#New events and storylines etc... | Explore Tumblr posts and blogs

blueskittlesart · 6 months ago

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i kinda really wanna see a big ol vent/rant from you about genshin now lol. I would read an essay

I'm not sure you understand the insanity you just unlocked in me but ok

genshin impact is probably the clearest modern example i can think of of capitalism absolutely eviscerating a creative project. For context, I started playing genshin in 2021, just after the 1.4 update. it was venti's first rerun/the first windblume festival if that means something to you. and I really genuinely thought that it might have had something special. It was a gacha that didn't FEEL like a gacha, which was a huge feat to me.

it began with a very simple story pitch--you, the protagonist, are one of a set of twin siblings traveling through space. you come upon a seemingly unassuming world and your attempts to continue your journey are suddenly stopped by a mysterious, all-powerful figure. you are separated from your sibling and wake up alone on the shores of this planet you were attempting to leave together. throughout that opening cutscene and scattered through the world and your character's dialog there are implications that all is not as it seems, that your character is something unique to this world and that they possess powers and abilities that you've yet to unlock. You are told that you must travel the seven nations of this world in order to find your sibling, which is great--a simple, zelda-like objective which drives the player to explore the secondary narratives of the world. none of this is bad on the surface. in fact i'd argue it's pretty good. there's a ton that can be done with these story bones. even at launch the map and combat system were full of potential as well.

Note: for ease of reading, i'm going to label the different storylines of the game now. A-plot refers to the central objective of the entire game; the find-your-sibling plot and everything that encompasses, including the abyss order/dain, the heavenly principles, the fake sky, etc. B-plot refers to the secondary objective present in each new nation, usually meeting the archon and/or solving a problem for the archon. (A and B-plots will occasionally intersect.) C-plot refers to any story, location, or background information which remains in permanent gameplay but which isn't directly related to the A or B-plots, such as dragonspine, the chasm, enkanomiya, etc. D-plot refers to any story, location, or background information which is confined to limited-time events and does NOT remain in permanent gameplay, regardless of its connection or lack thereof to the A and B-plots, such as the golden apple archipelago, the infamous albedo/dragonspine event, the infamous kaeya/diluc event, etc. Lore as i will refer to it in this post refers to any information which is present in permanent gameplay but which is not directly told to the player within the A or B-plot story quests and objectives, including books, weapon, artifact, and item descriptions, world quest dialog and puzzles, etc.

So now we're in mid-2021, there are two nations' worth of B-plot story quests released in full, and we've run into our first problem, which is that the game isn't finished yet. I don't have any actual information about how the game was/is written, but based on what i've observed over the past few years, my best guess is that the A-plot has been fully written since the beginning, at least in some form. there were very early-game events and information pertaining to the A-plot that would take years to see any actual payoff in the main story quests (kaeya's origin story, the 1.3 scaramouche fake-sky drop, the flowers in lumine's hair, etc.) but those kinds of A-plot story easter eggs very quickly dropped off when the game absolutely EXPLODED during the pandemic.

this sudden burst in popularity was the true beginning of the end for genshin, i think, because suddenly they had a HUGE fanbase that desperately wanted more content faster than they could pump out new A-plot or even B-plot story quests. one of the most pervasive complaints about the game when I began playing in 2021 was that there was nothing to do between story quests. update 1.4 (which was the update I started playing at) was important in that it was the first time since genshin's release over a year before that players recieved any new A-plot, in the form of the archon quest We Will Be Reunited, also known as the quest with the most fucking misleading name of all time. you'll never guess what doesn't fucking happen during this quest. anyways. we were a year into gameplay, two nations out of seven released and a third on the not-so-distant horizon, and it seemed obvious that players were owed some sort of A-plot payoff. and that's very much what WWBR was advertised as, from the quest's name to the banners full of art of the twins staring wistfully at each other. The thing is, what i'm describing as A-plot payoff was actually. not really A-plot payoff at all. WWBR was the reveal that the protagonist's sibling was working with the abyss order, and that the abyss order was connected somehow to Khaenri'ah, which at this point casual players would only have known about from THAT QUEST and MAYBE kaeya's character descriptions if they were diligent enough to get him to friendship level 10 (which, btw there is no indication that you should do to get important context about the story of the game, because kaeya is a 4-star starter character and the only character in the entire game that actually has genuinely important story hidden in his character descriptions.) So what I'm calling A-plot payoff felt at the time a lot less like A-plot payoff than it did like an abyss sibling cameo in an attempt to satiate everyone who was begging for more story. We actually gained almost net 0 information. this is very quickly going to become a pattern.

As I've already alluded to, the motives behind this writing decision are transparently obvious. Genshin is a free gacha game which relies on a consistently active and engaged userbase to make its money. With fans getting restless about the lack of engaging story at the time and a new, very ambitious B-plot quest gearing up for release that would require major support from that fan base in order to remain profitable, the writers were backed into a corner. they HAD to throw the fans some sort of bone in order to keep them engaged with the A-plot, since it was originally pitched as the driving force for the story as a whole, but they were also clearly not at a stage of the writing process where it was prudent to give the player any REAL information about the A-plot. This is how we ended up with a 10-second abyss sibling cameo and an offhanded mention of Khaenri'ah, a nation whose plot-relevance was at that point still basically unknown.

The real problem is, WWBR worked. at least, it worked as intended at the time. It satiated story-focused fans in the interlude between B-plot nations, as hyv was gearing up to release inazuma, which required a lot of time in preparation. WWBR was followed almost immediately by the C-plot golden apple archipelago in 1.6, widely regarded as one of the better events of version 1. GAA was memorable especially because it was the first event that involved an entirely new, limited-time-only map, meaning the event had much more longevity than the standard events players were used to. This is, imo, most likely the update combination that led to the standard formula which hyv uses for its quests and events nowadays. the back-to-back release of WWBR and GAA satisfied both fans who wanted A-plot story AND silenced criticisms about the game lacking endgame playability, which at the time must have seemed like a goldmine to writers desperate for a solution to their content-to-fanbase ratio problem.

From here, genshin started following a standard method of release for their next three nations--inazuma, sumeru, and fontaine. the formula generally went as follows: one major version update (usually version x.0) containing a major map update which included all B-plot relevant locations in the new nation, and the first chapter of the B-plot story quest relevant to that nation. this would then be followed by 2-3 version updates which would each contain the next chapter in the nation's B-plot story quest, sequentially. After the nation's B-plot quest ended, during the downtime in which the next nation's story and map would be finalized, subsequent updates would be largely C-plot, and would contain minor expansions of the map to increase endgame playability via exploration and world quests. This is how we ended up with updates like the chasm, the several extra islands in inazuma, and the quite frankly ridiculously large sumeru map, as well as the offloaded maps like enkanomiya and the sea of bygone eras. with the possible exception of the chasm, none of these areas are A OR B-plot relevant. hyv has realized that artificially inflating the map makes their game technically more engaging during the downtime between nations. However, this comes at a price. While the scenery and set design of the game remains consistently beautiful, the actual, mechanical gameplay that populates that scenery very quickly became mind-numbingly boring if not borderline unplayable. While the 1.0 questlines were not perfect, there was at least an emphasis on the player actually DOING things. 1.0 B-plot quests would have you going to mini-dungeon temples and completing challenges which would acclimate you to the combat system while also serving narrative purpose. There were quests that required you to navigate open-world dungeons. Because your characters were lower-level, combat challenges that arose during these quests were CHALLENGES, rather than two-second buttonmashing segments. By the time we get to sumeru, though, both B-plot AND C-plot quests have become little more than moving your character from location to location and tapping through (usually unvoiced) dialog. there's no GAMEPLAY in the quests anymore, because gameplay isn't what makes money. What DOES make money is giving players 300 hidden chests to find in an open-world map segment, each of which gives them 1/80th of a gacha pull. And so the story suffers and the map gets bigger.

Along with the map expansions, downtime between nations usually also nets us one A-plot quest, usually involving the character dainslief, who was the driver of the initial WWBR quest. This is the second half of hyv's magical formula for keeping fans happy between major releases. the A-plot quests will, as a general rule, give players either very little new information or no new information at all, but will dress up the delivery in such a way that it ALMOST feels as though the protagonist has moved forward somehow. the most recent example of this writing style, the 4.7 quest bedtime story, amounts to about an hour and a half of gameplay and, while it DOES contain a segment in which the protagonist finally actually has a conversation with their sibling, that conversation literally begins with the line "I have so many questions, but for some reason I don't want to ask them right now," ensuring that the sibling will not actually be required to give away any plot-relevant information whatsoever, and the quest ends with the protagonist FORGETTING THAT THE CONVERSATION EVER HAPPENED IN THE FIRST PLACE.

As I think I mentioned before, the cardinal problem of genshin impact's writing is that fans want answers faster than the writers are prepared to give them. I don't doubt that there's a game bible or relevant equivalent somewhere within hyv which contains the explanations we are currently lacking in regards to the A-plot. the game is consistent enough in its storytelling for me to believe that this isn't all just being made up as we go along. But I'm also certain that a lot of the late-game A and B-plot that is planned (especially if the Khaenri'ah is truly planned to be the 8th nation of the game) hinges on the player knowing very little about the A-plot. this would be fine if genshin was a standard single-release video game that players could work through at their own pace, but it isn't. it's unfinished, and each nation in the game releases months to years after the last, leaving the writers to scramble to fill in the gameplay gaps and players struggling to remember plot-relevant information when it's brought up literal years after they last heard it mentioned. Not only does the time between updates leave players frustrated about the lack of A-plot, it makes the A-plot harder to understand when it is brought up, because the writers are required to throw in so much dense C and D-plot just to keep engagement high enough to make the game profitable in its downtime. we joke about the insane convolution of genshin's lore, but that is first and foremost a byproduct of its financial model. the game requires engaement to be profitable, and adding lore for players to look into drives up engagement. The fact that having so much story with so little plot relevance muddies the waters and makes the A and B-plot stories considerably harder to understand doesn't matter as long as money is being made.

I want to take a quick detour here to talk about the release of sumeru specifically, because this is when I really began to clock the fact that genshin was declining. on paper, racial sensitivity issues aside (Not that they're not important, but i'm doing this deep dive from a storytelling and game design point of view, nothing else. that's a whole can of worms i don't have time to get into here) sumeru was a really promising addition to the game. The new B-plot quest which was set to drop in 3.0 was highly anticipated for several reasons. Two fan-favorite characters (kaeya and scaramouche) were expected to play major roles, because of earlier C and B-plot quests, and much of the nation's scenery that was teased in trailers and promotional content appeared to tie into the A-plot. the most exciting draw about sumeru and version 3.0, though, was the major update to the combat system.

Arguably genshin impact's most interesting feature upon release was its combat system. The map was basically a botw clone at that point, and the story quests, while decently engaging, were rough around the edges to say the least. What genshin DID have going for it was a unique real-time combat system that rewarded strategy and quick thinking.

Genshin's combat system is elemental, and on release there were 6 elemental affiliations: anemo (wind), cryo (ice), pyro (fire), hydro (water), geo (rock), and electro (electricity.) in a sort of pokemon-like system, certain elements were weak to other ones, but more importantly, certain combinations of elements could drastically boost combat stats. Players got to construct four-slot teams of characters, each with an elemental affiliation and certain "skills" which would match their element, and you were encouraged to use the interactions of these elements to build teams. very quickly, a huge community formed dedicated to optimizing teams and tiering characters. People would even make a game out of building teams specifically to do high-level damage with "bad" characters or characters who weren't designed to be damage drivers (my 100k jean burst was an incredible moment fr.) this was, of course, also a picture-perfect driver for the gacha aspect of the game, which was how players obtained new characters.

