#Obviously not to the exclusion of all else but that's literally true of every single coping skill

[trilliath]

reading this fic and ... a character was upset and went to their FWB partner for sex, and the partner unilaterally turned them down like they were being noble, declaring sex is not a healthy coping mechanism??? WHAT ARE YOU TALKING ABOUT??? SEX WITH A TRUSTED ESTABLISHED PARTNER IS A GREAT COPING MECHANISM???????????

like guys. whatttt in the purity culture nonsense. Bad sex-related coping is "seeking out unsafe sex, being deliberately reckless" or "sex with untrustworthy and unkind people" or "lying to someone to get sex" - those are the unhealthy things... NOT SEX ITSELF.

[canyousonicme]

Doctor Who's Alex Kingston on hiding River Song's biggest spoiler

"I'm very good at keeping secrets."

"She's not a companion, she's a wife!" Alex Kingston is quick to correct about her beloved Doctor Who character River Song.

And she's completely right. River Song is unlike any other Doctor Who character, first introduced in 2008's Silence in the Library and spanning multiple eras in one of the most complex and glorious timelines to ever grace the show.

"She's the most incredible character to play, and certainly when the role was offered to me, I had obviously no idea of the journey that both she and I would be undertaking - because obviously in the very first Silence in the Library story, she dies," Kingston exclusively tells RadioTimes.com.

"So, I just thought it was a two-episode job. Little did I know! I also didn't really know the personalities of Russell [T Davies] or Steven Moffat, and if I had, maybe I would have had an inkling that there must be more than this."

River's had countless adventures since she was first introduced more than a decade ago - she's appeared on-screen with three different incarnations of the Doctor and, in her work with Big Finish, Kingston has collaborated with every single living actor to have played the Time Lord.

But there's one particular scene that many fans will never forget. In the emotional season 6 episode A Good Man Goes to War, River reveals to Karen Gillan's Amy and Arthur Darvill's Rory that she's their daughter, Melody, providing a plot twist for the ages.

In an incredibly apt turn of events, showrunner Moffat told Kingston about the reveal a good six weeks before everyone else, with the actress having to keep the explosive secret to herself because... well, spoilers.

"On this particular occasion, I was asked whether I'd be available, and Steven also contacted me and basically gave me the rundown of the storyline ahead of anybody else knowing," she recalls.

"He didn't want [the other actors] to know, because I think he didn't want their performances in any way to be altered with that knowledge - and also, in a funny sort of way, in the episodes that we had filmed prior, I didn't know either.

"The performances that you get from all of the actors are incredibly true, because there is no knowledge about who you really are or what you're going to reveal.

"I quite liked that, because you literally play - and, in fact, one always has to do this with Steven because he has so many threads that he's just tossed out to drift on the wind, until he decides to pull that thread back in and tie it up with something else. So you just have to literally play the moment all the time and not think about anything else.

"So, when Steven did give me this insight, I had a very big secret that I had to keep. The other actors, Karen, Arthur and Matt, they knew that I had a secret and I just wasn't going to tell them.

"There were bribes and all sorts of things... but I wasn't going to give the secret away. Even on the filming day, the script didn't have the reveal in it.

"Steven didn't put it in the script because he didn't want any of the crew to know and he didn't want that storyline and that secret to somehow get out before the audience actually saw it for the first time on television.

[8-evil-annoying-catboys]

trying to separate the trans community into two categories will never fucking work. it’s not that simple. even if it seems like it should be that simple, there will be people you would sort into one category in theory who will fall into the other category, and people who do not fall into either category, and people who fall into both categories (either at the same time, or at different times or in different situations, depending, obviously, on the nature of the categories/dichotomy). this is especially true if you think of these categories, in your mind, as being based on coercively assigned birth sex, when by the actual definition you use they are not actually based on that, but based on, for example, perception by our oppressors, or self-identification, or individuals’ opinions, or anything else.

arguing about who goes where, and trying to exclude each other, and not listening to each other only hurts us. seeing each other as freaks (in a negative way), basing your activism exclusively on people who you see as being the same as you, refusing to acknowledge either systemic patterns OR individual lived experiences that defy the expectations set in place by systemic patterns, and ANY OTHER INFIGHTING only hurts us. if we’re going to survive the current political climate, it is of the utmost importance that we STOP FUCKING FIGHTING EACH OTHER and start fucking PROTECTING each other.

transunity is the only way we will make it out of this without being, at best, battered down and chased out of more and more and more places until there is nowhere left for us to feel safe, and at worst, fucking massacred. stop parroting gender essentialist AND bioessentialist rhetoric. stop beating up our own for slight missteps and misunderstandings.

and don’t you DARE read this and think that i’m not talking to you. i’m even talking to myself, partially, bc we all have biases to unlearn and i’m not exempt, bc literally no one fuckin is.

follow other trans people who have different opinions than you (but, like, not if they directly hate on people like you bc that’s bad for your mental health, i’m not saying that, i’m saying bridge the gap). follow intersex people, whether they are trans or not. follow multigender, genderqueer, agender, nonbinary people, and make a point to seek out those who were not coercively assigned the same sex at birth as you were, and those who are intersex especially if you’re perisex. follow binary trans people who are not the same gender as you. follow trans people who ARE the same gender as you but are intersex. widen your horizons and break out of your echo chamber. for the love of the entire community, PLEASE seek out bloggers who are vocal about transunity. if you safely can, then go to pride and other irl community events/spaces. seek out irl trans friends of as many different genders as you can possibly find.

just. god. please. stop fighting. we need to use that energy to protect our WHOLE community. we will have time to settle intracommunity disputes once it’s safer for us to exist in general. it sucks that we have these disputes in the first place, and i want to solve them as much as the next person, but they are not the same as the vitriol we are facing from all directions.

and maybe, just maybe, if we actually fight as siblings and protect each other, we can break down our own biases during that fight, and the intracommunity issues will be less intense by the end. it’s not guaranteed, and if it does happen, it won’t apply to every single person in the whole community, but… still… wouldn’t that be nice???? if we all gained a better understanding of people in our community who aren’t the same as us???? don’t you want that, too??

[sexhaver]

Is there any particularly infamous MTG game a la that yugioh duel where someone had a deck with like 1000 cards?

in terms of "showing up to a sanctioned tournament event with a troll deck that can still theoretically win", the only thing that really comes close in a competitive format is the classic Lost In The Woods + 40 Forests deck in Dark Ascenscion limited. the way limited works is that you pick cards from packs being passed around the table, then add any number of basic lands to fill them out and make a 40-card-minimum deck. someone figured out that if you drafted this bad boy...

...you could hard mulligan for it (down to 1 if necessary) so you had it in your opening hand every time, then windmill slam it on turn 5 (obviously you're not missing any land drops when the literal entire deck is Forests). if your opponent didn't have a counterspell, enchantment removal, or a bunch of direct damage (all fairly rare in Limited environments), they would be forced to sit there and watch as every single attack against you blanks because wow, whaddya know, looks like the top card is a Forest, isn't that crazy?

what takes this from a troll deck to a valid strategy is the fact that you put 40 Forests into the deck instead of 39, making your deck 1 card larger than the minimum. since smaller decks are better and more consistent (this is true across most if not all card games), everyone else will be running 40-card decks, meaning that if you just keep sitting there blanking all their attacks, their deck will run out of cards before yours, making you the winner by default. obviously this strategy is extremely one-dimensional and prone to disruption, but the fact it worked at all is hilarious.

however, i would be remiss if i didn't mention the card Battle of Wits:

the guys you mentioned who brought a multi-thousand-card deck to a YGO tournament were doing so exclusively to be dicks - there was no mechanical advantage to having that many cards on hand, unless you count the chance of winning games due to opponents conceding out of frustration after you start shuffling for the third time in a turn. Battle of Wits turns this into an actual win condition. lest you start getting any trolling ideas, 1. the card is bad, and 2. the tournament rulings are way ahead of you:

[stellocchia]

This is part 4 of the Comprehensive Analysis of c!Tommy and c!Dream’s relationship during the Exile Arc

Part 1 -  Part 2 -  Part 3

We’re here once more just to suffer... though be fair I did decide to do this to myself, so I can’t really complain there...

As always under the cut we will be exclusively be talking about the characters unless stated otherwise and we will be talking about some serious topics, so keep that in mind

We’re starting this off with the infamous Beach Party stream: Tommy Is Left ALONE at his Exile Party with Dream

Now, quick introduction to this vod, since we find out about some details later on: no-one, aside from Dream, shows up because Dream destroyed the invitations and also Ghostbur won’t be around any longer because Dream sent him away (knowing fully well that that could have killed him since he already heard directly from Ghostbur that rain melted him). 

Basically at this point Dream is taking a step further into the manipulation process by not only making everyone else believe that Tommy didn’t want to see them but by also physically ensure they’d believe that. Also Tommy doesn’t start this one drowning either (perhaps because he was in high spirits the day prior?)

*creeper blows up* “Shit shit shit shit (...) I’m stupid I’m stupid I deserve that I deserve that. No no no no I didn’t I didn’t, today is gonna be a good day, today is gonna be a big day” (first response to anything negative has become taking on the blame, which we see later on with the Community House situation)

“Will Tubbo be there? Maybe! Myabe he will! Maybe he will!” (Tommy still very much missing his best friend)

“He [Tubbo] did boot me out... no no! you know what? I’m in the mood to reconcile!” (a big trait of Tommy’s has always been his loyalty to people, no matter how much they hurt him)

“It was definitely 8 pm GMT, 8 pm G-” *Dream joins the game* *Tommy pauses for a few moments on the Nether bridge completely still and then turns back* (I want to point out that the reaction any time Dream joined was one of absolute fear, for good reasons of course)

One thing that I’ve noticed is that Dream rarely comes from the Nether when visiting Tommy, opting instead for the objectively longer route through the water, which honestly seems to reinforce something he said early on, which was basically that even with the longer route it doesn’t take much effort to visit, and yet Dream is the only one willing to make that effort.

“Hello!” “H-hello?” “Hi!” “Hi ho-” “Where is everyone else?” “Oh... I don’t- I don’t know...” “I’m running a little late, I’m sorry” 

Considering that we know that Dream was in fact the one who sabotaged the invites, therefore meaning he knew fully well that nobody would be there, does the fact that he came late seem like he really wanted Tommy to stew in his own loneliness for a while to anyone else? You know, to properly break his spirit. Also Tommy immediately after this goes to take off his armour (Tommy Slippers included) and weapons, but this is the one time Dream lets him keep it (which, once again, he’ll use as a point against him later on). 

“Wilbur sent out the invites, didn’t he?” “Yeah, yeah no he sent them to everybody. He actually told Tubbo to his- like, he told him, he didn’t even need to give him an invite” “Really?!” “Yeah” (just want to point out that this is in fact not gaslighting, as some people seemed to think at the time, but it is still manipulation)

“I’m sure they said they’d be here by the day-” *watching the sun go down* “Time...” “I- I thought I was late so I’m surprised people aren’t here, but...” (turns out Dream was around 15 minutes late supposedly)

Tommy at this point takes out the cake, but he doesn’t eat any. I do think this is a good time to point out that the further we are into the exile the less we actually see Tommy eating (sometimes he straight up throws away any food he has in the inventory). He also sleeps less and less (or, at least, rests less, after all sleeping doesn’t necessarily mean being well rested afterwards) which we can deduce both from his comments on the subject and his rapidly deteriorating state. 

“Dream, no-one’s here” “I don’t know why... guess I’m most surprised Tubbo isn’t ‘cause he said he was gonna be, but-” (once again harping on to the retoric that Tubbo specifically willingly abandoned Tommy)

“I figured, I mean I figured you’d probably care the least if I was here so I just- I didn’t mind being a little bit late because everyone else would be here, but...” (once again the idea here is: “even if I was late I still came, no-one else did”)

“No-one cares about me anymore!” “That’s not true...” “No-one cares about me!” *Tommy takes his armour off again* “Tommy...” “No-one cares- no-one cares about me!” *Tommy destroys the rest of the cake* “No no no *sigh*” “No-one cares, do they? No-one showed up to my party... and it was the one thing, THE ONE THING they had to do for me after exiling me and fucking me over and not one of them came with me. And... none of them care about me anymore... ‘cause I’m not in L’manburg anymore, ‘cause I’m not with- ‘cause I’m not the vice-president”

Okay, that was a long quote, but 2 things I want to point out here: Tommy had about half of his health here, he refused to eat, take of his armour and marched towards the Nether, which is again him acting with no regard for his own self-preservation. And also there is a bit of Wilbur retoric sprinkled in there, with the whole “people only care about you when you have power” mentality. That’s exactly what Wilbur tried to convince him of in the Pogtopia era and it looks like he’s seeing a confirmation of this through the party. 

“If no-one is gonna put in any effort to come and see me, than I’ll make the effort harder to come and see me then, alright?” 

At this point Tommy has borrowed Dream’s netherite pickaxe and he proceeds to destroy a chunk of the bridge he’s made in the Nether, swapping it out for a one block wide wooden bridge. Of course, it goes without saying that he is not acting rationally, he is hurt and angry at the moment and he wants to convince himself that if others don’t care about him then he won’t care about them, which is why he starts lashing out more after this. And this is the result of Dream’s direct actions by the way.

“What is everyone saying about Tubbo’s compass? What is that? What is it? Explain to me” “I- uh I’m pretty sure that he burned it or something... or he lost it, something like that” “Wha...?” “He doesn’t have it anymore”

Tommy, up until now, didn’t even fully believed that Tubbo had a compass, but with the official confirmation of it being paired with Tubbo possibly willingly burn it, it’s the last straw for Tommy who decides to do the same. Though he doesn’t end up actually burning it, he does goes to take it out of the enderchest and bring it to the Nether. I do want to point out that Tubbo did not, in fact, either loose it or burn it willingly. It was blown up by accident in a creeper explosion.

*Tommy holding his compass over a sea of lava* “He burnt it? On purpose?” “I- I think so” “You know what, wou know what? Y- you know what?!” “Why don’t you- why don’t you sleep on it Tommy? Just wait don’t do anything, you know? Anything you can’t take back and then...” “I don’t sleep anymore Dream...”

Pretty sad scene... also a confirmation of what we said before about Tommy sleeping less and less. Also I’m not entirely sure why Dream was suddenly against Tommy burning the compass when he didn’t seem to be at the start, though it could be because Tommy was so obviously hesitant about it, so he probably wouldn’t have done it either way. Which means that it was a good moment to get friendship points. 

*Tommy standing in front of the portal in the main Nether hub* “I just want to go home... please can I go home...?” “Uhm, do you wanna see the Christmas tree for, like, 10 seconds?” “Can I stay?” “You can’t stay, but you can go look at it, I’ll let you out-” “Why can’t I stay?” “It’s not like they want you anyway Tommy” “wha...?” “Tommy, no-one showed up to your party and everyone was invited. Do you want to see the Christmas tree?” “I’ll just go back...”

This is the one single scene that is capable of making me emotional every single time. Just Tommy’s broken and small voice throughout it is something else... also Dream’s absolutely smug tone in all of it. But, the one thing, aside from the great acting, that I want to point out in all of this is how the reason for why Tommy can’t go back now has shifted from Dream killing him if he does to his old friends not wanting him around any longer. This way Dream gets to fully play the part of the magnanimous friend who still cares while everyone else is depicted as the enemy. Also I do find it interesting that in this scene Dream keeps insisting quite a bit for Tommy to go see the tree (in contrast to the first time where he refused for him to go back even for a few seconds), which almost looks like him testing how effective his conditioning was.

“That guy is gonna kill me, the little guy” *pointing at a baby piglin* “Oh” *Dream proceeds to get rid of it* (Tommy is by now basically dependent on Dream for his own safety)

“Do you need food?” “*sigh* No” (Tommy is literally on 3 hearts with 3 1/2 hunger bars and he is still refusing to eat)

They spend quite a bit of time after this by playing with Dream’s riptide trident and later also with the throwing one. Also Tommy changes his “girlfriend” hot girl for HOTTER girl (because I know you all deeply care for this kind of updates)

“I actually didn’t have a trident before and it took forever to come here, so I got a trident to come here quickly” “Oh thank you! You obviously care about me Dream” (Tommy feeling compelled to thank Dream for literally anything paired with Dream constantly showing off how much effort he is willing to put in)

“Let’s make a guest tent, let’s make a guest tent!” “That’s a... great idea” “In case any guest wanna- I mean maybe even- maybe you- we’ll make it here. It- it needs to be close to me because I’m- I’m really missing contact” (on top of everything else, Tommy was also canonically touch starved)

Dream and Tommy also make a guest tent together (and it’s implied a few times that maybe Dream will use it) before playing with tridents a bit more when it starts raining. Also Tommy builds a cobblestone smartphone were he keeps snapchat streaks with girls (this goes in the list of sentences I never thought I’d type). 

“Hey thanks for letting me keep my armour today” “You’re welcome” “It was nice of you” “I just thought it’d be good for the party and everything” “I’m sorry it wasn’t that much of a party in the end” “Eh, we make it a party together, so” “Yeah”

So, once more I want to point out a couple of things: there is no reason, aside from Dream’s conditioning, for Tommy to feel grateful that Dream didn’t take away his means to defend himself, nor is there any reason for Tommy to be the one apologizing for the party turning out the way it did. But also one other thing I want to point out is Dream’s insistence over them having fun together, which he keeps saying even later on during the prison visits. And I want to point that out because I do really think that Dream believes that or that he, at the very least, does try to convince himself of it. I’m still not entirely sure on that point, but, by now, I’m fairly sure that Dream really does believe that him and Tommy are his warped and toxic version of what “friends” would be...

“I should have died and then- and then I didn’t! I should have died...” (suicidal thoughts)

*Tommy reaching the maximum height with the trident* “I’m alone...” (just a very famous scene here, but also keeping to the theme of loneliness even when other people are around, in this case Dream)

“Just- just build a guest tent Dream! You’re probably gonna be the one who stays in the most so... since you’re my guest” 

*Dream standing inside the guest tent* “I’m in- I’m in my tent my tent” (the implications I mentioned before)

“Maybe I’m just gonna stay here, maybe I’m just gonna live here instead” (referring always to the guest tent and Logstedshire)

This all ends with Dream gifting Tommy the throwing trident (which he then puts in his enderchest) and Tommy also gains a zombie head from their mob hunting.

“Let me keep the other trident please” “What the one that you can throw?” “Yeah” “Okay Tommy, I’ll let you keep it” “Really?” “Yeah, as a gift, a beach party gift. You can remember our bonding experience from today” “Awww, thank you” (this is the conversation as a frame of reference)

“Listen Dream, what do we do now, then? If no-one is gonna come and visit me, what do I do?” “Nah, I’m visiting you!” (Dream really is convinced to me as much the center of Tommy’s universe as he is of his, huh?)

“Dream, as much as I’m feeling happy, I’m not. I’m not Dream. Where do we go from here?” “Uhm, I think that you will come around to liking it here, and you’ll build up your own ‘empire’ here, and you’ll be happy and maybe they’ll come and visit you- like you said! You said the thing about all, like, power right? You have no power and now they don’t visit you, maybe you’ll be- you’ll be back in power and then they’ll...” “I’ll always be exiled” “Yeah but that doesn’t mean you can’t become powerful, you can become powerful away from- away from them”

This is the closing conversation, that ends with Tommy entering the sea and disconnecting once he is on only one bubble of air left. Which, by the way, is a case of Tommy dissociating, which we know because he always later seems confused when logging in and finding himself in the water (meaning the confrontation with Jack at the hotel wasn’t the first case of him dissociating).

