#OKAY. WHATEVER. NORMAL.

[butchdykekondraki]

idk how to word this in good way but like… killing someone who you’ve spent almost all your life with, who is a part of you just as you are a part of them, who no matter what you can’t quite imagine their death, and killing them just feels like a dream, like something unreal, until you see the blood on your hands and realize this isn’t a game, and they’re gone, and there’s nothing you can do to bring them back. living without them is something unnatural, and you feel as if you should have died back them the moment you watched them draw their last breath and speak their last words to you but no. you’re still alive, your heart still pounds against your chest, but what is it all for when you can’t take a single step without thinking of them? they were a part of you just as you were a part of them, and so even your own existence reminds you of your mistake, of what you did. there is nowhere to hide. even if no one else knew the crime - which they do, you can spot their looks, you know they’ll never forgive you

(it’s not even because of their death! even, no, soul doesn’t care about mind’s death, you catch the words under his breath apologizing to someone who you still aren’t sure is real, or ever has been real, but does he care about mind? he hates you. he has always hated you, ids, cysts, parasites, so it feels wrong to even think - his words are still cold and measured in cruel in that way which reminds you of mind, that biting sarcasm which reminds you of mind, {look at what you did to us} and us automatically translates to Whole because you can’t even remember the last time you’ve had a friendly conversation. you and mind were enemies, but still - you remember asking him for favors, the smile so close to making its way across his face if only he would LET IT, the games you two would play . YOU REMEMBER. but with soul? no. he would never even deign to get close.)

it’s as if some part of you has been cut out and buried in the same place where you buried the body. but no matter if you went out and dug out the evidence of your sins again, you’d gain nothing but another sight to lament over, another sight to stain the back of your eyes when you try to sleep. no matter how much you scrub the blood of your hands you can still overlay the image of them drenched, catch flecks of red when examining your fingernails, and then you remember what if was like.

what does it take? to kill someone so close to you? did you realize what it would do to you beforehand and accept it, or was it all just some game up until you were packing dirt above the body that should hold an expression, feeling just as cold as the skin you were gripping was.

I THINK I HUAVE COVID.

[pa-pa-plasma]

love fics where Danny ends up in the DC universe & every alarm goes off at once & the magic users are like "yeah that's the most powerful being in the universe & also possibly super evil we are FUCKED fucked" & the Justice League is freaking tf out trying to find this thing that casually tore a hole in reality & it just cuts to Danny (Fenton) standing in the background blissfully unaware & like "man my life sucks but at least i have this candy bar—" *drops it in a puddle*

[bongosinferno]

A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.

Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.

This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!

Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.

[queenlypirate]

what's a favor between friends 💕

[dilfmobius]

1x01 // 2x05

[teamred]

Hello! Could you maybe write some sfw and nsfw headcanons on what dating Qimir would be like? Like his goofy side mostly? If that’s okay with you. I can’t find anything on your account about requests, so if you don’t take requests, I’m very sorry.

dating merchant!qimir sfw and nsfw headcanons!

sfw headcanons:

qimir isn’t big on pda, but when alone, it’s all fair game

he loves to kiss your skin tenderly, such as your shoulder, the crook of your neck, or the inside of your wrist

qimir always keeps a caring eye on you

“need a refill of your water canister?”

“you should probably sleep early for training in the morning. you know the master doesn’t like it when you’re tired.”

qimir’s usually far from being clingy, and yet, after sex and when he’s drunk is another story

clingy qimir includes nuzzling his nose against your skin like a lovesick puppy, hugging you lots, and saying “i love you” over and over (especially when he’s really drunk, but it's rare)

overall, qimir’s a heavy sleeper, but there are nights where he has intense nightmares or simply can’t sleep

on those nights, he loves to spoon you and hold you close, even if you’re fast asleep

if you ever have any dedicated date nights, qimir’s often late (like he normally is to anything), but he makes it up with a gift, hand holding, and post-dinner affairs...

nsfw headcanons:

foreplay is intimate – lots of kissing and touching

qimir loves to wind you up before sex through fingering or eating you out

qimir’s favourite position is split between missionary and doggy

despite his goofy, timid appearance, he has a more dominant side in bed (but he also won’t say no if you want to ride him)

loves to tease... he’ll spend minutes just rubbing his cock against your wet cunt, and you’ll be begging for him to put it in, but he’ll only do it when he’s content

sometimes likes to dirty talk

“show me how good you are.”

