#NOW WE GO SPIDER-MAN

[miraculousbohemian]

i. i did it. i watched Xena Warrior Princess in all it's six season glory. I'm sure as hell doing a rewatch because havsdvshhsbyhdshbx

This show did change me, honestly.

[cowboysuperhero]

i wasn't planning on drawing him but um . miguel 👍

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[kirstielol]

tattoo day 2! what a difference in the pain and swelling with this one. i'm gonna talk about some perhaps gross stuff about the healing process so, a warning for below.

my last tattoo, on day 2, the saniderm (the clear bandage on top) was filled with so much excess ink and plasma it ended up coming off. and my arm was so swollen it was like a huge red balloon.

this time around there's almost no swelling, just a little redness, and almost no leaking. there's a little excess ink leaking in some spots, making some of the lines look a little wonky underneath the saniderm, but last time around there was so much leakage you couldn't even see the tattoo. seems like this time around i'll be able to keep the saniderm on for the full 3 days. so the healing process should be a bit quicker!

not sure if it's healing better this time around because my last tattoo was so black heavy or what, but i'm happy

[that-spider-fan-over-there]

Something about Izuku I keep thinking about is how much he's a downright hypocrite and the only reason he isn't called out on it is because he's one for himself and not for others and at the core of it all it boils down to his pending childhood issues and the *vaguely gestures* "relationship" he and Katsuki have- I mean, just out of the top of my head:

Wants to be a strong and dependable hero but is at his weakest when he's alone.

Says to Himiko he would never hurt someone he loves but was the reason Katsuki was forced to dance with death until his own sacrifice. Hell, I'm expecting him to actually accidentally hurt Katsuki (Physically? Emotionally? You decide) next time they talk.

Wants to save people with a smile but barely cracked genuine ones during his battle with Tenko- I can think of two(?), and even then those felt more like a resignation (379 and 412 iirc) than actual smiles.

Being aware Kacchan's a jackass, fine, but the entire "Imitate the people you love/admire" themes, having an attitude when heated or absolutely Done with anyone's BS (makes sense for someone who grew up besides a kid in the Inferiority-Superiority Complex but still) and "This is a battle between All For One and One For All, you can't keep up" is still very much pot calling the kettle black (it's because his "arrogance" is rooted in selflessness and desire to be useful but that's for another day)

Deadass called All For One out for being a lonely man pretending to be a "Demon Lord" yet will not admit he himself thinks a he's just a lonely kid pretending to be a hero; and by the time he seemed to be growing out of it: Paranormal Liberation Front.

"IT'S YOUR POWER, ISN'T IT?!" Cool, nice of him to comfort Shoto and try the same with Touya, now if only he could do the same in regards to himself and OFA-

Wasn't able to connect with Tenko at all and that's why he failed but it's wild to me he'd still the one who even at surface level could relate to):

Spinner, because they're nerds who were ostracized based on Quirks/lack thereof looking for a purpose and were unable to help him because of AFO's interference;

Himiko, because they want to be like others (because they hate themselves at least a little bit) but also show love in a way others wouldn't accept and;

Touya, because they wanted to prove they could be useful to others and be heroes to the point of actively harmed themselves while using their own Quirk.

Hell, when you think about it he related to the crying child but he could've used Literally Anything from his relationship with Katsuki to try and reach Tenko, but of course he didn't, that means he'd have to think about his own issues and yet he saw Tenko's issues no wonder he didn't get the job done-

Also can we talk about him saying he relates to Ochako confronting Himiko but she actually succeeded- Or even Shoto wanting to forgive Endeavor; I keep recalling both Ch. 322 him saying he won't forgive Tenko for anything he did (understandable but still) and Tenko going "And I won't forgive anyone". Connecting these three instances are huge stretches, I know, but really, he hasn't addressed the apology he got- combined narrative punishments for empty platitudes.

Kept saying he needed to improve in his control with OFA: had to get beaten up during his internship and in the Summer Camp for that lesson to stick... Then he heard the words "Control Your Heart" and decided to Not Address It At All.

Supposed to surpass but he's really All Might's successor in every way that counts: Smile so nobody will worry, keep fighting even though you are destroying yourself, be so selfless you'll make your friends desperate enough to make you stop for your own good, hide every single thing you can about yourself, the only difference is in the bed they made: Toshinori lies in omission most of the time, and Izuku thinks he lies in white when almost every other character's in the dark, but as long as there's a dream of bright smiles in the future, who cares they're now forcefully entangled in this nightmare, right?