Also, while Dream is spewing all of this stuff about how “Tommy can still be powerful here” it’s obvious that that’s not the case. Tommy is not allowed armour or weapons and he is basically not allowed any allies (what with Dream sending Ghostbur away, intercepting Ranboo’s mail and making sure to keep away from Tommy as much as possible). Tommy is quite literally stuck in a position of powerlessness that he cannot escape from with someone who actually enjoys having him at his weakest.

I’ll leave it here for today, because this was literally one of the most intense streams so I had quite a lot to say and this became so damn long... I’ll probably condense the next two together.

[agent-cupcake]

i’m interested to know your take on non-AM felix. ever since i read “epitaph,” it’s kind of made me fall down a rabbit hole of reading his character analyses from different routes, and i find it quite scary that i didn’t really consider how much of his characterization changes in such a negative way (to quote something i saw on reddit, he “failed to become a better person,” “was swallowed up by his own demons,” and “literally becomes a boar, mirroring dimitri” THAT AND i haven’t played anything besides azure moon LOL). also? it’s kind of even inspired me to possibly brainstorm something for a CF!felix/reader where the reader is with him every step of the way when byleth recruits both felix and you, and it turns into some “i can save him” type shit as you watch him spiral downwards because i’m still a sucker for cliche stuff like that!!!! thx

Non-Azure Moon Felix is a tragedy. The comment, “literally becomes a boar, mirroring Dimitri” is absolutely the sum of my opinion on what happens to him.

Hot take: Felix has a primary character personality and arc and should be integrated into the Azure Moon story but cannot be by the nature of the game which is a huge and tragic missed opportunity. Felix’s character and story importance to Azure Moon is not insignificant. He is the one who sets the tension about Dimitri initially and acts as the constant “moral” rebuff to Dimitri’s actions, the only one willing to call Dimitri out for his behavior. I’d say that his story role is far more worthwhile than Gustave’s in many ways. It’s a shame that he and Dimitri didn’t interact more after Rodrigue’s death. In general, I feel the story dropped off significantly at that point, and Felix clearly suffers for it. However, what is clear is that Dimitri’s recovery is similarly a turning point for Felix getting closure. Not because of Dimitri himself, not exclusively, but what his recovery represents for the team, for Faerghus, and the ideals that Felix has violently rejected for so long. Dimitri shaking off the ghosts, reclaiming the throne, and leading the team to victory is the validation of Felix’s actions and the patriotism he’s doubted so much. It allows him to come to terms with the dead himself. Not through rejection, but by accepting Glenn and Rodrigue’s legacy as his own. When he does that, he’s able to forge a path to a brighter future, find his own family, and, more importantly, something to live for other than the pursuit of strength. He accepts that people are more important than strength and that it’s okay to care. In Azure Moon, all of Felix’s endings have him staying with his paired partner and keeping a close and loving relationship with them.

In Azure Moon, we see the Felix who overcame his internal demons and accepted himself as he is, a caring and emotional person with an awful lot of baggage. This is a Felix who decided it was okay to love and be loved, who respects the sacrifices of the dead rather than scorning them for their foolishness. This is a Felix who is shown that he matters as an individual in his entirety. This is the Felix who no longer views ideals as inherently wrong, but is able to form a middle ground in order to understand the people he loves. He even accepts some of them, notably seen in how he stays and serves Dimitri while repairing Fraldarius territory in most of his endings, proving his loyalty. Not empty loyalty to the crown, but to a man he’s worked to understand. In summation, this is a Felix who overcame his trauma.  

If Felix chooses to leave the Kingdom, he is submitting himself to the painful path he put himself on after Glenn’s death. A path of rejecting his family, friends, and country. In short, rejecting himself as he is in favor of the man he believes he should be, a man who is strong and unyielding and does not compromise for the sake of ideals or allow himself to be unnecessarily sentimental. Felix abandoning the Kingdom is the ultimate showcase of his destructive dogma: strength above all. By taking part in the war against the Kingdom, Felix is proving to himself that unwavering and absolute might is more valuable than relationships, loyalty, and family. Not only is it more valuable, but it is also the only thing that is actually effective. By switching sides and figuratively killing the sensitive, childish side of himself, Felix is brought to understand that it’s all meaningless. Hopes and dreams and ideals and everything else is impotent in the face of military might, to feel those things in the first place was a display of weakness. Glenn truly died for nothing, there is no such thing as a true knight, no reason to waste your life for a cause which surely won’t reward you. Rodrigue believed in such foolish values, chivalry and loyalty, and he dies like the old fool Felix accused him of being. Everything Dimitri felt and thought and believed meant nothing because he died, too. As a beast, no less, validating everything Felix ever hated and was terrified of about a person he once adored. He never gets closure with Dimitri, never is able to come to terms with what happened to him.

And through all of this rejection of self, Felix proves to himself that he is not valuable as an individual. The only aspect of himself that is worth anything is his strength, that is his singular point of individuality. There is no reason to form strong emotional relationships, no reason to serve anybody or anything. He roams around without purpose, killing because that’s all he really knows. Some of his endings seem to portray him as happier, or at least give a more hopeful outlook about his life, but I think that’s more of a broken man making the most out of his life. Not because he’s actually moved on or dealt with his trauma, but because he’s got nothing else. Although, I have to point out that it’s also obviously because we have to have nice ship bait in the endings because God forbid a mostly serious game about war forgets to pander and not give the drooling masses a happy ending. Not to say that I’d prefer he suffer his entire life, but it definitely cheapens the experience when his potential happiness has no context other than a single line. That said, his non-Azure Moon solo ending as well as the ones with Dorothea and Sylvain are the ones I feel work the best.

To tie this all up, let’s jump back to something I mentioned above as well as an aspect of “Epitaph” I really tried to highlight, Felix’s lack of closure with Dimitri is what ultimately ruins him. Dimitri is the most important turning point of his recovery in Azure Moon, so it makes sense that his death would have the opposite effect by changing him into an isolated, bitter person who kills without remorse and represses his emotions, even running from them. Felix becomes haunted by his actions and betrayal and by the constant question of why it wound up like this, all the while hating himself for feeling this way because he knows such questions are pointless. It’s a feedback loop of self hatred and violence because he knows nothing else, because he has nothing else. No place to go, nowhere to belong. The fear he expressed about what would become of him when there were no longer any battles to be fought is validated and he’s left hollow.

So, those are my thoughts on Felix. With that fic… Are you proposing an angst-ridden tragedy of trying to save Felix from himself only to realize it’s like blowing into a hurricane and falling further and further into the despair of watching sweet, beloved Felix succumb to his worst self? Because… yum…. I’m on board.

[lassieposting]

Hi i havent read the books post-resurrection so im kinda lost on why you dont like phase 2 val? She was easily one of my favourite characters ever, she was flawed (and the books took time to acknowledge them) and relatable and still really admirable (intelligent, brave, loyal) and i really liked her and really appreciated that she wasn’t perfect unlike every other young adult heroines. What went wrong😢😢😢😢

Okay I'm gonna put this under a cut because I very strongly dislike phase 2 val and I know it bugs people who don't feel the same, so. Dead dove dont eat

Okay so first off, phase 1 val and phase 2 val are completely different people. literally. phase 1 val was based on an ex-friend of lardo's who used to apparently be involved pretty heavily in like, editing the books and "she'd react like this" or "val wouldn't say that", and that val she was one of my favourite fictional characters from when book one came out to the release of resurrection. phase 2 val is based on his whiny little girlfriend who likes to start shit with 14yos on twitter, and you can absolutely tell she is no longer the same person. so the long story short of "what went wrong" is "the original irl val's friendship with dirty laundry ended for whatever reason and he decided to retcon her entire personality to suit his gf"

Phase 2 Val, in my opinion:

Weak, like won't even fight back when she gets jumped bc boo fucking hoo she's so awful, bitch get up already, nobody signed up for ur pity party

Whiny. So fucking whiny. All the time. And she's the POV character so it's inescapable.

"Pacifist" but in a really pathetic virtue-signalling kind of way like "Oh, I've done such terrible thiiiiiiiiiiings I'm so awfulllllllllllll look how good I'm trying to be nowwwwwwww pay attention to meeeeeeee" kind of way, it was both boring and a massive eye roll. It's a book about magic and asskicking. Kick some ass. We're here for escapism not "realistic" whining. Yes, irl she'd be a mess. As an author it's his job to strike a balance between the "realism" he wants to portray and making his readers so depressed and done with his heroine that they quit reading, and in my case, he absolutely failed.

Everything must be about her at all times. Skug is having personal problems? Fuck him, they're about her now. Everything is about how it affects her, and her feelings, and be damned to the person actually having the problem. Fucks phase 2 val cain gives about anyone except herself: 0

Bitter and jaded. Which yeah I get why but it's like jesus christ what do we get out of reading about this? It's not even good bitter and jaded where it makes you empathise or admire her strength in adversity or whatever, she's just become a really nasty person with no redeeming features that I could see. Which? Landy outright said she's based on his gf? If your boyfriend is gonna drag ur entire personality through the dirt like that and write "you" as just a collection of incredibly negative traits...yikes.

Really ungrateful about the awesome life she leads? Which bugs me bc I fucking hate mundanity and knowing that all there is to life is fucking working and bad mental health. I would kill to live her life. All she does is moan about it. Like? Quit then. Fuck off back to being a mortal if it's that bad and live the shitty life you wanted to get away from in the first place. That way we'd get no more books, and quite honestly, thank fuck for that. But anyway, she needs to pick one, stick with it, and stop complaining about whatever she chose.

The girl wallows in self pity. And if someone else isn't indulging her enough, she'll wallow harder and louder and more obviously. Yawn.

Her POV is now so depressing to read that Resurrection literally tanked my mental health. I'm not kidding. I fell off the self-harm wagon, the suicidal thoughts came back, reading her dissociating would make me dissociate, I just did not cope whatsoever. Being in her head was just like being in my head during my worst points, and I hate myself, so naturally, I hate her too. Like I get why some people like phase two val. I get that her depression is "realistic" and that trauma does just make some people completely dislikeable and self-pitying, and if people want to read about that, then...sure. you do you, my dudes. But I live that reality, I am that person whose trauma made her a dysfunctional, isolated bitch, and I hate, passionately, having it infest the media I consume to escape.

Essentially if I wanted to engage with a bitter, spiteful, depressed piece of shit in her 20s who pushes everyone away and sucks at everything, I'd live my gd life. Yall see me tryna engage with my real life? Hell nah I'm on tumblr dot com burying my head up the ass of whatever fandom will force my brain to produce some s e r o t o n i n and that is what I need this series for

Also? The dynamic she had with skug in phase one? "Until the end"? "You save me, I save you, that's how we work"? Forget that, it doesn't exist anymore. I stopped reading after Midnight, because she was written like he was a coworker she could barely tolerate. They went from "Lardo confirms on twitter that they talked on the phone a bunch while she was in america and he'd always ask her to come home" to "she comes home and proceeds to blank him for five months while she sits in her fuckin multimillionaire's mansion feeling sorry for herself". Their friendship completely disintegrated, they were totally separated for most of the book, she's written as not giving a single shit about him. She treated him like dirt, and their dynamic basically felt like it was becoming "Local Man With History Of Gravitating Towards Abusive Women Makes Same Terrible Choices For Fifth Time" and? that was the point of no return to me. he supports her unconditionally, no matter what he's going through at the time, he's walked on broken bones to try and get to her when she was in danger, she can tell him anything and he'd never use it against her. I did not, for one second in phase two, believe she felt the same about him. tbh it felt like she could - and wanted to - drop him at the first opportunity and not even feel bad about it, and that's not the dynamic that made me so emotionally attached to phase one. i signed up for "until the end", not whatever bullshit phase two has going on.

Apparently she's "less depressed" now and their relationship is "better" in the books published since midnight, which! might well be true. but I haven't read them and don't intend to, and she's gone from one of my favourite fictional characters ever (which! was impressive! because i almost never bond with the female lead - i normally get attached exclusively to the character i crush on, which would be skug here. val was the first female lead i actually cared about since xena! so im deeply salty about losing her!) to a character i? honestly prefer to pretend doesn't exist. i live in war era dead men/generals crackship land because that way, i don't have to acknowledge her or the fuckin character assassination phase 2 pulled on her.

so yeah, no hate towards phase one val at all. phase one val was awesome and flawed and gave me something to aspire to despite my shitty mental health and trauma, and if she'd kept her original personality she might still have been those things. but the original "real life" val is no longer involved (and doesn't talk to landy at all anymore, apparently), and the val based on landy's insufferable gf? i cannot get behind her at all ever, four for skug and none for phase two val cain bye

(tldr; you're not missing anything by quitting after spx)

[kuromichad]

different subject that’s heavy on my mind rn but since i’m already being harsh let’s get into it. i wish it wasn’t automatically presumed to be some kind of truscum attitude when someone tries to express that different parts of The Trans Community have like, different needs and different risk levels and different experiences and that we have the ability to talk over each other, harm each other, etc... like when i put it that way people generally are like ‘of course that’s true!’ but is it ever really understood in practice? a number of people (not a large enough number, but still) are able to loosely understand ‘you can be trans and transphobic’ when it’s applied to the matter of transmisogyny but when a trans person tries to express distrust of or frustration with afab nb people due to how common it is that that category of person will, despite being trans/nb, espouse bioessentialist, anti-medical-transition, radfem-adjacent if not outright cryptoterf rhetoric, suddenly ‘trans people can be transphobic’ gets applied to... the person with a complaint about transphobia. 

because he’s clearly an evil truscum man! regardless of if the person making the complaint is a trans man or trans woman, oops, lol. he’s a bad person who is attacking and invalidating and totally hatecriming the heckin’ valid, equally at-risk transgender identity of “an afab woman who isn’t a woman except when she pointedly categorizes themself as a woman because being afab makes them a woman who is ‘politically aligned’ with women but she’s not an icky unwoke cis woman because they don’t like being forced into womanhood although Really When You Think About It 🤔 all women are dysphoric because obviously the pathologized medical diagnosis of gender dysphoria in transgender people is something that equally applies to cis women just default existing under patriarchy 🤔, and no, equating these things totally does not imply anything reductive about or add a bizarre moral dimension to the idea of being transgender, whaaaaat, this woman who isn’t a woman doesn’t think there’s anything immoral or cowardly or misogynist or delusional about being transgender, they would never say that because THEY’RE transgender, except when she feels it’s important (constantly) to make clear that she’s Still A Woman Deep Down Inherently Despite Not Identifying As One, and none of this ever has any effect on how they treat the concept, socially and politically, of people who actually wholly identify with (and possibly medically transition to) a gender different from the one they were assigned at birth, be it ‘the opposite gender’ or abstaining from binary gender altogether or ‘politically aligning’ with the ‘opposite’ gender from their asab. never ever!”

and like maybe that sounds like a completely absurd and hateful strawman to you! but in that case you’re either like, lucky, or optimistic, or ignorant. i’m literally not looking at random nb people and declaring that in My Truscum Opinion they’re ‘really a woman’ just because they’re not medically transitioning or meeting some arbitrary standard of mine. i am looking at self-identified afab nb people, who most often use she/they because, y’know, words mean things, especially pronouns, so people who are willingly ‘aligned with womanhood’ typically intentionally use she/her (sorry that i guess that’s another truscum take now!!! that pronouns mean things!!! the bigender transmasc who deliberately uses exclusively he/him wants it to invoke a perception he’s comfortable with!), who actively say the things listed above (in a non-sarcastic manner). 

like, the line between a person who says “i don’t claim to really not be my asab because i know no one would ever perceive me as anything else” because theyve internalized a defeatist attitude due to societal transphobia, and a person who says that because they... genuinely believe it’s impossible/ridiculous/an imposition to truly be transgender (in the traditional trans sense, beyond a vague nb disidentification with gender) and are actively contributing to the former person’s self loathing... is hard to define from a distance! i think plenty of people who are, in a sense, ‘tentative’ or like ‘playing close to home’ so to speak in their identity are ‘genuinely trans’ (whatever that may mean) and just going through a process. they might arrive at a different identity or might just eventually stop saying/believing defeatist stuff, who knows. but there are enough people saying it for the latter reason, or at least not caring if they sound that way, that it’s like, dangerous. it is actively incredibly harmful to other trans people. and it’s fucking ridiculous that it’s so difficult to criticize because you’ll always get the defense of “umm but i’m literally trans” and/or “well i’m just talking about ME, this doesn’t apply to other trans people” when it’s an attitude that very clearly seeps into their politics and the way they discuss gender.

because it’s just incredibly common for afab nb people (most typically those that go by she/they! since i’m aware that uh, i am also afab nb, but we clearly are extremely different, so that’s the best categorization i’ve got) to discuss gender in moralized terms, with the excuse of patriarchy/misogyny existing, which of course adds another difficult dimension to trying to criticize this because it gets the response of “don’t act like misandry is real” (it’s not, but being a dick still is) and “boohoo, let women complain about their oppressors” (this goes beyond ‘complaining’). a deliberate revocation of empathy/sympathy/compassion from men and projection of inherently malicious/brutish/cruel intent onto men (not solely in the justified generalizations ‘men suck/are dangerous’, but in specific interactions too) underpin a whole fucking lot of popular posts/discussions online, whether they’re political or casual/social, and it absolutely influences how people conceptualize and feel about transness. 

because ‘maleness is evil’ is still shitty politics even when you’ve slightly reframed it from the terf ‘trans women are evil because they’re Really Men and can never escape being horrific soulless brutes just as women can never escape being fragile morally superior flowers’ to the tumblr shethey “trans women who are out to me/unclockable are tolerable i guess because they’re women and women are good; anyone i personally presume to be a cis man, though, is still automatically evil, and saying trans men are Just As Bad is progressive of me, and it’s totally unrelated and apolitical that i think we should expand the concept of afab lesbianism so broadly that you can now be basically indistinguishable from trans men on literally every single level except for a declaration of ‘but i would never claim to be a man because i’m secure in the Innate Womanhood of the body i was born into, even as i medically alter that body because it causes me great gendered discomfort.’ none of this at all indicates that i feel there’s an immense moral/political gap between being an afab nb lesbian vs a straight trans man! it says nothing at all about my concept of ‘maleness’ and there’s no way this rhetoric bleeds into my perception of trans women and no way loudly talking about all this could keep trans people around me self-loathing and closeted, because i’m Literally Trans and Not A Terf!”

again, if that sounds like a hateful strawman, sorry but it’s not. i guess i’m supposed to be like ‘all of the many people ive seen saying these shitty things is an evil outlier who Doesn’t Count, and it’s not fair to the broad identity of afab shethey to not believe that every person who doesn’t outright say terfy enough things is a perfectly earnest valid accepting trans person who’s beyond criticism’ but like. this cannot be about broad validation. this can’t be about discarding all the bad apples as not really part of the group. we can’t be walking on eggshells to coddle what are essentially, in the end, Cis Feelings, because in the best cases this kind of rhetoric comes from naive people who are early and uncertain in their gender journey or whatever and are in the process of unraveling internalized transphobia, and in the easily observable worst cases these people are very literally redefining shit so that ‘actually all afab women are trans, spiritually, all afabs have dysphoria, we are all Equally oppressed by Males uh i mean cis men <3’ because, let’s be honest, they know that the moment they call themselves trans they get to say whatever they want about gender no matter how harmful it is to the rest of us. and those ideas spread like wildfire through the afab shethey “woman that’s not a woman” community that frankly greatly outnumbers other types of trans people online, because many of those people just do not have the experiences that lead you to really understand this shit and have to push back against concepts of gender that actively harm you as a trans person.

like that’s all i want to be able to say, is Things Are Different For Different Groups. and a willful ignorance of these differences leads to bad rhetoric controlling the overall discourse which gets people hurt. and even when concepts arise from it that seem positive and helpful and inclusive, in practice or in origin those ideas can still be upholding shit that gets other people hurt. like, i don’t doubt that many people are very straightforwardly happy and comfortable with an identity like ‘afab nb lesbian on testosterone’ and it would be ridiculous and hypocritical for me, ‘afab nb who wants to pass as a guy so he can comfortably wear skirts again,’ to act like that’s something that can’t or shouldn’t exist. it’s not about the identity itself, it’s about the politics that are popular within its community, and how the use of identities as moral labels with like, fucking pokemon type interactions for oppression effectiveness which directly informs the moral correctness of your every opinion and your very existence, is a shitty practice that gets people hurt and leads us to revoke empathy from each other.

like. sorry this is all over the place and long and probably still sounds evil because i haven’t thought through and disclaimered every single statement. but i’m like exhausted from living with this self-conscious guilt that maybe i’ve turned into a horrible evil truscum misogynist etc etc due to feeling upset by this seemingly inescapable approach to gender in lgbt/online circles that like, actively harms me, because when i vent with my friends all the stuff i’ve tried to explain here gets condensed down to referencing ‘she/theys’ as a category and that feels mean and generalizing and i genuinely dislike generalizations but the dread i feel about that category gets proven right way too often. it’s just like. this is not truscum this is not misgendering this is not misogyny. this is not about me decreeing that all transmascs have to be manly enough or dysphoric enough and all nbs have to be neatly agender and androgynous or something, i’m especially not saying that nb gender isn’t real lmao or even that it’s automatically wrong to partially identify with your asab; this is not me saying you can only medically transition for specific traditional reasons or that you don’t get a say on anything if you aren’t medically transitioning for whatever reason, now or ever. i just. want to be allowed to be frank about how... when there’s different experiences in a community we should like. acknowledge those differences and be willing to say that sometimes people don’t know what they’re talking about or that what they’re saying is harmful. without the primary concern being whether people will feel invalidated by being told so. because these are like, real issues, that are more important than politely including everyone, because that method is just getting vulnerable people drowned out constantly.

