#NEW ORDER 1989
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"SO ALL ABOARD FOR THE AMERICAN TOUR, AND MAYBE YOU'LL MAKE IT TO THE TOP."
PIC(S) INFO: Mega spotlight on English dance-rock band NEW ORDER, during the band's "Technique" American tour, photographed backstage at Southern Star Ampitheatre, AstroWorld, Houston, TX, USA, on April 21, 1989. 📸:
Yeah, I just used a 1972-era PINK FLOYD lyric, but what of it? I couldn't think of anything else on the spot, so, there ya have it.
Source: https://x.com/JD_Central/status/1119994820553072640.
#NEW ORDER#NEW ORDER 1989#1989#Technique 1989#NEW ORDER band#NEW ORDER Technique Tour 1989#Technique#NEW ORDER USA 89#Bernard Sumner#Stephen Morris#Alternative dance#Dance-rock#80s Style#80s fashion#Houston Texas#Texas USA#Houston#Houston TX#Photography#Dance rock#Acid House#Balearic beat#NEW ORDER Technique#USA#Texas#Band Tee#Peter Hook#Gillian Gilbert#American Style#AstroWorld
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
#alphabetical order. im not ranking them#i still have two more froma zeitlin essays to read (one new and one a reread) in the next few days though#and its possible one of those might knock amy richlin off the rest (nothing personal; its a great piece just not my area)#but if im willing to have two things by the same scholar i would have to rethink including grethlein 'the poetics of the bath in the iliad'#some of my favorite articles/book chapters of the year are not on jstor though...#bill beck 'lost in the middle: story time and discourse time in the iliad'!!!#and lyndsay coo has a 2020 chapter updating and expanding this 2013 article that is 🔥🔥🔥#and of course judith mossman 'women's voices in sophocles' which is what send me to garrison 1989 and rood 2010 but is not itself on jstor#i also reread some of melissa mueller's objects as actors book which is wonderful as always#and i would be incredibly tempted to put william m calder iii's tereus article on a top ten list for sheer entertainment value#jstor wrapped#mine
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New Order, Round & Round, 1989
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the ttpd enjoyer in me loves the addition of it to the setlist but the autistic in me hates every other change that took place to get it there
#taylor swift#i hate the new 1989 outfit#i hate the new surprise song outfit#i hate the yellow folklore dress#i hate that folkmore is now one set#i hate the new era order#i LOVE the red t shirt because it was a gradual enough change that my autistic need for structure can handle it#I'll get used to it#this isn't a criticism of eras 2.0#eras 2.0 looks great!!!#I'm just very autism and hate change and this is A LOT of change too suddenly for my brain to enjoy it fully#but hey at least this is proof that I'm not faking my autism lol#because the new 1989 outfit is making me want to comit manslaughter even though it is objectively gorgeous
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Meadowlands, New Jersey, 19th July 1989
#ive had this sitting for too long be released 🌬️#i luv u kevin c#new order#bernard sumner#peter hook#contact sheets#1989#1980s#kevin cummins
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New Order- Round & Round (1989)
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New Order - Technique (1989) promo copy via Records4Ever.
#New Order#Technique#Records#Vinyl#1989#1980s#Factory#Factory Records#Manchester#Pop#Dance Music#Peter Hook#Bernard Sumner#Gillian Gilbert#Stephen Morris#Ibiza#Dance#Peter Saville#Album Covers#Art
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#had to listen to ttpd out of plain curiosity because everyone was saying how much it didn't deliver and well they weren't lying#they weren't lying about the lana comparisons either! who's afraid of little old me sounds like born to die in the verses#it's very flat tbh like you're listening to the same songs over and over#it's very hollow like the album was just made just to be made in order to keep her name afloat and relevant#not because she had something to actually say and express. her song delivery is very flat and unemotional idek how to properly express what#i mean. like she sings with no actual emotion behind the words no nerve no nothing. like she can't actually convince me that she's feeling#all that she's singing. also like the music is all the same and the way she sings them. there's no fluctuations no diversity. it's the same#song over and over. also sometimes i feel like the lyrics and the delivery don't really go together with the music#like they don't compliment each other#But Daddy I Love Him is supposedly over her fans trying to dictate her life (i have all sorts of opinions on that but it's a diff convo) an#it had 0 nerve and anger in it. i needed a little more intense a little more angry. i liked down bad and Florida (thank god for Florence 😭)#and all the breathy low vocals are not it either. it kind of makes the album flatter. there's no tension no passion in the album#definitely feels like she's trying to recreate 1989 and maybe folklore/evermore and it's not working#also people comparing this album to midnights are not wrong either#it feels like her last few releases all sound the same with no creativity or bringing something new and amazing#she really needs a break and to take a step back re-evaluate and try to create something more inspiring and fun instead of trying to#recreate the same sound over and over again. releasing album after album in such a short period of time is bound to hinder creativity and#the quality of someone's work. and maybe she does need new people to work with that will push her creatively#also i feel like she doesn't need to create such long albums. especially if you're using the same sound in every song. like one song morpths#into the other and it gets boring! especially if there's little to no build up and tension holding the song and having breathy vocals that#lead to nowhere during each song! anyway it could've been a whole lot better and she has better songs than this
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no jinxing but from titles alone the new tracks seem Very tethered to the 1989 narrative as in it could still make for a very solid album. however it will need re-ordering and would make it just a bit too long so we'll see
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Irl New Swifties are insufferable
#my sister hated taylor back in the 1989-rep era#but then turned into one of those obsessive cupcake fans arouns folkevermore-red tv#she just saw me pre-ordering olivia's new album and rolled her eyes and was like 'shes so cringe'#girl.... you listen to n*cki 'anti-vaxxer and married to a rapist' m/naj and ar/ana 'spent a few years using excessive tanning' grande#and dimissed any concerns about m/tty as a rebound... worry about that#*doing excessive
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New Order, Technique, 1989
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my top 5 fave songs off 1989 tv after first listen 🩵: bad blood, all you had to do was stay, wonderland, clean, new romantics.
top 3 vault tracks: "slut!", is it over now?, say don't go.
#*carly chats#taylor swift#1989 tv#really had to simmer on this one for a minute#i was just gonna do a top 5 but i honestly would've picked all 5 of the vault tracks lol 😂😂#WONDERLAND REALLY BLEW ME OUT OF THE PARK#it always used to be a skip song for me#but the new production sounds absolutely magical#these are in no particular order btw#except for bad blood bad blood is number 1!!!!!!
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“i survived the drought” and it’s just a regular album cycle period
#olivia dropped sour in 2021 and went on tour the rest of the year#so if she didn’t release anything in 2022 is bc she was phasing out of the sour era naturally and working on a new project 😭😭#it’s like when some taylor fans rn are putting themselves in the#waiting for ur fav to drop music room#midnights was not even a year! ago#or ppl calling the period between red tv and midnights a drought#THATS NOT A DROUGHT#a real drought was whne taylor for example after 1989 didn’t release new music until 2017 and remember#inbetween that time she was on tour for 1989#like there’s actual fans of artists going thru droughts pls 😭😭😭#and like the reason im writing this is bc it’s so fjjdksm#seeing ppl demand art like shien orders more more more#ahhhhh fjdjksks#^^
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youtube
Ron Asheton's New Order - Sold For Cash Girl
#the new order#ron asheton's new order#sold for cash girl#ron asheton#dennis thompson#jimi recca#dave gilbert#hard rock#recorded in the mid-70's#victim of circumstance#1989#Youtube
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