heard in one of three US federal courtrooms where specialist judges rubber-stamp "involuntary third-party releases" that wipe out the company's obligations to it victims for pennies on the dollar, while the company gets to keep billions:
https://pluralistic.net/2021/07/29/impunity-corrodes/#morally-bankrupt
This process was so flagrantly abused by companies like Johnson & Johnson (which spent years knowingly advising women to dust their vulvas with asbestos-tainted talc, creating an epidemic of grotesque and lethal genital cancers) that it is finally generating some scrutiny and pushback:
https://pluralistic.net/2023/02/01/j-and-j-jk/#risible-gambit
But the precarious state of elite bankruptcies has more to do with the personal corruption of the small cabal of judges who run the system than public outrage over their rulings; like that one judge in Texas who was secretly fucking the lawyer whose clients he was also handing hundreds of millions of dollars to:
https://pluralistic.net/2023/10/16/texas-two-step/#david-jones
Certainly, we don't hear much about the "moral hazard" of allowing the Sackler opioid family to keep as much as ten billion dollars in the family's offshore accounts while walking away from the victims of their drug-pushing empire, no matter what bizarre tricks they deploy in pulling off the stunt:
https://pluralistic.net/2023/08/11/justice-delayed/#justice-redeemed
But when it comes to canceling the debts of normal people, the "moral hazard" is front and center. If you're a person who borrowed $79k in student loans, paid back $190k and still owe $236k, we can't cancel your debt, because of the message that would send to other people who want to (checks notes) get an education:
https://pluralistic.net/2020/12/04/kawaski-trawick/#strike-debt
The anti-jubilee side also wants us to think of the poor creditors: who would loan money to the next generation of students if student debt cancellation was a possibility? Of course, these are federally guaranteed loans, risk-free, free money for people who already have money, a kind of UBI for the people who need it least. The idea that this credit pool would dry up if you were limited to only collecting the debts that can be paid – rather than insisting that debts that can't be paid still be paid – elevates the hereditary creditor class to a kind of fragile, easily frightened, endangered species.
But the most powerful arguments against bankruptcy are rooted in the idea of providence. In an efficient market, anyone who goes bankrupt was necessarily reckless. They were entrusted with credit they weren't entitled to, because they lacked the intrinsic merit that would let them manage that credit wisely. Letting them walk away from their debts means that they will never learn from their mistakes, and that their fellow born-to-be-poors will learn the wrong thing from those debts: that there's an easy life in borrowing, spending, and discharging your debts in bankruptcy.
As it happens, this is an empirically testable proposition. If this view of personal bankruptcy as a personal failure is correct, then people who go bankrupt and live to borrow again should end up bankrupt again, too. On the other hand, if we accept the jubilee view – that debt is the result of accumulated misfortunes, often including the misfortune of birth into poor station – then bankruptcy represents a second chance with an opportunity to dodge misfortune.
In a new study from IZA Institute of Labor Economics's Gustaf Bruze, Alexander Kjær Hilsløv and Jonas Maibom, we get just such an empirical analysis. It's called "The Long-Run Effects of Individual Debt Relief," and it examines the lives of people for a full quarter-century after a bankruptcy:
https://docs.iza.org/dp17047.pdf
The study follows Danish bankruptcies following the introduction of continental Europe's first modern bankruptcy system, which Denmark instituted in 1984. Prior to that, the Danes – like most of Europe – did not allow for a discharge of personal debt through bankruptcy. Instead, a debtor who went bankrupt would be expected to have about 20% of their lifetime wages garnished to pay back their creditors, until the debts were repaid or they died (whichever came first).
After 1984, Denmark bankruptcy system imported features of US/UK/Commonwealth bankruptcy, including the ability to restructure and discharge your debts. Not everyone is eligible for this kind of bankruptcy: there's a bureaucratic system that verifies that people seeking bankruptcy discharge don't have a lot of assets that could go to their creditors.
But for the (un)lucky people who qualify for bankruptcy discharges, there's a fascinating natural experiment in which the fortunes of people who see debt relief can be compared to bankrupt people who couldn't get their debts wiped out.
