#Never did one of these on here I don't think? Time to fix that-

[lafaiette]

So, the localization file of Veilguard was found thanks to datamining, and it contains Some Stuff about Solas, Solavellan, and some cut ending stuff.

No idea if these lines were cut because of budget/resource reasons, if they are old scraps left of Joplin or if the writers simply changed their minds. Please keep in mind they are in jumbled order/there are different responses, probably due to different choices and the dialogue wheel.

Under the cut because of spoilers.

Solas and Fen'Harel

"I must hold back the blight! My wolf will distract Elgar'nan while you take the dragon!" "Did I see that right? The Dread Wolf is a separate spirit from Solas?" "Nice. Why does he get to be part wolf?" "Yeah. Seems like Fen'Harel is a merging of the two."

It seems like Solas and his wolf self are two separate spirits - perhaps similar to Falon'Din and Dirthamen, who are confirmed to be the same spirit who split into two different aspects.

Final dialogue with Solas (Solavellan edition)

"The blight is its prison. The world is safe." "Until the Veil collapses, and demons kill thousands of people." "If there were another way…" "There [i]is[/i]. Let the Veil stay in place." "The elven people must be restored. They do not deserve what was done to them." "Neither did the Titans." "Neither did Mythal. Either time." "Those are my mistakes. Only I can correct them." "I'm here to help you." "You think you have to do this alone. But you don't." "Every time, it has come down to my choices." "Are you a god?" "I am the furthest thing from it." "Then stop acting like one. Let someone else help you." "Do the right thing." "You want to be a hero? Then save the world. Right now." "The restoration of the world as it was meant to be…" "That's not saving the world, that's saving your pride." "Is that why you think I am doing this?" "I think you're doing this because you think that you have to. But you don't." "You have to forgive yourself." "You know how I got out of the Prison of Regrets? I let it go." "Varric's death was never truly your fault." "And you didn't cause every problem. You tried to fix them." "And every time I failed." "The world's still here. You got some of it right." "I cannot. To stop now would dishonor those I've wronged to come this far." "Even if those you wronged asked you to stop?" "Vhenan. And… Morrigan?" "One appellation among the many I wear, Dread Wolf." "I have been advisor to Orlais, Witch of the Wilds, daughter of Flemeth… and once, long ago, an old friend." "Mythal…" "You never would have left the Fade and taken on that humble form had I not been the one who first convinced you." "The things that I have done…" "Are not for you alone to bear, my friend. The many wrongs we did, we did together." "It is not too late to stop this. Banal nadas. Ar lath ma, vhenan." "My life force now sustains the Veil. With every breath I take, I will protect the innocent from my past failures. " "The Titans' dreams are mad from their imprisonment. I cannot kill the blight, but I can help to soothe its anger." "What I've done, I will atone for." ""But you do not have to go alone." "Thanks to you, I can see the way."

Rook and Solas' final confrontation if Rook tries to convince him to stop was apparently supposed to be much longer, with Solas mentioning the elven people and the Titans, Varric's death, and Rook acknowledging he always did try to save the world.

It seems there was also one more line Solas would say to Lavellan after her "But you do not have to go alone." -> "Thanks to you, I can see the way."

The Inquisitor's happily ever after

"So you have to stop Solas, but not in a way that prevents him from stopping the blight." "Let Solas put the blight into its nice new prison, then we'll put him in there with it." "So with Solas and the elven gods out of the picture, where does that leave us?" "Nothing. He didn't deserve his little happily ever after." "If there's anyone who can reason with the blight, it's him." "The Inquisitor believed in him. [i]She [/i]deserved her happily ever after, even if that's helping Solas fix his mistakes." "And so the Dread Wolf shall spend eternity in the knowledge that he stood at the precipice of disaster and was saved by a mortal's wisdom." "Then why maneuver matters so as to deliver it to him?" "Elgar'nan and Ghilan'nain were villains trying to conquer and blight the world." "Solas did terrible things, but he was trying to help. I can understand that." "He was wrong, not evil." "She waited many years for him. You are kind indeed to ensure those years were not in vain." "I am surprised less that he would seize upon such a chance for redemption, and more that you would offer it. " "The Inquisitor earned it." "He's working off his debt. After all, I don't think there's anyone else alive with the power and perspective to try to heal the blight." "Few would react with such compassion to the Dread Wolf's trickery. What merits him a fate fairer than Elgar'nan or Ghilan'nain?" "True. Even had I Mythal's full power, she and I often struggled to mend feelings we might have broken." "'Twould not be the first time he accomplished something Mythal herself thought impossible." "And so the Dread Wolf is stopped by, of all things, love." "Surprised?" "He's fixing his mess."

Lines for the different ways Rook can handle Solas' fate. Rook and Morrigan discuss Lavellan and Solas' chance at happiness, with Rook deciding to help them reunite despite Solas' trickery; Rook deciding to lock Solas away with the Blight; probably a line referencing a friend Inquisitor or Rook themselves ("Solas saved by a mortal's wisdom") and one referencing Lavellan ("Solas saved by love").

Epilogue

"It may mean nothing. Or everything. What matters is that the Solas is content, and we need no longer fear him tearing down the Veil." "So, Rook, what's the plan?" "[i](Sighs)[/i] Damn it." "Thank you." "Then it sounds like you have work to do. I'll leave you to it." "Good luck, Rook. Enjoy the adventures to come. " "I'm sorry, vhenan. If there had been another way..." "And now he'll spend who knows how long trying to heal the blight? What does that even mean?" "I can think of few things he'd have hated more." "He made a cage with bars made out of his worst weaknesses. He's not getting out on his own." "And we're certain there's no way for him to escape?" "Trapped forever in a prison with the blight." "Elgar'nan and Ghilan'nain are also both dead. 'Tis no great loss there, the blighted fools." "So, Rook: How does it feel to have saved the world?" "Honestly, I have no idea." "Don't be so shy with your feelings, Morrigan." "We were all young once, were we not? 'Tis from such humble seeds that great things are grown." "Tell that to Mythal." "When the next aspiring deity lays claim to our world, you are the woman who shall remind them that even gods can die." "You are really bad at inspiring speeches." "Despite these rough edges, you forged a team that saved all of Thedas. Precious few can claim that." "I notice you left out one elven god—the only one still here in any capacity." "When the next aspiring deity lays claim to our world, you are the one who shall remind them that even gods can die." "You're leaving me to handle this?" "Were Mythal younger, she might have wished to rule again. Were I younger, I might have agreed with her." "Hey, the world is still here and isn't blighted or covered with demons. I think we did okay." "Says the woman carrying the god who made most of the mess I had to clean up." "And prepare yourself for whatever storm next clouds our skies." "I did save the world." "Who else? Make no mistake, you could do with a finer touch in matters of politics. " "You're not very good at this." "Even with Elgar'nan and Ghilan'nain dead, the Venatori remain a threat, as do the Antaam and darkspawn. "

It seems there was supposed to be an additional scene after the ending, with Rook and Morrigan discussing the future. The dialogue would change depending on Solas' fate/Rook's choice about him.

That "Solas is content, and we need no longer fear him tearing down the Veil." probably refers to the ending with Lavellan, while it's not clear if that "I'm sorry, vhenan. If there had been another way..." is supposed to be there (maybe Solas apologizing again for bringing her to what he believes will be a terrible place?) or if it's referring to another scene.

The lines about him being stuck in a prison made out of his worst weaknesses, being unable to get out on his own, and spending a very long time trying to heal the Blight, something he hates, all sound like lines that would fit his bad endings.

One last mission

"Rook gives the team their seventh pep talk after the Finale." "We're sticking together. The gods might be dead, but there's more to do in this world." "We'll find Harding or Davrin. Somehow." "The eighth pep comes after nearly all content has been completed." "Weird shit is going on. What are the clues we have? The Executor, the Devouring Storm - what does it mean?" "We don't actually know. But it sounds bad. So we need each other more than ever." "On return to Rivain Island, defeat the Executor and collect the Memento for Davrin/Harding"

There is a cut scene + mission with Rook talking to their team after the ending and going to Rivain for one last mission. It's pretty much confirmed the cutscene was supposed to take place in the Lighthouse, there are old files and flags for it. If you pay attention after the ending sequence, you will see your Rook appear in the Lighthouse for a millisecond, the only trace left of that scene.

[space-blue]

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?

[ir-abelas-vhenan]

Don't mind me, just revisiting the plot (again) and dying over this line (again). (These screenshots are going to be abysmal, but you'll get the point).

"To stop now would dishonor those I have wronged to come this far."

Yeah he's talking about Mythal (earned or not) and Felassan and Lavellan and Varric...but the way it applies to HIM, too, is what absolutely guts me.

Long post ahead...

Solas realizing that Lavellan doesn't care about how others see him or want to use him under the inquisiton, that HIS motivations as he has shared them are enough for her and worth defending against those who would tell him he's something he isn't. (Duplicitous? Yes. But still intent on working against Corypheus? Undoubtedly).

"You came here to help, Solas, I won't let them use that against you."

“How would you stop them?”

“However I had to.”

“...thank you.”

Solas grappling with the fact that it wasn't just a one off, that this Dalish woman being faced with "hypotheticals" he's desperately been trying to get her people to entertain is jumping in head first, pushing back and disagreeing with him but never treating him worse for their differences and always admitting when he's helped shape a changing perspective. Solas daring to ask for help and marveling at the fact that he receives it, that the same woman who asked if it might some day be possible to live alongside spirits, who did not immediately shoot down his critique of THE CHANTRY REFUSING TO ACKNOWLEDGE SPIRITS AS LEGITIMATE BEINGS (GAH), who did not laugh at him for saying he preferred their company most days, this woman, is going to drop time and resources during war time preparations to personally help his friend.

And then, when he is too late and has once again failed someone he considers a friend, he disappears within himself, where he has always gone to exact punishment for the weight of the lives he believes he's betrayed. It almost works, too.

Psych. Lavellan doesn't want him to grieve alone, to stare at the place in the Fade where his friend used to be and think of all he should have done differently.

“The next time you have to mourn, you don’t need to be alone.”

��It’s been so long since I could trust someone.”

“I know.”

“I’ll work on it. And thank you.”

But does she stop there? No. She doesn't chafe at this random apostate who speaks with certainty and unapologetically delves into a past he believes worth preserving, even at the cost of questioning her culture as it currently stands. The very woman he once thought of as a mistake HE unleashed upon the world is asking to be a part of his, not because of what he can bring to the table, not because she needs a right hand man, and certainly not because she thinks he has some well of power and intelligence critical to winning over enemies she’s willing to join for "supervisory" purposes (cough cough hi Mythal).

Solas acting the closest he has ever been to his spirit form is ENOUGH for her. Existing as he has always dreamt of is all takes to earn her loyalty, respect, and eventually love.

“You’re an admirable man. Not many people know who they are the way you do.”

“Thank you. Both for saying that and…for seeing that. Few in this world can see me instead of just seeing a pair of pointed ears”

She. Sees. Him. Every part he wants to be known for and even a few he thought he could hide. And then he gives it all up. Because he woke to a new world where spirits and elves and mages were so far removed from the role they played in Arlathan that it can only be yet another mistake he caused and must fix, never mind the fact that the dwarves have forgotten why they fled underground millennia ago in the first place.

The friend who tore him from the world he loved, urged him to take physical form? She is dead, too, never mind the fact that she ignored his urging for a different path, nevermind that he killed and tore and hurt in her name because otherwise what was losing the part of himself he loved for?

"A spirit becomes a demon when denied its original purpose.”

“It hurts. It always does, but I will survive.”

He may no longer recognize where the Dread Wolf ends and where Solas begins, but if he gives up now and permits himself the chance to remember, the pain he caused himself and others means nothing, because he did it all for Mythal and in his final discussion with her, regardless of what Veilguard tries to convey, she does not release him from his position as her agent.

“You bound it to obedience, then commanded it to kill. That is when it turned.”

And maybe that's part of why I'm so angry, because EVEN BEFORE TRESPASSER, the fragment of Mythal that ends up in Morrigan could have freed him, but she does not.

"The failure was mine," he tells her, voice trembling. "I should pay the price."

"I am sorry." He whispers.

And do we get that "what we did, we did together" absolution, the one that if given the chance to put himself first he may have realised he doesn't truly need to get things he deserves? No the fuck we don't.

"As am I, old friend." She murmurs.

Looking through the lens of Veilguard, this isn't an apology, it's a condemnation. It's Mythal tormenting him one more time, twisting the knife deeper, agreeing that it is Solas alone who has brought them to this point, who deserves to be punished. And then she reminds him what they are to each other, what he is supposed to be to her. What he must become again.

"It isn't abuse if I ask," Cole says in his personal quest.

"Not always true," Solas shoots back.

And so he pushes onwards, spending near a decade denying himself his true nature and regretting that he ever gave it a chance to come through because now he KNOWS that this world is different and a little broken but it's a world he could be a part of because of the woman and the friends that made a place for him. It is a world that doesn't necessarily need to be restored as much as it might need renovation, but that is not the world Mythal demanded of him when she let him kill a remaining piece of her.

So he recommits to the friend he gave up his nature for, he refuses to let himself remember that Lavellan learned the full truth of his identity and still begged him not to mourn alone. Even so, he still cannot quite forget.

He kills again. He kills again. He kills a friend. He fails to prevent the Evanuris from wreaking havoc a second time.

And then some uppity little shit has the audacity to tell him it's not too late, that he can turn back.

"To stop now would dishonor those I have wronged to come this far."

If he gives up now, his entire corporeal life has been a betrayal of many, but worst of all, he will have ruined himself for nothing.

"Didn't you hear me?" Her every action screams as she kneels to meet his gaze like he did the day he took her arm (another failure, another sacrifice he cannot let be for nothing).

But then she's there. A little older, a little sadder, and still looking at him like she did the night he almost broke and instead carefully removed any suggestion that she had ever belonged to anyone but herself.

The tombstone in the fade is his greatest fear, but it is not his fate. Why? She will not let it be.

Lavellan may not have understood the depth of exactly WHEN Solas first came somewhere foreign and uncertain to help, but she never once failed to keep her promise. She refuses to let his initial desire to be good held against him any longer. And when she sees him accept not-quite-absolution from the god that saw what he was capable of and molded him into a weapon, she finds her in to make sure he doesn't walk off alone to mourn again, never again will she lose him to the expectations others have of him.

"There is no fate but the love we share." She tells him as soon as Mythal's too-little-too-late platitudes send shudders through his body.

“No orders to kill, no conflict with its nature, no demon.”

She forces him to see that the only remaining betrayal is to lock himself away one more irreversible time. All that's left to lose is himself: all that he has to gain comes from making sure the love that was given to him at Skyhold, in the moment where Varric saw all he was capable of and still tried to bring him back home, was not given in vain.

It will not be so terrible a place, so unforgivable a betrayal if he can finally dare to put himself first. If, unlike that night in Crestwood, he finally gives in not to break, but to make himself whole.

There's a codex entry in Inquisiton about a spirit of wisdom who is summoned by researchers and only after a very pleasant conversation do they realize they made a mistake and never successfully bound the spirit in the first place, that it chose to speak with them of its own accord.

"I am not certain the spirit would have talked so freely had it been shackled at the time," writes the author of the entry.

I keep thinking about this alongside the datamined line of Morrigan saying, "And so, the Dread Wolf is stopped by, of all things love."

But that isn't quite right, is it?

Because in the end, of course the Dread Wolf could only ever freed by, over everything, love.

[lukedanger]

As you wish, @adorascake

WARNING: Spoilers for Arcane Season 2 Act III below and in the link.

Healing was never easy, nor was it always possible. And certain careers carried with it the risk of permanent harm.

Caitlyn had thought she had known that when she had enlisted as an Enforcer, even after having seem some of the injuries that had been picked up in the line of duty. A missing finger with a clockwork replacement here, scarred bodies and faces there, the occasional eyepatch. In hindsight it was clear how little she had actually understood, believing herself to either be untouchable or that she would just cope if it came.

In the grand scheme of things, Caitlyn had settled to simply mourn her lost eye and try to move on. Try to let it be a reminder to not allow herself to be blinded by vengeance. To take on the new challenge and rise to the occasion. And she had tried to put it into effect in the following years, striving to fix what had been broken - by herself, by her ancestors, or by her city.

A knock came at the door and Catilyn sighed, pulling the patch over her face. "Come in," she said as she turned to the door.

"Just me," Vi said as she opened the door and came into the study, a box in hand with a bow around it. "Got something to show you."

Caitlyn was intrigued, but had to stop herself from pulling up the relevant information in her mind. It was her obsession, one that had served them all so well but also meant that she always tried to figure out a surprise. She didn't want to ruin this for Vi, not with how proud of herself she looked.

Yet despite herself, the information creeping to the surface. Vi learning artifice and engineering at the Academy, to be more than the welcome pair of fists when someone threatened the fragile peace. Recent grants that Vi had ardently argued in favor of. Time she had insisted on being alone in her workshop, even giving up time together for it.

"Whatever you're working on, it's an obsession," Caitlyn had told her over dinner at Jericho's one night.

"Learned from the best," Vi had cheekily answered, and just in time Ekko had come by before the conversation could continue.

"So," Vi said in the present, setting down the box, "I know you keep telling me to think about myself, to stop hurting myself for others."

Caitlyn just nodded.

"And I know you don't like it when people fuss over you, and hate it when people suggest you use all this wealth for yourself."

That warranted a quirked eyebrow from her good eye.

"So, the reason I pushed for that eyetech grant was because..." Vi almost trailed off there, whatever she had rehearsed faltering as her knee started bouncing. "Ah, screw it. Open it, Cait."

Caitlyn obeyed as she undid the bow and lifted the cover, but she already had a strong feeling of what was in there that was confirmed a moment later.

A mechanical eye, master crafted by a skilled artificer. A blue crystalline lenses with a natural white sclera made up the visible front, while the back had a single chemtech adapter with a faint tint of electric green barely visible to the naked eye. It would require a surgeon to insert and connect, but if successful?

"You made this?" Caitlyn asked.

"I-" Vi hesitated. "Yes. Kinda. I did a lot of the drafting, helped make the body and designed the clockwork, but a lot of the tech..."

"Vi, was this why you've been running around Piltover and Zaun these past few months?"

"Past year, really. Cait, you've got all this wealth, and you've been trying to spend it to help everyone. I couldn't let you not spend at least a bit on yourself."

"Violet..."

"Shh," Vi's knee stopped shaking. "I know you don't want people to pity you for the eye. That you keep offering cogs to make sure everyone has a reason to beat you in shooting competitions. You keep telling me that I need to take care of myself too. Well, the same goes for you, doesn't it?"

It was all coming together now. "That was why you pushed so hard for Doctor Zeigler's ocular project. You wanted me to benefit from it."

"Yep. And it isn't just for you, Cait. We've made less fancy ones that can help people blinded by accidents in the fissures."

"So why not give me one of those, then?"

Vi grinned. "Two reasons: first, we've got those fancy galas to attend. Second? Well, let's just say this one may have a few special features that I think you'd like to have."

Caitlyn was about to ask, but decided against it. Vi knew she enjoyed a good mystery, and Caitlyn spent a good portion of the night thinking about it even as Vi was fast asleep knowing that soon her wife would be able to see her with both eyes again.

"It's a zoom function, isn't it?" Caitlyn had asked the next morning.

Violet simply grinned and put her hands in the air in mock surrender, even as she flexed her muscles. "You got me, Sherrif."

[merp-blerp]

Gaylor/Kaylor and Oz: Parallels and Theories Vol. 2 🌼🌈❇️

CW: Spoilers for L. Frank Baum's Oz book series (books 1-15). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Vol. 1 Here (I recommend reading Vol. 1 before this one)

Overblown Analysis Under the Cut ↓

AH! I'm so ecstatic that I get to make another one of these so quickly! I was so proud of Vol. 1 and I'm so happy there's new material to explore! Thank you very much for the reception to Vol. 1, I'm so glad people liked it. It's cool to see other people who probably didn't even see my post seemingly make the Return To Oz connections as well. It makes me feel "smart". 😅

Part 1: The Tin Woodman ❤️🌈

Let's start out with something small and old news. A theory that's new to me is the Tin Woodman's role in gaylor theories (He's very specifically called "Tin Woodman" in the books, not Tinman, so I'll call him by his book name so as to not blur the line of exactly which version of the character I'm talking about). This collage by iateallthecat2 on Twitter (from this post) brought it to my attention:

I'm not sure if there's already some in-depth theory that goes beyond this collage out there, so I'm gonna wing it from here based on my own Oz knowledge.

In the "ME!" MV, Brendon Urie's character is a suitor that Taylor rejects. They fight when inside a house and she rejects his proposal, but when he gifts her something with no general romantic meaning, a cat, they spend the rest of the MV having a good, platonically-coded time. Brendon plays someone who wants to play the role of Taylor's partner, but they seemingly work better as buds in their rainbow haven.

