#Muny history
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#Grammys#kendrick lamar#doechii#sza#alicia keys#nxworries#muni long#tems#beyonce#black power#black people#black history month#black culture#black tumblr#level up#melanin#black excellence#black stories#black beauty#winner#hoodoo#2025#black artist#black art#black history#rapsody#erykah badu
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Transbay Terminal or Bay Bridge Terminal View of Streetcars and Motor Coaches from Above Fremont Street – August 28, 1947
Marshall Moxom, Municipal Railway Photographer
SFMTA Photo | SFMTA.com/Photo
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MUNI LONG // SINGER
“She is an American singer and songwriter. First signing to a record company and trying a music career, she was met with positive critical reception despite failing to chart. She then co-wrote songs for other artists, including the hit singles "Promise This" for Cheryl, "California King Bed" for Rihanna, "Worth It" for Fifth Harmony, "Love So Soft" for Kelly Clarkson, "Imagine" for Ariana Grande, "Who Says" for Selena Gomez & the Scene, and the global hit "Timber" for Pitbull. She returned to her recording career in 2018, and found commercial breakthrough with her 2021 single "Hrs and Hrs", which peaked within the top 20 of the Billboard Hot 100 and led her to sign with Def Jam Recordings. The song won a Grammy Award for Best R&B Performance. Her 2023 single, "Made for Me", was met with similar success and also peaked within the chart's top 20. She has received three other Grammy Award nominations throughout her career, including for Best New Artist, Best R&B Song ("Hrs & Hrs"), and a nomination for Album of the Year through her work on Back of My Mind (2021) by H.E.R.”


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this one goes out to when the announcer lady who had been in the muny band longer than the conductor was alive mispronounced "gymnopedie" and the french exchange student had to simply chuckle in pain
#graph100 original#muny band posting#in rehearsal she also was consulted about the pronunciation of “lent et doloreux”#the city has a french history and a french name and even some french street names :cat_smirk:
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#park jimin#jimin#Jimin x Angel_Pt1 FastX#Jimin x Angel_Pt.1 FastX Créditos Oficiales Spotify a Jimin BTS Fast & Furious: The Fast Saga#Jimin x Angel_Pt.1 FastX Créditos Oficiales en la Película#JIMIN Ost Fast X#Jimin Fast & Furious X (Original Soundtrack) Fast 10 Te Cura / The Album Fast X X Fast & Furious X#Jimin x Fast X Original Soundtrack#Angel Pt.1 by Kodak Black NLE Choppa Jimin of BTS JVKE & Muni Long#Angel Pt. 1 (feat. Jimin of BTS JVKE & Muni Long) - Trailer Version - Jimin & JVKE#jimin haciendo historia#jimin history maker#jimin itunes#jimin spotify#jimin youtube music#jimin youtube#mi artista favorito Jimin 💜#felicidades jimin#congratulations jimin#cr. en fotos
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Black History Month Musical Acknowledgement Day 16
youtube
I'm still in a romantic mood, so I'm dropping another romantic track for you guys, and yes, this is also from my Best of 2024 video now that's available for the public. But this isn't about that video. It's about Muni Long. This beautiful, talented music maker has been active in the industry since 2008, and I'm still shocked that it took her until the 2020's to get her own spotlight as we finally meet the playground between songwriters and pop idols.
Prior to her making it big with Hrs and Hrs, Muni Long was known for writing songs for big artists such as: California King Bed-Rihanna, Worth It-Fifth Harmony, Love So Soft-Kelly Clarkson, Imagine-Ariana Grande, Who Says-Selena Gomez & the Scene, and even Timber-Pitbull featuring Kesha. While writing successful songs for other artists is an incredibly good thing, I'm really glad Muni found her place in making music for herself and being successful for that same music. You go, Queen!
#Black History Month Musical Acknowledgement#black history#black history month#day 16#muni long#love song#made for me#pop#pop music#music#pop culture#r&b#r&b music#r&b pop#r&b artist#r&b/soul#soul#ballad#love ballad#evening jam#midnight jam#slow dance#Youtube
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An Oc since it’s not only Valentines Day but it’s also Black History Month 🌺🌹✨
Meet Lolita, She’s an inspiration of one of fav music artists Muni Long🥹 She’s a singer, Dancer, and much more. (Don’t worry, Lolita has flaws too) Tends to act clumsy at times, Naive, Impulsive sometimes, She's an Oc in Cars 2
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śrī nāradaḥ uvāca — Śrī Nārada said;bhikṣubhiḥ — by the great sages;vipravasite — having departed for other places; vijñāna — scientific spiritual knowledge; ādeṣṭṛbhiḥ — those who imparted unto me;mama — mine; vartamānaḥ — present; vayasi ādye — before this life; tataḥ — thereafter; etat — this much; akāraṣam — performed.
