#Now I could read that book--

[amerasdreams]

ha! I wondered where it was from. Since I found the Russian word for "work" sounds similar to robot. It is from a Czech scifi writer Karel Čapek.

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[pixlatedvampire]

In my mind this is canon

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[merlyn-red-0]

saw this tumblr ask asking about a kiss (and mr. neil gaiman responded with a kiss that was from The Sleeper and the Spindle, illustrated by Chris Riddell)

but I thought, well what if it was an aziracrow kiss after all idk

[cultofcipher]

Bill Cipher thoughts (BoB Spoilers Ahead)

I'm really sitting on how Bill's displayed so much of himself indirectly in the BoB. How during the Love section he denies having exes, marking them out. How said exes show up SEVERAL times scratched out or are regarded with this bitterness of someone who did NOT do the breaking up part. Bill got dumped. Every time. And is desperately trying to bury his feelings.

And that's something I think the Book of Bill really highlights in a way. The fact that Bill has feelings. That deep down he's a broken triangle. It's all over the book's writing. Him pointing out how to use denial and rationalization and other bad coping mechanisms to basically ignore and lie to himself (and show us how to do it) and basically convince himself that he is as heartless as he tries to be. Him avoiding his exes. The tone he uses and the avoidance really giving the "I don't handle breakups well and I'm still petty about it". Him constantly telling himself that he's fine. He's not fine. Him crying over Ford leaving and getting wasted. Him being bitter about the henchmaniacs not calling. His regret over what happened to his world. His loneliness. GOD his loneliness. His self-hatred. His scathing remark about definitely NOT having some tragic backstory that humanizes him and how he's not an "I can fix him case". Calling himself a monster. His longing for home. The "Last one breathing". The "I tried to change the past". The "my hands shaking, as I realized I could never undo the". The "until there was no one left but me, covered in blood, alone in the universe". The goddamn "I don't want to die alone" Valentine's card. The last few pages. Just, the last few pages. That isolation, his pained "I'M FINE". The almost sad plea for someone to let him out.

Bill cares. He's fucked up, unstable, violent. But he does care about people he gets along with and he feels understand him. For every "I'm just playing the bit" and using people with nice gestures, I think a fraction of that is somewhat genuine. And he hates it. He hates his own vulnerability. He hates his lack of apathy. He's denying himself his own emotions constantly under so many layers of distractions, eldritch horrors, and repression. He can't think about home, about failure, about how every relationship he's ever had, platonically or otherwise, ended. And it wasn't on his terms.

Him talking about/to his mom when he's drunk. How his mom called him Billy as a kid. How his home life sounded simple. How Bill as an individual is anything BUT simple. And how his drunken state holds such fondness for that simplicity, yet it was suffocating. How he would've broken free eventually, inevitably, because he knew that's who he was. It's his nature. He was destined for more.

How it cost him everything.

How he's constantly chasing insanity like it's a drug. Like he needs the power trip to stay high. To not think too hard. To drown out his emotions and his self-reflections and everything he hates about himself.

How in Gravity Falls he still tried to get Ford to side with him after everything, cause that was his vulnerability showing, for the slightest glimpse of a moment. Cause he doesn't want to do it alone. Him reaching out to the reader in his book, because he doesn't want to do it alone. Can't do it alone. Even when he eventually betrays that person, I think him offering Ford that cushy spot alongside his henchmaniacs makes me think that yeah, Bill actually would've upheld his end of the deal.

He thinks he wants multiversal domination. He thinks Weirdmageddon is his Magnum Oppus. His purpose. But he's so lost. If he ever does get what he wants, he won't know what to do with himself. He'll be faced with the "Now what?". He'll hit the end of the road and realize how unsatisfying it is. How this isn't what he wanted.

How lonely it is to be God.

I think the Axolotl sees that in Bill. It's why he doesn't try to destroy him or attack him or anything. He sees that inner self of Bill. Sees him for what he really is. Someone who needs a LOT of therapy, a true, honest to goodness friend or partner in his life, and maybe a more sustainable life purpose or hobby. He has so much potential and in a way his pursuit of power, rather than being an actualization of his abilities, is a waste of them, because it gets him nowhere.

And he needs help, even if he doesn't think he does. He's a depressed alcoholic frat boy trying to drown his misery in a way that hurts and kills worlds. He's a girlfailure, a bisexual/pansexual disaster (he's at LEAST canonically bisexual or at MOST canonically pan cause this guy has dated both ways).

Bill's book is so incredibly amazing for what it is. All the lies, all the unrealiable narrator parts of Bill's facades and flaws and him being himself and all of his genuine thoughts and feelings bleeding through the lines and showing themselves but only in a way that you can really understand if you understand him and can tell when he's lying and when he's not. To see the real parts of him, and everything else. This book was perfect, and it was perfectly imperfectly him. This truly is Bill's book. It's so him in such a raw and genuine yet dishonest way. I'm gonna cherish this damn book forever.

[obsob]

happy and proud!!

✷(print shop)✷

[secretmellowblog]

Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!

One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.

Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.

(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)

The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.

Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.

It’s politeness at gunpoint.

Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)

So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”

Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.

The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)

[poorly-drawn-mdzs]

I haven't read these books at all, but your art is so fun and cute that I like seeing your comics a lot regardless. Fantastic Silly Little Guy energy.