[cardentist]

this isn’t a proper discourse post, I Agree with a lot of what the op said but there’s specific things about it that get under my skin in a way that makes me want to talk about it, but I don’t want to engage with that post both because I don’t want to speak over the point that’s being made and frankly because I don’t want to be misinterpreted because of the point that’s being made in it.

so for context, I’ll just say that it was a long post about how a lack of engagement with women characters in fandom spaces is tied to misogyny. just be aware that I’m responding to something specific and not criticisms of this in general. (feel free to dm me if you want to see the post for yourself)

the rest of this is going to be rambly and a bit unfocused, so I want to get this out the door right at the top: it is not actually someone’s moral obligation to engage with or create fan content. all other points aside, what this amounts to is labeling people as bigoted for either not creating or engaging with content that you want to see, and while the individual may or may not be a bigot it’s not actually anyone’s job to tailor their fandom experience to cater to you. 

fandom is not activism. it’s not Wrong to point out that a lack of content about women in fandom is likely indicative of the influence of our misogynistic society. and suggesting that people examine their internalized biases isn’t just fine, it’s something that everyone should be doing all the time. but saying that it is literally someone’s “responsibility” to “make an effort” by consuming content about women or they’re bigoted is presenting the consumption of fan content as a moral litmus test that you pass and fail not by how you engage with content but by not engaging with all of the Correct content. 

judging people’s morality based on what characters they read meta for or look at fanart for is, a mistake. it Can Be Indicative of internalized biases but it is not, in and of itself, a moral failing that has to be corrected.

if you want more content to be created about women in fandom then you do it by spreading content about women in fandom, not by guilting people into engaging with it by saying that they’re bigots if they don’t. you encourage creation Through creation.

okay, now to address what Mainly set me off to inspire this post.

this post specifically went out of it’s way to present misogyny as the only answer for why this problem exists in fandom spaces. and while I absolutely agree that it’s a Factor, they left absolutely no room for nuance which included debunking “common excuses.” which, as you can probably guess, contained the things that ticked me off.

first off, you can’t judge that someone is disconnected from women in general based on their fandom consumption because the sum total of their being is not available on tumblr. 

people don’t always bear their souls in fandom spaces. just because they don’t actively post about a character or Characters doesn’t mean that they see them as lesser or that they don’t think about them. the idea that you can tell what a person’s moral beliefs are not based on what they’ve said or done but based on whether they engage with specific characters in a specific way in a specific space can Only work on the assumption that they engage with that space in a way that expresses the entirety of who they are or even their engagement with that specific media.

what I engage with on ao3 is different from what I engage with on tumblr, youtube, twitter, my friend’s dms, and my own head. people are going to engage with social media and fandom spaces specifically differently for different reasons. you can’t assume what the other parts of their lives look like based on this alone. 

second off, there can be other factors at play that influence people’s specific engagement with a fandom.

they specifically brought up the magnus archives as an example of a show with well written women. which while absolutely true, does Not mean that misogyny is the only option for why people wouldn’t engage with content about them as often. for me personally? a lot of fan content is soured because of how it presents jon. I relate to him very heavily as a neurodivergent and traumatized person, and he faces a Lot of victim blaming and dehumanization in the writing. sasha and martin are more or less the only main characters that Aren’t guilty of this, and sasha was out of the picture after season 1.

while this affects my enjoyment of fan content for these characters To Some Extent on it’s own (I love georgie, I love her a lot, but I can’t forget that she looked at someone and told them that they were better off dead because they couldn’t “choose” to not be abused), the bigger issue is fan content that Specifically doesn’t address the victim blaming and ableism as what it is, even presenting it as just Correct. 

this isn’t exclusive to the women in the show by any means, this is exactly why I avoid a lot of content about tim, but it affects a lot of the women who are main characters. that isn’t the Only reason, there’s more casual ableism and things that tear him down for other reasons (the prevalent theory that elias passed up on sasha because he’s afraid of how she’s More Competent In Jon In Every Single way. which comes with the unfortunate implications of jon being responsible for his own trauma because he just wasn’t competent enough to avoid it) but that’s the main one that squicks me out.

of course not all fan content does this, and I Do engage with content about these characters, but sometimes it’s easier to just stick with content that centers on my comfort character because it’s more likely to look at his character with the nuance required to see that it is victim blaming and ableism. 

it’s not enough to say that the characters are well rounded or well written and conclude that if someone isn’t consuming or creating content about them then it has to be due to misogyny and nothing else.

there’s also just like, the Obvious answer. two most prominent characters are two men that are in a canonical gay relationship, which draws in queer men/masc people on it’s own but the centering of their othering and trauma Particularly draws in traumatized queer people that are starved for content. georgie and melanie are both fleshed out characters in and of themselves, but their relationship with each other doesn’t have nearly as much direct screen time. and daisy and basira have a lot more screen time together and about each other, but their relationship is very intentionally non-canon because of its role as a commentary on cop pack mentality.

people are More Likely to create content for the more prominent relationship in the show and be drawn into the fandom through that relationship in the first place. I have no doubt that there Are misogynistic fans of the show, but focusing on the relationship and the characters that make you happy isn’t and indication that you’re one of them.

which brings us to the big one, the one that sparked me into writing this in the first place (and the last that I have time for if I’m being honest). the “common excuses” section in general is, extremely dismissive obviously but there’s only one section that genuinely upsets me. 

without copying and pasting what they said directly, it essentially boils down to this: while they recognize that gay and trans men are “allowed” to relate to men, they’re still Men which makes them misogynistic. Rather than acknowledge Why gay and trans men would engage with fan-content specifically that caters to them they present it as a given that it’s 100% due to misogyny anyways. they present queer men engaging with content about themselves as them treating women like they’re “unworthy of attention,” calling it a “patriarchal tendency” that they have to unlearn.

being gay and trans does not mean that you’re immune to misogyny, being a woman doesn’t even mean that you’re immune to misogyny, but that’s engaging in bad faith in a way that really puts a bad taste in my mouth. 

queer men aren’t just like, Special Men that have Extra Bonus Reasons to be relate to boys, they’re people who are more likely to Need fandom spaces to explore facets of themselves. and while you can Relate to any character, it feels good to be able to explore those aspect with characters that resemble you or how you see yourself.

when I first started actively seeking out fandom spaces in middle school I engaged with content about queer men more or less exclusively. at this point I had no concept of what trans people were, and wouldn’t begin openly considering that I might be a trans person until high school. I knew that I’d be happier as a gay man before I knew I could be a gay man, and that’s affected my relationship with fandom forever. 

I engage with most things pretty casually, reblogging meta and joke posts when I see them, but what I go out of my way to engage with is largely an expression of my gender identity and sexuality. I project myself onto a comfort character and then I Consume content for them because that was how I was able to express myself before I knew that I needed to. it’s not that girl characters aren’t “worthy” of me relating to them, it’s that I specifically go to certain fandom spaces to express and work through my gender and sexuality. that’s what I use those fandom spaces For.

I imagine that I’ll need this crutch less when I’m allowed to transition and if I ever find a relationship situation that works out for me. but also like, why should I? it’s not actually hurting anyone for me to explore my gender and sexuality through fanfic until the end of time. nor does it hurt anyone for me to focus on my comfort characters. 

fandom is personal comfort and entertainment, not a moral obligation. people absolutely should engage with women in media and real life with more nuance and energy than they do, but fandom spaces are not the place to police or judge that. 

[kinetic-elaboration]

August 21: 3x04 And the Children Shall Lead

Okay, I’m finally going to write up my thoughts on And the Children Shall Lead. I think I’m (mostly) over all of my excessively-strong emotions about this ep lol. Maybe going through my notes will bring them back. Or maybe not. I’ve felt very tired and uninterested in everything today so it’s hard to tell. So far the process is not going well: tumblr ate my first attempt at a post, like literally I wrote a few lines, clicked to a new tab, and when I clicked back the post was empty so thanks for that, and I keep on just generally not being interested in the task. So, we’ll see.

The tl;dr is that I don’t see why this ep is considered one of the worst. I actually really liked it!

Single-color jumpsuits: the fashion of the future.

Another old Kirk friend! (This isn’t even important lol; it never comes up again or matters that Kirk knew this guy, but we must always be reminded that he is the best networker in Starfleet.)

“He’s dead, Captain.” Not “he’s dead, Jim”?? Sounds wrong.

“The enemy within.” I thought that was a S1 ep?

Ah, another bunch of creepy kids. In pajamas this time, apparently.

Kirk is not having fun being the center of their creepy little rhyme.

RIP to McCoy but my diagnosis is “alien shenanigans.”

“I’m sorry, Captain Kirk.” Such a polite little alien.

McCoy corralling the kids

This sounds a lot like Miri, except purposeful—something targeted all the adults but left the kids, just like the virus in Miri affected all the adults, but not the kids.

…A disturbance in the cave!

Lol at Kirk’s anxiety face. I feel you, man.

Spock’s never experienced anxiety? My first thought is ‘sounds fake’ but actually… maybe he really hasn’t.

“There has to be an explanation.” This is the MOST Jim line.

I like these kids. They’re actually pretty cute. Also love Kirk trying to relate to the kids.

Where are they? Is this Sulu’s greenhouse lol? I love it. They should have used this set more.

“That place is for adults.” Gotta say, I wrote this down but now have no recollection what it actually refers to. The bridge? I think it’s the bridge.

Are they performing witchcraft? Intriguing.

“Friendly angel”—nothing creepy about that at all.

Got a little alien cult going on here. Every time I feel anxiety from now on I’m going to assume it’s an alien cultist nearby.

“We’ll pursue this in my quarters.” Wink wink.

Can’t fool Uhura.

Never mind. Yes you can.

For someone who wanted the kids guarded all the time, Kirk sure was ok with them just traipsing around the bridge. I mean the guards are at the door but like…they’re only at the door.

Never really thought about how there’s apparently an…engineering component... to flying the ship? I don’t know, I don’t really get it but it’s cool.

"Evil does seek to maintain power by suppressing the truth." Damn. Great line.

BAND OF MARAUDES. That’s a cool backstory for the dead alien society. Basically, they’re ghosts. Greedy ghosts. Alien ghost pirates.

Great triumvirate scene. McCoy want to protect the kids and Kirk’s like “…but the ship, though?” Which is fair!!

What does the ghost want? Um, a ship to maraud in, were you not listening to Spock’s exposition of the back story?

No don’t beam anyone down!!

Love any time Spock pushes someone else out of the way so he can man the transporter. He’s somehow the second-best expert on it on the entire ship.

Eeek, low-key gruesome death there. Look, I know that this is one of the scenes that haters love to point out as a reason to despise the episode but I personally don’t think deeply enough into the transporter situation to wonder how much information they have or assume before they beam people anywhere. Also…weird alien stuff is happening, guys. Just attribute it to that. Also also, if you’re gonna nitpick like that, be prepared to hate all of TOS.

THE KIDS STOLE THE CAR.

“Sulu, what did you to do my ship?”

Uhura’s watching this little witchcraft scene from the background like ‘aw, so cute.’

“Call upon their beasts.” Metal.

“Go to your stations.” This little kid is a future Captain in the making.

SPACE KNIVES

Kirk's like "Oh no, my crew is deserting me, I'm gonna have to fly the whole ship by myself AGAIN.”

“Captain, why are we bothering Starfleet?” Et tu, Spock?s

How did they get to Spock? He doesn’t seem scared of anything…more like he’s under the influence of a general hallucination, like the others seeing the planet on the screen even after they left orbit.

I remember this part, with Kirk freaking out. Spock doesn’t like it one bit.

He’s just being a littttle Dramatique.

Cannot believe that all Spock has to do is say “Jim” in a quiet, intimate voice and Kirk is immediately okay. Just let it out of his system, grabbed onto his friend, heard his own name, and the beast is defeated.

“My Vulcan friend”? Lol.

Kirk’s face when he realizes they’ve got Scotty too…

“Go away or we’ll kill you.” That was legitimately creepy. Scotty gone rogue.

Aw, Spock was worried about him again.

“Without followers, evil cannot spread.”

“Where did you hear this order, Chekov?” / “The voices in my head.”

It’s interesting that Kirk and Spock can’t be manipulated—perhaps because they have each other?

Enough of this—fight time!

That guard sounded like he really liked that nerve pinch; he was kinda moaning as he went down.

“Spock, corral them to their rooms.”

Outta the chair, brat.

Is Kirk going to defeat the alien evil using logic?

Summoning the “angel” by using the old recording is very clever.

When did they decide to start calling him the Gorgon?

“It lost its power in the light of reality” = “I looked into Spock’s eyes and knew myself again.”

HE IS GENTLE. It’s true and you should say it.

And he doesn’t even dispute it. “AND we are ALSO very strong.”

"You are full of goodness. Such as you cannot be changed."

So the girl is Jankowski.

This is very Candyman. The alien needs their belief to live. When they cease to follow him, he literally disappears.

Honestly, this whole alien scheme starts to look equal parts silly and sad, trying to call the crying children "generals.” They’re babies!

McCoy loves to see children in tears lol.

Kirk just hands them all off to McCoy, like ‘well, my work here is done.’

Okay, now we reverse course to pick up those stranded security guards still on the planet, right? Right? No? Okay, guess not.

Uhura, immediately ready with the paperwork lol. Now IS the time.

The end!

Now to try to interpret all of my other, more general notes.

The way I interpreted Spock being able to defy the mind control was that he was affected by Kirk. Because he clearly was affected, but then when he saw Kirk starting to freak out, he looked concerned, and then got them both off the bridge—he had a breakthrough of clarity long enough to understand he needed to get off the bridge. Then he’d be away from the kids, and they wouldn’t have as much control, and he could snap Jim out of it, too.

Like I’m sure his Vulcan resilience could easily have been part of it, too, but that resilience wasn’t enough to keep him from being affected at all—and of course they could have easily written it that way—and it seems obvious that his moment of clarity was caused specifically by watching Kirk starting to lose it. There are so many shots of him specifically watching Kirk and the guard.

The K/S vibes were so strong. Spock was so protective, then they get in the lift and Kirk basically clings to him. All he has to do is say Kirk’s name and Kirk is fine, which is basically the power of true love. And then even outside of that scene… for the whole rest of the ep, they’re a duo. It’s not just Kirk against the Evil of the Week, it’s Kirk and Spock, working together at every turn. Neither of them could have done it alone.

it's a pretty classic trope, in fact, especially in s1, to have Kirk all alone, abandoned by all...where he's the last man standing, the one who has to run the whole ship and save the whole day. Naked Time, This Side of Paradise, and Trouble with Tribbles (kinda) all come to mind. But this time he has Spock! You see the progression of their relationship in that.

I really enjoyed this episode in general. Lots of classic tropes: creepy children; surprise alien; old alien society not as dead as we thought; Kirk has to run the whole ship by himself (with Spock); heroic!Kirk saving the day… It has it all. It’s clearly revisiting some older themes and ideas, but in a sufficiently unique way that it doesn’t just seem like a rehash of an older plot. In some ways, it felt like a Classic S1 episode to me. It has some Miri elements, some Charlie X elements, some Naked Time elements…

I literally don’t understand why it’s so disliked.

Skimmed the wiki and the only specific criticism in there is that Kirk shows an “unmistakable hostility to the children.” Well first of all, he doesn’t. He might not have the best manner with them, but why should he? He’s certainly not mean or cruel to them. He recognizes they’re a danger to his ship, and to the whole planet of Marcos-12, which by the way is objectively true, but that’s not being hostile. McCoy is the one who represents ‘exclusive care for the children’s welfare’ in this ep, but he CAN do that, because he’s not the Captain. He represents that perspective, he gives his opinion, which is both his job on the ship and his role on the show, and then Kirk takes that into account while doing HIS job, which is running the ship. McCoy would have literally let the kids take over their ship and conquer the galaxy as part of their grieving process lol. Kirk was right and I should say it. (Also btw he understands that killing the kids might be an option—but he obviously doesn’t actually do it.)

I actually think this ep is a great example of the triumvirate functioning--McCoy reminds Kirk that the children are just traumatized children, and Spock reminds him that he's responsible for 400+ people on the ship, and Kirk makes the decisions that vanquish the evil, save the ship, and free the kids.

And look, even if you don’t like this episode, you’d have to argue very hard to convince me it’s the WORST, as in worse than Spock’s Brain, worse than The Alternative Factor, worse than Assignment Earth (not even a real TOS ep!), worse than The Omega Glory.