I have wondered if Brendon is supposed to be playing a beard who Taylor tries to take to freedom with her in this MV, but I'm admittedly slightly apprehensive about the idea. It would be kinda cool if one or more of Tay's beards also came out with her whenever she does. This plotline seems very similar to the suspected "she ghosted but kept the castle" narrative. In both Taylor rejects a proposal, except here Taylor and her beard seem more connected. It makes me wonder, if everything had gone to plan, would the narrative in 2019 have been that presumably Joe would've proposed and Taylor would have rejected it but they would've been on friendly terms. Or maybe all of that would've happened to Karlie and Josh in a way since they were married in 2018. Or maybe it would've happened to both of them. Then they would've been able to build a narrative for Kaylor as a couple that didn't involve saying "We hid this from you for this long". But that's spitballing.

Either way, Brendon is definitely someone who helps Taylor along her "story" as he infamously put himself:

Everyone knows that the Tin Woodman helps Dorothy on her journey, but he also helps out Ozma/Tip on hers in the second book and so on.

In the first book, the Tin Woodman's backstory is that he was once a human named Nick Chopper, who was engaged to a Munchkin girl named Nimmie Amee. While Nick seems to respect and love her, he also seems to only be engaged to her because he doesn't want to be lonely after the death of his parents, at least to me. But the Wicked Witch of the East curses Nick to chop off his limbs whenever he tries to chop wood. He gets these limbs replaced with tin parts until he is fully tin. But his body no longer needed a heart and therefore he felt no romantic love for Nimmie Amee, so their relationship fizzled out.

Whether he ever romanticly loved her in the first place is debatable in my opinion. I personally don't think he did, especially since long after he's gotten the realization that he had a heart, Nick never really tries to romanticly pursue Nimmie Amee again, but he does tie loose ends with her in The Tin Woodman of Oz. However, my point is that Nick seems to only want Nimmie when he thinks she can fill a void. Once he thought he was too broken for her to fix he subconsciously realized he didn't actually love her, but interpreted it as though he just "stopped" loving her.

To put it simply, I see Nick as practically going through comphet before finding true fulfillment in the things that come after he's un-rusted. My personal interpretation of Nick is that he is a gay man, unbeknownst to him, who tries to find love in a woman, but it inevitably doesn't work. He loved Nimmie because he hoped she could fix his pain. There's no way to prove Baum meant Nick to be seen this way, but queer interpretations of Nick are common in modern Oz fan circles. Somewhat like Taylor and Brendon in "ME!", Nick and Nimmie try to play the roles of a couple, but being a couple just isn't in the cards for them, so they keep things platonic.

In comparison, Nick loves the Scarecrow for the actual companionship he gives. The Tin Woodman states that he no longer needs Nimmie's love, as he has the Scarecrow's. The Tin Woodman and the Scarecrow are pretty similar to Dorothy and Ozma in terms of being queer-coded in their relationship. They live close to one another because they're sadder apart, cordially debate philosophy, rule Winkie Country together, and are often depicted comfortably in each other's physical space, among other wholesome details.

The physical representation of the Tin Woodman's heart is made of a velvet pouch and sawdust in the books, but in the '39 film Tinman's heart is a ticking clock with daisies stringed to it. Of course, daisies have a great significance to Kaylor because of the Big Sur trip. And clocks have been having a significance in Taylor's art since "The Man" and the Karma wall.

I don't necessarily think Karlie, Taylor, or Brendon are represented through the Tin Woodman, Nimmie, and the Scarecrow in Taylor's art in a literal sense. I see it as just another queer piece of the puzzle. Brendon might not literally be the Tin Woodman in Taylor's art the same way Karlie is Dorothy, but I think he at least played him during the Lover era. Brendon/Tin Woodsman helps Taylor/Ozma through her journey to where she belongs like a queer friend helping another queer friend.

Also, I'll leave this section off on this reach cutesy note:

Part 2: Ozma and the Wizard 🌺🪄

Back in Vol. 1, I suggested a theory that if Karlie Kloss was represented as Dorothy Gale in Taylor's music, then Taylor was more subtly represented as Queen/Princess Ozma. I've been seeing another theory around about Taylor being the Wizard, aka Oscar Diggs. I also really like this theory and I think it can make sense for both theories to exist simultaneously.

The Wizard is an illusionist. In the first novel, when appearing to each of Dorothy's friends individually he appears as something different to all of them. To Dorothy, he is a giant floating head, to the scarecrow he is a fairy, to the tinwoodsman he is a beast, and to the cowardly lion he is a ball of fire. He is able to change himself into anything he pleases, but he has no real magic. In order to rule over Oz unrightfully, Oscar Diggs stole Ozma away as a baby and gave her to a witch named Mombi, who transformed Ozma into a boy named Tip, disguising Ozma from everyone and herself; in the second book, Ozma is transformed back to her true form and takes her place as ruler of Oz, eventually ruling with Dorothy by her side. To make a long story short, Ozma and Dorothy eventually forgive Oscar for his crimes.

I see Oscar/the Wizard as representing Performance Taylor, while the real Taylor is Ozma. The Wizard is from Kansas in the '39 film and performance Taylor is currently associated with the Kansas City Chiefs. Performance Taylor, just like Oscar, is able to change himself when needed and isn't the unstoppable being his citizens once believed in despite never meeting him. Just like Oscar, Performance Taylor is an illusionist who appeases the citizens with theatrics to hide the truth for the time being. Performance Taylor/Oscar hides the real Taylor/Ozma away. Real Taylor/Ozma, when seen, is forced into the shape of a boy, Tip/James, Peter, the Man, etc. But soon Ozma reclaims her land and keeps the castle Oscar took, and so might the real Taylor.

If you believe Post Malone is playing a side of Taylor in the "Fortnight" MV, Taylor seems to be depicting herself as coming together with both the public and private parts of herself. Previously in MVs for songs like "...Ready For It", Taylor was always at odds with her clone, but in "Fortnight" they team up to get out of the asylum. Ozma and Dorothy make amends with Oscar and Taylor makes amends with herself.

Part 3: The Yellow Brick Road and The Emerald City 🟨❇️

I think a lot of us know about Taylor's Instagram grid currently aligning with yellow outfits from Eras at the moment:

Typically when Taylor's Instagram grid aligns like this it means something. The most common theory as to what this might mean is that Taylor is creating a yellow brick road. Yellow is often seen as the closeting color in gaylor circles for various reasons, such as the Evermore closet in The Lover House being filled with yellow clothes. Some fun estimates I've seen are that soon the alignment will be broken by some type of photo of Taylor in a green outfit post-Eras, like maybe a green outfit from tour in her Toronto thank you post or even her birthday post. The big hope right now is that this hypothetical post in a green outfit will signify Taylor's coming out being near, having reached her destination to the Emerald City, or that this green outfit post could even be a coming out post. My Oz-ian brain loves this idea! The yellow road to being free in the green, the color right after yellow in the rainbow.

In the first Oz book, the Emerald City is a huge hoax. It's not Emerald at all, but white. In order to trick the citizens of Oz into thinking that the city is emerald, the Wizard forces everyone to wear green-lensed spectacles that lock on; they are what make the city look green, the Wizard lying that they wear them because the brightness of the city would blind them if they didn't. Dorothy is given a "green" dress when she arrives in the Emerald City, but when she leaves it reveals itself as actually being white. After the first book, the Emerald City becomes truly emerald; from what I can remember there is no exact canonical reason as to why this is, so I theorize that the citizens just made it emerald after the wizard floats away in his balloon. The Emerald City truly being white represents the fakeness within the rule of the Wizard, but by the time Oz has its rightful ruler, Ozma, the city is truly Emerald. For TTPD and most if not all of Tay's discography, the colorless world represents the abusive music industry and closeting, but color represents Taylor's freedom, reclaiming the land. Also, the fictional Emerald City was inspired by the real-life White City Amusement Park that was once in Chicago, so there's that connection to white too. Green and White together remind me of Taylor's green band jacket in the "ME!" MV and her white band jacket in the "TSMWEL" performance from Eras. Symbolism-wise, Taylor thought she was close to reaching her destination when creating Lover, but the smallest man ruined it all and the emeralds were fake. Now she's about to go down the yellow road once more to get back to her emerald kingdom.

To expand on the colors of Oz a bit more, let's look at the house from "ME!"

Here's an official Oz map in case anyone finds it helpful:

This house in "ME!" is the starting point in the MV and the first room that we see is blue. Blue is the color of Munchkin Country in the Oz books, as every Oz region has a color. Munchkin Country is the first land of Oz we ever see and the starting point of "ME!" is blue just like it.

Then Taylor walks through a hall with blue walls and blue and yellow tiles on the floor. On her first trip to the Emerald City, Dorothy exclusively walks through Munchkin Country to the Emerald City, so the tile being blue and yellow signifies that this is only the first journey to the Emerald City.

The next room is a large green one. The Emerald City, right?

But when Taylor makes it out the front door, the house is white with some purple. Not the true Emerald City. Purple is for Gillikin Country. When Ozma is kidnapped by the Wizard of Oz and given to Mombi she lives in Gillikin Country as Tip. The Emerald City is (partly) white, Taylor's in her closet yellow, Ozma/true Taylor is dressed as a guy, and Ozma/true Taylor is yet to rule.

But finally, later in the video when Brendon and Taylor are on platonic terms, they run up to a massive green building with a rainbow beaming in front of it as they wear green clothes. I think this was intended to be the true Emerald City. The pink soldiers around it even look like the poppy field. I think it's notable that in the MV Brendon and Taylor run up to the Emerald City, but we never see them enter. I take that as acknowledging that Taylor wasn't there yet. "ME!" was not a coming-out video, it was a sprint toward that goal. So she wasn't inside the Emerald City quite yet, she was on the way, ever so close. However, as stated before, the smallest man ruined things, so this was retconned through Eras. However, if Taylor got to come out during Lover this would've been the final stop.

I was thinking that it would also be crazy if instead of a photo in a green outfit, we got one in red. In relation to Oz, red is Quadling Country. In the first book, it's the last place Dorothy journeys to before making it home. It's also where she meets Glinda for the first time (Glinda is the Witch of the South in the books and a different witch is the Witch of the North). Glinda is the only one who knows the real way to get Dorothy home, her silver shoes. So red would also be an interesting choice in this scenario, but green is definitely the more culturally recognizable choice.

I want to acknowledge the "Goodbye Yellow Brick Road" connection I've seen around, even though I don't think I have much to add to it. The idea is that Elton John's song "Goodbye Yellow Brick Road" has thematic parallels to gaylor. This idea that Taylor could leave behind a toxicly ritzy world for something better. Elton is an openly gay man in Hollywood who had to deal with a lot of silly Hollywood games regarding his sexuality. The way "GBYBR" is used in his film Rocketman definitely depicts Elton deciding to fix his issues brought on by the industry's abuse. Could this be what Taylor's about to do herself in her own way? Leave behind the yellow cedar closet for a life that's true to her? Taylor wore this outfit that already had plenty of Kaylor tie-ins like the twinning Carolina Herrera fit and the panther necklace, but her shoes match the ones Elton wears in the "Goodbye Yellow Brick Road" album cover as he steps in or out of the Ozian picture.

As an extra fun tidbit, let's work some Oz history into this! It is a commonly told story that L. Frank Baum's inspiration for the yellow brick road comes from a real road in Peekskill, New York. The myth is that Baum asked for directions to the military academy and was told to "Follow the yellow brick road." Even though this exact story is likely just a myth, it's certainly not unlikely that Baum saw those yellow bricks. While Peekskill is not New York City, of course, New York City has a big significance in Taylor's music. In "WTNY" she views it as a place where anyone can be free. New York City could be its own character in her music. If New York City is freedom it could be seen as an equivalent to Ozma's Emerald City. Peekskill isn't where the city is, it holds the road to it and freedom.

Conclusion 🌼

Again, it's so cool to have more to add on to this Oz theory. I admit that it feels a bit vindicating that I made Vol. 1 and in due time we got more Oz crumbs. Wow, can't believe Taylor saw my post. In all seriousness, this has been so much fun. I know there's the possibility of yet another part to this. If you feel like I've forgotten anything, let me know! Can't wait to know what's on the horizon!

[clonerightsagenda]

Kat's "I could fix her" Arcane season 2 post Part 1:

Yeah we're skipping straight past the recap/reflections on what this show actually was into my 'just let me into the writers room' post because I'm currently tormented by, ironically, what could have been

What's funny is the characters didn't even end up doomed by the narrative because of their League of Legends fates!! They killed a whole bunch of champions! They just Did All That anyway.

As I was saying in previous posts, the season was overstuffed. I genuinely liked some of the music video portions lol, but there was just so much going on.

I still would put Mel in a Magic Coma for the entire season and spin out her Black Rose plot for a third season or new spinoff (it seems like there will be one anyway). Her storyline as is felt like an afterthought and wasn't fully explained. Am I supposed to know the Black Rose lady? I don't. Being crammed in does her a disservice; I'd rather give her room to breathe. This would create a stronger absent mother/absent daughter bond between Ambessa and Caitlyn, and Caitlyn could see Ambessa claiming to do things for her daughter's sake even though it's obviously stuff Mel would never approve of, and that could force Caitlyn to reflect on how her mother wouldn't approve of the actions she's taking allegedly for her sake. That could sell Caitlyn's immediately re-siding with Vi better.

This may be a very hot take, but I didn't really like the werewolf Vander plotline. My understanding is he's a LoL champion, but he felt particularly cartoonish even in an increasingly cartoonish season, and just kept retreading the same ground. Vander's dead. :( He's alive! :) He's dead again. :( Obviously the cycles are part of the point, and he represents how Vander's death is this monstrous always dying never at rest force between the sisters tying them together and strangling them at the same time, but I'd cut it. Have Vi seek Jinx out after the prison break because she can't believe her sister did that, have Jinx admit she only did it to save one girl, and they reflect on how Vander also did stuff just for kids versus ideals. Make Vi reflect on how her little jaunt with Jayce killed a kid, and here Jinx is saving one, and people are complicated. Still not clear on how Jinx has no negative effects from Shimmer, so give her a few and that can be their new reason for going to Viktor's commune. Ambessa can hear about his new weird magitech without needing a werewolf to pique her interest.

Obviously this raises of the question of what Vi and Jinx are doing in the finale, and while I don't think every character needs a big damn fight scene, they can back up Caitlyn versus Ambessa since Mel won't be there, which also forces them to deal with the Vi-Caitlyn-Jinx tension. IDK if there's a way to have Jinx ambiguously blow herself up in that scenario but here's a thought, maybe the most prominently disabled characters don't all need to die and/or commit suicide? More on that later. Ambessa is subdued, not dead, though, so she and Mel can talk later.

Finally (for this post) I already expressed my frustration that the key class conflict so present in the first season and first half of the second gets mostly shoved under the rug because there's a new enemy to fight. Yes, that's often used as a distraction irl, but that's not a *good* thing. Sevika's sitting at the councilor's table at the end of the show. Who negotiated that? Caitlyn? If we absolutely must go the direction of a big damn final battle, I want to see that conversation and all of the pain and distrust that must've come up during it.

That's the kid gloves version. If I was being aggressive - and I would be - I'd have the fighting totally destroy Piltover with arcane corruption, and now everyone from Piltover has to live in the Undercity/Zaun as refugees. Forget Sevika sitting down at the Piltover table as the new councilors glare at her. Now the Piltover councilors are having to sit awkwardly down at a table with Sevika and Ekko's number 2. (Or Ekko. What is he doing besides sitting sadly on that roof. Is he involved in governance. Is his tree ok.) Piltover suffocated Zaun for years with their industrial runoff. Now they're choking to death on their own magical industrial waste, and they're going to have to learn to live like everybody else.

I am still parsing the whole Viktor, Jayce, and disability thing since as you know that's one of the elements that fascinates me most about this show (the new improved crunchy ableism even as they genuinely try to explore something interesting) so I will be typing a separate post about that, probably thinking through it as I write. Stay tuned.

[sansaorgana]

I'm reading at work again... 😄 Let's gooooo...!!!

You weave strands of his hair into elaborate braids in your lap, before undoing them and creating something greater in their stead. He eventually quiets under your idle fiddling, eyes drifting shut with a contented smile gracing his face, like a cat napping in the afternoon sun. You love him like this; no cares, no worries of war.  You can soothe him like no one else, a great source of pride whenever he mentions it.

PLEASE I NEED THIS IT WOULD FIX ME AND FIX HIM, FIX US BOTH! 😩

"Whatever it is, it doesn't matter, you're the only thing that matters. We have to go!" He never raises his voice to you, so you're a little dumbstruck when he growls at you.

Creepily and obsessively protective? I WANT!!! 🥺

In the dead of night, flickering candlelight casting ominous shadows over your face, Sauron cannot help but admire you, crave you, as you corrupt his master's fate.

Well, can't blame him. The way you wrote this scene made me imagine it so vividly and she was so terrifyingly ominous. Love that. 🩷

"Forever and a day, a lonely fate will be yours.  You shall not know the word of a friend, the loyalty of a follower, or the touch of a lover.  I curse you to wander the Seen and Unseen world alone, craving the connection you sought to sunder here." 

I'm sorry but has she cursed me too, perhaps? 😭🤣

He gives you an affectionate smile; how could he not wait for you?  Even if he did partake in sleep, he would not be able to rest without you at his side.

Male-wife! 👏🏻

"The Valar will never look upon me favourably, beloved.  I could present them Melkor in chains and they would only bind me to him."

😭😭😭

"I did. And I found their response wanting." In truth he had tried to make amends, tried to do penance for the ages he'd spent in Morgoth's service, but when it came to approaching Manwë for his pardon, his fear overtook him and he fled back to Angband, but he couldn't tell you that, couldn't tell you he'd been weak, pitiful, his courage failing him at the final steps to absolution.

My pathetic little meow-meow... 😣😿

"Who do you think you are?" He hisses, venom in every word; you don't recognise him, cold terror in your heart at the sudden switch, as if someone had doused the candle burning for you in his heart with oil, engulfing him with wildfire.

Oooooooh here we go...! 🔥🔥🔥

"Please... please let me go." The look in his eye says begging will be useless, but you try anyway.

"You are my Queen.  You're free to do as you please." He replies, voice smooth, with a pretty smirk and that predatory glint in his eye that would usually thrill you so, that still sends hot arousal pooling between your thighs, mixed with icy cold terror.

"I'm sure it would..." he utters breathlessly as he takes you in, leaning over you, watching the artery in your throat jump in time to his own racing heartbeat.

I love this so much??? She can but she cannot...? She is his Queen and Queens need no permission but she is his Queen, therefore she belongs to him??? Ugh... 👏🏻

He worships at your altar, an acolyte to your pleasure.

🛐🛐🛐

"If you were to leave me," he moans against your heated skin, stroking his cock against your thigh, "there would be no rest for any bird, beast, or being in this land, no sleep, no sustenance, these lands would burn until you were returned to me."

😶‍🌫️ I need him like a bitch in heat and let me remind you, I'm reading this at work. 🤣

It is in the middle of his speech, appealing to his army for their continued support, that Sauron notices you are absent.

MY POOR BABY! NOOO!!! 😭😭😭

As he lay in a pool of thick black blood, his last thought was of you; how could you betray him? And thank the Valar you did.

NOOOO I WANT TO CURL UP AND CRY BUT I'M SITTING BY MY DESK... 🫠

Haunted (Sauron/F!Reader)

...by the kiss you should never have given me

Lots of mini-chapters add up to an omnibus of angst, as we follow Sauron through the centuries and discover exactly what happened before his coronation.

Sequel to To Have and To Hold // Prequel to In the Dark of the Night // AO3 Link

Soundtrack: Kiss Me Harder by Jordan Fiction, Judas by Lady Gaga, Angels by Within Temptation, Heaven's A Lie by Lacuna Coil, NFWMB by Hozier

Warnings: 18+! Angst, smut, fluff, hurt/comfort, canon typical violence, manipulation, toxic relationship (more overt towards the end), obsessive!Sauron, soft!Sauron (yes the two can coincide), knifeplay (just a tiny bit), blood magic, Sauron is a bit of a dick towards the end, sorry, accidental prey/predator kink, knifeplay (again, tiny bit), grinding, slightly dubious consent (you do want it, but I'll tag anyway), oral sex (female receiving), P in V sex, more blood.

A/N: little bit of jumping around in this one, sorry, we start just after the wedding, then we jump to the fall of Gondolin, a little magic ritual in the middle, then the fallout from the sinking of Beleriand (why do you keep getting caught up in this??), then we close out the First Age with a little argument before someone's coronation! Little slices of their romance in quick succession! I went a little experimental in the form of this one, with a bunch of flashbacks informing the main plot at the end. I hope it works 🤞

Special thanks to @olchr-1 for the idea for our revenge on Morgoth!!

Translation note: Amartherui translates in Sindarin to "lonely fate" [Fate (amarth) Alone (erui)]

Word Count: 6k!

