#My decision

[seeker-ophelia]

Ophelia’s Review, Part Three: The Lore

Man. Thank you to @senseandaccountability ’s post for sparking this brainwyrm because I was at a loss for words on how to start this post, and I could not put my finger on what was actually bothering me.

Again, let me just say, emotionally, this game wrecked me. I enjoyed it. I (am probably one of the few who) liked the combat. I liked the companions (basic as they are). And I liked the story. I liked the locations. I liked the quests and the loot system and the companion banter. But.

The Lore.

[Part 1:Emotion]   [Part 2:The Dragon Age System]

If you’ve read my Part 2 Review, you know the end of it is actually its own little fic-let on the Veilguard realizing the veil needs to come down.

And I’m just going to straight up copy a paragraph from @SenseAndAccountability ‘s post (I strongly recommend you go read it, its fantastic).

Replaying really emphasizes how incredibly little the game convinces me of its original main quest - to prevent Solas from doing his ritual. This is a problem as a long-term player because for three games we’ve had build up for a great crescendo tackling the overarching themes of the (restrictions and oppression of) magic, of tears in the Veil, of religious tyranny and oppression based on myths about the Black City and the temptations of flawed humans, we’ve seen and deconstructed the elves quite a bit, we got started on the dwarves and in DAI your Inquisitor can openly ask Solas if it wouldn’t be better if the Veil came down because then spirits wouldn’t be separated from the living and risk becoming demons. Cole, whose function is to reflect the plot, talks endlessly about the old songs wanting to be sung again, about how it hurts to be cut off from part of yourself, how the templars feel it, how the mages feel it, how the elves and the dwarves feel it. The Veil as a prerequisite for life has been deconstructed, the Fade demystified, the gods have mostly fallen. The Veil as an actual wound inflicted on this earth has been presented as a theory and not been convincingly rejected by the narrative. 

Let’s recap, just a little bit.

In Origins, we are introduced to the Dragon Age World. Its politics, its magic physics, the races, and its religion. We are introduced to the concept of the Chantry and the Templars and the Circles (*wiggles my eyebrows at you). We learn about demon possession, and about spirits in the fade. And maybe most importantly, we are introduced to the concept of The Blight.

The unstoppable, indiscriminate zombie-plague that sweeps Thedas once a century or so. And maybe more importantly, thanks to the sacrifice of the Grey Wardens, how to stop it.

In 2, the Thedas lore is even subtler. We were introduced to Dalish Gods in Origins, but because of Merrill we get a little more. We start to become curious about the Gods of the race that has been subjugated and enslaved throughout the common Ages. We learn the tense political atmosphere surrounding the Templars and the Mages, and the Chantry’s weakening hold on the politics and structure of Southern Thedas as a whole. We learn about slavery in the north, about the basics of the Qunari, and we have a Terrorist (potentially our lover), hit the religious organization in our city.

In Inquisition, we learn all about the magic. We learn about the fade, about the veil, we learn all about the Elvhen. We pick a side in the Mage/Templar war, we learn about this strange process of Tranquility, the only power templars have to control mages (thanks to Cassandra), and we also learn what that control costs (thanks to Cullen).

And because of Solas, and Cole, we learn about spirits. About how the Veil turns them to demons on their passing into the real world. About how all they want is to stay true to their purpose. They are simple, pure things, and while there are demons, of course, its not all bad in the fade as maybe we might have believed before. After all, Solavellan’s first kiss happens in the fade.

In Descent, we learn about titans, about memories, about songs, about lyrium, about isatunoll.

In Trespasser we learn about why the Titans even matter. Orbs. Power. Greed. The creation of the Veil, and what it really means.

*Insert Kronk Oh-Yeah-Its-All-Coming-Together.gif*

We had 10 years to scheme. 10 years for theories. 10 years to datamine.

So what did we learn in Veilguard?

Well, in the grand scheme of things, nothing.

We have theories confirmed. Which Evanuris hat belongs to who, how the blight was created, how the blight is spread, and how the blight is controlled (kinda-not-really). At least, we learn how the Evanuris are doing it.

What did we learn that was NEW?

We learned about the Morn Watch (but I mean, did we really?) Emmerich has a good relationship with wisps and spirits. We learn about his distinction between a spirit and a soul.

We learned *a little* more about Qunari culture.

We learned it was a blood magic ritual that was holding the veil up, tied to the life force of the Evanuris, now tied to Solas.

We learned about the Evanuris’ Dragon-Thralls and the strong connection between the two, a connection strong enough to get their souls out of Solas’ Fade Jail.