Some stuff I actively liked: the concept of the alien taking over the children specifically (both creepy and…kinda makes sense? That they’d be vulnerable); the message that the followers of demagogues can be both truly dangerous and objects of sympathy; the backstory of the evil empire of pirate aliens—and how greed doesn’t die; the witchcraft aesthetic, ESPECIALLY when paired with the kid antagonists, since kids are so into that like chanting, incantations, rituals thing; that the ep used every single main character (when was the last time a TOS ep did that?). Also I thought the kid actors did a good job!

The theme about the authoritarian and the cult followers was actually quite resonant, I thought; inevitably made me think of Tr/ump and his Tr/umpies. Just like in this episode, you must have some kind of… if not sympathy, at least willingness to do the hard work of deprograming and then bringing them back to the fold, or else the country is never going to heal and it’s never going to be able to go forward in a positive way. It might not go forward at all! But fuck it’s hard to have that sympathy; they’re so abhorrent. Here, you see the terrible things the kids do, and yet sympathy isn’t so hard, because they’re kids. You see how much they are victims/pawns also. And so in that sense, Kirk’s ability to deprogram them is comfortingly optimistic—a little bittersweet, as TOS often is, because the kids have done horrible things and seen horrible things and now they’ll have to live with it, but comforting nonetheless.

I can’t even think of that many things I didn’t like in the ep. Mostly just nitpicky things. Like, was McCoy a little inconsistent in what he thought should be done with the kids? Yeah, but we get the general idea. Did Kirk drop the ball when he let them hang out on the bridge? Yes, especially as he knew how dangerous they were at that point, but I actually don’t mind it so much because they’re kids—it’s understandable that their true dangerousness didn’t fully compute to him. I don’t see that as a mistake or sloppy writing tbh. And was it an amateur hour mistake to beam two people into space? Yes, but it made up for it in being creepy and upping the stakes of the ep.

I guess I could see how the fist gesture could be seen as a little silly. But the other option, having them speak rhymes each time, would have been distracting—and probably also looked silly! Also, as my mom pointed out, it looks like a kid’s game (sorta like the start of rock paper scissors) so it fits appropriately with the theme.

I really liked how they wove in the aesthetic of kids’ games, kids’ manners of playing, into the narrative. Kids can be really creepy! They like creepy things! So the ring around the rosy rhyme at the beginning—a quite disturbing chant, of course, about the Plague, that is also very commonly sung by actual kids—foreshadows the summoning chant that brings the alien to them. It’s all of a piece. And just like the rhyme is just a rhyme, and they don’t know the real meaning behind it, they probably also don’t fully understand the meaning of the summoning chant or the alien that comes with it. It’s all one big game to them.

It’s interesting that the alien seemed to play off their desire both to punish their parents for working too much ("they like the planet, they're always busy") and to have freedom from parental rules (how they react to any instructions from adults, the alien's promise that the whole universe will be their playground, etc.). He really picks their sore spots as kids specifically and turns them into his “generals” accordingly. Like all kids, they don’t think too much about the larger consequences of their game because in some ways, it really is all just a game to them.

I liked how the episode characterized Kirk’s ability to interact with kids. He’s not bad with them at all, but he’s not like McCoy or Chapel either. He “wants to communicate with the future adult in the kid,” as my mom put it, which is perfect. He doesn’t exactly treat them as mini-adults—he doesn’t say inappropriate things to them, and he does simplify his language and his ideas for them—but he does treat them very seriously. And he’s probably best at one-on-one interactions like with Tommy. I think this makes total sense for his character: he doesn’t have kids (David aside lol), he doesn’t have younger siblings, he doesn’t work in a place where he’d see other people’s kids, he doesn’t get to see his nephew much, etc.

…Okay those were all my notes. I know I had other thoughts that were a little less scattered later, but… I’m tired. And most of it is probably in here in some form or another. I also found a list of, like, actual critiques of the episode, and I was considering going through them and addressing them all, and I might still do that. But I think that’s for another day.

[mehrauli]

The shortcomings of secular leftism become obvious every single time Charlie Hebdo published another fucking piece of hate speech and they refuse to acknowledge it as hate speech even though it’s basically just a nazi-era antisemitic caricature with “PROPHET MUHAMMAD” written underneath it.

And maybe some “anti-racists” or something will pipe in to “defend” us with “oh, it iz against zeir religion to draw ze mahomet” which also makes us look ridiculous because 1. that’s only kind of true, there is a wider discussion of that and 2. people are basically not wrong to say that enforcing that is a police state measure that shouldn’t be acceptable. So all they’re doing is making a straw-man to represent the weakest, most hyperconservative possible take that could come out of a Muslim and is actually genuinely irreconcilable with a lot of the left’s values, values which I, and most Muslims, and most leftists, honestly hold. What’s more is that the position they present is genuinely violent and bad; the reason they shouldn’t draw the Prophet isn’t because it’s “against my religion” but because in the political climate we live in it’s inherently an act of hate speech to do so..

Westerners don’t consider it offensive to make fun of their respected political and religious figures, and this is a genuine cultural difference between them and a lot of Muslims particularly from south asia. I don’t think they should, I think the westerners should be free to “practice their culture” or whatever when they’re not killing my family about it. So when the liberals make this purely an issue of “oh ze iZlAm SaYs zat it iz, ‘ow you say, ‘ArAaAaAaM to draw zeir prophet!” they’re making us look like people who want to violently enforce something based solely on our (real or alleged) cultural values, which still agrees that we’re trying to ~eNfOrCe sHaRiA LaW~ in europe. If all they want to do is draw him, whatever. We can talk about that but it’s a different conversation.

Because when they draw Jesus they’re not drawing him as a hook-nosed banker jew with a suicide vest and a child bride, they’re drawing him in a way that is basically respectful and possibly with maybe a thumbs up if they want to be edgy, like it’s fucking different and if you can’t see that you’re just not engaging in good faith.

Aside from the cartoon itself, which nobody will even see by comparison, the publication of it in the first place, surrounded by a bunch of media fanfare and liberal anticipation, is, itself, a massive piece of performance art with the message that it’s good to #trigger all the angry barbarian peoples from out yonder in order to civilise us to French sophistication and defend freeze peach in contrast to the eastern despotism from which we all eagerly await western liberalism to free us, when we’re not busy migrating to the west in hordes to impose it on them from our positions of extreme political and social influence as refugees of ongoing global conflicts and genocides.

This recent publication comes weeks after Macron outlined new repressive police measures which had the explicit, stated purpose of stopping Muslims in France from developing an independent culture from the mainstream in a country where there’s literally a fucking burka ban that “even” liberals defend as “french culture”.

The basic message is secular fascist newspapers can do whatever it is they want and any voiced objection will be met immediately with a harsh punitive action from both the state and polite society. Again the secular left refuses to acknowledge that this is the situation and that this is a measure meant to humiliate a thoroughly subjugated people. They consider that they should be “respectful” of “our beliefs” but they do not actually criticise the power play against us and even participate in it by proclaiming themselves mediator instead of deferring to Muslims on this issue.

These basic normal foundational cornerstones of French culture, and global liberalism more broadly, tangibly and obviously lead to unthinkable violence against us on a global scale, and it’s good to be radicalised against that. The issue isn’t that it “leads to extremism” as if each of us has an inner terrorist just waiting for us to hulk out when we experience one too many microaggressions, but that Charlie Hebdo is actually a fascist publication and a huge part of the justifying apparatus for the past 20 years of western re-colonisation of the middle east, and, again, everyone should be radicalised against that because it is bad, if we’re radicalised against it and you’re not that’s a you problem and reflects a shortcoming in your analysis or organisation or both.

But even the liberals who think (for whatever reason) that they’re radicals will talk about “preventing radicalisation” among Muslim youth as if radicalism is some brand that belongs to them and them exclusively and we can’t be allowed to get our little terrorist mitts on it. They’re allowed to be radical and we’re not. And that right there is how you can tell they aren’t serious about the whole revolution thing, because revolution as they understand it demands a broad-based coalition of people willing to take direct action and who have a common analysis (that it’s their job to at least inform with their theoretical knowledge) about which actions should be taken and against what. They make no effort whatsoever to reach out to our obviously highly motivated and marginalised community with any of their talk of class solidarity because they’re a part of the same apparatus which keeps us marginalised and cooperate fully with it as far as we are concerned.

And the secular left agrees that the cartoons are racist and agrees that that’s bad and agrees that french liberalism sucks ass and is violent, racist, and nakedly imperialistic, but there has never been an instance of a left organisation to my knowledge that’s gone so far as to actually stand in solidarity with Muslims protesting against liberal Islamophobia. While the secular left may condemn islamophobia on its own terms, it never stands with Muslims and accepts Muslim leadership even when we’re protesting obvious violence and hate speech directed at us. Secular leftism and secular antifa agree that it’s good to be radical against a violent society in which hate speech is a normal accepted and even expected value and in which global leaders openly call for repressive police state measures against Muslims specifically on a good day, they even agree that it’s good and proper to use violence in such situations to prevent authoritarian overreach against persecuted minorities, but the moment we do it, it’s an act of terrorism that all radicals liberals have to Condemn Condemn Condemn or else.

And if we defend ourselves as Muslims, as Hannah Arendt called for when she said that if one is attacked as a Jew one must defend oneself as a Jew, not as a world-citizen or a defender of the rights of man, or some shit, global radliberal leftism will never have a word in support of us.

It claims to be better, and it might actually even be genuinely preferable, but it still lacks any interaction or understanding of Muslim analyses of the violence against us and don’t even think to try to theorise it themselves outside of some shallow acknowledgement of a purely economic “imperialism” or racism, which is only a part of it. And so as a result the global left inevitably ends up with a far-right analysis of one kind or the other on this; either censorship is good if it hurts people (”of colour”)s feelings or it’s bad to protest hate speech by unapproved means.

[bigskydreaming]

I’ve often thought that a common sentiment in the public that people carefully avoid mentioning around Bruce - but not around Dick - is that Dick was adopted as a ‘consolation prize’ after Jason’s death. Ugly thought, true, but from the perspective of a public who loves gossipping about the Waynes and who have made their opinions of Dick all too clear in both canon and fanfic.....like, from their perspective, how must it look that Bruce raised Dick from the age of eight without ever making him anything other than his ward....and then they had that big fight apparently, that led to Dick moving out and basically being persona non grata around Gotham and never seen coming home.....whereas Jason was adopted by Bruce within months and was constantly seen being called son by Bruce, etc.

And then again as far as the public knows, Dick Grayson only ‘comes back’ after Jason’s death and he and Bruce seem to slowly be working on rebuilding their relationship....and a couple years after Jason died, and several years after Dick’s wardship expired on his eighteenth birthday without any mention from Bruce Wayne as to his now ex-ward’s status or even where he was or what he was doing with his life....no indication that Bruce was ever seen celebrating Dick’s eighteenth birthday or expressing any sentiment on what was effectively the severing of their legal ties at that point, and the end of Bruce’s obligations to Dick, no sign of him in Dick’s life or vice versa in years to follow, Dick rarely if ever seen keeping company with his somewhat little brother Jason....

Its only years after all of this that Bruce finally adopts Dick.....or like, people guess that’s what happens? Its not clear, exactly, because one day Dick’s got no legal ties to Bruce and hasn’t for years, and the next he’s been adopted. There’s no real scoop, nobody that got the exclusive about the event, because as far as anyone can tell....there was no event. There’s no story. Just he wasn’t adopted and now he was, and....neither Dick Grayson nor Bruce Wayne seem to have a comment on this, when it happened, WHY it happened, why NOW? After all this time? Why not earlier? Its just...there. Bruce Wayne, who famously throws parties for anything, pretty much, makes no official announcement about his son’s new status, there’s no party or celebration to honor it or mark the occasion, mark the adoption as noteworthy whatsoever.....

Because after all, it was just Dick and Bruce in the Batcave, Bruce handing him the adoption papers to sign and saying this is long overdue and doesn’t change anything and he’s always felt this way anyway.....

And to a guy who has not so secretly wanted this for YEARS, who has had Bruce literally throw his own knowledge of that not so secret yearning of his YEARS ago and thus who KNOWS full and well that its absolutely BULLSHIT to claim that ‘he’s always felt this way and knows Dick always knew that and didnt need a piece of paper so its not like this changes anything’.....like this had to be anticlimactic as HELL, but what do you say to that? How do you tell the dad who has caused you no small amount of angst and hurt and uncertainty as to where you even stand in his life that no, he didn’t take it for granted that Bruce felt this way, like, say, when Dick’s eighteenth birthday came and went with no sign of Bruce, no attempt from Bruce whatsoever to express in any way that he still wanted Dick in his life, still wanted to BE in Dick’s life, even without them legally bound to each other any longer.......how do you give your dad any of the well-earned shit he DESERVES for taking his precious time on this due to his own rejection and inadequacy issues in the moment he is at least FINALLY offering the thing you’ve wanted for so long and saying at least some of the things you’ve spent so long wanting to hear.....like...you can’t? Not then at least?

Whatever the intentions of the writers, the sheer anticlimacticness surrounding Dick’s actual adoption kinda....backed him into a corner where he couldn’t really express any emotion other than gratitude or happiness over the adoption without coming off as a total ungrateful asshole.....even though you kinda gotta wonder.....what did he tell his best friends about it? How did he relay the story to Roy, to Donna, etc.....the people who actually KNOW what this meant to Dick and how badly he wanted it, and would want him to dish on every single moment of what happened, they wanted to savor it.....and thus who would of course know the second he hesitated that something was wrong, Bruce had done something to fuck up even Dick’s biggest wish, if Dick was obviously trying not to say anything bad or negative or hint that it wasn’t like.....how he’d envisioned it or what all he’d been hoping for....but also not wanting to tell them the truth without embellishment, because you KNOW Donna and Roy and Wally and Garth would just be sitting there like:

“Wait. Hold up. You’re telling me you and Bruce had just got done with a case, you were getting ready to go home, you’re both STILL IN COSTUME, and in the BATCAVE, freaking ALFRED isn’t even present, and Bruce just.....kinda hands you the papers and pen and says here, I know I should have done this years ago but I really mean it, be my kid please? THAT’S IT????”

Yeah. I do NOT see that retelling ever having played well with the Titans, which makes me suspect Dick kinda...delayed in telling them until he could sneak it in and mention it as something that had happened awhile back and he’d just been too busy with hero stuff to make a big deal about it at the time and now it felt weird like it’d been too long. Because imo he wouldn’t have WANTED the Titans to weigh in on how they REALLY felt about how Bruce went about it, because he was likely trying to hold on to all the POSITIVE emotions it’d kindled for him and not like......focus so much on the Bruce-ness of it all making the approach something of a letdown after all the time he’d spent waiting and wanting.

And like.....when you’ve gone about adopting the kid you have a monumental track record of fucking up on telling how you really feel about him....in such a way that he probably felt awkward directly relaying to his best friends in a ‘omg this is huge news, tell us everything’ kinda story....

YOU’VE FUCKED IT UP.

But anyway, point is, Dick’s actual adoption came and went with such a HUGE lack of fanfare in any and every community, superhero and public, and probably didn’t even become KNOWN until someone went to write something about them and got fact-checked like “according to public records, Richard Grayson IS actually the legally adopted son and heir of Bruce Wayne as of this date etc etc”.....and when THAT news hit the public, how else were they going to view things?

Like, a gossip hungry readership not known to view Dick Grayson favorably were never going to think “oh its probably due to personal feelings about his parents and not wanting to replace them, I bet he was the one who never wanted to be adopted before now, that makes sense.”

LOLOL. Like. No. That’s not how the DC public sees it, I bet you anything.

Nah, in my head its FAR more likely that they looked at all of that and did THIS math instead:

Bruce Wayne takes in a young circus boy out of the goodness of his heart, raises him from the age of eight, but never makes him anything other than his ward. Good thing too, probably, given they have some sort of falling out when the Grayson boy is older, and the kid leaves town and good riddance, we hear he’s up in New York partying it up with models and has some alien superhero girlfriend, but nobody’s heard so much as his name mentioned around Wayne in ages so he’s not exactly Gotham news anymore. But no matter, Brucie’s gone and done it again, taken in another young orphan but this time its a local boy he adopted as his son right from the word go! Now that’s a story!

PLUS

Bruce Wayne’s adopted son Jason tragically dies all too young. In the wake of his loss, it appears Brucie’s making an attempt to mend fences with his former ward, or more likely, he’s gone running back to cozy up to Daddy Warbucks in an attempt to milk some more money out of that softie’s heart with a well-rehearsed conciliatory gesture.

PLUS

A couple years later, people start finding out that Bruce Wayne apparently did actually legally adopt Dick now, after all this time, though neither has so much as mentioned it publicly until now, for some reason.

EQUALS

My guess for how the public views it:

Bruce Wayne took in Dick and raised him as his ward but never really felt THAT way about the kid, not like Jason Todd-Wayne who he took one look at and knew ‘this is my kid’....but after losing Jason tragically, and with his family-owned company and board of directors being after him for some time about the importance of an heir in the optics of the dynastic corporate sphere.....Brucie probably decided to try and make the most of the one remaining sorta son he had left, and make a go of reconnecting with the former ward who was CLEARLY never his first choice to adopt as his proper son and heir before, but now apparently is good enough.

*Shrugs* That’s my honest bet for something Dick’s probably heard about his adoption more than a few times: that he was adopted as a consolation prize after Bruce’s ‘real son’ Jason died and Bruce felt driven to try and surround himself with whatever semblance of family he had left.

I mean, what else are you gonna get when you offer the public a paparazzi-enabling, glamorous sneak peek of your life at all other times, and absolute nada for the occasion of finally adopting the kid you’ve raised since age eight with absolutely NOTHING to show for it, not even a family friend who can be quoted as having been there to bear witness?

tl;dr - After all the damn parties and galas Bruce trotted Dick out to whether he wanted to or not, because that sorta thing is just what came with being a Wayne (the Wayne Dick wasn’t), the :LEAST Bruce owed Dick after years of estrangement and doubts directly inspired by him and his unwillingness to even OFFER Dick the option of adoption if he wanted it.....was to invite him to a party celebrating Dick himself and showing the world once and for all that he very much did want Dick in his life and as a part of his family, nothing less.

Dick’s never hated PARTIES, Bruce you giant dumbass. Dick hated going to parties where people talked about how he didn’t belong or how he was nothing but a PR charity stunt for Bruce.

Dick, in point of fact, might have very very MUCH enjoyed an actual public celebration where for the first time in his life, NO ONE could claim he didn’t belong or try and insinuate he was nothing but a charity case to Bruce. An event where the only point was to show tangible proof to all the naysayers: Bruce Wayne is Dick Grayson’s father and Dick is his son, and not a damn thing less.

THAT gala, Dick might have been more than happy to attend.