Pre-3.0, combat was... well i won't say it was balanced, but there was no elemental reaction that had any MAJOR advantage over the others. when you actually ran the numbers, i believe vaporize was the best reaction in terms of damage output, with the best team being raiden national with kazuha for EM buffs. but a well-built freeze or melt team could do similar numbers, or even better numbers depending on your artifact rolls. (ayaka permafreeze you will always be my #1.) Despite a steady stream of new characters with each update, characters from the earliest version of the game like xingqiu and xiangling were still topping the charts in terms of usefulness and versatility in teambuilding. However, as early as 1.0, players had been teased that a major update to the combat system was planned. There was a seventh element, dendro (plants) which pre-3.0 only existed as an elemental affiliation for menial enemies. there were no playable dendro characters, and the only elemental reaction that existed relating to it was very low-level and not particularly useful in combat.

Originally, dendro was projected to be added to the combat system somewhere in version 2, but its release was delayed substantially, meaning it came out along with its affiliated nation, sumeru. And as soon as it came out, it basically broke the combat system. I assume that the scaling they ended up going with may have been out of fear that players would be hesitant to integrate a new element into their pre-established team builds, and thus they may have been worried about sales on their dendro character banners, and i assume that the fact that 3 elements are required to get the highest-level reaction was an attempt to make the meta more balanced in the face of that scaling, but, well... it didn't work. At this point, the genshin impact combat meta is basically "if you're not using hyperbloom what the fuck are you doing." there's basically no reaction in the game that comes close to it in terms of both damage and ease of use. you are not going to beat a hyperbloom team with anything other than a better-built hyperbloom team. combat is now very heavily skewed in the direction of dendro, meaning that if you DON'T want to use a dendro team, you're going to be doing significantly lower numbers. And since enemies are added with each update, post-3.0 combat becomes difficult and annoying if you don't have a hyperbloom team on-hand.

The major gripe i have with dendro isn't even the scaling, though. I mentioned offhand earlier that the 1.0 B-plot questline had a section which taught you the basics of the combat system via mini-dungeons. These mini-dungeons, of course, taught you the version of the system that existed pre-3.0, so there's no tutorial for dendro reactions. Rather than integrating the tutorial into the story and world like they did in their early quests, upon playing 3.0 for the first time players were given a popup that explained, very wordily, how dendro reactions worked. there was no opportunity to test these reactions in an environment without consequences--if you wanted to try them you'd have to remember the relevant information, build yourself a team, find an enemy to try them on, and just hope you got it right. This lack of integration is something i began to notice more and more with genshin as it progressed, especially in sumeru. where in mondstadt and liyue open-world puzzles would be explained to you by an npc or via environmental context clues, in sumeru you'd be stopped while exploring every two seconds by a popup explaining some puzzle or another which, of course, you wouldn't read, because you didn't want to do the puzzle right that minute anyway, and then by the time you DID want to do that puzzle you'd have no in-game way of figuring out how to do it. The puzzle popups may seem like a small thing, but it's one of the clearest examples in the game to me of the fact that the player experience is so clearly not being prioritized here. the game doesn't even TRY to be immersive anymore. they have no qualms about pulling you out of the story to read a paragraph about how the puzzle works. they don't care how your character, in-universe, is supposed to have acquired that information. they don't care why your character, in-universe, is doing the puzzle in the first place. because they know the reason YOU are doing the puzzle, which is to unlock a hidden chest that gives you 1/80th of a gacha pull.

That was not "a quick detour" was it lmfao. ok anyways. back to the story. Now i want to talk about D-plot, meaning limited event stories, and lore as i defined it earlier, meaning contextual details not present in quests or playable story. This is where i think genshin's story becomes completely inaccessible.

Already, we've covered the fact that in order to consume the very basic story, players have to be willing to wait years between A and B-plot quest releases, punctuated by irrelevant map expansions and interlude quests. I mentioned before that genshin's incompleteness is one of the major problems of its story. the fact that players have to wait years, remembering plot-relevant information that they have no way of knowing will even BE plot-relevant, for the payoff of these narratives is frustrating at best and actively malicious at worst. But in theory, there should be an obvious way to circumvent this. One could just wait until the game IS completely finished to play the whole thing. Sort of like buying a game in early access but waiting until it's actually finished to play it all the way through. that's theoretically possible. but, as i have been hammering home this whole time, genshin is a free game, and therefore genshin relies entirely on a consistently engaging fanbase in order to remain profitable. if genshin does not have a base of players who are willing to log in every day, or at the very least once every update, the game's financial model collapses on itself. therefore, genshin puts on limited-time events. this is a standard in gacha games, as a way to keep the fans consistently engaging. What is not standard, however, is the way that genshin uses these events as vessels for its story. about 19 out of 20 limited events in genshin impact will be useless menial bullshit with no effect on the story or really even the player aside from maybe making you fucking angry. 1 out of those 20, though, will be innocuously named, with nothing in the banner or event description to indicate that it's special in any way, but it will contain serious A or B-plot relevant information that exists nowhere else in the game. My personal favorite example is the infamous 1.3 scaramouche appearance, in which he showed up, told the protagonist that the sky was fake, and then immediately fucked off again. Scaramouche did not show up again until at least 2.0, and the fake sky wasn't so much as MENTIONED again until 3.2, almost TWO YEARS LATER. but there are others, such as the (almost equally infamous) albedo doppelganger event in which a major character's loyalties are called into question, or the event where major biographical information is revealed about kaeya, the only playable character with major known connections to the A-plot and Khaenri'ah. With all of these events, once the event period ends, the information contained within them vanishes from the game completely. there's no way to replay old events that you've missed, even sans rewards, so if you miss a plot-relevant event the ONLY way to catch up on that story is through word of mouth. again, this is a transparent way to keep genshin's userbase engaged during downtime between B-plot quests; if you don't log in and play every event, how will you know if you've missed something important? You might not be able to fully understand the future story if you miss out on the D-plot now!

The D-plot problem is something that I think could, in theory, be circumvented by dedicated record-keeping. if the wiki had anything resembling an easily accessible event database that marked story-relevant events and contained summaries or gameplay videos, at the very least you wouldn't have to fear being completely lost on the off chance that a random throwaway line in an event from fucking 1.3 becomes plot-relevant. but hyv obviously doesn't want that, because it undermines their financial model, and the sheer number of events and the amount of rerunning of irrelevant events they do makes the task of recording and categorizing them all daunting if not impossible.

Then, of course, there's lore. this is arguably what genshin is infamous for in certain circles of the internet. You know that unraveled video where bdg reads every book in skyrim? if you tried to do that with genshin the video would probably be about 10 hours long. and it's not just books; genshin hides (potentially) plot-relevant information in weapon and artifact descriptions, in random hidden world quests, in character bios... the list goes on. and 9 times out of 10, the information is essentially written in code. Plot-relevant characters will have multiple names, or the relevant information will refer to them as vaguely as possible, presumably to further the "mystery" and encourage theorizing among fans. but the sheer amount of information like this that exists within the game makes it all but impossible to determine what is plot-relevant and what isn't. For a topical example, the most recent A-plot quest bedtime story mentions the name Rhinedottir in connection with events in Khaenri'ah, suddenly making that name A-plot relevant. Rhinedottir is an alternate name for the character Gold, whose existence you would only have known of before this point if you'd unlocked and read the character Albedo's character bios. (Albedo is a limited-run character who hasn't been available since november 2022, btw.) the only other information about Rhinedottir permanently available in the game comes from the description of the weapon Festering Desire, which was only obtainable from a limited event back in 2020, anyway. So basically, if you wanted ANY context for that remark, you'd have to have been playing the game since AT LEAST 2022, AND you'd have to have taken the time to go over your weapon and character descriptions with a fine-toothed comb. keep in mind that as of right now (june 2024) there are 85 playable characters in this game, each with 10 unique unlockable character bio sections, and over 150 weapons, each with their own unique descriptions, not to mention over 50 artifact sets, each with 5 unique artifacts, which all have their own unique descriptions as well. there are also 51 different collections of books which contain written lore as well. the idea that any player could keep up with all this, or that anyone could even sift through it all to pick out the important things that they NEED to keep up with, is insane, especially when the game makes a point of withholding crucial plot information from its players within the A and B-plot quests. this amount of written lore only exists, again, to drive up engagement in the hopes of subsequently driving up profit. Even if the average player isn't reading and absorbing all this information, the fact that it's there coupled with the fact that the writers consistently refuse to reveal anything beyond surface-level A-plot information means that there's basically ENDLESS theory fodder. and THAT means that people will be posting their theories and talking with each other and getting into arguments. it means "genshin impact" trends on twitter. it means engagement, and engagement means money.

basically what it comes back to is that everything is so transparently money over player experience with this game. I think what we're witnessing with genshin is what i would call an end-stage gacha game--a gacha game that's gone on a little too long and gotten a little too popular, and so the veil has started to slip a little more than usual. Gachas work primarily because they operate by toeing the line between what is fun to play and what is a predatory mechanic. As long as the actual gameplay remains engaging and rewarding, players can ignore the unsavory business practices underneath. At this point, genshin has swerved too hard into the money-hungriness and is still hoping that they can use their old tried-and-true engagement farming methods to remain popular regardless. currently, it seems like those methods are still working, unfortunately. Like I said in the post that prompted this, i really can't wait for the hyv writer NDAs to expire 10 or so years down the line, because I can only imagine what an insane shitshow writing for this game must be. I want to see the tell-all articles. I want carnage.

That being said, I played genshin impact religiously from 2020 to 2023. I loved the game. Despite myself, I am still really, REALLY interested in the A-plot. I want to know what's going on with the protagonist and their sibling; where they came from, what happened to them, what the heavenly principles are, what role celestia plays in all of this. I want to know Kaeya's full backstory, what role Khaenri'ah plays in the overarching story, and what happened to it in the past. but I don't really have any faith that I ever will, because I know that as long as keeping their fans in the dark and stringing them along remains profitable, that's what hyv will continue to do.

Do I think genshin impact is unsalvagable? in its current state, yes. If I was given the ability to turn back time and convince a bunch of executives of the profitability of this venture, I would change almost nothing about the story of genshin and completely rework the mechanics of its release. I would make it a series of single-release self-contained games rather than a constantly-updating gacha. Each game would be one B-plot quest, or one nation, eight games in all, preferably released once every year. Removing the gacha mechanic, players would be given access to a certain pool of characters to build teams at the start of each game, and then periodically unlock new characters as the story progressed. for example, if you were playing the inazuma game, you'd start out with only your protag, and after progressing to a certain point in the story you'd get a pool of inazuma 4-stars to teambuild with freely. Then, as the story progressed and you met plot-relevant inazuman 5-stars you'd add them to your pool. I'd change basically nothing about the combat system except for a properly integrated introduction of dendro when it makes its appearance in sumeru. Once you completed the story in that nation, you could move onto the next game in the series if it was out, or if it wasn't, you could continue to explore the open world while waiting for the next release. Would this be as profitable as the gacha model? probably not, but what it WOULD do is allow for much more consistent pacing and writing, with the added bonus of not making your userbase feel like you'd shoot them in the head for their pocket change.

#jesus christ. hi everyone #asks

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endlessthxxghts · 11 months ago

Text

Routine

Frankie Morales x coffee shop worker!afab!reader || W/C: ≈7.9k

Summary: Frankie makes a new routine for himself to help with his mental health. In that routine, Frankie stumbles upon you.