And these are just the examples I can think of the top of my head, there might be more, but. No wonder we've been "panicking" (let's be real his therapist already scheduled him for Ground Beta atp-) Shoto and Ochako brushed him off by accident in Chapter 425, it's the consequences of his hypocritical ass coming back to bite him-

(I am not hating on him, by the way, it's just something about him I wanted to point out. I like that aspect of his. Makes him more human. But jeez can someone call him out and make him practice what he preaches? XD)

[twilight-is-dead]

Forgot to mention I wrote a silly little fic! It’s essentially kinda like marvel’s the winter soldier but that was just barely in the back of my mind I just really wanted to make twilight suffer and amnesia is a fun and angsty trope lol

[anxiously-sidequesting]

Sorry to be posting twice in one day but now I wanna talk about Sybil's last line of dialogue at the end of Wallaru. Bro says "The Spiral will always need its Scion." In terms of new villains always arising, new worlds to explore, etc.

Now of course in the real world this means something totally different than in narrative; for us it means yay Wizard101 will continue and it's not ending and shit and thats good!!! But in universe, I believe that fact would have brought different feelings. Like sadness. Or anger. Or maybe just numbness.

Like if you think about it. The implications. The Wizard will never, CAN never rest. It's an ongoing, neverending thing of always being needed. It's You and ONLY You. There will never NOT be evil. If not GF Spider, then the Schism. If not the Schism, then the Old One. If not the Old One, then someone else. Someone or Something will always come up as a Threat that only the Scion (for some reason. Gods exists here) is expected and able to defeat. When Sybil said that I was legit terrified because gotdamn I can't retire???? I will Always be The Legend who Always saves the day???

Like even setting aside the social consequences of this (the whole people suspecting us/fearing us Thing) imagine what that does to your emotional and mental health. Fuck even physical health. Going through all that strenuous trauma and exercise and magical ordeals and shit???? The pressure of knowing it's the universe at stake, not just you or the world? I actually would have died just in arc 2 personally how the fuck are we supposed to carry this. For the REST. OF OUR LIVES. FOR HOWEVER LONG WE LIVE

��� Anyways here's hoping the Schism Soldier is arc 5's new big baddie haha #enemiestolovers101 😘✌️💕💕💕

[vulpinesaint]

FORGOT THAT VENOM FULLY KNOWS WHO SPIDER-MAN IS. THAT MAKES HIM SMACKING THE HELL OUT OF PETER PARKER SO MUCH FUNNIER

[mercurydancer]

Burning Matches Pt. 1

Of New Sights and Colors

-

Summary: Ch. 3 - "In an idle sort of way, none of them had expected for Noir’s blood to be black. None of them had expected that their sudden appearance would be just the distraction that the Lizard had needed. None of them had expected for that very black and very unexpected blood to be painting the wall behind him as Lizard’s claws dug into his flesh, and sent his body flying limply to hit the wall with a wet-sounding smack." - A story based on recovery, color, and the knowledge that you're not alone.

_

In honor of the new Spider-Verse movie coming out, I am going to be posting the entirety of Burning Matches to tumblr. It's already posted on AO3 under the same title, username HopelesslyLost, so if you want it, you can find it. As it is, I've been avoiding it because it's HUGE, but I figure I might as well.

Buckle up.

-

           It was horrifying. It was dizzying. His mind spiraled in a million different directions, his body pressing against hard concrete as he desperately attempted to draw breath into his lungs, fingers scrabbling at the building, seeking something, anything that he could use to ground himself. He closed his eyes, tilting his head back, trying to focus on the roughness of the concrete that he could feel, ripping his gloves off in order to be that much closer, barely remembering to shove them in a pocket as he did so. He didn’t even notice the fact that his fingers had dug into the rough edges to the point where they were starting to bleed.

             His breath was still rattling in his lungs, his body still tense, but if he kept his eyelids closed, he could at least pretend that nothing had changed.

             What had happened?

             One moment, Peter had been swinging after some two-bit crooks, intent on putting them on ice after they had shot up one of the poorer localities…and in Hooverville, that was saying something. The next, he had somehow swung into something that squeezed him tighter than the Sandman, and hit harder, too. When he finally was spat out of whatever it was that caught him, he found himself here. This…this…

             Peter didn’t know what this was. He didn’t know what was surrounding him, had no idea what was happening, why he was here, where here even was! What was happening? Slowly, slowly, Peter peered out through his goggles, his eyes squinted as narrow as he could make them and still be able to see.

             It was like an icepick was driving into his skull.

             Peter closed his eyes again, heaving a breath in, and letting it whistle out.

