#Music Studio Workstation
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Why Consider Customizable Recording Studio Furniture for Your Unique Needs?
Setting up a recording studio can be an exciting journey, whether you're a professional musician or an enthusiast. One of the most important aspects of creating a space where you can unleash your musical genius is choosing the right furniture. Not just any furniture will do—the pieces you select need to fit your specific requirements and enhance your productivity. From recording studio desks to recording studio workstation, choosing pieces that can be customized can transform your studio into a hub of creativity and efficiency. Additionally, the right furniture helps maintain a tidy and inviting workspace. This article will guide you on why customizable recording studio furniture is crucial for meeting your unique needs.
Importance of Customization in Studio Furniture
When it comes to setting up your studio, the layout and furniture play a pivotal role in how effectively you can work. A quality studio desk that caters to your specific needs can improve your workflow dramatically. Unlike standard desks, customizable options allow you to adjust the height, size, and storage spaces according to your equipment and personal comfort. This means you can create an environment that complements your work style rather than conforming to the limitations of pre-built furniture. Custom features can also ensure that all your essential tools are within easy reach, enhancing your efficiency.
Enhancing Comfort and Productivity
The comfort level in your studio directly influences your productivity and creative output. An ergonomic recording studio desk designed to meet your body type and work preferences can help prevent strain and fatigue during long sessions. Furthermore, having a recording studio workstation that's tailored to house all your gear within arm's reach can streamline your recording process, making it faster and more efficient. Optimal comfort in your workspace can significantly enhance the quality and duration of your creative sessions.
Tailored Solutions for Space Management
Space can often be a constraint, especially in home studios or smaller rooms. Customizable recording studio furniture allows you to maximize the available space without compromising on functionality. You can design pieces that fit perfectly into your designated area, utilizing corners and heights that might otherwise go unused. This strategic use of space not only makes your studio look organized but also keeps it functional and free from clutter.
Aesthetic Value
Beyond functionality, the aesthetic appeal of your studio is crucial for inspiring creativity. Custom furniture offers the flexibility to choose finishes, colors, and styles that align with your personal taste and the overall vibe of your music. This harmony in design can enhance your mood and stimulate creative juices, making your recording sessions more fruitful and enjoyable. A visually appealing workspace not only motivates you but can also impress clients and visitors.
Culmination
Setting up your recording studio with furniture that can be tailored to your specific needs is not just a matter of convenience but a critical component of your artistic success. Customizable options provide the perfect blend of functionality, comfort, and style, adapting seamlessly to your evolving needs. For those looking to elevate their studio setup with a touch of sophistication and efficiency, considering a quality studio desk from a provider like Bazel Studio Desk can be a game-changer. Their solutions promise not just to meet but to exceed the unique demands of creative professionals, setting a standard in studio design that fosters innovation and excellence.
#Editing Studio Desk#Quality Studio Desk#Recording Studio Furniture#Recording Studio Workstation#Studio Furniture#Music Studio Workstation#Ergonomic Studio Desk
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hello!
this is my sample pack. it includes all the one-shots, loops, and mixer presets i have used for all of my releases from 2019-2024. this includes:
Relation Emulation (2019)
█▓▒░❛❛Sui Generis?❜❜░▒▓█ (2019)
Hindmost Residuum Of The Monochromatic Inamorata (2020)
MAGICORE w/ STATICCA (2020)
•⧉•Artifactual•Construction•⧈• (2020)
Object Limner( ✎)(2022)
Locus Faciendi Manus( ¿)(2024)
it is sourced, specialized, and customized from various sample packs (Satan's Drum Stuff, SOPHIE, Com Truise, COSMIC, PRXZ, gin$eng, John Mello, Jungle 1989-1999, etc. & more) and includes some of my own custom samples, all organized with a focus on decisive sound design for music production.
below you can find a list of all of the virtual instruments and presets i have used on tracks:
DAW - FL Studio
Instruments > Bass > Ibanez
Instruments > Guitar > Strat Pos A, Strat Pos B, Strat Mute
FM8 - VST
Telepath
Crystal
Bigdiz Bass
Massive - VST
Blue In Grey
Big Lead
kutsustrings
Pluck - Square
Dank Lead 2
A Love Lead
Kodosyn
Amazing Lead
ATM NASTY WEATHER
Sytrus - VST
Orbital
Cerbera Saw
Deformed
Deep
Fry
Detuned Saw
Choir
Choir 2
Choir 3
Arrakeen tabla
Harmor - VST
Rhodes by nucleon
Aural Psynapse
Moonlight EP (intransigence)
Rotochip
Pad Atmosferico
Toxic BioHazard - VST
LED KutThroat ToTc
Musical ToTc
Dune - VST
FM Beauty BT
Frozen Bottle ARK
Amiga Organ KS
Brute Sine RL
Intelligence KS
Rimshots KS
Magenta KS
CS-80 V4 - VST
Big Move
CS-80 V3 - VST
Ach Steel*
Morphine - VST
LED LoFi Techno Chord MC
Vox TakeMe2TheTop MC
FabFilter Twin 2 - VST
Fudge Chunk -O
Omnisphere - VST
Epic Proportions
In Memorium 2
Boys Choir Oos
Spire - VST
GT Old Trance V
BA Beatitude
PD Beatitude
LD Dimension 8000 SK
LD Sawer IPM
BA Rave SK
LEAD - Infinite
SQ JP Order
BA Up And Down AS
LD Juicy V
LD Crispy V
LD NEON
LD Eclipse
BA ONE V
LD Unlinked
LD Virus V
BA 304 Square FL
BA Grungier Dub
PD Formanta DP
PL The Trance Pluck A
PL Stopper DRK
BA Benassi
LD Matrix 12
LD Eighty's MLM
BA Oxygene
DR Animal Kick 5
LD Exhale AS
LD Zero76 AL&RS
LD Angry Reso
LD Eurotrancer
PD Unicorn DP
LD Digital Egyptian BJP
LD Your Typical Superlead
LD Chromium V
LD Combo A DP
LD Fusion AS
LD Bright Future DRK
DR Tape Kick
DR Animal Kick 6
LD Underground
LD MODSynth HFM
PD East Coast DP
LD InstaWhore SK
LD Virus V
LD Glider DP
LD Heavy Duty DP
LD X-Lead
BA Synth Bass VS
BSQ Outbreak V
BA Analog Square
PL Nord Pole 3 DP
BA Snappy AS
LD Sprut
PL Anjuna Pluck
PL PlayHouse
PD Hid Lights
LD Aquamarine
LD Disarm MLM
ZETA+ 2 - VST
"DruggedEraBass"
Huge Chord Seq
Sad Arp
Equinox BT
Stella C2 2011
The Good Times 1
Phadt Raver
Funky Hi Fat Lo
Dancing Oscillators
Dynascraper
Textures - Trance anthem
Build That Track
Digital sound factory - Modern Digi Synth
24-osc xy hoover
Vjooprrrr Lead
crispy arp c1 (mw)
crispy arp c1 02 (mw)
Basic Trancer 1
FM Hall Practice
The Phatness FG
Noisy Beauty (Mw) BT
BitTek DMS
Creamy Poly XS
Super Eight Bars FI
Classic Content - Leads Hard - undecided
Old Lab FS
Brutal Legato FS
FM Lead Shapes FI
Commercial Trance
Ravers Arp 3
zt3r30 zinc
BroadBand Connection
Crisp Keyed FG
Chiptune Plucks XS
Reso Fat Lead
90s Revisited FS
technic
Broken Piano Amp BC
Phatman XS
Teccnoe Boeing
Ravers Slice 4
Ez Raver BC
Commodore64 Hits XS
Leading Tarnce FI
Toy Piano DMS
Electron Drum Circle 3 FI
Spezial Bell Swirl Laye
Hardcore Kick 1 XS
The Prophet FG
Zeta+ Crunk 2 FI
Milk Steak WRJ
Phased Noise Tines FI
Sp3ctrum S4w mw FI
Lofi Dream (Mw+Pb) BT
Electro FM FI (Synthwave-y + knitecap)
Alone in the Arena II
Sizzle Keys (Mw) BT
Thick Gate FI (umieram)
Angelic Vocoder (juncture)
FM Gliss FI
Digi Slapper (Mw+Vel) BT
Multipoint Brass FI
Metallic Vapors XS
Aqua Flange Pad BC
Hard Fanfare FS
FMed Duplets 1 FI
Big Bass Lead FS
Classic Rock Lead XS
Brass lead
Resonator Pluck
Blue Stars XS
Dream Arp 2
Psytrance Kick XS
Colors Crossfade FS
Sweet Dee WRJ
Serum - VST
Such Relaxation
Celestial Light
BASS - R4V3R
BASS - Make Some Jungle
MoBambaBell
PL Hot Chocolate
SuperAlba
Bass - Cold Night
Key JP09
PAD - Pancakes
LD Hypersaw
BASS - Deep and Clear
BASS - Hard Bass Pluck
SQ Automator 4 [GS]
FG Pop-Star
SY Euphonic
PL Little Harp - Mw-loop
BASS - Essential Subs
SY ModSync 1 [GS]
SY Morricone
PL Big Bells [AS]
PL Downpitcher [FN]
PL Crusty Pluck [LCV]
POLY FM242 Brass
LD Festival Beez [FP]
BA Modern Fapping [GI]
BA RBLz [7S] (ataraxia intro)
KY Static Crystal
SQ PianoStepper
SY Sqrs [GS]
KY Let's Get Nutz [FP]
SQ8L - VST
Voyager
Drumaxx - VST
Diseased FG
Sawer - VST
FG Burnt
FG Pro-52
FG Hum & Bass
FG Squarer
PD Memories
LD Pulse Lead
FG Fat Plastic
MC Chunkee
MC Waterphone
PD Sonic Juice
FG TypiTarnce
FG Fury of V
LD Chiptune 2
PD Sapphire
SY Metal Scrape
SY Sunkissed
SY Poly '86 (Shlohmo-like)
KB Accordion
FG Four Bits
LD Dance Lead 1
LD Sad Lead (ataraxia main)
BA Analog Bass
KB 80's Keys
LD Space Voice
FG Harpsichordal Injury
LD Stiff Pulse
SY Beijing
FG Soviet Stylee
Nexus - VST
Dirty Might 2
Amigo
Angel One
Bellevue
Broken Square
Butterfield
Good Chi
Tremolize
We Atlas
DnB Sine
Chinese Dominator
Phantompad
Dance Guitar
Crystalbells
Broad Pulse
Attack Lead 3
Attack Lead 2
Benny Dance Split
Pulse Noise Lead
Vocoder Talk
Vocoder Larry
Chainsmoker 4
Guitar Strummed 1
Dance Pattern 2
Detuned Bass 2
VZ Bells 2
Dutch Style 2
Culture
Piranha
Detuned Lead 6
Detuned Lead 3
Detuned Lead 10
Wild West Saloon
Big Bells
Hollywood Violins
Andro default Saw
AR Etheral
King of Buzz 1
King of Buzz 5
Distorted Piano Strings
Delayed Piano
Slapped Bass
Detuned Lead 11
Dance Saw 1 (Fuck Somebody Nice)
Arena Ambience
Dance Saw 2 (His)
PN Trancepiano
LD Detuned Lead 8
LD Trance Saws Wide
TG Vocal Slicer
Cheap Dance Organ
ST Dark Cellos
Xpand!2 - VST
29 Glassy Glockenspiel
Sylenth1 - VST
433 KEY Harpsichord
118 LD Tunnelvision
007 ARP ClassicVA
OB-XA V - VST
Cross-mod Suitcase
SEM V2 - VST
Age of Solo
Jup-8 V3 - VST
Muppet Mayhem
Nitzer Bass
India
GMS - VST
Boomerang Bass
TAL U-No-LX-V2 - VST
76 Space Sound 3 (Lifter)
Sakura - VST
BW Catgut Chorus
KBD Grand Harpsikord FG
SYNTH String Like DS
Poizone - VST
ARP Classic VA
KBD AmbientKeys ToTc
KBD JazzAmpedGuitar ToTc
SYN Funky HP
BAS Stereo Bass
BAS Simple But Peppy
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check out the music that was made with this sample pack at all these places:
thanks!
#electronic music#witch house#abstract#spatial manufacture ltd.#trashwave#void#zero width space#united states#soundcloud#$waggot#experimental#ambient#instrumental#electronic#downtempo#sample pack#virtual instruments#digital audio#digital audio workstation#fruity loops#fl studio#synth#satan#sophie#com truise#cosmic#prxz#gin$eng#John Mello#Jungle 1989-1999
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Lexicon PCM Total Bundle LIBRARIES
Lexicon PCM Total Bundle Mac &windows
Dive into the realm of audio excellence with the Lexicon PCM Native Total Plug-in Bundle. This comprehensive package unveils the same groundbreaking algorithms that have adorned chart-topping records over the past four decades. With a total of fourteen legendary reverbs and effects (seven of each), this bundle enriches your digital audio workstation (DAW) with indispensable ingredients for creating hits. The creative possibilities are boundless as you harness this powerful arsenal, leveraging its graphical real-time display to fuel your inspiration and enhance your workflow. Elevate your productions with access to the renowned reverbs and effects used by world-class studios and post-production houses, all within the Lexicon PCM Native Total Plug-in Bundle.