Content/Warnings: POV switching - stops towards the end, then POVs are combined. Friends to lovers. Slightly scared and reluctant friends to lovers. Slow burn. Canon divergent to Frankie's Triple Frontier storyline (No history of lady or child for Frankie). Brief mentions of South America and Frankie's mental health. Brief therapy talk. Overthinking!Frankie, but Reader comforts and reassures him. He’s not insecure the entire time, promise lolol. Hints of angst, but this is me we’re talking about — always will be a happy ending here🫶. No physical description of reader besides coffee shop uniform (no size descriptions used) - any descriptions are neutral, no adjectives to describe (purely things like "your thigh" etc.). No use of "y/n". SMUT 18+ MDNI (making out, cunnilingus + fingering, unprotected P in V sex + cumming inside, breast worship/titty sucking). If there's anything that should be up here, please do not hesitate to let me know!

A/N: Merry Christmas, Happy Holidays, and happy days, everyone! This Christmas season, I was apart of @pedrostories' 2023 Secret Santa event where we gift some type of creation to another fellow Pedro-related blog on here. I'm honored to have created this story for the lovely @alwaysbethewest ! I'm a huge sucker for a soft man, so in reading the prompt you gave, I just had to write for good ol' Francisco Morales—the sweetest of the bunch. This story was so cute and sexy to write, I'm so excited to see what you think. I truly hope you enjoy!

MASTERLIST || NOTIF BLOG

Frankie

You need to create a routine.

One that takes you out of your house.

Out of your comfort zone.

These words rang in Frankie’s ear as he allowed his feet to make decisions for him today. Ever since South America, Frankie has been struggling to maintain a sense of normalcy again. He rarely leaves his house unless it’s for groceries or work — or as of the last few months, unless it’s for therapy.

Frankie’s therapist noticed he was falling back into his old habits, his old mannerisms; and in being prompted about what his day-to-day looked like outside of therapy, Frankie was met with those three phrases.

“You need to create a routine.”

“I have one,” Frankie says defensively.

“One that takes you out of your house.”

“I do,” he says. “Work. The store.”

“And out of your comfort zone.”

Frankie scoffs. As soon as he thinks of a quip, his therapist’s watch beeps. Saved by the bell.

Frankie rises, getting ready to leave the room. His therapist leaves him with a new assignment. “Clear your schedule. You’re doing nothing but spontaneous decisions tomorrow.”

He takes a breath to calm his frustration. “How will you even know if I’ve done it?” Frankie asks.

“I’ll know.”

“And if I lie?”

“I’ll know,” his therapist reassures.

Which is why he finds himself in the early afternoon at a coffee shop, during what looks like to be its busiest hours of the day. Shit.

He enters the line as he scans the menu on the wall, the line being long enough he’s sure he’ll make a decision by the time he gets to the register. He usually gets straight black coffee, but taking his therapist’s word a little too seriously, he opts for something else.

Hazelnut? No. Mocha? No. Vanilla? No. Fuck, okay, this is harder than it looks.

He scans the tinier board off to the side for today’s special: an horchata latte, either iced or hot. Horchata? He can absolutely get by that. The guy at the register takes the order of the customer in front of him, and the same guy switches off and begins to make the customer’s drink. Waiting to be helped, Frankie reaches into his pocket to get his wallet ready, but still angsty from the hustle and bustle of the coffee shop, his grip fumbles and he drops it.

He bends down to go pick it up, and as he stands back up, he’s immediately met by the most heartstopping view. You, with a brown apron, a hand-drawn name tag, and powdered sugar adorning your cheek. The smile on your face as you greet him causes his brain to short circuit.

“Hi! How can I help you today?” you beam at him, completely unaware of the cuteness radiating off of you, melting his anxieties made of wasps and transforming them into the shape of flapping butterflies all throughout his tummy.

“I- um, hi- yeah, I’d, um-” he stumbles on his words. You smile at him, nodding your head patiently and understanding. “Shit, sorry-” he laughs nervously.

“You’re okay,” you giggle, slightly intrigued at the flushed state of the man before you. “This your first time here? We’ve got a lot of options, it can be very nerve wracking picking from our menu,” you comfort, probably assuming it’s the first-time jitters taking away his ability to speak.

“Oh, uh- yeah, it’s my first time here,” Frankie confirms. “But actually, I had my mind set on today’s special? The horchata latte?”

Your face lights up like a million suns, and his heart feels like it’ll burst any second now. “Oh my gosh, really?!” you squeal. “That’s my creation we’ve highlighted today,” you say excitedly, “and you’re actually the first to order it!” You ring up his total, Frankie handing you his card to swipe in the machine. “Hot or iced?”

“What do you think?”

You study him for a moment. “Personally, I like iced because horchata in itself is already so refreshing, so it adds to that. But you seem like you’d prefer it hot, which is also objectively just as good.”

“Wow,” Frankie says with a smile.

“Was I accurate?”

“Right on the nail,” he confirms.

“Your name?” you ask, reaching for a cup.

“My name?” He asks, confused.

You gesture to the cup with a smirk. “For your order?”

“Oh,” he says. You catch the blush that falls on his cheeks. “Frankie,” he tells you, his hand shooting to the back of his neck to soothe his awkwardness.

“Well, Frankie,” you say after writing his name. “I’ll need an honest review after,” you smile at him as you turn away, signaling for someone else to take register so you can be the one to make his drink.

He can’t help the cheesy smile that forms across his face at the prospect of getting to speak with you again. He turns around and searches for an open table.

He sat on his phone for a few minutes, waiting for his name to be called when someone clears their throat in front of him. He looks up to see you, powdered sugar still kissing your cheek and two drinks — one iced and one hot — in your hands with that smile he’s slowly becoming addicted to.

“Didn’t know you guys do table service?” Frankie asks, in a joking manner but truly he’s curious.

“We don’t,” you smile smugly as you place his cup in front of him. “Told you I needed my review.”

He smiles at you, then reaches for a napkin and lifts his hand towards you as you sit in the seat across from him. He gestures to your cheek. “May I?”

You go pale. “Oh, God, don’t tell me I’ve had shit on my face this entire time?”

“Okay, then I won’t,” he offers gently. You lean closer into his hand, giving him the green light. He wipes the powdered sugar from your cheek, his face in concentration mode as he makes sure to wipe it all off. He feels you staring, his face heating up the longer your eyes are on him, but he doesn’t break.

“There,” he whispers, “the shit is gone.” Your faces are still inches from each other.

“Thought you weren’t gonna say anything?” you whisper back.

He breaks the proximity first, clearing his throat to steady himself. He doesn’t reply to your remark. Instead, he grabs the coffee and brings it up to his lips. “Let’s see what this is all about, yeah?” The second the hot liquid touches his tongue, he knows his days of black coffee are over. It’s creamy, the perfect amount of cinnamon, a perfectly pulled espresso shot that highlights the natural nutty undertones — it’s fucking perfect, and he tells you exactly that.

“Guess now you’ve got an excuse to come back,” you tell him.

“I think I had an excuse before that,” Frankie quickly lets out before taking another heady sip, referring to the beautiful human sitting past him.

You lean back in your seat, arms crossed over your chest, something akin to trouble written across your face. “Yeah,” you breathe. “Yeah, I guess you did.”

He’s experienced enough to know when someone is flirting with him. He’s experienced enough to notice a mutual attraction. Yet, there’s something so bold, so intoxicating about you that you’ve thrown him off balance. Whether you’re just a naturally friendly, bold person, or you’ve actually taken an interest in him, there’s no way he’s going away now. You’ve got him hooked.

You need to create a routine, he was told, and creating a routine is exactly what he’s going to do.

It’s been six months since his first visit, and in those six months, he’s had the opportunity to really get to know you.

In the first month, he visited twice a week, once during the weekdays and once on the weekends. He made sure to time it on what he noticed to be your shift, and he also timed it for right when you were about to take your break. Catching on pretty quickly, you offer him a bit of reassurance.

“My schedule is the most consistent out of all of my coworkers, by the way,” you say, sipping on your iced mocha.

His ears perk up. “Yeah? Why’s that?”

“Been here the longest, so the owners let me play around with my schedule and pick up shifts that I want to,” you tell him. “But my therapist a few years ago told me to set a routine for myself, so-”

Frankie chokes on his coffee with a laugh.

“Oh my god,” you giggle, “you okay?” you ask him, leaning forward to pat on his back.

Frankie’s breath falters at the contact. “Y-yeah, I’m good,” he pulls away from your embrace out of nervousness. If you notice, you don’t mention it. “Just threw me off a little.”

“Why? What’d I say?” you reply.

“No, it’s nothing, it’s just,” he sets his coffee down. “A month ago, I had a therapy session, and my therapist told me the exact same thing. They literally told me I needed to create a routine for myself,” he says.

“Oh,” you say with a straight face. Your face goes unreadable for a second, and he feels like he fucked something up. “So is that why you’ve been harassing me for weeks on end?”

Frankie looks like he’s just seen a ghost, pale and flushed at the same time, his ability to form any kind of words rendered impossible. “I- no, I-”

In his state of panic, he’s looking everywhere except you. He feels your hands wrap around his, and you’re leaning closer to him, forcing him to look into your eyes. “Frankie, I’m joking,” you coo. You can see his jaw unclench as he searches your eyes for any signs of discomfort from him. Nothing. There’s something there as he holds your stare, but nothing tells him you don’t want him here. A shy smile forms on his face, and the bashful blush on his cheeks return. He knows you notice it, but still, you don’t mention it.

“For what it’s worth,” you speak again. “I enjoy having you in my routine, too,” his own giddy demeanor reflecting back at him through you. There goes the butterflies again.

Five months in, and he’s coming into the shop everyday. He doesn’t always get coffee, but mostly, he’s there to see you. Sometimes you’re way too busy to take a break any time soon, so he’ll slip in, give you a little wave hello, accept your sweet smile in return, and he’ll slip out.

“Gonna actually get something today, Morales?”

A few visits ago on your break, you ask him if his name is short for anything, and quickly add in that if Frankie is what he prefers, you don’t care to know anything else. His heart melts at the sentiment, at how understanding and gentle of a human you are. Not only to him, but to everyone who has the privilege to interact with you.

Francisco Morales, he tells you. Francisco, Frankie, Frank, you can call me whatever you want. This time, he thinks he catches the heat creeping on your face, but he doesn’t acknowledge it.

“Morales, huh? And what do you mean actually?”

“I’m not dumb, Frankie,” you smirk. “I know you don’t get anything a few of the times you stop by.”

He swears his heart falls out of his ass. He thought you’d be too busy to even notice. As a former special op, he thought he would have been more slick about it.

He scans the menu above you, as if he hasn’t studied it a thousand times over, just to get out of your piercing gaze. “Just tryna keep the routine, is all,” he retorts.

“The routine, huh?” you smile at him, a hint of mischief in your eyes, along with that same something he can’t quite identify — it makes his chest swell. “Your favorite is back on the menu, by the way.”

Frankie turns to the special board: horchata latte. Smiling to himself before he responds, “I’ll have that, then,” he says, reaching for his card. “You going on your break now?” he asks.

“Yes,” you reply, “and coffee is on me today.”

His eyebrow quirks up at you. “Please?” you tell him with the world’s worst (more like cutest) puppy dog eyes he’s ever seen. How the hell can he say no to you now?

“Fine,” he deadpans.

You squeal in excitement. You shoo him away to go find a seat, and you’re at his side within moments, two hot cups in your hands.

He looks quizzically at the other cup. “I don’t know, I’m just feeling like a hot cup today,” you shrug. “What can I say, you’ve influenced me,” you giggle, not realizing just how much that statement affects Frankie’s crushing little heart. God, you’re beautiful, he can’t help but think as you curl up as best you can in your chair while you sip on your coffee. He knows he shouldn’t feel this way about you. One, you’re practically his best friend at this point, and two, you probably wouldn’t want anything to do with someone like him.

“So,” you say, pulling him from his thoughts.

