#Not technically but you know it's an edit

[sepiasys]

@chxrrie-bxmb @littlest-bugz @nobody-needs-a-thneed @truly-a-snitch I'm def forgetting some lol

[Edit: I FORGOR @radical-boy-kisser !! Thanks for the mention when u did it tho :3]

Feel free to do it if you want, tagged or not :33

Unnecessary explanation below! :3

---

I dont know what triggered sjw means (I probably used to know), I technically fall under trans umbrella even tho I dont rlly use that identity label specifically (best is like. Transmasc or... transandro? For androgynous? Idk. But thats probably the closest /lh). I dont mind what pronouns are used, I've considered some funky ones even tho I've never had anyone use em for me, so idk if that counts since I dont rlly use em despite having em. I use trigger warnings when I feel it necessary, or I remember to. Particularly if it's flashing lights or like. Explicit description for whatever it is.

I only sometimes have/use a typing quirk ig?

So at least I have like. One bingo, guaranteed. At most I could have... four? Maybe five if it came down to it? Idk :P

save for later

[gasp-hehe]

Hamilton x JJK

This is 1000% brought on by me consuming those edits again, but Burr and Alexander are Satoru and Suguru if Suguru didn't defect. Hear me out, Hamilton didn't know how Burr felt. The inferiority, the jealousy, he to an extent always considered him a better half. In the musical we witness how excellent he was, leagues above everyone else, not cut from the same cloth, yet we have the musical because people never acknowledged him compared to some other founding fathers. Akin to how Gojo didn't even get a funeral, he altered the balance of the world when he was born just to die the same as you and I. Burr truly never held any ill will towards Hamilton in the beginning, their paths aligned, they became acquainted, but he did not excel. If it's sad that a founding father's legacy is a musical, is it not sadder for Burr to be remembered as the man who isn't Hamilton? If Geto had not defected but still harboured the same feelings and went through the same trauma, yet saw Gojo overcome and "win", then what's the difference? I think when you take songs such as 'Wait For It' or 'Non-Stop' this is better shown. The obsession Hamilton had with writing the same as to how Gojo exceedingly became so far above everyone he wasn't human, he is literally untouchable. He fought, took mission after mission, works 21hrs a day, he could theoretically handle it all alone. How Burr wasn't willing to back up the constitution, how Suguru didn't defect immediately, a year passed. The hatred brimming and boiling, him hoping it'd subside just for the wait to result in a different outcome. How the only time Burr did not hesitate was for that final shot, contrastingly enough, the only time Hamilton did. Satoru has always hesitated in taking Suguru's life, yet Suguru was truly happy when he was away from Jujutsu society. Honestly, JJK is ripe with symbolism, excellent re-read material in the sense that everything comes together so beautifully with certain characters. Gojo's ability being unbeatable, being his only weakness, how him messing with the fabric of reality impacted his life and the consequence of being untouchable. How regardless of the strength he has never got what mattered, just like his domain. Toji deciding to risk his life by fighting Gojo a second time just to prove to the people he hated that he was good enough, yet if he had won that fight there'd be no difference between him and the Zen'in clan. He died for the same people who wished he was dead anyway. And if Geto Suguru didn't wind up hating non-sorcerers he'd end up hating Jujutsu, believing the world would be better with 0 cursed energy. To dismantle Jujutsu can be done in multiple ways, but perhaps the most effective would be to take down the pinnacle, i.e Satoru Gojo. I will one day draft an entire character study and analysis on Satoru (because clearly I cannot shut up and I have too many thoughts), but when SatoSugu were like Lafayette and Hamilton just to technically wind up in the same fate, is post hidden inventory Geto the real Geto or did he die in that fight against Toji? If he didn't, was hidden inventory Geto the fake one and the racist the real one? This is also interesting because say Geto tried helping, pushing it down, not going insane. Would he be Jefferson? Would Satoru be Jefferson? Would Geto/Jefferson view Satoru as Washington?

You could say the trio ended up becoming like John Jay, James Madison, and Hamilton. What with Shoko never being recognized, John Jay recovered after writing four to write the fifth. James Madison writing more than their agreed upon original limit simply by himself but never given value, like Suguru being a special grade that came from no resources. Him having virtually no weakness. And of course, Hamilton going insane and losing everything in the pursuit of his 'dream', I wonder if anyone has ever randomly hugged Satoru and told him they love him. He never had an Eliza after all, fuck did he even have an Angelica? A Maria Reynolds? Yet Suguru had Theodosia. This is such a niche but goddamn do I love to yap.

[aethiriarts]

IDW Panel edit for my health and happiness

Obvious credit to ABT and Reggie Graham for their drawing and color work on the original comic! (And obviously everyone else who worked on the issue.)

[sophianightdreamer]

|#...triple changer tracks??|

Excuse this, when I learn to format and make those tiny screen captures I don't know, I'm a honorable grandma. But it just triggered the Gameplay Rant.