Translation
Śrī Nārada said: The great sages, who had imparted scientific knowledge of transcendence to me, departed for other places, and I had to pass my life in this way.
Śrīmad-Bhāgavatam 1.6.5
#srilaprabhupada#harekrsna#iskcon#srimadbhagavatam#krishna#nārada#muni#ancient#sages#history#mythology#God#spiritual#knowledge#vedas#enlightenment#story#story writing#art#illustration#artists on tumblr#love#devotion
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First Tee Galleries in NYC
Are you stressed out by galleries watching you tee off on the first hole? Over the past several seasons, I’ve noticed an uptick in the number of players waiting near the first tees of New York City’s courses. This isn’t anything new, though. Seen above is an illustration from an article in the New York Herald, dated October 22, 1899, showing approximately twelve people watching a player hit their first drive at Van Cortlandt. For comparison, I’ve also included photos of the crowds around the first tees at Silver Lake in Staten Island, Forest Park and Kissena Park in Queens, and Van Cortland in the Bronx (circa 2022). I always try not to worry about the onlookers – chances are everyone is going to struggle with their first shot since there are very few opportunities to warm up at most of the City courses.
#golf#golfphoto#golfhistory#nyc#bronx#van cortlandt#queens#kissena#forest park#staten island#silver lake#golfnyc#municipalgolf#muni#photography#history
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fools are getting confused between Shakyas and Shakas and they're trying to teach our own history to us. He was called Shakya muni. Not Saka muni.
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flag id: two images of the same flag with a dark silver background. in the center of the flag are 6 slightly wavy stripes, which dip down near their left edges and go up near their left edges, forming the shape of a waving flag within the flag itself. they are medium light purple, light turquoise, very light yellow-green, cream, soft golden yellow, and tan. in the center of the left flag is a simple, stylized, dark silver symbol of a pencil, which is angled to the right, writing on a piece of paper with its edges rolled like a scroll. end id.
banner id: a 1600x200 teal banner with the words ‘please read my dni before interacting. those on my / dni may still use my terms, so do not recoin them.’ in large white text in the center. the text takes up two lines, split at the slash. end id.
comuniterm: a neogender umbrella for terms conceptually related to participating in mogai/liom community
[pt: comuniterm: a neogender umbrella for terms conceptually related to participating in mogai/liom community. end pt]
concepts included under comuniterm:
coining terms
creating flags
archiving terms
requesting terms
collecting/hoarding terms
using neopronouns, identifying as neolabels, etc.
making edits of flags, masterlists of terms/pronouns, etc. (basically any other types of mogai/liom posts not listed above)
helping others find terms that fit them, either through locating existing terms or coining new ones
knowledge and preservation of liom/mogai history
neolabel, subtliden, and liom inclusionism
running mogai/liom blogs
feeling connection with other members of the community
the joy, community, and creativity found in mogai/liom spaces
and more!
derived terms:
niol: a comuniterm person. plural is niolae.
comut: a comuniterm gender. plural is comuts.
ctin: comuniterm-in-nature (ex: ctingender)
cotermine: having comuniterm qualities. noun form is coterminity.
transcotermine: transitioning towards coterminity/a comuniterm identity. can be shortened to transcoter.
termaic: gender alignment to comuniterm/coterminity.
comu, comut, muni, munit, iterm, term, coter: optional/potential prefixes and suffixes for comuniterm genders.
the term is 'comunité' (old french for 'community') + 'term'! most of the derived terms are just various permutations of 'comuniterm', but 'niol' comes from 'neolabel' and 'liom'!
i've been thinking recently about just how the liomogai community has affected my identity over the years and how those effects feel like aspects of my gender in themselves, so... here's a neogender umbrella!
i took inspiration from the coinergender, requestgender, archivigender, and flagmakergender flags, so i went with cool colors, warm light neutrals, and golden yellow. the flag is meant to look like a flag in an editing software, post editor (as a new post or reblog), or other site/software (ex: being put into a rentry or carrd)!
here's the template if anyone wants to coin comuts!