             He was having a panic-attack, pressed to the side of an unknown building, and all because he didn’t know what he was seeing. What an absolute clusterfuck. This was stupid, this wasn’t him. He had adjusted to being bitten by a spider and seeing a Spider-God before him, he had adjusted to being able to shoot webs out of his own wrists, and climb on walls - he could do this.

             He could do this.

             He opened his eyes and kept them open against the searing brilliance that pierced him and forced himself to actually look at what surrounded him. It made his eyes water and his pupils kept sliding over everything, unable to focus on what he was seeing. Eventually finding it too much, he instead turned his attention up, away from the flashing of…whatever it was. Was he having a stroke? A seizure? What the fuck was going on?

             Focus on the sky, Pete, focus on the sky, he thought to himself, heaving in another deep breath. The sky was…the sky was odd, too. It was as open and as big as his own, but the…he didn’t even know what to call it. He didn’t know what it was that was spread out over him, that was tinting everything… Peter focused on the big fluffy clouds that drifted across the sun, taking in their appearance, the way they were so normal, and finally closed his eyes again.

             Maybe this was it, maybe he was dying.

             A sudden pain lanced through his head, a sharp and sudden feeling that was like his spider-sense was on overdrive, giving him the feeling like there were a million spiders crawling up his spine. His eyes flew open and there was something else over him.

             Peter’s first thought was to reach for his gun, to shoot the thing that was between him and the semi-familiar sight of the sky, but the thought faded as quickly as it came. As soon as he made…eye-contact? with the thing that was above him, the feeling of spiders changed to something else. Something familiar. It almost hurt, but it didn’t, a feeling of such strong connection it was almost like he was looking at himself in the mirror.

             “You…” he started softly, distantly recognizing another softer, distorted, and certainly more feminine voice say the words at the same time, “you’re like me…”

             A…hatch for lack of a better word, opened up in the strange metallic thing that rested over him, blocking the sun, and a…little girl stared down at him, her eyes wide and…he hadn’t ever seen eyes like that before. A little too big, a little too bright, but at the same time he still felt like he knew them. He felt like he knew the one that was looking at him, like he was connected to her. It was an odd thought and he wasn’t sure how much he liked it, but it stuck. Because she was like him.

             “Are you okay?” the girl asked him, those eyes changing, becoming even bigger, if it were possible, worry in their depths.

             “I…” he started, and then shook himself. Peter saw the way that she kept glancing around her as though waiting for someone to spot them, he saw the way that she pressed into the torso of her…machine, even as she asked how he was. This odd little girl was scared, and he didn’t want to cause her anymore fear. He took all of his fear, all of his pain, and all of his confusion and balled it up internally before shoving it deep under his ribs, to be ignored until he got a spare minute (the fact that he never got a spare minute was ignored).

             “I’m sorry, kiddo, I’m fit as a fiddle, just…a little disoriented.” He focused on her face, focused on those eyes, fighting to ignore everything else. “Are you alright? Are you…from here?” He pushed himself away from the building, watching as the…robot? backed up a few paces as stood up before it, allowing them to stare at each other roughly eye-to-eye. She was covered in…whatever everything else was covered in, her clothing an odd light tone, and her face shaded much differently than he thought it should be. She looked as though she could have belonged…perhaps…if everything else wasn’t so…bright.

             Sure enough, she shook her head.

             “I was pulled here, I…don’t know what happened, exactly, but I think we’re both in an alternate dimension,” as she spoke her voice sharpened, and her expression cleared, all of her focus on him. The fear had left her in her rush to explain, and Peter knew immediately that this was her element. “You obviously don’t belong here, you’re completely in black and white which goes against everything around us, and everything that I have seen. I also don’t belong here, see, this is the year 2018, and I’m from the year 3145.”

             “Woah, back-up, it’s 2018 here?” Peter asked, finding something else to trip him up. This was shortly followed by the realization, “You’re from 3145? Who are you, kiddo, what’s your name?”

             “Yes,” she responded before straightening up and reciting, “My name is Peni Parker, and I work with the SP//dr mech, my father’s mech,” she patted the interior of the…mech she was in, said mech making a pleased-sounding chirp and putting its ‘hands’ on its ‘hips.’ “Before…before he died that is. I connect to it through a psychic link with a spider that lives within the robot and together we protect New York.” She grinned, and as she spoke Peter watched as a rather large spider crawled into view with a feeling of trepidation clawing its way up his spine, watching as it perched on her shoulder and gave a brief cheer. When it did nothing else he slowly allowed himself to relax, but couldn’t keep his gaze away from that spider. “We’re a great team!” She called out and held up a finger that...the Spider tapped back with one of its legs. What the fuck. After a moment of thought he resolved to leave it alone unless it got too close. Peter had been bit before. He wasn’t going to be bit again. “I love to hack into mainframes and I love New York!” She called out brightly and broke his train of thought, and the triumphant pose they had both fallen into after their...tap...held for another few seconds before breaking and she gave a slight frown. “What about you? I know you’re like me, I can feel it, but…”

