#NAIL IN THE COFFIN

[sennamaticart]

Zineoween 3 & 4 Nail in the Coffin and Woods

[i-have-a-type]

Oh we're getting a "brother" for the 100th episode, aren't we ?..... foul.

[girlactionfigure]

TICP - The Israeli Cartoon Project

[roxspoxs]

Disrespectfully, PLEASE spit in my mouth, Vampiro.

Please and thank you.

[asclexe]

my grandparents approve of my halloween costume!!

[singing-pterodactyl]

“Gravedigger”

[fish3gg]

Why would you do that to her?

[warlenys]

media studies. culverton says media studies. after everything that tld is. there are so many words out there and yet. media studies.

[chloeworships]

The other day I had a vision of what looked like Elmer Fudd from Looney Tunes but then also changed into a Leprechaun 🍀 without a hat 🎩😂… to be completely honest BOTH characters were not wearing hats. What he/they were doing puzzled me and took me sometime to decipher…

He was putting 3 nails into a coffin ⚰️ 🔩🪛 then I saw the word BULL written in old English.

What does this mean for someone…

A man has put an end to a toxic situation. This could be at 3 situations or 3 men. Because, these men have ended this or these situations in which they found themselves hurt and wounded, blessings will be coming in. They heard and obeyed God’s guidance 📖 and that ALWAYS comes with a reward 🏆

You see people of God, sometimes the blessings God has for you won’t come in until you’ve taken the steps to cut ties with those who bring pain, suffering and evil in your life and these men have realized their blocking their own blessings ✨

Congratulations to whoever this message is for. The four leaf clover 🍀 has some significance here for whoever this message is for. Also the colours green and red. The Bull too.

Something good will happening for these men in the month of December 🎄

Please confirm this word with God.

UPDATE:

Elmer is from the Warner BROS… as in BROTHERS

I can’t lawd ha mercyyyyy

Eh…. But you will NOT FAIL.

[7listyleme]

Fall Nail Art Trends 2024

Cozy Fall Nail Colors and Designs

Dazzling Autumn Tones

Feast your eyes on this stunning design. Each nail showcases a unique shimmering shade, creating a harmonious fall palette. The sparkly finish adds a festive touch, making every nail a standout.

Golden Leaf Embellishments

This design blends elegance and modernity. Sleek black nails adorned with gold leaf accents exude glamour. Perfect for chic urban settings.

Maple Leaf Accent Design

Embrace fall's warmth with this design. A rich maple shade covers most nails, while a detailed maple leaf decal adds a cozy touch.

Starry Night Nails

Imagine a night sky on your nails. A deep black base with twinkling stars and crescent moons creates a stunning celestial effect.

Rich Burgundy Elegance

Indulge in luxurious burgundy. The glossy finish and short square shape add a touch of drama to your fall ensemble.

Earthy Neutral Tones

For a more understated look, earthy tones provide a sophisticated backdrop. Add gold accents or geometric patterns for extra flair.

Autumn Gold and Orange Tips

Brighten your nails with this playful French manicure. Vibrant candy corn tips add a touch of whimsy.

Pumpkin Spice French Twist

Make a bold statement with this modern twist. A pumpkin-orange base paired with thick black tips creates a striking contrast.

These fall nail art designs offer a variety of styles to suit your personal taste. Whether you prefer glamorous metallic accents, cozy autumn hues, or nature-inspired details, there's something for everyone.

Ready to try one of these trendy fall nail designs? Explore more details and find inspiration for your next manicure. Let your nails shine this season!

[black-fireproofs]

oh. oh no.

lives were changed this day

[riotdyke]

Truly though is there a trans woman alive who has not been made out to be manipulative for having emotions and trying to explain them

[dontmixpaintinyourcoffee]

I don't know how to explain how much these two mean to me. They are the non-biological-not-raised-together siblings of all time. They are so ride or die. One time a man threatened Riz and Fig got that guy to jump out a window. One time Fig pretended to be a doctor and Riz helped her successfully do magic surgery without ever coming out of hiding. They both decided together to never ever tell Gorgug that Fig did the sealing spell without ever saying a word to each other about it. Fig joins Riz and Sklonda on their murder investigation road trip. Riz ate dinner all the time with Fig and her elf dad. They comfortably hang out in hell with a sentient blood blob and a motorcycle that's secretly a dog. He's her legal counsel. She encourages him to hiss at people more. They trust each other with their lives. They are celestial and infernal, connected to the outer planes by their relationships to their fathers and then making that connection their own. Their parents are dating but honestly that's the least relevant detail in all of this. Do you see the vision

[thepermanentrainpress]

CONCERT REVIEW: KATELYN TARVER W/ ROSIE DARLING AT THE WISE HALL - SEPTEMBER 9, 2023

Adorned with a canopy of lights, the high ceilings and cozy lighting of The Wise Hall were a fitting atmosphere for the Compliments Only Tour. It was an intimate crowd, but one that gave their undivided attention to both Katelyn Tarver and Rosie Darling on their Saturday night in East Vancouver.

