#No i am not coherent

[jaybirdscoffee]

forever thinking about D-16’s “I want to kill him.” monologue. that initial line hit so hard. it was a line that made me think There He Is. because, yeah, that’s the megatron we know. that’s the megatron that worked in the mines, and when cybertron’s government turned its back on him, his rage won out. he devoted his life to something for nothing, for a world that didn’t give a damn about him. the story may have changed, but the essence of his origin is still there.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[thekaiserroll]

Hug

It's nearly impossible to have a quiet and peaceful day with the crew, like the strawhats. Nami is mostly used to the noise on Going Merry but one day she gets fed up with Zoro and Sanji arguing. Not only are they extremely loud, but they've also already broken way too many things during their fights.

She decides that If they want to act like brats, then she's going to treat them as such. So she makes them apologize and hug each other in silence for an hour. None of them are happy about this punishment, but Nami threatened to raise Zoro's debt, and Sanji couldn't say no to her. It could be worse.

It's awkward enough for them to not incite any fight for a long time and Nami is quite proud of herself. She knows it won't last forever but at least now she knows how to handle them. It inevitably happens again. And again. And again.

Much to her surprise, those fights became more and more frequent. And what's even weirder is that she could see the way both Zoro and Sanji occasionally glanced at her to make sure she was nearby. It's almost as if they wanted someone to make them hug each other. As if they needed an excuse.... these idiots.

Soon, they don't even need Nami's help. When they aren't busy training, cooking or fighting, they cuddle together. Sometimes Luffy or Chopper would join them, but most of the crew knew it was their time.

After two years spent separately, they became extremely clingy. It's no surprise when they start sleeping in the same bed. What is surprising is that despite them behaving like a lovey-dovey couple, those oblivious idiots are STILL unaware of each other's feelings.

[meatgrinder-0]

[panstarry]

my final from last semester that i made into a zine. cooked this one up in a couple hours before the critique (the ink was still wet!), so it's very raw and kind of sloppy but the sentiment is there. i love you trans people of color. we are the backbone of this community 🌟

[hinamie]

itafushi nation how r we Feeling!!!!!!!!!!!

[darkmuffinstudios]

The struggle for sleep is super hard sometimes

[feelo-fick]

i thought the reason was obvious..??

but you dont seem to get the implication so i guess ill just keep talking and you can listen if you want to

—

that one meme but its them :] sort of a sequel to this

[acediscowlng]

thinking about how both edwin and charles refer to edwin getting sent to hell as a technicality or a clerical error and like. it's not. that's not what happened. edwin was sacrificed. hell had a mechanism for accepting innocent souls. edwin ending up in hell wasn't a loophole or a mistake someone made along the way. it was a system that was working exactly the way it was intended.

and thinking about the idea of hell and the idea of forgiveness and the idea that you only stay in hell if you feel like you belong there. and how edwin says that he was never meant to be in hell to begin with but still building up a case for himself to prove it because him not deserving hell might not be immediately obvious

thinking about how edwin died because of a hate crime, how he died being made to feel that there is something fundamentally wrong with him and getting sent to hell right after. and thinking about how edwin saying "if you punish yourself, everywhere becomes hell" and over a century of repression and supressing the parts of himself that got him killed, that got him sent to hell in the first place. and thinking about how when the night nurse looked at edwin's file, it didn't know if he belonged in hell or somewhere else either because edwin didn't know because edwin knows that he never did anything to deserve hell but he didn't get sent to hell because of anything he did but because of what he is and maybe there's a difference and maybe he believes that he never did anything wrong but maybe some part of him believes that he, personally, is wrong

and thinking about forgiveness and salvation and how people actually get out of hell, and how edwin forgave simon because they were two queer kids in the same shitty situation both in life and in death and it didn't matter how simon hurt edwin because he still needed to understand that being gay was not a punishment, and thinking about simon getting out of hell right after

and thinking about edwin confessing his love for charles on the steps of hell and getting to leave right after and how hell is something you make for yourself and how edwin escaped the first time but he never forgave himself for what he is and not something hecdid maybe hell still had a hold on him after all those years and it wasn't until he let himself be honest about it and be gay and love boys and allowed himself to actively choose to be the person he is and deciding that that person is someone who is allowed to feel and love and that that kind of love was not a punishment and thinking about how edwin escaped hell by not just allowing himself to love but leaving behind all the ways he was punishing himself for it

[bluebells-and-dragonflies]

Imagine Astarion with ears so sensitive that he's never willingly allowed anyone to touch them except for you. Imagine laying next to him in your bed, facing him, lifting your hand up slowly for that first touch. His eyes on yours, the rapidity of the breath he doesn't need to take, but still does reflexively. Seeing that he's nervous, but that he's trusting you, feeling his shaking hand come to rest on your waist. The audible sound he makes- half a moan, half a gasp- when you finally brush your thumb over the soft skin at the tip of his ear.

You trace the long shell of his ear and watch his pretty eyes, deep red like velvet in the moonlight, flutter shut. He says your name softly, as close as you've ever heard him to prayer. You pinch his earlobe gently, and his hips roll forward involuntarily, the jut of his hipbone pressing against your thigh as he makes himself still. Heat flares low in your belly, but you tamp it down as quickly as possible- likewise, Astarion makes himself still against you. This isn't sex and won't become sex, you'd promised each other (though that's not to say that you won't explore this thoroughly during one of your hours-long lovemaking sessions. He is all about experimentation these days, after all).

You lay there, touching him in his most vulnerable place, with reverence and grace and occasionally disbelief that you could be here at all with this beautiful, horrible, ridiculous and wonderful man, that you could be trusted so completely. You take in his every shuddering breath, the flexing of his fingers in your shirt, the softness of his mouth when he presses his lips to yours and tells you he loves you. If you have your way, if he has his, if somehow your utterly insane lives hold together for a year or a decade or ten, it will always be like this.

[filipineapple]

the tanning bed partially resurrecting the creature everytime he used it so he could be more alive for lisa. her offing herself in it so she could be with the creature for eternity. the bed shaped like a coffin symbolizing the dual nature of death. i love this movie so much you don't understand.

[deadpoets]

SOLDIER, POET, KING by The Oh Hellos

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[duck-jamm]

bill ciper/stanford pines to stanford pines/fiddleford mcgucket to fiddleford mcgucket/stanley pines....... they're de-toxicing the yaoi

[saltpepperbeard]

crying, quite literally this time, so so hard over their reunion just being cloaked in so much hope and warmth. the idea that you think you’re a horrible person but someone still loves you and sees you to your core. the idea that you think you’re all alone but you never really are.

the idea that somewhere, somewhere, someone is right there for you. someone wants you to be around. someone loves you despite it all.

[nappingmoon]

toji is such a forehead kisser. when he comes home and you’re napping he leans over, pushes the hair out of your face, and leaves a soft kiss against your skin. when you’re in line for something with him, passing the time tucked into his side scrolling on your phones, he absentmindedly just turns to place a quick kiss to your temple. he doesn’t even notice he does it, it’s just second nature to him at this point.

sometimes, when either your insecurities are preventing you from being outspoken with him or you’re arguing and decide to give him the silent treatment, he’ll just fully grab your head and pull you to his lips. he’s not the best with words, and kissing you outright just doesn’t get his message across. he wants to get the meaning directly to your brain and quiet all of the other thoughts. with his palms on either side of your head, fingers threading through your hair, and your body entirely surrounded by his, you find his method effective. toji’s presence is all consuming. his scent familiar, his grip comforting— in the moments where you two connect like this, you have no choice but to ease and feel his affection wrap around you, grounding your mind and soul.