We learned that the Evanuris could not only control The Blight, but had relics to give to others (the Venatori) to control blighted things. We learned their greed for power was so vast, so consuming, they were willing to Blight the world to achieve it.

But we fought an archdemon, in Origins and in Veilguard. We see and know the terror and horror of the Blight.

This makes any action Solas commits understandable, and even necessary. Would we have done anything different? If my leaders were bent on blighting the world, wouldn’t I go to extreme lengths to stop them? Compromising my own morals, dignity, and values to do so?

I think I would.

Having such a terrible evil, having such an indiscriminately bad thing, The Blight, leaves absolutely no room for nuance. No room for complexity. Just good versus bad. Destroy the bad thing at all costs.

So we do. Wham, bam, Evanuris dead.

And the only thing stopping us from tearing down the Veil, is the Blight.

Because Solas tells us that the Blight is in there too.

But, he made a new Prison for the Evanuris, one without a veil, before Rook & Co. interrupted his ritual. Why can’t we move the blight into there and still tear down the Veil?

What is stopping us at this point?

Solas says: Thousands would die

(You’re trapped in your regrets)

This is why you had to use me to escape the prison. It’s made from regrets. And you’re trapped in yours.

You cannot understand -  

Destroying everything won’t erase your mistakes.

You have a chance right now to save the world. Bind yourself to the Veil and stop it from falling.

2. (Do this the right way)

You’re right, you do need to make up for the damage you’ve done, but breaking the world again is the wrong way to do it.

Letting the veil collapse –

Is what YOU want. Making amends isn’t about what YOU want.

You have a chance right now to save the world. Bind yourself to the Veil and stop it from falling.

3. (This won’t help anyone)

Who does this help? A lot of people are going to die… So you can fix something they don’t even see as wrong.

It is not just people, spirits –

Will be destroyed when you do this, too. Won’t they?

You have a chance right now to save the world. Bind yourself to the Veil and stop it from falling.

Listen. I can't believe I'm about to say this, but there's more to Dragon Age than Solavellan.

This, in the end, was an emotional decision. The decision to leave the veil up was tied to emotion, and not logic.

So, what does all this mean?

Well, for players new to the series, nothing. They were always fighting for the Veil to stay up. The opposite of what the antagonist wants, pretty much. Easy enough to follow along.

But for returning players? Lavellans who stood in Fade-Haven? Players who walked Vir Dirthara? Mages who made the Descent, and saw how horrible it was for the dwarves to be sundered from their dreams, and made the horrifying connection that the Veil did the same to them?

Trespasser Solas: You must understand, I awoke in a world where the Veil had blocked most people’s conscious connection to the Fade. It was like walking through a world of Tranquil. (We aren’t even people to you?) Not at first. You showed me that I was wrong… again. That does not make what must come next any easier.

When I learned about the rite of Tranquility in Origins, I was disgusted. The first thing that popped into my head was lobotomization. They are one and the same to me. Turning a person into a husk of what they were. Separating them from their emotions. From hard emotions, yes, from things that are not easy, even painful, but at the cost of themselves.

We walk with Harding through her decision to, although the Titans are angry, and what was taken from her people was great, not reunite Titan and Dwarf because…

Lace: The story of their end is the story of our beginning.

Mythal releases Solas from his journey to reunite Elvhen with the Fade.

Harding releases angry Titans from their quest to reunite with the Dwarvhen.

And so the Veil stays up. The Titans stay sundered.

But… at what cost?

Lest we forget, it was the sundering of the Titans from the Dwarves that CREATED THE BLIGHT. The Titans created the blight as a weapon to infect the Elvhen as punishment for their death, their tranquility.

This Tranquility Ritual, be it in the form of keeping Mages from the fade, be it of Titans or of Elvhen, is WRONG.

I’m a Blue-Collar Journeyman, and we have a turn of phrase we use with old fellers who don’t want to change the way they do things.

Just because you’ve been doing something for a long time, doesn’t mean you’ve been doing it right.

You can do something for years, and still be doing it wrong.

And both Lace and Rook decide that this is the way things have been done, for AGES. We’re not going to change now.

And I’m just… Solas. As John Travolta playing Vincent Vega in Pulp Fiction, confusingly standing there, looking around with my arms out.

Did we learn nothing from the Lessons of Origins? Nothing from the Lessons of Inquisition?

Maintain the Status Quo? That’s the answer?

At what cost?

One of my favourite lines in in my Part 2 Post is this;

Veilguard, is shallow. The essence is there, beneath it's Veil, pressing and bursting at the seams to escape, but is being held back by a gentrification of Thedas.