[smolie]

in december i wrote a 2020 year music review for myself that i intended to post here BUT...because i was infamously restricted twice last year, i didn’t bother since you wouldn’t be able to read it anyway because it was not possible to view my blog hjfdhfd

now that my restricted era is (hopefully forever) over i just want to post it here for the sake of completion since i want to do the same thing this year

this is really long so if you actually read it ... idk you are insane in the membrane and i love you... but i genuinely don’t expect anyone to read this hjfdhjf i just like reflecting on the music i have listened to and be able to look back on what i enjoyed in certain stages of my life! okiiii bye 💗

january

mac miller - circles (album) it’s a bit funny that i worried putting my thoughts down about this album and now it turns out to be first on the list, chronologically of course … oh bittersweet irony </3 listening to this album is such a double edged sword, either way i am always hit with a truckload of feelings when i turn to this release.

this album came to me in a time of my life where i was slowly but surely sliding down towards rock bottom again just after i got out of it and thought i was okay. the times i’ve listened to this crying in the bathtub with a glass of wine….girl let’s not lol…. it’s almost strange how much i can relate to the thoughts another person brought to paper. the comfort this album brings me is otherworldly, i feel so understood by mac’s words and it’s my go-to “wallow in self-pity for a bit then come out stronger than before” album. then again, i feel a little sting when any of mac’s songs come on shuffle. a friend of mine said she cannot listen to artists who have passed because it feels too strange and most of the time i agree but this time, it’s so so different. this album would have been mac’s salvation, i can feel it. everything would have been a bit brighter and lighter for him after this, it would have had to be. i feel like i would do him a disservice if i did not listen to this album, so i will cherish this final gift from him as his legacy and my comfort. i miss him incredibly and am all the more thankful he shared his heart with us.

album favs: circles, good news, surf

tiny meat gang - broke bitch (single) MAN I TELL THAT BROKE BITCH IF YOU WANNA GET IN TUNE BETTER CHANGE YOUR WHOLE PITCH LIKE WOAH !!!!!!!!!! did that give you whiplash? hehe funny to say this about a song called broke bitch by a duo called tiny meat gang but this song actually means a lot to me! it came out shortly before their show in berlin and i almost exclusively listened to it on my 7+ hours train ride from one side of the country to the other to see my meat boys. this played out of the fat ass speakers at the venue when they stepped on the stage and i will never forget meeting them :’) also the song fucking slaps obviously

february

loona - [#] (mini album) ah yes, the most controversial loona release to date! i’m not gonna lie and say this sounded anything like i expected it to. but also, i have come to terms with the fact that loona release noise music now and personally i am here for it. why not did not have the endless energy of hi high or otherworldly vibe of butterfly, but it’s a hype song and i am always there for hype. i also have to say the b-sides were not as strong for me as on previous releases but i think i have to come to peace with the fact that loona will never top their debut mini for me. though if i can wish for one thing…… let loona have title tracks with a chorus in 2021? pls? crumbs?

album favs: so what, oh (yes i am)

tame impala - the slow rush (album) *lights cigarette* i’m listening to pretty underground music….i don’t think you’ve heard of this band….they are called tame impala *intro of the less i know the better starts playing* yes i am a basic white bitch and listen to like 3 alternative bands but damn i listen to them religiously. like any other basic bitch on this planet i found out about tame impala through the less i know the better and checked out their music. i wasn’t too much into this album as i was into currents but towards the end of the year, i was in a moody alternative music slump that took me back to this album and i like it a lot more now! most importantly, tame impala fulfills my primitive urge to listen to songs that exceed the 4 minute mark. something clicks in my brain when i see a song that is like 6:34 and chances that it ends up as one of my faves on a album are high. i enjoy tiktok like everyone else but this trend of 2:50 long songs needs to be stopped immediately.

album favs: borderline, lost in yesterday, it might be time, is it true, posthumous forgiveness

honorary mentions: onlyoneof - dOra maar, everglow - dundun

march

nct 127 - neo zone (album) ah, yes. the album that fundamentally changed me as a person <3 i’ve been listening to nct for a while, matter of fact i checked my top tracks 2019 playlist on spotify and cherry bomb was on there lol. i remember trying to get into them in 2018 when they released their regular-irregular album but the endless member & unit concept scared me off, so i only listened to a handful of songs without looking into them march 2020, the fateful month in which they released kick it and screencaps of jaehyun’s sexy ass tiddies in the kick it mv landed on my tumblr or twitter and i HAD to look up who this man is…...remember when i thought jaehyun was my ult for like, 2 weeks? me neither, johnny suh only in this house <3

anyway, i checked out this album and by god, is this pure kpop perfection. last time i listened to a god tier no skip album like this was … maybe the perfect red velvet? hype songs, well crafted ballads, love songs that make me wanna learn the lyrics, genuinely fun and interesting pop songs, this album has it all. somehow, the way this album is crafted greatly reminds me of brown eyed girls’ sound-g, it has the same vibe, concept and mix of genres to me, i’m not entirely sure how to explain. anyway, this album is one of my favorites of all time and even though i’ve obsessively listened to it (lastfm says 1.4k scrobbles as of today, december 7th…) i am still not tired of this. i recommend this to anyone who loves kpop tbh, you will have a good time with this!

other than being just a musically solid album, the emotional ties i have with this are …. isabel stop making albums your emotional support 2021 challenge. i’ve listened to this release all spring lockdown, this basically played at every waking hour for all of march and april. the promotion time of this era and lockdown are deeply intertwined for me and so i am always remembered of all the nct content i consumed during that time which inevitably cheered me up so much. this album really means a lot to me :’)

album favs: kick it, mad dog, love song, boom

honorary mentions: itzy - wannabe,

the weeknd - after hours (album) my dear melchanoly, was one of my favorite releases of 2018, so i had been desperate for a new release by abel and boy did he not disappoint. the perfect thotty, dirty emo 80s, making it clap while crying in the club album! this is a no skip from top to bottom and all i can say is that the grammys can go to hell <3 abel aoty! there is really not much i can say about this album, the flawless production, lyrics and sound speak for themself. my only criticism is that i feel overwhelmed by 14 songs, especially when some of them are really long. a few songs greatly overshadow the weaker tracks on the album for me but i still love this to death.

album favs: escape from LA, blinding lights, after hours, faith

dua lipa - future nostalgia (album) after the weeknd’s masterpiece of an 80s inspired pop album i was really looking forward to this. i greatly enjoyed the pre-releases, i played don’t start now and physical up and down, they are still some of my favorite songs released this year! when i first listened to the album i really liked it, songs like boys will be boys or pretty please sound like fillers to be but the rest is solid. yet a month after release you couldn’t catch me listening to this and i cannot even really tell you why. i think it was a combination of the following: 1) i greatly overplayed dsn and physical to the point where i didn’t want more of the pop 80s sound that the album has 2) there were other releases at the time that caught my attention and interest more like neo zone or after hours 3) dua herself….girl….she really gave it her all this year to make herself as unlikeable as possible. nationalist propaganda and the constant traveling during a fucking pandemic were really the kicker. i can barely stand seeing her on my instagram feed anymore, much less listen to her album. her having the nerve to go “we’re in a pandemic lol” when people asked about an animated music video …. if you don’t shut the hell up lmao … also, she takes the crown for the corniest album opener of all time. i nearly closed spotify when i heard future nostalgia (the song) lmao

album favs: don’t start now, physical, levitating, hallucinate

honorary mentions: megan thee stallion - savage

april

apink - dumhdurum (song)

listen, i’m not gonna sit here and pretend like this mini album interested me in the slightest but god, the title is such a banger.i’m so sick, eung eung and dumhdurum are a holy trilogy that i will defend until the end of time! i really hope apink stick to this mature, elegant concept, it suits them so well and goes well with their new sound. come back soon queens <3

rina sawayama - xs (song) i feel like i’m gonna catch some hands here … xs is an absolute banger, the guitar riffs and disruptive sounds really get me going every damn time! but the rest of the album … tell me why it doesn’t catch me?! i literally cannot explain. i need to take an hour, sit down and do nothing but listen to the album from top to bottom once again and see if my thoughts change but right now i only care about xs.

chungha - stay tonight (song) drama! vocals! dance break! choreography! this release served it all. i listened to this obsessively during the time of the release and it still holds up today. can we talk about the run chungha had with gotta go > snapping > stay tonight? lord have mercy.

honorary mentions: april - lalalilala, nct dream - ridin’

may

lady gaga - chromatica (album) the immense disappointment i have in this album is tough to put into words lol. any other artist might have gotten away with this release but gaga having the discography that she has, well … she doesn’t get away with it. this has underwhelming all over it. i enjoyed the pre-releases and my hope was high but the rest just doesn’t live up what i expected, i can’t even say why. it’s just underwhelming pop for someone of gaga’s calibre. i listened to this album during release week and then never again till december to write this list and i can see why.

album favs: rain on me, sour candy ft. blackpink, stupid love

baekhyun - delight (mini album) it’s confession time … this is a name i never would have expected on any of my music lists to end up. exo has always been one of those boy groups i casually listened to. i greatly enjoy their title tracks and a handful of side tracks, i have a few members that i keep an eye on more than others but that’s about it. baekhyun was never one of those members i had any interest in, matter of fact i always thought he was kinda vanilla and boring 😭 i didn’t even plan on listening to this release if it wasn’t for his association with superm and thus nct, so i gave it a shot and we have no choice but to stan. his voice is like butter and can cut sharp at the same time, his versatility is insane. i dived a bit more into baekhyun related content and he is so likeable, it’s almost ridiculous. this production is absolute god tier, not a single skip on this mini. late spring/early summer i had this weird urge to listen to songs with mellow voices but still a banger instrumental and i wholeheartedly blame this release. matter of fact, this album is so good, i had to buy a physical copy. Y’ALL. THIS IS A BIG DEAL. i haven’t bought a kpop album of anyone that’s not holy top 3 (brown eyed girls, loona, nct) in like … idk, 5 years?! baekhyun’s impact. i’m a fan now <3

album favs: candy, r u ridin’?, love again

ak aussenkontrolle - in meinem benz (song) this … is very unrelated to this entirely list but i had to put it on here. i miss my ex boss and our 3 hour drives to meetings in the south of the country where we would blast trashy german rap music </3

nct 127 - neo zone: the final round (repackage) *airhorns* REEEPACKAGE TIIIIIME!!! my first nct era that i experienced from start to finish! i remember watching nct 127’s beyond live with luna where these mfs performed punch and we finished the concert having no idea what this song sounded like. the structure is so unusual and the intro catches me off-guard every time just to hype me up beyond compare. not gonna lie, the fact that johnny has exactly one (1) line hurts but! it’s my favorite line of the entire song! possibly related to the fact that it’s his line but let’s ignore that ….

album favs: punch, make your day

kim woo seok - red moon (song) i’m not even gonna lie to you. i have not a single idea who this man is. you could put him right in front of me and i wouldn’t know … all i know is that he has a banger song. i saw him perform this on a music show that i watched for nct and i ended up loving the song … thanks for your service sir, whoever you are ...

june

stray kids - go live (album) 2020 was kind of the year of boy groups for me, i’m so sorry … stray kids promoted simultaneously with nct 127 so i ended up hearing their title track and holy hell, is that a song. god’s menu is hype from start to finish. it reminds me of good ol’ 2nd gen noise boy group song a lá b*g b*ng fantastic baby. just pure hype and fun noise. i am forever grateful to witness the birth of the line cooking like a chef, i’m a five star michelin. the title track impressed me so much that i ended up checking out the entire album which i rarely ever do with boy groups and what is even rarer is that i enjoyed the b sides lmao!!! it’s not an album that i would put on and just enjoy from start to finish but it has some really solid tracks! this release made me want to keep an eye on stray kids, they seem like a really fun bunch.

album favs: god’s menu, TA, airplane

seventeen - left & right (song) the boy group run continues … same thing with stray kids, seventeen promoted during punch era so i heard their song while watching some music station show for nct and i heard this and was sold. solid, fun pop with the catchiest pre-chorus in history and a banger chorus. i listened to the entire mini and can’t say it really caught my interest so this is a title track only release for me.

dishonorary mentions: twice - more & more (i hate this song so much lol)

honorary mentions: ryu sejeong - tiger eyes, monsta x - fantasia, chloe x halle - do it

july

irene & seulgi - monster (mini) this is a weird release because it’s good. the title track is fun enough, the b sides are dope. but my issue with this is that it’s nothing new. this sounds exactly like a red velvet release. i get that they didn’t want to a  joy, seulgi, irene, yeri release only and went for the sub-unit route instead, but why not be experimental and stray away from the usual sound of the group? also, whoever made monster and not naughty the title track deserves to be spat on. at least the choreography here is more interesting and “experimental” for kpop standards. also, why only a seulgi solo and no irene? i have no idea how reveluvs reacted to this release but this has rushed written all over it.

album favs: monster, naughty (i’m counting this to the mini idc), uncover

exo-sc - 1 billion views (mini) doing my part as a filthy casual exo listener. this release goes in the same category as baekhyun’s delight where i like the album so much that i HAD to get a physical copy. i don’t know what they put in the title track for it to be so diddly darn addictive but it clearly worked. the only bad thing about this release is how criminally mismanaged it was by sm, when i get you lee sooman ...

album favs: 1 billion views, on me, say it

baekhyun - garden in the air (song) i told you i’m a loyal baekhyun fan now <3 king releases and i listen, that’s just how it goes now! this is a cover of a boa song and i really love his version. there is not much to say except that it’s a really smooth song and his voice absolutely carries the track. i enjoyed this much more than i thought i would!

hyoyeon - dessert (song) YOU KNOW WHAT I DESERVE??? DESSERT!!!!!!! *insert tik tok challenge here* imagine if miryo featured on this instead of the ethnic hip girl … why can’t we have nice things. anyway, a banger!

johnny - sunny side up episode 1 set (spotify playlist, actual set) johnny being the skilled, talented, multi-faceted king that he is has been dj-ing since before debut (not me acting like i was around at that time lmao) and thus he decided to bless our quarantined, lockdowned asses with an online dj set! that was the most turned up sunday morning i ever had in my entire life. this set kicked off an edm/house/techno affinity that i had for the following couple of weeks. this set is an absolute banger, i would go insane to this in the club. he has an amazing ear for transitions and drops and i still just put on this set on the regular when i have cleaning to do or so. he could fill the void that rona and thus no clubbing in 2020 left in my heart and i’m so happy he decided to share this with us <3 now … john … sunny side up episode 2 pspspspspsps

honorary mentions: gfriend - apple, jessi - nunu nana

august

cardi b ft. megan thee stallion - wap (song) late summer 2021. we are vaccinated, icu beds are free, barely any new cases, clubs are open, this song plays and i can finally make it fucking clap.

troye sivan - in a dream (mini album) a cute mini album! nothing life-changing or as exciting as previous releases but easy (haha!) to enjoy. i really, really enjoy easy, can always count on troye for a dreamy sound.

album favs: easy

honorary mentions: itzy - not shy

september

wonho - love synonym pt. 1: right for me (mini album) honestly? i know like, 3 monsta x songs. i never bothered to get into them and maybe i never will, but it was difficult to ignore the whole wonho & monsta x mess that went on. i have absolutely no memory of why i decided to check out this release, i guess i was curious what he was going to do and … i was positively surprised lol. open mind is the exact time of song i had been so desperate all summer (remember mellow vocals with banger instrumentals? yeah) and uhm … can’t ignore the obvious … mr wonho is fucking fine. sir, you just gained a fan … now, where is love synonym part 2?? huh?????

album favs: open mind, i just, losing you

joji - nectar (album) this one is on tiktok. i heard gimme love in a bunch of tiktoks and had to look up the song and here we are. what an album! it came right as seasonal depression started to hit and accompanied me for a good chunk of autumn. at this point one has to ask if joji can ever really miss? the entire album is a no skip, it’s almost difficult to narrow down my favorites if my favorites weren’t so damn god tier!!!

album favs: gimme love, ew, tick tock, pretty boy, your man

super m - tiger inside / 100 / drip (songs) okay, listen. technically tiger inside & 100 were already released in august. instead of those three songs i was gonna write about the entire album until i realized i really don’t give a fuck about it 😭 i really only care about those three songs. and YES, i unironically like 100. is it a good song? no. but neither is jopping and that fucking bangs. i don’t turn to superm for life-changing, profound music, i turn to them for a good time LOL and that’s what they deliver every time! that being said, taeyong’s VROOM VROOM, UHMM UHMM, GRRRAHHHH verse is life-changing and profound! speak your truth king! also i wish drip was a b side for nct 127 that song is so damn sexy

taemin - never gonna dance again act 1 (album) this isn’t kpop, this is taemin pop. taemin never misses and the fact that hw*s* won dance performance over taemin is a literal hate crime. i will never forget the industry for this daylight robbery … anyway, nice album!!!!

album favs: criminal, black rose, waiting for

stray kids - in life (repackage) *airhorns* REPACKAGE TIIIIME 2.0!!!! i was on the edge of my seat waiting what stray kids were going to deliver after i greatly enjoyed god’s menu. i was still not over listening god’s menu when the repackage came out so i didn’t listen to it right away and now i greatly regret the few days i could have listened to back door earlier </3

album favs: back door, any

jackson wang - pretty please (song) i’m not gonna pretend like i ever listened to a song by jackson ever before. he is short king from got7 in my head and that’s all! i don’t even remember why i listened to this song but all i know is that it slaps severely. i love the wong kar wai inspired music video and the choreography is fun too! i’m gonna check out more of his music <3

honorary mentions: fromis9 - feel good, knk - ride

october

blackpink - the album (album, duh) i don’t even know what to say about this … this might be the weirdest release on the list for me. there are song i absolutely fucking hate (ice cream …) and songs i get my life to (pretty savage) on here and the discrepancy just gives me massive whiplash. i would never put this album on and listen to the whole body of work, i just cannot with the brain damage it gives me. i am still stuck in 2016, begging for bp to release music like whistle/boombayah/stay/playing with fire but i think i need to give up on that wishful thinking … i am just grateful we a got a title track with actual lyrics in the chrous for once.

album favs: pretty savage, lovesick girls

nct - nct 2020 resonance pt. 1 (album) this era was … a ride. nct 2020 happening was near inevitable but with covid it got pushed back so far, i started to believe it wasn’t even going to happen. i was semi-terrified of what was going to happen during a comeback with 21 (now 23!!) member group since i only experienced nct 127 comebacks so far and uhh … a LOT happened lmfao but let’s keep this about the album … i had no idea what was going to hit me. johnny having effectively 3 lines in nct 2018 did not give me much hope and after he got denoted to no line treatment in punch again, i was ready to not even have any expectation but this release changed everything. make no mistake that most of my favorite songs are units with johnny, we knew that was gonna happen lmaooo they dropped the teaser video for misfit and i thought i had my favorite song in the bag and then faded in my last song happened. y’all. JOHNNY SINGS? LIKE? ACTUALLY SINGS? DOESN’T GET FORCED TO RAP OR TALK-SING? MY MAN’S VOCALS??? OH MY GAAAAHD! this song is dramatic, theatrical, emo, it serves vocals and rap, it has catchy english and korean lyrics, this is THE song, the ULTIMATE song. i love this song so much, i want to belt it on top of my lungs in the pouring rain. apart from fimls, i also loveeee misfit, that was to be expected after i was going completely insane over the track video. johnny has like 3 lines but again they are iconic (WARNIN’! NCT WE MOBBIN’!) and i just enjoy the track too much to be upset over that. nectar. holy fuck. nectar!!!! wayv never disappoints with their thotty songs, they now have an absolute god tier hoe-ly song trinity with love talk > bad alive > nectar. the first chorus and hendery’s first verse (CHOP CHOP CHOP!) get me every time, this song is so insanely good i am severely upset i cannot sing along to it :( music, dance has nct 127 written all over it in bold letters, it’s so inherently 127’s sound!!!! i love this song so much, it’s so fun, upset and has massive dance-ability, i wish we had gotten a stage for it but i guess you can’t have everything in life </3 make a wish……………………………..the cursed unit. i don’t want to say anything about this except that, unfortunately, the song is fun and i enjoy it. the end. overall, this album is so insanely solid. i know i talk about my favorites A LOT but i genuinely do not dislike a single song on here, this is an absolute no skip album! that’s it. see you for resonance part 2!!!!!