Step into a world of mythical reverbs in your studio with the Lexicon PCM Native Reverb Plug-in Bundle. Take command of seven world-class Lexicon reverbs, backed by Lexicon's more than 35 years of industry leadership in digital reverb and effects. Immerse yourself in the finest sounds through hundreds of remarkable presets. Compatible as a VST, AU, or RTAS plug-in, the PCM Native Reverb Plug-in Bundle features a visual EQ section, savable presets, and full automation support. Brace yourself for exceptional reverb quality as you integrate the Lexicon PCM Native Reverb Plug-in Bundle into your creative toolkit.
Unleash jaw-dropping effects with Lexicon’s PCM Native Effects Plug-in Bundle. This collection offers seven top-tier professional algorithms, carefully selected from Lexicon's storied history of industry-leading effects. From pitch shifting and chorus to random delays and multi-voice effects, PCM Native Effects equips you with the tools to craft truly inspiring mixes within your DAW. Experience the pinnacle of sonic quality and cutting-edge functionality. Sweetwater's dream comes true as classic Lexicon sounds are at your fingertips in plug-in format.
Experience the grand lineage of Lexicon quality with the PCM Native Effects Plug-in Bundle. Since the 1970s, Lexicon has been synonymous with world-class digital reverb and effects. The top music and post-production studios globally rely on Lexicon for the professional polish that defines their products. Whether you're tuning in to the radio or watching a Hollywood film, the unmistakable imprint of Lexicon reverb and effects is everywhere. Infuse your studio's virtual rack with the genuine Lexicon vibe, courtesy of the PCM Native Effects Plug-in Bundle."
#music production#VST plugins#audio software#virtual instruments#music technology#digital audio workstation#sound design#music creation#plugin collection#audio effects#instrument libraries#music software#music plugins#production tools#audio engineering#software instruments#music studio#sound production#creative tools#audio processing#music mixing#virtual studio technology#sound manipulation#music composition#professional audio#audio plugins#music resources#production essentials#plugin bundles#music gear
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Mastering Sonic Excellence: Explore Lexicon PCM Total Bundle for Unparalleled Audio Processing
Lexicon PCM Total Bundle: A Comprehensive Suite of Professional Audio Processing Tools
Explore the pinnacle of audio processing with the Lexicon PCM Total Bundle, a meticulously crafted collection of premium plugins designed to elevate your sound to new heights. Immerse yourself in a world of unparalleled reverbs, delays, and effects that have defined the industry standard for decades. From the lush and expansive reverberations to the precise and intricate delays, each plugin within the PCM Total Bundle is a testament to Lexicon's legacy of excellence in audio engineering. Unleash the power of iconic Lexicon algorithms on your recordings, bringing forth a sonic richness and depth that will transform your music production experience. Whether you're a seasoned professional or an aspiring artist, the Lexicon PCM Total Bundle is your gateway to a world of sonic possibilities, ensuring your music stands out with clarity, dimension, and brilliance. Elevate your audio production game with the unmatched quality and sophistication of Lexicon's PCM Total Bundle.
#music#music production#Lexicon PCM Total Bundle#Audio Processing#Reverb#Effects#Studio Plugins#Lexicon Sound#Pro Audio#Signal Processing#Mixing and Mastering#Digital Audio Workstation (DAW)#Audio Engineering#Studio Tools#Sound Design#Professional Sound#Music Production#Recording#Audio Effects#Studio Essentials#Production Plugins#Lexicon PCM#Digital Signal Processing#Creative Sound#Audio Editing#Production Software#Professional Audio#Audio Technology#Electronic Music#Sonic Exploration
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Discovering the Power of Reaper: My Go-To DAW for Music Production
In the expansive world of digital audio workstations (DAWs), Reaper stands out not just for its robust features and affordability but as my DAW of choice for all my music production needs. From the intricate beats crafted for the Garlic Farm project to the diverse soundscapes explored in my other works, Reaper has been an indispensable tool in my creative arsenal. Here’s why Reaper has earned its…
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#Advanced Music Production#Audio Editing#Audio Mixing#Audio Production Tips#Audio Routing#Beat Making#Beatstars#Customizable DAW#Digital Audio Workstation#Efficient Music Software#Free Beats Download#Garlic Farm Project#Home Studio Setup#MIDI Sequencing#Multi-Platform DAW#Music Automation#Music Composition#Music Creation Tools#Music Production#Music Production Guide#Music Software Review#Professional Audio#Reaper DAW#Reaper for Beginners#Recording Software#Sound Design#VST Plugins
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Native Instruments – Massive X + Expansion Bundle 2023 Download
The Native Instruments Massive X + Expansion Bundle 2023 is a cutting-edge software synthesizer package that offers musicians, producers, and sound designers a world of sonic possibilities. This downloadable bundle combines Native Instruments' flagship synthesizer, Massive X, with a collection of meticulously crafted expansion packs, providing an extensive palette of sounds to elevate your music production.
Massive X is renowned for its unparalleled sound design capabilities, offering an intuitive interface and a versatile array of wavetable oscillators, filters, and modulation options. It empowers users to create everything from rich, evolving textures to earth-shaking basses and intricate leads.
The Expansion Bundle 2023 adds a wealth of new sonic dimensions, featuring genre-specific sound packs, artist-inspired presets, and a diverse range of soundscapes, giving you endless creative inspiration across various musical genres.
Whether you're producing electronic dance music, cinematic scores, or experimental soundscapes, the Native Instruments Massive X + Expansion Bundle 2023 is your passport to sonic exploration and musical innovation, all within a convenient digital download. Elevate your music to new heights with this comprehensive and cutting-edge software package.
#Native Instruments#Massive X#Expansion Bundle#2023#Synthesizer#Sound Design#Music Production#VST Plugin#Digital Audio Workstation#Electronic Music#Presets#Serum Killer#Bass Synth#Creative Tools#Production Software#Music Software#Music Tech#Studio Gear#Audio Effects#MIDI#Audio Production#Plugin Bundle#Sound Library#Virtual Instrument#Native Instruments Expansion#Synth Presets#Music Producers#Electronic Sound#Cutting-edge Synth#Professional Sound Design.
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7 Essential Music Production Tools Under $100 (2023)
7 Essential Music Production Tools 1. Audio-Technica ATH-M20x Professional Studio Monitor Headphones2. Akai Professional MPK Mini MKII3. Behringer U-Phoria UM2 Audio Interface4. PreSonus Eris E3.5-3.5″ Nearfield Studio Monitor (Pair)5. MXL 770 Cardioid Condenser Microphone6. Focusrite Scarlett Solo (3rd Gen) USB Audio Interface7. Tascam DR-05X Portable Audio RecorderConclusionAdditional…
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#Affordable Equipment#Akai Professional#Audio Editing#Audio Gear#Audio interface#audio mixing#audio production#Audio-Technica#Behringer#Budget Music Gear#Condenser Microphone#digital audio workstation#Focusrite#Home Recording#Home Studio#midi controller#Music Creation#music equipment#music industry#Music Mixing#music producer#music production#Music Production Techniques#Music Production Tips#Music Production Tools#music recording#music software#music technology#MXL#Portable Audio Recorder
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cables and crackle ꩜ jihoon x reader.
♬⋆.˚ It's goosebumps when you hear the drums / The running start before the big jump / It's that feeling, so stellar / Bro, if you like her just go and fucking tell her!
🎸╰› includes: f!producer!reader, feelings realization and denial, jihoon has a crush <3, pining/yearning, fluff, [light] angst, first date, confessions, references to producing (that may or may not be accurate).
💽╰› this is part of my ongoing series, buzz (seventeen's version) + this piece is inspired by track 01, buzz. word count: 13,800+
When you first started working with SEVENTEEN three years ago, Jihoon wasn't all that excited to have you around.
Perhaps it was his pride. BUMZU and PRISMFILTER had been the company's go-to's until they decided they wanted to bring in someone fresh, new, up-and-coming. You had been the result: Someone two years younger than Jihoon. Scrappy and hungry. Experimental, ambitious.
His hesitance at your music production has morphed from begrudging respect, to genuine appreciation, to something akin to admiration. Jihoon would never say it out loud, but you've grown to be one of his favorite producers to work with. (He doesn't have to say it, really. Everyone is already privy to Jihoon's biases.)
Now, three years in, Jihoon finds himself trying to reckon with a foreign feeling—
The flutter of his chest as you walk in to the studio. The stutter in his pulse as your fingers lightly brush over the digital audio workstation. The hitch of his breath as your head, ever so lightly, falls on to his shoulder the longer the evening drags on.
Jihoon is a 27-year-old man. As he tries to stay absolutely still, there's only one thing on his mind: Wasn't he too old to have crushes?
You could usually keep up with Jihoon when it came to these long-night sessions. One had to, considering how he was practically nocturnal at this point. But it had been a long day of minor misfortunes, the type that wear you down bit by bit.
You don't even seem to notice that your head is lolling to one side. When your cheek lands on something solid, you might think it's the back of the chair next to you— except it's Jihoon's shoulder, and he absolutely freezes underneath you.
He would be the first to admit that this isn't the first time you've ever been this close. There's been many times your bodies have gravitated to the same spot on the couch, or times when your heads are practically glued to one another while your hands are both at the keyboard, or during the times your feet accidentally meet with each other under the desk.
It's just never been this close, where Jihoon can feel the brush of each of your lashes against his neck every time your eyes fall shut.
He think he might pass out if he dwells too much on it.
He watches from his peripheral vision as your eyes flutter shut, and he thinks, for a moment, that you're out of commission. But then, you mumble, "The reverb on the snare, just now."
If you hadn't been right next to Jihoon's ear, your words might have been drowned out by the speakers. But, as it is, he hears you loud and clear. "Too heavy," you go on to say, without even opening your eyes. "We need to dial it back for a cleaner sound."
There it is, he thinks with both awe and bitterness. Even half-lucid, even half-asleep, you're still as brilliant as you've ever been.
"Mhm," he hums lowly. "I'll adjust it."
He does as you've asked. When he runs the track back, you let out a soft sound of contentment and shift slightly in your seat, blissfully unaware of how you're leaning more weight in to Jihoon's side. It's absolute torture, he thinks.
"Better," you mutter. A beat. Your drowsy inquiry comes in next. "How do you feel about the tempo in the bridge?"
He forces himself to pay attention. He runs the song back once more, this time paying particular attention to the bridge. It doesn't take him long to identify the issue— one of the main ones, anyway.
"A little too dragging," he replies. "It slows the track down a bit too much. I think it disrupts the flow. Makes the chorus—" He suddenly stops mid-sentence.
Because, for some reason, he's become acutely aware of the way your head fits perfectly into the crook of his shoulder.
He's now fully conscious of how close you are. Of the way your breath fans against his neck. Of the way your knee seems to bump against his whenever you unconsciously readjust your position.
Jihoon feels his pulse pound at his chest as he tries to keep his tone steady.
"It disrupts the flow," he repeats, his voice slightly gruff. "Makes the chorus less of a… high, for lack of word."
When your initial response is a thoughtful hum, he bites back the urge to smirk. It should come to no surprise that you're about to disagree with him. More often than not, you butted heads over minor things like this.
"Thought it was too fast," you grumble, somehow sounding a little sulky because of your drowsy state. You're usually a lot more adamant and fiery when it comes to asserting your opinions. But in the late— or early, since it's already past midnight— hour, you've tamped down my temper.
It does absolutely nothing for Jihoon's poor heart.
Your cheek nuzzles against Jihoon's sweater as you shake your head in a very that won't do manner. "The lyrics might suffer. Try slowing it down by 8 BPM so we have more space for vocal delivery."
8 BPM? Jihoon nearly chokes on an incredulous laugh. The number is so arbitrary, so out of pocket. "The tempo's already sitting at 139 right now," he bites out. "It's not like slowing it down by another 8 BPM is going to—"
Jihoon makes the mistake of glancing down at you, and damn it. You're not just leaning against his shoulder at this point.
You've practically cuddled into him.
Jihoon's breath catches in his throat as you shift once more, leaning your chin against his shoulder.
He finds himself wanting to wrap an arm around you and pull you closer. Press you into his chest until your cheek is up against his. Until your head is tucked right under his chin.
But then you're grumbling out your next words. "139?" you repeat. "Notch it down by 9, then."
The slur in your tone is just enough to remind him that you're not entirely coherent. He swallows hard, his fingers a little too gentle as he inputs the changes. 9 BPM it is.
It's a bad call, one that's made abundantly clear when Jihoon plays the track back. He doesn't even have to tell you; you're already groaning, pressing your face in to his shoulder. Your words are muffled against the soft material of his sweater.
"You were right. Should have amped it up instead of slowing it down," you mutter, though there's a distracted edge to your tone. He gives it a cursory couple of seconds, letting you gather your thoughts.
"There's an issue with the kick and the bass, isn't there?" you note.
He listens closely— and, as always, you're right. There's a dissonance between the kick and the bass.
Jihoon frowns, a little more focused now. "Yeah, I hear it too," he manages to say succinctly.
His brain is still trying to conjure up a solution when you let out a slight huff and finally peel away from Jihoon's side. He doesn't know if he's grateful or disappointed because of it.
You're bleary-eyed and your fingers fumble but your work is efficient as you click away at his mouse, at his digital audio workstation. He watches with a straight face as you add sidechain compression to the bass, as you drag the bridge's BPM up.
