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Though it had something to it

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Heard they’re back

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Morris (Maurice de Bévère 1923-2001) Lucky Luke au Saloon

“Encre de Chine, feutre, encres de couleur et gouache pour une illustration représentant Lucky Luke dans un saloon en train de se rouler une cigarette.(Chinese ink, felt, colored inks and gouache for an illustration depicting Lucky Luke in a saloon rolling a cigarette.)”

Morris (Maurice de Bévère 1923-2001) Le Braquage de banque

“Encres de Chine et de couleur, gouache et feutre sur papier pour une illustration représentant les Dalton sortant d’une banque qu’ils viennent de braquer.(Chinese and colored inks, gouache and felt-tip pen on paper for an illustration representing the Daltons coming out of a bank they have just robbed.)”

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Un truc qui m'avait très surpris et rendu un peu sceptique en regardant Bref 2 c'est quand même le traitement du perso de Baptiste.

Nan parce-qu'on est d'accord, Baptiste, dans Bref 1, c'etait quand même un gros con non ? Genre pas méchant, mais quand même un pauvre gars, pas fiable du tout, bourré de défauts, presqu'autant que le perso principal.

Et là dans Bref 2, tout va bien, c'est le bon gars, le modèle de père famille, le mari idéal. C'est un peu léger je trouve.

Non parce-que oui on peut changer en bien mais juste parce-qu'on a trouvé "la bonne personne", j'y crois moyen. C'est du boulot de changer. Et là non seulement Baptiste passe de "con " a "mec parfait" comme ça, sans forcer, c'est quand même assez gros je trouve . (Limite Bref 2 gomme ses défauts de la première série pour se concentrer sur son côté romantique extrême, c'est un peu facile aussi)

Alors oui je force un peu, la série parle de choses parfois dure mais se veut assez légère quand même et en 10 épisodes on peut pas tout faire non plus, mais quand même d'écriture du perso de Baptiste, ça trottait dans ma tête.

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Day 9 and 10 : Square off!

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spider-man villains as saltydkdan’s megaman deathmatch video

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i think the scarves are fun

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It does feel like that sometimes.

That said, I feel like most of the grieviances are against One More Day, which I think is fair.

Peter's is just struck in a weird character limbo.

You can't have him being a family man with kids in mainline but you can't have him divorcing either.

i sort stand by than a modern intepretation of Peter as 25 to 35's single man in new-york is believable giving eveyrthing now. ( economics, social prospects, the fact that half o Peter's reason for being Spidey is being a self-defeating martyr)

but that doesnt seem to be what the character was going to be initally. Like maybe this is a character who's arc should have ended in the late 80's or smth.

There’s a strong conservative streak in the Spider-Man fandom in which their editorial grievances are a moral crusade for the sanctity of the nuclear family model. That of Peter, MJ and May.

It gets to a point that their problem with editorial isn’t that their ideas suck but that Peter’s life doesn’t look like this:

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I'm not the biggest fan of Harry's "New Goblin" and suit mask -it's a cool suit as it is, just not goblin-y enough for my taste- but what I came to appreciate is how Harry's helmet mirrors Peter's mask in some ways.

Obviously the there is the classic Green v.s Red contrast but both also have something of a texture to it. Peter's got the webs obviously and Harry's has got some scaly texture to it, which is a nice nod the goblin suit in the comics. They both got big lenses that hides their eyes, Peter's being angular and dynamic and Harry's being bulkier.

They kind of break the similarities with Harry barring his forehead which is a weird thing for an helmet to do but I guess this Harry's one of the few versions with good hair so he might want to show off.

You get the impression there is the same philosophy behind these two masks : it's a mask with a slight theme attached to it.

Going in too deep but this illustrates situations very well, whether it was intentinal or not : he's wearing his dad's colors but his mask is similar to Peter's, the friend he has to kill. He's in the middle of it all, as ever.

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Countdown to Avengers #800/34 (2026) : 2009’s Dark Avengers Vol.1 #5 cover by artist Mike Deodato Jr. and colorist Rain Beredo.

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U ever get those days

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Do u think they think like this when they’re in their ragdoll mode and wanna say shit

Messages from my dear friend with bad WiFi god rest his soul it’s like I can still hear his voice (all messages immediately sent within 1 second of each other after buffering so we all screamed when they came in at once like a great flood)

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Scheming

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Crazy that the one time we got a classic Green Goblin in a 2000s Spider-Man game was in Web of Shadows on DS😭

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@flammedoudoune "Pride and Prejudice in Space", your thoughts on the matter?

There should be more movies that do the Treasure Planet "Story From Classic Literature In Spaaace" thing but I totally acknowledge that it worked for Treasure Planet because Treasure Island is already about travel and adventure and exploration, which are themes that lend themselves well to being reskinned with science fiction.

There are so few stories I can think of that would lend themselves to an In Spaaace retelling. Like you can't do Pride And Prejudice In Spaaace. That's not anything

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Some people are still asking for a Live-Action remake of Treasure Planet and it's driving me craazyyyyy.

It's like the main appeal of the movie of being a wonderful blend of 2D animation and CGI animation, what's a live-action is gonna bring to the table ?

Sure, there are some stories or intellectual properties that I'd be curious to see in live-action but Treasure Planet ain't one of them.

Also the whole point of these Disney remakes is to cash in on successful ips so -probablu- Disney can hold onto them longer. It's easy money for them because audiences will get their butts in seats for a remake of Beauty and Beast or Lion King orLilo and Stitch. Treasure Planet bombed. It's not on their interest to make of remake of this one.

Besides I heard they're doing *another* Treasure Island adaptation anyways, they're not gonna brother remaking a failed -money-wise- adaptation when they can go back straight to the source.