Fingers entwined with his, head on his chest, you were enthralled by him, by every pretty word and sweet gesture. Every time he came to visit, you would spend days on end in your secluded glade, to make up for his inexplicably long periods of absence. Sometimes he would come to you with dizzying tales of his latest triumphs, preening under your undivided attention. But lately he had taken to returning under black clouds, tetchy where he was usually playful, and rough where gentleness once reigned.

You had pulled him close to your breast and sank down into the petaled carpet of the forest floor, stroking his hair and listening as he raged on about the war in the north. You had kin fighting the armies of Morgoth, and knew his sorrows all too well, but something behind his eyes told you it was more than he was letting on.

You weave strands of his hair into elaborate braids in your lap, before undoing them and creating something greater in their stead. He eventually quiets under your idle fiddling, eyes drifting shut with a contented smile gracing his face, like a cat napping in the afternoon sun. You love him like this; no cares, no worries of war. You can soothe him like no one else, a great source of pride whenever he mentions it.

You gaze down at his unearthly smooth features and trace each contour with your eyes; your fingers slow in their busy work, moving gently across his scalp, lazily twisting his hair around your finger, making a ring to match the one he'd gifted you, ornate and bejeweled, glittering with an impossible inner light, to replace the woven band of purple iris that he'd improvised on the night of your wedding.

"You're staring, love." He smiles, snapping open his eyes and fixing you with an affectionate expression that makes your heart melt.

"Is a wife not allowed to stare at her husband? Are there no privileges to marriage at all?" Your voice is soft but your tone is mischievous, and he smirks.

"I can think of a few, ah, privileges, dearest, in fact we have exercised a few already today." He raises his eyebrows, before pulling you down to meet his lips. "But if you need reminding, you need only ask."

-

You had agreed to meet in the same secluded glade at the next new moon, but he never showed. The hours you wasted awaiting his return were at first exciting, full of electric anticipation that only love's first bloom can give. As the moon slowly passed overhead, and twinkling stars gave way to blazing sun, you shed many a tear at your folly. Perhaps he had been some mirage, an illusion to tempt you? Or perhaps the depth of his feeling did not match yours, a fleeting thought you had to bury deep in case it irrevocably shattered your heart.

You frequent the glade every so often, convincing yourself that it was a perfectly fine place to pass your time, and that you were not reminded of his warm hands or even warmer smile, every time you visit. Deceiving yourself that it meant much less to you than it did, that if he returned now after so much time with no word or warning, you would not jump into his open arms without a second thought.

Your heartache is apparent to your friends and kin, who assume you're suffering the grief they all feel, having lost so many of their kind to Morgoth's rampage in the north. How little they knew; how little you knew.

It is only when one good friend mentions the siege at Angband, that you are struck with the terrible notion that the man you cursed for abandoning you, might not have done it willingly after all. That perhaps, Valar forbid, he had perished in the siege. He had mentioned fighting in the war after all, but you had not connected that with his absence. After all, he had promised to return to you, on the morning after you had met, having shared a blissful slumber in each other's arms. He held your hands to his lips and swore he would see you again, and now it makes sense. Now you have a real reason to grieve, you realise, and the anger roiling within you turns cold, an icy pit in your stomach as tears fall freely and your heart wrenches and cracks. You were to only have one night with him, and you might never even discover his true fate.

You reason with yourself that surely you would feel if the other half of you had flown this mortal plain. But the alternative was much crueler, and to believe him dead was somehow a less hopeless fate.

Centuries later when you look back, you curse yourself for not seeing who he was, and what he'd done, but how could you? He'd taken you as his own and that was such a strong spell to break, Eru himself would have had to step in.

-

To see your city fall at the hands of your husband’s master, you had no words, only wet hot tears as you watch your people die.

"Love, we have to go, come now," he holds you firmly by the arms, shaking you a little to clear your mind of the dust and debris and blood on the streets of Gondolin.

"I can't, I can't leave them, I have to find-"

"No, we're evacuating, you're not staying a minute longer. I should not have let you linger here when He appeared on the horizon, we should have-"

You tug your arm from his vice-like grip. "Should have what? Should have left my people to wrack and ruin? We have to..." Your mind is so murky, filled with thoughts of leaving, running as far as you can with him, despite your overwhelming urge to stay and help where you can.

"We have to leave. You know there is nothing we can do for them, He will leave none alive, and I won't have you-" he can't say it, he can't even entertain the notion of you coming to harm; his fingers tighten their grip, almost painful in their desperation.

He should have foreseen this, he should have gotten you to safety when he first had an inkling that his master finally knew where the Hidden City was.

"We have to go back, I need to go back, I can't leave-"

After a thousand years, his magic had kept your tiny wedding band of iris in full bloom, untouched by the passage of time, kept safe in an ornate gilded chest, made by his own fair hands. And it was sitting in your apartments on the other side of the city, where your kin doubtless waited for you to leave with them. The sentiment in your heart held you steadfast against his shaking and pleading.

"Love, we can't stay here-" he is interrupted by explosions overhead, as the enemy host draw closer.

"You don't understand-"

"Whatever it is, it doesn't matter, you're the only thing that matters. We have to go!" He never raises his voice to you, so you're a little dumbstruck when he growls at you.

"But we have to save them!" You stop in your tracks, feet rooted to the ground, indignant at the idea of abandoning your friends and neighbours to their doom.

"Amarië," his voice is suddenly so soft, it disquiets you, brings you back to the present. "Love, they're gone. There is no saving to be done."

Sauron is a stranger to remorse, to sorrow, but at the effect of his words, a pang of guilt sweeps through him when he tells you that in all the world, he is all you have now. He tries to ignore the warm thrill he feels in the pit of his stomach, that this great cataclysm has brought about the fate he always wanted for the two of you: just you and he, no one else to rob him of your attention.

You wanted to feel deeply all the grief and pain that one would expect at being told their life was over.

Instead you just felt numb, haunted by the consequences of his actions.

-

"I curse him." Your husband's eyes grow wide at your words, grasping your hands as if to quiet you, but you press on.

"I curse Melkor, Morgoth Bauglir, to roam this earth alone. To never know peace, to never know that which he so jealously craves."

You feel you're taking Morgoth's curse rather well, all things considered. Sauron had to beg you not to storm Angband yourself after he had told you of his master's new name for you, cursing you to a forsaken existence, sundering you from your husband in all but spirit.

You had fought your way back to him countless times, and he to you; you had both vowed to continue to do so, but the rage and grief had not lessened with time, stoked to a towering inferno of wrath that threatened to break you any time you were reminded of it.

And after the fall of Gondolin, your rage at the Enemy was insatiable.

So you had your revenge.

"Enemy. Tyrant. Now I name you again."

In the dead of night, flickering candlelight casting ominous shadows over your face, Sauron cannot help but admire you, crave you, as you corrupt his master's fate.

You slice open your hand, squeezing your palm over the parchment before you, watching as crimson splashes through the stark black lettering.

Amartherui.

"Help me." You look him in the eye, your simple plea making his chest ache; he has never said no to you, his sweet wife, but this is the first time he has been tempted.

"Amarië..." his soft sigh almost convinces you to abandon your plan, but the fury bubbling in your veins is too great.

"Beloved, will you help me or not? Your power would bring this curse to fruition, but if you will have no part in it, you should leave." You stand taller, drawing yourself up to match his gaze, impossible as that may seem.

"I have never asked you for anything. Please do this for me."

The crushing weight of the love in his hole of a heart moves his hand before he can stop himself. With gnawing doubt in his stomach, he wordlessly takes the knife from you, mixing his pitch black blood with your own on the page.

You smile, a weight lifting from your shoulders instantly, and you pull him down to kiss him hard, leaving a red streak on his neck.

"I name you, Morgoth, as my people have long titled you, Amartherui." His new name falls off your tongue like a dream, and you cannot help but smile, your wicked deed complete, as you set the parchment alight, the flames glowing a sickly grey-green as the candles flicker and the room darkens, long shadows growing where the light had tentatively reigned.

"Forever and a day, a lonely fate will be yours. You shall not know the word of a friend, the loyalty of a follower, or the touch of a lover. I curse you to wander the Seen and Unseen world alone, craving the connection you sought to sunder here."

In the back of your mind, there is some semblance of guilt. There is nothing good in the act you just performed, nothing virtuous or pure in your revenge; it's cold and calculated, vicious and spiteful.

Transcending the bounds of time and space, you can feel your curse has taken effect, something shifting in the air between you and your husband.

Sauron has never loved you more, and he shows you many times that night the depth of his feelings.

-

You watch as more refugees stagger into your haven with naught more than the clothes on their backs, waiting to help and heal and offer your comfort where you can. The war has left such a dreadful path of destruction in its wake; thousands of your kin are displaced as the host of the Valar battle their way to Angband, and your people had chosen where the river Sirion meets the sea as their secret haven.

It has been decades since the armies of Valinor first arrived on the shores of Middle Earth, and the end was drawing near, according to your husband, who was waiting with you in the safety of the havens and watching closely.

"I'll see you when I'm finished here," you whisper as you reach up to plant a kiss on your husband's lips. "It'll probably be late, don't wait up for me."

He gives you an affectionate smile; how could he not wait for you? Even if he did partake in sleep, he would not be able to rest without you at his side.

"I'll be up, return to me soon." He is reluctant to let you go, but your skills are in such dire need while the city is inundated with the sick and injured.

Before the War, it was uncommon for Elves to suffer such fates, being hardy in soul and body, but Morgoth's darkness had infiltrated much of the land and infected so many of your kin. Soldiers, innocent bystanders, there were hardly any who were unaffected, and fighting the darkness was a constant effort on your part, and the team of healers you had trained in the magics of your people.

"My lady, they are calling for you." The herald's voice shakes you from Sauron's gaze, and he huffs impatiently.

"I must go." You reluctantly begin to pull away, but he draws you back, pulling you close and wrapping you up in an embrace you could cling to for an age.

"I love you," he murmurs in your ear. "When this is all over, we shall establish the greatest kingdom this land has ever seen."

"If there is a land left." You try to remain hopeful but the news of the siege at Angband is never good, never hopeful, and you fear your home will never be free of Morgoth's influence.

"I am your home," your husband, your Mairon, reminds you, tracing your cheek softly, and you cannot help but return his radiant smile.

"I know, love, as I am yours." You press a soft kiss to his knuckles, taking the strength he offers, before departing to disperse your light where you can.

The darkness infects everything it touches, and it takes all of your energy and more to renew your broken and weary kin, who have travelled so far and fought so hard to reach the havens. Healing words and ancient spells woven into soft songs, settling over the city in a melodic shield, rejuvenating the minds and bodies of your people. You work late into the night, spreading the light where you can, easing the pitch black horror in the hearts of those who had seen the worst of Morgoth's endeavours.

The night is all-encompassing when you finally crawl into bed, nestling into Mairon's firm warmth, trying not to disturb him but feeling sweet relief when his hands trace your sides in greeting.

"I was going to come look for you," his deep voice rumbles in your chest as he presses himself against you.

"No need," you try to smile, but your voice cracks as his tenderness breaks your defences, and all the heartache of the day pours out of you like blood from a wound.

His heart wrenches. He has no business feeling such emotions as remorse, but once again you have him feeling in ways that he dislikes intensely.

"I'm sorry, my love." And he is. He is actually sorry for causing you pain, the rest of Middle Earth be damned.

You sigh and take his hand, holding it over your heart.

"I know, love." You ponder your next question, whether it is a good idea to ask, but you ask anyway.

"You cannot assist in the efforts against Him? I'm sure the Valar would be grateful for your help, might even look favourably upon you-"

He interrupts you with a sigh and a kiss to your neck.

"The Valar will never look upon me favourably, beloved. I could present them Melkor in chains and they would only bind me to him."

Of course, he has thought about begging clemency, thought about fleeing with you to the edges of the world, even thought of taking you back to his master. But in the end, it was more prudent to keep you safe, and to watch and wait for the triumphant side to reveal themselves. Better to beg forgiveness from the victor than choose the wrong side.

-

"Tell me I'm wrong." You dare him to speak against you, your voice shaking in anger as your fists clench.

"My love, I-"

"No, I don't want falsehoods, I don't want games or lies or deceit, just tell me. Did you go to Eönwë as you promised?"

"I did. And I found their response wanting." In truth he had tried to make amends, tried to do penance for the ages he'd spent in Morgoth's service, but when it came to approaching Manwë for his pardon, his fear overtook him and he fled back to Angband, but he couldn't tell you that, couldn't tell you he'd been weak, pitiful, his courage failing him at the final steps to absolution.

And he definitely couldn't tell you that in order for his pardon to be granted, he would have to give you up, to avoid blackening your soul any further.

He'd rather suffer your eternal wrath than be sundered from you for even a moment.

"So you traded forgiveness for more lies." You clench your jaw, your head beginning to pound, the subtle throb becoming a stabbing pain in your temple.

"I did it for you."

"How? How is this for me?" You mock him, incensed now that he would deflect his deceit onto you.

He stands to comfort you but you rip your hands from his grasp before he can claim you.

"I do not know what to say. I thought I knew you, I thought you would do the right thing." You shake your head and laugh, your scorn stinging him as if it were a poisoned blade.

"Love, please-"

"No! No more lies. I've had it with trickery and deception, I want out." You whirl around to face him. "Shadow of Morgoth, they call you. You gather his armies to you once more, you refired his crown! So is that what you want? Do you want to be his second coming?"

In all honesty, no. His master's plans were beneath him; Morgoth wanted to break the world, Sauron wanted to reshape it, to balance and perfect it, by any means necessary.

"Please, listen to me, I need you by my side, now more than ever." He clutches your hands, heart pounding, looking deeply into your eyes, willing you to fall for his pretty words once more.

"You didn't answer me." Tears begin to prick your eyes, but you refuse to let them fall in front of him, stepping back to take a deep breath, to steady your nerves to face the man you thought you loved.

"I don't need to. Love, you will join me." His desperation becomes honeyed, dripping with the devotion you so crave from him.

"Don't. Don't do that." You whisper, as he stalks toward you slowly, his deception burning a hole in your heart that you're sure will never be filled.

"Don't you want to be with me? For all eternity, that is what we always said." He circles you, hands on your shoulders, in your hair, overwhelming you with his lover's touch, just a mite too rough.

"Not if this is your plan. I didn't marry Morgoth, I married Mairon." Sauron, your mind reminds you, and for a second you feel a wave of nausea overwhelm you.

His face twists and he pulls away.

"That is not my name." He growls, an ugly grimace taking over his lovely features.

"I've told you before, don't look inside my head!" You retort, his presence in your mind suddenly overwhelmingly obvious.

You throw him out of your mind, slamming the door shut, refusing him access to that which would be so freely given if he deserved it.

The tic in his jaw is back with a vengeance and his eyes are ablaze with a fury the like of which you have never seen.

"Who do you think you are?" He hisses, venom in every word; you don't recognise him, cold terror in your heart at the sudden switch, as if someone had doused the candle burning for you in his heart with oil, engulfing him with wildfire.

"I chose you, of all your people, as my wife; I could have had anyone, but I chose you. Aulë’s greatest smith, Melkor's most trusted lieutenant, lord of all the dark things that creep and crawl in this world. And who are you? My beloved wife." His tone is like poison in your veins, burning and spitting fire in your heart.

Who are you? He's right; who the hell do you think you are?

"I know exactly who I am. I'm the woman who leaves you."

You shall not be forsaken this time, not that doing the forsaking feels any sweeter. It wrenches every fibre of your being, your heart pounding in your chest, but you make it to the door of his chambers, hand on the doorknob, before he breaks from his stunned daze, crosses the room and clasps his hand over yours on the cool metal.

"And where will you go? Your people are scattered and displaced, and who would take you in if they knew?" His sweetly honeyed words still bite at your heart, settling in the pit of your stomach.

"I cannot stay here, not now that I know exactly what you are." You look up at him, holding his gaze, somehow fighting the urge to scratch and claw and bite your way free like a feral animal, suddenly overwhelmed with the sense that you should run as hard and fast as you can.

His eyes betray nothing, his lips curving into a condescending smirk, as he runs a finger down your cheek, gathering the tears you'd fought not to shed. He examines them as if he'd never seen their like, as if they were precious stones from the depths of the earth, mined just for him; he licks his fingers clean, turning his attention back to you, trembling under him as he cages you against the door.

"Please... please let me go." The look in his eye says begging will be useless, but you try anyway.

"You are my Queen. You're free to do as you please." He replies, voice smooth, with a pretty smirk and that predatory glint in his eye that would usually thrill you so, that still sends hot arousal pooling between your thighs, mixed with icy cold terror.

"It would please me to leave," you try to appeal to him, softening your voice, lowering your gaze.

"I'm sure it would..." he utters breathlessly as he takes you in, leaning over you, watching the artery in your throat jump in time to his own racing heartbeat.

"Mairon... please..." His lips are on yours before you can finish your plea, his hands tangled in your hair.

He pushes his thigh between your legs, letting you grind yourself against him instinctively, and he groans, deep and low in his chest.

"Even now, your body betrays you, my love."

You sigh against him, fingers raking his hair roughly, letting him caress your neck, your waist, pulling you impossibly closer as he tries to expose you to his gaze. His clever fingers usually make light work of the laces of your corset, but his impatience defeats him, and he pulls a dagger from the lining of his robes, slicing cleanly through the fabric.

"That was my favourite," you admonish him, still angry with him; even as he takes you apart with his fingers and his tongue, you can't forget his plans, and you certainly can't ignore his gift to you, sitting by the window in all their glory.

Twin crowns, wrought in black iron, twisted and wicked, emanating a dark power that made you nauseous; ready for the heads of Middle Earth's new King and Queen. When you'd seen them, your blood ran cold, as you realised that once again, you'd been victim to Sauron’s deception.

"You will have a thousand more, dearest wife, whatever your heart desires," he promises breathlessly as he shucks off your dress, sliding it down your body, worshipping you with the lightest touch, soft kisses peppering your skin as he disrobes you. He falls to his knees, his head in line with your mound. He looks up at you, locking his gaze with yours, and delves into your folds with his tongue, seeking your pleasure.

You gasp, throwing your head back, as he spreads your legs to access your entrance, splitting you open with two fingers, still drawing every moan and whimper from your throat as he circles your clit, licking long strokes, tiny laps at your skin, letting you ride his face in your lustful haze. You grip his hair more roughly than you normally would, your wrath seeping into your lust, until you can't detect the distinction between the two.

He takes one of your legs and places it on his shoulder, letting you rest against him, both of you totally at the other's mercy. Such trust, such devotion, would you throw that away? Would you truly abandon him?

He worships at your altar, an acolyte to your pleasure, drawing unearthly sounds from deep within you, willing you to just stay and be his.

Your mind is racing as tendrils of his power cling to your lips, fighting for entrance to quiet your thoughts, and replace them with his sweet music. Wouldn't it just be easier? To let the darkness in?

You might as well, you muse in the back of your head, thoughts displaced by pleasure as the darkness feasts upon you.

He's solely focused on you; there is nowhere he would rather be in all of Arda. The unblemished shores of Valinor, the white trees that used to light the world, he can finally understand why his master was so hellbent on their destruction. For there is no beauty that should merit a comparison to you, and he would raze these lands to the ground to prove it.

You're drawing close, he realises, and briefly wonders whether to allow you your release on his lips.

You feel him pull away and moan, a tiny pitiful sound that makes him chuckle; of course you need him, of course you can't be without him, even in anger. Victory is nigh, and he pulls himself out of his robes to claim you once again.

He pushes you back, your name on the tip of his tongue, as he takes you in, breathes your air.

"You're mine," he growls, nuzzling your neck to better scent you. "Say it, say you'll always be mine."

"I will," you murmur softly, tears pricking your eyes as you hold him close.

"If you were to leave me," he moans against your heated skin, stroking his cock against your thigh, "there would be no rest for any bird, beast, or being in this land, no sleep, no sustenance, these lands would burn until you were returned to me."

He claims you in one thrust, filling you so completely, so sweetly, that you see stars, your breath stolen from your lungs as if it were the first time you'd ever laid eyes on him.

Your heart wrenches, pulling towards his, despite your entire being screaming at you.

You kiss him harder, your mind quietened as he bites your lip, droplets of blood wetting his tongue, quickening his insatiable need to be inside you in every way that is possible; mind, body, soul, all inextricably entwined.

The tears in your eyes threaten to fall, but you blink them back as he rocks into you, the chorus of your lovemaking drowning out all other notions. He plays you so well, a master in the art of drawing sweet melody from your lips; the harmony you both create together is unmatched to his ears, a Maia who helped sing the world into being.

A chorus of "mine" and "please" fill the air, and you're unsure whose voice is the louder, who is more desperate in their claiming of the other.

You feel him stiffen against you, his melody reaching a crescendo before yours, as he fills you with his pleasure, low groans in your ear bringing you to your peak as well. He wrings every last moan out of you, drawing out the coda of your song until there are no more notes to be played, no more pleasure to be taken.