“tell me how it feels.”

qimir is a bit vocal with his moans, especially when you’re on your knees and deepthroat him until his eyes roll

qimir has a bit of a pain kink

he’s a little sensitive with his back from the scar he received as a teenager (he avoids the topic), but he loves it when your nails dig into his shoulders or into his arms, or even when you tug at his hair hard

prefers to thrust deep and hard; if slow, he wants to tease you or to savour the moment

aftercare, as aforementioned, is always soft; he wants to ensure that he never really hurts you at the end of it all

[macksartblock]

I know some people may feel a little sad about Normal’s epilogue moment but yknow I thought it was nice. He and the others went through such an intense series of events. He clearly was struggling with self image issues and likely more. And he still is.

Growing up didn’t fix that. And that’s okay. That’s something a lot of people grapple with long into their adulthood. Something about it was kind of refreshing to see that shown. Things aren’t perfect. They likely never will be. But for that night, he allows himself let loose with his friends again.

[stiffyck]

Desert duo but they are married just for the benefits.

(No one tell them there are no benefits to being married in minecraft.)

[lieu-rey]

"vash is dead and for what?"

[starryjoy]

"Trans" is merely one of the many adjectives that describe me but in the eyes of so many people so many things I do will immediately be tied to that adjective.

So many things I feel weird talking about because everyone assumes I am like this because of my transness.

Me being openly very sexual in nature while being a woman? Well, I am a trans woman, need to remember that!

And the thing is so many people don't do this maliciously. So many people have simply internalized the misogynistic idea that women have to be one certain way and when they see a woman who isn't that way... well, if she's cis, she's a weirdo, but if she's trans... well of course, that explains everything doesn't it!

And the people who are seen as cis women in this equation also suffer please don't get me wrong. They get shunned and talked about with intrigue and wonder like they're some sort of mythical beast.

But to the people who are seen as trans women then a part of the observer so often will go "makes sense" as if they discovered the one single key to read humanity.

I am also curious how other people under the trans umbrella feel to this stuff. My idea is that we probably have similar but different relations to having the adjective "trans" heavily influence how people see us, and I would like hearing them out.

Also absolutely necessary disclaimer that it's great if to you personally the adjective is so important that it defines parts of your personality! I won't yuck someone's yum and stuff. I'm just tired personally of feeling like so many people will immediately think of me as trans before they think of me as anything else, but I get the idea of that being something someone could like.

[wistaliia]

i dusted off my chat noir drawing skills to make this for u

[icecreampizzer]

I DO NOT think I've posted this one here despite how much I loved drawing these. Wanted to draw my original characters' two main emotions!! Just clawing my way into their mind like a hungry little beast sniffing around how their brains work and all. As if I didn't make them up in my head myself. Real fun stuff.

[kaiserouo]

them making magnets

[stop-breaking-my-heart-telltale]

I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

[shima-draws]

Sanlu marriage proposal but it only happens because Luffy’s jealous

“If Pudding got to (almost) marry Sanji then why can’t I??! >:((((”

[mars-ax]

MARS. POST THE DOODLE OF SCOTT AND CLEO CUDDLING AND MY LIFE IS YOURS

so I don't usually post doodles because I'm very self-conscious about their quality, but just for you harper

So that doodle was actually in a series of other doodles all in the theme of "literal sleeping together" because that's one of my favorite things ever, so I might as well put them all here then