“So,” he repeats.

“I was actually thinking of taking this weekend off,” you tell him.

His face falls a little, but he’s quick to fix it before you notice — hopefully. “Oh, is everything okay?” he asks.

“Nothing bad,” you reassure him. “I just think I need a little weekend to myself before the busy holiday season really starts.”

“That’s understandable,” Frankie replies.

“Yeah,” you say softly. “But…” you trail off.

“Buuuut?” He drags the word out for dramatic effect, sensing your nervousness and wanting to help calm you.

You giggle at his antics. “But I don’t wanna break our routine,” you say quietly. A little oh escapes his mouth. “I was wondering if you- if you wanted to hang out, maybe? On Saturday? Or even Sunday? Whatever works for you… and you can obviously say no, don’t feel obligated-”

It’s always been you cutting him off from his overthinking and comforting him, and now it’s his turn. He leans forward, wrapping his hands around yours as they hug your coffee cup. He gives you a little squeeze and calls your name gently. “I would love to.”

“Okay,” you say sweetly. “Wanna do a movie night?”

“Anything you want,” he tells you.

It’s surprising he didn’t have your phone number until five months in. Though, come to think of it, he’s seen you practically everyday since he met you. And there was no need to communicate beyond that. Right?

Shaking his head to clear him from his thoughts, he copies your address from your guys’ text thread and pastes it into his maps. It takes him five minutes to get to your place, and as soon as he gets to your front door, you’re already opening before he has a chance to knock.

“Oh! Frankie, hi,” you gasp delightedly. “Perfect timing,” you laugh. “I was just gonna grab the groceries out of my car. Go inside, make yourself at home.”

“Hi,” he smiles, “I can help with the groceries?”

“Oh, that’s okay, it’s just one bag. Give me one second,” you say walking to your car.

He waits for you as you grab the bag, both of you walking back inside together. “So I’m terrible at picking a movie, and if I didn’t narrow down our options, I feel like we’d be here all night deciding.”

“What do ya got for me?” he smiles as he makes his way to your couch, purely just enjoying being in your presence regardless of the movie you both decide to put on.

“Alright, since we’re nearing Christmas, I have a few holiday options, and then a few general of my favorites — Elf, The Grinch, or Home Alone; or we can do my personal favorite, but I promise I’m good with whatever you choose, Labyrinth, Paddington 1 or 2-”

Frankie’s eyes light up at the latter option, and you immediately catch on. “Okay, so I’m guessing one of the Paddington’s?” you say with a snort.

He grimaces. “Was it that obvious?”

“Frankie, you literally looked at me like I am your entire world,” you laugh. “Yes, it was that obvious.”

“I mean, it’s not any different than how I usually look at you,” Frankie says without thinking. Immediately his hand is on his mouth.

He sees the shock on your face for a millisecond before you’re back to your usual cool and collected self. How the fuck do you do that? “Okay but which Paddington? There’s only one right answer, here.”

Although his heart is still beating through his damn chest, the question puts him back on track. “Paddington 2, duh,” he says without missing a beat, he rolls his eyes as he playfully scoffs at you.

“Good answer,” you say sternly but with a smile. You set up your TV onto Paddington 2 and then quickly run to the kitchen to grab the popcorn you made. You set the bowl on your coffee table, turning back to grab something to drink. “What’s your drink of choice? I’ve got water, tea, soda — I can whip up a coffee for you, too, if you’d like,” you yell to him.

“Hmm, enticing, but I’m okay with water for now, though, thank you.”

You return back to your living room, scanning the table making sure you don’t need anything else. You ask Frankie if he does.

“Just you,” Frankie says, again, not thinking before he speaks. God damn it, Francisco, get it together.

You smirk at him, he sees your eyes tracing the red across his cheeks. Christ. “You’ve had me for a while, Morales,” you say under your breath, softly but still loud enough for him to hear. Your words genuinely cause his heart to skip a beat. You settle onto the couch beside him, ignoring his shocked face. “Ready to watch?” hints of your smugness still there.

“Y-yeah, ready,” he stutters.

Six months. It’s been six months since he met you and his old self would never have expected his day to day to look like this. He’s got a usual stop at your work—always on his lunch since you start later—sometimes getting coffee and other times your smile is all that he needs to feel energized for the day.

You

And on the weekends, you two share a movie night—your version of recharging for your next work week.

Ever since the first weekend you took off, you loved the mental break it gave you, so Frankie encouraged you to take the leap and start taking off every weekend. The owners agreed, of course. He assured you it wouldn’t break into your routine together. If anything, your time together has increased significantly. You genuinely have no idea what you’d do without Frankie at your side nearly every single day, but there’s something in your heart telling you he’s feeling the same way.

For six months, since the very first moment he fell bashful in his presence, you’ve been completely and utterly captivated by him. You knew you shouldn’t be feeling this way about him—especially not so early and not for this long—but there’s always been a magnetic pull between you. Both of you know it and neither of you can deny it, especially in the occasional flirty comment made by either of you, but there’s something holding you back from pushing for something more. You’ve grown accustomed to seeing him practically every single day, and one wrong move or one wrong boundary crossed, and suddenly everything is gone. You can’t risk it. You’d rather keep him at arm's length at all times rather than not have him at all. He’s your best friend for crying out loud. You cannot lose him to something so juvenile.

However, with tonight being your weekend ritual paired with a particularly draining week of work, all you wanted was to curl up in a ball and sleep your entire weekend away. Though, what you wanted more was to see Frankie. He told you it was truly okay if he didn’t come tonight, knowing about how hectic your week was, but you weren’t having any of that.

“I swear to God, Frankie, I will fight you,” you told him on the phone earlier.

“Oh, really?” You could hear his smug face in his reply. “I’d like to see you try.”

The butterflies erupt in your belly and begin to fly lower towards your core, igniting a spark in the lower part of you that you’ve been trying to keep at bay for months. You take a deep breath before steering the conversation elsewhere. You know he both hates and loves when you do that—smoothly pulling away from the bait he gives you while saving his ego in the process. You’ve gotten so good at this after years of unwanted flirting from customers. You didn’t realize how perfect this skill would be in keeping your distance from the man you want most.

“Shut up and get your ass over here, Morales,” you tell him. “I know where you live, you should be here by the time I change into my damn pajamas.”

“Should I change into mine, too?” He teases.

You both know Frankie loses every flirty little challenge that occurs between you. Which is why he isn’t surprised at your response, but it still stirs him up nonetheless. “That depends,” you say, your voice dropping in tone. “Are you a gray sweatpants or plaid pajama pants kind of guy?”

“Both,” he says. To the average ear, it’d sound like the most casual response. To your ear, though, you can hear the pain laced in his voice.

You stifle a giggle. “In that case, yes, please, by all means. Change into your pajamas, baby.”

You don’t leave room for him to reply, ending the call before you can overthink how that was the most suggestive flirty comment you’ve made yet.

Pulling your head back into focus mode, you go to your kitchen to start preparing the usual snacks you two indulge in during these nights. You also got a new ice cream flavor on your last grocery run that you thought was interesting and wanted to try, but you’ll pull that out when he gets here. Or maybe not. You don’t need to watch him clean off his spoon like the attentive man you’ve come to learn that he is. Your body shudders at the image.

Goodness, what is up with you today? You are always so good at keeping your feelings down, especially the physical ones. There must be something in the air today, because all you can think about are things you shouldn’t be doing with or to your best friend.

Before you know it, a knock is at your door, and you cannot help the way your eyes immediately sweep his body from top to bottom with a lingering stare at his center. You’re absolutely shameless with it, too, your tongue darting out to lick your lips as you drink in the sight of him. Gray sweatpants. A dark green, fitted tee. You are drooling.

Your eyes finally meet his own, and you’re met with a smug Frankie, knowing that this time, he won this round. “You alright there?” He asks you.

Confusion takes over your face. “Huh?”

He brings his fingers up to swipe across his lip. Oh, dear God. “Got a little bit of...” he trails off with a smile.

Your ears finally register his remark, and your hand is immediately swatting at his chest. “Yeah, yeah,” you roll your eyes. “Get inside.”

He follows you into the kitchen, a new thing he started doing a few weekends ago to help bring all the snacks to your living room in one go rather than multiple trips. It also takes away from the amount of time he’s not with you, so you never questioned it. Walking back to the living room, you speak once more. “I cannot guarantee staying up the entire time, and I apologize now if I fall asleep on you.”

He says your name in an I told you so manner, “I already told you I didn’t have to come.”

You’re sitting side by side on the couch now. “And I already told you I don’t care,” you respond back. He shakes his head disapprovingly at your persistence. You know he’s biting back a smile. A goofy smile you’ve caught a handful of times, and you eat up every single one. “You can choose the movie, though, seriously.” Adjusting yourself to a more comfortable position on the couch, a position where the sides of your bodies are closer together, your head finding solace on his shoulder, you add, “I swear, I think I wanted you here to be my pillow.”

“I’ll be anything you want me to be,” he whispers, taking control of the remote to throw on Elf. Your eyes are already beginning to close, and you mutter a small yeah at Frankie’s statement, then you are out like a light.

Frankie

Frankie spends most of the night watching and listening to you rather than the movie. Watching how your nose twitches ever so often or listening to the occasional snore that escapes you. He doesn’t even realize the movie is over until a trailer for another movie is halfway through. His wingspan allows him to reach the remote nearby, and he quickly shuts the television off.

He debates if he should wake you and make sure you get to your bed safely, or if he should just slip out from underneath you and continue letting you sleep. You look so peaceful, he thinks. Yet exhausted. He decides on letting you sleep. Or at least, he tries to.

He gently attempts separating himself from you, his hand cradling your head to rest it on the couch cushion rather than his shoulder. Even in your sleepy state, you’re just as stubborn. You smack his hand away and wrap your arms tighter around his arm, nuzzling your head further into his shoulder to gain your comfort back again. You let out a final huff before settling on your position.

“Sweet girl,” he whispers. He can’t stop the endearment leaving his lips. His heart is too full at the way you’re physically attaching yourself to him. “I need to go,” he says softly. “Gotta let you sleep.”

Your grip tightens more so, a little whimper leaving your lips as your eyebrows furrow. “Stay,” you mumble.

And although you’re fully overtaken by sleep, he’ll be damned if he ever argues with you, no matter the state you’re in. He takes a deep, settling breath. “Only for a little while longer,” he mumbles unconvincingly as he minutely adjusts his body to a more comfortable position, his head leaning partly atop yours.

You

It’s not lost on you—the two words that fell from Frankie’s lips when he thought you were deep in your slumber. It took every ounce of your willpower not to shudder at the way it echoed throughout your fatigue-hollowed brain.

You thought that maybe, with Frankie’s perception of your sleepy state, you could let part of your inhibitions go with him—reveal to him how you really feel, and pretend the next morning that you don’t remember what you said if something you don’t want to hear is revealed. Though, that’s easier said than done, only able to build the courage to mutter one little word to him as you continue laying in his warm embrace, the soothing sounds of his steady breathing blessing your ears.

The longer you lay here, the more antsy you become. What could possibly go wrong if you two revealed how you feel to each other? You know one hundred percent that the feelings are mutual; it’s a matter of who breaks first, and quite honestly? You’re fed up.

You lift your head up, turning to look at him. He’s out. “Frankie,” you whisper-yell. Nothing.

“Frankie,” you say a little louder. Still nothing. How the hell did he doze so fast?

Finally, with a small slap to his cheek and one final call of his name, he’s up—and confused as fuck.

“Huh-” he blinks heavily. His groggy eyes are searching for you. “Cariño, are you okay? What’s going on?” he rushes out, the sleep disorienting his ability to respond appropriately, forcing worry to the forefront of his mind.