Sweat-slicked and exhausted, you hold each other close, entwined so perfectly. You let him carry you to his bed, laying you down reverently, climbing in beside you and nestling you close, arms wrapping you tightly, refusing to let you move from his grasp.

You'd usually find such comfort in his embrace, but tonight there is an itch under your skin that his touch only amplifies, making you fight not to squirm beside him.

You cannot sleep for fear of letting him inside your head again, so when a knock at the door comes, you welcome it.

He sighs, long and loud in your ear, as evidence of his displeasure.

"I'll be back, love, there are matters I must attend to."

"Of course," you smile, fighting to make it meet your eyes.

He regards you carefully, brow furrowed.

"Do not fear, my love," he says softly as he leans down to kiss you once more. "I won't be long."

As he departs, he gives you one final look of longing, which you hasten to return with all the eagerness you can muster.

The door clicks shut, your expression falls, and you immediately disentangle yourself from the sheets,

Finding obscene amounts of your clothing and jewellery, and books beyond measure in his room was no surprise. He must have been preparing for this for years, if not longer.

Now that Morgoth was gone, the next phase of his plan could move forward, and that involved you, his Queen, taking up her rightful residence.

You dress as quickly as you're able, taking only what you can carry, and go to leave. But you notice a small ornate chest you thought you'd lost when Gondolin fell, sitting on the dresser by his bed as if it had always belonged there.

You feel as if you've been stabbed, a gut-wrenching heartache overwhelming you as you can do nothing but stand and stare.

He went back for it. He kept it all this time.

Your feet move of their own accord, and before you can blink, you've opened the chest, staring at the impossible artefact of your love for each other.

Unfurled purple petals, revealing a stark white centre, the woven band appearing as fresh as it did on the day he married you.

You hold it up, comparing it to the ring you currently wear. He really had somehow captured its likeness in a jewel, deep purple revealing a bright light in its centre, framed by ornate silver details.

You cannot bring yourself to slip it on, after all that has happened, his lies and broken promises, but you are loath to leave it.

Movement outside his chambers sends a shiver of panic through you, and you quickly move to hide behind the door. The subsequent banging has you quaking but you stand your ground, waiting for whomever it is to leave.

The door abruptly swings open, and you hear two gravelly voices discussing... you?

"Mistress?" The first call is softer, but their annoyance quickly becomes apparent as the other chimes in.

"Where is she then? They said to fetch her, but I'm not traipsing all over to find some she-Elf-"

"He won't even notice, Adar says he's too caught up in all his planning and his speeches, who cares about one missing Elf?"

"He wants them at least, over there. He'll have your head if we forget-"

"Why my head? You're the one he told-"

"Shut it and take 'em, careful now, there's magic in it still..."

Their voices fade as they shuffle back the way they came. As the door slams shut again, you realise that your husband already has an army of orcs at his disposal, and you reconsider what you're about to do, but only briefly.

Escaping the fortress is more of a task than you thought, requiring all the skills of subterfuge and swordplay that your husband has ever taught you; which is no small feat, considering the centuries you've had to learn.

Quietly slipping through the fortress mostly unnoticed, leaving the odd corpse in your wake as your husband's servants cross your path, unfortunately for them.

Thankfully the halls are mostly deserted, and you hear a clamour coming from deeper within, but you try to pay it no mind, focusing on your exit and nothing more.

It is only when you finally see daylight, pushing open the great black doors to the fortress, that you can breathe a sigh of relief. If you can just get a headstart, perhaps you'll be able to outrun him.

-

It is in the middle of his speech, appealing to his army for their continued support, that Sauron notices you are absent.

He'd sent for you when his moment of victory seemed nigh at hand, and had assumed you were readying yourself for your ascent, but now that he had persuaded Adar and his children to his cause, the sight of your face was all he wanted to see.

As he knelt before Adar, awaiting his rightful crown, he searched for you in his mind's eye. He did not expect to find you outside the black gates, breathing a sigh of relief in the watery sunlight.

A surge of rage overtook him as he clenched his jaw, settling on his knees. The mere thought of your abandonment had always made his heart twist and shatter, and at that moment, he had no heart. Just a void where it used to be.

Distracted by your torment, he barely noticed the first blow, as Adar struck him again and again with the crown that was meant to define your future together.

As he lay in a pool of thick black blood, his last thought was of you; how could you betray him? And thank the Valar you did.

-

A great blast of freezing cold air knocks you off your feet, and for a second you thought you heard his voice on the wind. It's all you can do to just lie there, covered in frost and shaking, trying to assess if you're at least physically intact, your emotional state another matter entirely.

Clutching your head as blood trickles down your face, you shakily get to your feet. It is as if someone has emptied the heavens of all its snow where before there was nothing but arid plains. The air is suddenly glacial, the ground frozen and cracking underfoot.

It is as you contemplate your frozen breath in the air, that you realise you can't feel him. A vacuum in your mind, a void in your heart that you haven't experienced in more than a thousand years, and you can barely recognise that it is his absence that has left such a hole.

You thought you might feel free when you were rid of him, but all you feel is empty, yearning for a presence that has haunted you for millennia.

[thundertide]

Name / Alias: Lita/Pom/Pomberry! The last one there is a play on a cross between a pomeranian puppy and a Tonberry from the Final Fantasy series - I really do hope it invites people to imagine a pomeranian dressed up like a Tonberry, complete with a tiny lantern and such, 'cause that would be me! <3

Are you over 18?   Yes  /  No  - Well over 30, actually-

Is your muse(s) over 18?    Yes /  No   - Though I might have verses/threads where the muses are under 18, they're clearly marked as such in some form and 99% of my blog is my muses at 18 or over.

When was your blog established? June 3rd, 2023 for this blog, in January for the sideblog that came before this one. A few of these muses I've had for a super long time, though.

– W R I T I N G  –

Are you selective about who you write with?

No (anyone)  /  Semi (most people) / Yes (some people) / Highly (few people) / Private (mutuals only).

I'm an incredibly anxious person in general, which keeps me on the sidelines rather than reaching out, and I get overwhelmed easily and quickly, further adding to that. I've also been through a LOT in the past across various fandoms, in a lot of really negative ways, and that's left me incredibly wary in a lot of ways, and I'm afraid of bothering others, so I'm really likely to like a promo or a pinned post as a means of 'dipping toes in the water" and will always be eternally thankful for the people who follow or come to give me a chance as a result. <3 I'm just super wary and nervous naturally- TwT

Are you selective about who you follow?

No (anyone) / Semi (most people) / Yes (some people) /  Highly (few people).

Like previously mentioned, I get overwhelmed stupidly easily, and a busy dash is oftentimes one of the biggest reasons for that, so I try to limit actual follows and don't follow for follow anymore in an attempt to keep it slow. It has absolutely nothing to do with anyone but me and I do try to follow back for those who're mutuals only to respect your rules, but if I haven't followed/followed back this is totally why and I'm sorry TwT <3

If your muse is canon, how much do you adhere to canon?

Not at all  / A little  / Some / Mostly /  Strictly /  Not Applicable.

I try to follow canon for Lumine, regardless of Traveler or Abyss Princess verses, but I do diverge slightly in places - like Lumine being not just Lumine, but holding a second soul within her as well. These are thing I list under the divergences section in my rules, though, and will be updating as time passes and muses shift around!

What post lengths do you write?

One-Liners  / Single-Para / Multi-Para /  Novella / All of the aforementioned.

I am, without a doubt, a descriptive rp'er, and I love giving an insight to what my muse is thinking and their thought processes and body language. I tend to lean towards a minimum of 3 paras per reply as a result of this and I legitimately can't do one-liners or short replies to save my life, and if you let me run away with things? I can easily give you back 7-9 paras in one reply! I try to keep things reigned in unless I know my partner is down for that, though - I just like making sure there's more than one point in my replies able to be worked with. <3

Do you use icons and/or GIFS?

No  /  Gifs / Icons /  Yes / Sometimes.

Do you write on other platforms?

No / Yes

I write occasionally on discord with established, long term partners, but I do prefer to write here. Discord is more for the close mutuals I have who can't make it onto their blog for whatever reason and want to keep things going, but port it over to a dash based thread when they are able to be on. <3

What level of plots do you write?

Unplotted /  Open-Ended Plots  /  Semi-Plotted /  Fully Plotted Epics / All of the aforementioned

Legit all of these! <3 There's some things I prefer to plot out, like anything to do with current/in progress plotlines in canon, and I do prefer to be on the same page as my partner before starting anything, but I'm also totally down for something random and unplotted off dash crack or an ask, too! <3

How quickly do you usually respond to threads?

Very Slow (more than a month) / Slow (3-4 weeks)  / Average (1-2 weeks)  / Fast (less than one week) /  Very Fast (less than three days)

This varies a lot. I'm not ignoring anyone or anything - I am, unfortunately, chronically ill and frequently sick, and that makes focus incredibly difficult sometimes, resulting in me focusing on one thread above all others or just not doing replies for an extended period of time. There's also a lot going on in my offline life that affects my ability to focus, and while the muse may be high (as it always is XD), I may not have the brainpower to put their antics and words down in a reply, as I'm just tired, emotionally, mentally, and physically, and put things off for another day. I do use a thread tracker and try to keep it updated with things, but the order I reply to things in heavily depends on the hamsters in wheels I call my brain-

What types of themes do you like?

Adventure  / Romance / Fluff / ANGST / Violence / Tragedy / Domestic / Family/ All of the aforementioned  

I'm pretty picky when it comes to violence, angst, and tragedy - I don't like throwing these things into a thread for shock value, and I want to get to know my partner before things really delve too deep into topics that could make someone uncomfortable in any form. I also heavily dislike violence for the sake of violence and while I have nothing against those who love it, it's just not for me. <3

I'm also a lover of shipping, as can be seen by the fact I have a 'canon' ship for nearly every one of my muses, but as much as I love romance and fluffy stuff, I'm also very much exclusive with @yoroiis for all things romantic. However! I am open to all kinds of other ships - Friendships, famlial, hateships, unrequited feelings, etc, and I love developing non romantic ships! All the friends and such for sure, plz! <3

WHAT GENRES DO YOU LIKE? ( Feel free to add! )

High Fantasy / Supernatural / Science Fiction / Historical / Horror /  Comedy / Romantic / Drama / Action / Smut / Adventure /  Espionage / All of the aforementioned

I'm pretty weak for fantasy (which is why Spellbound and Somnium Crystallum verses exist, honestly-), and what drew me into GI in the first place. Sci-fi I prefer to plot rather than jumping directly into it and I'm not really big on horror with a few incredibly rare exceptions, call me a horror chicken honestly, and I do not do smut on dash anymore, nor outside of with close, trusted friends for a multitude of reasons, though I do write it. Espionage is a 'eh' kind of category only really marked here because of Kagota's role as a spy and scout, too, I blame the thundergoat-

Are there any themes you’re uncomfortable writing on your blog? (Not triggers)

No  / Yes /  Sometimes

I have a fair few things I wouldn't call triggers, but do make me uncomfortable and uneasy; I'm incredibly uncomfortable with things like severe power imbalances between muses unless it's been plotted out beforehand - I know it exists and my muses, especially Kagota, are prone to falling into such a thing, especially within the ranks of the Fatui, but suddenly coming out of nowhere without some kind of discussion prior to it happening is going to make me balk hard. The same is true of abuse and assaults, where I don't mind mentions in backstories or flashbacks, but I won't write out the actual scene or event in a thread or a drabble, especially the latter - muses talking about it or thinking about how it happened? Totally not an issue, but again, it also depends heavily on being given a heads up and trust levels in my partner. Either way, I won't be writing out the actual event, and want to be respectful with how these kinds of things are portrayed.

I'm also pretty uncomfortable with topics regarding infidelity (i.e. threads involving cheating on a spouse/partner full on, 'My father got caught cheating' type things I don't mind as much), "We need to rekindle our love" type plots (as in 'A doesn't love B anymore, so let's have B act entirely unlike themselves or play out a fantasy solely for the sake of having A fall in love with them again!'), heavy manipulation without prior discussion (and even then I have my limits), degrading someone else for amusement's sake (out of the blue insults for no reason than tEh LuLz, tearing someone apart because you think it's funny and no other reason, just generally being a jerk without warning nor reason), and forcing anything (ships, plots, things IN the plots, etc, especially without discussion first).

Again, some of this I can be persuaded to skirt around with discussion, plotting, and enough trust in my partners, but for the most part, it leaves me incredibly uncomfortable and things like this have been used against me or to hurt me in the past by former partners, or are linked to things I've dealt with in other ways I would rather not remember. I used to be a doormat for others - I'm not doing it again, and I can and will balk or drop threads if I'm uncomfortable or we haven't discussed anything beforehand.

Do you have any triggers? How do you request it tagged?

I do! Things on fire, especially realistically and in the vein of landscapes and buildings on fire, is a major one and I do have PTSD surrounding it, so it's the most major one I do ask be tagged as 'Not For Poms', which I have blacklisted for comfort's sake. To a lesser extent and not in my rules but I do try to avoid regardless because they're usually tagged anyway, is spiders, real world politics, animal death, and gore - things I can blacklist if I need to through the words alone.

I also don't consider the ships on the NOTP list in my rules to be triggers either, but I'm uncomfortable hearing about them due to past trauma and previously mentioned bad experiences across multiple fandoms, and while I don't need them tagged, I do try to avoid them for a multitude of reasons, most of which involve having them or aspects of them used against me or to hurt me. I'm all for other people shipping them and I hope y'all enjoy them, but for peace of mind's sake, I do try to avoid the ones listed there. <3

– S H I P P I N G –

What types of relationships are you open to?

Romantic /  Platonic / Familial / All of the aforementioned

I'm 100% ship exclusive with @yoroiis as far as romantic shipping is concerned, but hit me with all the other kinds of ships! <3 I LOVE famlial, platonic, friendships, etc kinds of ships and I'm always down for plotting and working into something like that!

What types of pre-established relationships are you open to?

Romantic  / Platonic /  Familial / All of the aforementioned

I don't mind pre-plotting anything other than romantic! I do tho ask if there's physical contact involved between muses to have a little more plotting than just a simple "hey wanna do the thing" - This is just because more than a couple of my muses are dealing with trauma or jumpy in regards to contact, and I find it best to be a little more into plotting out physical closeness even between platonic bonds, just so we're on the same page. <3

Do you have OTPs?

No /  Chemistry Only / Yes

God yes. XD I have a 'canon' - blog canon, that is - ship for each of my muses and that is their primary, and usually only, ship for them. That's my OTP for that muse, though I might have a few others I think are cute on the side, even if I'm not actively writing or shipping them in that exact moment~

Do you have NOTPS?

No / Yes

As previously mentioned, I have a NOTP list in my rules of (romantic) ships I don't like talking or hearing about, for a bunch of personal reasons. I don't hate the ships or anything like that, and lordy knows I don't hate the people who ship them - The ones on that list are for the most part there because they or something about them was previously used to hurt me pretty badly in some form, and I thus try to distance myself from them. The characters on their own I especially don't mind? I just try to avoid the romantic ship part of things for my peace of mind.

What is your muse’s sexual orientation?

Heterosexual /  Heteroflexible  / Bisexual / Pansexual /  Homoflexible  / Homosexual / Demisexual /  Sapiosexual /  Asexual / Still trying to figure it out / Depends on the muse you’re asking

What is your muse’s romantic orientation?

Heteroromantic /  Heteroflexible  / Biromantic /  Homoflexible  /  Homoromantic   / Panromantic /Demiromantic /  Sapioromantic  / Aromantic / Still trying to figure it out /  Depends on the muse you’re asking  .

Are you comfortable writing smut?

No  / Selectively / Yes

I like a good smut thread once in a while and talk of it might pop up here ad there (looking at Kagota and her husband-), but like I've mentioned, I don't write it on dash anymore, and never outside of very trusted and close friends. I'm comfortable with it and all, just not as publically or as much as I used to be.

How early in a relationship do you ship romantically?

Autoship / During plotting  /  After a couple IC interactions / Several IC interactions / Slow burn / Plot dependent /  Never  

I'm very 'if it happens it happens' and 'chemistry has to be involved' kinds of people, but trying to 'insta-ship' has rarely worked out for me outside of with certain incredibly close and tight friends - and even then, we're still letting the muses interact first to see how they hit it off before swandiving 100% into a ship. Even so, I've gone exclusive these days for this kind of thing; I'm just not into fixating on the ship itself and I love how what I have isn't solely focused on the romance aspect, and instead on both romance and the muses just being really close friendly as much as they are romantic. It's not all about the kisses and fluff - It's about the muses just being people and that's the best to me <3

Are you open to toxic ships?

No / Selectively  / Yes  / I am not sure

Something like this would take an insane level of trust in my partner to happen. I don't care if it's romantic or not, this is one of the biggest things that has been used to hurt me in the past, and I need to know both I and my muse are safe and that there's a limit to this for a fact before I'll even think about it. If the toxicity is fixated on and used as a cover for just being a jerk, IC or OOC just because they can be? Or used to bypass set boundaries, etc? Absolutely not. But with the right partner, enough planning, constant communication, and logical reasons behind everything? Maybe - I've had a couple, though I wouldn't call them truly toxic, either.

Are you open to problematic ships?

No /  Selectively / Yes / I am not sure

...Pretty iffy here - See my above answer on why, but I'm fairly okay with enough planning and trust involved... To an extent.

Are you open to polyshipping?

No /  Selectively  / Yes / I am not sure

Have one on Astra's blog - A side to this one - and on another blog of mine in another fandom! Totally down for there where the chemistry works out that way <3

Are you an exclusive shipper?

Never / Sometimes / Yes / I would be open to discuss it

Fully and very much so. <3

Does crack shipping ever happen?

Nope /  Yes / depends / altho they normally become normal ships

Amusingly, this is how Electrochargedshipping (Electro) actually started! <3 Sometimes crackships tun out to be an absolute blast and evolve into so much more, and I'm here for it - In a platonic sense outside of with Kasa, because that's also how Kagota and Heizou ended up becoming friends-

[lem-argentum]

it took me until dt to change rudy's hairstyle, but i ACTUALLY think he would've cut it back in post-stb when he became a reaper. the trope of "character cuts hair to feel more in control of their life" is cliché but REAL. and also the visual of him cutting it with his scythe is fun

[born-to-lose]

Missing people and regretting shit o'clock

[mobpd]

I'm such a fucking faggot a freak a pervert a crazy bitch this is why everyone left you no one ever has or ever will stay because you're FUCKING INSANE and no one wants to deal with you that's why they left that's why they didn't love you anymore you fucking destroyed them and you'll just keep being punished until you learn how to take your life properly

[oveliagirlhaditright]

So, I was tagged in a "Top 10 Favorite TV shows" post a little while back, and I've sadly lost it (even though I really wanted to do it!):( And thank you to who tagged me in the post. I think it was @i-love-books-because-reasons? If I ever find the post again, I'll reblog it properly. But for now, I'll just answer it this way. (For some reason, I've decided not to included animes or cartoons, because no one did in their lists. Maybe that will be its own list. Or "younger shows," like Disney channel ones. But if I did, Lizzie McGuire would have made it:))

Buffy the Vampire Slayer and Angel the Series (though I'll be listing them separately) - have become my favorite shows of all-time (though they're also slightly tied with Dark Angel). They're just... so good and perfect, with such good writing and themes, and I could analyze and obsess over them for hours (and have), so of course they're here.

2. Angel the Series (mentioned above). - Though it and Buffy aren't exactly like. They're definitely their own shows and I love them both for different reasons.

3. Dark Angel season 1 - I just really latched onto Dark Angel, and have never been able to let it go... which is funny, because I didn't like it that much in the first few episodes: probably because they really went over my head as a kid. -shrugs- But I love my reluctant, badass heroine Max and how she grows. Speaking of Max? Love of my life. The love story between her and Logan is still one of the best written in all of TV to me. And the relationship between Max and her "siblings"--and just learning about this poor girl created in a lab, who had never even been in a house before when she was nine and things like that--has always spoken to me. The "fight the man" and "protect the downtrodden" plot is also great.

4. Tru Calling - It's thanks to my sister that I discovered this awesome show, and Eliza Dushku. The premise is just so wonderful: Tru having the ability to relive days and save people who died before their time. And whenever the show threw a wrench into the usual formula was fun. Particularly when Jack showed up, who was the opposite of Tru: trying to stop her actions, because he thought she was messing with the natural order of things and there would be disastrous consequences to it. The show was really finding its footing when it was canceled. And what the writers released of their plans for what they were going to do next? I cry that we didn't get to see that. But alas.

Smallville - Baby's first show for teens and up:) I have so many fond memories of discovering Smallville... and rewatching the episodes again and again with friends, and between new seasons. Also, watching new episodes when they aired. I feel like the idea of Smallville was great: tell the story of Superboy growing up on a TV show. It worked so well: and made so many people connect with Clark Kent/Superman, who otherwise might have trouble with it. It developed him and his relationships so well... and we won't talk about how well Lex Luthor was also developed (and played by Michael Rosenbaum): the best part of the show to many people. And how genius it was to have them start out the show as friends only to become the enemies they were fated to be. -sobs- Also, as it's been said, we wouldn't have the Arrowverse if Smallville hadn't come first. So credit where credit is due. And speaking of that, this was the time before the MCU and that sort of thing. So seeing hero cameos on this show was so shocking, new, and the best.