I’d been familiar with Rosie Darling since her release “Nail in the Coffin” (with Boy in Space) appeared on my Spotify Discover Weekly earlier this year. Since then, I’d been getting acquainted with her music; therapeutic for both Rosie in her craft, and her listeners. She made her entrance to ethereal nature sounds and immediately invited the audience closer to the stage for opener “Reruns.”

Her music is very chill, singer-songwriter pop with an emotional gut-punch. Many of her songs are short in length, so they’re compact, but memorable. Her breathy edge is distinct in “Say Less.” “Villain” was released a couple of weeks ago, and while it’s aesthetic in sound, its message is even more important. About understanding and finding peace after the breakdown of a relationship, it references blame, responsibility and ultimately letting go. Rosie has a very calming presence as she moves on stage; she’s still coming into her own as a performer, using her free arm to bring in the audience. She’ll clutch at her torso on emotional lines and shut her eyes mid-track, imploring us to feel that ache with her.  

She sang “Nail in the Coffin” (sans Boy in Space) and “Witness.” The latter was introduced as an “older one” given its release in April 2021. Rosie’s keyboardist Mike Nardone (who I believe was also responsible for the programmed beats) genuinely looked like he was having fun, and I loved how her music was able to build in layers but still allow her voice to shine. The piano accompaniment was lovely, especially towards the end of the dreamy “Lost on You.” They weren’t wearing their matching red jumpsuits (or pantsuits) in Vancouver though, Rosie opting for a bronze silkier set; although still a penchant for the hair bow and oversized pajama pieces that give her a comfortable, chic style.

Since the release of her debut EP Coping (Nettwerk Records), she’s released a number of singles and the EP Golden Age in 2022. Her debut album Lanterns will be released November 10 (not mistakenly, a word woven into the lyrics of “Villain”). “Boxes” was introduced as an “emotional one [to] get through together,” and that we did. Her voice as lush and soothing as ever, breaking free from confines and learning to value herself.

She closed her set with the somber and much underrated “Coping.” Rosie has a delicate voice with a potent, effervescent kick. Her lyrical depth and visualization are notable, and her music feels like both an anthem and a lullaby. I was impressed by how close she sounded to her recorded music; Rosie Darling is one to watch.

Katelyn Tarver had an unassuming entrance; right into the keys for the beginning of “What Makes a Life Good,” before taking the microphone and working the stage. Instantly, you can see her connection with the music and the questions she poses (“Is it taking someone's broken heart and knowing how to fix it? Is it becoming a mother? Is it learning to be tougher?”). This is a prime example of the big picture outlook in her lyrics; they have meaning and are given much thought.

Throughout her set, she shifted between her trusty mic, keyboard, and acoustic and electric guitars. “Cinematic” was soft and sentimental, while “Hurt Like That” revelled in its instrumental breaks (and driving guitar lines). Katelyn had such a comfortable stage presence; she feels the words and music, and in doing so, allows herself to let go and dance. She’s a natural performer.

The soulful, R&B inflicted “Nicer” makes use of her piercing upper register, while “Shit Happens” is a weighty piano ballad. She spoke about the journey to write “Shit Happens,” in navigating the unforgiving music industry and wanting to make it. It was a special song on her 2021 album, Subject to Change. Katelyn spent time conversing with the audience, showing off her new boots and explaining the concept of ‘compliments only’ starting out as a joke between friends and family. “Compliments are underrated,” she remarked, before providing ones for guitarist Ryland Holland (who kindly steamed her shirt before the show) and drummer Chris Bellew (who was in Canada for the very first time, which she conceded was more of a fun fact than a compliment).

I loved getting to hear my favourite KT song, “Starting to Scare Me,” live. It’s dark and blunt, but has the most incredible rhythm and flow. “Love Alone” was on her debut EP, A Little More Free, circa 2011. She noted its importance as her first original work and having that ownership over her music. This was a beautiful song, just Katelyn and her acoustic guitar. With this song in particular because of its age, I can see her growth as a musician. I’ve seen an older rendition where she sounded more strained vocally to reach the higher notes, but she sings a softer version now that is gentler and uses her warm spirit.