It's not just the music that's synced, but the way the two of you work as well. A little push, a little pull, and you manage to find balance. You know exactly what to do, even when you're tired.
Jihoon listens closely as soon as the bridge plays back and he's pleasantly surprised.
"That fixed it," he says, his eyes darting rapidly as he takes in the revised audio levels. "Yeah, I think it's good. We should move on to verse three now."
"Jihoon."
He blinks and glances over at you. You've slumped back heavily in to your chair; it spins slightly on its wheels when you do.
"I'm not going to make it through another verse," you warn. "I think I need, like, a power nap."
"Power nap?"
Despite Jihoon's best efforts, a corner of his mouth twitches. A glance at the clock tells Jihoon that it's past one in the morning. They'd been working on the track for a solid eight hours now.
He lets out a low, considering hum, before looking back at you with a slight frown.
"How long is this power nap supposed to last?" he asks dubiously.
"I only need fifteen minutes," you respond.
There's a decisiveness to you tone, one that brokers no argument even if you're rolling your shoulders from sheer exhaustion.
"You're too stubborn for your own good," he replies, though not unkindly.
He rolls the chair back, moving so that he's facing you fully. One leg is crossed over the other, his eyes studying you carefully. He's going to attempt to convince you, obviously.
"You need a good night's rest. You won't be any use at all when you're this tired," Jihoon insists, but he immediately regrets his choice of words when he sees you wince slightly.
You're no stranger to his bluntness; you know just as well that he can be both brutally honest and painfully inconsiderate. That he shows his care and concern in much more roundabout ways compared to others.
And so when you insist that you'll be good as new in fifteen minutes, he can only sigh, leaning forward to rest his forearms against his knees.
"And if you're still tired after fifteen minutes?" he counters. His tone is gentler, softer, this time.
"I'll go home," you grumble, like the thought physically pains you. "If I'm still out of it after my nap, I'll go home."
Jihoon feels some of the tension in his shoulders abate as you finally agree to a compromise. "Fifteen minutes," he reiterates firmly, holding up a single finger for emphasis. "And if you're not ready to work again by the end of it, I'm driving you home."
You open your mouth, almost like you're about to argue at the thought of Jihoon driving you home, but then you opt to purse your lips. You know how the two of you can go in absolute circles some days and so you merely shoot him a heatless glare before stalking over to his studio's couch.
It's not really the type that should be slept on. With its stiff, black leather, the couch is an awful makeshift bed for anyone. But you and Jihoon have figure out little workarounds after spending so much time working together— like the fluffy, folded comforter at the foot of the sofa and the throw pillow that's shaped like an onigiri.
Jihoon watches with a small smile as you curl up on the sofa, underneath the blanket and with the pillow. "G'night," you call out mid-yawn. "See you in fifteen."
He watches you for a beat longer, his eyes tracing the way your expression relaxes, just a little, as your head hits the pillow. After a moment, he manages to tear his gaze away. He really had to work on his habit of staring.
"Yeah," he huffs as he tries to go get a head start on the third verse. "Night."
It's difficult because he can't help but steal glances, and every single time he does, he's struck by a wave of affection. You're so small, so fragile-looking, burrowed in to the sofa. He notes the way the pillow's slightly squished underneath your head, your face half-buried in the plush material…
He almost feels the urge to take a picture just to capture the scene.
And then he realizes: Why not? You're friends, aren't you? And friends take embarrassing photos of each other.
He picks his phone up from his pocket with one hand and angles the camera with the other. He knows just what he wants to take a picture of. The way your cheek is squished against the rice ball pillow, just barely visible underneath the edge of your tangled mess of blankets. The way your expression is relaxed, softened in sleep, with the slightest pucker to your lips.
He presses down on the snap button, and the shot is just perfect. The way the glow of the monitor catches in your hair, bringing out the natural color. The way your eyelashes fan out over your cheek, and the way the shadows highlight the sharpness of your features.
Jihoon's eyes linger on the image, something akin to longing twisting in his gut.
This time, he doesn't bother to push the feeling away. He does go back to work, though.
Fifteen minutes pass. And then twenty, thirty. The longer you sleep, the more Jihoon's guilt gnaws at him.
He knows he's about to wake you up, to ruin the temporary blissfulness that sleep has brought you. He knows he's about to drag you back to the studio to work again, despite the bags that are under your eyes and the exhaustion that is evident in every line of your body.
He knows he's going to be the cause of your fatigue. And he hates that— hates himself, just a little, for his need, his drive.
Still. At the thirty-minute mark, he makes his way over to your side. He reaches out, fingers hesitating for a second, before he gently shakes your shoulder.
"Hey," he calls, his tone soft and neutral. "Wake up. We need more work done."
It's very likely that the unceremonious way you've been dragged out of your sleep has gotten to you, because how else can Jihoon explain the way you drowsily move to hold him?
Your fingers reach up and curl gently around his wrist. Your eyes are still closed as you exhale, "Jihoon-ah."
It's more of a whine than anything, really, but it's one that he can't deny, not when you clutch his wrist like that. "What," he asks, his tone flat out of panic. "What is it?"
It's surreal, in a way. The way your tiredness has loosened your inhibitions, has stripped you down to the simplest, most vulnerable version of yourself, one that's practically begging for closeness.
You give his hand a gentle tug. "Come nap with me. Y'need to rest, too."
Jihoon's mind goes blank the moment the words leave your mouth, his whole body freezing. Because no, he didn't just hear that, you didn't just ask that—
And then you tug on his wrist again, and he swears his heart stutters.
On one hand, the rational, reasonable part of his mind is screaming at him to push you away, to reject the idea entirely. He needs to focus. He needs to finish the track. He needs to work, not rest.
But then he looks down at your sleepy form, the way you're clinging on to him, and all those thoughts are thrown out the window.
Slowly, Jihoon lowers himself onto the couch, his body sinking against the plush material. It's a tight squeeze. Months ago, the two of you might have called each other ridiculous for even trying to fit in a piece of furniture that was clearly not for two people to lay on.
The thick of comeback season absolutely shatters any attempts of appropriateness or discretion. As Jihoon complies with your absurd request, you somehow manage to throw the blanket over the two of you.
Jihoon isn't a stranger to casual touches— he's had to survive through years of constant skinship between the members— but there was something different about this.
The feeling of your body, curled against his own. The way you hold his fingers in your grip, like a comfort, like an anchor. The scent of your hair, so close he could just nuzzle his face into the messy strands.
He tries very hard to focus on the negatives. On how cramped and uncomfortable the couch is, how he's going to end up with a backache—
— but his mind doesn't want to cooperate. Because all he can see is you, all he can feel is you; the way your soft, warm body is pressed against his own, the gentle rise-and-fall of your chest against his, you, you, you.
His mind goes blissfully vacant, and before he can even think to stop himself, Jihoon is wrapping his free arm around your waist, drawing you in.
Jihoon doesn't mind the sudden increase in body heat that comes with having you pressed so close to him, not when your back is solid and warm against his chest, not when the curve of your hips slots so smoothly against the shape of him.
He lets out a shuddering breath as you press his palm against your stomach, the fabric of your shirt slightly rucked up by the motion. You're so soft.
For once, Jihoon finds himself hating everything else— the studio, the album, the uncomfortable sofa, this damn comeback for robbing him of an opportunity to simply hold you.
Jihoon swallows, his throat suddenly dry as the words slip past his mouth before he can even stop himself.
"You're too close," he mutters in your ear, his lips so close to the shell that he's half-convinced you were going to feel his words against your skin. He's being a hypocrite, really, since he's the one holding you, but he needs to maintain some sense of propriety.
"Mmm," you hum, still more asleep than awake. You exhale an apology as you try to sleepily shift away, mumbling something like "didn't notice" in your languid effort to disentangle.
Your movement has to be the most half-hearted attempt at putting space between the two of you. So Jihoon tightens his grip, his fingers curling over your hip to keep you from shifting away.
He doesn't want you to move, not even an inch— and it's greedy of him, really— but the thought of losing the heat from your body is more than he can bear, not when you're here and you're so close.
His hold is firm, almost demanding. As you settle back down, Jihoon buries his face against the back of your hair, his mind going blissfully quiet.
"Dunno why y're so cozy," Jihoon murmurs, his words slightly slurred with the exhaustion that's catching up on him now, too.
He tries not to think too hard about it, the intimacy of it all. He tries not to focus on how he's practically molding his body against yours.
Just a nap, he thinks. It's just a nap.
Your voice is so soft, so quiet, nearly lost against the sound of Jihoon's thrumming pulse in his ears. He catches it anyway. Your quiet murmur of "G'night, Jihoon-ah."
He feels strangely light-headed. It's hard to focus, hard to think, his thoughts fuzzy around the edges as he slowly starts to succumb to drowsiness.
Jihoon lets his lids flutter shut, his mind sinking into darkness. "Sweet dreams," he mumbles back.
In the end, Jihoon is the one who has sweet dreams.
They're fractures of a bigger picture, pieces to a puzzle he could never piece together.
He sees your tired smile, hears your soft laugh, feels the brush of your hair against his chin. He sees you in flashes, in glimpses, always out of reach. Never close enough.
They're so vivid, these dreams— so real— that Jihoon swears he can almost feel you, can almost hold you. When he reaches out for you, for the dream version of you, it feels like he's grasping at air.
There are hints of other things— flashes of studio lights, melodies and songs that drift in snippets. But they all fade to the background in the face of you, the way you shine in his dreamscape like a sunbeam.
Seungcheol is the one who finds Jihoon and you the next morning— or, rather, the next early afternoon.
He's not surprised to hear that Jihoon didn't come home to the dorm. He's not surprised to find Jihoon asleep in his studio. He is surprised to find Jihoon spooning you— his co-producer, the one they all thought he was a little too soft towards.
Seungcheol's eyebrows raise to his hairline. Jihoon was never the affectionate type. And yet here he was, curled around you like a parentheses. Seungcheol takes a quick picture on his phone before gently nudging Jihoon with his foot.
"Yah," the leader says, his hands in the pockets of his sweatpants; his tone, a little too-amused. "Jihoon."
It takes a few nudges for the words to register, for Jihoon's sleeping mind to slowly come back to the world of the living.
He feels… groggy. Exhausted. And strangely warm.
After several long moments, reality catches up with him. As his sleep-addled mind slowly pieces everything together, Jihoon's eyes flutter open and it takes all of two seconds for him to process the fact that he's spooning you.
Jihoon's eyes widen, and his head snaps up to a grinning Seungcheol.
"This isn't what it looks like," Jihoon says immediately, his words tumbling out of his mouth in a rush.
He almost screams when he tries to move away, when he tries to untangle himself from you, and your soft, sleepy whine sounds more like a protest than anything.
He should've let you go. He should've, but when you make that noise, when you curl in closer to him, the part of Jihoon's brain that's awake shuts down entirely.
Jihoon freezes and tries desperately to ignore the way Seungcheol snickers.
Seungcheol keeps his hands in his pockets as he watches Jihoon with growing amusement. Put-together, frumpy Jihoon, stunned in to silence because his co-producer is latched on to him.
It is, as Jihoon had said, very much not what it looked like. Seungcheol can see that the two of you are still fully clothed. Hell, he wouldn't have even imagined Jihoon going that far when the boy barely thought of romance that way.
Still, it's just a little funny. "Long night?" the leader drawls, not even trying to conceal his sheer mirth at the situation.
Long night is a huge understatement, and Jihoon shoots Seungcheol an acerbic look that's not nearly as effective as it normally might be. Not when he's still trying to detangle himself from you without waking you up.
"You have no idea," he grumbles under his breath, his eyes flickering down to your exhausted expression as you cling to him.
He can feel the way his heart stutters at your closeness, the way his chest tightens. Not the time, he scolds himself.
"We were working on the album," Jihoon says, as if that explains everything.
He's given up on trying to move, because he knows that if he keeps trying, you're going to stir— and the last thing Jihoon needs is an awake you, all warm and soft and adorably disheveled.
"Can you... leave?" he croaks to Seungcheol. Jihoon's cheeks are tinged with a furious red color; he prays to any deity that Seungcheol will simply chalk it up to shame. "I'll give you details later, just..."
Jihoon shifts minutely, and a muted noise of protest escapes from you. He shuts his eyes and sends a silent plea at the ceiling of Please, God, not now.
Seungcheol, for his part, lets out an amused huff, the corners of his mouth twitching. "Alright, alright," the leader says, holding his hands up to show he's conceding. "I'll leave. I'll talk to you later."
He grins. "And try not to have too much fun, yeah?"
The smirk only widens when he sees the flush on Jihoon's face. The leader saunters out of the studio, the door clicking shut behind him.
And Jihoon is... well... left with you.
Silence descends, and it's deafening.
Jihoon can feel each and every beat of his own heart, can hear your slow, soft breath coming out in steady, even exhales. You're asleep— still clinging on to him, your body pressed firmly against his own— and Jihoon tries not to focus on the feeling, tries not to think about how you're so soft, so warm.
He should move, he thinks. He should untangle from you, put at least two feet of space between you, and yet.
Jihoon can't, not when you look so peaceful against him. Not when you're making little noises every now and then, the soft, low sounds coming from somewhere in your throat.