This decision, the decision to keep the veil up, is shallow. Its basic. Its Easy. It is pre-masticated, lunchable drivel. It was spoon fed to us in easy dialogue and groupthink.

What about every other thing we learned in the other games of Dragon Age?

If Weekes et al. want me to forget about how horrible the Rite of Tranquility is, they’re going to have to come out with a hell of a companion novel between now and DA5, because this makes no sense to me.

I ask you. If sundering Titans created The Blight, what did sundering the Fade create?

Or should I say,

If separating Dwarvhen from their Memories created the Blight (out of Titan anger),

What did separating Elvhen from the Fade create?????

Lets talk about Ser Dave.

If you read my part 2, you’ll know that Ser Dave is my name for the ‘?????’

Not only is it so insulting to my intelligence to call something ‘?????,’ because of course then I’m going to pay more attention to it, but its so lazy. Let it introduce itself to Rook and say “call me the wicked witch of the west,’ ‘a concerned party,’ ‘I am the Batman,’ ‘I am No One,’ ‘I am Daivd Gaider,’ ffs.

An I excited at a new villain? Yes. Am I happy to learn there was a shadow organization pulling the strings behind all of my villains throughout The Dragon Age? Abso-fucking-lutely not. Am I happy Southern Thedas, Treviso, and Minrathous are essentially razed after the rise of the Evanuris? No.

Nothing we did in any of our previous games mattered. Nothing I did mattered. Ser Dave was there the whole time, controlling, balancing, guiding, whispering.

I was doomed to fail from the start.

The moral of the story in Veilguard is to not assume the burden of others actions:

And yet its Ser Dave and the Nazgul Band that assumes responsibility for my villains?

What in the Actual Fuck?

So what is going to happen in 5? I don't know. Will I find true agency? How do we have a villain worse than a God? How do we live in a Tranquil’d world, knowing the alternative? How do you bring back the dark, heavy, realness of Thedas, after the gentrification of Veilguard? After blanding Thedas, making it easier for more palates, needing to feed the EA Machine.

For the record, I have yet to complete my second playthrough. I have yet to find all the codices. I have yet to get all the companion banter. I have yet to play as every race. I have yet to make every decision. And if Inquisition taught me anything, its how one little piece of information can change everything. So, for the record, this whole post could be wrong.

In fact, I hope, and pray, that I am missing a big piece of something in Veilguard. That I just haven’t found it yet. That one little thing that’s going to shift my worldview. And I’m going to play until I find it.

Because these messages Veilguard is sending? They’re too contradictory. Too opposite to be coincidence. Too Different to simply be Bad Writing™. I said that Veilguard is a Tranquilized Version of what DA4 could have been. Inquisition, 2, and Origins, were too deep, for Veilguard to be this shallow.

And… Maybe its copium, but I’m kind of hoping that it was on purpose.

[steamworkscogstone]

Hmm, maybe they have a point?

Nnnnnnaaaaaaaaahhhhhhh

[queenoftsage]

*side eyes that Cara app* ......

Cute, but so far it's the same shit all over again with the elitism and the smaller beginner artists getting 0 to 1 engagement ....

I'll just stay a complete unknown.

Will work in my home town and make art for myself and my loved ones.

The world doesn't deserve anything from me. [for now.]

[lildevyl]

Hey, Guys, Gals, Demons, Ghouls and Multi-Fandom Fiends!

This isn't a theory as a matter-of-fact it's going to be long but I need to get this out there. So, I have been on this decision for the past week. And here it is. So, we all know what's been going on with the whole William "Wilbur Soot" Gold situation that's been all over YouTube, Twitter, and just about any other Social Media Platform out there. I'm 100% behind Shelby/Shubble. I think she was very brave in coming out against what she experienced so, please go show her some support.

With that said, I know many people on here have either made the decision to either,

A) Orphaned or Delete their FanFics that have c!Wilbur Soot in them. If have decided to do that, your decision is valid and I fully respect your decision.

B) Have decided to stop writing anything with c!Wilbur Soot in them. If you have decided to do that, your decision is valid and I fully respect your decision.

C) Have decided to continue to write c!Wilbur Soot because it was never about the Content Creators, but the Characters that we, the fans, have created ourselves. If you have decided to do that, your decision is valid and I fully respect your decision.

So, with that said, I'm sure many people have been wondering about what I'm going to do. Here's my decision on this.

What I'm going to do:

I'm going to continue to write. Tommy Innit's Secret Clinic is still going to be written. As selfish as this is going to sound, it was never about the Content Creator William "Wilbur Soot" Gold who owns the YouTube/Twitch Channel. But it was always, always, always, about the character he played. I love c!Wilbur Soot from the Earth SMP, Dream SMP, and Origins SMP. I even love the character he plays in Sorry Boys. And that's the Character I will be writing!