Thank you for enjoying my silly little guys and my comics B*)

[the-modern-typewriter]

could you write us more vampires !!!

also u the baddestt ❤️❤️❤️

"Your kind don't look so perfect in the sun," the human said. "It feels like shining a light through a counterfeit. Seeing all the flaws. I love it. Hi~"

The vampire stared at them, eyes wide and viciously frightened and simultaneously filled with a sort of bewildered wonder at the gentle warmth washing over them. It would have been adorable if they weren't a complete and utter monster, devoid of whatever humanity they'd once had. Poor mite. They were so new, weren't they?

"Gosh, really, though." The human leaned down, pressing a kiss to the vampire's forehead. "Just look at you," they murmured. "I could just eat you up, pumpkin. Who were you when you still had a beating heart?"

The vampire's skin was so cold that it almost felt blistering. Sharp. When they were a kid, they'd once made the stupid mistake of licking a metal lamppost in winter, because they'd heard it was so cold that your tongue could get stuck. It had seemed absurd. Impossible. They'd been so sure it couldn't be true. It had taken hours for them to finally be able to move away again.

Kissing a vampire always reminded them of those hours. No matter how many times they did it, they still half expected to end up with a frozen lips, unable to pull away, except with the vampire the scant hours by a lamppost would tick over for forever until all that was left was the dark.

Infernal, gorgeous creatures. How could they not be obsessed? Of course, the other hunters didn't approve, but then. Their track record spoke for itself.

The vampire was still staring when the human moved back. Of course they were.

It was an old myth that vampires burned in the sun, but an even older misconception. Exposing a vampire to the sun only got closer to revealing the truth of them; a dead thing in a box, guttingly vulnerable. They could not move, could not speak, could use none of their devastating array of night-time gifts. In the dark, the vampire was nigh unstoppable, uncageable, unbeatable, certainly too beautiful to deny.

But oh, in the daylight...

It was why every hunter who had been there since the start knew to find the vampire's lair before the moon began to rise. To follow the butterflies to an undead grave, or to whatever more modern alternative the creatures found in the many centuries of increasing refinement that followed. Same thing, though. A vampire in a guarded mansion, hunkered down behind thick walls of sun-blocking glass, was still just a pretty dead thing in a much bigger box. The human had found them all. Seen them all. This one had curled up in the first place that felt instinctively safe like a stray cat, hadn't they? They hadn't even thought to lock themselves in from the inside.

"I know, I know." the human said ruefully. "You thought you were safe. They all do. You were oh so careful! You only ate one of the locals and it was an accident, honest, you just woke up so hungry. You couldn't help it."

They picked the knife up from where they'd set it down and traced the tip along the deceptively soft line of the vampire's mouth.

The vampire's pupils turned to pinpricks of terror.

"Still," the human said, "one local is enough for them to call me around these parts. Bad luck for you, my friend, isn't it? If you'd got turned in a city, you might have had a chance! Sorry."

The vampire, predictably, said nothing. It was the only thing the human found themselves wishing for. To be able to talk with a vampire, not just at them, because certainly it would be foolish of them to risk getting near one at any other time.

The human sighed. They trailed the knife down, dug it into the vampire's neck, where the two distinctive fang marks rested.

"The lucky thing for you, is that I need to find your maker," they said. "Can't just kill you. Or maybe that's unlucky? I suppose that depends on you. As said, most people wouldn't make something like you round these parts. They know better. So how did we get here? I'm rambling. Anyway." They watched, idly, as blood trickled down the vampire's throat. "I know you can't tell me anything, killer, but you're going to try. Flick those pretty eyes up for me twice for yes. Down for no. Okay?"

The vampire was unblinkingly still for a moment, still staring at them, face involuntarily smooth. Then their eyes flicked up twice.

The human beamed. "Good! What a good leech. Now. About the last things you remember when you were still alive...do you remember meeting a tall, dark haired man, by any chance? Voice to die for. Body to kill for. Soul made for sin, etc. etc."

The vampire's eyes flicked up twice.

"Mm, thought so, thought so. Did they give you a name?" They tried a few of the aliases the vampire had used the last few times. No dice. "Okay, moving on..."

By the time evening came dangerously close, they had everything they needed. They plunged the blade into the vampire, regretfully, and rose. They cast a glance up at the sky, calculating the minutes and the seconds, before heading home to do some research.

They were back. The bastard was back.

Less than two days later, they got a call about another fledgling vampire that needed hunting. Could they help? The curious thing was that this one had a note in its pocket when it died.

Honey, I'm home.

You coming out to play tonight?

[lone-nyctophile]

The spiritual satisfaction I get when the weather is gloomy, windy, and dark.

[notbecauseofvictories]

sometimes, you wake up and your first thought is "I cannot be a person today." often---most of the time---you have to then get out of bed and proceed with being a person, regardless of your feelings on the matter.

but sometimes, occasionally, once in a while....it's nice to email your boss, get back in bed, and go the fuck back to sleep.

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..

[pangur-and-grim]

BRO I GOT A FULL REQUEST! HEHHEHEHEHEHHEHEHEHEHEHEHHEHEHEHEHEHHEHEHEHHEHEHEHHEHEHEEHHEHEHEH

[zenlosingit]

The other day I came across this amazing post of a bingqiu role-reversal au and thought how fun would it be to see one of the novel covers flipped to fit that au, and promptly ran to go sketch the idea out.

Idk if I’ll finish the sketch, but maybe this will help push me to flesh it out one day. Who knows 🤷🏼‍♀️