It turns out that the Bronze Age has a thing or two to teach us. Here's the headline finding: people who discharge their debts in bankruptcy experience "a large increase in earned income, employment, assets, real estate, secured debt, home ownership, and wealth that persists for more than 25 years after a court ruling."
After people are given the benefits of bankruptcy, they are less likely to rely on public benefits. They get better jobs. Their families live better lives. Their creditors get some of their money back (which is all they can realistically expect, since "debts that can't be paid, won't be paid").
As Jason Kilborn writes for Credit Slips, "the benefits of debt relief are not only substantial but robust, as debtors learn their lesson (if there was one to learn) about managing their finances, and they capitalize (literally) on their fresh start."
Score one for the luck-based theory of wealth, and minus one for the providential meritocracy hypothesis.
Americans should take note of these findings. After all, Danes are insulated from the leading American cause of bankruptcy: medical debts. In America, breaking a bone or getting cancer or even kidney stone can wipe out a lifetime of hard work, careful planning and prudential spending. The US refuses to seriously grapple with this problem. The best we can come up with is the (welcome, but tiny) step of banning credit bureaux from trashing your credit score because of your medical debt:
https://www.whitehouse.gov/briefing-room/statements-releases/2024/06/11/fact-sheet-vice-president-harris-announces-proposal-to-prohibit-medical-bills-from-being-included-on-credit-reports-and-calls-on-states-and-localities-to-take-further-actions-to-reduce-medical-debt/
Millennia ago, everyone understood that debts that can't be paid, won't be paid, and they created a system for discharging debts and freeing productive people from the tyranny of accumulated liabilities, to the benefit of all. Dismantling that system required us to invent an elaborate theological system and dress it up in economic language.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/06/17/lovilee-jubilee/#debts-that-cant-be-paid-wont-be-paid
#pluralistic#debt#debts that cant be paid wont be paid#jubilee#denmark#great danes#bankruptcy#second chances#scholarship#economics#iza#Gustaf Bruze#Alexander Kjær Hilsløv#Jonas Maibom#michael hudson
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mini yap but i think the big thing about the censorship discussions is that to a lot of people, they seem really hypothetical and conceptual. like some distant far aware threat but really you can't open a comment section about snape/regulus/barty/DE characters on tiktok without seeing at least three comments calling the creator a facist or a nazi sympathiser. no grey space, no understanding, no critical thought just "snape post? you're a massive racist facist"
and of course, there's personal preference! you can say you don't want to engage with these characters,,, but censorship isn't some far away monster - it's already here.
it isn't just incest or teacher/student or any of the other things people complain about, it's all these smaller examples of you not being able to separate fiction from reality and immediately assuming that those engaging with this content are idiots who also can't do this separation.
we also have this same movement against period-typical attitudes. where a marauders fic writer will include misogyny in their fic set in the 70s, and their ask box/comments will be flooded with people saying they hate women and that the text was so misogynistic. "this line was so misogynisti-" it was meant to be. that's why the period-typical attitudes tag is there.
i beggeth you to understand how important these talks are??? like yes, we're writing about wizards but if you ignore that and break it down to the crux of the issue: you are saying that we are awful people for writing and engaging with these things, whilst books like the handmaid's tale and 1984 are pulled off of shelves. you are saying that these things shouldn't be in literature. something that has always been and will always be political, and you don't think the political things should be in it? in a time where these are on the rise and our education of them is being restricted?
we Need to be able to write about these things. politically and historically, we NEED to be able to write about these things, we need to be able to write about discrimination. about hierarchies, about awful morals and hideous acts. that's irrefutable - we need that evidence and that exploration and that critical analysis of society.
and you need to be able to separate fiction from reality. because censorship isn't some metaphorical threat, it's here and you can get on your moral high horse and say it's just the "really bad things" you want gone, but (1) no one is every going to agree because there's no universal morality or legality and (2) it's not just that. and it never will be.
you are in a queer space, i beggeth you to understand censorship will find its way back to your ships, no matter how "morally right" you feel for starting these talks.