It's a special kind of torture, having you so close when he knows he can't do a single thing about it. Just a taste, an inkling of closeness— and now he's hooked, wanting for more.
He knows it's selfish, what he's doing. To have his arm wrapped around you, holding you tighter than he should. To relish in your warmth as you sleep— but Jihoon can't help it, not when he knows this might be the only way he could ever get to hold you.
He knows you're not his. You can't be his, for several reasons.
But for this brief, quiet moment in time, you feel like you could be.
There's no way of telling how much longer you stay there. To Jihoon, it feels like an eternity and then some; in reality, it's probably only a couple more minutes. You shift in your sleep, letting out a big yawn. Jihoon tries to not flinch when you stir.
For one ridiculous moment, he considers closing his eyes and pretending to sleep, so he can have a few more seconds, a few minutes longer with you in his arms. But then you're moving again, and Jihoon can feel his heart in his throat as you blink, shifting to look up at him.
"Huh," is the first thing you say as you squint up at him. "Hi."
"Hey," is his lame response, his tone oddly, uncharacteristically soft. He swallows when he catches the way your eyes flicker all over his face, as if drinking him in.
There's a lot to take in, he's sure. His arm is still around your waist and your leg is slotted between his. The blankets are a mess; the noonday sun, peeking through the studio's heavy curtains.
As your mind finally seems to catch up, you let out a groan. "S'rry," you slur, voice still thick with sleep. "We overslept. I'm a bit clingy when 'm tired."
Yeah, right. Clingy is not a strong enough word for what you had become in your sleep.
Jihoon tries to ignore the feeling of your legs tangled together, the way you're practically molding against him. He tries to tamp down the way his breath hitches, to ignore the way his heart skips a beat when you let out a sleep-filled groan.
"You were hanging on to me for your life," he remarks in a tone that is far more amused than exasperated.
"Yeah, I figured," you say wryly, glancing over at the clock to see the damage. Jihoon's eyes follow your gaze. Two in the afternoon. Your shared 'nap' had lasted a full twelve hours.
"Wow," you huff. "We were out for a while."
"That we were," Jihoon agrees, and he's more than a little reluctant when he lets you go, unravelling his own limbs from yours. The space between your bodies feels like a physical blow, but Jihoon tries not to seem too put off by it.
He sits up, running a hand through his hair. "I haven't slept that long since I was a trainee."
"That's unhealthy."
"Pot calling the kettle black."
There's a calculated casualness in your next words. "Did you at least sleep well?"
The slight concern undercutting your tone makes Jihoon rather light-headed. "I slept like the dead," Jihoon answers easily, and he doesn't even have to lie about that.
His rest had been more peaceful than it had been in years, and if he's truthful, he'd blame it all on the fact that you were wrapped so firmly around him, all soft skin and sleepy warmth. You'd fit so perfectly with him and Jihoon is fairly sure he's never going to get the sensation of you pressed against him out of his mind.
A corner of your lip twitches upward. "Don't say that," you tease as you stretch your arms over your head. "Because we may actually be dead soon enough."
There's still an album to finish. A couple more tracks due in mere days. But Jihoon's suddenly feeling much better in a way that he hasn't in a while.
Even the ever-present stress and exhaustion feels almost like an afterthought, like it's barely even there. In the midst of it all, there's only you, still mussed from sleep.
It helps that you're taking the little cuddle session with surprising grace. "Wanna order in breakfast? Lunch?" you inquire, like you can't quite decide what to call your first meal of the day when it was well in the afternoon.
"Breakfast-slash-lunch sounds good to me," he answers, a hint of a smile visible in the curve of his mouth.
You order Chinese food. Something proper and real, a break from the convenience store rice balls and energy drinks. In the time it takes for the takeout to come, you and Jihoon speed through the song that had been plaguing you both last night. It seemed that being well-rested did you both well.
When the food comes, you go to collect it. In your absence, Jihoon finally checks his phone.
Suddenly, the studio feels ice cold, because he has seventy-something unread messages from his group chat with the boys.
He clicks the little arrow that takes him back to the first unread message, and surprise, surprise— it's from Seungcheol. The stolen snap of Jihoon and you cuddled together glares up at the producer, paired with the world's most annoying message.
🍒: Our Woozi-yah's a big boy now. ㅋㅋㅋ
The messages don't stop there, because Seungcheol had essentially given the others the green light to blow his phone up.
Jihoon scrolls through them, his expression growing more and more irritated as he reads through the suggestive and ridiculous messages the boys have chosen to send.
⚔️: Jihoon-ah~ Who knew you had it in you~ 🐈⬛: finally! 🦦: LET'S FUCKING GOOOO
Jeonghan, as per usual, is the worst offender of them all. Jihoon is just about to try and get a word in when a new, rapidfire sequence of texts pop up, the second eldest member clearly having entirely too much fun with this.
👼: So cozy, our Jihoon-ie! So cozy ♡ ♡ ♡ 👼: Finally, our Jihoon found himself a pretty girl 👼: We didn't know you were such a cuddler~~~
Jihoon's fingers are itching to reply something back, but it's hard to even make sense of the messages; they're coming in so fast. Every time he tries to type something back, another notification pops up with more texts, so he's forced to sit and watch as the members tease him relentlessly.
But then—
🐱: Cough up @Joshua @Vernon 🐢: dammit. couldn't have waited four months, woozi hyung? -_- 🦌: I didn't lose as much, so it's okay~ 🐯: WINNER WINNER CHICKEN DINNER
The other boys all chime in with their own odds, and Jihoon realizes with horror that his bandmates had bet on him.
The horror quickly morphs into disbelief mingled with irritation.
So they'd bet on him? And on what exactly? That he wouldn't fall for a girl over the course of three years working together?
He doesn't even look at the odds before he types an aggravated reply.
🍚: You guys bet on me???
No one even tries to deny it. Soonyoung, the menace that he is, is the first to respond.
🐯: Not all of us ఇ ◝‿◜ ఇ 🐈⬛: and it's just if you'd get with your fav producer. lol
It occurs to Jihoon, then and there, that the boys presume him and you are dating. It's a misconception he has to amend before any of the twelve can make some wisecrack about it in front of you.
🍚: We're not dating.
Jihoon doesn't bother to hide his irritability.
🍚: We were just napping together.
It's not the last of it, as it turns out.
More texts flood in after his message, and while there aren't as many jokes as before, it's easy to tell that the members are just dying to tease him about this whole thing.
When you return to the studio bearing your takeout, you're greeted with Jihoon typing furiously away at his phone, a disgruntled sort of look on his face. "You alright over there?" you call out amusedly as you pad over to the studio couch.
"Yes, and no," Jihoon answers shortly, a hint of petulance to his tone. If he looks up at you, it's only for a moment.
For someone who tends to be stoic and brooding, he's not exactly having the best morning right now. Jihoon is more than a little annoyed from the relentless teasing, and while he tries to fight it, there's a lingering feeling of humiliation, too.
A part of him wonders if this is what he deserves— for having had that moment with you this morning.
"Well, whatever it is—" you give a dismissive wave of your hand before plopping down on the couch.
He almost smiles at that; you've known each other for an odd number of years. It was enough time to be fairly acquainted with each other's habits and mannerisms, to know when something was worth pressing in to or not.
"Come on," you urge him. "The faster we eat, the sooner we can finish."
"Okay, yes, I'm coming," Jihoon answers hurriedly, and he makes a hasty beeline for the coffee table, where your takeout boxes are set out neatly.
He gives the group chat a final glance, just to make sure they're not texting anything too embarrassing. The more he scrolls the more he's bombarded with messages about you, and you would have thought the group chat was dedicated entirely to you, considering the number of texts.
He groans and locks his phone, turning it face down on the table as he takes his seat.
"Here," you say as you gently place Jihoon's order in front of him. Chao fan with a side of sweet and sour pork; a can of cola.
The way you seem to automatically know all the things he orders, the way you know what the right order to pick for him is, it almost gives Jihoon the sense that you've been working with him for even longer than three years.
He's not sure what to make of it, but it feels strangely nice, somehow, knowing that there's always something or the other that you would already know. He takes a bite out of his meal, wondering when it was that this relationship of his with you had become so comfortable.
It's an odd sensation, really.
Jihoon had always been more than content to keep to himself. But there's no denying that he feels a certain kind of peaceful contentedness when he's with you.
Perhaps it's how the two of you work so seamlessly together. Perhaps it's how you somehow managed to get under his skin. There's a certain comfort that Jihoon isn't used to having that's settled around the two of you.
And it's the kind of comfort that might make him vulnerable.
He can't have that, so he privately decides to keep you at a distance.
It's a distance you reciprocate. Both Jihoon and you know better than to tread the careful line of your friendship, especially in your line of work.
The two of you work like a well-oiled machine, like a lit match being tossed in a haystack. Jihoon and you are relentless, as always, and you finish off the rest of the mini-album in the next three hours.
There's still fine-tuning to hurdle through, but as Jihoon and you replay the last track for the first time, he has to concede. The worst is over.
You slump forward in your chair, your forehead resting against the work desk of his studio. "Done," you breathe. After a moment, you add, "For now."
"For now," Jihoon echoes.
There's a long pause between the two of you as you both relish the peace and quiet of a fully completed mini-album.
"Let's go for coffee?" he finally asks, glancing to where you're slumped in your chair.
You tilt your head ever so slightly until your cheek is pressed against the desk and you're looking up at Jihoon. You smile ruefully as you speak, your tone almost apologetic. "No to coffee. I think I want to go home and knock out for twelve hours."
You go on, "You should do the same. We've been in this studio for…" You pause like you're doing the mental math, and then a disbelieving laugh slides past your lips. "About thirty-three hours, Jihoon-ah."
Thirty-three hours is almost incomprehensible. Jihoon isn't even surprised, because of course, that's the kind of work ethic you've come to expect from an idol— but, thirty-three hours?
Jihoon's head is spinning. There's a strange, odd kind of haze settling around him, almost like he's caught between a dream and consciousness. He's tired, yes, he's more than tired, but Jihoon knows that he doesn't really need to go home to sleep.
Except he can't say no, not when your words are coming with all the weight of a command, not when you're looking at him like he's some helpless, pitiful wreck, needing some sort of care. He hates it.
He hates that you see him.
"Okay, okay," Jihoon says in a rush, standing from his chair. "I'll go home."
He's always known that any work done with you ends with him doing exactly as you say. You might have never said the words to his face before, but Jihoon isn't an idiot.
He's wrapped around your goddamn finger some days.
The thought that he's now more than willing to do whatever you want from him has never occurred to him before now, and it leaves him feeling slightly shaken, slightly unsure of everything.
It takes you both about ten minutes or so to get everything in order, then another seven minutes to head out of the company building. The relief Jihoon feels as you finally find yourselves outside is immense, even if it is a chilly, early winter evening.
You glance at your wristwatch before distractedly asking him, "You'll be okay behind the wheel?"
"'Course," he says as he fishes for his keys. For a moment, he contemplates asking if you want a ride home. It'd be out of his way, but it's something he's almost willing to bear.
Almost.
Instead, he forces himself to say, "See you. Take care."
You give the same pleasantries back before beginning your trek to the train station. Jihoon, for his part, finds his car in his designated parking space.
The drive home is the most boring and uneventful thing ever— except when Jihoon looks in his rearview mirror. The sight of you disappearing into the distance makes him feel strangely hollow and a bit wistful.
His stomach gives a weird, twisting lurch, and he's tempted to make a U turn right there and then and find a reason to be back in his company.
Maybe he'll tell you just how alone he can sometimes feel after an album is completed. How there's always this sort of lull in the days, hours after his work; how he fights it off by doing more work, even if it's not all that necessary.
He wants to ask if you ever feel the same way, too.
But you had never really been a part of that loneliness, and now you were leaving. And— just for the night— Jihoon can't help but feel more lonely than ever.
He doesn't want to be lonely.
He wants to be left alone, in a company of his own thoughts, with nothing and no one to distract him. But, for some odd reason, he wants you around.
It's almost too much to bear, so Jihoon turns the radio on louder and lets the sounds of music drown out the patter of his ragged heartbeat.
Jihoon and you are forced to reconvene a couple of days later, albeit on circumstances that neither of you are particularly fond of.
Sungsoo, the company's CEO and executive producer, is already seated at the head of the table when you walk in. Jihoon sees the way your eyes scan the meeting room; he tries not think too much of the way the tension in your shoulders seem to ease when you spot him.
The sight of you makes Jihoon's heart do a little dance, which makes him want to both pull you close and run far, far away from you.
For now, he just gives you a nod of acknowledgement and shifts his eyes back to the older man sitting across the meeting table from the both of them.
You sit across from Jihoon. Sungsoo doesn't even bother to sit; he merely launches straight in to his agenda.
"Good work on SEVENTEENTH HEAVEN," Sungsoo says right off the bat. Jihoon knows it's more of a cursory greeting than anything; there was always going to be more than just a pleasant compliment.
The other shoe drops soon enough. "I think there's more work to be done, though, specifically on three tracks," the CEO presses on.
Three tracks.
Jihoon feels his jaw clamp tightly. He's been through these kinds of corrections before, of course, both from himself and the company. Sungsoo says things about the lyrics of Back 2 Back, and the organization of Yawn, and the chorus of Diamond Days.
