#OF THE WAY THESE THINGS STEP TOWARD YOU

[starscr0ss]

im thinking about celestia and the abyss being literal opposites (chaos and order) and im thinking about childe and lumine being sort of embodiments of that, just not in the way we think. after the latest natlan quest its clear to us what the fatui intends and what they want- i think the tsaritsa more than anything loves humanity, which is why she directly opposes celestia who are known for bringing down different civilizations. childe, as Her weapon and Her blade is an extenction of that: he's a blade forged by the abyss, bathed in Her holyness, meant to strike down those who sin. lumine (talking solely about traveler lumine) is the literal sister of the prince of the abyss, she has clear ties to it and at this point in the story still is hesitant about fully opposing him (i love angst). her entire story revolves around chaose and disrupting celestia's (and the fatui's) order. isnt that fun

i think what childe longs for the most is control- control of himself, his life, his powers, his story, his fate. i think what lumine wants the most is freedom, which is just another phacet of chaos

anyways. you see it. the themes are theming

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[dykedvonte]

Mini rant below and in the tags, the only time I’ll talk about this and my personal take on it.

The way people talk about hypothetical male Anya on Twitter and the idea of how Mouthwashing would play out if the genders were swapped makes me remember how people still don’t take sexual assault and rape with male victims with the same gravity, especially when the perpetrator is female.

[professorjirt]

listen it’s none of my business but when you say “Bilbo would have been better for taking the Ring” and then state “Frodo’s character was mishandled” I think maybe you like the Lord of the Rings inside your head more than the one actually written 💀 as if it wasn’t stated multiple times both in the text and by Tolkien himself why Frodo was the Ringbearer. Pleeeeeaaaase PLEEEEAAASE stop giving me gray hairs and take an interest in the text you read and it’s deeper meanings beyond power scaling characters, favoritism and finding the “most efficient way to take the ring to Mordor”. The debates about who should have taken the Ring are the exact same as “they should have flown the eagles to Mordor” except it’s spoken by people who genuinely are avid fans of the books and movies.

[suddencolds]

.~

[darrengrave]

I think one of the funniest things about the Arcane writing team is that seemingly specifically because they didn't intend to write Viktor and Jayce as romantic they accidentally developed one of the most interesting and moving queer dynamics on television, and specifically because they were so into Caitlyn and Vi they completely forgot and failed to develop literally any chemistry between them at all before we were supposed to believe they had a thing going on beyond vague interest.

[n3ongold3n]

Ever since i saw the thongTM i could not stop thinking about this 🐳

[rxttenfish]

while aaravi remains firmly within "yeah miranda has a difficult personality and isn't very easy to get along with + has many rough edges which are slowly being worked on but still going to be an issue" after having been very much so within the camp that miranda is a Vexing Bitch upon first contact/getting to know her, she DOES go from "miranda is unpredictable and dangerous as a merfolk and large macropredator and her emotions are inscrutable and random" to "merfolk aren't very hard to understand or predict and it's very easy to stay on the safe side if you keep basic rules in mind and don't freak out the second something unexpected happens"

[itspileofgoodthings]

.

[amelikos]

Spinel.

[bibuckleykinard]

how many times do we need to learn as people that irony and hyperbole can be harmful because 'jokes' aren't easily distinguished from genuine thoughts and feelings until we stop rewarding people for speaking or posting about violence

like even if you're joking/don't actually believe that/think whoever you are insulting is bad/immoral/fictional therefore deserves it - ad hominem attacks always do more harm to the people who share those characteristic then the individual you intend to cause harm to or discredit

[spitblaze]

I have a crush on you and i know I'm technically your type from your sideblog but I'm not gonna be a bear for much longer now that I'm going to be transitioning from a fat bear into a fat dyke

I'll have you know that I am 1) bisexual so gender is not an issue and 2) an appreciator of big hairy dykes as well even if that may not necessarily be reflected on that sideblog, and would even go so far as to say that 'bear' is a genderless term though I may not be an authority here. Fat hairy women and butches and dykes and people are the glue that holds society together 💖

[corallapis]

okay. see. the thing is. the cricketing gear isn't just a silly set of clothes the tardis picked out. it's to clue you in that we're dealing with posh edwardian man levels of repression here. that's who five is.

[phagodyke]

dating an art student was so crazy I'm just thinking abt that one birthday I had where my ex got me stickers from the etsy of the person they were cheating on me with....

[milo-is-rambling]

I can’t even imagine living without anxiety. Like. How. What?

[faggling]

I love taking care of people omggg 😍😍😍