#Ollie's Pack

[wolfie245]

Underrated Nicktoons Shows

[dailynicknews]

Paramount+ Removes Slew of Nickelodeon Shows, Including 'Rugrats (2021)', 'Big Nate' and 'It's Pony'.

[a34trgv2]

The Problem With Animated Shows Today

I shouldn't have to make a post like this because I know there's so much more animated content now than there was when I was a kid. Yet for the better part of a year, I've sat through one abysmal failure of a cartoon after the other, and I just can't stand it anymore. I'm aware the title might come off as pretentious, but rest assured I'm not a pretentious person nor to I view this post as objective fact. I'm just here expressing the common problems I have with cartoons recently and what I feel are the best steps to avoid them.

A common problem I have with cartoons recently is the awful writing on display. Shows like Samurai Rabbit, Hamster & Gretel, Ollie's Pack, and Mech Cadets all have writing that at best very underwhelming and at worst inexcusably amateurish. Scenes would go on for minutes at a time delivering boring exposition, unfunny gags, and very unnatural dialogue. It very much feels like the creators don't understand the value of basic writing principles such as "show, don't tell" "less is more" or "do much, speak little." Rather, they often go through the motions of a typical show so they can meet the given runtine and stay underbudget. For example, an episode of Centaurworld is around 26 minutes, which should be more than enough time to develop the characters, explore the world, have a good amount of funny moments and intense action scenes. What they choose to spend that runtime on instead is one note characters standing around arguing with one another, exposition dump upon exposition dump, unfunny gags, and underwhelming at best action scenes. This in turn makes the premise of the show feel wasted, like the creators only gave a successful pitch just to make something digestible to put bread on the table.

It really does feel like characters in cartoons these days are one of 2 archetypes: the annoying chatterbox and the moronic dirtbag. Let's compare 2 characters that have the same idea but vastly different executions: Eddy from Ed, Edd, n Eddy, and Ollie from Ollie's Pack. Both are outcasts who aren't good role models, but we're supposed to find them entertaining and funny. Despite those similarities, Eddy is clearly the superior character in this scenario because he often gets his comeuppance for almost immediately, and he actually does care for his friends. Ollie, in contrast, is just a selfish brat who sees his friends as expendable and doesn't get his comeuppance as quickly. Not only are the main characters detestable and annoying, but the supporting cast isn't much better as often they're either underdeveloped and unfunny or they're just parrots that always share the same thoughts as the main character. And don't even get me started on how incompetent, pathetic, and annoying the show's villains can get. Seriously, I defy anyone to make a good case for characters like Lloyd Garmadon, Jamack, the Yokai from Samurai Rabbit, or any of the villains from Hamster & Gretel.

An important aspect of animation that not many people bring up in conversation is voice acting. Voice actors are essential in giving life to characters in animation as they're able to make them sound believable and authentic. Or at least, that's what good voice acting should be. So many of the animated shows I've watched have such underwhelming or otherwise terrible voice acting that make the characters sound fake and kill my suspension of disbelief. Some of the worst vocal performances I've heard in recent memory come from Chris Houghton as Cricket Green, Meli Povenmire as Gretel Gomez, Allyn Rachel as Bee, and Danny Pudi as Tiny. They all have very terrible range, no sense of urgency in their tones, and don't sound the least bit believable as their characters. It's also frustrating to hear veteran actors give lackluster performances such as Aulil'i Carvalho as Hailey Banks, Chris Diantamopoulos as Thunder, and Karen Fukahara as Kipo. It's not entirely the fault of the actors for giving lackluster performances, as often they're at the mercy of bad voice direction who doesn't do a good job bringing out the best in their actors.

It's a given that animation on television has more limitations than big budget animated films. The best animated TV shows ever made, though, are able to work around those limitations and provide some excellent visuals that make the world feel alive. Recently though, I've notice a common problem when it comes to the animation in shows like Mech Cadets, Super Giant Robot Brothers, Daniel Spellbound, Hailey's On It, Bee and PuppyCat and My Dad The Bounty Hunter. All of them look good from a design standpoint, but in actual animation, they look choppy and stiff. This is because these shows have bad animation direction. Most people don't think about animation direction when watching a cartoon, but we can definitely tell when animation looks good versus when it looks bad. Bad animation is not just what's being shown on screen but also how it's being presented. In Mech Cadets, a character is giving a backstory to another character in a dark control room, and the camera moves around the room, showing the walls while the character talks. This is beyond inexcusable as it showcases the lack of appreciation for visual storytelling and is a complete waste of resources. Other aspects of bad animation include choppy character movements, a lack of mass on the character models, disorienting cinematography, and poor use of lighting and shading.