Alias - The first badass female heroine I ever saw on live-action TV--and fell in love with--was Sydney Bristow (aside from Xena: Warrior Princess, that I don't remember that well, because I was, like, five when I was watching Xena). Also my introduction to the wacky world of J.J. Abrams' writing. And as wacky as J.J. Abrams can get, and we all know it, I think he did a good job with Alias, and was pretty nuanced and tame here. There was just enough of his Mystery Box stuff to keep me intrigued, in this interesting spy story that I loved. And Sydney Bristow is seriously the greatest, and deserves the world. And Alias actually has one of the few TV endings that I actually like, for the most part.

Kyle XY - Another show similar to Dark Angel, in that it's about a human made in a lab (though that's a mystery for most of S1). And I really liked this show--and its main family the Tragers. Definitely one of the best things ABC Family ever did... and I'll forever be angry that it ended on a cliffhanger.

Roswell - A TV show about what if aliens did crash in Roswell, and lived among us as half-aliens, half-humans. This show is definitely largely a romance, but there's definitely more to it than just that: with some battles with other aliens, the aliens trying to get home, and stay alive from the government trying to kill them, etc. Maily it's the characters and their various relationships that make this show so great. It's certainly a product of its time, early 90's WB, but I'm nostalgic for it and love it too much. And we wouldn't have a number of shows we do today without it. Liz and Maria also have one of the best female friendships of all time. And this show is another one where I actually like the ending.

The Chosen - A TV show that tells what Jesus' ministry was like through the disciples' PoV. And I can't explain just how well made this show is. Seriously. People who aren't even religious watch it and love it. People have compared its quality to Game of Thrones... err, in a good way (I know that can be considered an insult now, after S8). This is what all Christian media should always attempt to be.

Bonus:

Dollhouse - The idea of this show is really neat (with people who have their memories and personalities wiped, and someone else's placed into them, when they're "bought" to live out someone's fantasy), but also hella problematic... though, granted, it's sort of problematic on purpose to draw attention to these problems in real life, but still. This show also becomes completely different by the end, than how it started out (I actually love this plot twist, and won't spoil it for those who don't know). But sadly, it didn't have too much to delve into this twist before it was canceled. But I do still love this show for what it did, and all the potential it had.

Game of Thrones - I loved this show so much, originally. As most people did. But then it really started going downhill when it ran out of books to adapt. Even before that, though, you could kind of see the cracks, with how they changed Daenerys so much... Or how they changed Robb Stark's marriage plot line from being about honor (like how Ned died) to love, etc. But even so, we still (mostly) have a few really good seasons, at least.

[alexiroflife]

jjk men when you aren't feeling well but try to hide it...

"hello! i was wondering if you could write an angst but w comfort fluff headcannon w the jjk men? i was thinking reader has an injury or is sick but she hides it, but they find out. it would be great if you can, but if not i totally understand. your writing is amazing!!!" -anon

gojo, geto, nanami, choso, toji, sukuna

satoru gojo: (sprained ankle!)

you're fucked.

you know you are the moment you go to pick yourself up from your boyfriend's hardwood kitchen floors and wince in pain in reaction to the pressure in your left ankle.

you hiss, immediately stumbling back to a sitting position. You look over your outstretched foot to find that your ankle is rapidly swelling, and you curse under your breath.

this is so inconvenient. of all times to injure yourself, you of course had to a day before an important mission. you never handle injuries very well. you are always so quick to brush them off, or at least be in denial about them because you can't stand the thought of feeling helpless or incapable.

especially not when satoru gojo is your boyfriend, who unfortunately knows you far too well to overlook something like an injury to your ankle.

damn. what are you supposed to do? satoru will never let you out of his sight, let alone allow you to go on this mission if he finds out about your injury. as much as you love the way he looks after you, you're not in the mood to accept the fact that you may not be able to walk for a few days without his help.

you try to stand again, stubborn with determination. you grip onto the countertop and rise slowly on your able foot, then lean to press your injured foot down slowly. okay... not so bad! Maybe you can add just a little bit more pressure, and-

"fuck," you curse, sharp pain throbbing through your foot the moment you try to walk. You lift your leg immediately and whimper, leaning your body against the counter. "god dammit," you pout.

you should ice it, you think, but icing it will only make the injury more real. maybe it's not so bad, right? maybe if you just sit down for a bit and push it to the back of your head, it will go away?

you know it's not smart, but truthfully, you don't have the time to worry about a stupid ankle. you're sure you only irritated it. with some rest, you'll be fine.

you hop your way up the stairs with your hand gripping the railing tightly to your shared bedroom and ease yourself into bed. you decide you'll take a nap while you wait for satoru to come home, ignoring the simmering pain in your swollen ankle.

"babyyy!"

you wake suddenly to the sound of satoru's voice singing through the house. you jump and immediately hold in a whimper of pain when you accidentally shift your foot beneath the covers. you can tell solely by the lack of mobility in your ankle that it's, unsurprisingly, gotten worse.

you panic, moving quickly to prop your back up against the headboard. you fix yourself in the most normal possible position you can without agitating your foot, and you turn to the door with an innocent expression the second satoru bursts through with a beam.

"hey, pretty," he walks in and immediately crouches over the bed to wrap you up in a hug. you cringe as his lips meet every crook of your face, his body enveloping you in warmth. "missed you so much today," he sighs.

"missed you too, toru," you wrap your arms around his back. "how was your day?"

"same old same old. the higher-ups only get more annoying each day, if that's even possible," he grumbles into your ear, slumping against you. "what are you doing cooped up here all by yourself? you taking a nap?"

"yeah, I just woke up," you tell him with a hefty exhale, his lips meeting the crook of your neck lazily as he nuzzles into you. "you wanna take one with me, you big baby?" you giggle.

"god yes," satoru agrees. "but first, I'm starving. did you eat while I was gone?"

"nah, I waited for you, toru."

"well, you normally cook, baby, I was waiting for you."

you momentarily freeze and he pulls back reluctantly, not before dotting one more kiss to the crook of your jaw. you had completely forgotten about making dinner, but seeing how you couldn't even walk, those cards were off the table.

he looks down at you with his arms propped on either side of your figure on the bed. your ankle continues to throb, and while you try to hide the pain that you are currently in by shifting ever so subtly beneath him, his sapphire eyes catch the twitch in your brow and the motion of your body beneath his blindfold.

"not that I care if you cook or not. obviously you were tired..." he trails off. "you okay?"

fucking hell, damn those six eyes.

you nod despite yourself, keeping a soft smile as you brush your fingers over satoru's hair. "yeah, of course. just tired like you said. I'm sorry about dinner, it slipped my mind."

"don't you dare apologize," he ducks down to kiss your cheek loudly. "we can go out to eat. make it a date before your big mission tomorrow, yeah?"

you internally deflate. the idea sounds amazing, but going on a date would mean getting up, getting dressed, and walking out the door. you're unfortunately physically incapable of doing any of the above at the moment.

satoru watches the way your shoulders slump and your lips part as if to protest, and he tilts his head in slight confusion. "...or not..." he says slowly.

"sorry, toru, it's not that I don't wanna go, i just don't have the energy..." you excuse pathetically.

satoru's face tells you that he doesn't buy your words, but he complies nonetheless. "that's no problem, baby, we can order in instead."

you sigh and nod with a gentle smile. "that sounds great."

"someone's feeling real lazy today, huh?" he teases, hooking his finger into his blindfold to peel it from his face, revealing his bright irises gazing curiously down at you. "you sure you're just tired?"

"yeah... why?"

"i'm just askin," he says. his eyes dart over you one more time before he pushes himself up with an exhale and tugging at your arm. "come on, let's go to the living room to order."

why the hell does he want to move around so much?!

"um- why can't we just order here?"

a smile quirks on Satoru's lips as though you've made a joke. "cause, we'll be downstairs once the food gets here," he says.

you pucker your lips slightly and tilt your head. "can't we just eat it up here and you can go get it?"

gojo's eyes are now slim with suspicion as he pulls himself back over to you. "i mean, of course i can but you never eat takeout in bed, we always cuddle downstairs and eat."

"I'm tired, can't i change it up today?"

"you know i have no problem doing what you want and pampering you baby," satoru starts slowly. his eyes dash to your legs, and he suddenly notes that he has not seen you bend them in the few minutes he has been home. in fact, you had been rather stagnant instead of running up to clobber him when he entered the room, whether you were previously asleep or not. "but you're acting a little weird."

"no, I'm not," you deny adamantly. you have always been a poor liar, but in the face of Satoru Gojo, your lack of talent in the arena only proves to be more prominent. "you think too much, you know that?"

"you think so?" he raises a brow at you, a hint of playfulness remaining though it is steadily fleeting the longer he examines you. "you think i'm thinking too much if i feel like you're lying to me?"

you press your lips together tightly. "...yes."

"hm," he nods. "come here for a second, pretty," he requests, stepping back a bit to give you room to stand. "just real quick, then you can lay back down and I'll get us that food."

"why do you want me to stand?"

"i wanna give you a big hug," he opens his arms widely. "c'mon, give your loving boyfriend a hug. you'd never deny me that after such a long day."

"come hug me here, then," you roll your eyes, turning to look the other way as heat overtakes your body.

"i want to hold you and pick you up," he argues, knowingly. "just stand and walk to me for one second."

"no."

"no?!"

"no, i don't want to."

"don't want to or you can't?" he accuses, face falling along with his arms. he moves to sit at the edge of the bed beside your legs, resting a hand over your uninjured one. "why can't you get up?" he asks, this time a tad more serious.

"i don't feel like it, satoru, god," you murmur in annoyance, growing agitated with his swiftness to notice that something is wrong.

"don't 'satoru' me, baby, you're the one not telling the truth," he says. "what's wrong with your legs?"

"nothing."

"then stand up."

"no, satoru. stop telling me to stand."

"i will if you tell me what's wrong."

"nothing's wrong!" you shrug harshly, crossing your arms and suddenly taking interest in whatever is outside of the bedroom window. satoru stares at you intently for a moment then back down at your covered legs.

he gazes harshly between the two, pondering, before reaching over to rip the comforter upward to reveal your bare feet. you gasp slightly, jerking to stop him, when your swollen ankle is revealed.

his brows immediately angle and he leans to hastily look over it. "(y/n), what the hell?! what happened to your foot?"

you grow embarrassed suddenly, moving to brush his hands away. "it's not that bad, stop," you say, going to move your leg to the side when you hiss sharply.

"not that bad? baby, your ankle's the size of a golfball!"

"satoru, you're being dramatic."

"what happened?" he asks, concerned. "did this happen while I was gone?"

"it's fine, relax."

"(y/n)," satoru begins sternly. you can tell that you've pinched a nerve. "i'm about to lose it if you don't tell me how this happened and why you were trying to hide it from me."

you frown. "But-"

"Now."

you hug your arms around yourself with another meek shrug. "it's humiliating..." you murmur.

satoru softens slightly. "baby, humiliating? i'm worried about you getting hurt."

"yeah, but-" you sigh and close your eyes, your emotions suddenly getting the best of you. you hate feeling small and weak, as though you can't handle yourself, and you swear every time you injure yourself or get sick, it's the worst possible thing that could happen in the entire world. "i don't know. whatever."

"uh uh uh," your white-haired boyfriend tuts, leaning over the smooth his hand over your leg comfortingly. "it's not 'whatever.' i know exactly how you are. you can't fool me. is this about your mission tomorrow?"

"it's not just about the mission, toru, i just don't- i hate it when i can't do stuff on my own."

"you don't have to tell me something i'm already well aware of." you give him a look. "don't look at me like that. i know you like the back of my hand, and i especially know when you're uncomfortable."

"i get it, toru," you frown.

"why the attitude, hm?" he asks, leaning over to prop his elbow on the other side of you, his body resting against your lap as he peers up at you gently. "it's okay to get hurt- well, no, it's not okay for you to get hurt because it makes me wanna die, but you get what I mean."

your lips twitch in amusement momentarily, leading satoru to grin widely.

"there's that pretty smile."

"it's just-" you huff. "it was such a stupid thing... i rolled my ankle stepping down from closing the cabinets and when it started getting worse, i thought it was so dumb that something so small did that to me so i left it alone. now it's probably twisted, and i just feel really..."

"you're not weak," satoru interjects urgently. "if that's what you're saying, which i'm pretty sure you are. you're far from what i would call weak."

"still. it still made me feel weak. and i'm supposed to go on that mission tomorrow, and i don't know what the hell i'm gonna tell yaga-"

"forget the mission."

"...satoru, i can't just-"

"you can and you will. you have an injury, baby. you can't walk. it's okay, i'll talk to yaga and he'll get someone else on the assignment while I take care of you."

"but the fact that you even have to do that because i was clumsy!" you shake your head and look down. "it's so ridiculous. and i knew you were gonna worry..."

"of course i'm gonna worry, (y/n). no less than you'd worry for me."

"but you're you."

"so? do you worry for me any less because of that?"

"i mean... i know you're always gonna be fine, but... yeah, i guess."

"you guess?" satoru scoffs. "to think, my girlfriend doesn't care about me..."

"oh shut up," you nudge his head away. his grin remains, face turning back to you as he captures you in his soft gaze. "obviously I worry."

"then, there you go," satoru says. his free hand runs over your hip. "i know you can handle yourself just fine and that you're strong as hell, but whether you're going on a mission or stubbing your toe, I'm worrying 'cause i love you."

you pout slightly. "I love you too."

"i know," he beams, kissing your thigh. "so stop with that. as if you'd ever be weak for getting a little boo boo."

"yeah, but now you're not gonna let me do anything," you whine.

"is there really such a big problem with that?" satoru smirks. "try hiding an injury from me again, and you really won't be able to do anything. now let me see."

he pushes himself up to round the edge of the bed. he kneels down and cradles your foot in his hand delicately, fingers grazing the area of swelling. his brow angles. "can you move it?"

you shake your head slowly. "not without it hurting."

"in all seriousness, baby, you need to take better care of yourself. why didn't you ice it?"

"...i wanted it to go away."

"and you walked up the stairs after rolling your ankle?!"

"i wanted to get into bed!"

satoru lowers his head. "what am i gonna do with you? you're gonna give me a heart attack one of these days."

"it's really not that serious. i just need to rest it a bit and then I'll be fine-"

"i'm gonna go cook you some dinner, okay? then we can eat in bed and cuddle, and then I'll run you a hot bath later."

"satoru, i just said it's not that serious! please don't go burning down the house because of my ankle. we can literally still order food," you try to convince him, but the blue-eyed man is already on his feet, by your side, and kissing your lips.

"not another word. you're practically dying, now, i have to look after you."

"toru-"

"i'll be right back, i'm gonna grab you some ice and a pillow for your foot."

"satoru!"

but when you call him, he's already zooming out of the room and down the stairs. you sigh and plop your head back against the headboard with a soft smile. as humiliating as you find it to be injured, you can never say that gojo doesn't do everything he can, if not excessively more, to look after you when you are.

suguru geto: (cold!)

shit.

you step into the bathroom for the umpteenth time today to blow your nose, clearing your searing throat as you do so with a groan.

something in you knew this morning that you were coming down with a cold when you woke up to that dreadful scratch in the back of your throat, but the idea of getting sick physically ails you more than actually being sick does.

you're far too busy today to be weighed down by some common cold. you're in between meetings at work as you toss another tissue into the women's trash. You have paperwork to finish filling out by midnight, and you have to pick up the girls later from daycare.

how can you be sick of all things?

you know it's likely because you run yourself ragged more often than you need to, and suguru always tells you to slow down and take a breath, but you rarely listen to him. your life moves at a quick pace, constantly on the run from one task to the next, and you truly do not feel that you have the leisure of giving yourself one second to rest.

you're on the verge of earning a new promotion, and you need the money. you need the opportunities, and the accomplishments to care for the family you've built with geto. just as suguru works tirelessly to manage his cult, you work tirelessly to keep a living for yourself.

you're proud of the work you have done, truly you are, but at times it feels as though you are amounting to nothing, chasing promises of a higher position that have yet to come. despite the haziness of the path ahead, you push harder and harder each day.

suguru hates it, how you drive yourself to the brink of insanity day in and day out, but you can't help but be an overachiever. you can't help but work hard for those who may not even deserve it.

and now, of course, you're sick. you can feel your temperature spiking, your nose is stuffy, and your head is pounding. you want to go home and curl into bed, but you have responsibilities to fulfill. just a few more hours... then you're home with geto, with the girls, safe in bed just to wake up and do it all over again tomorrow.

you jump when your phone suddenly rings in your pocket. you pull it out to see your boyfriend's contact, and you straighten yourself up as best as you can to make it sound as though you aren't struggling to breathe through your nostrils.

"hello?"

"hey, babe, how's work going?" suguru's soothing voice echoes through the phone and you sigh, clinging to the comfort his tone provides. you miss him. you want to go home already.

"it's good," you lie. "i have a few more meetings. then some paperwork to finish, but I'll be able to get mimi and nana on time."

"actually, i called to tell you not to worry about that. i got finished up here with the group pretty early, so i'll be able to get them later."

you're relieved that you won't have to expose the girls to your germs in the car. "okay, thanks for letting me know. you need me to pick up some food on the way home?"

"no, we're gonna make pizzas later. the girls have been dying to try it making it from scratch forever, so i'll take them to the store once i get them."

"...oh. okay..." you nod. "there's nothing else you need me to do then?"

"just to come home in one piece," suguru says. "i'm trying to take some stuff off your plate, (y/n). you've been exhausted, and you can't tell me otherwise."

"sugu, I'm fine," you dismiss him, only to turn your head into your elbow to muffle a cough. you forget to mute the call when you do so.

"what was that? are you okay?" the dark-haired man questions quickly. "you're not sick, are you?"

"no, no," you deny fast, voice slightly hoarse. you clear your throat quickly. "something was just- stuck in my throat. but I'm fine. i'm not sick."

suguru's quiet for a moment, and you chew on the inside of your lip while you wait for him to respond. you know it's impossible to fool suguru, especially when it comes to matters regarding you or the girls, but you can't handle him worrying over you right now. his concerns would only bring you back to reality, pulling you from this cycle of overworking you've fallen into. you need to keep going. You can't stop, and if suguru knows you're sick, he will make you stop.

"suguru? you there?" you finally say.

"oh yeah, i'm here," he responds rather quickly, and you internally curse yourself. "what time do you get off?"

"uhhh..." you think about it for a moment. it's 3:30 now, and technically you only have an hour and a half left, but since the girls will be picked up by Suguru, you realize you can finish your paperwork in the office. "today's kind of a long day... so I probably won't be home until... 7?"

"(Y/n)."

"i know, i know, but listen, i just have to finish up this paperwork. that's all."

"weren't you just gonna do it at home?"

"well, yeah, but since you're getting the girls, it's kinda easier for me to finish it here..." you start mumbling lowly, knowing that whatever explanation you give is not one that suguru will willingly accept.

"babe, please just come home at a normal time today. you can't keep doing this to yourself."

"i promise it won't be past 7. i swear. just let me get this done, and I'll be home."

suguru releases a hefty sigh, and you can picture him rubbing his thumb against his forehead in stress. "7 o'clock, (y/n). i mean it. if you're so much as five minutes late, i'm coming over there myself with rainbow dragon."

you chuckle softly. "i promise it won't get to that. i'll be fine, alright? i'll text you when I'm headed out."

"okay. I'll see you in a bit."

after your meetings had ended, your cold symptoms grew worse. your coughs were more frequent, a pile of tissues were stacked at your cubicle, and the glare of your computer screen felt as though it was burning a hole into your already aching head.

you feel miserable, and as luck would have it, your boss placed a new stack of papers onto your desk to finish filling out before you went home on his way out of the door.

you're alone in the office now, surrounded by excess assignments, and you can hardly breathe through your nose. you check the time, and its thirty to the time you told suguru you'd be home. you groan, rubbing your hands over your face.

you're tired. your bones are aching. you want to be with the girls, you want to be home, you don't want to do this anymore. you're so burned out, it hurts, and you want to cry and collapse face-first onto your desk at the same time.

just then, your phone lights up with a message from suguru. you open it eagerly to be greeted with an image of the girls beaming up at the camera in the kitchen, hands covered in tomato sauce as they display them to the phone. beneath the photo, suguru types.

we miss you :(

you break, placing your phone down and shielding your face in your hands as the tears flow. god, you miss spending time with them. you're hardly home anymore because you've been so busy with work, and you're yearning to be held by your boyfriend, to hear the girls laugh, to sink into the bed combined with your deteriorating physical state makes you feel worse.

you miss having a life.

you don't know how long you spend crying in your empty office before your body shuts down on you completely. the energy you exerted shedding tears in addition to your long days at work send you into a deep sleep. before you know it, you're knocked out with your cheek pressed against one of your unfinished papers.

the second you failed to answer Suguru's text, he knew something was wrong. he calls, and calls, and calls after twenty minutes, but you don't answer. He wastes absolutely no time in calling up manami to look after the girls before trekking out of the house to you with rainbow dragon, just as he promised.

he's prepared to break a window when he sees the janitor leaving the building. he takes the opportunity to swoop in through the doors after grumbling something about his girlfriend being inside, before making his way up to you.

when he reaches your office, he finds you lying in the only occupied cubicle. His eyes go wide as he studies your slumped figure, walking slowly to where you're seated. he notes the tissues and cough drop wrappers crowding your space, then the tears that coat your lashes when he kneels down.