And while Jihoon has been through this, has needed to take things apart or put stuff together to appease the higher-ups, it's never any easier. His hands are clasped tight, and he's trying his best to hold himself together, but on the inside, he wants to scream.
This is a part of him. These are all parts of him, big and small, and it's always just a bit of a jab— to have his heart put in someone else's hand, and then to watch that heart be poked and prodded for the sake of... what? Commercial gain?
At one point, Sungsoo pauses to look between Jihoon and you. "Are you not going to take notes?" the older man asks.
You respond before Jihoon can. "Rewrite the second half of Back 2 Back, tweak the instrumentation balance and structure of Yawn, adjust the rhythm for Diamond Days' chorus," you rattle off. "I— we got it, sir."
"Right. Good," he says, and Jihoon doesn't like the condescending tone that Sungsoo uses with you, but at least it's not aimed at him.
The older man sits back in his chair, and Jihoon lets his eyes drift away from the company boss just for a moment to look at you. A strange feeling fills him. He wants to name it appreciation, wants to claim it's nothing more than a little admiration.
But then he'd be lying to himself. Because that warm kind of feeling shifts into— just a little— something a bit more than what he's supposed to be feeling for a co-producer.
Before he could dwell on this thought any longer, Sungsoo clears his throat and Jihoon quickly tunes back in. He's not thinking about that right now, and that's final.
The meeting wraps up not too long after with some parting reminders on deadlines and the upcoming comeback. Jihoon can tell by the look on your face that you're a bit dazed, and Sungsoo's parting words only add gasoline to the fire.
The CEO says both your names as he readies to dismiss you. "The two of you are a good pair," he notes, and Jihoon almost short-circuits.
Pair.
Right. A good pair of co-producers. Not anything else, not anything more.
Both of you mumble your appreciation for the CEO's remark. And Jihoon, like the fool that he is, feels that warm, fuzzy glow bloom again. He doesn't care what it signifies; at the moment, he's just too happy to work with you again.
By the time you head back to his studio, there's not much that either of you can really say. Marathon edits were not new to either of you; you both slide in to work mode without much preamble.
The music starts playing and the edits start pouring in, and the five or six hours spent on the three tracks fly by without Jihoon even noticing it. It gets to the point where he's working on autopilot— one hand on the mouse, fingers flying across the keyboard.
The thing about working on autopilot was that it made the process quicker but left little room to feel or think, which was both a blessing and a curse.
At the six-hour mark, he finally deigns to glance at you. Your gaze is focused on the digital audio workstation as you cut some low frequencies from the guitar on Diamond Days, but there's a slight quiver in your hands as you do it.
While Jihoon doesn't see what you're having trouble with, he can sense that you're off. He knows the signs of stress and exhaustion better than most, what with the hours he puts in.
"Aigo," he calls out to you, and his voice is a little raspy— hoarse— because he's been humming and singing for the better half of the evening. "Are you okay?"
"Still in the green," you say wryly. You had a bit of a traffic light system to refer to when talking about how far gone either of you were.
He watches intently as you implement the changes to Diamond Days, as you give a disapproving shake of your head at the revision. Still not to your standard.
Of course you wouldn't be at the red light stage— not even close, he muses. But in Jihoon's head, there was already one foot on the red light spectrum— and it wasn't just because of the revisions.
"Let's take a break," he suggests.
The idea comes out of absolutely nowhere, even for him. A break—? When was the last time he had voluntarily done that?
Jihoon's been having more questions than answers lately, but he just chalks it all up to being stressed. And maybe a little tired.
Anything except what it really is.
This time, you actually do glance up from the workstation. There's mild surprise on your expression as you tease, "Yah, who are you and what have you done to the indomitable WOOZI?"
"Huh?" he deflects. For a brief moment, he almost feels a little shy around you.
"I'm just bored," he explains, and he's surprised that he can lie so well and sound so casual. "You don't need to come if you don't want to. I just wanted to get some air."
But of course you're coming, already pushing back against the table at the rare invite from Jihoon. "The usual?" you prompt.
To others, a 'usual' might have indicated a trip to the cafeteria, a smoke break on the sidewalk. But Jihoon and you both hated the company's food and neither of you smoked, and so your breaks were spent somewhere a little more unorthodox.
"The usual," he agrees.
He leads you across the company building, the walk to your destination full of comfortable silence. Eventually, you make it to your designated break place: The company's rooftop.
Jihoon takes his usual seat at the far end while you sit closer to the ledge. The atmosphere is thick and humid from the weather, but there's a breeze to keep the heat bearable.
When Jihoon said he wanted to get some air, he meant it quite literally.
He doesn't want to give away his real intentions on calling for the break. Still, he can't help the question that slides out of him as he watches the glittering lights of Seoul beneath the two of you.
"Are you feeling better now?" he asks, glancing at you.
"I am," you answer quietly, your gaze still fixed on the city. "Thanks, Jihoon-ah. I needed this."
He almost smiles. "Of course."
This was the first time since he's met you that he'd asked you to do something just because he thought you needed it. And it isn't long until that fact has Jihoon wondering why the heck he's been putting things off so much lately.
He doesn't get to mull over his thoughts for long though— not when there's a sudden urge to do another thing that he realizes he hasn't ever done.
He takes out his phone and opens up the camera app. "Yah," he calls. "Look here for a second."
You do as he asks, glancing over your shoulder, and the soft click of his phone breaks through the white noise of the city below. When you let out a surprised laugh, he thinks it's the second best thing he's ever heard. Only after music.
"What are you doing?" you chide, a bit of a giggle in your tone as you raise your hand— palm facing Jihoon— to your face, as if trying to shy away from the camera.
"I don't know," he admits. A laugh tumbles out of him, and he knows he's blushing— but he's not ashamed of it this time, not really.
"It doesn't have to mean anything," he assures you. He holds in a chuckle at the way you're blocking your face and snaps another picture.
Maybe he's delirious from all his work. That has to be it, he thinks, as he clicks away despite your sputtered protests.
"Alright, fine," you huff, feigning annoyance. And then— oh.
You brace your hands against the ledge and tilt your head to one side so you can flash Jihoon an easy, practiced grin. "Cheese," you sing-song.
It takes quite a lot of willpower for Jihoon not to just sit and stare, that strange feeling welling inside of him coming to fore. He's not proud of it, but it's there, and the fact that there's something about you that makes him feel this way makes everything a little bit more complicated.
"Cheese," he agrees, taking just one more picture of you.
He knows he's smiling too hard, his eyes turning in to crescents with just how damn fond he feels to be snapping photos at your side.
You can never tell from the expression on his face, but he's wrecked with the knowledge that he had just done three things he had never done before:
He's asked you to do something solely because he thought you needed it.
He's taken a picture of you (with your knowledge, this time).
And he's let this thing he has for you be so in control of him.
It's a damning thing, he muses as he tucks his phone away. What would happen next was up to the universe.
Admittedly, it almost all felt like a test, and Jihoon is terrified he had failed.
But then you reach out, your hand casually resting atop of Jihoon's. You don't clasp your hands together or intertwine your fingers. You merely keep it there as you cast your gaze back down at the city, like you're giving Jihoon a chance to pull away.
It's almost instinctual, how he turns his hand over and links his fingers together with yours. His fingers are longer, so your fingertips curl over his and you’re left holding his hand for the first time.
You don't say a thing about it. Jihoon tries to rationalize the action on your behalf. Maybe you're just delirious and tired, too. Maybe it's cold and you need something to hold on to. Maybe, maybe, maybe.
All the while, his heart thumps in his chest.
Did he even deserve this? Was this okay?
Would it be okay if he just sat there, looking down onto the city, holding your hand and nothing more?
His brain refrains the earlier remark he'd given you. It doesn't have to mean anything. It's just a hand in his, a quiet evening, a moment that will eventually pass.
It doesn't have to mean anything, but why does Jihoon want it to?
Back in the studio, neither of you say a word. Not about the photos of you that Jihoon now has in his phone; not about the way you initiated holding his hand. Not about how the two of you held on for just a bit too long before heading back from your break.
The two of you do what you do best: You throw ourselves in to the last of your work.
It takes you two a record of fifteen minutes to fix what had been wrong with Diamond Days, and then some twenty more minutes to make sure the three other tracks are alright. Jihoon does the honors of sending them over to Sungsoo for some final checks.
Once the email goes through, you lean back in to the couch of Jihoon's studio. "And now we wait," you exhale, sounding equally exhausted and elated.
With your work for the day done, it feels like whatever veil of formality had held the mini-album together is broken— and you're now just two people in Jihoon's workplace, tired, and done working for the day.
Jihoon stretches his arms out and sags against his chair, letting out a groan.
"And now we wait," he repeats. A beat, as he keeps his eyes trained to the ceiling. Then, softly, he adds, "You did good, you know."
He sees you glancing at him from the corner of his eyes. "You, too," you offer quietly, sincerely. "You did well, Jihoon-ah."
His eyes remain on the ceiling, his mind taking him back to how it felt when your hand rested atop of his. It had felt strange and it had felt good— and the fact that you'd so boldly initiated it in the first place made it even better.
The thought that there was a possibility of it being a one-time thing made him almost want to cry, for whatever reason.
It's just so weird, and Jihoon has never felt like this before. He's never caught in a complicated sort of feeling like this. But the way you'd held his hand was different— and the more thoughts he thought about it, he realized that your touch was different from the touch of anyone else's.
"Can we talk for a second?" is all he finds himself able to ask, and it's a surprise to him— considering how much the two of you have never talked about things that were just about you and him.
Still, he wonders that perhaps now, with everything that's happened here, there was something he needed to tell you. Something he wanted you to know.
He hears you shifting on the couch, spots a corner of your lip quirking upward in a show of interest. When he fully turns to look at you, he notices the way you've braced yourself against the back of the couch to meet his gaze.
"Sure," you say. "What's on your mind?"
Jihoon rubs his hand over his mouth as he thinks of a way to articulate his thoughts.
There are so many words here that don't need to be said. There are some words that he wants to say but that you simply don't need to hear.
There were a lot of things he wanted to say, but he needed to filter them very well because he wasn't sure if they'd cause a misunderstanding.
"I'd like to keep doing this," is what eventually comes out.
His fingers find his earlobe out of nervousness. His heartrate only seems to spike when you stare back at him for a moment, your eyebrows raised like you're waiting to see if he'll elaborate.
And so elaborate he does. "All of this," he goes on. "Producing for the group, collaborating with you, just… seeing you and talking to you and… having you around."
It feels a bit weird to express after three years of working alongside each other, but it's also the first explicit admittance Jihoon has made abut wanting to keep up your collaboration.
He's not surprised when you try to pass it off with some humor. "I'll stick around for as long as you'll have me," you say almost jokingly, but there's almost a desperate weight of truth in your words.
Jihoon sighs, his expression tightening. There was a whole lot he wanted to say to you— he wanted to make a lot of things very clear— but he also wanted to keep whatever was blooming between the two of you going.
He tries not to dwell on it. Not now, with his feelings as fresh as they were.
"I've been thinking," he starts, his voice quieter now. "Maybe we could… get to know each other or something. Spend the day together— away from the company. Away from this life. Just as… two normal adults."
Another pause.
"Are you asking me out on a date, Jihoon-ah?" you kid after a torturous minute.
Jihoon goes quiet for a moment, the gears turning in his head.
He really was asking you out on a date, wasn't he? How would he even spin this as something simple and innocent?
What had he been expecting in return when he asked you? Why did he ask in the first place if it wasn't to actually find out who you were and why you were the only person he could really say he wanted to spend time with?
Questions, no answers. He's going to go insane.
"You know what," he blurts out before he can lose his nerve. "Yeah. Yes, I am asking you out on a date."
You're both stunned in to silence, and you look like you're just about to say what you should. A 'no'. Something about this not being proper.
But then there's a faint ding from Jihoon's laptop, and he glances over just in time to see that Sungsoo had responded in the affirmative to your revisions for the group's eleventh mini-album.
A stuttering, relieved breath escapes you. Jihoon, for his part, lets out a huff, his shoulders falling. He hadn't even meant to ask you out on a date; he was only going to ask you to spend the day with him.
Now, though, it was out in the open. And he'll be damned to take it back.
"Looks like we're free now," he muses, far too prideful to let Sungsoo derail this conversation. Jihoon's voice is edged with hope as he goes on, "So, what do you say?"
Jihoon has no way of knowing this, but you admire his persistence. When you laugh, it's what changes your mind, what privately convinces you to take him up on his offer.
Because Jihoon had still somehow managed to make you laugh despite it all.
"You know what? Okay," you say readily, one shoulder raising in half a shrug. "Let's go on a date next week, Jihoon-ah."
It would definitely beat sitting in Jihoon's studio, alone and bored, until Sungsoo had sent over their next project.
"Okay," he repeats, his lips curling in a tentative smile. "I'll let you know what plans I come up with, then."
"Alright." You're already rising from the studio couch, preparing to take your leave for the evening.
As you gather your things, Jihoon tries to look back at his workstation instead. Like the sight of it might somehow give him the answers to where to take you, what to do, how to go about all this.
You pause at the door of his studio. "Text me," you say.
It's nothing short of a miracle, how Jihoon is able to respond "I will."