album favs: FADED IN MY LAST SONG !!!!!!!!!!!!!!!!!!!!!!!, misfit, nectar, music dance, make a wish

loona - 12:00 (mini album) controversial loona release 2.0! i don’t know what it is, but somehow they managed to lace the words di da dam di dam di dam dam dam dam di dam (yeah) with pure crack. i fucking love why not, i would even go as far to say it’s my 2nd favorite title track. that is right, i think it’s better than butterfly (btw: hi high > why not > butterfly > so what). so much was strange this comeback, from the inexplicable concept + teasers, the outfits, the styling (yves….i mourn your hot girl era) but the title track is just SO good, SO fun, SO catchy that i am willing to ignore it all. i also enjoy the b sides much more than on #, they are much more memorable to me. and now … HASEUL RETURN…………….i purely live to see the next loona comeback at this point

album favs: why not, voice, universe

twice - i can’t stop me (song) thank fuck twice released a good song this year. if more & more had been the only 2020 release, that would have been the real tragedy. not gonna lie, i still haven’t listened to the full album, it just keeps slipping my mind. but! i’m going to! until then i’m gonna bop to i can’t stop me.

ariana grande - positions (album) the way this album has people upset is so funny. i am a huge dangerous woman fan myself, it’s my fave ariana album to date but she has said repeatedly that this is not the sound she is striving for. now she has her coin and can do whatever she wants in music and if that is r’n’b then fuck! we have to live with it! lmao! i can live with the sex theme of the album because it’s delivered in a fun way? but it’s getting a bit old...if the next album is about riding dick only too idk how much i would enjoy that. i would probably always come back to ari because i like her voice so much but girl, there are other topics to sing about, i promise! anyway! i like this album, it’s one of those where i can hit shuffle and enjoy it in the background while doing other stuff.

album favs: positions, 34 + 35, love language, my hair, pov

tiny meat gang - sofia (song) ayyy, it’s my meat boys :’) ending the year the same way they started it, with a banger! i absolutely love the guitar instrumental, the melancholic love song type sound paired with the theme of singing about loving a robot … yup, that’s creativity and talent right here! this makes me so freaking desperate for a new ep and i genuinely have no idea how far or close we are to one but!!! i am always waiting!!!

noel - push (ep) this is something i absolutely did not expect. noel (of tiny meat gang!) released his first ep ever and i was absolutely wowed. noel has it all, the voice, the talent, the creativity and all it took him was the confidence to finally put something out and i’m so happy he did. he gets real personal on bus back, more than ever before and i always get a bit emo listening to this track </3 this man is gonna go places and i’m so happy to witness his journey.

album favs: crow, head sunk, bus back

honorary mentions: sam smith - diamonds

november

taemin - never gonna dance again act 2 (album) i’m gonna say it. idea is better than criminal. the chorus drop???? when he goes MY AH AH  MY AH AH MY AH MY IDEA MY MY IDEAAAAAA A-A-A A-A-A???? bitch … tell me you can sit still, i won’t believe you. i like part 2’s title track more, but part 1’s b sides are more interesting to me. either way, taemin delivered as expected!!

album favs: idea, impressionable, exclusive

nct - nct 2020 resonance pt. 2 (album) part two, baby! we made it! part 2 had more mellow, ballad-y songs with my everything, i.o.u. and all about you, overall less drama than part 1 but i still enjoyed it. work it is one of those controversial songs where you despise it with your entire being or you defend this top tier noise till the end and i am absolutely the latter. the agony of not being able to listen to it and seeing the timeline so divided nearly killed me, but i have concluded that people who hate work it have never felt joy in their life <3 honestly my opinion cannot be counted because i eat up anything johnny participates in … biased ass… what i’m not gonna talk about is resonance (the song), this absolute mess of a “remix”. the audacity sm had to release this as a single is insane. anyway!! this era was a rollercoaster ride. all the interactions truly made me interested in members of other units more. hendery (the rise and fall …), yangyang my beautiful son, jeno aka blue hair guy, chenle the chaos kid and xiaojun after he made make a wish his bitch in particular! all the interactions between the units were so fun to witness and it was fun while it lasted but i am … so glad it’s over lol. i miss nct 127, i miss some peace, i hope the boys get to rest for a bit and so does my bank account.

album favs: work it, 90s love, i.o.u., raise the roof

miley cyrus - plastic hearts (album) not in a thousand years would i have expected a miley release to be on here. this girl does everything to be absolutely unlikeable in my eyes but after severely banging out to her heart of glass cover, i was really excited for this and it did not disappoint. what is disappointing is that it took her so long to find a sound that fits her like a glove. i believe many people miss out on this release after her previous history and i nearly would have done the same. this alt/rock influenced pop does her voice so many favors and i really hope she sticks to this direction, i love this album greatly!!

album favs: heart of glass, midnight sky, night crawling ft. billy joel, wtf do i know

kai - kai (mini album) just. imagine debuting with an album like that. lol. what a god tier big dick move. we all knew whatever this release was gonna be, above all it was going to be sexy and boy were we RIGHT!!!! mmmh is exactly as thotty as i needed it to be and the b sides give me everything from r’n’b to trap. i love this release and i love that it’s only the beginning of kai! like!! he is only gonna gain even more experience and become even more powerful!! what the fuck!!!!!

album favs: mmmh, ride or die, hello stranger, nothing on me

honorary mentions. gfriend - mago

december

nothing? wtf?? 😭 no interesting release happened,,,,half the time i listened to christmas songs anyway lol

pre 2020 releases i only found this year

mgmt - little dark age (album, 2018) & oracular spectactular (album, 2007) another tiktok serve. i found little dark age through a tiktok trend and ended up really liking mgmt. they fit perfectly into my autumn/winter moody alt/rock mood that i had going on and i’m happy they have so much more music that i can check out!

artist favs: little dark age, electric feel, time to pretend

tame impala - currents (album, 2015) everyone’s favorite basic alt bitch album! i enjoyed this more than the slow rush for a good chunk of time, it also fit right into my alt rock autumn mood. i really love this album, like previously mentioned it has my favorite long ass tracks on there but also a good amount of short or medium long tracks. i’m still busy enjoying currents and the slow rush but i can’t wait till i finally take the leap to dive into their other releases because i’m loving everything i’ve heard so far.

album favs: the less i know the better, let it happen, new person same old mistakes

joji - ballads 1 (2018) after liking nectar so much, checking joji out was a given and i just love this album. only when i listened to this i realized i heard slowly dancing in the dark a few times on tiktok lmao that cursed app man … i would say i love nectar a bit more but this is still a fantastic album!!

album favs: slowly dancing in the dark, attention, test drive, yeah right

jus2 - focus (mini album, 2019) in my “mellow moody bangers” phase i was scouring playlists for more songs and i think i found focus on me first which fitted right into the niche i was looking to fill and i ended up enjoy this whole release! only later i realized this is a sub-unit from got7 lmao how come i enjoy solo or unit releases by got7 members but their group discography never interested me? anyway, very sexy ep!

album favs: drunk on you, focus on me, love talk

knk - sunset (song, 2019) part of my mellow bangers playlist. very sexy, i can imagine this as a runway song! i have no idea who knk are but given the fact i enjoyed two of their songs so far maybe i should look into them lol

baekhyun - city lights (mini album, 2019) i am repenting for my sins of missing out on baekhyun releases by consuming his music at an exorbitant rate. un village is one hell of a title track that i didn’t appreciate before, but i feel like in 2020 my music interests started to vary and i love the groovy r’n’b and string sound of this song so much. i also love stay up to death, the vocals baekhyun serves here are unreal. his BABY WE CAN STAY UP!!!!!!! gets me every single time!!!! what a mini!

album favs: un village, stay up

mac miller - swimming (album, 2018) i’ve listened to this album before 2020 but i had the urge to put this on here. this is going to sound so corny, but if i had to pick one song to be my life’s title track, it would be ladders. the hope this song gives me is unreal, it feels like a light at the end of the tunnel. this album is so fantastic, i love the upbeat instrumentals paired with sometimes gloomy lyrics are so incredible, mac was truly one of the greatest artists of our time. this album is  so outstanding and i miss him every day.

album favs: ladders, jet fuel, 2009, self care, perfecto

doja cat - hot pink (album, 2019) i can never decide if i like doja or not but the album slaps lol that’s it come on tiktok queen

album favs: say so, juicy, like that, streets

my fav 2020 playlists

slapping mellow

neo culture technology

malcolm

why go to therapy when this playlist exists?

top songs 2020

(by spotify)

[voxvulgi]

multiples of 6 - for whoever you think has the best answer including youuuu (you can skip those you don't like xD)

// alright so *cracks knuckles* *puts on accountant hat* *takes out calculator* in 100, the largest multiple of 6 is 96, which has 16 6′s in it. i have 18 muses, but 4 of them are exclusive, so i can stick to the 14 non-exclusive muses and have 2 questions to spare, which i can answer myself

Keep reading

6: do you keep plants? 

“I do. I live alone, so the flat feels dead sometimes. Plants help me feel like I don’t live alone. I do like isolation, but that’s only to a certain extent. Plants are living beings you have to take care of, and they’re a sight for sore eyes, too. I especially like them in the kitchen. When I wake up to make breakfast, the sun is at an angle that pours gold into my kitchen window, and the specific shade of green of their leaves is absolutely gorgeous. I also have a group of small pots to plant thyme and rosemary and such. I could just buy them fresh, but picking your spices yourself every now and again just...engulfs the senses.”

12: what's your favorite planet? 

“When Malik asked me this question and I told him Uranus, he laughed at me for ten minutes straight. At first, he laughed for a few seconds because he thought I was making a joke, but when I told him I was serious, he laughed for the rest of the ten. I really wish scientists just let Uranus be called Ouranos. Did they really not consider that sometime in the future, a girl would tell someone that her favourte planet was your-anus and get laughed at? Rude. But anyway, Uranus is my favourite planet...literally just because it’s pretty. Blue is my favourite colour. Also, it’s the only planet that spins on its side, which was what made me decide that it was more worthy of being my favourite planet than Neptune. Neptune just goes with the flow. Lame, right? Uranus is not like other planets. It’s different. It stays home and eats chicken nuggets instead of going to parties. Also, it was the only planet named after a Greek god instead of a Roman one, and when I found that out, I was like finally, and I just made it my favourite planet.”

18: tell us about something dumb/funny you did that has since gone down in history between you and your friends and is always brought up.

“I live with my cousins, alright? They own a pub. So, basically, we live upstairs, and the pub is downstairs and open until late. My cousins don’t have a problem with this because they set their won work hours and wake and sleep as they please and all, but I have to attend work with the local herbalist sometimes because she trains me. So, one night, the pub was open well after the usual closing time because some man was getting married in a few days and wanted to celebrate with his friends. I’m not the kind of person to tell people how to live their lives and how late to go to bed, but I was irritated and went downstairs to ask my cousin when this would be over. You know, just so I could get a good idea of when I’ll finally be able to sleep. When I got there, the man to be married was flirting with the barmaid. I would have ignored it, but she looked terribly uncomfortable. I told him off first, and it didn’t work-- obviously. So I went back to my room and gathered some leftover poison ivy powder. I went back downstairs, flirted with him, and unbuckled his belt in front of all his friends. They ooh’ed and ahh’ed because they’re idiots, then I tugged on the back of his waistband and left him with poison ivy all over his arse. I waited until his face twisted and he started drunkenly panicking, then I left. That man didn’t know I’m related to the owners since my cousins are white and all, so there was no harm done to the pub’s reputation, but my cousins and the pub workers -- even the barmaid -- now keep asking me not to hide poison ivy in their pants whenever I look even mildly disapproving.”

24: is there someone out there you would trust with every single one of your secrets?

“I’d trust Alan with every one of my secrets. Except if I do something that isn’t actually worrying but I think might worry him anyway. Because he’s a worrier. That’s not technically a secret.”

30: think of it: have you ever been truly scared?

“Look, I think everyone has been truly scared. There’s always a moment in their life that really scares them, and just because it isn’t as scared as they can psychologically be doesn’t mean it wasn’t true scared. So yes, I have been truly scared. The most scared I’ve ever been was, obviously enough, when I got the phone call from my mother about Joseph.”

36: which band's sound would fit your mood right now?

“Branches. They’re upbeat but at the same time make me feel calm and relaxed, which is thankfully my mood in general.”

42: do you have a favorite coffee shop? describe it!

“My favourite coffee shop is a block down from my work. I rarely take work there, usually just buy a coffee and leave or stay for a while and lounge. It’s my favourite because they make the coffee taste how it smells. If coffee doesn’t taste the way it smells, you might as well be drinking mud water. They practically have walls instead of windows, and there’s this terrace on the second floor. It gives you a good view of the street. Looks best in the morning because there’s a park just a street away and people everywhere. The coffee shop itself -- the interior, I mean -- is just clean and tidy. Their seats are comfortable but don’t look like something a wannabe hippie would own. They like their plants in moderation. Their tables are glass, not metal or wood. They don’t have puns or cheesy quotes anywhere. I like that.”

48: what was your biggest fear as a kid? is it the same today?

“My biggest fear was that a dragon would kidnap my mom and hide her in a tower. I thought and still think that my mom is so pretty! So I figured that if a dragon was going to kidnap someone, it would be my mom. I don’t have that fear now, but I’m...well, I’m really afraid of Jace dying.”

54: who's the last person you saw with a true look of sadness on their face?

“Jenny and Dean last father’s day. Their dad’s already been dead for about a year at that point, but...hell, it’s their dad. I probably looked really sad, too, and he wasn’t even my biological dad.”

60: do you like poetry? what are some of your faves?

“I do like poetry. Not big on the older stuff, mostly because of the language barrier. The modern stuff is easier to understand. I actually prefer confessional poetry because it’s like looking into the dark corners of someone’s mind, and not in this romanticised way. Not for me, at least. This certain kind makes me feel seen because when someone shares their experiences from behind their own eyes, in their own shoes, they experience emotions and thoughts that are so raw and human that I feel less alone reading them. I haven’t read that much, to be honest, so I don’t have favourites. I’ve only read the more popular ones that have been coming out in the past decade, so I think picking a favourite is unfair because my pool is so small.”

66: what would your ideal flower crown look like? 

“I don’t know. I’ve never worn a flower crown, but I suppose that if I were given one, I’d like for it to have a good amount of leaves along with the flowers. Green is my favourite colour. The flowers can be anything, but I think open ones look better. Maybe daisies-- they sound perfect. Yellows and pinks and reds would be welcome, too, as long as there’s a good amount of white daisies.”

72: are you a person who needs to note everything down or else you'll forget it?

“I would not say I forget easily, but I note everything down, just in case. Some things are too important to get wrong, while others just cause avoidable inconvenience. It helps me organise my time and prioritise, too, so I just opt for making notes.”

78: are you in the minion hateclub or fanclub?

“Fanclub! They’re very cute. I only saw them in that movie called Despicable Me. Most of the time, Ivan and I aren’t allowed to use the TV, but it was on one of the days we were allowed, so we watched it. I liked it a lot. The minions are so full of energy and happy and stuff.”

84: are you planning on getting tattoos? which ones?

“Ooooh, yes!! I’m gonna get a bunch of tattoos! They won’t be anything fancy, though. Just some stars and smiley faces here and there. They’ll all be in colour. Nothing black or white. There’s probably gonna be some small dinosaurs. And music notes. Oh, and rocket ships! I’ll just get a tattoo every time I think of something. They’ll be small. Like, and inch or something, so there’s plenty of room!”

90: talk about one of your favorite cities.

“Paris is my favourite city. The thing about it is...it loves you. That’s how I can describe it. It’s a very old city, okay? A lot of shit went down in it. There were wars and revolutions and all that. I admit that I don’t know much about the historical details because I sucked ass in history class, but I just feel like Paris was founded on fighting, and people fight for their rights and the things they love. So...I think that every building in Paris was made with love and built with a purpose. I don’t like New York because I feel like it just wants to eat you. Paris loves you. I’m very appreciative of that, and I’m appreciative of the buildings most of all. Especially the old ones are gorgeous. I try to incorporate as much of Paris into my architecture models as I could.”

96: do you install your computer updates really quickly or do you procrastinate on them a lot?

“Not really quickly. If I just got on my computer and it tells me it needs to update, I wait until I’m done with my task before I update it. Otherwise, it’ll keep bothering me about it, so I just like to get it over with. Similar thing with my phone. I postpone the update until bedtime then let it update while I sleep. No need to let it disturb the flow of my day, you know? But I’m still gonna do it. I’m not a big procrastinator.”

[heyyyharry]

My Girl Series: Chapter 2 - Homeward Bound

…in which childhood friends meet again, this time, at a funeral.

Series description: Y/N falls in love with the older boy next door who doesn’t feel the same, years later they meet again at a funeral.

AU: actor!harry, older!harry, younger!y/n; (4-year age gap)

Chapter 1 - Treehouse: Y/N falls in love with the older boy next door who doesn’t feel the same.

wattpad link

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Four years had gone by, and the small town called Holmes Chapel had partly faded from Harry's memories. He had his own life now, which was more than the life of any ordinary 22-year-old, and of course, he must make room in his mind for new, bigger, and better things.

Many years ago, had anybody told him he was gonna get a massive movie contract, and turn famous before graduating from university, he would've laughed and called them crazy. Now his face was everywhere on billboards, on televisions, on the internet. People followed him around and took photos of him. He had all the money to spend, got invited to exclusive parties, and won big awards with his name on them. So there was no reason for him to come back to his little house in Holmes Chapel.

His family still lived there, but he flew his mum out to stay in London for most of the time, and his sister now had her own life with a boyfriend. The Styles hadn't sold that house because it still had emotional value to them, but they were rarely there anymore. Harry couldn't even remember most details of his childhood bedroom, let alone the treehouse in his backyard, or the girl who came there every single day, waiting for him to come back.

He did come back. But it was for a different reason, one he had never expected.

A funeral.

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"Look at all of these paparazzi on the street."

Celine heaved a sigh as she peeked through the window curtains to take a look. The heavy silence in that living room was the opposite of the loud and intrusive crowd waiting in front of the house next door.

Eighteen-year-old Y/N was sitting on the bottom stair with her head in her hands, her eyes were red and swollen, while another girl was comforting her. The girl was Amala, Celine’s girlfriend. They had been dating since junior year, now both graduated from high school and were still together.

Even though Y/N wasn't the only special girl in Celine’s life anymore, she had never felt deserted, knowing her tiny best friend would always be by her side and she would also do the same. Now with Amala in the picture, the three of them were inseparable. Those two had been Y/N's rock since her mother's death, and she could never thank them enough for just being there for her.