What can be done to avoid these shortcomings? Well, it starts by having good scripts that value showing over telling. I can't recommend Pixar's 22 Rules of Storytelling enough for aspiring writers who want to make the best scrips they can. I also think having your characters be likable and well-rounded will help a ton, especially if they're in a show about good triumphing evil. Having good actors is one thing, but it's equally important to have a very good voice director with years of experience bringing out the best in voice actors. Finally, collaborating with a skilled animation director or a very well established animation studio would do wonders. And don't be afraid to speak up and communicate with the producers on how to make the show bettee while staying within the budget. Animation is a collaborative medium and animated series today should do a better job reflecting that.

[coconuttyglittersmurf]

@toonrandy 😊

[cartoonsithinkr4adults]

WHAT THE FUCK is wrong with me?!

[bentoboxfanatic2021]

Awww, look at the boys from South Park watch Ollie and Ivy from "Ollie's Pack" get it on in bed...

[disneytva]

I wish we could share the pilot animatic that we are editing right now for Business Daddy. It’s the best kids’ comedy pilot that me and Mark have ever worked on, and we had the best collaborators along for the ride. It’s soooooo fuuuun. ----- Pedro Eboli (Netflix “Cupcake and Dino: General Services”, Cartoon Network LATAM “Oswaldo”, Nickelodeon “Ollie’s Pack” and Discovery Kids LATAM “Bada Bean”, "NDA - Disney Channel Series")

[tvthemesongs]

Ollie’s Pack intro

[fandomboi02]

Ollie's Pack - Cleollie Car Journey Adventures

Ollie and Cleo were sitting at the back of June's car, just hanging and chilling out throughout the roadtrip season.

[jazzy-flowerr]

So I forced my sister, mom, and dad to name a bunch of Cuphead characters

And uhhhhh these were the results :))

(I AM SO SORRY FOR THE NAMES MY DAD GAVE THEM I HAVE NO IDEA WHAT ANY OF THEM MEANNNN AGHJKABGHJUKD-)

(I'll do this with the characters from the DLC later)

[idontdomathlol]

Can someone make a redacted dating sim? Pretty please?? Most of this fandom are artists and writers, I'm sure there should be some programmers here, right??

So like you pick a character and become their listener to play their route. For example if you chose Asher then you get stuck in an elevator with him and etc.

So basically just redacted but as a game with multiple choices!

And it wouldn't even need voicing since you could just use the characters actual lines (if that's legal idk). Obviously not all the lines would be voiced but still.

AND YOU GET TO CUSTOMIZE YOUR CHARACTER SINCE LISTENERS DON'T HAVE A CANON APPEARANCE!!!! WILD POTENTIAL IF YOU ASK ME

[mrsmiagreer]

Favorite Redacted quotes but the list gets longer everytime I find a new one

“And the energizer bunny…Takes a tumble” -Milo

“Is this why you put up with my memes and shit? Because i gotta big dick and a great ass??” - Guy

“WHAT ECHO?!” — ALL OF REDACTED aka echo

“Do you love me?” — Imp!Damien

“Keep his name out of your FUCKING mouth” -Sam

“Laying in comfortable silence, hands roaming lazily betwixt our supine bodies, tracing gentle patterns across supple skin…Yes that was all about my eyes😂” — Guy

“This isn’t like a dog or something. Like normal wolves are big. Shifter wolves are even bigger…and i’m on the bigger end of that too” -David

“Is David being a total groomzilla about your side? Oop— Heard that-” Asher

“But I bet I’d lay down for it” — Vincent

“Make it two” —Sam

“Great deal on a large sausage” —Guy

“Will you marry me, Angel?” —David

“….Isn’t that right??” “Heyyy no tickling!!” — Gavin and Caelum

“No not just yes…say the words…say the whole thing” —Vincent

“Ohh— You are getting close! Hi! Hi baby….I love youuu” —Guy

“We are NOT matching. I am wearing my work clothes, YOU’RE wearing contraband” — David

“someone please get the gentleman a door prize”— Blake

“I was thinking a little less nature documentary and little more battle bots you know like i want you to just fucking SNAP me like a twig😭” -Guy