And then you're gone, but the loss doesn't feel as prominent as it usually does. Because now, Jihoon has something to look forward to.
He doesn't remember the last time he allowed himself to be so selfish.
His thoughts over the next few days are consumed with the upcoming date.
Everything he does seems to center around how the date will go, where he'll bring you, and how he would survive a day in your presence without completely humiliating himself.
He takes his time planning. By the time next week rolls around, he's a mess.
His ears are burning as he dials your number and presses the call button.
Your tone is casual on the other line. "Hey, Jihoon-ah," you greet. "What's up?"
Jihoon takes a moment to just hear your voice. He internally groans at how a simple what's up already has his heart rate picking up like nobody's business.
"Hey," he finally says after he gathers himself, his free hand shoving into his pocket. He's pacing his apartment bedroom, fighting for his life to keep calm. "I… just wanted to call about tomorrow."
When you respond, your voice is cautious. "Sure. What about tomorrow?"
There's a slight pause again, and Jihoon can already feel the sweat forming on the inside of his palm.
Surely, you wouldn't think he was calling to cancel? Why would he have waited until the day before?
"Just needed to ask you about something," he admits, his free hand coming up to fiddle with the hair on one side of his ear. "I just wanted to… ask a question. Uh…"
"What… are you going to be wearing?" he finally spits out, his face already going red as the words leave his mouth.
Why the fuck can't he be cool about this? Why can't he be casual and chill about the date and about seeing you? It's so goddamn frustrating— he needed to get a handle on himself and soon, he thinks with despair.
"Oh. Uh…" From the other end of the phone, you seem to be shuffling around. "I was actually going to ask what our plans were," you admit rather meekly. "So I can dress accordingly."
Jihoon's eyes widen, and for a moment, he feels even more like an idiot than he usually does.
You had no idea where you were going, he realizes, and as a result— you had no idea what to wear.
"Oh… right," he says, mentally facepalming himself. He was supposed to be the one giving you information, not the other way around. "Yeah, okay. That makes sense."
He takes a second or two to collect himself, because— God, he did not want to mess this up. If you found out about the amount of work and effort he'd put in this thing, you'd definitely laugh at him.
"Nothing too formal, but don't be super casual," he says slowly. "You'll want a jacket, maybe. And wear comfortable shoes."
He takes another deep breath, steadying himself before he adds, "And I'm going to pick you up at ten. Is that alright?"
Jihoon's instructions are a touch on the vague side, but you don't seem to mind as you let out a huff of amused laughter. "Dress warm, comfortable jacket and shoes, ten in the morning," you repeat. "Okay. Got it."
You go on, "I'll text you my address. I— we've known each other so long, but I don't think you've ever come over, have you?"
Another good point. Jihoon and you spent most of your time at the company. There were rare occasions where you'd join the group's post-comeback celebrations with the rest of the staff, but those were always at some rented-out restobar.
"Yeah. Well. Just text me, then," he says lamely, already mentally berating himself for how much of a fool he's acting. "I'll see you tomorrow."
"See you tomorrow, Jihoon-ah," you bid, and he can hear the smile in your voice.
Just like that, Jihoon's heart rate picks up again— except this time, it's not just nervousness he feels.
There's that strange sense of anticipation, the slight thrill of excitement he gets with the mere thought of seeing you the next day, and he nearly lets out an exhale to quell all those feelings.
"See you," he says finally, his voice barely above a murmur.
And then suddenly— he's hanging up, the realization of everything finally settling on him. This was actually happening.
He sits on his bed for a moment, just mulling over the conversation, before he lets himself fall back onto the mattress in horror. He had just hung up, hadn't he? Did he even say goodbye? Did he even say something nice? He was a mess.
He lets out a long, pitiful whine in to a pillow as he wonders for a second or two if he should call back just to say good night to you properly.
In the end, he decides against it. He didn't want to come off as desperate and it was pretty likely that he'd just dig a deeper hole for himself.
Still, he can't help but let out an annoyed, strangled sound as he turns to look at the ceiling.
He was going to have to put a lot of effort if he didn't want to embarrass the hell out of himself.
Come the next day, Jihoon is standing outside your apartment at exactly ten in the morning.
He knocks almost tentatively, and he's only a little surprised that you swing the door open without missing a beat.
You flash him a smile in greeting. "Come in," you say, ushering him in to what he can only describe as uncharted territory. "Can I get you something to drink? Water, juice?"
He's so tripped up over how you look— the smart-casual outfit, focused on warmth, as he'd advised— that he almost misses the offer.
"Ah," he stutters. Barely a minute in and I'm already done for, he thinks ruefully. "Do you have— cola?"
You give a small sound of assent as you move further in to your apartment, towards what he assumes is the kitchen. "Make yourself at home," you call, and Jihoon is left to bear witness to your space.
It looks very much like that of an artist's. There's floor-to-ceiling corkboards on almost every wall and a blackboard full of chalk markings— bearing everything from concepts to half-finished lyrics.
You have bookshelves groaning under the weight of music albums— Jihoon sees a number of SEVENTEEN's— and instruments crammed in to nooks and crannies.
He suddenly remembers how, for some reason, you had never really let him come over to your apartment before. And now, he understands why, because your apartment almost felt like a reflection of your own brain— chaotic, but brilliant. It was a creative genius's studio, and it was more than just a little bit captivating.
You return with a can of Coke. "It's a lot, isn't it?" you muse.
Jihoon shakes his head. It is a lot. But also— he knows how gifted you are, knows how driven you can be. Seeing it here, so openly on display, has something stammering in his chest.
"Is this all your work?" he asks a moment later, still glancing around. "Is this… everything you've been working on? You've been keeping it here?"
"Not all of us have separate studios," you shoot back. There's an easy smile on your face, indicating that you're just teasing.
When you seem to realize that your initial jab hasn't answered Jihoon's question, you amend, "It's not all of my work. You should see my childhood bedroom back in Jeju."
"Jesus," he says with a slight chuckle, his fingers pressing around the metal of his soda can.
He doesn't know why the thought of your childhood room in Jeju having more of this surprises him. But, then again, that was just the kind of person you were. An ambitious, freethinking, creative genius, the same qualities he'd grown to appreciate over time.
And now he was about to go on a date with you. How the hell had he gotten this lucky?
He isn't quite sure what compels him. All he knows is that the question, almost rhetorical in nature, is out of his mouth before he can reel it back in.
"You really love music, don't you?"
The question seems to throw you off-kilter, but you recover surprisingly fast. You're thoughtfully smoothing out the patches on your denim jacket as you retort, "I love it about as much as you do."
If it had been any other person, Jihoon might have scoffed, might have privately thought they were cocky or just outright lying. But it's you, and his heart twists in to a knot at the thought of how willing he is to accept that cardinal truth.
That you and him loved music in equal measure.
In a hopeless attempt to collect himself, he shoots back his soda in several big gulps. The carbonated drink burns as it goes down his throat; he forces it to stay down.
"We should probably get going," he prompts once he's done with his drink.
"Right, of course."
You go to throw away his empty soda can for him, and the way you move makes it abundantly clear that you're unaware of the effect you have on him.
As the two of you step out of your apartment and find your way to Jihoon's car, he can only hope that it won't be that long of an afternoon.
Despite the way he keeps both hands on the steering wheel, Jihoon can still feel the nerves racing up and down his spine. He's nervous, excited, his emotions a mess as he tries to get himself together.
He can't believe that after years of talking about music and just working together, after all this goddamn time, you were finally going on a date together.
The car radio is just a touch too loud, which is to be expected, considering that it was Jihoon's vehicle. You have to pitch your voice above it to be audible.
"Where are we going?" you ask as he peels in to traffic.
"You'll see when we get there," he responds.
The disapproving pinch of your expression draws a laugh out of him. He doesn't give you the opportunity to press any longer as he fiddles with the radio dial, upping the volume just a touch more.
He'd planned this date carefully after spending far too much time agonizing over all the details. He was damned if he wasn't going to keep some things in the dark.
It's a quiet drive for the most part, with only the radio keeping the silence from being too deafening. But, frankly, Jihoon isn't too bothered by the silence because it gives him ample time to collect his thoughts, to try not to focus on the way your hand is right there, a few inches away from his on the gear shift.
He keeps his eyes on the road, keeps his expression neutral, and keeps his cards as close to his chest as possible.
Once Jihoon is finally pulling in to a parking lot, he manages to find his voice. "We're here," he notes, like it's not the most obvious thing in the world.
He waits a moment for you to also unbuckle your seatbelts, and only then does he climb out of the car. He quickly walks around to your side, pulling open the door for you and gesturing for you to follow him as he crosses the parking lot.
"What is 'here', exactly?" you ask Jihoon as you walk up to the building in front of you. It looks rather unassuming; nothing on the outside giving out what it might be. Just white walls and a sign outside that's still too far to read.
Jihoon catches the way you try to make out the sign, and he can't help but find himself feeling a touch flustered because goddammit, was he allowed to find everything you did endearing?
He clears his throat before finally answering. "A planetarium."
Now, Jihoon definitely doesn't miss the way your eyes widen, nor the small tone of excitement that betrays the otherwise casualness of your voice.
"That's cool," you say with your hands shoved in to the pockets of your jacket. "Never been to one before."
He can clearly see how excited you'd gotten just at hearing where he'd brought you. And, frankly, it just makes his pulse race all that much more.
"Well, let's go in and have a look then, shall we?" he offers, his voice a little on the quieter side as he tries valiantly to not mimic your excitement.
As you approach the building façade, the signage comes in to better view. It boasts of an immersive planetarium experience, but what stops you dead in your tracks is a note tacked on the front door.
Closed for a private event.
"Oh?" you're saying, a slight edge of disappointment in your tone. "It's looks like it's—"
But before you can finish your sentence, the door is pulling open, and an important-looking man— the manager— is already stepping up to address Jihoon.
"Mr. Lee, right on time," the employee greets with a bow. "We've set everything up for you."
The oh that escapes you, this time, is a lot softer.
Jihoon can't help the small grin that immediately works its way across his lips at your reaction. He'd been hoping to catch you by surprise, and he can tell that it worked.
He gives a polite, somewhat formal half-bow in return to the manager before glancing over his shoulder to you. There's a hint of smugness in his voice as his gaze lands on you again. "C'mon," he says as he starts making his way in to the planetarium.
The inside is mostly dark; Jihoon gives his eyes a moment to adjust to the change. There's no one else here but the two of you, and Jihoon isn't really complaining about the emptiness. It just means he can have you all to himself, without having to worry about having anyone else around.
He can hear your footsteps, following behind him, and he has to mentally remind himself to keep himself together before he finally glances over his shoulder at you.
"Surprised?" he teases, the ghost of a smirk making its way on to his face.
He revels in the look of awe on your face, the way you all but ignore him to pull a couple of steps ahead. You're surveying the lobby like it's already the main exhibit, and Jihoon has the sudden urge to rent out every gallery in Seoul for you to see.
Your next words are one-two punch on Jihoon's poor, poor heart. "I think you've got some nerve, Jihoon-ah, pulling out all the stops on our first date," you muse, your face still upturned to the entryway.
Jihoon almost trips right over his own two feet as the casualness of your words registers in his mind.
Multiple dates. You were implying that there might be multiple dates to follow. That you wanted there to be multiple dates.
He takes a quick breath, trying to maintain any semblance of a nonchalant attitude as he responds. "What?" he says, the smirk just a touch more shaky on his lips. "You think this is 'going all out'?"
He continues to walk, catching up to you a few moments later. "I'm offended. How dare you think that I'd settle for anything less than perfection."
"If this isn't 'all out' yet for you," you quip. "I'm a bit nervous as to what is."
He only responds with a small chuckle. "You'll see."
He leads you to the next room over, and this particular one is far more darker. The only source of light is from the projector against the back wall, projecting a constellation map on the opposite wall.
Jihoon glances over his shoulder once more, watching the small look of wonder on your face. He leads you to a small couch in the center of the room before sitting comfortably beside you on it.
His face is partially illuminated by the lights of the projector, and he can clearly see the way you're taking in everything around him.
"You like it, hm?" he gently prods, watching you again.
It's a lot to take in, honestly. The high ceiling, the projected constellations, the lights dancing across both your faces. Even the way the room has been rearranged— the single plush couch, the type that allows you to recline and gaze up at the faux sky of constellations— is all so damn good.
"I like it," you concede, your voice barely above a murmur. You speak like you're scared that talking any louder will break an illusion. "It's— yah, Jihoon-ah. It's so pretty."
In that moment, Jihoon almost forgets how to breathe.
There's something so soft and gentle and fond to your voice as you speak, and the way your words came out almost reverently does something to Jihoon that he couldn't quite explain.
"Pretty," he repeats, eyes still trained on you. "It is, isn't it?"
The two of you sit in comfortable silence for a long time; Jihoon still watching you instead of the exhibit. You didn't just say it was pretty. You'd said it with words and tone and expression that told him just how much you loved it.
Christ, he was a goner. He was far gone for you.
After what feels like both an eternity and a second at the same time, Jihoon finally shifts his gaze away from you, glancing up at the ceiling above him. He's quiet for a few more moments before he finally speaks again.
"Y'know…" He starts, the sound of his voice just a touch quieter than usual. "When I was a kid, I always thought the stars were my favorite thing."