Too worked up to let his brain chemistry regulate, you rip the bandaid right off. “Francisco, do you have feelings for me?”

Well, fuck. If he wasn’t awake then, he sure as hell is now.

“I-” he takes a deep breath, still trying to get his brain to catch up with the whiplash of events. “Where’s this coming from?” he asks, slightly defensive from the natural accusatory inflection with a question like this.

Your face falls. So does his heart. “Frankie, don’t be coy,” you say—you beg. “Please, just answer the question.”

He breaks your closeness, turning his body on the couch to completely face you. You mirror his movement. His eyes are searching yours. That something he couldn’t quite identify; that something that swims your gaze every time his eyes meet yours? It’s there, and he knows damn well what it is. He was just too afraid to admit it, to mortalize it into something real, something tangible. Because deep down? He knows he doesn’t deserve you. He doesn’t deserve the love you give. The loyalty. The care. He’s done too much bad in this world to even fathom a mere chance at a life with you.

But the way you sit there, staring back at him like he’s your entire world, he can’t stop the selfish desire to spill his truth to you.

“Yes,” he lets out. The pure admittance is like a ton of weights have been completely lifted off of his chest after carrying it for so long. He can see the relief on your face, too, all your anxieties washing away with a single-syllable, three letter word.

“Oh, thank God,” you softly giggle as you choke back a sob. Frankie can feel his eyes tear up.

“Frankie?” you call.

“Yeah?” He asks.

“Please kiss me.”

His hands are on your cheeks in seconds, pulling you in to slot his lips with yours, a sweetness laced with a fire that’s been begging to be ignited since he met you—powdered sugared cheeks and a smile that could take a person out faster than any punch in the gut could.

It’s quick to grow more passionate, his tongue dancing across your bottom lip, asking for entrance. You let him in, of course—your tongue falls into a perfect tango, as if it were meant to be doing this dance with him all along. A soft, breathy moan escapes your lips, and you eventually build enough strength to pull away.

Frankie’s quick to apologize, his overthinking getting the best of him. “I’m sorry, I didn’t mean to get so carried away-”

You pull him in for a quick kiss to shut him up, a little laugh swirling in the air. “At what point did I make it feel or sound like I wasn’t enjoying that?”

In the dim light of your living room, you see a familiar tint glow across his nose and cheeks. He doesn’t—and can’t—respond to your very sound logic. “No, I-” you start, suddenly feeling yourself get all shy. “I pulled away because I- um…I was wondering if y-you-” you cut yourself off in frustration, grumbling out at the way you suddenly can’t face the man whose tongue was in your throat moments ago.

You pick yourself up off the couch, grab his wrist, and swiftly lead you two to your bedroom. Crossing the threshold of your room, you stop at the edge of your bed. “I-is this okay?”

Frankie stares at you in a trance, a lust-filled yet pure adoring trance. Before your eyesight can register, Frankie’s dropping to his knees, hands on your hips to urge you to settle on your bed. “This is okay,” he promises.

He kisses your belly through your pajamas. “More than okay,” he mumbles to no one in particular.

“Frankie,” you whimper.

“Can I taste you, baby?” He asks, his gaze finally breaking from your eyes to glance down to your core.

“Y-you don’t have to,” your voice quivers.

His fingers find the hem of your pants, waiting for your signal. “Oh, I don’t have to,” he tells you. “But I want to,” he inhales. “To be honest, I need to, so fucking bad, baby.”

“Fuck,” you say as you rapidly nod your head for him, his hands wasting no time in pulling your bottoms of you. The desperation laced in his voice alone has your eyes wanting to roll back. You’re settling yourself to the edge of your bed, leaning back as you spread your legs for him. “Take what you want, Morales,” you declare.

He smirks before he dives in. “Yes, Ma’am.”

“Oh!” you gasp out at the sensation, pure warmth and passion behind his movements, your head struggles to maintain upright at the sight. Your bottom lip instinctively hides between your teeth in an attempt to stifle the moans threatening to escape you, your tiny little whimpers the only sounds escaping you.

He starts with a flat stripe up your cunt, his tongue gliding through your folds and lapping up your wetness to bring it up to circle your clit a few times before dragging back down to your entrance. His fingers are curling into your bed sheet tightly, scared to cross any boundaries by moving too fast to your liking. His cock instantly jumps at his senses being consumed; your sweet, tangy taste mixed with the distinct, saccharine scent that’s uniquely you—he can’t control the groan that escapes his throat and floods through you. God, he could spend forever worshiping at your altar, completely and utterly content.

He pulls away momentarily, the slick bottom half of his face shining back at you. “I just know you can make a lot more of those sweet sounds for me, cariño,” he says as his tongue licks his bottom lip. “It’s just you and me, baby, let me hear you,” he says with a sharp flick of his tongue to your clit. “F-fuck,” you yelp out, your body jolting at the sudden piercing pleasure of his tongue’s movement, your fingers scrambling to the curls on his head. He looks up to you with a smirk, reveling in your reaction.

And with that, his hands are gripping your thighs, his face jumping right back in, completely flush against your center, his nose squished against your mound. His eyes are rolling back at the feel of you, the way your slick just pours for him as he continues licking and sucking everywhere he can reach. “F-feel so good,” you moan, your strength finally breaking as your upper body crashes down onto the bed, your back arching in pleasure.

His dominant hand releases your thigh, and you can feel his finger teasing your entrance as his mouth treks back up to your needy bundle of nerves. “Frankie,” you gasp, “please.”

He moans a raspy mhm into you, his finger not wasting another second before he dips inside, utterly turned on at the warmth wrapped around his finger. He can only imagine how you’d feel wrapped around his aching length.

Frankie lifts off your clit with a pop, his finger still pumping in and out, in and out. Your hips are meeting each movement, desperate moans and incoherent pleas leaving your mouth as he watches your pleasure in a pure bliss.

His eyes fall back down to your cunt and the way it’s greedily swallowing his middle finger. “God damn, baby,” he mutters. “I think you can take another, sweet girl,” he breathes, leaning down again to place an open-mouthed kiss on your sensitive center. “What do ya think?” he asks breathily.

He’s watching every inch of you—the way your thighs are twitching, the way your fingers are straining in its grip, the way your mouth is falling open into a weak o-shape as you try and force words to leave your mouth. “P-please,” you attempt, “a-another-”

Immediately, he’s straightening out his ring finger to join his middle, his smug smirk falling into a desperate one, needing to pull every ounce of pleasure he can from you really his only goal for tonight. “I’ve got you, cariño,” he tells you, his mouth returning back to lavish you as his fingers curl and hit the spongy trigger button from deep inside.

You practically yell out for him—neighbors be damned—as your orgasm overtakes every inch of your being, catapulting you into another pleasure-filled dimension. “I’ve got you,” he comforts with his lips still attached to your skin, “let go for me, mi amor.”

His fingers are still pumping inside of you, fucking you through the intense wave of your orgasm. His head rests on your thigh, pressing soft kisses and sweet praises as you slowly gain consciousness.

“You’re so beautiful.”

“Too good to me.”

“Estoy tan enamorado de ti.”

Frankie takes your hazy disposition for granted, using this small window to whisper everything he’s been wanting to say to you forever.

You begin to whimper at his movements, and he takes that as his queue to relieve you. His fingers finally leave, his mouth taking the responsibility of lapping up your slick—thoroughly, you note, as you watch him rise to his full height.

“You okay, cariño?” He asks as he swiftly takes his shirt off. Your eyes grow impossibly darker at his bare torso, your spit falling thicker, and you’re quick to scramble yourself up higher onto your bed.

“More than okay,” you mirror his words from earlier. He lets out a little laugh, the butterflies in his tummy ever-present as his eyes scan you up and down. He pulls down his sweats, too, before he’s kneeling on the bed, crawling up towards where you’re situated. You can’t help the way your smirk falls when your eyes do—pure hunger consumes your features, and Frankie’s cock jumps at the sight.

He gulps at the way you’re eating him alive, too eager to be inside you yet too nervous in the case of accidentally messing anything up. The last thing he wants to do is cross the line with you.

As if reading his mind, you take the initiative to pull your top off, your boobs an immediate distraction from his anxieties. “Don’t get shy on me now, Morales,” you say as you let your hands caress your body and make its way down to your still-soaked pussy. “She’s feeling so empty,” you pout, your hips bucking up as your fingers rub your clit.

You swear Frankie’s eyes flash red, and he’s caging you against your bed within seconds. One arm hooked around your waist, the other holding himself up near your head. You bracket his hips with your own as his lips hungrily crash into yours.

You can feel the way his cock rubs against your center, his hips grinding into yours, letting his tip catch onto your clit as your tongues fight for dominance. Your hand snakes down without him realizing, a hearty gasp leaving his throat as your fingers pump him a few times before you guide him towards your entrance, easily pulling him in with your post-orgasm slick.

He’s slow with the way he’s thrusting into you; pulling out until only the tip is inside only to push all the way in at an agonizing pace as he lets you get used to his size.“S-shit,” he whimpers, followed by your name. “So d-damn g-good,” he takes a shaky breath. “‘S like you were m-made f’me,” he forces out, pained.

Even though it was an easy glide in, Frankie is fucking huge, his girth still providing a slight sting of a stretch, but you love it. You’re gonna feel him inside you for days at a time, and the thought makes your pussy flutter around him. His hold on your waist tightens in an attempt to steady any squirming that might come from you. “Gonna fucking cum already if you keep on like that, honey,” he groans. His eyes are shut in pained pleasure.

Fighting against his hold, you start meeting his thrusts, the angle of your hips providing the perfect friction against your clit, you just might cum again in seconds if you both keep this up.

“I don’t care,” you tell him, your ankles locking around his waist. “Fuck me, Frankie,” you say, grabbing onto his face to making him look at you. “Make up for loss time, and fuck me,” you snarl.

His lips are sloppily on you, hips speeding up, pounding into you deliciously hard. Both of you are too lost in the pleasure to even properly kiss right now—a mess of spit, tongue, and teeth clashing as you swallow each other’s moans.

Frankie breaks his lips from yours and he trails his touch lower, biting onto your chin and nipping lower and lower all over your neck. The sensation causes a fresh wave of flutters at your core, evident in the even louder wet squelch each thrust produces from between you.

You’re feeling so good, too good, that your chest arches into him, and Frankie takes the opportunity to wrap his lips around your erect nipples. Licking and sucking on each, slathering them in his spit before ultimately latching onto your left breast and practically making out with it as he continues fucking you into your matress.

“Oh my God, Frankie,” you whine, eyes clamping shut at just how good he’s making you feel. “Just like that, baby, please don’t stop,” you say, your fingers finding purchase in his curls for a second time tonight, keeping him on your chest. “Fuck, I’m gonna cum again.”

He lifts off your left breast, and moves on to the right, trailing wet kisses on his path over. “Let me feel you, princesa,” he mutters as he gives your other breast the same treatment. His hand leaves your waist to make its way to your clit, giving you the extra push you needed to fall off the edge once more. Your pussy clenches at the feeling—a stream of yes and please and fuck leaves your mouth—causing his stomach to tighten, dragging him to the edge along with you. “Cum with me,” you say. “Cum in me,” you quickly revise, “need to feel you,” you whimper.

His fingers speed up on you as his hips falter in its rhythm, and then it’s pure white, hot bliss consuming both of you in a way neither of you have ever felt. “Oh, fuck,” he lets out as he lifts off of your breast, pretty red flowers blooming under his mouth’s touch. Fireworks erupt behind your eyelids, vibrating you from the inside out, as a fire roars through every nerve of his body, leaving him a heaving, trembling, jello piece of mass above you as he struggles not to crush you.