"Why did he have to come back?" Y/N exhaled, fingers gripping her own hair. "I don't want all these people at my mother's funeral."

"Calm down, I'm sure they'll get tired and leave in no time," said Celine, who quickly exchanged looks with Amala, because they both knew those paps wouldn't leave until Harry did.

"Why couldn't he just stay gone?" Y/N mumbled, mostly to herself, and she really meant it. She wished he had never returned. She'd gone as far as avoiding all the news about him and she'd been doing so well in the last four years. But her mother's death seemed to be just the calm before the storm. With his unwanted return, he would bring a whole crowd of people with cameras to her mother's funeral.

"When is Blake gonna be here?" Asked Amala, but Celine shook her head fast to tell her girlfriend not to mention that name. It was too late since Y/N had already heard her.

"He's not coming," she replied, eyes glued to the floor. "We broke up."

The hurt was still etched in her voice when she talked about him. Even though she would never admit it, her two friends both knew she had really loved that boy.

Blake Roman was Y/N's first official boyfriend. He had treated her so well, and even though she'd lost her first kiss in the treehouse four years ago, Y/N had given all her other firsts to Blake. But two foolish teenagers fell in love at seventeen, what did they know? It wasn't until graduation and facing big decisions of futures and dreams that they realized it wasn't going to work. They weren't going to work.

Blake went to America to become a lawyer, but Y/N wasn't bitter or depressed because she also had plans of her own. Her mother had told her that everything happened for a reason, and that was what she chose to believe. Had they stayed together, a long distance relationship would tear them apart eventually. Take her parents as an example, they had lived under the same roof for that many years but they didn't make it still.

"Y/N..."

The girls turned their head to the kitchen doorway and found Y/N's father with hands in his pockets, dressed in a black suit and a tie. The last time he was that well-dressed was at his wedding, sadly now it was his wife's funeral. He told them it was time to go then grabbed his keys and walked out of the house without saying another word.

Once he had left, Celine asked Y/N how her father had been dealing with her mother's death, and to be honest Y/N didn't even know. She had never known the man well enough to give her best friend an answer, but there was one thing she knew for sure, it didn't hurt him as much as it did her.

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Y/N's mother funeral was held at a funeral home in the town central, and only those who were close to the family had been invited, so it was a very small gathering.

Though a part of Y/N didn't want Harry to show up and bring in chaos, during the ceremony her eyes still searched around the room for his face. She saw his mother Anne, and his sister Gemma, but she didn't see him. Maybe for some particular reasons, he'd changed his mind and decided not to go; or maybe he couldn't get past those paparazzi to get out of the house. But without his presence on her mother's sad day, Y/N felt awfully incomplete.

After the burial, all the guests headed back to her house for a wake. There was a small dinner, and the people at the table talked about what a lovely woman Y/N's mother had been. They told stories about her, saying she'd always been wise, and kind, and tolerant, which Y/N knew were all true. But as she stole a glance at her father, who was sitting at the end of the table, focusing on his own food rather than the stories about his late wife, she felt like none of it mattered to him, and that just broke her heart.

Thankfully, dinner was over soon, but the guests stayed for a few drinks while carrying boring conversations to keep the atmosphere indoors alive. It was getting late, a few had left and Y/N couldn't wait for the rest to follow so she could call it a day. The last thing she would expect at that moment was for a new guest to show up, but as soon as her eyes turned to the left corner of the living room by accident, she spotted a familiar face. It wasn't her imagination doing tricks on her like she'd thought at first, it was really him.

Y/N swore the moment their eyes met in the crowded living room, everything else besides them immediately faded away. The background noise was muted and the living room sank to utter silence, so silent that she could hear her blood flowing through her veins and her heart beating all out of rhythm. It almost felt like a scene in those cheesy romantic films she had watched too often.

He was there in person, dressed in a simple black suit but he looked so expensive compared to all the others. His hair was much longer than the last time she saw him, all tied up in a small bun at the back of his head. That new hairstyle almost turned him into a whole different person.

There was a strange kind of familiarity as well as ignorant in that look he was giving her. Then he pressed his lips into a smile, for a second neglecting what the white-bearded man was telling him. She didn't know what to do but smile back and instantly look away as she carried on the conversation with her relatives, acting as if she wasn't bothered at all by his presence. Deep down inside, however, the girl wasn't as calm as she was pretending to be.

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Y/N mumbled quick apologies as she grabbed Celine by her elbow and pulled her away from the unfinished conversation, to the back of the staircase.

"How did he get in here without anyone knowing?"

At first, Celine didn't know whom her friend was referring to. But a face like Harry Styles' couldn't just blend into any crowd, especially one as depressing as that. It literally took her less than a second to spot him in the far corner of the living room.

"He must've used the back door," she said, seemingly as shocked as Y/N had been. "Maybe he didn't want to cause a scene, maybe that was why he skipped the funeral."

"Maybe..." The taller girl let go of her friend's arm, keeping her stare fixed on Harry.

"Will you talk to him?" Celine asked.

"I don't know."

"What if he talks to you?"

"I...don't know," Y/N repeated the same three words, eyebrows furrowed at the boy next door.

His name was still Harry Styles, his smile still shone like the sun, and he was still the most beautiful person she had ever seen, but she didn't know him, not anymore. It had been four years since they last saw each other. She was obviously not the same fourteen-year-old girl who had begged him to be her first kiss; and he, now a famous actor, must be very different too. So instead of walking up to him and starting a conversation, Y/N chose to stay away, hoping that he would also do the same.

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As the last few guests were heading out and so were her two best friends, Y/N came to her backyard to be alone. It was a long day after all, she needed to recharge herself by spending some time with her own thoughts, and the only place that she could come to think, was the treehouse in her neighbor's backyard.

Unlike people, it never left her.

With her feet dangling in the air as she sat on the edge of her childhood fort, the girl let her thoughts wander with the summer breezes to faraway places, but mostly to the past, to the things she couldn't change, to when her mother was alive and Harry was her friend. Then she couldn't help but wonder if he was still talking to her dad in the kitchen. Was he thinking about her too? Probably not. But a tiny part of her secretly hoped that he was.

"Bambi."

The endearing sound of that nickname got Y/N's head turned in a split second. She hadn't heard it in so long. She hadn't heard that voice in so long, and her heart felt the same warm fuzzy feeling she used to feel whenever he called her that. She rushed to the other side of the treehouse, to the entrance, one hand on her heaving chest as she looked down.

There he was, standing in the middle of his backyard, eyes on her, and the scene was all so familiar yet so foreign. He was different, she was different, and their surroundings were also different.

His garden was no longer the magical place she had always fantasized about when she was a kid. Now that nobody was taking care of it, all the flowers had wilted, the grass had grown much higher, and the sprinklers didn't come on at 6AM anymore. Somehow she felt like it represented what was left between them, absolutely nothing.

He waved his hand to get her attention as if she couldn't see him, and so she did the same, not a single word was exchanged. There was a long pause when they just stood still and stared at each other like two strangers meeting for the first time, probably to take in the new appearance of the other person. She probably had changed more than he had, so she would kill to find out what he thought of her now that she wasn't a kid anymore.

It was Harry who said the first words.

"May I join you up there?"

She hesitated. Fourteen-year-old Y/N would never.

"Uhm...S-Sure," she said at last and watched him make his way towards the tree. Harry struggled to step on the rope ladder and somehow she found it quite funny. When he heard her laugh, he shot her a playful glare, and told her that she was distracting him from his climb.

"Oh God, I'm really getting old."

The man sighed in relief once he had made it to the treehouse in one piece as he took a bow, making the girl shake her head and giggle at him. Once again, they sat side by side with their bare feet dangling in the air like the night he had left. This time, however, she was staring blankly ahead and he was looking at her. He was second-guessing what she was going to say, but she remained in silence until he was once again the first to speak.

"Bambi," he said. "Are you okay?"

She turned to look at him, flashing a single smile. She didn't need to say anything else after that, since he already knew she wasn't okay. She took a deep breath, letting it all out as her eyes turned to focus on her fingers toying with the hem of her black dress.

"Bambi's mother died in the movie too, right?"

That one question shattered Harry's heart at once. He was so used to seeing her as a happy and positive little girl. Now she wasn't little anymore, and she wasn't happy either. He used to know everything about her because she had never kept a secret from him, now he had to try and read her mind because he knew there was more than she was willing to confess.

He waited for her to tell him about her plans after graduation, which university she'd got accepted in, fill in the blanks about all the things he'd missed in the last four years. However, she gave him nothing. Maybe she didn't even trust him anymore. He couldn't blame her though. He'd been gone for too long.

"The car accident happened right before my graduation. She didn't get to hear my speech." Y/N lifted one hand to wipe the tears running down her cheek though she didn't want to cry, at least not in front of him. But the girl had been holding back for too long now and that moment was her breaking point. "Had she been there...she would...she would've been so proud of me..."

Harry quickly wrapped his arms around the girl's shoulders and pulled her close to his chest. She let him hold her, drowning her in the unfamiliar scent of his expensive cologne, which made her feel as though she was in the arms of a complete stranger. But right now she needed that hug more than anything else.

"Your mother didn't have to hear your speech to be proud of you, Bambi. She'd always been proud of you," he mumbled into her hair, one hand stroking her back.

It took Y/N a moment to quiet down and pull away a bit to look at him. They were face to face again in four years, this time, in the kissing distance. She had never sat this close to him before, and he had never looked at her that way before.

The childhood best friends held each other's gaze as if trying to recollect each memory of their past, to form the complete picture of the many years they had left behind. There was a quiet moment, followed by awkward hesitation, as they both leaned in, eyes closed. Neither was thinking when their lips attached.

This time, they were really kissing.

She felt his fingers tangled in her hair as he deepened the kiss and she kissed him back with as much passion, like she had never been kissed before, like it was their first. For a second there, she wished it had been.

The sound of his ringtone broke them apart, and it was only then that they realized what they'd done. She expected silence from him, or at least something else, but instead what she received was, "I have to take this. I'm very sorry." 

Just like that, he stood up and hurried his way back to the rope ladder. The first time they kissed, she was the one to run away. This time, it was him.

He set his feet back on the ground and picked up that call as he hurried to his house, without a second look back. Y/N was still sitting there, not sure what had happened. It didn't even feel real, though she knew it was, because she could still taste his lips on hers. She didn't know who had called, and why it was so important that he couldn't stay and give her an explanation for that moment between them.

If that was revenge for that kiss she had stolen from him four years ago, when she was only fourteen, then it just wasn't fair.

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The next morning, Y/N came to Harry's house to talk to him, and once again, his mother said he had already gone back to London; but afterward, the kind woman gave Y/N his phone number and told her to give him a call.

Maybe Anne could see how much her son still meant to the girl, and that she needed his comfort now more than ever. Y/N wondered why Harry couldn't see that as well. Was it really because he was a boy? Or was he just denying everything he saw because he didn't want to believe it was real, that her feelings for him were real? There were too many questions needed answers, and Y/N couldn't be patient anymore.

That night she decided to call him and talk about that kiss. She wasn't gonna sit there and second guess his next moves like Rapunzel in the high tower, waiting by the window for her prince to come back on his white horse. Because this wasn't a fairytale with a happy ending, she was never a princess, even though in her eyes he'd always been the prince.

The girl started biting on her nails while her heart was beating in time with the beeps on the phone. It took a couple ones until someone finally picked up, and she didn't even hesitate.

"Hey, Harry, it's Y/N," she said. "Your mum gave me your number and—"

"Sorry? Who is this again?"

That wasn't Harry's voice. That was a woman. Y/N double-checked the number on the piece of paper Anne had given her, and as she was sure she had put in the correct one, her heart fell to the bottom of her chest.

As Y/N remained silent, the woman on the phone went on, "Harry's in the shower right now, is this urgent?"

"No..." Y/N faked a soft laugh. "I...uhm...Could you please tell Harry that...Y/N called and...please tell him to call me back when he's free?"

"Sure," said that woman, and it was a lie. Harry never got to find out about Y/N's call, but Y/N didn't know about that, so she waited. She waited for that entire week, and by the end of that week she'd made up her mind, this time, to give up on him for good.

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(two years later)

"Hey little girl, get up."

"No...One more!"

"Enough, time to go home," said the big fat bartender as he refused to sell the girl another pint. Normally he wouldn't care if his guests got so drunk they forgot their own names, but since that girl had come to the bar every night that week, and got wasted almost every single time, he felt like it was his responsibility to stop giving her what she thought she needed.

"I'm not a little girl" Y/N grumbled, lifting a finger as she narrowed her hooded eyes at him. "I'm turning twenty next month! You're a little girl!"

The man shook his head and took the empty glass in front of her away before she drunkenly smashed it like she had before.

"Do you even have a life, kid?" He asked.

"I do!" She shouted with her eyes closed, pointing a finger to the ceiling. "I'm a...uh...a college student...and a writer..."

The big man rolled his eyes when she said 'writer' but he hadn't got time to argue with a drunk 19-year-old that owning an emo online blog (he assumed) didn't make you a writer.

"Look, kid, this is London. There are plenty of other fun places for young people to hang, you shouldn't be spending this much time here, drinking your ass off."

"But I want some more!"

"Trust me you don't."

"I do! Now give me another..." She trailed off, then cracked a weird smile at him.

The man raised an eyebrow, waiting for her to finish that sentence, but she never did. Y/N dropped her head down on the counter and just lied there like a dead body. Of course, the bartender knew she didn't die, she was still breathing. But he couldn't just leave her there because the bar was closing soon. So he asked a waitress to search for her phone in one of her pockets and called one of her emergency numbers.

That same night, Harry received a call from a bar not so far from his home in London, telling him to pick up a girl named Y/N.

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When Y/N opened her eyes, she found herself in a room she had never seen before. At first, she thought she was dreaming, that in her dream she'd become rich and finally got a bedroom twice the size of her current flat. But everything seemed too real to be just a dream. She could actually feel the softness of the mattress she was lying on, and the pillow beneath her head was so comfortable that she didn't want to get up. But she must get up, because Y/N soon realized she wasn't dreaming and it was somebody else's bedroom.

Quickly, she kicked off the duvet, and sighed in relief to see that she was still wearing her clothes from the night before. She thought if she'd been kidnapped, then her kidnapper must be a decent man. But why would anyone want to kidnap a lonely and depressed university student, who could barely pay her own rent? If that person didn't want her or her money (which she didn't even have), what did they want?

The answer to her questions showed up at the bedroom door just as she sat up and threw her legs off the bed.

"Harry?"

Y/N blinked fast because she couldn't believe it was him. But it was, unfortunately. He was standing there, staring back at her with the same dimpled smile on his face. It'd been two years so she'd expected him to look different, yet she was still surprised. His hair was shorter and one could hardly imagine he used to have hair so long that he could put it in a man bun. Overall he still looked good, the opposite of what a mess she was at that moment.

Harry didn't wait for her to ask, he went ahead and explained the situation last night, saying he had to drive to a bar at 1:30 AM just to pick her up, and bring her to his house because she was too drunk to remember her own address. She was glad he didn't ask her why he was in her emergency contact list, because she didn't even know what had been on her mind when she put his number there. Maybe in case something bad ever happened to her, she wanted him to know as well. She just had never expected it to be like this.

"How bad was I?" She asked.

"You threw up all over my shoes." He slightly chuckled.

"I'll get you another pair, I promise!"

"It's alright. You don't have to."

"They're very expensive, aren't they?" She scoffed, and he nodded his head to confirm it was true.

"They're Gucci," Harry emphasized the brand name with a funny grimace to make her laugh, but all that he received from the girl sitting on his bed was a nervous frown. "So..." He trailed off, taking a deep breath. "Mind telling me why you drank to the point you passed out last night?"

"I don't have to tell you anything."

"You don't." He agreed. "But I'd appreciate it if you do."

The girl turned her eyes away from him and let the silence take over once again. Harry prayed that she would say something, anything. She could just start yelling at him if she wanted to, even though he knew she never would.

"Thank you for everything. But I think I should go now," Y/N finally said and rose up from the bed. But the older man didn't move out of the way for her to walk out.

"You expect me to let you go after what happened last night?" He asked, giving her a stern look as he shoved both hands into his pants pockets.

"What?" She scoffed. "So you're gonna keep me here?"

"If I must. Yes."

"Don't try to be my dad, one is enough already," said the girl as she tried to get past him, but he quickly placed both arms on the doorframe to block her path, forcing her to finally look him in the eyes.

"Bambi, talk to me," he pleaded, eyebrows knitted together, looking more serious this time.

Y/N took a step away from the older man with her head held high and her arms crossed as she told him they didn't have anything to talk about. "If you really wanted to talk, you would've done it two years ago."

Just like that, she pushed him aside to head out, but Harry was quick to grab her elbow and stop her before she left.

"I owe you an apology, I—"

To his surprise, Y/N cut him off by yanking her arm away from his grip. Then she looked up, eyes to eyes with him this time. He knew that look so well, she used to give the same one to the bigger kids who had always teased her on playground, but that was actually the first time she had ever looked at him that way.

"We don't owe each other anything. Goodbye, Harry," she said, and he knew better than to try and convince her to stay. Once Y/N had made up her mind, she wouldn't change it for anyone, not even her mother, and certainly not him.

So he had no choice but to let the girl go even though it was painful to watch her walk away like that, it hurt him even more now that he began to think about her cold look from earlier. Maybe that was the moment Harry realized the part of him in her was barely there anymore.

.

.

.

Not until Y/N had walked a pretty far distance from Harry's house did she finally stop and burst into tears. She had never got so emotional that she ended up crying in public before, but now the girl was too upset to care who might be judging her. It wasn't only Harry, it was the entire series of unfortunate events, a circle, all leading back to him.

When she saw his face again, it hurt her so much because she wanted to tell him about everything, why she had been at that bar, why she had been drinking. Y/N wanted to hear him say everything was gonna be okay, and that he would be there for her through it all. But the last time he tried to comfort her, he left a bigger hole in her heart, so maybe this time she should deal with the problem on her own.

The girl told herself to stop crying, and all of a sudden, she heard the camera sound as someone had taken a photo. Y/N looked up and saw a tall man holding his camera, she assumed he was a paparazzi and had seen her walking out of Harry Styles' house.

"Did I give you permission to take pictures of me?"

Her loud voice caught the stranger by surprise, causing him to instantly lower the camera as he apologized, and swore he was just a street photographer. He probably thought that she saw him as a creep, but he didn't seem like one at all. It wasn't just the fact that he had a pretty face, but also because the look in his eyes was genuine.

Y/N's first impression of the man was that he was tall, very tall. She guessed he was the same height as Harry, but his thin build created an illusion that he was at least two inches taller. She didn't consider herself as petite, still, she felt so small standing next to this stranger.

The man, probably just a few years older than her, had smooth, dry skin with little freckles sprinkled here and there across his nose and his cheekbones. His blonde hair looked even more golden in the sunlight. It was short and unruly, yet perfectly framed his face.

Now that Y/N had made eye-contact with him, she couldn't look away anymore. Those were the bluest eyes she had ever seen. The shade resembled a cloudless sky in the spring, full on Prince Charming kind of blue. The more she looked the more prominent they became.