Jihoon glances over at you again, noticing the way you were still practically enchanted by the projected stars above you. It makes him bite back a small, amused smile, before he continues.
"I used to sit out in the field by my house and count them, name them, make up my own stories for each of them. I thought they were the most magical, most incredible things in the whole universe."
He thinks of his home back in Busan, the way the moon reflected over the sea water. He thinks of a version of him from lifetimes ago— a boy he'll never be again.
He almost misses him.
Jihoon lets out a soft huff. "And then I got older, and life got really shitty and busy, and..." His voice falters a bit. "The stars were no longer as important to me as they were before."
He exhales, the sound filling the quiet room. He can feel you listening, can feel you taking in every sincere word of his. And that's enough. That means something.
"But..." He goes on quietly. "Sometimes, there are moments that come, and the only things that matter are the stars again."
It's just like Jihoon to spew something poetic without pretense or shame. In his peripheral, he sees you glancing at him, and it takes everything for him to not let this feeling overwhelm him.
"I hope you have more moments like that, then," you say, your voice equally soft.
There was something so endearing about the sentiment you'd said, and he knew that you meant every word of it. And that made it all so much worse for his heart.
He's so whipped, it almost makes him want to laugh.
This is one of those moments, he almost says. Even if it's not real stars.
He can't help it anymore. Despite all the times he's had to keep up his usually cool, calm demeanor with you, despite his usual attitude, despite his usual shyness, the urge is just too much and—
He slides his arm around your shoulders, pulling you a little closer.
That was one thing the stars could do: Give him a bit of courage.
When you don't resist his gentle tugging, he figures he can do just one more thing.
His free hand moves to your chin, gently coaxing your head up so that you’re looking at a specific point up at the ceiling.
You're so focused on the stars, you barely even register the sound of Jihoon’s voice again.
"The most special stars," he murmurs. "They all have names."
He’s still speaking into your ear, and you can feel his warm breath against your skin. "That one," he says, his voice like gravel. He slowly, carefully tilts your chin up just a little more. Coaxing you to look up even further. "Is my favorite."
His calmness is belied by the fact that his heart is a jackhammer in his chest. All he can do, really, is try to get you to look at one of the larger stars that's almost dead center in the middle.
"Why is it your favorite?" you inquire, the genuine curiosity in your tone almost mistakable for breathlessness.
"It's the brightest star in the entire sky." His gaze darts between the star and your face, the shadows of the room hiding the way his chest tightens at the sight of you listening intently. "It's called Sirius."
His voice is still soft, but there's a new note to it that you've never heard before. It's quiet, reverent, almost like he's about to tell you a secret.
"The Romans called it the 'dog star'," he continues. "Because it's the brightest star in Canis Major, the big dog constellation."
He lowers his head a little so that his chin is almost resting on your shoulder, and his arm around your shoulders tightens just a fraction.
"But to the Chinese, it was known as the 'heavenly river commander'," he goes on. "And the Arabs called it the 'chief star in heaven'."
Jihoon is getting nervous, now, but he has to do this. He has to.
It feels like the first flicker of a neon sign as he goes on, "To all those different people, it was all of those things. To me—"
He pauses, feeling the words stick in his Adam's apple.
The brightest star in the night sky.
For the longest time, Jihoon had wondered whether he would find something to call it, too. The closest he's come has been the boys, his music.
But that felt like an understatement. They weren't just a group, after all; they were his whole life. And so it was more apt to describe them as the universe, as the entire planetarium.
Which left him with the brightest star—
"To you?" you repeat, tilting your head back to meet Jihoon's gaze head on.
"What's it called to you?" you prompt.
In the relative darkness, he can't read you as well as he might have wanted.
It doesn't matter. It doesn't change what's he's going to say, anyway.
He gives you his answer—
He says your name.
And then he leans in— his heart at your feet, all yours for the taking.
#jihoon x reader#lee jihoon x reader#woozi x reader#jihoon fluff#woozi fluff#jihoon imagines#woozi imagines#jihoon x you#woozi x you#svt x reader#seventeen x reader#svt imagines#seventeen imagines#ylangelegy buzz x svt#( GOD. so much longer than it's meant to be )#( part two? tbh very unlikely. we must just imagine the happy ending. LOL )#୨ৎ muse .ᐟ svt#୨ৎ penned by ylangelegy
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Here's a list of Free tools and resources for your daily work!🎨
2D
• Piskelapp Pixel art + animation • Krita general digital painting + animation • Gimp image manipulation + painting • MapEditor Level builder (orthogonal, isometric, hexagonal) • Terawell manipulate 3D mannequin as a figure drawing aid (the free version has everything) • Storyboarder Storyboard
3D
• Blender general 3D software (modeling, sculpting, painting, SFX , animation…). • BlockBench low-poly 3D + animation. • Dust3D low-poly 3D (similar to Zbrush Zsphere)
Sound Design
• Audacity Audio editor (recording, editing, mixing) • LMMS digital audio workstation (music production, composition, beat-making). • plugins4free audio plugins (work with both audacity and lmms) • Beepcomp chiptune/8-bit/16-bit music synthesizer
Video
• davinciresolve video editing (the free version has everything) • OBS Studio video recording + live streaming.
2D Animation
• Synfig Vector and puppet animation, frame by frame. Easy. • OpenToon Vector and puppet animation, frame by frame. Hard.
↳ You can import your own drawings.
For learning and inspiration
• models-resource 3D models from retro games (mostly) • spriters-resource 2D sprites (same) • textures-resource 2D textures (same) • TheCoverProject video game covers • Setteidreams archive of animation production materials • Livlily collection of animated lines
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Sweet melody of us
The studio, a Coke Zero, jealousy and confessions
As I walked through the dimly lit corridors of the studio, my heart swelled with excitement. Jihoon had been immersed in his work for hours, and I couldn't wait to see him. It was one of those cozy evenings where the fading sun painted the sky with hues of pink and gold, a perfect backdrop for the love I felt blossoming between us. I had decided to surprise him with his favorite food crispy kimbap and a refreshing Coke Zero my small way of telling him just how much he meant to me.
I gently opened the door to the studio where he often worked late into the night. The moment I set foot in the room, the familiar scent of recording equipment intertwined with the tantalizing aroma of food wrapped around me like a warm embrace. Jihoon was hunched over at his workstation, his eyebrows knitted in concentration as he fine-tuned a track. His features glowed in the soft light, and it's moments like these when I could hardly believe that this talented artist held my heart.
“Hey, Jihoon!” I called out softly, careful not to disturb his focus.
He looked up, his eyes brightening as they locked onto mine. “Oh! You’re here,” he exclaimed, his voice laced with a mixture of shock and warmth. His face broke into a wide smile, the kind that made my heart flutter.
“I brought you something,” I said, gesturing to the food bags in my hands. “I thought you might be hungry after spending all day working.”
Jihoon’s expression changed to one of delight as he jumped to his feet. “You’re the best!” he beamed, and in that moment, I was reminded yet again of how lucky I was to have him in my life.
He reached for the bags, but before he could dig in, he excused himself to grab a few files from the other room. Excited about our time together, I plopped down on the edge of the couch, glancing at the various musical equipment scattered around. The walls pulsed with creativity, filled with dreams and aspirations that belonged to Jihoon and his band.
While I waited, Seungcheol casually strolled into the studio, his effortless charm filling the room like a pop song on a summer day. “Well, well, look who it is!” he said, leaning against the doorframe with a mischievous grin. “Did Jihoon send you for food again, or do you have a special delivery just for him?”
I rolled my eyes, not quite seeing the flirtation buried in his playful tone. “Just a little something to keep him going,” I replied with a smile, enjoying the light-hearted banter. The atmosphere lightened, and without meaning to, I felt a flutter of friendship towards Seungcheol.
He stepped closer, leaning against the couch. “You know, it’s rare to see Jihoon like this. It’s nice that you bring him a bit of sunshine amidst all the hard work,” he said, his voice smooth like honey.
My heart raced a little, but I shrugged it off, unable to acknowledge the way he seemed to linger at my words. Before I knew it, Jihoon had returned, files in hand, and the energy in the room shifted dramatically. The moment he spotted us, his eyes narrowed slightly and a shadow flickered across his face.
“Seungcheol, what are you doing?” His voice was firm, laced with an unmistakable hint of jealousy that sent a shiver of delight down my spine.
“Oh, just making sure your girlfriend isn’t getting bored!” Seungcheol replied, a cheeky smile dancing on his lips.
Jihoon moved closer to me, shielding me as if he could ward off any imagined threat with just his presence. “I was just gone for a second,” he muttered, his protective instincts kicking in. I could see the sulk forming on his lips, and my heart ached with affection for him.
“Everything’s fine, Jihoon.” I chuckled, trying to ease the tension. “I was just talking.”
Seungcheol picked up the cue to leave, but not before throwing me one last teasing wink. “Take care of her, Jihoon,” he said, emphasizing the words like an anthem. With that, he was gone, leaving the air thick with unspoken feelings.
I turned to Jihoon, and to my surprise, he looked a little hurt, that adorable sulk still evident on his face. It was rare for him to show such vulnerability, and it made my heart ache with tenderness. “You know I only have eyes for you, right?” I said softly, stepping closer.
He looked up at me, his expression softening as I reached out to cup his cheek. “Really?” he questioned, uncertainty clouding his eyes.
Taking a breath, I leaned in, kissing him gently, pouring all my emotions into that moment the care, the affection, and the quiet thrill of being with him. “I love you, Jihoon,” I whispered against his lips, and in that moment, it felt like the world melted away.
His eyes widened, bright with joy and disbelief. “You love me?” he echoed, as if tasting the words on his tongue for the first time.
“Of course, I do. I’ve loved you for a while now,” I confessed, feeling the weight of the words lift from my chest, their honesty baking sweet warmth inside me.
He laughed, a sound of pure joy that encapsulated everything we felt. Without missing a beat, Jihoon pulled me into his arms, kissing me fervently as if the world outside ceased to exist. Each kiss was a melody, a sweet serenade that connected our hearts in a way words alone could never do.
“I love you too,” he finally said, his voice muffled against my hair as we embraced. It was our first shared acknowledgment, yet it felt as familiar as the music he created.
In those moments, the rhythm of our hearts synced effortlessly, the teasing lightness of jealousy dissolving into a profound connection only we could understand. And as we pulled away, breathless and smiling, I realized that amidst the laughter and gentle teasing, I had found my perfect harmony in Jihoon.
#seventeen imagines#seventeen scenarios#svt fluff#svt x reader#seventeen#svt carat#svt#svt imagines#seventeen smut#svt smut#woozi x you#woozi x reader#svt woozi#woozi fluff#woozi imagines#woozi smut#woozi scenarios#woozi angst#seventeen woozi#woozi#jihoon x reader#jihoon smut#seventeen fluff#seventeen x you#seventeen x reader
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how did you get started making music, tools-wise?
I've talked about this a bit before and I don't necessarily recommend doing this, so skip the following two paragraphs and go right to the one under the break if you actually want the method I recommend
I lied to a girl I liked from my school and told her that, because I could play guitar I could also play piano, so I could teach her to play piano. both of these statements were lies.
I had to panic and learn both guitar and piano one week ahead of the lessons I was giving her as an excuse to hang out. so I self-taught in a haze of panic and "maybe she'll like me" (she did not) (but she kind of did) (but she was bicurious) (but she was wishy-washy on if she wanted to get together and her parents didn't like me) (and her parents were homophobic) (I think she might have texted me at one point years down the line to tell me she had a girlfriend but it was after I deleted our text history and I'm chronically unable to remember to put people's names into my contacts so who knows)
but that's all an aside. that's a bad method.
anyway if you want to start making music in earnest, doing what I did when I got serious about making songs instead of trying to impress girls whose parents wanted to destroy me with their minds here's a better answer
go acquire FL Studio. it's apparently really easy to do this because people have been acquiring it for years, or so I've heard. FL is good for learning because you've got 20 years worth of free tutorials available to you on youtube to dig through and plenty of stock vsts to play with out of the box
FL Studio is, realistically, the only tool you actually need to start making music. you could get away with less, but it's what I used, and as long as you don't pick up Specific Bad Habits, your experience with it will transfer to other DAWs if you decide to switch it later
that's all, really
if you go this route, the golden rule I'm going to impart on you right now is that you need to have a limiter on your songs. the default FL studio song templates have one, so you should keep it until you know enough to know why you might adjust something like that
it doesn't matter if it sounds fine in the editor without a limiter. everyone thinks it's not a big deal at the time, but as you get more experienced, there's literally nothing short of getting in legal trouble that you'll regret more than realising that your old work is almost entirely unsalvageable because you didn't put a limiter on it and now half of the audio is just lost data to clipping
I'm gonna put a few more recommendations for things I've used, just so you can consider them if you need something else to chew on. everything past this point is entirely optional and you'll do just fine with FL Studio alone. in fact, probably don't worry about everything below the line
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items marked with [F] are free.