the symbol is a pencil and paper, inspired by both the flag creation and writing (definitions, tags, lists, etc.) aspects of the community! i made the pencil myself and the paper is edited from scroll (2) in this folder. here's the symbol by itself:
[image id: a simple, stylized, dark silver symbol of a pencil, which is angled to the right, writing on a piece of paper with its edges rolled like a scroll. a blank image is next to the image so that it doesn't take up the whole width of the post. end id.]
tags: @radiomogai, @liom-archive, @macchiane, @genderstarbucks, @sugar-and-vice-mogai
tags cont: @freezingnarc, @skrimbliest, @seraphtrix, @en8y, @spadescrewcoining
tags cont: @mogai-sunflowers
dni link
#comuniterm#neogender umbrella#niol#niolae#comut#ctin#ctingender#cotermine#coterminity#transcotermine#transcoter#termaic#my flags#my terms#new flag#new term#mogai flag#mogai term#mogai
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Muni's Original Streetcar 1 from 1912 Next to New Boeing Light Rail Vehicle at Muni Metro Rail Yard on June 3, 1980
SFMTA Photo | SFMTA.com/Photo
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Were George and Ivan Vaughan goof friends? I recently read a conversation between John, Paul, Ringo and Yoko after George left, and there John mentions Ivan, but it's a little unclear in what context
Hi, anon,
While I'm not sure how close a friendship it was, they certainly knew each other. Here's a quote, and a photo (of Paul, Ivan, and George) from 1958 shared by Paul on social media in 2020.
Q: “You met Paul first.” George: “Yeah, Paul went to school with me. I met him when I was about twelve years old. So I had this guitar, the one I just talked about, and Paul had a trumpet for some reason. His father, in his earlier days, had been involved in a little dance band. He was a piano player. So there was a lot of music in Paul's house too. But when we started hanging out together, that's when Paul realized that he wasn’t going to be able to sing and play the trumpet at the same time. So he traded it in and got a guitar.” Q: “And somewhere along the line you got introduced to the Quarrymen.” George: “That's right. Paul had a friend who was in his class at school and he lived by John. He took Paul to meet John, and then I met him, and the rest is history!” - interview conducted by Scott Muni, WNEW-FM, 1987
Hope this gives a bit of insight, at least!
#George Harrison#Ivan Vaughn#Paul McCartney#quote#quotes by George#John Lennon#The Quarrymen#George and Paul#George and John#1950s#asks#anonymous asks#fits queue like a glove
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# INTRO post ♡
⌢ ⌢⌢ ⌢⌢ ⌢⌢ ୨୧ ⌢⌢ ⌢⌢ ⌢⌢ ⌢
‧₊˚࿐ ﹋ 💉 「 romeo / len 」🐾
♯ 14 ꒱ ༘
๑ ◞♡° robert chase yumedanshi !!!
꒰ francis (bsd) lvr! ೀ
- ꒰ 🎀 literally an alien puppy prince.. ꒱
⌢ ⌢⌢ ⌢⌢ ⌢⌢ ୨୧ ⌢⌢ ⌢⌢ ⌢⌢ ⌢
ᝬ ʿ interests/likes 𖦹˖࣪Ꮺ !
꒰ House MD,, D4DJ,, Love Live,, Homestuck,, BSD,, Hetalia,, DDLC,, HypMic,, Charisma House,, FNaF,, JFashion,, vtsom,, slime,, drawing,, history,, biology,, Chiikawa,, aquariums,, paswg,, GuP,, etc.. ☆ ꒱
˖ ⚙️ ᝬ ʿ kins 𖦹 ˖࣪Ꮺ !
꒰ izumo saki,, jade harley,, yohane tsushima,, yuri (ddlc),, doppo kannonzaka,, ramuda amemura,, muni ohnaruto,, terezi pyrope,, hanayo koizumi,, nico yazawa,, saori hidaka,, kurumi shiratori,, aya koda (BSD),, shinobu inuyose,, sigma (bsd),, Italy (Hetalia),, England (Hetalia),, natsuki (ddlc),, feferi peixes,, rina tennoji,, shizuku osaka,, rin hoshizora,, + etc.. ꒱

˚ 。 🎠 BYF + DNI 🎠 。˚
♡ byf ; HI OMGOMGGO im like soNew to tumblr so i kinda dont know how anything works but hi.... i love it here ive been housemaxxing evwr since i got this apo yesterday im so happy wth.. ANYWAYS. im super awkward super shy w new mutuals esp when it comes to dms.. (IDK IF P3OPLE JUST DM EACH OTHER ON HERE WHEN THEY THINK SOMEONES COOL?!?! thats just.. what im used to on insyta..) SO it might take me some time to reply like it could be. a whole 2 days yikes BUT I LUV MAKING NEW FRIENDS SRS😢😢 uhmuhm i make lots of typos amd i meanLOTS i also need tone tags sometimes i can miss jokes a lot. Oh and im so cringe when it comes to my favs i just love them so much ohtmgo💔💔💔 i do get rather jealous over my yumeships and favs but i also dont really mind like i mostly keep to myself ahsksialsiqk AHHH but yeah uhm mostly active on insta !!!!!! also more info on strawpage i think!!