             “Well…” Peter paused, trying to think of a way to condense everything he had gone through into something that would be kid-friendly and wouldn’t make the kid either pity him or…be traumatized. “My name is Peter Parker. Where I’m from the year is 1933, and I’m a Private Investigator… I got bitten by a magic spider that gave me spider powers and I’ve been using them ever since to put a dent in the crime that plagues New York. I like…” he hesitated on what he could say that he liked, looking into those wide and interested eyes and fishing through the possibilities. “I like egg creams, and I like to punch Nazis.” He paused at seeing the way that she seemed to dim, not at the idea of him punching Nazis, he could tell, but…almost at the lack of enthusiasm, and spat out something else, “I like to let matches burn down to my fingertips, sometimes, so I can…” he let his voice die out.

             Her expression had only turned sadder, somehow, the robot lowering itself from its proud pose into something more somber.

             Smooth.

             “So, you can what?” she asked. And even her mech looked upset, which was even smoother. How the hell did he fuck it up this much?

             “So, I can feel something,” he answered finally. “But that’s not important. If you’re not from here, and I’m not from here, why are we here? And where is here?”

             “From what I’ve managed to gather, which isn’t much, admittedly, the technology here is all so…old,” she griped, “it doesn’t connect well with my SP//dr. But I do know there is a Spider-Man! I was in the middle of seeing if I could track him when I felt…well, I felt like there was someone I had to see around.” She ducked her head slightly. “I had thought at first that it might be him, since…well, I thought he’d be the only one from here. But I’m okay with finding you!” She grinned, a bright and happy expression. “I’m just…glad to not be alone.”

             Peter nodded and kept his eyes focused on the little girl before him, watching as she shrunk slightly at the admission, her foot gently circling the metal floor of her pod. He idly wondered if she could stick to walls on her own, or if she was simply at the mercy of the robot’s abilities. The idea frightened him in an idle sort of way. Being that dependent on anything, even a mech that had a link with him, was not something he had any desire for.

             He also had no idea how to answer her admission. He saw the moment that she realized this, an odd…flush spreading across her cheeks, but he couldn’t think of anything to say to make it better. Peter internally cursed his lack of people-skills and wondered how many ways he could kick his own ass.

             “We…we need somewhere to stay!” she finally called out, regrouping remarkably well in the face of Peter’s own inability. “Maybe we can find the Spider-Man of this reality. I bet they’ll be able to help us! They might even know how we got here.”

             “Knowing the Spider luck, he’ll probably be right in the middle of it.”

             The gripe got a brief laugh from Peni, and Peter smirked to himself proudly.

             “Alright, so we have to find Spider-Man. Do you have any ideas?” Peni asked. “I can connect to another mainframe and try and hack in, but…I kind of stand out.” She paused. “You definitely stand out. I don’t think they’d notice me if I just walked up to somewhere, but you…” She didn’t say anything else, and she didn’t have to. Peter hesitated, standing up and looking out at the city before them, thinking.

             “You’re a Parker, right? Peni Parker?”

             “Yes,” Peni responded, beaming. “And you’re a Parker, too! A Peter Parker.” She frowned slightly. “Do you think that there’s a Parker here that’s running around as a Spider-Man?”

             “I don’t doubt that in the least. Two spider-people pulled out of alternate dimensions and brought to another universe with a Spider, both named Parker? Once I’d call coincidence, but this feels too focused.”

             “I think so, too!” She grinned. “Alright! I’ve got something to look for now, this will make things so much easier!” Peni hunkered back into the torso of her robot, which closed before her. “Come on!” she called out, and Peter watched as she leapt to another building, the leap something that made his entire body flinch backward as he followed her movement with his eyes and simultaneously took a better look at his surroundings. It hurt, and he found himself covering his eyes, ducking down.

             It took a second before Peni seemed to realize he wasn’t behind her. He felt it when she landed before him, the hatch opening again, and he forced himself to open his eyes. Her wide and worried eyes stared at him, and Peter forced himself to straighten.

             “I’m sorry,” he managed softly, “I…it hurts,” he finally admitted. “I don’t know what I’m seeing, and it really…it just hurts my head.”