“No! You can’t tell me I taste good >:(” — Lasko

“Who are you and what have you done with my lover??” — Guy

“I know baby I know” — Milo

“Staaapppp you’re being rude… Yes RUDE you heard me!” —Guy

“…..do it— hmmmMmMmMmm okay okay….That had a little less finesse than i’m used to” —Milo

“You know what wordplay reminds me of? Tounge twisters!! And you know what tongue twisters remind me of? Tongue kissing!! Let’s explore that topic shall we?” —Guy

“The goal is healin me, you can’t be hittin me at the same time” —Milo

“Show me that wagon ya draggin sexy uehh” -Guy

“Who’s that bitch we hate?” — Asher

“Any hole is a goal” — Guy

“Just move your ass…..hmm i didn’t mean to move it quite like that but you’ll get no complaints outta me” —David

“My mouth is good for a lot more than just…talkin” —Milo

“It’s our bedroom….It’s our bed” —Geordi

“Hey Baaaaabyy” —Ollie

“I’ve sat with these feelings long enough to know how to manage them I promise” —Blake

“Call me that one more time and you won’t be able to walk tomorrow” —David

“I cant be another mistake…because it’ll break me” —Blake

“I’m sure seeing him is like….like those healing classes. A nice diversion😊” —President Moore

“Milo…play nice” — Imp!Asher

“You don’t have to order anyone to do it…Just take volunteers” — Imp!Milo

“I just set my fucking curtains on fire” -Damien

“Who taught you how to do healing magic?? A construction worker with a jackhammer?!” —Milo

“You’re taking me so fucking good” —Milo

“I’m trying to get off of you…I don’t wanna crush you” —David

“Awe yeah i often walk into work with shotgun shells in my fucking brief case” —Milo

“I cant read your mind baby” — Vincent

“Welcome home my love. How was your day?” -Gavin

“Park it on me Sweetheart” — Milo

“That does not feel like searching for a key Lovely” —Vincent

“Do i need to set this stuff down or are you gonna behave?” —Vincent

“Yeah, no thinking about work today. Or we’ll come over there and kick your ass” —Milo

“Hey…sorry i’m late” —Blake

“Do I look like i care??” —Blake

“I’m a grown ass man” —Milo

“I DON’T whimper…” —Damien

“You know what we do to…Bad Boyss around here—💀💀💀” —Guy

“Did I really just get drive by kink shamed??!” —Asher

“Awweee poor baby” —Asher

“Keep it in your pants you two. I already mopped this morning😒” —David

“…boop” —Sam

“I don’t want this for you baby” —Milo

“Boot Licker” —Milo

“I’ll always find you” —Avior

“Wexler, Greer is causing problems at the west entrance” — That One Guard😭

“That wasn’t rhetorical. Answer me” —Imp!Damien

“I love you more than human words can convey” —Gavin

“Yes baby” —Gavin

“Ruth Holland are you here? Hello? Hello?” —Milo

“Fuck, bounce on my fucking dick” — Guy

“Moan. They moaned. You moaned.” — Geordi

“Pfftttt hahaha- Okay— WuHwuhWwaA—” — Guy

“This isn’t happening!!” — Ivan

“I don’t like you, and I’m not going to” — Alexis

“Hold still i’ll grab you one of mine” — Milo

“Bad. Worse. Better.” — Vincent

“Go kick that ass….champ? Oh God-” — Lasko

“No can do baby” -Huxley

“I’m just fucking with you” — Sam Collins

“I needa stop saying fuck. Fuck. Sorry. And i needa stop saying sorry. fuck. sorry. FUCK i mean FUCK so— oh fuck😭 Oh my god i am such an idiot” — Lasko

“I wanna touch” — Stranger/Caller/John..?