"jesus, (y/n)," he murmurs, swiftly getting to work and clearing your desk of all your trash. when he's done, he crouches by you again and runs a hand over your back. "baby, wake up for me. come on," he coaxes softly.

you stir, face tightening in discomfort. suguru sees the bags under your eyes and his frown deepens. Eventually, you wake with furrowed brows, adjusting your blurry eyes to the sight of suguru gazing down at you worriedly.

"sugu...?" you mumble weakly, only to be interrupted by a few coughs that rack your chest. suguru's heart aches.

"i knew it," he sighs, eyes hardening as his hand strokes over your warm forehead. "why don't you listen?"

"what are you doing here?" you grumble, picking your head up slowly. you're greeted with a retched reminder of your headache, and you wince, pressing your hand to your head.

"we had an agreement, remember?" he reminds you, and you slowly recall. you move to grab your phone and the time reads 7:15. "i wasn't joking."

"suguru..."

"stop," he immediately cuts you off. "look at you, (y/n). you've made yourself sick."

"it's just a- a cough," you murmur, rubbing your irritated eyes harshly.

"that's bullshit, baby," he tells you rather firmly. "i don't know why you're trying to hide this from me when i knew something like this would happen. we're going home."

"no, wait, Suguru, i didn't finish my paperwork yet."

"do you think I give two shits about your paperwork?"

his tone comes off rather harshly, and both of you notice. he blinks his eyes tensely and readjusts himself, attempting to reel in his anger. his anger for you, over your lack of care for your wellbeing, at your fucking boss for letting you work yourself like this.

"you've been killing yourself for weeks, (y/n). i won't let you anymore. this is the last straw."

"hold on," you urge. suguru looks down at you, befuddled. "i really can't just up and leave my work behind like this. I'm sorry, I can't."

"what's more important to you, (y/n)? being healthy or working yourself to death?" he proposes, almost pained by the latter. "if you cared about your well-being, you would have asked for an extension or at least had a conversation with your dick of a boss about doing this another time. anyone can see that you aren't feeling well, and someone who cares will tell you that enough is enough."

"don't make me do this, suguru," you whimper. suguru's face relaxes when he sees your eyes glossing over. "don't make me stop. I can't stop."

"baby," he curls his brows, holding your cheek in his hand as he kneels before you. "why are you doing this to yourself?"

"b-because, I have to..."

"no, you don't. i've been telling you this for years, you don't have to do this."

"but I need to make something of myself. i have to keep going. i can't just quit, because if I do, then what will any of this have meant? why have i been doing this?"

"you're breaking my heart, baby," suguru exhales. "this job doesn't define you. i see how hardworking, smart, and strong you are. i see the effort you put into everything you do. i see the commitment in your heart. i see it everywhere, all the time, and that is one of many reasons why i love you so much."

your lips wobble as you look into his hazel eyes as his voice and words melt you into his palm. you've been moving so fast all this time, you've been trying to prevent yourself from falling into suguru's warmth, which has always had the power to make you do anything he says.

"but I can't stand to watch you make yourself sick because you think there's more you need to do. this isn't good for you. you know it isn't."

you nod, red nose flaring as you sniff. "i know," you admit.

"so please, please take a break. i'm literally begging you. you need to come home and rest. i'll take care of everything else, just come home. lay down. come back to us. to me."

your shoulders jerk as a few tears drop from your eyes. "sugu, i can't do this anymore," you finally give in. "i don't even feel like myself. i just want to go home."

"then let's go baby, come on," he stands and takes you with him in his arms, pressing your body to his as he holds you. you sink into him, your exhaustion and your sickness finally crashing down over you. "i'm gonna fucking kill your boss," he murmurs into your hair.

you laugh weakly against him, closing your eyes. "later. just take me home, now. please."

"yes ma'am," he nods, kneeling down to pick you up into his arms. you wrap your arms around his neck, burying your face into his chest.

"m'gonna get you sick," you mutter.

"we can be sick together," he chuckles. "the girls and I can make you some soup. they've been obsessed with cooking lately," he says, leaning over to shut off your monitor before carrying you off to the elevators.

"that picture of them you sent earlier made me so sad. I miss you guys so much."

"i'm sorry baby, i didn't mean to upset you that much. i was only trying to guilt you a little into coming home early."

you slap his shoulder pathetically. "asshole."

"i know, i'm sorry," he kisses your head. "gonna get you all better in no time."

kento nanami: (low iron!)

you have always been a little anemic, and of course that never really posed as a terrible challenge for you until you ran out of iron supplements.

it is your responsibility undoubtedly to keep track of when you run out and when you need to restock, but recently, you've found yourself neglecting the habit.

you never did like taking iron pills, or any supplements for that matter. you feel as though they take too much out of your daily life, as though they're a burden to your existence, and the harder you think about it, the less inclined you are to keep track of it.

it's been about three weeks since you last took your iron, and while you would like to say that you have improved significantly, you would be lying.

perhaps the first few days of not taking your supplements was fine, but as time droned on, the symptoms kicked back in rather quickly. you are extremely tired all the time, you feel lighter on your feet as if you are going to pass out at any given moment, and your hands and feet are ridiculously cold though it is now the summertime, and the weather outside thoroughly contrasts your body temperature.

you're in denial about the changes, of course. you want to be able to feel fine without the crutch of your pills, but the reality of the situation is that you don't, and it's crushing you for some reason.

what's crushing you more is that you know how disappointed nanami will be to find out that you haven't been being responsible in stocking up on your supplements. he would normally keep track of when you run out in addition to you, but he's reeled it in a bit over the past few months because you wanted him to trust that you can handle taking care of something that you've managed all of your life, so he did.

and yet, here you are, trying to hide the symptoms of your iron deficiency that are only proving harder to veil. nanami has already asked you a few times if you are feeling okay over the past few weeks, therefore you know that he suspects exactly what is happening, but you brush him off each time.

"i'm good, honey," you'd tell him. "just had a long day. what about you? how are you feeling?"

you feel like shit lying to him, but you're afraid of being truthful for some reason. he would scold you, and you'd have to resort to the aid of your only weakness all over again.

god, why can't you just be normal?

you've even tried to ween off of the strict iron-sufficient diet that you've been on practically all your life because you feel like you have something to prove, especially in this world of jujutsu. how can you be a sorcerer with low iron? how can something so smell render you so weak? it's pathetic.

you don't want to think about it, in truth. you want it all to just go away. you want to be fine, to feel fine without eating certain things constantly or taking those damn pills, and you try to force yourself to, but it only grows worse the longer you hide it.

you stumble into your home after a long day of teaching and press your back to the door with a sigh. you know nanami won't be home for another forty or so minutes, so you kick your shoes off, go grab a water, and plop down on the couch.

you feel so tired. you pinch the bridge of your nose and close your eyes, leaning back. this is stupid, you think. you're being stupid. just reorder the damn pills.

but something stubborn within you refuses. something within you that must prove you can push past this.

you decide to watch some tv to distract you as you wait for nanami to return home. he suggested cooking for you tonight, so you rest until you hear him walking through the door.

"hi honey," he greets. you turn to smile gently at him as he rounds the corner. your cheeks pinch with happiness, your current turmoil momentarily forgotten when you see your husband approach. you go to stand and walk into his open arms, just like you normally do when he comes home.

you put the remote to the side and shoot up. your mind is occupied only by nanami as you move toward him, but you see his face drop and your vision turns upside down, and suddenly, you're falling.

kento is quick to react, ducking down impressively to catch you in his arms before you can hit the ground. you collapse into him, head dizzy and breath suddenly gone.

"sweetheart?! (y/n) are you alright? are you awake?"

you groan, shifting in his strong arms as they cradle you securely. when your vision regains focus, you're staring up at nanami's worried face, your body resting over his lap. you blink rapidly before realizing what just happened.

"oh shit," you whisper.

"(y/n)," nanami says your name again, caressing your cheek sweetly. "are you here with me now?"

"y-yeah," you nod, moving to sit up and press your hand to his chest. "i'm alright."

"absolutely not," he stops you immediately, pressing against you to lay you back down on his lip. you frown, looking up at him. "don't even try sitting up like that right now."

"kento," you start, growing worried by the tense look on his face. "i'm okay, really. i just sat up too fast."

"i know," he affirms, his thumb still smoothing over your skin. "and care to tell me why that alone is making you pass out?"

you can't find the words to respond as you stare at him, likely as guiltily as you feel. he hums knowingly.

"right," he sighs. "(y/n), how long has it been since you've taken your iron?"

and there it is. the very question you had been dreading.

"...i'm not sure what you're-"

"don't. really, don't," he interjects firmly and you shiver, rather unfamiliar with this side of your doting partner. "i'm still trying to adjust to the fact that you haven't been truthful with me. the least you can do is tell me how long it's been."

your heart drops. "kento..."

"i'm not in the mood for stalling, sweetheart. go on. out with it."

the sternness of his voice hardly matches the way he is holding you and stroking your cheek, but nevertheless, you feel awful. you avert your gaze and shrink into yourself. "three weeks."

"three?" he repeats incredulously, and you nod in shame. "i knew it had been over a week, but three, (y/n)?"

"i know," you mutter.

"why? after you told me not to check after you, to trust that you'd take care of yourself," nanami questions. "this is why i tried to help you. i know it can be a hassle sometimes, and forgetting is one thing, but to deliberately stop taking them when you know how much i worry about it... when you know how important it is for you?"

you bite hard on your lip and look away, brows curling. nanami notices immediately and softens himself, leaning down closer to you.

"my love," he starts. "i don't mean to upset you, but this is very upsetting to me."

"i know. i know, i'm sorry..." you whimper.

"but not because it's about me, (y/n), because it's about you. and you've been hiding this from me, of all things. i don't understand."

"i just didn't wanna take them anymore, ken," you say quietly.

the blonde furrows his brows. "you didn't want to take them? have you not been taking them for years?"

"i have but that's the problem. i'm a sorcerer now, and..." you exhale. "the point of being a sorcerer is to not have anything weighing you down, and this weighs me down."

"if anything, (y/n), not taking the supplements weighs you down more."

"no, i just mean- all of it, the whole iron deficiency, i hate it," you confess. "i'm tired of relying on something to be strong. i'm tired of being tied down to this. i wanted to see if i could overcome it, but i can't. i'll always have this problem, and it sucks, ken," you ramble. "if i could go without taking these pills and still do my job like i always have, then just maybe.... maybe i could be better. and i could prove that i... i don't need those stupid pills, or the extra greens, or the- whatever. just all of it."

nanami looks down at you rather sadly. "i had no idea you felt this way."

"i haven't always felt this way. it's just lately, i don't know, i feel pressured to go beyond."

"darling, your iron-deficiency doesn't make you any less talented than other sorcerers."

"i know. i mean, i should know, but i can't help but feel that way."

nanami presses his lips together, smoothing a knuckle over your cheekbone. "i'm sorry you feel like this."

"it's not your fault, ken. and i shouldn't have kept this from you, i know. i'm sorry. i just felt humiliated by it."

"there's nothing for you to be humiliated by," he reassures you. "your deficiency is no different from any of us having to feed ourselves or drink water in between missions to keep ourselves alive. it's a necessity, and though we are sorcerers, we live off of necessities to keep ourselves physically and mentally able to work. you have a responsibility to yourself. just like the rest of us. just because your iron's a little lower doesn't mean anything about who you are as a sorcerer."

"...i never thought of it like that. i've just been thinking of it as a burden."

"it's only a burden if you view it that way. you are a grade one sorcerer who i have watched climb the ranks effortlessly since we were in high school, all the while with an iron deficiency that you have always taken supplements for. that never stopped you," he says. "the problem comes in when you don't keep up with yourself and take care of those needs. just like how i'd be unable to work if i decided to skip my last few meals and drink less water."

"that makes sense," you mumble, capturing his soft brown eyes with yours.

"good," he nods. "(y/n) you can't neglect your needs like this."

"i know."

"i'm being serious. i'll start checking behind you again if i find out that you're not doing what you need to do to take care of your body."

"i know, ken, i'm sorry, i-" you stop yourself and shake your head. "i just let my insecurities get the best of me."

"then, let me handle taking care of your insecurities. you handle taking your supplements. do we have an agreement?"

you nod slowly. "yeah. we do. i'm sorry for lying again, ken."

"please don't do it again," he sighs, ducking to kiss your forehead. "but i know you wouldn't lie to me about anything else, and that you hiding this was solely out of fear."

you slowly move to sit up, and this time, kento helps you very gradually. he guides you back to sit on the couch and cups your face gently, pressing a soft kiss to your lips. "i'll go order some more iron and then get started on dinner. alright?"

you hum with a soft smile. "alright. i love you, ken."

he returns your loving smile. "i love you more, sweetheart."

choso kamo: (broken finger!)

it had fully been an accident.

you should have been paying more attention to what you were doing and at the same time, so should have panda.

it really was an honest mistake. you were standing in the doorway as everyone left the classroom, your fingers clutched around the frame as everyone filed out. you were asking around if anyone had seen your boyfriend, and yuta mentioned that he saw him with yuji earlier that day.

you thanked him, and just as you were about to pull your hand away, panda, who was the last out of the room, slammed the door shut behind him thinking you had already moved out of the way.

but you hadn't.

the door flew into your index and middle fingers and you screamed bloody murder. the cursed corpse as well as his classmates whipped their heads around, and to panda's horror, you were knocking your forehead against the wall with tears in your eyes as your fingers trembled in the doorframe.

"(Y/N), HOLY SHIT I'M SO SORRY!"

you hadn't expected panda to actually break one of your fingers, but you give the freak credit for his unnatural strength. you later find out that yuji and choso had gone out to grab food for you when you see a text from your boyfriend pop up asking what flavor ramen you want the second you learn that shoko will not be available until late tonight.

for the time being, you're given a finger splint and pain medicine as though you aren't freaking surrounded by jujutsu sorcery.

and god, did it hurt! like, really, really hurt. your fingers are throbbing, and the one that isn't broken is bruised and stained with some blood. you wish you could be angrier at panda, but his groveling before your feet on his knees eases your frustration a bit. after all, it hadn't been on purpose.

you're sent home and you are given no choice but to wait until choso returns, and you're... nervous. choso never handles the ailment of his loved ones very well. his spiritual and physical connection to his brothers wellbeings' often causes him to lose his mind every time yuji gets accidentally punched in the face during training, and when it comes to you? well, choso is just the same if not somehow worse.

you remember one time you got a papercut and winced when your finger made contact with soap. choso was quick to your side, grasping your wrist and looking over your hand as though it had been severed off.

one thing you have come to know in your relationship with the brunette is that he would (and has) killed someone for the sake of the people closest to him. he does not mess around when it comes to his family, and he certainly doesn't mess around when it comes to you.

and while you think he can be a bit excessive with making sure you're alright when it's hardly necessary, it's first and foremost endearing, and it only makes you realize that he will go ballistic the second he finds out that someone broke your finger.

he doesn't naively think that you can never go unharmed, though he would be incredibly content with the notion if it were plausible. he's familiar with scars, wounds, fights, and battles, and he knows you're in the very center of it just as much as he and his brother are. but still, he hates it when you're hurt. he wants to protect you as best as he can, or to at least prevent you from suffering any more than a sorcerer already has to suffer. he only wants you to be safe.

so to prevent him from having a heart attack, you decide it's better if he doesn't know about the incident. when you answer his texts before heading home, you mention nothing about your poor finger in hopes of him not finding out at least until after you're healed.

that plan of yours, however, fails when choso comes barging through the door three hours earlier than you expected him to return. your eyes go wide from where you sit on the couch, and you have no time to even go to hide your fingers behind your back when choso marches up to you, agitated.

"uh-" you're cut off when he grabs your arm gently and lifts it into the air, your taped crooked finger showcasing itself to him. you press your lips together at how poorly the plan to conceal this from him has failed. "cho-"

"were you gonna tell me about this?" his violet eyes fly to yours in a fury, and you're almost stunned by how aggravated he looks. his voice is calm, low, but his face is wrecked with concern and almost betrayal.

"...i was, but i wanted to wait because i didn't want you to freak out..." you say slowly, watching him softly. "like you are now..?"

"that's not fair, (y/n)," he frowns and you furrow your brows. "that's not fair at all."

"woah, hold on... are you mad at me?"

"i don't know," he answers you honestly, looking between your face and your trembling hand. "i'm... upset."

"who told you about my fingers, love?"

"yuji got a text from yuta," he tells you, moving to sit down on the space beside you with your hand still cradled in his. "he said that panda was begging me not to kill him, and this was after i had talked to you."

"oh..." you sigh. "okay, yeah, i can see how that looks."

"why didn't you tell me you got hurt? and pretty badly too? where's ieiri?"

"she won't be back on campus for another hour," you explain. "i didn't want you to worry, cho, i figured i'd just tell you after it was better, but..."

"why would you try to hide something from me?" he asks you, suddenly sounding hurt. it's clear on his face that he doesn't understand why you would conceal something as important as your health from him, whether it was small or not. you tell each other everything, and that shouldn't have stopped now of all times because you don't want him to worry.

"i didn't know you'd get so upset, cho, honestly," you tell him. "i-" you stop when a sharp pain shoots through your fingers and you gasp. choso's face drops and he gently sets your hand down to his lap, panicked.

"i'm sorry," he apologizes. "shit, you must be in a lot of pain."

"it's nothing i haven't experienced before," you try to reassure him, giving him a tight smile.

"why does that matter?" choso drags his brows together. "pain is pain. i don't like when you feel any of it."

you melt. "i know. i know you don't, i don't like when you feel any of it either."

"so don't... keep stuff like this from me, (y/n)," he says sternly. "please, i need to know. i don't have the same connection to you that i have with my blood brothers, but i'm still connected to you all the same. when you hurt, i hurt."

"i get it cho, i'm sorry," you nod bashfully. "i wasn't trying to make you mad. i just don't like it when you're stressed out."

"i'm always stressed out," he says flatly, and you raise your brows with a halfhearted smile.

"yeah, i know. so why stress you even more?"

"i'd rather be stressed about you if i'm stressing about anything," he says, looking over your face as the hardness in his gaze washes away. "you know you're everything to me."

"i know, baby," you push out your bottom lip, pressing your free hand to the side of his cheek and leaning in to kiss him. his ears burn when you pull away, and he sighs heavily.

"don't offend me by trying to hide stuff like this. it won't work."

"i'm sorryyyy," you giggle and choso grumbles incoherently under his breath.

his gaze goes back to your fingers and his brows curl. "how the hell do you slam a door on someone's hand?" he hisses.

"it was an accident, cho, he didn't mean it."

"i know, and i shouldn't really be angry at him but i can't help but be irritated because you're hurt..." his fingers graze the tape. "how bad does it hurt?"

"cho, it'll be okay."

"that wasn't my question."

you roll your eyes at his attitude with a soft smile. "it hurts as much as a broken finger would."

"right. sorry," he murmurs.

"you're okay, love, you don't need to apologize."

"i still wish i- nevermind," he refrains himself from discussing how he wanted to be there to protect you from such an unpredictable occurence. "is there anything i can do to help you feel better while we wait? do you need anything?"

"ummm," you try to think. "actually, could you grab a new pack of ice from the freezer? and... the snacks you got me earlier."

the brunette's face brightens slightly with the thought that he can do something to help ease your pain as you wait for shoko to return to the school.

he nods in determination, carefully sliding your hand into your lap and kissing your cheek before hopping up to run to the kitchen. he returns with the items you requested, placing the snacks down beside him and lifting the bag of ice over your hand.

"like this?" he eases the bag down and you wince, nodding.

"mhm. yeah," you strain out. choso watches your face sadly, hating the fact that you're hurting.

"i'm sorry for getting upset," he mumbles. you turn to look at him curiously. "i just love you a lot."

"i love you more, cho," you smile gently, leaning your head against his shoulder. he sighs, resting his chin atop your head as he ices your hand. "and don't worry, i get it. i won't try to hide injuries from you anymore."

"i really hope so."