DIGITAL AUDIO WORKSTATIONS THAT AREN'T FL
for tracker-based editing and chiptunes, use Renoise. you'll either love or hate trackers, and while they have a steeper learning curve than piano roll DAWs, they might come more naturally to you. I personally think that Renoise is a lot of fun to use. it kinda has an "addictive" quality to it, as funny as that is to say
for quickly sketching songs, use [F]Jummbox. it's an html workstation (multiplatform!) that writes your sketches to a url, meaning it's pretty easy to collaborate on musical sketches. Jummbox is good for making chiptune style instrumentals, but what makes it especially accessible is the fact that it works on a piano roll system, which will be familiar to you if you're working in FL
for writing sheet music, I recommend starting with [F]Musescore. I'll warn you right now that there aren't really any good notation editors and you're making lesser-of-evils decisions when you pick any of them, but it's probably the best compromise out there right now. it's the one I use when I need to hand something to a physical musician. you can also export pieces as midi, although there's better ways to do that lol
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VSTs
if you can acquire Pianoteq, do that. if you feel uncomfortable with acquiring it, [F]Keyzone Classic is free and can sound pretty nice with a bit of work, but you really have to learn to work with it
if your workstation can handle it performance-wise, go pick up [F]Vital - Spectral Warping Wavetable Synth. there's tons of free presets for this out there and it sounds good. cool synth. Serum: Advanced Wavetable Synthesizer is also good and has plenty of presets, but it's on the pricy side, so consider how comfortable you are with [finding a friend to buy it for you]
[F]Decent Sampler doesn't do much out of the box, because it's just a tool for playing sample banks, but if you go to [F]Pianobook, you can find tons of weird and fun sample packs of just about everything you can imagine. sounds derived from folk instruments, industrial equipment, lego sets, stylophones, choirs, whatever. incredibly useful.
Valhalla VintageVerb. this is the reverb plugin. you want this one. [F]Valhalla Super Massive is also good but it's more focused on alien-sounding reverb effects and enormous spaces, so it's kind of got a niche use case and you should be a little careful with it
if you've heard a lo-fi hip hop song on youtube, it probably used [F]iZotope Vinyl. this one can save you a lot of time if you're going for that sound because it comes with all the little vinyl flourishes outside of compression (like dust crackling) that you'd otherwise have to add yourself
[F]Genny VST is advertised as giving a genesis/megadrive sound, but what actually makes it shine is that it's an actual synth emulating the YM2612 and SN76489 sound chips. this means you can create your own sounds that work within those specs, which is a lot of fun! definitely beats just using samples, if you ask me
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HARSH VSTS THAT I PERSONALLY LIKE BUT WHICH ALSO MIGHT !!HURT!! YOU. SO BE VERY CAREFUL USING THESE.
[F]Tritik Krush is a bitcrushing plugin. it does a good job of bitcrushing and downsampling. I use it a lot in my songs, but you've really gotta know how to keep this one under control, because it's fully capable of making painful sounds on accident and can completely devour your mix
[F]FSA Latcher is a gorgeous noisebox. it screams in horrible ways and makes dying machine noises in various colours. this is the musical equivalent of working with radioactive material, so be extremely careful using this in anything you don't want to hurt the listener's ears
girlfriend just told me I have to recommend [F]Noise Engineering Ruina to you if I'm making a category with this heading. I don't personally use it, but she likes it (she's better at music than I am) and it's free, so you should go pick it up. "it annihilates sounds very deliciously" (maybe I should use it)
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hope that helps a bit!
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Are there any tutorials you'd reccomend etc for someone who wants to start making music but is like, 1000000% new to it? I usually get overwhelmed and just delete the program...
it depends on what DAW (digital audio workstation) you're using– you can almost always find a good one by searching on YouTube "(DAW name) beginner tutorial". It's (usually) gonna be long and boring, but learning your way around the software is the most crucial part of this whole process , and you won't get anywhere without it!!
As for actually MAKING music, there are various tutorials for certain genres also on Youtube, and often you can narrow down your search by adding the name of your DAW. e.g. "happy hardcore fl studio tutorial". unfortunately this part - the actual making music process - is still something a little difficult for me to describe
also, a lot of the tutorials like that go REALLY fast, so don't be afraid to pause or rewind as often as you need.
ive also found that copying other people's music is like unironically one of the best ways to learn music, similar to art. Making cover songs will let you become more familiar with the program, WITHOUT the stress of coming up with a whole new song on your own.
speaking of "a whole song", remember that you DONT have to be churning out entire completed songs at the very beginning. it rarely ever goes this way. AND ALSO don't rush yourself to complete a project in one sitting. You'll later regret not taking the time to tweak it to perfection!!!!
so TLDR watch a long boring tutorial or a few, start *small* with short loops or cover songs, and don't rush yourself. this sorta thing takes a lot of time and practice to get down. if you aren't perfect at first remember that's Ok and it's just part of the learning process
i have a page on my website where I go into a little more detail about this topic , but keep in mind it is a WIP It is Unfinished so its missing a lot of stuff
#asks#apologies if ths doesn't exactly satisfy your question but if you have any more specific questions feel free to ask me#I'm always happy to answer questions about music stuff
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Celemony Melodyne Studio 5 Download Windows & Mac Full Version
Celemony Melodyne 5 Studio: Mastering Pitch and Time with Precision
Revolutionizing Pitch and Time Correction: For years, Celemony's Melodyne has led the charge in pitch- and time-correction technology, transforming the way musicians approach editing. Melodyne 5 Studio takes this legacy to new heights, introducing groundbreaking features that redefine the art of vocal editing.
Polyphonic Precision: Melodyne 5 Studio's prowess lies in its complete polyphonic tuning via DNA (Direct Note Access). It allows you to delve into the intricate details of your audio, separating pitched and noise-like components. The result is a level of musicality and pitch deviation analysis that sets a new standard in the industry.
Innovative Tools for Artistic Control: The Fade Tool, a standout feature, empowers you to create note-based fades even in polyphonic recordings. The Melodic algorithm edits pitched and noise-like components separately, offering unparalleled control. The Sibilant Tool allows per-note adjustment of volume between pitched and unpitched vocal sounds, while the Leveling Macro minimizes volume disparities between notes.
Harmonic Adaptation with Chord Track: Introducing the Chord Track and Chord Grid, Melodyne 5 Studio enables swift adaptation of notes or entire chords to harmonically suit your composition. This feature, coupled with musically weighted pitch analysis, ensures psychoacoustically optimal intonation correction.
Enhanced Polyphonic Editing: Melodyne 5 Studio introduces advanced algorithms, including the Percussive Pitched algorithm designed for instruments like tabla, berimbau, and 808 kick drums. The software facilitates recallable search functions for keyboard shortcuts, enhancing your workflow efficiency.
Multitrack Note Editing: With Melodyne 5 Studio, you can work seamlessly with multiple tracks simultaneously. The software's unique pitch-shifting and time-stretching capabilities make it a preferred tool for refining individual tracks or shaping complex musical arrangements.
Integration Options for Ultimate Workflow: Melodyne 5 Studio offers flexibility in integration. Whether used as a standalone application or as a plug-in within your DAW, the software adapts to your preferred workflow. The ARA interface provides complete integration with selected DAWs, allowing you to open and edit tracks directly in Melodyne.
Effortless Navigation, Limitless Creativity: Melodyne 5 Studio maintains its reputation for user-friendly operation. Context-sensitive tools, logically arranged menus, and intuitive arrange and edit windows make navigation ultra-simple. From subtle corrections to extreme transformations, Melodyne 5 Studio caters to your every creative whim.
In the realm of pitch and time correction, Melodyne 5 Studio stands as a masterpiece, offering a comprehensive set of tools for musicians, producers, and recording engineers. Elevate your sonic possibilities and achieve unprecedented control over your musical expressions with Melodyne 5 Studio.
#Melodyne Studio 5#Audio Editing#Pitch Correction#Music Production#Vocal Editing#Sound Design#Audio Processing#Celemony#Music Technology#Studio Software#Audio Manipulation#Pitch Shifting#Vocal Enhancement#Music Editing#Digital Audio Workstation (DAW)#Music Software#Harmonization#Audio Analysis#Studio Plugins#Audio Engineering#Creative Sound Editing#Audio Pitch Editing#Melodyne Features#Audio Production Tools#Studio Effects#Music Arrangement
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PEOPLE INTERESTED IN MUSIC LISTEN UP: go to reaper.fm right now & get yourself a trial copy of Reaper, the trial period is indefinite & functions like winrar where once it’s up it just pings you on startup to suggest purchasing & then let’s you continue using it in full. Reaper is a DAW (digital audio workstation) which is a type of program that lets you manipulate sound the same way that sai CSP & photoshop are programs to manipulate images. Audacity is technically a DAW but an extremely basic one, you want something powerful to really get in there ie you want Reaper. also if you eventually wanna purchase it & support the guys behind it it’s extremely reasonably priced, it’s like $60 bucks or something
SECOND you need VSTs (virtual studio technology), these are the audio equivalent of your brushes, or more like they’re both your guitar and your guitar pedals. there are some for pay but infinitely more excellent ones that are free & make all sorts of wacky noises, check out labs.spitfire.audio for the LABS virtual instruments, some completely gorgeous stuff there. you can tweak the shape of the sound in each & chain VSTs on top of each other to infinity to mangle your sound to your liking & you’re really only limited by your computer’s ability to handle it lol. also check out what’s going on at freakshowindustries.com cus they’re doing demented stuff, their VSTs are pay but all give you the option to “steal” them ie get the license for them in full for completely free
im planning on eventually doing a stream getting more in-depth on the little i know about Reaper functionality, so i highly recommend you familiarize yourself with the super basics! the learning curve is a bit rough compared to other DAWs but once you have the AHAH! moment it gets significantly easy to handle
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One of the things enterprise storage and destruction company Iron Mountain does is handle the archiving of the media industry's vaults. What it has been seeing lately should be a wake-up call: Roughly one-fifth of the hard disk drives dating to the 1990s it was sent are entirely unreadable.
Music industry publication Mix spoke with the people in charge of backing up the entertainment industry. The resulting tale is part explainer on how music is so complicated to archive now, part warning about everyone's data stored on spinning disks.
"In our line of work, if we discover an inherent problem with a format, it makes sense to let everybody know," Robert Koszela, global director for studio growth and strategic initiatives at Iron Mountain, told Mix. "It may sound like a sales pitch, but it's not; it's a call for action."
Hard drives gained popularity over spooled magnetic tape as digital audio workstations, mixing and editing software, and the perceived downsides of tape, including deterioration from substrate separation and fire. But hard drives present their own archival problems. Standard hard drives were also not designed for long-term archival use. You can almost never decouple the magnetic disks from the reading hardware inside, so if either fails, the whole drive dies.
There are also general computer storage issues, including the separation of samples and finished tracks, or proprietary file formats requiring archival versions of software. Still, Iron Mountain tells Mix that “if the disk platters spin and aren’t damaged," it can access the content.
But "if it spins" is becoming a big question mark. Musicians and studios now digging into their archives to remaster tracks often find that drives, even when stored at industry-standard temperature and humidity, have failed in some way, with no partial recovery option available.
“It’s so sad to see a project come into the studio, a hard drive in a brand-new case with the wrapper and the tags from wherever they bought it still in there,” Koszela says. “Next to it is a case with the safety drive in it. Everything’s in order. And both of them are bricks.”
Entropy Wins
Mix's passing along of Iron Mountain's warning hit Hacker News earlier this week, which spurred other tales of faith in the wrong formats. The gist of it: You cannot trust any medium, so you copy important things over and over, into fresh storage. "Optical media rots, magnetic media rots and loses magnetic charge, bearings seize, flash storage loses charge, etc.," writes user abracadaniel. "Entropy wins, sometimes much faster than you’d expect."
There is discussion of how SSDs are not archival at all; how floppy disk quality varied greatly between the 1980s, 1990s, and 2000s; how Linear Tape-Open, a format specifically designed for long-term tape storage, loses compatibility over successive generations; how the binder sleeves we put our CD-Rs and DVD-Rs in have allowed them to bend too much and stop being readable.
Knowing that hard drives will eventually fail is nothing new. Ars wrote about the five stages of hard drive death, including denial, back in 2005. Last year, backup company Backblaze shared failure data on specific drives, showing that drives that fail tend to fail within three years, that no drive was totally exempt, and that time does, generally, wear down all drives. Google's server drive data showed in 2007 that HDD failure was mostly unpredictable, and that temperatures were not really the deciding factor.
So Iron Mountain's admonition to music companies is yet another warning about something we've already heard. But it's always good to get some new data about just how fragile a good archive really is.
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i've been ruminating on that post that's like, "i wish white people would go back to making music like fleetwood mac," and like, while i completely agree, you have to recognize this is just as much related to the closure of guitar shops and the conversion of former recording studio industrial space to whatever the fuck a microloft is, as the evolution of hiphop was entangled with the proliferation of tr808 drum kits looted during the new york brownout. and the response "no i'm going to keep making shitty breakcore" is related to the often talked about (by me) impact that ableton singlehandedly had on the overall sound of the music industry. like the fact of the matter is simply that it is vastly cheaper to use an audio workstation (ableton or otherwise) on the computer you already have than it is to rent studio space, which has become largely the provenance of the already independently wealthy. at the same time, i'm sure there are underground bands as good as fleetwood mac, but the game of the industry has changed to the degree that the only way to get consistent radioplay is to have your dad buy the whole industry for you, as in the case of taylor swift. it takes a truly hideous amount of money to promulgate that caliber of mediocrity. more money, to be frank, than any executive ever made off stevie nicks
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