♡ dni ; basic dni (homophobes, racists, etc etc) anti neopronouns,, 18+,, and idrk jist dont be gross weird and rude 💔
#promo post#intro post#d4dj#house md#robert chase#hetalia#love live#love live school idol project#love live sunshine#emma verde#chiikawa#homestuck#hypmic#hypnosis mic#bsd#bungou stray dogs#bungo stray dogs#fnaf#five nights at freddy's#jfashion#charisma house#vtsom#vincent the secret of myers#looking for oomfs#looking for moots#moots#looking for mutuals#oomf#mutuals
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¡"Angel Pt. 1" ocupa el puesto número 65 en el Billboard Hot 100 de esta semana!
¡Jimin logra la mayor cantidad de entradas de canciones Hot 100 por un acto asiático este 2023 y la mayor cantidad por un solista asiático en la historia!
¡Park Jimin es ahora el acto coreano y K-pop más rápido en ingresar al Billboard Hot 100 con cuatro canciones en la historia!
¡Lo logra en cuatro meses!
#65 Angel Pt. 1 [NEW]
#1 Like Crazy
#30 Set Me Free Pt. 2
#76 Vibe
¡Park Jimin es ahora el solista coreano y K-pop líder de todos los tiempos en número de entradas de canciones en las principales listas de sencillos de EE. UU. y Reino Unido!
Entró en ambas listas con cuatro canciones como solista solo en 2023:
Angel Pt.1.
Like Crazy
Set Me Free Pt.2
Vibe
En 2020, la canción en solitario de BTS de Jimin, "Filter", se convirtió en la primera B-side en solitario de Corea y K-pop en ingresar también a las listas principales de sencillos de EE. UU. Y el Reino Unido.
#park jimin#jimin#jiminie#jimin ah#jiminshiii#amor a el 💜🐱#congratulations jimin#felicidades jimin#jimin spotify#JIMIN Ost Fast X#Jimin x Fast X Original Soundtrack#Jimin x Angel_Pt1 FastX#Angel Pt.1 by Kodak Black NLE Choppa Jimin of BTS JVKE & Muni Long#Jimin_FACE#LikeCrazy Jimin#Like Crazy by Jimin#SetMeFree_Pt2#SetMeFree_Pt2 Jimin#jimin haciendo historia#HISTORY MAKER PARK JIMIN#VIBE (Feat. Jimin of BTS)#JIMIN FATHER OF K-POP#Jimin Fast & Furious X (Original Soundtrack) Fast 10 Te Cura / The Album Fast X X Fast & Furious X#JiminNo65Hot100#AngelPt1No65Hot100#LikeCrazyNo1Hot100#VIBE76onHot100#JiminNo.1Billboard Artist 100#Park Jimin es ahora el acto coreano y K-pop más rápido en ingresar al Billboard Hot 100 con cuatro canciones en la historia#mi artista favorito jimin 💜
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⌖ ๋࣭ ⭑♚₊🗡 ๋࣭ ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ
ᴀ ᴄᴇʟᴇꜱᴛɪᴀʟ ᴍᴀꜰɪᴀ ᴀ.ᴜ.