So. The thing is, Tracks is not exactly a triple changer, but due to the lack of other information he might as well be.

Essence, the system Hasbro's official licensed RPGs run on, does not have either a singular class or a dual race/class system. The basic Essence requires a character to have essentially, heh, backstory/motivation, additional backstory/job and role/specialization. But there comes in the first piece of clunk, as two of three categories appear basically redundant in Transformers' edition specifically. But that's not the issue today.

The second piece of clunk, which brought us the problem of Tracks, is that one of the roles/jobs/classes is Modemaster, which encompasses... Triple & more Changers AND Soundwave/Blaster type tape decks. If this seems counterintuitive, well, we're in the same boat. I think the original idea was "doing a lot of unusual things with altmodes", but to dump people with multiple alts and people with partners and minions into the same class is just...

Anyway. While Tracks basically is never mentioned otherwise, he is specifically noted as a Modemaster, and while the class technically may include people with unusual altmode elements like wings on a car, it is equally possible that Tracks is one of the two other notable unrelated archetypes, and since Tracks is definitely is not a cassette player, he must be a Triple Changer instead.

It might be a joke, if Tracks was mentioned literally anywhere else aside from this one time and some illustrations. Gnaw the Sharkticon has more flavor text!

@arceespinkgun

Quite besadly, Llyra was only mentioned in a letter by Hi-Q as having being binary-bonded. Whoever her partner is, I can only say it's not Arcee, as Leniad - the name of Arcee's headmaster unit from Titans Return toyline and Daniel backwards, as the toy homages the cartoon finale - is mentioned right before her in the same sentence.

Hauler is one of the Devastator's Autobot components, but the others are Wideload, Quickmix and Scoop. Scoop is there because of IDW1, where he replaced Prowl, while the other three are a Beast Wars Uprising reference (yes, Hauler included) - they formed Devastator there too, and other Uprising Constructicons are mentioned right before as Decepticons. Sorenson's writing, you see.

Things that happened in the Official Transformers RPG's lore.

So, I've got my hands on all three rulebooks of the official TF RPG. And also the G. I. Joe RPG, but that's irrelevant right now. My batch did not include the crossover rulebook, sadly.

Therefore, notes on the lore and other details in the "basic" canon, because TFWiki did not go into the details, that grew into this list of odd events mentioned.

First thing first, the general continuity is very close to Cyberverse or G1 Fanon, having the basic outline of G1 cartoon, but with details and chunks of backstory pulled from elsewhere - Optimus is a former archivist/data clerk, Bumblebee is a sportscar, et cetera.

To note, there's a somewhat short introductory "who-is-who" list and basic character sheets with profiles both.

Well, I've already got my whiplash, so it's your turn now.

There's something very funky going on with Devastator. Prowl's introduction blurb directly states that something Combiner Wars-esque/Prowlstator has happened, and reads as implying that Autobots hijacked Devastator. By all accounts, Scrapper is alive, making it a possible genuine canonical instance of Prowlastator with Scrapper alive, but the Constructions as whole are placed with the Decepticons. But, Tergamax mentions that among people that were at any moment replacement parts of Devastator there were five Autobots, Prowl included. What happened?

The "who is who" listing for Autobots includes declarations of jobs/roles/traits. Some of these are notable: 1) Ironhide is a chemist 2) Swerve is in Public Relations 3) Rung is Psy-Ops 4) Perceptor is specifically an engineer 5) Bumblebee is noted as "Hero of the People". Must be popular.

Speaking of roles, monochromatic SIC of the day is Jazz, who is also a strategist now.

All of the people in the introductory list are implied to be the Ark crew, and there are problems regarding space travel for Autobots right now. This means that Anode, Lug, those two kids from IDW2, Elita's team and Glyph are on the crew.

Rattrap is a Decepticon.

Optimus Prime has a thick Iaconian accent in Cybertronian. It turns "Teletraan" into "Teletron".

Character sheets include a list of languages that character speaks. Some of these past the standart English+Cybertronian are completely random. Optimus Prime speaks Dutch. Korean is surprisingly popular. In what could be a nice callback, Slingshot has Arabic. The only two people who know the language of newly-introduced alien species of Catharsians are Ratchet and Wildrider. But the crown is taken by First Aid, who has both ASL and Quileute. Yes, the basically extint language of a small tribe warring legally with Stephanie Meyer.

Speaking of languages, both Megatron and Shockwave are noted passable polyglots, and both lack the Universal Translator perk Soundwave, Blaster and Perceptor have. But while Megatron has vague but limited "languages from across Decepticon territory", Shockwave has "all common languages", implying he knows at least a bit of almost everything manually.

Tracks is a triple changer, apparently.

Decepticons' thing is mass-producing sparkless drone clones of their own members.