“Fuck! Fuck me—” — Lasko Moore

“Can I cum on you?” — Milo Greer

“I am not gonna have ants runnin round my house cause of you😭” — Sam Collins

“It is not funny, you FUCK” — Milo Greer

“I’ll spank your ass brat. Not like it’d be the first time. Or the last.” — Milo Greer

“You’ll be safe” — Blake

“Well of course it’s gaudy. I made it” — Gavin

“Shit Darlin. You really weren’t gonna say anything about this?” — Sam Collins

“It’s all good” — Huxley

“I hate to make a guy lose his fuckin’ noodles” — Milo Greer

“Where do you want these fangs baby?” — Sam Collins

“Do you have any idea just how much energy is coming off of you right now?” — Fool!Gavin

“Sorry” —Fool!James

“I gotta go faster before i start…fucking…crying or something😭” — Asher

“Moan for me baby” — Milo Rebane

“I’m still so hard omg…I think I can cum again” —Asher

“Because we’re going on a hike, baby” — Damien

“You want my body, you want my cooperation, then you let me have this. you let me have them” — Blake

“Blink twice if you need help buddy” — Asher Talbot

(I will be updating this list when i find/remember new ones😊)

[a34trgv2]

It's amazing how nothing's changed in the past year. There's STILL unlikable characters, there's STILL atrociously written cartoons, there's STILL awful animation, there's STILL terrible voice acting, and there's STILL cringy humor 🙄

The Problem With Animated Shows Today

I shouldn't have to make a post like this because I know there's so much more animated content now than there was when I was a kid. Yet for the better part of a year, I've sat through one abysmal failure of a cartoon after the other, and I just can't stand it anymore. I'm aware the title might come off as pretentious, but rest assured I'm not a pretentious person nor to I view this post as objective fact. I'm just here expressing the common problems I have with cartoons recently and what I feel are the best steps to avoid them.

A common problem I have with cartoons recently is the awful writing on display. Shows like Samurai Rabbit, Hamster & Gretel, Ollie's Pack, and Mech Cadets all have writing that at best very underwhelming and at worst inexcusably amateurish. Scenes would go on for minutes at a time delivering boring exposition, unfunny gags, and very unnatural dialogue. It very much feels like the creators don't understand the value of basic writing principles such as "show, don't tell" "less is more" or "do much, speak little." Rather, they often go through the motions of a typical show so they can meet the given runtine and stay underbudget. For example, an episode of Centaurworld is around 26 minutes, which should be more than enough time to develop the characters, explore the world, have a good amount of funny moments and intense action scenes. What they choose to spend that runtime on instead is one note characters standing around arguing with one another, exposition dump upon exposition dump, unfunny gags, and underwhelming at best action scenes. This in turn makes the premise of the show feel wasted, like the creators only gave a successful pitch just to make something digestible to put bread on the table.

It really does feel like characters in cartoons these days are one of 2 archetypes: the annoying chatterbox and the moronic dirtbag. Let's compare 2 characters that have the same idea but vastly different executions: Eddy from Ed, Edd, n Eddy, and Ollie from Ollie's Pack. Both are outcasts who aren't good role models, but we're supposed to find them entertaining and funny. Despite those similarities, Eddy is clearly the superior character in this scenario because he often gets his comeuppance for almost immediately, and he actually does care for his friends. Ollie, in contrast, is just a selfish brat who sees his friends as expendable and doesn't get his comeuppance as quickly. Not only are the main characters detestable and annoying, but the supporting cast isn't much better as often they're either underdeveloped and unfunny or they're just parrots that always share the same thoughts as the main character. And don't even get me started on how incompetent, pathetic, and annoying the show's villains can get. Seriously, I defy anyone to make a good case for characters like Lloyd Garmadon, Jamack, the Yokai from Samurai Rabbit, or any of the villains from Hamster & Gretel.

An important aspect of animation that not many people bring up in conversation is voice acting. Voice actors are essential in giving life to characters in animation as they're able to make them sound believable and authentic. Or at least, that's what good voice acting should be. So many of the animated shows I've watched have such underwhelming or otherwise terrible voice acting that make the characters sound fake and kill my suspension of disbelief. Some of the worst vocal performances I've heard in recent memory come from Chris Houghton as Cricket Green, Meli Povenmire as Gretel Gomez, Allyn Rachel as Bee, and Danny Pudi as Tiny. They all have very terrible range, no sense of urgency in their tones, and don't sound the least bit believable as their characters. It's also frustrating to hear veteran actors give lackluster performances such as Aulil'i Carvalho as Hailey Banks, Chris Diantamopoulos as Thunder, and Karen Fukahara as Kipo. It's not entirely the fault of the actors for giving lackluster performances, as often they're at the mercy of bad voice direction who doesn't do a good job bringing out the best in their actors.

