Kurvitz stresses that Kim doesn't actually have a character sheet hidden in Disco Elysium's code. Imagining that Lieutenant Kitsuragi has only one natural attribute point in Motorics helps the ZA/UM team to understand the depth of his character beyond what's referenced in the game's dialogue. "We just came up with this stuff for coherency," says Kurvitz. "And because we're nerds."
"I like to think Kim has a Thought Cabinet project called Revolutionary Aerostatic Brigades that he's worked on since he was a teenager," Kurvitz says. "This raises the learning caps for his Reaction Speed and Interfacing."
Kim's high Volition skill makes him impervious to prying, Kurvitz says, as the detective can find out on occasions being met with Kim's brick-wall resolve. Kim often chastises these whims of the detective's, but will occasionally play along. The Lieutenant finds his new partner funny, says Kurvitz.
Kim is naturally shit at Motorics and thinks Harry is funny source
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[Start image description: A digital drawing of Mu Qing mending Ruoye as Xie Lian watches next to him. The drawing is solidly colored a single blue over the sketch against a grey background. /end image description]
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Okay, two weeks to go, putting my cards on the table: there is no way in hell that Barriss is going to be an Inquisitor. That's not what this is. Everyone’s taking for granted that because the trailer sets up her training as an Inquisitor that means that we’re seeing a corruption arc for her, but just. Look at her. There is not a single frame of this trailer where she is not visibly looking for the exit. There is not a single frame of this trailer where she isn’t either visibly masking what she’s feeling or just looking determined to survive. This isn’t a start of darkness; it’s Ahsoka getting hunted for sport in Padawan Lost.
We aren’t doing the “we’re setting Barriss up as an Inquisitor so we can give her a redemption arc later” scenario. This is the redemption arc, this is her facing an in-universe attempt to force her into the fanon Inquisitor!Barriss mold that she doesn’t fit into at all, and she’s going to prove it and she’s going to outsmart all of these actual fallen Jedi she’s surrounded by who are trying to make her be like them. When Order 66 happened, Barriss was sitting defenseless in a cell and was offered a series of choices that weren’t real choices. But she knows that, she is not buying into it, and that offers her one, incredibly dangerous route to freedom: convincing them to trust her enough to send her into the field with a lightsaber.
It’s going to be rough, it’s going to be an incredibly dangerous, difficult path for her to navigate—they will make her do some messed up stuff to prove herself and for a moment it might look like she's given into despair—but she’s going to come out the other end of this miniseries having rejected both the Empire and the dark side. Not only as a Jedi in every way that matters but also as someone who is equipped with knowledge of how the Inquisitorius operates, which she can use to save as many people as she can from them—because she knows what happens when they take you alive.
And she's going to do it all onscreen in a story that is about her, she is the main protagonist here, and that is frankly something that was beyond my wildest dreams.
This isn’t wishful thinking on my part, this isn’t me trying to do a preemptive rewrite—this is me looking at what’s onscreen in this trailer, at what they’re telling us, at what they’re not telling us, and seeing the story laid out in front of us.
The only way out is through.
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i don't think the background art in mob psycho 100's anime adaptation gets nearly enough love. it's full of mundane objects depicted in the most exquisite watercolors.
like this electrical pole here. with its giant soup can-like transformer and attendant power lines against a cloudy twilight sky, all shot through with vibrant pink and lilac and creamy butter yellow.
not only does this painting–and it is a painting–bring new meaning to the phrase 'golden hour', it's still one of the most glorious things i've ever laid eyes on. and you might pass one of these utility poles every day without a second glance. since seeing this image? i haven't been able to.
this is a single frame of animation. there are hundreds of thousands more in this series, maybe just as beautiful. i wanted to call your attention to this one. just because.
it reminds me to pay attention.
to notice, and keep noticing, the beauty in ordinary things (and beings!).
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