You can feel the way his muscles are shaking, the bed vibrating with him. A giggle filled with ecstasy escapes you, relishing in the contrast of the airiness of your body compared to the solid mass he turns into post-orgasm.

You grab onto his shoulders, and softly nudge him to slide to lay beside you before you slip off on jello legs to the bathroom and kitchen. With as much strength he can muster, he turns to you with a frown. “Where you going?”

“Just gonna get a cloth and water for us both, baby,” you chuckle. You head to the kitchen first and bring the waters to your night stand, taking a large gulp from your glass and forcing him to do the same. You bring yourself back to the bathroom and wipe yourself with a warm cloth, throw it in the hamper, and get a new one to clean Frankie.

You make your way to his bedside, and you bring the cloth to his face first. He’s quick to stop you. “Frank,” you scold. “What are you doing?”

“I…” his face goes red. “I can still smell you on me.”

You swear your knees buckle, heat overtaking your entire body. “Let me clean it,” you whisper, not really knowing how to reply to that. He just gives you puppy dog eyes. You quirk your eyebrow at him. “You can taste me again later,” you offer with a smirk.

He thinks it over for a second, a sigh escaping his lips like he just made the hardest decision ever. “Fiiiine,” he drags out, exaggerated.

After you wipe the rest of him down and bring his cloth to your hamper, he’s quick to reach for you with grabby hands, always needing to be in your embrace—especially more so now.

You cuddle facing each other, your head tucked into his neck as your legs tangle with one another. He’s drawing shapes and lines all around your back.

“Hey, Frankie?” you call out.

“Yeah, cariño?”

“You said something earlier,” you say. “Estoy enamorado something. What does that mean?”

Frankie’s ears go hot. Surely after everything you two just did together, that’s a declaration of love in itself. What more if it’s actually verbalized? “Oh. Um- yeah,” he replies a little rigidly. “Estoy tan enamorado de ti,” he repeats the phrase.

You’re looking up at him now, eyes bright and curious. “Yeah, that!”

“It- um- it means…” he trails off. He meets your gaze, and his heart stops. He’s so in love with you.

“Well,” he clears his throat. “It means I’m so in love with you.”

Your gaze shifts from one of curiosity to one of pure, unfiltered love. Your eyes are tearing up at his admission. He brings his finger up to catch a tear escaping your eye.

You sniffle and take a shaky breath in. “Well, in that case. I’m so in love with you,” you state matter-of-factly, pushing your body up to catch his lips in a soft but lengthy kiss, one that hopefully translates to him just how much you love him, need him, and want him—ever since you took his order.

He releases your lips to place a soft kiss to your nose then to your forehead before pulling you in closer to relax in each other’s hold. A few more moments pass before he calls your name.

“Hm?”

“Can you remind me tomorrow to reach out to my therapist?”

“Of course, baby,” you say with a kiss to his chest. “Everything okay?”

“Oh, yeah, baby, everything’s good,” he confirms. “Just need to send them a gift basket or something.”

You look up at him with a confused look on your face. “You and your therapist give each other gifts during Christmas?”

“No,” he tells you. “Well, I thought we didn’t. But in telling me to fix my routine, they led me to you, so.”

“Baby,” you frown, feeling yourself tear up again.

“I know I pay ‘em to do this,” he says, “but a gift like this? A miracle like this? I feel like I’ve gotta give something a little more.”

Unable to hold in your emotions, you crash your lips against his for the millionth time tonight. Pulling away a little breathless, you say, “Sign my name on there, too.”

End note: Again, I truly hope you, @alwaysbethewest (and everyone else) were able to enjoy the way this sweet sweet story unfolded. I didn't realize just how much their dynamic would mean to me, but here we are, an entire piece of my heart later💚. Thank you for prompting me exactly what you did. I'm endlessly grateful. Merry Christmas, Happy Holidays, and Happy New Year! Lastly, I just want to give a little special shoutout to my rock @javierpena-inatacvest for proofreading this story for me and making sure it did our Frankie boy justice. I love you.💚

Tags: @katiexpunk @janaispunk @farmerlarrry @mellymbee @jobee403 @soavenuepenguin @rainbowcosmicchaos @untamedheart81 @lilynotdilly @babygal-babygal @pedritoferg @pedrostories @akah565 @getitoutofmymind @axshadows @survivingandenduring @joels-shitty-puns @its-nebuleuse @yorksgirl

Please let me know if you would like to be tagged in future stories or would like to stop being tagged altogether. Much love! Xx

EDIT: As of the new year 2024, I no longer do taglists!! Follow @endlessthxxghtsnotifs and turn on the notifications to be updated when new stories come out!!

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romchat · 8 months ago

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Unknown (2024) visual analysis (ep. 1-8): How to film heartache

This show.

The writing and acting continue to be fantastic, but I feel like I haven't seen enough appreciation for Unknown's cinematography, which captures the heartache of Qian and Yuan's changing relationship so beautifully.

Here are some of my favorite moments of visual storytelling so far...

Framing & Composition

Something that I immediately noticed about Unknown is how much dirty framing it uses. "Dirtying the frame" is when a cinematographer uses architecture, nature, objects, or even people in the foreground to add depth to a shot. In earlier episodes, we often see Qian and Yuan framed together by everyday household objects.

These shots emphasize the uniqueness of their relationship: they are brothers because of the domesticity surrounding them and yet at the same time the framing almost tucks them away into a private space of their own. Their relationship is born from yet separate from the familial space they share with Lilli.

So when Yuan drunkenly confesses his feelings and shatters any lies Qian might have been telling himself about their complex relationship, the camera language loses its earlier intimacy.

We suddenly see more medium and long (versus close-up) clean shots where the characters are surrounded by tons of negative space, isolated from each other.

I also don't think it's an accident that we start seeing more dirty frames again once Yuan leaves for America and Qian realizes how much he misses him.

The New Years scene is a perfect example of this. As Qian miserably cheers an absent Yuan, we see the camera subtly pans to the side of the table where he'd usually sit. No one has been able to occupy that private space at home or in Qian's heart.

Visual Parallelism

In a previous post, I've talked about how visual parallelism (when we link characters, events, storylines, etc. through a shared image) can signal major changes in the relationship between two characters, and the show uses this technique in multiple ways. (Yuan’s cheeky and completely satisfying “is there something you want me to do?” in Episode 8’s seatbelt scene, for one.)

But I think the most striking moment is when Yuan asks Qian to confront his own feelings at the end of Episode 8.

When we look at the composition, camera angles, and actor blocking (how the actors are positioned in relation to one another) we can see that the scene directly mirrors the moment that Yuan gifts Qian with cufflinks in Episode 6. In that episode, Yuan is shot from a high angle, making him look even younger and more vulnerable, while Qian cups his face from above, anchoring him as he tries to give misguided advice:

Qian: I actually feel sorry for you. Isn't it tiring to love him? Yuan: It is. It's so tiring to like someone you shouldn't like. Qian: Then what are you doing? Why are you limiting yourself?

It's notable then that during the last scene of Episode 8, the roles are reversed and the blocking and camera language changes accordingly. Throughout Episodes 7-8, we can see the ways Yuan adopts a more mature approach to his interactions with Qian. He has made it clear that he still cares about him but he will only make another move if Qian clearly expresses his desires. Now it's Qian who is the most unsure and vulnerable, with Yuan anchoring him:

Yuan: Wei Qian, don't you like Wei Zhiyuan? If you do, is it only because we're brothers? This thing about us, is it that you don't want it or that you don't dare?

Like Qian had advised him years ago, Yuan now asks why Qian insists on limiting himself by denying what he wants.

Bonus Parallelism:

Both Yuan and Qian's kiss fantasies mirror each other as well.

#unknown the series #關於未知的我們 #meta #cinematography #taiwanese bl #bl dramas #chris chiu #kurt huang

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cecilysass · 28 days ago

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Undercover Smolder Mulder: Pine Bluff Variant Fic Recs

I'd describe Pine Bluff Variant as a low key fan favorite, an episode that I even feel like appreciation has grown for over the years. Oh sure, it doesn’t get the fan love that a Memento Mori or Pusher might, but we sure do see those Mulder Scully intense looks gifs popping up pretty often, right? Plus, it has partner trust angst, undercover intrigue, hurt/comfort, genuine thriller-style suspense, and serious MSR overtones.

I like PBV for all of those reasons obviously, but also because it feels like the show going with a slightly different tone. Starting from its action-based, FBI operation cold open, we know this is more conspiracy / bioterrorist thriller than classic X-file. Yes, there’s a sci fi component to the biotoxin--and the scenes that reveal its victims have a horror feel--but this episode just isn’t as much about the supernatural. It also raises the interesting--and nowadays more pointed--question: aren’t anti-government groups operating under their own rules sometimes potentially as dangerous as the government itself?

TXF tried several kinds of experiments in its later seasons, in production and structure of show (Triangle or X-Cops), in exploring all kinds of playful, self-aware and satirical comedy (lots of season 6, Hollywood A.D., etc.), in making drastic moves with its mytharc (One Son, Requiem, etc). Going in the direction of a more purely action-suspense thriller for a MOTW wasn’t something they ever tried again (that I can think of anyway). And I think that's kind of a shame? It feels like a good change up. Different without messing too much with the show’s basic DNA.

Not to mention, y'all, Scully thinks he betrayed her! And there's the scene with the finger! And Mulder thinks he's going to die! There's so much good stuff here!

Here is a list of Pine Bluff Variant fic recs. (As usual, I really think there should be more. This episode has sooooo many openings. You should write some.)

Calling Bluffs - mangokiwitropicalswirl An angsty little post ep that doesn’t flinch from the way coming close to death affects Mulder (or Scully). It also raises the question of how much their bond always puts them at risk. Moving ending.

Stop Me If You’ve Heard This One Before - pinebluffvariant Immediately post ep, Scully protects Mulder. There is some satisfying hurt/comfort. But what really shines in this fic is the ending, which ties a nice bow on season 5 and kicks me in the feels. Stop me if you’ve heard this one before, indeed: sniff.

Passing Solace - DarlaBlack An intensely romantic NC-17 scene set in the middle of the episode, focused on their deep care and need for one another. Beautifully written.

All of This (around) Us - secondsflat In this sweet fic they share whiskey before Scully sets his finger bone, and Scully voices her frustration at not knowing about his undercover work. An intimate, atmospheric little scene.

Snakebitten - onpaperfirst This is a riff on all of season 5 written with great skill and subtlety. So, so good. It’s canon divergent in that it seeds the Pine Bluff Variant / New Spartans storyline back earlier in the season—and it has more RST. Such a treat.

Postcards Slipped Under the Door - skuls Two years after Pine Bluff Variant, some time after the events of En Ami in season 7, Mulder begins receiving ominous postcards from the New Spartans, suggesting they have regrouped. Skinner and Scully think it’s too dangerous for him to get involved in the case again, so Scully goes instead. This is hard on Mulder, as they’re in a recently begun relationship. Angsty, plot-driven, satisfying.

#xfiles fanfic #x files fanfic #fic recs #xf fic recs #pine bluff variant #x-files season 5 #XF season 5

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lemotmo · 5 months ago

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Can we take a minute to talk about how today’s bts clip is the perfect example of how much…for lack of a better word, damage, Lou’s cameos really caused?

Because the show, the writers, the directors, Oliver, the promo teams etc have all been showing and telling us a very specific story. With very specific moments. And very specific scenes with specific beats hit or missed. And it paints us the picture of what the storyline is about. Buck. Buck figuring out this new piece of information about himself. Buck figuring this new piece about himself out and finding his footing with it. Nothing more. Nothing less.