#robrauders yap#its so frustrating like#'we only mean inces-' NO YOU DONT !!!#and it doesnt matter if you do!!!#because it wont end there and it hasnt ended there
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Apparently unpopular opinion, but what I can judge from the screenshots we got today, the Capital is not just St. Petersburg, it’s more of a melange between St. Petersburg and Moscow. (Tbh, we got just one shot of the capital, so any opinion here is not really objective, but whatever)
Okay, so there is this:

My first thought was “wow is that inspired by Nevsky or by Tverskaya?”. (i. e. Nevsky Prospect in St. Petersburg and Tverskaya Street in Moscow). Consensus on Twitter is that this photo stinks of Nevsky vibes, however, I would like to point out several things, e. g. there are no sunny days in St Petersburg from architecture of the two Russian capitals to game design decisions made to create an atmosphere of a certain time period.
1) Architecture
I recall some people seeing the picture above and instantly suggesting Nevsky as an inspiration behind. I would like to point out, especially to the people who’d never been to either of the cities, that Moscow and St. Petersburg partly resemble each other (dear people of St. Petersburg - I know, sacrilegious of me to compare you with greedy Muscovites, no I’m not sorry).
Moscow is not only the Seven Sisters and modern skyscrapers. Petersburg is not only 200-300 y.o. buildings. Both cities underwent major changes during 19th and 20th centuries, both cities eventually adopted a somewhat similar style, a mix of late empire (1910s) and early soviet rule (1920s-1930s). Moreover, in many cases, these are even the same buildings, with a ground level from say 1913 and other floors from e.g. 1927. I’ll do you one better, if you compare historical districts of major cities of former Russian empire (e.g. Kyiv or Minsk), you’ll see the same thing. Yes, they’re not identical, but you can clearly see this specific architectural style of 1910-1920s.
Coming back to our screenshot above, I definitely can see Nevsky Prospect influence. However, when I saw those little decorative towers, they immediately reminded me of Tverskaya. I did some digging, and hey, there is actually something similar there:

Yes, not identical, but again, imo design of the Capital is done with goal to remind you of something you saw, not a copy, but close enough to understand the influence, to get the atmosphere of the city.
2) Historical aspect
Okay, from now on it’s my deluded gibberish, but hear me out. Considering the technologies presented in Pathologic (antibiotics, that massive ass artillery gun from P1 which honestly suspiciously looks like Schwerer Gustav), the game can be placed somewhere vaguely in 1920s-1930s. Taking into account what kind of language characters speak (for instance, Dankovsky speaks in a very specific manner, such Russian is more found in literature, than in actual spoken language. The same applies for most of the Utopians), lack of soviet-specific abbreviations and vocabulary, we can say that apparently October Revolution never happened. To be honest, Daniil wouldn’t survive the Revolution or early Soviet rule (read about repressions against intellectuals or the infamous Philosopher’s steamer)
You can argue: “but hey, isn’t Pathologic just a theatre play where such details don’t matter?”. Yes and no. Because it’s a theatre play, many otherwise important details are omitted. However, developers drop hints here and there, to set the tone and visually convey what kind of country and society they’re talking about. No offence to non-russian-speaking fans, but I’m still convinced that IPL still considers russian-speaking countries their primary audience. This leads to certain design choices, including architecture of the Capital.
In my opinion, IPL had to mix visuals of Moscow and St. Petersburg in order to convey a certain vibe. You see, since it’s somewhat suggested that revolution didn’t happen, developers have to utilise aesthetics of 1910s culture to show that we are talking about “Russia” from works of Gorky, Chekhov, and Bunin. At the same time, IPL have to add elements of early soviet culture, so the game world doesn’t look like weird 1910s with antibiotics and far too much advanced technologies.
How’s that connected to the Capital? Russian capital in late empire was St. Petersburg. In later years - Moscow. Moreover, if we are talking about Dankovsky as a character, his design (among other things) is heavily influenced by works of Bulgakov. But in Russian mindset Bulgakov is tightly associated with 1920s Moscow, you just can’t escape it. So, consequently, IPL decide not to sacrifice one for another, and just mix the two capitals, stylistically, in order to create the desired impression on the player.
We’ll see if all that is at least partially true from P3. Hopefully, even from the upcoming demo.
#also note the pre-reform orthography!!#and the electrotheatre right there#do you know what’s also on Tverskaya?#you guessed it! Stanislavsky Electrotheatre!#pathologic#pathologic 3#daniil dankovsky#даниил данковский#мор утопия
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I disagree with this argument for a couple different reasons. I mean primarily because it's just ahistorical and it uses a stupid comparison.