I know when I first joined the DSMP, it was already starting to go downhill. By that time, Covid was over, and the "Over Night Success" of the DSMP was over for a lot of fans. To the point, if you were still a fan of the DSMP during the Prison Arc and beyond then you were in the "So 5 Minutes Ago"/Cringe Territory. I also know that serval people have stopped writing, and got out of the DSMP/MCYT Community when Technoblade passed away. I can't blame them since many fans started watching the DSMP b/c of Techno and why bother watching something if the reason you even started is no longer there. I fully respect everyone's decision on that. And I know now that so many people will be leaving b/c of this being the "Last Nail in the Coffin" for a lot of people. Again I fully respect your decision if you decide to never write c!Wilbur Soot or just straight leave the Fandom entirely.

But I'm not. I'm not leaving. c!Wilbur Soot belongs to us fans and yes, this is 100% selfish of me, but I'll be damned if I let someone take away something that I find so much joy in doing! I've been writing FanFicion for the last 30 years and have been posting for the last 20 years.

I've been in many different fandoms and yes, many of them have had pretty toxic gatekeeping fans. But for once with the DSMP, I actually felt well safe for my writing. I didn't have to worry about if I was writing the Character right or not.

So, with that said, Tommy Innit's Secret Clinic is still underway! I have a few more chapters already written but it's going to be a major story and for once, I'm fucking motivated to finish this! For once, I'm not four to five chapters in and can't seem to figure out what to write b/c I'm so stuck on what others kept telling me how to write certain characters. But with this, no one's doing that. I want to write to these Characters how I want to write them!

I am NOT supporting the Content Creator! This has always been about the Characters. As far as I'm concerned, William "Wilbur Soot" Gold can go step on a pile of Legos for all I care!

However, with Tommy Innit's Secret Clinic, it's going to be until Summer that I will be able to fully start to update again. Right now, I think I'm just going to concentrate on School since my class started a month ago. And I might be focusing on other Writing/Art Projects until then.

So, when Summer hits, expect to see updates for Tommy Innit's Secret Clinic! Until then, Guys, Gals, Demons, Ghouls and Multi-Fandom Fiends! I'll see you later! HAPPY CREATING!

[so-low-solo]

Not sure if I'm smart, cancelled a rave with one of my old colleagues to go to another rave alone that has better music... Maybe it's not smart at all, I could have made friends with her.... I'm not sure if this is smart.

[gorillaxyz]

i think lionel is............ in her mid 30s

[christinered]

I have decided to let my shy female carrot live.

The others that arrived in the bag with her have suffered under my blade...

~Red

[scionsthings]

Rewatching Arcane

[kocho15]

Safety.

[hansoeii]

The Doctor!

[luminixx]

the kiss of judas

[madsraa]

I’ve been meaning to paint a gray, cloudy botw/totk piece for so long!

[may12324]

She remade her, she held her bones in her hands and put each piece back together. Only to have to carry on without her.

Everything she did, she did for Falin

~

Inspired by The Locked Tomb and Howls Moving Castle, and also how hot these two look in these outfits/forms. This will be a future print for cons this year.

[lordandladywhistledown]

You can tell by the reaction people have to Penelope asking Colin to kiss her whether they ever experienced being a wallflower/insecure fat girl at a party or not.

Because you say it's pathetic, I say it's relatable, no matter how desperate it may sound. If you've never had your insecurity eat you up from the inside (but also the outside, as Portia literally told Penelope that she was delusional for thinking she was gonna find a husband in her third season out) to the point you genuinely, wholeheartedly believe no one will ever love you unless you physically change, then obviously the scene is off to you.

But Pen literally told Colin she felt stupid for thinking she's gonna find a husband (she just started believing what the ton and her mother said) and that she knows no one would want to kiss her. And for a romance girl like her, do you think the thought of never having a kiss, never experiencing that passion, would be easy to bear? I can so relate to being the most romantic of the bunch but also being the loneliest and aching for physical and emotional romantic love.

She is so vulnerable and so real in that moment but y'all gotta bitch about it because it doesn't make sense to you. It doesn't make sense to me either because she's gorgeous, but that's the thing - no one ever told her she's gorgeous and actually meant it. And even if they did, there must be 10 more people who didn't that keep that insecurity in her, specifically her sisters and her mother.

Nicola said this one was for the wallflowers, and it truly is, so if you find scenes like this cringe, you just don't relate to the character enough to feel it and recall moments when you had the same thoughts as her.

[monotcchi]

dragon roast dreamin' 🍖💨✨