It's a given that animation on television has more limitations than big budget animated films. The best animated TV shows ever made, though, are able to work around those limitations and provide some excellent visuals that make the world feel alive. Recently though, I've notice a common problem when it comes to the animation in shows like Mech Cadets, Super Giant Robot Brothers, Daniel Spellbound, Hailey's On It, Bee and PuppyCat and My Dad The Bounty Hunter. All of them look good from a design standpoint, but in actual animation, they look choppy and stiff. This is because these shows have bad animation direction. Most people don't think about animation direction when watching a cartoon, but we can definitely tell when animation looks good versus when it looks bad. Bad animation is not just what's being shown on screen but also how it's being presented. In Mech Cadets, a character is giving a backstory to another character in a dark control room, and the camera moves around the room, showing the walls while the character talks. This is beyond inexcusable as it showcases the lack of appreciation for visual storytelling and is a complete waste of resources. Other aspects of bad animation include choppy character movements, a lack of mass on the character models, disorienting cinematography, and poor use of lighting and shading.

What can be done to avoid these shortcomings? Well, it starts by having good scripts that value showing over telling. I can't recommend Pixar's 22 Rules of Storytelling enough for aspiring writers who want to make the best scrips they can. I also think having your characters be likable and well-rounded will help a ton, especially if they're in a show about good triumphing evil. Having good actors is one thing, but it's equally important to have a very good voice director with years of experience bringing out the best in voice actors. Finally, collaborating with a skilled animation director or a very well established animation studio would do wonders. And don't be afraid to speak up and communicate with the producers on how to make the show bettee while staying within the budget. Animation is a collaborative medium and animated series today should do a better job reflecting that.

[coconuttyglittersmurf]

[cartoonsithinkr4adults]

Ollie's Pack in South Park

[that-gothickitty]

Stop being a delulu bitch and accept that NOT EVERYTHING IS ABOUT YOU GUYS. Honestly imagine sicking your followers on anons just because your a snowflake who can't handle a little criticism 🙄

Funny you say that cus' newsflash, idgaf 😛

Anywhoodle, this is just for you anon 💗

Also, babes, it's you're*, not your. :>

Redacted Pride Headcanons 🏳️‍🌈🏳️‍⚧️

Shaw Pack

Asher Tabolt - Pansexual. Demiboy, He/They.

Milo Greer - Bi as fuck. Cis, He/Him.

David Shaw - Omnisexual. Cis, He/Him.

Christian - Two words, twenty dollars. Cis, He/Him.

Amanda - Heterosexual and aceflux. Demigirl, She/They.

Soliare Clan

William Soliare - Gay, homosexual gayyyyy (and demi romantic). Cis, He/Him.

Vincent Soliare - Bisexual. Cis, He/Him.

Porter Soliare - Also bisexual. Cis, He/Him.

Alexis Soliare (Getty) - Pansexual, hetro romantic. Cis, She/Her.

Samuel Collins - Unlabeled. He just knows he loves his Darlin'. Cis, He/Him.

Frederick Collins - Pansexual bi romantic. And demi romantic/sexual. Cis, He/Him.

Damn Crew

Damien - Polysexual and demisexual. Cis, He/Him.

Huxley - Pansexual. Demiboy, He/They.

Lasko - Omnisexual. Pangender, Any.

Gavin - Unlabeled, doesn't really care about labels. Genderfaun, He/They/Xey.

Unempowered boys

Ollie - Pansexual. Cis, He/Him.

Guy - Omnisexual. Nonbinary, Any.

Geordi - Panromantic and Bisexual. Demiboy, He/They.

Aaron - Bisexual and demiromantic. Cis, He/Him.

Anton - Unlabled. Cis, He/Him.

Brian - Heterosexual. Cis, He/Him.

De(a)mons

Camelopardalis - Aroace. Genderfluid, Any.

Vega - Polysexual and Demiromantic. Let's be honest, Vega himself is a gender, he doesn't give two fucks about pronouns.

Avior - Omnisexual, Demiromantic and Demisexual. Genderqueer, He/They.

Caelum - Aroace. Nonbinary, He/They.

Misc.

James - Bisexual. Cis, He/Him.

Elliott - Bisexual, Panromantic and Asexual. Demiboy, He/They.

Blake - Pansexual. Cis, He/Him.

Hush - Doc has not explained the concept of sexuality to him yet. Agender, He/Him.

*if I forgot anyone pls scold me in the comments and I'll add em later okie thank you love ya <3