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#NEW ORDER 1989
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"SO ALL ABOARD FOR THE AMERICAN TOUR, AND MAYBE YOU'LL MAKE IT TO THE TOP."
PIC(S) INFO: Mega spotlight on English dance-rock band NEW ORDER, during the band's "Technique" American tour, photographed backstage at Southern Star Ampitheatre, AstroWorld, Houston, TX, USA, on April 21, 1989. 📸:
Yeah, I just used a 1972-era PINK FLOYD lyric, but what of it? I couldn't think of anything else on the spot, so, there ya have it.
Source: https://x.com/JD_Central/status/1119994820553072640.
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finelythreadedsky · 10 months
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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cosmonautroger · 8 months
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New Order, Round & Round, 1989
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the ttpd enjoyer in me loves the addition of it to the setlist but the autistic in me hates every other change that took place to get it there
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dazaiconfused · 8 months
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Meadowlands, New Jersey, 19th July 1989
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coloursteelsexappeal · 7 months
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New Order- Round & Round (1989)
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traderrock · 2 years
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New Order - Technique (1989) promo copy via Records4Ever.
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huccimermaidshirts · 5 months
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#had to listen to ttpd out of plain curiosity because everyone was saying how much it didn't deliver and well they weren't lying#they weren't lying about the lana comparisons either! who's afraid of little old me sounds like born to die in the verses#it's very flat tbh like you're listening to the same songs over and over#it's very hollow like the album was just made just to be made in order to keep her name afloat and relevant#not because she had something to actually say and express. her song delivery is very flat and unemotional idek how to properly express what#i mean. like she sings with no actual emotion behind the words no nerve no nothing. like she can't actually convince me that she's feeling#all that she's singing. also like the music is all the same and the way she sings them. there's no fluctuations no diversity. it's the same#song over and over. also sometimes i feel like the lyrics and the delivery don't really go together with the music#like they don't compliment each other#But Daddy I Love Him is supposedly over her fans trying to dictate her life (i have all sorts of opinions on that but it's a diff convo) an#it had 0 nerve and anger in it. i needed a little more intense a little more angry. i liked down bad and Florida (thank god for Florence 😭)#and all the breathy low vocals are not it either. it kind of makes the album flatter. there's no tension no passion in the album#definitely feels like she's trying to recreate 1989 and maybe folklore/evermore and it's not working#also people comparing this album to midnights are not wrong either#it feels like her last few releases all sound the same with no creativity or bringing something new and amazing#she really needs a break and to take a step back re-evaluate and try to create something more inspiring and fun instead of trying to#recreate the same sound over and over again. releasing album after album in such a short period of time is bound to hinder creativity and#the quality of someone's work. and maybe she does need new people to work with that will push her creatively#also i feel like she doesn't need to create such long albums. especially if you're using the same sound in every song. like one song morpths#into the other and it gets boring! especially if there's little to no build up and tension holding the song and having breathy vocals that#lead to nowhere during each song! anyway it could've been a whole lot better and she has better songs than this
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honeybabymp3 · 1 year
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no jinxing but from titles alone the new tracks seem Very tethered to the 1989 narrative as in it could still make for a very solid album. however it will need re-ordering and would make it just a bit too long so we'll see
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finnickodaiir · 1 year
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Irl New Swifties are insufferable
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cosmonautroger · 11 months
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New Order, Technique, 1989
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taylorsabrina · 11 months
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my top 5 fave songs off 1989 tv after first listen 🩵: bad blood, all you had to do was stay, wonderland, clean, new romantics.
top 3 vault tracks: "slut!", is it over now?, say don't go.
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lazyspeedy · 1 year
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“i survived the drought” and it’s just a regular album cycle period
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spilladabalia · 1 year
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youtube
Ron Asheton's New Order - Sold For Cash Girl
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Audio
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