Then we have Lou and the small section of his following who are very loud. They showing a very different story. Lou has used cameo to spread head canon after head canon after head canon about his character, his relationship with Buck, his relationship with other characters. And it’s warped the actual story to the point where it very much goes against what the actual canon events are showing and telling the viewers. The loud BT fans truly believe Buck and Tommy are this match made in heaven, stars aligned, madly in love about to move in together and start planning a wedding, couple. And the loud BT fans think that because the head canons they were told in these cameos, and because they paid for them, they think they hold more meaning than the free episodes that are aired.

But then as we see by the clip released today, and despite all the other issues people have with the scene and how we can interpret the actions not matching what we’ve seen especially compared to how their first date played out, the actual words they have Tommy telling hen and Karen and by extension the audience is “we’re taking it very slow. Bucks setting the pace”

That doesn’t sound like a deeply in love about to move in and get married couple being portrayed in cameo videos to me. It’s the actual canon reality of the show and the BT relationship though. Snail paced speed. Not that deeply developed or defined. Entry level to allow Buck to get his footing in this new reality he’s discovered.

It also gave yet another moment of is this man actual that serious about Buck? Because instead of taking the opportunity presented to him to reassure Hen and Karen, two important members of Bucks family, Tommy once again instead deflected and made jokes at an inappropriate moment that again didn’t land well, based on Henrens faces. Which again, doesn’t sound like the “everyone loves and respects Tommy and is to thrilled he’s dating Buck, he’s got all these connections with the 118” narrative that has been given through cameo videos.

We will probably never know the actual full reason why Lou suddenly cut his cameos off. But I do think this released bts video is a perfect example of at least one of the reasons he did. Because the content and context of them was getting so far off base from the actual canon of the show and story.

YES! All of this Nonny!

Lou's cameos were such a bad idea. I wouldn't be surprised at all if he was told to stop making them either.

He filled these fans' heads with headcanons and wild fairytales about Tommy's completely made up childhood and how he feels about Buck. All while the writers were clearly telling us a very different story. His narrative about Tommy doesn't match the show's narrative. But for some reason a lot of the BT fans don't want to see the canon evidence that BT is not that big love story they want it to be.

On the contrary, the show has been pretty consistent in telling us Buck and Eddie's story and their connection. THAT is canon. All the rest that Lou made up? Definitely fanon!

#I will remain steadfast in my opinion that those cameos were the worst idea ever #season 8 speculation #deleted scene reaction #this scene is the beginning of the end for BT #that's the real narrative #not some made up headcanon coming from Lou's mind #insight into 911 fandom & season 7 and 8 #911 abc #nonnies galore

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sesesimmi · 9 months ago

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The Plastic Mod is or teen girls whom want to become Iconic in High School. The Plastic Mod Includes:

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Burn Book

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Click your Sim - Click Life in Plastic - Click Become a Plastic -

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mrghostrat · 9 months ago

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Hello and good morning/day/night :]

I was wondering, in BNF, we’ve gotten tiny little bits of information about the ‘Nice and Accurate Prophecies’ (not sure if that’s the correct title, sorry) book and TV series, if there was anything else you could tell us about it?

Character names, storylines, plots, any fun details you may have made up or otherwise, etc, etc.

I just think it’s sweet how interested both Aziraphale and Crowley are in the series, and if you might be as interested, if not more, in it too.

Thank you, and have a lovely Sunday. 🫶

this is it, my leash has snapped, i'm wild in the streets, thank u for asking; i'm gonna go be insufferable now

(hi @neil-gaiman if you see this, i think it's safe to read, but it does border on being fan fic. i'm writing a fic where crowley and aziraphale are an artist + writer in an online fandom, much like we are for good omens, and this is the fake story i've made for them to be fans of 💛)

The Nice and Accurate Prophecy

info dump of the fake 5 book series by Agnes Nutter (1985-1992) and its fake fandom:

The Nice and Accurate Prophecy

The Strange and Improbable Prophecy

The Vague and Perfidious Prophecy

The Tense and Harrowing Prophecy

The Faint and Ineffable Prophecy

a dramatic, layered story with a bizarre and unexpectedly lovable cast of characters, humour that hits you out of nowhere, and a lot of attitude from the narrator. a la Good Omens, A Series of Unfortunate Events, Hitchhikers Guide to the Galaxy

fantasy/historical fantasy and mildly action & romance

a la good omens, a witch and a witchfinder become friends and help each other throughout history, despite being on opposite sides. they get closer as they fight against the immoral plays from their prospective sides (the witchfinder army and a demonic cult the witch was born into) that each lose sight of their core values in a bid to hold more power over the world.

the story is set primarily in a medieval fantasy era, but suddenly jumps to the present in the later books, catching everyone off guard and giving a whole new context to enjoy the story. the challenges they face parallel the earlier story but in a modern take with modern technological twists. the modern era is the late 80s, since that's when it was written.

the witch reincarnates, similar to doctor who, due to a high class black magic ritual they performed in their arrogant youth (which they were NOT supposed to have access to). they've had long lifetimes where they die of old age, and others where they've barely managed to live a year. their reincarnations aren't entirely random; they will reincarnate according to their growth and preferences as a person (a la Magical Boy's magical outfit generations), which includes fluctuation in gender identity. their pronouns fluctuate depending on each "face" they wear, but have canonically been a "they" before. the good side of the fandom (crowley & aziraphale) default to they/them as an overall rule. they do have a name, but they like to change that too, so the fandom almost exclusively calls them witch, or witchy.

the witchfinder also has a name, but the fandom have taken to calling him witchfinder to match the fact that witchy is called by their role. it also helps that a lot of the witchfinder narration refers to him by role instead of name. he is human, 30ish in appearance, but at the end of the first book, the witch fears to lose him and curses him with immortality against his knowledge to try and keep him safe.

witch is crowley-coded, witchfinder is aziraphale-coded. my to-do list includes an illustration of the two of them played by michael and david :') but i picture them being kind of like newt and anathema for the most part.

ship names include witch/finder, witchwitch, w² or witch², and witchfound.

at the start of the first book, they meet and become friends without knowing each other is a witch & finder. the witchfinder is a bit bumbly, like newt, and the witch is cool and suave but neurotic and insecure like many human au variations of crowley (major overcompensation vibes). witch is male at the start of the first book. their friendship is secure when witch finds out he's a witchfinder, so there's less "oh my god i'm friends with the enemy, is he going to kill me in my sleep?" and more "ah fuck, Lets Drink About This"

there's battles, horseback riding, camping out in dark woods, disappearing and losing each other for months at a time, and many missed connections as they try to work together against two common enemies, whilst keeping up the facade that they're on their respective team's sides.

there's charged chemistry in the first book, but it's more plot heavy. there's hints of shippy moments in the 2nd book that fall in between the plot. there's a Moment of almost confession in the 3rd book, and a non romantic kiss towards the end (we gotta, for neil). they're pretty much married in the 4th book, securely at each other's side, but never actually talk about it until the end, and there's a more explicitly stated shippy connection in the 5th book.

agnes herself is a total recluse who drops books out of nowhere then goes back to existing somewhere in the english countryside (people presume). she's happy to supply signed copies to fundraisers and conventions, and sometimes random bookshops across the country will be vandalised with genuine autographs on the inside covers. she's notoriously pedantic about being involved with adaptions behind the scenes, but she has no social media and isn't ~around~. she once did a talk when she was presented with an honorary doctorate, and did a single book signing when the first Prophecy book came out, but beyond that she keeps to herself.

there are a small handful of quotes from her in behind-the-scenes footage talking vaguely about character intensions and clarifying world building, but she likes to leave things up to interpretation like neil does. it's in these few snippets of interaction we've seen from her that she's steadfastly supportive of intersectionality and lgbt rights, like staring dead-eyed at an interviewer when they ask her a ridiculously heteronormative question about the characters (like "have you read my books?")

adaptions include:

(most adaptions start like the book, with a male witch at the beginning that turns into a female witch when they first regenerate. the early ones usually change the pacing by switching to a female actor by the time they realise witchfinder is a witchfinder, unlike in the book where he's male for this scene, and there's way less Charged™ chemistry between the m/m witch/finder.)

Feature Film: late 90s, kind of cheesy, but good spirited fantasy (a la Indiana Jones). focuses on the first book alone, with hints to a sequel that never happened.

Abandoned TV Pilot: early 2000s, a little too dramatic but still a good time (a la the Dungeons and Dragons 2000, ASOUE 2004). good source of gifs and Moments™ but the fandom is generally Fine with it being abandoned.

Stage Performance: late 2000s-early 2010s, a stellar stage adaption of the first book with elements of the 90s movie. f/m witch/finder the whole way through. one cast used m/m actors but it was a short run and only a handful of fans were lucky enough to catch or remember it. crowley would give his left arm (or someone's, anyway) to have experienced it, so a fan sent him some flip phone camera footage of it that he keeps on a harddrive in his safe.

HBO Streaming Series: late 2010s-present, high quality, highly revered, resurged the fandom's popularity and spread the series further overseas. made in america, but doesn't try to americanise the series. extremely respectful to the books, with easter eggs to the film, and is working its way through the entire book series (a la The Witcher netflix series). f/m witch/finder, but has had one episode that included some flash backs/montages of different witch faces. probably like 15 minutes total screentime of a male witch played by a ncuti gatwa level/style of actor, which the fandom has giffed, edited, and screencapped to oblivion.

Several bonus books: Agnes has written a few extra books (a la The Unauthorized Autobiography of Lemony Snicket and The Beatrice Letters), as well as curated some anthologies from other authors (a la A Study In Sherlock). there are a total of 3 anthologies so far, in which other authors have written stories about the characters in their own tellings. basically like canonised, published fan fiction, curated and authorised by agnes herself. There's also an unfinished graphic novel that retells the book series (a la The Adventure Zone comic), but has been WIP/unheard of since the 3rd book.

#ask a rat #fuck i lvoe this fucking fakedom #bnf au #i cannot get it out of my head #rat writes

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orange-catsidy · 4 months ago

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fascinated by elp's g1 storyline literally being that he has depression. he has chronic severe low mood, lack of energy, inability to enjoy the things he used to love and a general constant sense of hopelessness. on commentary he was constantly making self deprecating comments. he can't maintain a basic level of personal care anymore. despite having supportive fans and family (jado) and occasional moments of cheerfulness and humour he quickly slips back into being subdued and depressed as soon as those moments are over bc when you're depressed every moment of happiness feels like an accident while every setback feels like a sign from the world that you are not supposed to be here. he's participating in this really important, prestigious event in his chosen career field but he'd rather be curled up in a ball in a corner alone. unfortunately? hashtag relatable... i am so curious about where this is going to go because i assume it's not 'elp starts taking ssris and seeing a therapist' and the wrestling equivalent would be rediscovering his fighting spirit, making new friends etc

#wrestle opinions #well i said i wouldnt deep dive on this bc frankly it feels a little out there even for me #but then i did. so #mental health #< how is this a tag on a post about the haha backflip nip twist man #el phantasmo

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v-arbellanaris · 6 months ago

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i feel like some of you are really shooting yourselves in the foot. i get it! trust me, i get it! i, well known dai hater, also have my anxieties abt da4 - and yes, even expectations abt things like where the plot is going to etc - but the teaser is TWO MINUTES LONG and i've been ripping it to shreds to get SOMETHING out of it, but the truth is that it's just not going to be indicative of the full game

the teaser trailers for dao imply that the sacred ashes quest is gonna be the huge memorable quest - and for me, they simply weren't? and how different did the actual game look to the teasers like let's be sooo real. da2 teasers hinged on the qunari invasion which was like... just one of many, many events in da2. and hawke and isabela didnt even look like that. i cant even remember seeing solas in the inquisition trailers?