             “All the colors are really freaking you out, huh?” she asked him, but before Peter could ask what she meant, her robot reached out. “Don’t worry! I’ll help you out, just hold still.” Peter found himself grabbed, before being positioned in such a way that he could cling to the back of her robot. He hunkered down against it, holding his hat with one hand, a terrible mixture of shame and disgust welling up within him.

             Pathetic.

             “I’ll just carry you! We’ll get there soon, just try and get your eyes to adjust, okay? I know you can do it!” She cheered, the face of the robot staring at him with a bright smile blinking across its ‘face’, which was odd. Peter resigned himself to being carried and felt as she adjusted herself to his weight, and then leapt.

             For a moment they were in free-fall, and then her robot thwiped its wrist out, webbing shooting out and swinging them up and out. It was a familiar experience, even without the control he usually enjoyed. It also allowed him to get used to the sight of the world zipping by him, the…colors blurring together as they swung.

             He had to get used to this. He had to be useful.

             Peter forced his eyes to stay open and trusted in Peni to get them where they needed to go in order to gain information. They would figure out what was going on, and then they would figure out how to get home, Peter was certain. This was just another strange pothole in the road he called life. He’d been hitting them so often they were almost expected by this point.

             What else could happen?

[jihef03]

I should be hyped about Shadow of the Green Goblin. It's about Harry and Norman, their Family drama, the Goblin legacy, it is written by *JMDematteis*!

But the story's set in Spider-Man's early career. In the past. I think it's rather telling.

[avatar-mikazuki]

What really hits throughout the entire across the spiderverse movie is miles realizing everyone is making the choice not to visit him, when they could have.

He studied so hard so he could go to a college/university in New Jersey that his parents might not even let him go to, to be able to see his friends again, just to be told by gwen in one conversation that she could have seen him waaay earlier MONTHS earlier.

"So how long has it been??"

"Oh, I've only been in it for a few months"

"Months is kind of a long time isn't it?"

This isn't a teenager saying a few months is a long time, this is miles saying he was ready to dedicate his life to seeing them again, and geen daying dhe could have already done it months ago.

And there's moments like this throughout the WHOLE movie! And i just feel so bad because he feels so betrayed, but there's not enough one on one time between any of them for him to understand why they have done and do what they do.

[spider-man-2o99]

Just wanted to say that I have been thinking of you and pre-emptively empathizing with the nonsense you are no doubt being flooded with and the psychic damage it must be causing. Keep stanning the king ignore the weirdos <3

thankg u.,, i feel like ive been trapped in a fuckign . Torture Labyrinth these past coupl days . but. wwe will. We Will Yet Persist onwards w/ our hand on the left wall till we;re either out or at the center i swear 2 fucking GOD,

[samuraisharkie]

me every time I think about the current state of The Amazing Spider-Man comics: Here’s How Peter Can Still Win

[scarletspider2the2ndpower]

Ben Reilly: Scarlet Spider (Vol. 1/2017), #2.

Writer: Peter David; Penciler: Mark Bagley; Inker: John Dell; Colorist: Jason Keith; Letterer: Joe Caramagna

[calig0-verne]

MIGUEL O’HARA BETTER HAVE THEM FANGS OR IM LEAVING.

On a side note, He better have his sick shades.

[littleblueberryartist]

So! I just remembered this line about how when elemental energy converges, it either "ascends into a crystalfly or descends into a slime" and it made me think about your from the winds we come and to the winds we will go au

And like, Seele and Hu Tao have a lot of butterfly motifs going on due to the death symbolism, crystalflies resemble butterflies (or maybe moths? I dunno much about them tbh, but Signora did have the pyro ones and as far as I know moths also carry death symbolism), and Paimon and Traveller speculating during the GAA Bake Danuki event about anemo being the default for crystalflies because their cores are the same as the anemo ones no matter the element after you catch them

Anyway - something something Venti with a crystalfly aesthetic along the wisp-ness

Ooooooo! I’m not completely sure either but iirc while butterflies represent rebirth or souls, moths are actually an omen of approaching death and bad luck (dang maybe signora’s motif foreshadowed her death all along)

something something the positive and negative views of death perhaps! Gods who encompass all aspects of their domain (even if they usually show once side more than the others) my beloved. Rip to moths once again getting the shorter end of the stick tho 😔

and ooooo crystaflies being anemo by default! Maybe they swirl up other elements depending on the nations (tho that makes geo and dendro outliers lol)

One of the venti designs I have does actually have a bit more of a butterfly motif, though that’s mainly taken from Seele (with a hint of the butterfly looking fabric from istaroth)

Mixing in some crystalfly traits sounds sick as hell I will absolutely be looking into this thank you!