"now can you pass me those chips please?"

toji fushiguro: (knife cut!)

toji is going to absolutely kill you, and you are dreading the moment he does.

he has always told you not to touch his weapons. even if you see any of them lying around his place because he never bothers to clean up in between jobs. his one rule when you're over is to leave them alone and to let him handle them when he gets back. he doesn't care how much you protest, he doesn't care that you want to help him pick up after himself.

no touching. that is all he asks of you.

and of course... one afternoon when he's out sorting out some finances with shiu and one of his knives is glaring at you from where it lay on the kitchen table, you can't help yourself.

you don't really think anything is going to happen. after all, you're not a baby, nor are you an idiot. you know how to handle a freaking knife and you know where to put it, and yet, somehow, you allow your arrogance with the task to distract you. you're not handling it as carefully as you should be, and the second you hear the keys jingling outside the front door, you panic.

the blade, naturally, fumbles in your grasp, and swipes through the air, over your palm, and to the carpet. you jump, stepping away as quickly as it falls. you feel a sting in your hand and look down to see the fresh gash stretching over your skin. you gape as blood slowly simmers from the wound, befuddled as to how something like this even happened so quickly.

you have no time to clean it when you hear the key inside the lock. you hurriedly pick up the knife with your unwounded hand, place it back on the table where you first saw it, rip a napkin from said table to press to your bleeding palm, and clench it into a fist just as the door opens.

toji immediately greets you with a raised brow, jade eyes eying you oddly as he steps in. "the hell are you gettin' into?" he asks, confused by the way you are standing against the wall when he enters.

you're quick to move into his space to distract him from the vision of his knife and from looking any further downward from your face. you lean up on your tiptoes, normal hand on his forearm as you kiss his scarred lips. "what do you mean?"

"why were you just standing there like that?"

"can't I wait by the door for you to come back?" you bat your eyelashes, and toji grunts, gazing down at you with lidded eyes as his hand comes around the small of your back. "i'm just happy to see you."

"you take a pill or somethin', doll?"

you glare at him. "now why would you ask me that?"

"you're just acting a little too nice, that's all."

you scoff. "i don't know what you're talking about, i'm literally always happy to see you."

"yeah, but i was gone for thirty minutes and you never make a show of it like this."

"why are you making it sound like i don't show you love? you're the one who's mean all the time," you retort sassily.

a smirk captures toji's lips as he ducks down to kiss you again. "that's more like it," he murmurs against you. "still ain't answer my question though."

"i literally did. i told you i was waiting for you."

"sure," he says, unconvinced. his eyes drag down your body and momentarily go to your fist when you swiftly wrap both arms around his neck, pulling him down to crash your lips into him once more.

his brows narrow and as you kiss him, and you can feel the blood on your hand seeping through your napkin. you curse internally, lowering your hand back down behind him as he pulls away.

"not that i'm against this," toji starts, voice dangerously low against your mouth. "but it feels like you're tryin' to distract me from something."

"why would i be doing that?" you ask gently, looking up into his piercing eyes. he hums, dragging himself away from you. he grabs your chin softly and tilts your head left and right, looking over your face. "what are you doing?" you ask.

"lookin' for whatever you're hiding."

"i'm not hiding anything, toji."

"uh huh."

shit. it's never a good sign when toji doesn't even try to pretend to believe anything you're saying, and the way he's looking over your face let's you know that he at least suspects you've done something to yourself that he should know about.

you keep your fist to his back as he looks over the rest of your body with a rather relaxed expression, which only means that he doesn't suspect you touching any of his weapons. yet.

you have to keep his attention away from the knife on the table so that he doesn't figure it out.

"can you stop messing around already? i wanna go take a shower," you try to say, but toji doesn't listen.

"turn around f'me."

"huh?"

"huh?" he mimics you, looking at you unimpressed. "turn."

you suck your teeth. "i hate when you get like this."

"and i hate when you lie, now turn."

you grimance. you can't turn around with him looking down at your hand, and you're sure by now that the napkin you hold is coated red. your eye twitches in that moment when you feel a line of blood drip down your wrist.

god dammit. you're so dead.

nonetheless, you try to keep your palm facing inward as you slip it from his back and turn over your left shoulder, which connects to the uninjured hand. the second your back is to him, you bring your bloody hand in front of you.

"yeah, no," you hear toji gruffly say. your heart hammers in your throat and you know what's coming next. he moves around you to wrap his hand around your wrist and tug at it.

you cringe, allowing yourself to accept your fate when he pulls forward your balled up hand.

"open."

"can't we just-"

"open."

you sigh heavily, slowly peeling open your palm to reveal the red-stained napkin balled in it, the line of blood rushing down your inner arm, and the slice that stretches across your hand.

toji's eyes blow wide, and before he asks you anything, he throws his head over his shoulder to locate the knife that sits on the table. "are you fucking kidding me, (y/n)?" he growls, turning back to face you angrily.

"okay, let's not act like this is so crazy!" you immediately defend, throwing your other arm up. "you leave your shit lying around all the time!"

"and every single time, i tell you that i'll take care of it. what the fuck, do i have to go child-proofing the house now because of you?"

"if you would just be more mindful of how you leave your space, you wouldn't even have to worry about shit like this! you shouldn't even have knives lying around in the first place."

"i'm a grown man, (y/n), i know how to avoid cutting myself with the weapons i use daily."

"you're being a prick."

"oh baby, you must not know me because i'm about to be worse," he grunts, eyes heated with fury, and you frown.

"toji, come onnn, it was an accident."

"what do i always say about my weapons, (y/n)?"

"i just wanted to help you put it away, is that so crazy?"

"what. do i say. about my weapons."

you deflate slightly, uneased by the rate at which toji is growing angry with you. "...not to touch them."

"so why the fuck did you touch them?" he growls, picking up the napkin in your palm and tossing it over his shoulder. he looks over your wound and clenches his jaw. "fucking hell, (y/n)."

"look, i'm sorry."

"shut the hell up and come on."

despite his rage, he leads you to the bathoom with surprising care.

when you arrive, he flicks on the light with his free hand and swipes up a cloth from under the sink. he turns to you, pressing it down to your wound to stop the bleeding. once it seems like it's done, he puts the cloth down and turns on the faucet. "put your hand under," he orders, guiding it to the cool water nonetheless.

the water hits your open wound bitterly and you jump, watching the blood run through the drain as toji washes your arm as well.

"sit," he nods over to the bathtub, shutting off the faucet.

you oblige mutely, shuffling over and holding out your hand. you sit slowly on the ledge of the tub and watch as toji shuffles through his cupboards for a bottle of peroxide, some bandages, and ointment. you dread what is coming, for you know your hand is gonna sting like a bitch.

toji thuds over to sit hunched on the closed toilet lid, leaning over to grab your hand again. you stretch your fingers out and he sighs, shaking his head. "so fucking hard-headed," he murmurs.

you watch him screw open the bottle of liquid.

"go slowly," you plead.

"it's gonna hurt all the same, doll," he tells you, and you pout. "you should listen next time, then maybe you wouldn't have to go through this."

"shut the fuck up."

toji clicks his tongue, glancing at you momentarily before leaning down and holding the bottle over you, grasping your wrist loosely with your hand above his knee. "keep still."

the peroxide comes flooding out of the bottle and onto your hand, bubbling instantly over your gash. you whimper, tensing your body and scrunching your eyes at the sting.

"i know," toji mumbles, smoothing his thumb gently over your wrist. "you're alright."

your fingers dig into your thigh as it continues to burn. toji leans over to put down the bottle and continues to caress your arm, lowering your hand to his lap. he blows over your palm slightly as the peroxide dries, and you eventually open your eyes.

"not so bad," he tells you. he leans himself back to reach for a new cloth then pats it around the gash, drying your hand and your arm. he reaches back again for the tube of almost empty ointment he found and twists it open, squeezing it over your wound. "shit, hold on," he stops. he lets you lift your hand as he rushes to wash his own before coming to sit back down at hold yours on his leg again, now with bandages in hand.

you watch him gently as he works the bandage over you with such attentiveness, a dip in his brow proving his focus. you suddenly feel guilty for making him worry.

"i'm sorry," you finally say again, this time with more meaning.

toji's green eyes snap up at you amidst his wrapping. "yeah?"

"i really was just trying to help you. didn't mean to stress you out."

toji sighs, pausing his movements to look you in the eye. "you need to be more careful. i tell you not to touch my stuff because it's not your responsibility. obviously i know you can yourself, but some of my shit's really dangerous and i don't want you gettin' hurt," he gestures to your hand. "it could've been a lot worse, but still."

"if you don't want me touching your weapons, toji, you should probably clean them up more," you quirk a brow and he exhales loudly.

"i'm seeing that now, yeah," he says. "i'll be more careful if you are. don't need my doll getting a bunch of scars 'cause of me, now."

you smile softly. "yeah. i won't touch your stuff anymore, i promise."

"...how about instead i just... teach you how to handle 'em the right way?"

you perk up. "really?"

"i don't see why not. i'd rather you know how to use some of it than see you scrape yourself up because you don't know how to hold a knife."

"don't be a smartass."

toji smirks, continuing with his wrapping of your hand. "i mean it. i'll sit down with you sometime to show you."

"...how about after we're done here?"

"don't fucking push it."

ryomen sukuna: (fever!)

you wake up in a cold sweat, shivering.

you groan in displeasure, rolling over, slightly discombobulated. it can't be any later than 7 am, but you are boiling hot. you press your hand to your forehead and curse. you're sweating profusely and you feel incredibly lightheaded.

you don't even have the energy to get up, but you know that you need to take your temperature. you shudder, carefully shuffling out of bed and wincing as every brush against your skin feels like the stab of a thousand pins and needles.

you lethargically make your way to your bathroom, the cool air hitting your neck and sending you into a fit of shivers. you cling to yourself, teeth chattering, and reach into your cabinet for a thermometer. with half-open eyes, you pop it under your tongue and make your way back to your bed, bundling up in your blankets and curling into a ball.

it feels like hours before the beep resounds, and you slowly lift it from your mouth to read the little digital numbers.

102.4. perfect.

you shudder in pain, tossing the thermometer to the side and nestling your face in your pillows. you feel like absolute shit, but you can't bring yourself to do much else. you need medicine, water, a cool compress, but none of those things you have access to currently.

you close your eyes as your mind swarms, body throbbing and shuddering with chills though the last thing you need is to be cuddled under the covers. you think maybe it will go away if you get some rest. maybe you just need to relax, to take some time in bed. you'll let sukuna know when-

shit! sukuna.

there's no way in hell or on earth that sukuna will allow you to go untreated if you tell him, but god, you don't feel like letting him know. despite his likely haste to make sure you have everything you need, you can only imagine the snarky comments about your fragility, your strange body, your vulnerability that he''ll spout.

you don't want to hear it. you don't want to hear any of it, because you're sure that if you do, you'll start crying. you're already worn down, clearly, and the last thing you need on top of a fever is your boyfriend joking about your weak state.

you elect to stay in bed and tell sukuna you'll see him another time if he pesters you today.

which of course, he does.

a whirlwind of alarming dreams that you almost thought were hallucinations are disrupted by the persistent buzzing of your phone on your dress. you groan, reaching out a shaky hand to blindly grab the device and answer the call, pressing it to your ear with no knowledge of who you're speaking to.

"yes?" you croak.

"can't answer a telephone call the first time it rings?" sukuna's voice thunders through the mic, and you lift your brows.

"kuna?" you try to say his name normally, despite the constant chatter of your teeth.

"who the hell else would it be?"

"sorry... i was asleep."

"at this hour?"

"...what'dy'mean?"

"jesus, woman, it's 2 in the afternoon. why the hell are you still in bed?"

you reel momentarily at his words. 2 pm? it was just 7 in the morning! have you really been sleeping all this time?

"oh..." is all you can manage to say before a chill wracks your body again. you cringe, curling into yourself and holding the phone away from you.

"oh?" the king of curses repeats. "what is the matter with you?"

"n-nothing," you respond quickly. "i guess i was up late last night. i was c-completely knocked out..." you tremble.

"last night you told me you were going to sleep early because you were tired, you brat."

fuckkkk.

how could you have forgotten about that? you hadn't been feeling well last night, which is likely the reason why you feel so much worse today, so you turned in early. "i- couldn't fall asleep until later, though," you mumble.

"you are attempting to deceive me," sukuna grunts. "care to explain why?"

"m'not, kuna," you sigh halfheartedly.

"what exactly do you take me for?"

you're really not in the mood for this. you're aching at this point, and you can tell your body temperature has only risen. you're so weak. you can barely even process the fact that you're on the phone, and you can't handle sukuna's attitude. not if he's not going to help, which you automatically assume that he won't.

"i'm going back to bed," you say softly.

"what do you mean back to bed?!" sukuna fumes. "seriously, what the hell is the matter with you. you sound ill."

"i'm not i-ill."

"then why do you keep stumbling over your words, woman?" he questions, his voice mellowing out into a steady intensity. "what is it now? your monthly plague? whatever you people call allergies?"

this is exactly why you don't want him to know. he handles these things too crudely, as if it's a burden upon his existence. "y-you ask too many damn questions."

"i wouldn't have to if you answered them. now talk."

"i'm fine, sukuna. i'm just gonna go back to sleep."

"you hang up this phone, i'm at your door in two seconds."

"that's impossible."

"try me."

you know he's serious, but you don't have the energy. you can't stay on the phone with him any longer, trying to speak like nothing's wrong. it's cold. so cold, but you're so hot. you're probably drenched in a pool of your own sweat, but you can't feel it. you want to sleep. you just want him to let you sleep.

your vision grows dizzy as you stare ahead, brows arching in discomfort. you think you press the end call button, but you can still hear his voice picking up in urgency... is he shouting? are you even on the phone anymore? you aren't sure.

your vision suddenly drifts into inky blackness as the phone rests beside you on your pillow. the last thing you are aware of before you slip into unconsciousness again is banging at your front door.

sukuna bursts into your apartment mere minutes after you stopped answering him on the phone. he looks about ready to kill, crimson eyes wide and pupils shrunken as he breathes heavily, looking all over your apartment.

he's stomping to your room and throwing the door open when he sees you laying in the bed. "(y/n)!" he barks, searching for some response from you, but all he recieves or nonsensical murmurs.

he moves quickly to the side of your bed and grabs at your shoulder, turning you over to find your sheets drenched and your face tight with discomfort. he falters, heart jerking at the sight. "...the fuck?"

he presses a hand to your sweat-drenched face and furrows his brows in concern. you're hot. too hot for the temperature of a human being, and you're sweating like crazy, mumbling things under your breath in your sleep he can't even hear.

"the fuck did you do?" he grumbles, starting to internally panic. he scrambles to remember what this could be. he knows of plague, of pestilence, so maybe you're suffering some form of that?

hell, he can't tell. not from a glance. he's not even sure if he knows how to help you. you're entirely too hot for him to brush this off like it's nothing, and you passed out in the middle of speaking to him.

he looks over and sees the thermometer on your sheets and leans over to pick it up. the screen reads a high number, which he assumes is the temperature of your body. curious himself, he prods open your jaw and tucks it into your mouth, pressing the button the way you had shown him when you had the flu to reset the time.

"come the fuck on," he growls as seconds tick by before it beeps, and he pulls it from your lips to read 104.7.

he doesn't know how far it is from your usual temp, but he knows it's high. too high.

he's quick to dial uraume for some more information, and the second he hears that you need immediate medical help, he's picking you up and making a run for it without even thinking that uraume can likely help you.

when you wake, you're blinded by nauseating lights blaring down overhead. "ugh," you groan, feeling light and disoriented. you turn your head to the side and blink, to find sukuna's face staring directly at you rather harshly.

you jump slightly, startled. "what-?" you start, scrunching your eyes to adjust to the sight before you. "sukuna? what are you..." you trail off when you realize that you aren't in your house, nor are you at sukuna's estate. instead, you're in a hospital bed hooked up to a series of fluids.

your eyes go wide as you sit up suddenly, only to be hit with a sudden dizzy spell that sends you leaning back into the bed.

"don't move," he orders, and you turn to him in confusion. never would you have expected to see the day that sukuna sits in a chair beside you in a hospital.

"why are we... what happened?"

"apparently you had a high fever," he answers harshly, fist-propping his chin up over his leg. "too high for you to be seen in my care, and too high for you to be lying in bed as though nothing was wrong."

your heart sinks. "how high?"

"when we got here, tipping past 105."

"...are you serious?"

"i had to come bust down your door to make sure you were alive. i put you on an empty roller downstairs because these fucking dumbass doctors can't see me and i had to get their attention so they could notice you. yes, i am serious."

he sounds pissed. and you hardly want to think of what he means by ‘getting their attention.’

"what do you have to say for yourself? for daring to lie to me? for pretending like you weren't on the brink of a much worse fate?"

"...i..."

"you're so lucky you're unwell, girl, because you don't even want to imagine the things i would do to you as punishment for putting yourself in such a ridiculous situation," he growls. "all you had to do was tell me and i would have taken care of it before it got worse."

you blink, almost dumbfounded. you still aren't all there, but you can tell that your fever has gone down significantly. you're no longer sweating and fewer chills wrack your body. "...huh?"

"did that fucking fever scramble your brain or what?" he fumes, eyeing you sharply. "you should have told me."

you part your lips slightly as you look at him. "honestly, sukuna, i didn't think you'd really... i don't know-"

"care?"

"no, not care. i just didn't think you'd handle it well. i didn't even handle it well myself."

"you believe me to be incapable of tending to sickness?"

"no, i just thought you'd like... not take it seriously."

sukuna's eyes darken, and you realize that you may have said the wrong thing. "in what reality would i fail to take any threat to your health seriously, whether you are frail or not?"

"see, that's what i mean. you always have to slip in something about me being frail."

"because you are. as a member of your species. look at where you lay currently," sukuna grimaces. "that is not an insult to you, it's an observation. it's an insult, however, to everyone else who isn't you."

you relax slightly. "then you were actually worried?"

sukuna scoffs. "why the hell do you think i'm sitting in a human hospital with your sick ass right now? i thought we were past you believing i do not concern myself over you."

you suddenly feel foolish, having forced yourself to suffer in your isolation and simultaneously made sukuna, of all people, worry over you.

"hm. feeling foolish, are you?" he says, reading your mind.

"shut up,," you whine, only to clutch your stomach suddenly with a groan. sukuna sighs as he gently eases your head back onto the pillow.

"i told you not to exert yourself. you give me a headache."

"kuna," you mumble.

"what?"

"can you... take me home?"

sukuna raises a brow. "home?"

"to your place," you clarify. "i don't wanna be here. i just want to be with you. want you to hold me."

"you're such a needy thing," he exhales, toying with a strand of your hair as he leans over and gazes gently at you. "you have medications you need to take."

"then bring them with."

"and if you get sick again? you've only been here ten hours."

"ten?!" you exclaim.

"you were very ill, (y/n)."

you groan. "ten is long enough. i hate hospitals. take me home. i feel better anyway, and if i get worse, i’ll just go to uraume."

sukuna sighs, standing slowly. "after i get these tubes out of you without further damaging you, i will take you home," he says, looking over the IVs that you're hooked up to.

you close your eyes tiredly and nod in acceptance. "okay," you murmur.

he grunts. "let me find some damn instructions.”

"kuna," your hand weakly reaches out to catch his wrist and he stops, turning to look down at you.

"what is it?"

you open your eyes to look up at him fondly, exhaustion welling in your gaze. "thank you."

the king of curses clenches his jaw. he smoothes ahead over your now warm forehead and leans over you. "don't do some shit like this again."

[sunni-stuff]

Everything changed when that pregnancy test read positive.

The day you fumbled into his office, bearing what you thought to be bad news, John's excited face threw you for a loop.

Wasn't he supposed to be upset? Tell you that he didn't want to have a kid with someone he didn't fully care about? Why was he crying? Why did he embrace you so tenderly?

"I'll be there for both of you, Dovie," Price reassures in the nook of your neck, arms caging you against his chest.

Take care of both of you.

Both?

"M-Mr. Price, with all due respect—"

Price cuts off your protests. He leads you out of his office. His large hand grips your waist more possessively. "Go rest your feet up in the lounge; I'll take care of everything." His lips press to the crown of your head, ushering you away gently at the reception entrance.

You were supposed to have one fun night, not to be locked in for the rest of your lives.

Your days of working at a desk were replaced with John's house. It was far from the bustling base you had grown used to. The space was warm and homey. Bits of memorabilia were scattered about. Medals adorned the walls, and old photos sat on the shelves.

John said you only have one job now: making yourself at home.

There was so much space that you didn't know where to start or even how to start! It's not like there was a plan for having your boss's child! So much was happening so fast it left you overwhelmed, sitting on his couch with nervous hands. "Mr. Price, I'm really not sure about all this; I mean... what we did was a big mistake, right?"

From upstairs, you hear John laugh. He's been up there all morning, fixing the nursery for your child. He wanted to create a special room for them, saying that his kid deserves nothing but the best. Heavy footsteps announce his presence as he closes the distance between you. Calloused fingers grip your chin, forcing you to look into his ocean eyes. "You don't want this?"