⌖ ๋࣭ ⭑♚₊🗡 ๋࣭ ᴏɴʟʏ ᴛᴏ ʙᴇ ᴋɪɴɢ ᴀɢᴀɪɴ ๋࣭🗡₊♚⭑ ๋࣭⌖
ʙᴇꜰᴏʀᴇ ᴛʜɪꜱ ᴘᴀꜱᴛ ɪꜱ ᴄᴏɴꜱɪᴅᴇʀᴇᴅ ᴘʀᴇᴠɪᴏᴜꜱ . . .
pt. ii | | series masterlist
focus on: muni sarang (diane meunier), choi san, & song deokhee word count: ~4.6k warnings: language, intermittent Lore Dumping™, mentions of violence, occasional graphic imagery, mentions of semi-main character death, Even More Gods Are Introduced and i think that is lovely
ᴛᴄᴅᴜ (ᴛᴏᴏ ᴄᴏɴᴠᴏʟᴜᴛᴇᴅ, ᴅɪᴅɴ'ᴛ ᴜɴᴅᴇʀꜱᴛᴀɴᴅ) ɪꜱ ɪɴᴄʟᴜᴅᴇᴅ ᴀᴛ ᴛʜᴇ ᴇɴᴅ ᴏꜰ ᴛʜᴇ ᴄʜᴀᴘᴛᴇʀ !
⌖ ๋࣭ ⭑♚₊🗡 ๋࣭
lilo's mic: still knee deep in history but with more character introductions! i think at some point i might do a character recap page where i can offer some quick stats about the character's strengths and role, but idk if it would be helpful or just another way that i Procrastinate™ — let me know your thoughts !
⌖ ๋࣭ ⭑♚₊🗡 ๋࣭
⌜ my girl pinched my hips to see if i still exist / i think not ⌟
ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ ๋࣭🗡₊♚⭑ ๋࣭⌖
— ʜᴀᴇᴍᴏ ᴘᴏʀᴛ was the main harbour of hoku city. home to the oldest and most robust working port on the island, the leeward side of the city was often referred to as haemopu side — an amalgamation of the names ʜᴀᴇᴍᴏꜱᴜ, the god of light and namesake of haemo port; and ᴋᴀᴘᴜ: sacred, taboo, forbidden. it was an unspoken rule that the shadows that danced on haemopu side were all puppets of that power known as serpens, and if you saw their strings or witnessed their plays, you would keep quiet, or your days were numbered — your gift from samgong through.
— still, haemo port was vast and wide, and business had to keep. it wasn't particularly bad luck to be a shop stationed near haemo port: there was so much foot traffic there, so many lives crossing back and forth, still hungry to survive; the best of money could be found for those who dared haemopu and kept their sight where it belonged — out of their eyes and in the open hands of hoku — or so the urban prayer went.
to the untrained eye, haemo port and ʜᴀᴇꜱᴜ ꜱᴛʀᴇᴇᴛ (the road that led to the devouring mouth of it) were the same as any other harbour on the island: only slightly more complicated than the sum of their intricately stacked, labyrinthine parts; bathed in light by enormous streetlamps so that when the sun went down, the majesty of ʀᴀᴋᴇᴛᴜ, night, couldn't be the refuge with which spirits attempted to thwart demons. but the fangs of some serpents still found their venomous purchase, and the storefronts along haesu street were often just that — fronts. legitimate stores, but facades for things still sinister, sliding their way through the waters, encircling your world, whole.
— on the furthest place inland haesu street ever went, there was an old business complex that had stood so long the original signage was lost and along with it, the precedent name. haemo complex, haesu park, haemo plaza, haemopu ether — old things have many names, and in legend, the many named becomes gods. inside the six story building, shops and establishments checked in and out like aimless souls in a graveyard: some lingered, some faded, some lasted the test of time.
on the first floor of haesu complex stood a taekwondo studio.
next to it, an indoor shooting range.
— we start this story with the taekwondo studio — the dojang, where mountains go to be edified and pupils to be fortified. eventually, we will open the door to see what is made with bullets and loose gunpowder, but for now, we take an abrupt turn right, through the third set of doors on the ground floor.
ᴄʜᴏɪ ᴊᴇᴏɴɢᴄʜᴇᴏʟ, father of one, was the owner of the modest studio: a stern man with a compassionate underbelly, a fourth dan black belt and the first sabeom — teacher — to enter the business complex. in the early days, when he was newly teaching and the world was more cruel and wanton than it ought, he orchestrated and ran illegal fights in the backmost part of his dojang. necessity begged it; life forced his unwavering hand. he'd never been proud, but he stood in his choices steadfast, and if you only saw the whole of him from an angle upturned and below, it seemed the might of him was his honor, unmarred.
dealing in entertainment and prestige, jeongcheol made ends meet in the evening to bring necessities and opportunity to his wife and newborn son at dawn, and by noon, instill dreams in the children that called him sabeom, center of their budding confidence.
when the serpens found out about his midnight habits, they paid a prompt price for front row tickets. by the end of the evening, jeongcheol's rental payments were moved to an account more reliable, and his small family moved out of the back office space and into one of the apartments that sat on the fifth and sixth floors. in exchange, the fights would persist on a grander scale at a more regular schedule ad infinitum, and the serpens would get their due cut.
jeongcheol always knew that this favor would amount to more debt, in the future, but for the security he was promised, in this blood oath? for the advantage and chance he could bestow upon his son? if it were shortsighted and misguided — this business deal with the serpent of the sky — then forgive him, but omniscience was simply the name of his city, not the power in his mind.