She sang a powerful cover of Paramore’s “The Only Exception” (a song she loves so much, that she recorded and released her version last year), before moving to her new material. “Ignorance is Bliss” was released the day prior. I’d liken it to a bittersweet pop cut that makes us question our reality, and possibly enter an existential crisis. Katelyn reassured that the new music meant she is heading towards a new album, Quitter (Nettwerk Records), which drew cheers from the crowd.

“One Without the Other” was the missing link for the album to feel complete, while the title track was an upbeat charmer about reflecting on the past, present and future, and living for herself – not for others. I could tell she was excited to share the new music in her first headlining tour. She expressed that gratitude a few times through her set, stating it’s still “weird” to do what she does for a living and put herself out there, but thankful that fans have stuck with her.

Closing with the recently released “Parallel Universe,” she capped the night off perfectly. The use of shakers during the verses added character and I liked the subtlety. There were a couple moments where both the drums and guitar kicked in and I felt like it overpowered Katelyn’s voice (like during “Out of Excuses”), but for the most part, it remained clear and vivid. Her music is both compelling and poetic, and she embodies her stories as a performer.

It was a great night of music at The Wise Hall by two angel artists. I say angels as both were gracious and stayed to meet and interact with fans post-show. It’s by no means mandatory nor expected, but it says a lot about an artist’s integrity and certainly adds to the concert experience to get to speak with the musicians outside of any minor stage interactions. Both were receptive and kind, and I can’t wait until Katelyn and Rosie make their returns to Vancouver.

Written by: Chloe Hoy

[shushmal]

Steve bites back a sigh when he sees a hand waving just out of the corner of his eye, trying to grab his attention from where Steve's gazing pitifully at his drink. The club is loud, music blasting, and maybe it's a little pathetic for Steve to be at his place of work on his day off, but Robin's behind the bar and he gets free drinks. Unfortunately, the kind of guys who frequent his workplace are usually the opposite of Steve's type.

So, he's prepared, for when he looks up, to gently let down whatever club boy who's decided to shoot their shot with him tonight. They all start to look the same to him: bleached hair, glitter, crop tops and low riding pants. Men who are too much like Steve to be what Steve's looking for.

When he looks up, however, his eyes go a little wide and his lips part from around the straw against his tongue.

"Hi!" yells the guy, long hair, long legs, long fingers. He's wearing way too much leather and denim for this place, and he must be boiling under that jacket. "W-would you like to dance?"

Steve takes a longer moment to take him in: his shoulders hunched up around his ears, fingers twisting his hair nervously, eyes big and brown and beautiful.

Straightening from where he's been hiding against the wall, Steve steps up into the guy's space, watches his eyes go bigger and his face go pink. He's perfect.

"I'm Steve," he says, leaning in so he can be heard over the music. "And you don't look like the kind of guy who dances."

"Oh, I'm not," the guy says, eyes flicking around Steve's face, dropping to Steve's chest, to his thighs and back up again. "Um, sorry. I'm Eddie."

Steve grins. "Nice to meet you, Eddie."

Eddie's mouth quirks up, an giddy, boyish smile. "P-pleasure's mine," he says. "And I may be terrible at it, but I'd love to dance with you. If you'd like."

"I would like," Steve tells him. He holds out his hand, feels his heart flutter when Eddie takes it. "I'd like that very much."

[sunlit-leaves]

E3's Dead, Again

After weeks of speculation of E3's cancellation, earlier this evening Reedpop and ESA confirmed that both the digital and physical events for this year's E3 are cancelled.

This comes as no shock after reports months ago that the major gaming studios would have no presence on the show floor this year, and since then smaller publishers followed suit – nailing the coffin for what was once gaming's biggest convention. But E3 didn't "die" overnight, it's the making of a decade's worth of events cascading like dominos towards an inevitable demise.

Technically E3 has "died" many times over in the minds of some. People said E3 "died" in 2013 when Nintendo stopped doing press conferences. A large amount of people say E3 "died" in 2017 when it was opened to the general public, whereas before it had always been a press only event. This decision blurred the line on who the audience was for the event for years to come. E3 "died" again in 2019 when Sony pulled away from the show, and that year also saw a large data breach of press that attended the 2019 event and data of press that attended in years past. The pandemic in 2020 caused the first cancellation of E3, but even before the pandemic the ESA's plans for the E3 event were heavily criticized.

Between the ESA coming under fire in recent years of anti-consumer practices, a shifted landscape where digital showcases are the more practical and cost effective solution to gaming announcements, and the fact that it's very much in favor for the larger gaming companies to not hold showcases so close to each other, whether E3 can rise from the ashes remains to be seen.

But for now, yes, E3 is indeed dead.