His touch has you melting, words dying on your lips as you get lost in those eyes. God, why did he look at you that way? Churning like laundry, your gut writhes. A violent spin cycle grips your innards, knotting and wrenching them mercilessly. "I never—I never said that; I just think we're taking things too fast, don't you?" The half-hearted mumble escapes your lips, unconvincing even to yourself.

John's expression shifts; his eyebrow raises in slight scrutiny. "If you believed that, you wouldn't be here."

He's right.

"I do-"

He cuts in swiftly, voice firm. "You don't."

John's grasp tightens on your chin. He leans in, eyes intense. Your heart races. His lips brush yours. The kiss—chaste yet electric. A moment suspended in time. Emotions flood through you both, unspoken but palpable. "You have me. Whatever you want is yours, all you have to do is say the word."

John waits, poised for your word. His eyes betray a craving—silent, deep, and raw.

He belongs to you. He's all yours.

Your lips purse in a line, lip caught between your teeth.

Anything you want?

"I don't like the color of the nursey..."

─ ⋅ ⋅ ⋅ ──── ♡ ─── ⋅ ⋅ ⋅ ──

P1

❥ I wasn't originally gonna do a part 2 but... I really like this one, next fic will be longer, possibly fluff and smut maybe who knows ❥

[chuluoyi]

LOVER'S QUARREL

- fushiguro megumi x reader

“i can't do this anymore.” you and megumi are just too different; he's stoic, you're bubbly, he prefers solitude, you love being social. it starts with fights, words you don't mean, and ends with an event that would haunt him for a long time to come.

genre/warnings: angst, breaking up, post-breakup feelings, mentions and description of injury and blood, hurt/comfort, fluff in the end (you make up!)

note: dear god i’m finally getting this out of my drafts. loosely inspired by real life events i’ve seen around my friend’s relationship sooo it might hurt a bit 🤏🏻 but who can say no to angst to eventual fluff? tagging @lees-chaotic-brain and @kasumitenbaz (as per request in the ask!), you two are always here for my megumi works, thank you!! :3 and thank you for dropping by for the event!

a part of 1K MILESTONE EVENT

general masterlist

Everyone pointed it out as a joke, that you liked him way more than he did you.

And you used to never let it ruffle you. To you, Megumi’s sternness and silence meant that he was comfortable with you. You never wanted him to change his ways just because now you were seeing each other.

But when you thought it over now, as you stood before him with an aghast expression and knives stabbing your kind, soft heart, you couldn’t help but do a double-take.

You were the one who confessed first. Most of the time, you were the one who initiated dates. You always texted him first, asking about his day, and even when he brushed you off, you would keep being this ball of sunshine and wished him a good day.

You never realized it before… that through everything, it has always been you. Unfailingly.

So how dare he spout this now?

“I can't do this anymore.”

"You... can't?" you spat out, feeling the first tendrils of anger course through you. "What exactly it is that you can't do? What do you even mean?"

"Look," Megumi stared at you squarely, and you thought now, that it was the coldest of eyes, straight and true. "It's always been like this between us lately. It's only right that we end this."

This, he said. He didn't even want to define your relationship anymore.

You scoffed. "And why do you think we always end up this way? Have you ever considered, even once, that it's because you make no effort at all?"

"I'm trying," Megumi quickly replied, almost in a hiss, and you almost recoiled. "But I just see that we'll end up nowhere, that's why I'm bringing this up now."

Oh, that freaking hurts. You boyfriend had just told you that this relationship would go nowhere. Right in your face.

Your eyes stung with tears, yet you fought to hold them back, fixing your gaze on the lamp overhead and inhaling deeply.

"You're... selfish," you stated, filled with ire. "You're always walking around eggshells around me, never telling me what is it that you really want—"

Megumi's unclouded eyes fixed on your trembling form. "We just disagree on a lot of things. You know it and it bothers you. It bothers me too. Rather than forcing our relationship, I think it's better—"

"It's always me!" you yelled then, lips quivering and eyes watering, unable to hold your emotions back any longer. "All dates, lunches—everything!" you locked your eyes with him, in mocking disbelief. "How can you say you're trying when, in truth, I'm the one putting in so much for us?!"

In that very second, Megumi thought that he hated seeing you like this. You were supposed to be the cheerful one in this relationship, and when he agreed to go out with you, he made an unspoken commitment to himself that he would at least not make you miserable.

And yet...

"...I'm sorry."

Came his reply, and you were sure that this was it.

And to rub the salt in your wound, he added, "I can't lie to you and say I haven't thought this for a while too."

As tears welled within you, you wondered and questioned what you lacked that led to this. However, the overwhelming sense of betrayal consuming your thoughts ultimately prevailed over any other emotions.

Now he could've appeared before you as a stranger and you wouldn't bat an eye, as the cold steel in his tone said, "And if blaming me is what it takes to make you feel better, then so be it."

You couldn't pinpoint the source of your sudden boldness, but in the next hot minute, you marched past him, your shoulder harshly colliding with his in a deliberate, almost spiteful manner—which, indeed, was your intention—and then you ran.

Which led to the next scene: you found yourself bawling your eyes out in the girls' lavatory.

Yuji and Nobara saw everything unfolding right before their eyes. They hadn't meant to eavesdrop, but you and Megumi were literally breaking up right the middle of their shared classroom, and it was hard not to follow the discourse until the end.

"Are you okay?" Nobara had come to your side, ensuring privacy by locking the restroom door out of your consideration. You were a sobbing mess, attempting to wipe the overflowing tears away while letting out all your emotions.

"He's..." Your voice faltered amid sobs as you gazed at your steadfast friend, your throat clogging up. "He said... he's been wanting t-to... break up with m-me..."

"That's okay, that's okay..." Nobara brought you to her arms, patting your back in reassurance. "Fushiguro is insensitive like that... don't cry over him now. He's just a wimp, okay?"

"Why is it me?" you asked her, voice brittle, still shaking with tears. "I t-tried everything! Being the supportive girlfriend..."

"If he can't appreciate what you did, then the problem lies with him," your friend stated, traces of irritation brewing in her resolute gaze. And as she firmly grasped your wrist, her next words resonated. "Not you."

. . .

"Do you really have to break her heart like that?" Yuji fidgeted with his hoodie, staring at his best friend with a blend of confusion and sympathy.

Megumi sighed, finally ruffling his hair into a mess, as if expressing his own state of mind. “This is for the best.”

Yuji’s eyebrows visibly creased. “How is this ‘for the best’? She’s miserable, and you…” he assessed him, scanning him from head to toe, “it doesn’t seem you’re faring any better too.”

“The longer she is with me, the unhappier she will be.” Megumi glanced at the bathroom’s direction. “She can deserve better.”

He was always too quiet, too boring, not able to match your energy too. He couldn’t fault you for expecting more, whereas he was just not exactly built for your expectations.

Megumi really thought he wanted it to end. At one point, it even felt like a chore, but…

How strange. Why did it feel like something was clawing at his chest?

Time heals. Megumi knew that by theory, but he really did see it firsthand when he saw you all giggling and happy again three weeks after he initiated the breakup.

With Hakari.

“Yo, what are you glaring at?” Panda asked, but Megumi didn’t pay him any mind.

An upperclassman, Hakari Kinji, was naturally cool and talented. He was laid back, knew how to have fun—all in all, a total opposite of Fushiguro Megumi altogether.

Three weeks. It’s only been three weeks since then.

“Megumi?”

Wait… Aren’t three weeks too fast to get over your ex?

“Megumi!”

“Huh?” he turned to the sentient panda with a jerk. “Oh, what is it?”

He looked at him with a concerned gaze. "Why do you look so scary? It's almost as if you're about to punch someone..."

But who was he to argue? He had no right to be upset now.

"Is it Kinji?" Panda gasped, finally putting two and two together when he followed his line of sight. "Oh Megumi... but you—"

"Just shut up, please," he blurted then, a hint of annoyance in his tone. With that, Panda didn't pursue it further, leaving him with his thoughts.

From where he was at the field, he could clearly see your radiant smile for Hakari. It was clear that the two of you shared a degree of friendship, but Megumi never knew that you two were that close.

...huh?

Why did the sight irritate him so suddenly? Why did his chest twinge again?

What a fool. You're the one driving her away, you idiot.

Suddenly these memories popped up one by one—

Of you suddenly hugging him from behind in an attempt to surprise him.

How he pressed his lips on the crown of your head when you fall asleep on his shoulder.

How you would give him that dopey smile when he pulled you close.

But on harder days after missions gone wrong, he’d ignore you altogether— the slight disappointment in your smile then. How your expression fell when he told you to go. How you slumped and looked back in hopes of him changing his mind.

“Haaaah.” Megumi turned away, unwilling to keep watching you any longer. Why? Why hadn’t it occurred to him before now?

Why did he long for you now? Why not before, when you were still his?

They were right. It seems people tend to desire what isn't meant for them.

What could have been more painfully awkward than being sent into a mission with your ex-boyfriend?

You would kill Gojo for this. Or at least give him the lowest possible score in his teaching evaluation for the year. How could he? Your breakup was an infamous public spectacle, so this setup was undoubtedly intentional!

You were losing your head over this, and yet your ex-boyfriend...

"Keep your guard up," Megumi reminded curtly, in a warning tone. He looked as vigilant and straight as always, as if he wasn't even bothered.

You threw him a dirty look, offended. "You don't have to tell me twice."

This just cranked up the discomfort to an excruciating level. The mix of unresolved tension and memories—okay, you might be an emo, but how were you supposed to be cool with all of these hanging in the air?

Your site of exorcism was an abandoned warehouse, and the cursed spirit in question was supposed to be a grade 3. You two were grade 2 sorcerers now, so you were a perfect fit to exorcise it. But there was indeed this unease in the air that you couldn't put your finger to.

"Isn't it awfully too quiet?" you unwittingly muttered, staring at the darkness of the wall. You couldn't feel any cursed energy belonging to any possible malevolent entity, and that was what unsettled you the most.

Megumi frowned at your line of sight. "It is. Stay close."

You blinked at what he said, and before you knew it, the familiar scent of him being near to you made your entire body burst with this equally familiar warmth. When you looked up to him, seeing the solid sharpness in that dark eyes of his and his jaw set, dead butterflies in your chest rose back to life again, against your heartbreak and better judgement.

Stay close, he said... So he is worried...

And in an attempt to hide how flustered you were, you looked down.

You walked a few good steps, when suddenly he asked, "So, are you with Hakari-senpai now?"

"Huh?" You spun around, your expression a mix of surprise and confusion.

"You two seem close."

Seem close? Seem close... wait, so Megumi had noticed...?

Suddenly, you felt incited and it made you angry. "That's none of your business," your voice carried a sharp edge, hissing. And you knew you were being a bit mean by adding, "You broke up with me, so why do you even care?"

In that moment, Megumi could've sworn his chest throbbed. Your cutting tone pierced directly into his heart, lodging itself there.

You had all rights to be annoyed, and he knew that. Why did that question even slip out of him?

"Nah, nevermind," he mumbled in response, looking away.

Awkwardness lingered afterwards. You hated this, but no, you weren't above being petty. He had broken your heart and it still stung even now. If your intentionally biting words did to him even a fraction of what he made you feel, then you would find a small sense of satisfaction in it.

But you weren't able to ponder about your mess of feelings further when Megumi abruptly yanked your arm, his voice soaking with urgency, "It's here!"

Sure enough, the grotesque cursed spirit with the shape of a giant bee broke through the walls with a bang. The two of you immediately readied your fighting stance. Megumi was ready with his divine dogs, while you with your cursed weapon.

For a while, you engaged the cursed spirit with all you had. You were trying to focus on the enemy, but you couldn't help but notice the way Megumi always looked at you every few seconds, checking for any signs of injury or harm.

Frankly speaking, he trusted your strength and knew that you were a capable sorcerer. You had been paired in a mission before and he knew both your potential and shortcomings. It was just there was something about this place that had his senses on high alert.

And his fears were proven true when you yelped and were flung onto the grimy floor. "Y/N!"

"I'm fine!" you shouted in a rush, scrambling to your feet. However, as you spun towards him, your scream tore through the hall as you caught sight of the bee lurking behind him. "Megumi!"

He got distracted. The bee quickly latched onto him and almost stung him, until he wrestled it off and summoned Nue and exorcised it.

You went to his side that instant. "Are you okay?!"

"I am." But then he winced and almost fell on his knees if you didn't have a secure grip on him. He savored your touch and breathed a sigh of relief, thinking that now you two were safe.

"Megumi! Oh god!" Panic surged through you as you pulled him close. His side was bleeding, and you widened your eyes at the sight.

"I'm okay, I promise," he rasped, looking you in the eyes. "What abo—"

Then you saw it, the flicker from deep from that corner of platform, and suddenly, you grasped the source of the unease that had been lingering within you all this time. It wasn't the bee Megumi had just exorcised—

At that moment, there was no room for thought, one thing was certain: you didn't want him to get hurt more.

He didn't manage to finish his sentence when suddenly you pushed him away with so much force he never thought you had. Everything crashed so suddenly, he didn't have the time to brace himself or grab you with him, as another cursed bee appeared out of nowhere and—

Reality flashed before his eyes as he stared at you in sheer horror. At how the cursed spirit tore your body, sinking its hollow stinger in you.

You didn't really know what happened next. Everything was muffled—the frantic movements around you turned into a blur, along with Megumi's yells. Otherworldly pain coursed through your entire being and your ears rang, then everything in your line of sight became distorted and faded, along with your consciousness. Next and the last thing you knew was Megumi's battered face, a final imprint before you succumbed to the void.

Megumi had exorcised the remaining cursed spirit and staggered to his feet—falling a few times, but he made his way towards you through gritted teeth. You are hurt. He forced himself to get to you and pull you into his arms.

And suddenly, suddenly, nothing mattered anymore as overwhelming terror consumed him upon seeing you. Blood streamed from your abdomen so much that it made a continuous pool.

"You stupid—!" He choked out, voice hitching. You were no longer conscious and it devastated him even more. "Hey, hey? Wake up—hells—"

You, who did everything you could to save your relationship. You, who cried tears for him when he blatantly broke your heart. And you, who put himself first—and now facing the consequences.

It crashed upon him in that very second, the clarity. What was he thinking back then? He still loves you.

"If you die on me, I won't forgive you."

Megumi scooped you in his arms, pressing you close to his chest, the blood seeping from his wound be damned as he looked at your serene face. His heart shattered in the worst way possible and he almost wheezed at the sticky sensation of your blood—and how lifeless you felt in his grasp—but he willed it away.

"Don't," his broken rasp echoed the walls as he took each step to get both of you out of this hellhole. He winced and hissed at his own injury, chewing his lip in frustration, at how helpless he was.

"Don't leave me."

It was like a distant, hazy memory.

Was it a memory though? No. It seemed far too real for that.

The throbbing headache pounding through your skull and shivers that wracked your body pulled you back to reality. There was a heavy pressure on your abdomen and any movement sent sharp pain shooting through you.

You gradually opened your eyes, squinting against the brightness. You were in a hospital gown, an IV was injected on your arm, and the sterile scent made your stomach twist, as nausea creeping through your guts. Your vision was still blurry as you tried to look around to find someone who waited for you. As you slowly turned your head to the side, you saw him, sitting in the chair right next your bed.

Megumi was sleeping in such uncomfortable position, his head resting on the edge of your bed. He appeared peaceful, almost childlike, devoid of his usual stoic demeanor.

Your heartstrings were tugged at this rare sight. He also sustained injuries and yet... he was waiting for you to wake up, here.

Your chest swelled with warmth, which was quickly followed by a sting of heartbreak. Still, you two broke up...

You jolted, and the inadvertent movement sent a wave of pain that seemed to paralyze your nerves, causing you to whimper. The noise woke Megumi from his slumber, as he shot his eyes open in alarm, catching your hand in his.

"Hey... Are you okay?" Megumi worriedly looked down at you with a visible frown, and the grimace of pain on your face, accompanied by trembling lips, was enough of an answer. He hastily scrambled out in slight panic, "I'll get Ieiri-san."

When Shoko came and got you the painkillers, your pain receded somewhat. Through it all, Megumi stood there, casting concerned glances in your way.

"Bedrest for the week," Shoko stated firmly, assessing your wound with a no-nonsense expression. "Your injury isn't minor—it's serious enough that you're strongly advised against excessive movement."

You could only nod in response. Megumi bowed. "Thank you, Ieiri-san." Once the doctor departed, silence settled over the room once more.

“Why did you do that?” he quietly asked then, referring to what you did for him. And when you turned to him, you saw it clearly.

He looked pale, and there was this haunted look in his eyes. It broke your heart a little.

"You were hurt." Your voice came out dry, and you realized firsthand just how parched you were. Seeing Megumi looking down never quite sat right with you. He was meant to be an unwavering presence, someone strong enough to sway your convictions.

However, a pang struck when he countered with stern eyes, "You didn't have to do that."

...he was right. You didn't have to. What he didn't know was that you were still holding on these stupid feelings, which drove you to shield him. It made you ponder: if your roles were reversed, would he not step in to protect you at all?

"Why are you here?" You weren't sure if the bitterness in your tone was evident, but you continued anyway. "You don't have to be here either."

"Don't have to?" His gaze bore disbelief, as if not believing your words. "I'm—"

"If it's because I saved you, Megumi—"

“Do not even think, even for a moment, that I won’t be concerned over you.” His voice, deep and hoarse, struck you to the core, silencing your words. “Never. I always, always want you to be safe.”

Your mind became a blank slate. Suddenly, all that mattered was his voice.

"Don't you realize how terrifying it was? Seeing you like that?" Megumi spat, his green eyes shining with intensity, teeth gritted and fists clenched. "How could you even think that I wouldn't be here—" his breath hitched, and then his lips trembled slightly, "—for you?"

You blinked quickly, a feeling stirred within you—stemming from that cursed, fragile heart of yours to be exact, evident from the rapid thumping in your chest.

You dumbly uttered, "But we are—"

"Oh, Goddamnit." Megumi cursed, and honestly you were taken aback. It wasn't really in him to swear, so this really bugged him. He ran a hand through his hair in frustration, and despite the situation, your heart skipped a beat at the sight. Even a mess in a hospital gown, your ex-boyfriend was still undeniably attractive.

He stared at you squarely in the eye, unflinching, steadfast and true, the very image of Fushiguro Megumi you admired from afar and fell in love with in the first place half a year ago. "You don't have to... say anything, if you don't want to. Right now... just hear me out."

And the things he said next... all of them, you could say, caught you entirely off guard.

"I'm sorry. I'm sorry for not trying hard enough, and—damn it, for making you sad. I never, ever wanted to see you that upset."

Megumi drew in a sharp breath, averting his gaze. "And for days, I've wondered if you and Hakari-senpai are now a thing... and you know what? I hate it so much. I know I have no grounds to feel this way, after what I did, but..."

And like a train wreck, his final words hit you hard. Tears welled up in your eyes in immediate response.

“I'm a loser, and a coward too, maybe,” he shrugged, a tinge of self-deprecation in his tone. “And I suck at telling people my feelings, but I love you. I still do.”

A sob slipped out of your throat and you hastily pulled the blanket over your face, much to his surprise. He thought he had worsened things, with the way you were turning away from him.

But then, from beneath the blanket, in a croaky voice, you proclaimed, "Fushiguro Megumi, you're a complete and utter idiot."

And Megumi didn't know that he had been holding back his breath as he chuckled heartily, relieved that you would still take his ass back after this prolonged mess. He knew he still had a lot to make up for and was determined to show it through his actions.

"Maybe I am, yeah."

"That's possibly the longest shit you have ever spouted in one breath."

"Yeah..."

But he got his chance back, and he knew that you would be alright. Both of you are.

On one sunny day...

"Hey, are you alone?"

Megumi glanced up from his phone, only to be met with a random girl standing in front of him, batting her eyelashes with an ambiguous intent. He blinked at her curiously.

"No. Can I help you?"

The girl twirled her hair suggestively. "Ah, you see... I see you all in your lonesome and I think you're quite cute—"

The hell? Megumi frowned, and he was really about to give this bimbo a piece of his mind when—

Oh, oh. Forget that. Megumi's attention snapped to you on the opposite side of the crossroad. All pretty and dolled up with that crop tee and miniskirt he once mentioned would look great on you by a slip of tongue—that accidental comment earned him your teasing quips for weeks already.

"Sorry, I'm here for my girlfriend. Bye."

Abruptly dismissing the girl, he didn't catch how comically offended she was for being turned down in a span of 20 seconds. He took big strides towards you, as you crossed the street, and you immediately beamed when you caught the sight of his face.

"Megumi!"

Ah, this is going to be a good day, he thought. As he gazed at your pretty face, and caught your hand in his, clasping it tightly, reveling in your scent and the warmth of your presence beside him—

He was content, and once again it dawned on him, that he likes you so, so damn much.

"Let's get started on our date, shall we?"

[kindacreepy-kindaugly]

weirdest fucking shit to fixate over but we just keep comin back to it huh

tmi in the tags probably