the teasers aren't even for the plot, is the thing. these teasers are literally companion reveals, of course it's aimed to make the characters look cool and interesting, rather than really foreshadowing anything deep about the storylines - that's for things like tevinter nights, and the comics, and even absolution. it just feels really weird to use the thing they're using to advertise the companions for this game as a metric for the entire game plot and vibes. dao and da2 trailers were SO FUCKING INTENSE and then you get iconic lines like swooping is bad and hawke stepped in the poopy like...............

like da4 is not going to be dao. it's not going to be da2. it's not going to be dai either. all three of these games were tonally totally different from each other, and idk where the expectation is coming from that da4 will be like the other games. especially when the writing direction, as i've talked abt on this blog a few times already, is definitely changing and evolving. whether or not i personally like that direction is irrelevant to the fact it's happening.

i support the haterisms - god knows ive got my issues with it - but sometimes i just think you guys are unnecessarily hostile for weird reasons and i dont get it. "people who hate dragon age the most are people who love it" i dont think you guys like dragon age anymore, is the thing. which is fine, but i'm not obliged to tolerate it, or you. like you can just say: you liked dragon age origins. you liked dragon age 2. you maybe even like dai. and you're not interested in da4. that's fine. because da4 is not those games. i dont really care to hear abt the whinging abt how da's ruined or whatever - da hasn't been the same literally since da2, which was already a tonal shift from dao. da has been changing, and i have opinions abt the changes, but fundamentally, i am - cautiously, warily, anxiously - excited about a new game. new content. new companions. new maps. new knowledge. new narratives to chew on. aren't you?

if you're not, have you considered that you just don't like dragon age anymore? and that's fine? and you can just move on?

and idk why are you acting like a 2 min teaser is gospel for how the entire game is going to anyway? we know practically nothing, and at least try to keep that in mind when you're drawing firm conclusions abt the wholeass game based on the trailers because you literally WILL NOT KNOW. the teaser literally means nothing except: here are your companions. this is what they look like and where they're from. everything else based off the trailers is wild conjecture

#idk you guys are starting to piss me off.#da4 spoilers #davg spoilers #fandom critical

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heavenlymorals · 6 months ago

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Red Dead Redemption 1 and 2: Realism Vs Romantacism

(Warning: Spoilers for RDR2 and RDR1 and that this is a long post.)

But first, let's get a better idea on what these genres and philosophies actually entailed.

During 19th century America, there were two famous genres of literature that became wildly popular- Romantacism and Realism. These genres shaped many philosophies and are interwoven into so many famous stories that it is kinda insane, but today, for this retrospective, I want to speak on how these two genres shaped both RDR1 and RDR2.

Romantacism came as a sort of critique of the Enlightment Era. The Enlightment Era was a period of reason and rejection of spirituality. It focused a lot on what was real and in front of a person rather than the experience and interpretation of an event or thing. Dutch represents this idea in this line to John where he says:

"Real. Oh how I detest that word. So devoid of imagination."

And to Arthur:

"We are dreamers in an ever duller world of fact, I'll give you that."

Romantacism is such a broad subject but there were generally three aspects of it that was generally consistent- the relationship between man and himself, man and nature, man and god, and how those experiences create the essence of life. The idea of the oversoul in Romantacism is a deep understanding of nature and spirituality that makes someone as equal to God himself, or that's the simplest way that I can explain it. Romantacism is also about the experience between man and man and ideas of hope, dreams, new beginnings, friendships, life, and love. (Dark Romanticism is way more gloomy, but many of the characteristics are still the same. For this post, though, we'll focus on just Romantacism.)

But what romantacism is about overall is the authentic experience of life and the personal interpretation of it- no matter how imaginative it is. This is where romanticisation occurs. Of war, of historical periods, of certain types of living, etc. etc.

Since that is romantacism, what is realism? Well, I'm sure you already know, but realism is supposed to be a representation of what life actually is and usually in a negative way. Realism isn't concerned with the imagination of an event as it is more concerned with what life is actually like and how it affects people. There really isn't much more to say then that. Realism is about real life and usually in a negative way. For context, realism became popular in the US after the Civil War as for the first time, a lot of people saw such intense pain and death and debauchery.

Like, If "Pride and Prejudice" by Jane Austen is a romantacised story of a woman's love life during a historical time period, then Kate Chopin's "The Awakening" is a story soaked in the constructs of realism. This is just one comparison of the two genres.

So what does this have to do with Red Dead Redemption? Simple. Each game represents one of the genres as its main focal point for story telling.

RDR2 is a game that is all about romantacism, especially if you play it as it should be played as high honor Arthur Morgan.

Arthur's main storyline is about finding redemption, sure, but he finds that redemption through the authentic experience of life and his interpretation of it. Prior to his tuberculosis, Arthur saw himself as only a cog in the bad machine that was their life. He robbed, intimidated, and killed without much thought to what it actually meant for him because well, this is the way it is and how it always has been.

However, when he gets tuberculosis, his attitude changes. With the limited time he has left, he brings himself to ponder life itself and interprets it in a way that contrasts his previous thought process that the world is dark and gloomy and that he's just another part of it. In his limited time, he begins to see good. If not in him, than in others. In the love people have for others, in the strength that people have for others, in the passion that people have for others.

Arthur begins to appreciate life itself and that's also why the stranger missions in chapter 6 are so much more personal as a whole- Arthur's interpretation of life becoming better in the short time he has left makes him much more heartfelt and sentimental- a key component of romantacism. He helps a widow who could've died out there for no reason other than wanting her to live and live well. He becomes friends with a veteran and helps him out even though he knows that death is around the corner for him and his time with the man would be short. And of course, the debt missions and the helping of Edith. Arthur forgives the debts, gives money, and sees human life as far more valuable than the debt.

And in the end? Arthur saves John and dies knowing that he tried his best to not just survive but to live. That's his experience and his interpretation of it- becoming a better man and valuing people more than things. And then there is the epilogue- there is hope and happiness and a sense of accomplishment. All the pain feels over and a new light has been cast onto life.

In fact, this archetype in Romanticism, which is about finding redemption through the larger human experience, is quite famous overall. It's not unique to just Arthur Morgan. One of the most famous romantic stories of the era was Mary Shelley's "Frankenstein", and Victor Frankenstein undergoes a similar journey, albeit more subdued than Arthur's.

In the beginning of the book, Victor starts out as a representation of realism. He's obsessed with science and doesn't really care about his family and friends. He goes on for long periods of time just thinking about science because of his own hubris and desire to become famous and accomplished. He rejects art, love, and all the things that constitute the human experience for the sake of science, which represents realism. As he begins to see the faults in his actions and the mistake of creating his monster, things begin to change. He becomes more interested in his friends, his fiancée, and life itself as a concept rather than what it is in front of him.

Yes, Mary Shelley wrote the book as a criticism of the unregulated pursuit of science, but if you dig deeper, it's not just about that. It's about keeping romance, ideals, and the human experience in your heart, because without them, things will be worse than they already are. Many ideas and philosophies aren't realistic, but we keep them to enrich the human experience. That is what Romanticism is about, and that is what Arthur Morgan's story is about. Like Victor, his story could be boiled down to a rejection of realism and an embrace of Romanticism.

And besides just the story being a love letter to Romantacism, there is the scenery too. As stated, one big part of Romantacism is nature and RDR2's nature is just gorgeous. It's bright and scenic and beautiful like a lot of romantic paintings. Arthur connects to nature by living in it and drawing it and experiencing it. Even the ambiance of the landscape is calm and relaxing, adding to the beautiful experience of the American wilderness.

So what about Red Dead Redemption 1? Red Dead Redemption 1 is all about realism. It doesn't care about ideals or hopes. Its story is one of realism, portraying the realistic end of an outlaw. Where Red Dead Redemption 2 ends with John and his family finally getting the life they've always wanted and possibly starting over again, Red Dead Redemption 1 rejects that. The Pinkertons find John, and he is set out to kill his brothers-in-arms. He can't escape his old life, even if he wants to—it will always come back to haunt him. John has killed and robbed and done so many terrible things that the dream of him being able to settle down and just be a farmer in the end is just that, a dream. Even when John does what Edgar Ross wants him to do, he gets shot down like a dog in the end anyway. He has to pay for his sins, and in a sick way, this is justice for all the men he has killed before in his outlaw life. There is no other end for John realistically than to be put down like a dog. It is his tragedy, his fate, and a realistic fate for an outlaw.

John's path is lonely. Most of the people he meets are people that he does not want to be associated with. Seth is a creepy grave robber, Irish is a drunk bastard, and West Dickens is just a scamming piece of s*** who doesn't scam the rich and people who already have too much, but he scams the poor, the working man, the person who is uneducated. They are all very realistic criminals, and John has to deal with it because all he wants is his family and the men that the Pinkertons sent him to capture. The people that he does respect, like Leigh Johnson and Bonnie McFarland, are professional relationships at best. John has to rely on himself and only himself, which is a very popular theme in realism. Unlike in Red Dead 2, he has no one to turn to, no one to watch his back. He has no family and no friends. He is alone, and he has to deal with his sins because the world will not forget, as he mentions time and time again.

Romanticism is dead. Ideals are dead. A young woman's pursuit of God leaves her dead in the desert, and John can do nothing to help her. The idea of the noble West is torn apart by violent gangs that do nothing but rape, kill, and steal. Men come to exploit the pain of colonialism. Eugenics is a thriving science. The most apparent example that ideals are dead is the Mexican revolution. Abraham Reyes makes the people believe that he will be better, that he will be the Messiah for these peasants, but the reality is that he turns out to be just as bad or even worse than the already established dictatorship in the country. And John doesn't care. He's not there to be a hero for the people; he's simply there to grab Javier and Bill and then go. That's why he is just as comfortable working for the dictatorship as he is working with the rebels. He does not care. All he cares about is his family, and anything bad that happens to others pains him, but it is not his problem. That is what realism is about. It's not the interpretation of life, but what life actually is, and a lot of times, life is cruel and bitter and terrible. Things are unfair, and sometimes people have to pay with their life and identity.

John dies in the end, and like a lot of children and wives of these outlaws and criminals, Abigail and Jack suffer. Abigail does not last long, as she dies just a couple of years later, and Jack has to bear the sins of his father on his back, like many children of outlaws and criminals did. Even when Jack kills Ross, there is no sense of triumph, no happiness or joy; it's just an empty feeling of "what now?" Where revenge in Red Dead Redemption 2 is idealized and romantic, even beautiful in a sense, revenge in Red Dead Redemption is empty and grotesque, leaving the player with nothing but emptiness. There's nothing left; everything is gone.

And just look at the scenery of Red Dead Redemption. Yes, it's beautiful, sure, but it's dull and dark. There isn't a lot of color, there aren't a lot of people or animals; it's drab. If RDR2 is a field with a pretty Instagram filter on it, then RDR1 is the field without the filter. The ambience of the game is also dark and weary, putting the player on edge as John cannot relax like Arthur can. John needs to find his family as he has to pay for the sins of his outlaw life.

Although Romantacism isn't a very popular genre today, often overshadowed by realism, both genres of literature and philosophy are paraded in these games.

Arthur is the romantic hero- someone who finds his own meaning of life and turns hopeful and idealistic because of it. RDR2 is a romantic game.

John is the realistic hero- someone who deals with the cards that life gives him and is exhausted from it as he knows his singular efforts won't cause an end to his pain. RDR1 is a realistic game.

And I just think that's very cool. Understanding those two genres of American literature allows the player to understand the games on a deeper level.

(I ain't reading allat)

#rdr2 #red dead redemption 2 #arthur morgan #rdr1 #red dead redemption #john marston #dutch van der linde #abigail marston #jack marston #romantacism #realism #literature #character analysis #story analysis #philosophy

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