Firstly, it is well-known or should be well-known that Malcolm X WAS Antisemitic! He was a part of the Nation of Islam for quite a bit of time.
That doesn't mean he didn't contribute to black communities or black history! He did! That's why we remember his name, that's why we need to learn about him in our history classes (beyond the simplistic MLK / Malcolm X dichotomy). Malcolm X was important and influential. He had a serious political impact alongside other Civil Rights leaders. But he wasn't infallible nor free of any prejudice/bias. No historical figure is, it's just a matter of how the books chose to record it all.
Antisemitism was (and still is) a big part of the Nation of Islam's beliefs! From its founder Elijah Muhammad to later leadership under Louis Farrakhan (see SPLC's page on the Nation of Islam).
The Malcolm X quote below:
- it wasn't "just" a religious claim! There were Jewish communities already living there centuries prior (who had managed to live there despite the constant expulsions and murder of Jews from the area). Pick a time period and you'll most likely find some Jewish population living in their homeland / Levant region. 1500s Safed for example. Even when kicked out, smaller groups of Jewish people would still return to their homeland.
- There is historical and archaeological evidence that proves Jewish people have lived in that land for centuries, that they have a long connection to that area, that they're indigenous to that land.
- Addressing the Moor comparison. Moors (that is North Africans and Arab Muslims) didn't have any cultural or historical connection to the Iberian peninsula. Moors didn't have a culture based there before being expelled from their homeland. "Moors" were invaders, aka they were a part of the Umayyad dynasty (aka an empire). I hate these false comparisons. There wasn't even "just" a religious claim ffs for the Umayyad (and later the Abbasid dynasty) imperialism.
- Malcolm X clearly viewed Jews returning to Israel as solely "European" and white.
- Ah yes the only demographic in the Middle East is Arab, how could I forget! (I'm being sarcastic here).
Anyone else want to chime in with more history?
#antisemitism#malcolm x#i/p#I shouldn't have to add this disclaimer because it should reallt be a given but:#none of this means Palestinians don't deserve to live in peace or that they haven't suffered
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Once again, my thoughts are entirely occupied with War of the Rohirrim
Today's thoughts: marriage
So it's pretty obvious that Héra had no intention to marry Wulf, I feel the film makes that pretty obvious, at most she's more about just staying his friend (at least at the start) so I wanna ask, in a hypothetical situation where Wulf doesn't go batshit insane and start a war that kills…so many people. Would Helm make Héra marry the Gondorian Prince or not?
I'm squarely in the "he won't" camp. LOTR marriages are almost always about love first and foremost, the stark contrast to the historical history they base themselves on where arranged marriage is the norm as women and love have no say in the matter, it's entirely strategic considerations. If Héra doesn't love this guy, I think Helm would be…probably upset but accepting, he's smart enough to find another way to shore up the alliance between Rohan and Gondor, maybe Haleth or Háma meet someone from Gondor they love instead and they can get that marriage alliance that way, or just…simple pragmatism, I'm certain Gondor desires a secure eastern flank as much as Rohan wants a secure western one, they don't ever appear to have any overlapping claims on each others territory so the alliance is pragmatic for both parties regardless of marriage alliances.
I feel confident in this based on Haleth and Háma, they don't have partners. None that we see or are named and given their fates…it would be easier to really ram the emotional point home with a distraught partner. The boys are 30 and 22 respectively, that's quite old to not be married in the Anglo-Saxon world that Rohan is largely based on. Surely Helm if he was all about legacy and alliances would have organised marriages for them both by now, the fact he hasn't, kinda tells me that he doesn't want to force his children to do anything they don't want to do (within reason), he's content to let them find someone on their own and have that based on love rather that politics.
So maybe he might have been upset if Héra rejects the Gondorian Prince but I can't see him forcing her into it, if she's not down for it, she's just not. Based on the evidence of her brother's seemingly not being married or at least betrothed and that marriage in LOTR…is almost entirety love based rather than political based as marriage was in the time periods it's based on
#lord of the rings#lotr#lotr:wotr#lotr: war of the rohirrim#the war of the rohirrim#war of the rohirrim#baron rambles
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