Maybe it was just an illusion, but Y/N swore she could see a bit of green in them.

"This is for a small project I'm working on. I'm taking photos of random scenes and people I come across," the stranger explained as she approached him, and didn't hesitate to show her the proofs on his camera. "Here's an old man feeding the birds, a cute puppy, uhm....a lady who sells flowers on the sidewalk, a kid with his new soccer ball...and a pretty girl crying on the street."

Y/N glared at the young man for what he'd just said, but his cheeky smirk remained as he shut down the camera and introduced himself. He told her his name was Isaac, and he was a professional photographer. Since he'd already shown her those photos he'd taken that day, she could confirm that he wasn't just boasting.

"I'm sorry if I offended you, Miss..."

"My name's Y/N."

"Alright, Y/N, I'm really sorry." Isaac paused to bite his lip, waiting for the girl to speak, and when he was sure she wasn't gonna say anything else, he went on, "I could just delete the photo."

"It's okay, keep it," she said, sighing. "If you wanted to take pictures of me, all you had to do was ask nicely."

"Really?"

"Sure. Why not?"

"Okay then, Y/N." His emphasis on her name made the girl smile and roll her eyes. "May I take a few more photos of you?"

Y/N actually thought twice about that offer. She had just met the guy, for all she knew he could still be a psychopath, a very charming one if that was the case. But since she had nothing else to do on that Sunday morning, and needed a distraction from reality, getting to know a good-looking stranger didn't sound like a bad idea. If he turned out to be a real psychopath, then maybe she was just very unlucky.

"Okay." She nodded, turning her face to the right. "But only on my good side, got it?"

"Got it," Isaac said with a grin, and quickly snapped a shot of the smiling girl.

[imagitory]

Review: The Lion King (2019) [spoilers]

NAAAAAANTS IGONYAMA BAGITI BABA -- !

Ahem. So...I just got back from seeing the new Lion King remake, and I guess it’s time to talk about it. For those of you who wish to avoid spoilers... *exhales heavily* how do I say this kindly, um -- you don’t need to go see this. Like, really, you don’t. Not to rain on anyone’s parade, but you would miss absolutely nothing watching the original instead of this one, and honestly, I think it’s fair to say you’ll have much more fun watching the original too. As much as I haven’t loved Disney’s line of recent remakes, I at least found something in most of the films I saw that I could praise, but with this one? I don’t recall ever being so utterly bored sitting in a movie theater in my life.

If you would like a more detailed opinion, here’s a cut!

The Good!

+For once, Disney decided to hire a cast full of singers that don’t require autotune, including Donald Glover, Billy Eichner, and of course Beyonce, as well as quite a few lovely people in the chorus like Brown Lidiwe Mkhize (who sang The Circle of Life). Even some of the performers with weaker singing voices like John Oliver were able to hold their own well enough.

+The voice acting overall wasn’t bad. I’ll have to leave it at that, though, since this is supposed to be the positive section.

+The Circle of Life and Can You Feel the Love Tonight? were well-performed, though I will be getting to other issues I had with them later.

+Zazu was actually given a bit more pathos rather than just exclusively being comic relief. He not only tries to protect Nala and Simba from the hyenas, but he also rushes to go get the lionesses when Simba’s in trouble, makes a distraction for Nala so she doesn’t get caught by Scar, and even helps a little more in the final battle. I won’t act like he was an improvement on the orginal exactly, as the best compromise would’ve been to have him be both funny and supportive, but at least there was an attempt to give him some depth.

+As much as I’ll critique the animation further down, I will give the animators credit for its realism. A lot of hard work was obviously put in, and it shows.

The Not-So-Good...

+The number one problem with this movie is, as I feared, the animation. I can respect that this is my opinion and many others might find some charm in how “real” everything looks, but I’m sorry -- musicals =/= realistic . Musicals are supposed to be over-the-top. They are supposed to be theatrical. Hell, even the Broadway production of The Lion King understood that to tell this story without animated lions, you had to treat it like a folktale. The story was never about lions -- it was a human story told with lions. The ideas of family -- responsibility -- duty -- leadership -- grief -- hope -- these are human values. The Lion King was inspired by Shakespeare’s Hamlet. It also has ripples of the Moses story, given that it revolves around someone running away from their home and responsibility, only to realize their true calling and go back to save their people. And you know something? I am positive that the filmmakers knew full well how ridiculous these National-Geographic-esque animated creatures would look suddenly bursting into song -- that’s why they tried at every single opportunity to depict the musical sequences in wide, impersonal shots that barely correspond to the rhythm or mood of the song at all. Unless it’s The Circle of Life, which is literally a shot-for-shot recreation of the original sequence accompanied by a song sung by none of the characters on screen, the only way that these supposedly “realistic” creatures could communicate energy or emotion during the song sequences was by running and climbing things. And in the end, it just looks lazy and dull. There’s no energy in either the shots or the editing. Hakuna Matata and I Just Can’t Wait to Be King suffer the most because of this, as those songs were so dependent on bright colors, spontaneity, and enthusiasm, but none of the songs are done justice with this animation.

+Another issue with the animation is in the characters themselves. As realistic as it looks in the textures of the fur and the way the animals move, it is utterly lifeless in practice. I swear to God, there are points where these animals looked stuffed, they’re so blank and hollow. You know those live action movies, like Cats and Dogs, where they would have real dogs and cats play the characters and then just “fix” their mouths with post-production CGI to make it look like they’re talking, even if their eyes and faces still end up looking so blank that it never looks like they’re saying what’s coming out of their mouths? THAT’S THE ENTIRE MOVIE. It didn’t matter how good the voice acting was, because it was invalidated by the lack of expression of the characters who were supposedly saying the lines. The only character in this movie who seemed to have any emotion in his eyes was Scar, and that was because his animated model was apparently given permission to narrow his eyes more, presumably to look more “eeeeeviiiiiiil~.” Even the hyenas were just given hollow black eyes that only ever looked alien and inhuman most of the time (clearly to remind you that they’re the bad guys) -- there were no emotions other than “mwehehehe we’re gonna eat you” on their faces the entire movie. But yeah, think of all the really emotional scenes in this movie. Think of Mufasa seeing Simba hanging on that tree -- the fear in his face as Simba almost loses his grip on the branch -- the pain and fear in Simba’s expression when Mufasa puts him up on a small ledge, only to get yanked backward by the wildebeest and disappear from view -- the struggle in Mufasa’s body language as he tries to climb up the edge of the gorge -- the betrayal and horror in Mufasa’s expression when Scar reveals his true colors -- the desperation, disbelief, horror, and grief in Simba’s face when he finds his father and screams at the open air for help. ...Yeah. Now imagine all of those scenes being acted out by EMOTIONLESS PUPPETS. That’s even what Mufasa looks like when he’s thrown backwards off the cliff -- a puppet. A scene that has left people in tears almost made me snort with laughter because of how bad it looked!

+The animation’s realism also, as others pointed out when the trailers first came out, made it very difficult to pick out individual characters. When Nala grew up, there wasn’t even a way to tell that she was the youngest of the lionesses -- they all looked like clones of each other. There’s a bit where one of the hyenas (I guess he’s supposed to be Banzai, but I guess he’s been renamed something else?) confuses Scar for Mufasa at a distance and I almost burst out laughing because it was like the movie characters themselves even realized how identical all of the lions look. Simba’s face “turning into Mufasa’s” in the water had no emotional impact at all because you could barely tell that anything had just happened.

+Geezus, and I thought that Beauty and the Beast took too many ideas from the original? Oh boy. This movie took so much from the original, it was like the filmmakers copied something they found on the Internet for a school assignment and then added and switched around a couple of lines just so they wouldn’t be accused of plagiarism. There were quite a few points while watching this where I was going, “Oooookay, and this is where Simba sees a lizard. ...Yup, there it is. He’s gonna try to roar twice. ...Yup, and...yup. And on the third try, he’s going to roar loud enough for it to echo, and we’ll cut to the top of the gorge. ...Called it. And wildebeest in three, two, one...” Now, of course, knowing what’s going to happen shouldn’t reduce suspense -- if anything, when something suspenseful is done well, it doesn’t matter if you know what happens, because now you’re excited to see those things happen. But in this? How could I be excited when they recycled almost every joke, almost every shot, almost every scene, only with half the energy and sincerity? Even Beauty and the Beast tried to throw in some twists now and again, even if I didn’t end up liking most of them...the only things I can think of in regards to “changes” were some extra scenes that didn’t add much of anything, such as Scar leaning even more into his “Claudius” role and trying to court Simba’s mother Sarabi. Oh, and on that note...

+...The original movie was about an hour and a half long. This one was two hours. You want to know how they stretched that run-time out? Largely by adding in extended nature sequences. Perhaps if you really like the “realistic” animation, you might enjoy the gratuity of it, but some of them just got ridiculous. Remember how in the original, Scar caught a mouse and kind of taunted it? Now we get almost a whole minute just watching the mouse running around and doing nothing before Scar even shows up. Remember how we got a short, smooth transition from Pride Rock to Rafiki’s tree with a rainfall and soothing music? Have one that’s twice as long and is devoid of any of the epic, solemn atmosphere. Remember how we got a cute little giggle when Timon and Pumbaa sang The Lion Sleeps Tonight, only for it to get interrupted by Nala’s arrival? Now that song is treated like a full musical number with lots of danc -- sorry, walking around aimlessly, because it’d be stupid if animals actually danced or something. Remember how Simba collapses into some leaves, which sets loose some dust which in a ten-second-long cut scene is blown through the wind into Rafiki’s hand? Now it lasts almost two whole minutes and involves a tuft of Simba’s fur landing in a river, being picked up by a bird, becoming stuffing in a nest, being tossed out of the nest, being accidentally eaten by a giraffe, being shat out by that giraffe, being picked up by a dung beetle -- OH, COME ON. NOW YOU’RE JUST SEARCHING FOR EXCUSES TO DRAG THIS MOVIE OUT.

+I love James Earl Jones, but he should not have reprised his role as Mufasa. I’m sorry, but the man is 88 years old now, and he just sounded so tired. He didn’t show even half of the energy and enthusiasm he had playing the part the first time. If he was Simba’s grandfather, that’d be one thing, but he’s not. Half of what makes Mufasa’s death so tragic is how alive and young he seemed and how close his bond was with his friends Rafiki and Zazu and his family Simba and Sarabi, but thanks to Jones’s low-key performance and the lack of emotion in Mufasa’s animation, all of that is lost.

+Just like with Jafar in the recent Aladdin remake, this movie tries to give Scar some depth, but the halfhearted attempt only serves to take away what made Scar a great villain in the first place -- namely, his dry wit, ruthlessness, talent for manipulation, dynamic attitude, arrogance, immaturity, and most of all passion. Combine this not-deliciously-evil-but-definitely-not-sympathetic characterization with such bland animation that neither conveys energy or intrigue, and we’re once again left with a very forgettable, uninteresting villain. Come on, Disney, you used to be so good at writing villains -- just because you’re trying to make a more “realistic” story doesn’t mean your villain can’t crack a smile every-so-often, geezus!

+If Sarabi was chasing off hyenas with the lionesses, how in the world did she and the lionesses get back to Pride Rock fast enough for them to be lounging around when Simba came to get Nala? Scar and Simba’s interaction isn’t nearly long enough to encompass Sarabi finishing up with the hyenas and returning home. This is a problem that comes from how much this remake copies from the original -- because it wants so many scenes to play out identically to the original, it gives any subtle line changes the writers do make the potential to create plot holes.

+Oh yeah, and the joke of Simba pouncing on Zazu really doesn’t work if we see Simba getting ready the entire time and Zazu makes it easy for Simba by spinning around in circles looking at nothing. One would think Zazu was trying to let Simba pounce on him.

+There’s no kind way to put this -- Timon and Pumbaa were just flat-out INSUFFERABLE in this. Not only were their deliveries of lines from the original movie pretty awful, but they also added in a bunch of new, often fourth-wall-breaking jokes that just made me hide my face in my hands and groan. In Hakuna Matata in particular, they act offended by Simba not being more excited when they first say the phrase, ruin the joke of Pumbaa farting by having him say it and Pumbaa then being upset that Timon didn’t interrupt him, AND give Simba a hard time for continuing the song until it fades out by saying that Simba’s “gained 400 pounds” since they started it! This isn’t even touching on how TERRIBLE Seth Rogen was as Pumbaa while singing -- like, I know that’s supposed to be part of the joke, but Ernie Sabella was “a bad singer” by being over-the-top, not by being off-pitch and painful to listen to! Not to mention that Sabella packed so much more characterization into his line deliveries -- the chasm of quality between Sabella and Rogen’s performances all the more highlighted to me the difference between an actor and a voice actor. You can’t just get away with speaking your lines in an ordinary voice when you’re voice acting -- you need to emote solely with your voice, as your face is not doing any of the work, and with animation this emotionless and bland, one really needed to have given 120% in their voice work for it to be even passable. (And honestly, none of the actors stood out well performance-wise...not that they should have to singlehandedly bear the burden of depicting their characters’ emotions just with their voices: this is an animated movie, not a radio drama!) As if breaking the fourth wall for no reason, telling bad jokes, and singing poorly wasn’t enough, Timon and Pumbaa also come across as infinitely more selfish and mean-spirited. They say they’re outcasts, and yet there’s a whole friggin’ community of animals in their jungle home. Simba actually hears Timon and Pumbaa selfishly decide to “keep him” because having a creature bigger than them around might help them out. Timon flat-out tells Simba to only look after himself and no one else. Whereas in the original film, Timon and Pumbaa almost raise Simba like adopted parents, having fun with him and genuinely showing concern for him -- here, Timon and Pumbaa act more like a pair of frat boys who adopted the “new kid” in college and induct him into their friend circle, even though, yeah, Simba first meets them as a cub and they’re already adults. Rather than just laugh at the thought of “royal dead guys watching them” for a quick moment, they openly roar with laughter at Simba, dragging it out even when it’s very clear Simba is hurt by their amusement and not even bothering to apologize. At least in the original, Simba acted like it was funny and then left abruptly, but here? Simba never laughed or showed any amusement, so it came across as Timon and Pumbaa bullying him. Oh yeah, and speaking of bullying, remember how there was that one-off pop culture reference where Pumbaa gets mad at being called a pig? Now that’s been replaced with Pumbaa saying he doesn’t like bullies -- seems like that would’ve been a lovely thing to set up earlier, maybe to give that line some emotional pay-off, but nope! There’s no joke AND there’s no point. But you want to know what made me hate these two beyond reason in this movie? You want to know what finally pushed me over the edge? They broke the fourth wall beyond repair by -- rather than randomly putting on a hula skirt and dancing goofily, because of course we’re a SERIOUS animated movie, one that’s so REAL -- singing Be Our Guest from Beauty and the Beast, French accent and all. ...Excuse me for a minute. *buries her face into a pillow and screams in rage*

+By the way, those other animals who live in the jungle Timon and Pumbaa are from and therefore invalidate their assertion of being “outcasts”? Completely pointless. They don’t even come with Timon and Pumbaa and fight for the Pridelands! You could have cut them completely and lost nothing.

+As much as Hakuna Matata was the most irritating of the numbers, I Just Can’t Wait to Be King and especially Be Prepared were just pathetic. I Just Can’t Wait to Be King largely suffered, again, due to the “realism” of the animation, but the slow editing and even the vocals slowed the whole sequence down and sucked out any energy or excitement from the piece. I’ll give credit to Nala and Simba’s voice actors for their vocal quality, but there was still none of the spontaneity and recklessness in their voices that the song requires, so it just came across as Disney karaoke, rather than anything professional. But Be Prepared was easily the worst of the lot. It would be a challenge to try to evoke the level of dread and demented thrill you get from the original song sequence, but here, the filmmakers didn’t even try. Not only do we only get part of the song, but Scar’s voice actor Chitwetel Ejiofor barely sings a word of it and brings none of the dynamic, power-hungry, conniving, almost hypnotic mania that’s supposed to define Scar in that moment. He’s mostly just shouting like an old man yelling at a kid to get off his lawn -- there’s no attempt at persuasion or temptation in his voice at all. And just like in most of the other musical numbers, the only way Scar’s character model can emote during his song is to climb on things. Even in songs that were performed well, there were notable problems. The Circle of Life was basically animated on autopilot, replicating every single shot without taking any time to show any genuine emotion anywhere, whether when Zazu and Rafiki greeted Mufasa or when Simba sneezed away the dust in his face...and Can You Feel the Love Tonight? Haha, yeah, right -- more like “Can You Feel the Love in the Mid-Afternoon”! It was absolutely comical, hearing them sing “tonight” when the entire sequence was done in daylight!

+I’ve always liked The Lion King, but...wow, after seeing this remake and how much they tried to lean into the “hyenas as outsiders” idea in this, I have to acknowledge that there are some uncomfortable elements to this story. In the original, we solely focus on Shenzi, Banzai, and Ed with other hyenas in the background, so them being outside the Pridelands could just be seen as the case of a few bad apples, rather than it being an indictment on an entire group. But here, in this version, Shenzi is depicted more seriously as the leader of all the hyenas and it’s established that the war between lions and hyenas has gone on for a long time. Basically this movie turns Shenzi into Zira from The Lion King 2...and yeah, that makes it so that the hyenas -- as the outsiders -- should theoretically be slightly sympathetic, right? You know, to show that it’s wrong to cast others out because they look or act different from you? Nope! Nope, they’re all just evil! They’re manifestations of greed and hunger with no potential for redemption whatsoever. They’re not like our good, pale-colored lionesses who all look the same -- they’re dirty, and conniving, and they seek to creep out of the shadows and leech on everything the lions hold dear. I could very, very easily see how some vile, disgusting people could embrace such a narrative in this current climate, seeing themselves in the lions trying to “take their land back” from the shadowy, evil hoard of creatures who have come from outside to tear down their way of life. I can’t act like this adaptation added something that wasn’t at all in the original movie, as, let’s be honest, it plagiarized most of it...but perhaps because of how they reused this story and in some cases leaned into some elements of that story, this remake has very, very bad timing in when it was released. Those elements of the story probably wouldn’t have been read into it back in the 90′s, given the relative stability of the political landscape, but now? Now I could see how people could read it that way. It’d be like trying to make a movie like Independence Day, where national monuments get blown up, right after 9/11.

Looking back on what I just saw, I’m still absolutely stunned. Never before have I felt like my time has been more wasted than when I decided to sit down and watch this movie. I’ve tried to find shreds of praise, but whenever I try, it feels like I’m grasping at straws, only to fall back into a big pool of “blah.” I have never been so bored by a movie in my life -- and if there’s anything Disney, and especially Disney musicals, should never be, it’s boring. I would still say Maleficent makes me the most angry of Disney’s recent remakes, considering that that one openly insulted the original it was based off and this one is just clearly so up the original’s ass that it’s obnoxious...but this one was easily the biggest disappointment. I went in with almost no expectations, and yet still came out disappointed in the result. That, I think, says a lot. I could see someone who simply wants to see some cute animals and ride a bit on the nostalgia train enjoying this...but forgive me, but that bar is way too low. Disney is capable of doing so much better -- the true Lion King, the 1994 classic that broke records and surpassed all audience expectation, is more than enough evidence of that.

Overall Grade: D-