There's a general threat level system with lists included, where 0 is a random human civilian, 24 is Optimus and Megatron, and 25 is Omega Supreme and Scorponok. Chosen numbers for some characters are thought-provoking. Jazz is 14. Ratchet is 15. First Aid is 9. Wildrider is 6. Ironhide and Starscream are tied with 17. Lord Zarak by himself is 10.

Transformers The Movie sort-of happened, with no apparent notable casualties except for Megatron, who got Galvatroned, but there is a chance that Cyclonus, while a minion of Unicron, predates those events. He is also in an odd position of formally being a part of Decepticons and not the followers of Unicron, who are technically a separate faction.

Scorponok and Deathsaurus are member of Decepticon High Command/Conclave along with Shockwave and Soundwave. Nobody trusts Starscream, so he is not there, but he has the air force.

Mindwipe is, once again, a sorcerer.

Predacons, the combiner team, somehow adopted a sharkticon.

The evil plan du jour of, apparently, pre-Unicron era is converting Earth into the second Cybertron via several colony sites.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[papanowo]

i think dan should get to be a little weird too. as a treat

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[royalarchivist]

Pepito: It doesn't matter if you're not with me all the time, I'm gonna love you.

Quackity: Aw, I'm gonna love you too, son! 🥹 I'm sorry, come here! I love you son, I love you. I just want you to know that you're my greatest son ever. I wish you could've met Tilin, because Tilin was also a great- a great daughter of mine.

Quackity: Tilin is taking care of you and me from the sky.

It means a lot to me when characters choose to keep living, despite all the horrible things they've experienced, so here's a small tribute to choosing life in spite of suffering, and to two Eggs who made life so much better for q!Quackity and everyone on the Island. ❤️

[shriika]

"who are you?"

@fancifulplaguerat got me thinking about nina and victor and now i genuinely cannot stop... (doodles below the cut)

[black-and-yellow]

[romanceddawn]

Puzzleshipping: "Be careful of my heart..."

❕ Please do not repost to any other sites ❕

[nookisms]

Finished my second Kirby game

Went from "Yay there's so many different games to choose from! (he's a jolly fellow 🤨)" to "Humanity Is Extinct, Your Friends Are Kidnapped, And Something Haunts This Land"

Masterpost

[goodluckbabeheffron]

when your pretty princess energy is so strong that david webster decides you must die

[kyoshi-lesbians]

Ty Lee | all-american bitch

I know my place and this is it

[video description: an amv centered on Ty Lee set to “all-american bitch” by Olivia Rodrigo. The video focuses on Ty Lee's dynamic with Azula throughout the years, and juxtaposes Ty Lee's bubbly flirty persona with her extremely efficient chi-blocking fighting style and shrewd observations. end description.]

cw for flashing. extended video description under the cut

First verse contrasts scenes of Ty Lee, Azula, and Mai as children with scenes of Azula threatening Ty Lee in Return to Omashu, and from then on being a weapon for Azula in her mission. Scenes mainly pull from the trio’s early book 2 action as they chase Aang. 

First chorus: on “Forgive and I forget”: Ty Lee mid-air doing a flip cuts to young Ty Lee landing a flip. young Azula pushes young Ty Lee to the ground and laughs. Ty Lee chi-blocks a kyoshi warrior on "And I act like it. She flirts with Sokka on “Got what you can’t resist” and chi-blocks Katara on “perfect all-american”

Second verse features mainly scenes from the end of book 2 when Ty Lee, Azula, and Mai are in Ba Sing Se disguised as Kyoshi warriors. Many of the scenes show Ty Lee being undignified, contrasting with the lyrics (but fitting the ironic tone of the song). These scenes include Ty Lee jumping into the sludge during The Drill, her covered in mud, and flying through the air with Mai after Appa flaps his tail at them. 

Second chorus: “Forgive and forget”: Ty Lee after her circus performance agreeing to join Azula. Other clips juxtapose Ty Lee during The Beach with Ty Lee fighting during The Boiling Rock. 

“I know my place”: Rapid cuts of Ty Lee and Mai beside Azula, cut to Ty Lee anxiously looking side to side during The Boiling Rock confrontation. On the second “I know my place”: Rapid cuts of Ty Lee hugging Mai, and Mai and Azula preparing to fight. 

“And this is it”: Ty Lee chi-blocks Azula. 

Bridge: Scenes from the fallout of Ty Lee betraying Azula - Mai and Ty Lee being arrested −  cut together with Ty Lee’s emotional outburst during The Beach campfire scenes. During the screaming and fast-paced music, there are rapid cuts of Ty Lee fighting and moments beside Azula, in between cuts shots of Ty Lee crying. 

Outro: Ty Lee bowing to Azula during Return to Omashu. Then Ty Lee crying during The Beach party, and Azula apologizing to her. 

[unorcadox]

On that day, the viscera of God fell on the world.  Stringing itself up across the sky and into everything.

[mochiiniko]

theyre dumbasses in love your honor