#Only they would know

[zerotwoooo]

How the hell did Zero get into or control Kirby's body?

"Who knows... could tag it on anything..."

[poorly-drawn-mdzs]

Knowledge Revenge.

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[lastoneout]

No shade to OP as a person but believe me, this is a sign that something is DEEPLY fucking broken. Like they announced ONE new IP out of like eight films. I genuinely think within the decade they're just gonna stop making original films all together. That's what they learned from Elemental and Wish, just don't make anything new if you can help it.

Like they've unironically turned into what people pretend Dreamworks is, a sequel mill. The real downside is that Dreamworks actually knows how to make a good sequel, Disney never really figured that one out, bar a couple of outliers, and I have no faith in them pulling any of these off. Absolutely soul-crushingly pathetic. Thank god other animation studios exist.

This is the saddest shit I've ever seen, truly.

[lilmoonberry]

imagine just walking out 4 hours into your shift because your boss got on you for being 30 minutes late to work (again), out of dress code (graphic tee in a doctor's office) and then like, asked to do the bare minimum of your job??

[bigolialragu]

i like thinking that laios would go crazy on birdwatching after the [SPOILERS] curse

[bioethicists]

every time a new SA allegation of a favored celeb arises, i'm reminded of the absolutely soul-crushing experience of the depp/heard trial in which i learned that dozens of ppl i loved + respected + trusted were also willing to engage in the basest form of misogyny if the woman Seemed Crazy Enough. there was a horrifying 2ish weeks on this website + much longer irl where i genuinely felt unsafe voicing my discomfort as i relived something eerily reminiscent of the aftermath of my own assaults playing out on screen, commented on by true crime youtubers like it was a red sox game.

it happens time + time again with every new allegation + it's truly the most agonizing + exhausting part of being a survivor. i am begging you all to consider that survivors are watching you engage with this stuff like theater + it erodes our trust in all of you + compounds our grief.

[hoshizoralone]

reflection

[chloesimaginationthings]

Vanny love beating up fnaf (plush) babies

[amamamumumumu]

This has been a most worthwhile evening 🍽

[sluttypatrickstar]

i cannot fucking believe i am wheeling this out again

[ayanathedork]

I Think I Know You (3 page comic)

[akanemnon]

Yeah, Kris is definitely NOT alright.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[counting-stars-gayly]

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[egophiliac]

WAIT when did he get FANGS