— and as san, his darling boy, grew from jeja to seonbae and in the course of time, sabeom all his own — a 3rd dan black belt and the pride of jeongcheol's world — the price of a demon's mercy became ever clearer, crystalizing into the certainty of future: law.
— it was in that very dojang, after all, that jeongcheol added to his myriad of students two young girls: diane and soyeon, dawn and dusk. jeja diane, a student named wisdom, took early to sparring with san, never minding that the younger always won, ever scheming to learn from a protégé's skill.
when san was chosen to be the demon heir's protector, it wasn't a matter of surprise or honor, simply that of providence.
and san was dignified by it, at any rate.
— only ever envisioning an inherited taekwondo studio for himself, a modest future but fulfilling dream, san's world expanded at the hands of diane — and his dojang, while still being the center of all his tethered existence, was a future now shared. ʏᴇᴏꜱᴀɴɢ, a pupil and friend, would aid him in handling the fights in the backmost part all of his father's hope and shame, an eternal rite, the sisyphean promise the choi family would never complete.
— jeongcheol had slowly backed away from the uglier side of his business as he aged into complacency and fatigue, and san had taken up the mantle in his place. now, sin would beget sin and shackled to the serpens would be yet another soul.
yeo was clear that he didn't mind.
already one foot into corruption, what was one more leg?
— he'd been cleaning up bruises from betting fights and broken limbs from shadow duels for years. he'd sewn flesh together the way others might knit tenderness and virtue, goodness and love.
every dojang needed it's medic. and every medic needed his charge.
— this was merit enough, for the both of them. respect for san in being trusted with something on which the whole of the underworld revolved; prestige for yeosang in the power inherent of a ruling head of a domain long standing, and in it's ancience, revered.
and watching them both, once the hand that led them deep into the mouth of something ravenous, still, stood choi jeongcheol, left wondering when security was no longer security — a promise no longer words of honor.
ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ ๋࣭🗡₊♚⭑ ๋࣭⌖ ᴄᴏɴᴛ.
— diane had asked him to disappear, again.
— it was never an explicit demand, not since the first time, when she'd been following the tail of a banker and realized it would be so much easier to approach him if she were just a woman and not a daughter, held.
the nameless banker had decided he no longer wished to be a pigeon fed from an opened hand but a raven shot out of the sky, the shiny things he stole slipping from his traitor beak and landing back into the hand of the power that wielded the shotgun evermore.
— "you're intimidating, san." and it hadn't been her words or the command in her eye so much as it was a shift in her being — sarang to diane, veracity to something mutable and ever brewing. "i need to ensnare him..."
and he'd slipped away, taken her half-cue and was already gone.
— if the demon of hoku knew how often diane asked him to slip away, san was sure the mythic ernest would be none too pleased. it takes half a second for malignance to seize you in hoku city, and only a fraction of that if you're particularly inclined. of course, san was never far, and sarang more competent than what the wills of well meaning fathers offered her, but it would be more than just san's immortal soul on the line if something befell her and he were at all still breathing.
but it was always sarang's eyes that sought for the mercy of him, in the hairbreadth turn of her infinitesimal micro-expression, the graceful warp into something so unseen it were all but hidden to eyes that were any less devoted than his. and it was never a question because she would never need to ask; he'd learned to read the depths of her during sparring sessions in a dojang made of his youth and all his tomorrow. once, he'd crafted alongside her the armor that was so much a second skin, there were barely any joints or seams that one could rub the pad of their thumb along.
he'd seen her, then, and so he always knew.
— and that's how he found himself here, again. vanished from a spot he said he'd always defend: dematerialized, because bang chan had come to call.
— or so diane let the boy think. she'd found chan first, weeks before this encounter he'd name 'chance' or 'fate'. it had been simple to learn his routine and easier to insert herself in it. a coffee shop he always walked past. her new favorite window seat. a position so comfortable it looked as though it had always been.
and so they talked; this woman neither diane nor sarang, crafting a life by degrees of admission, chan warming to the gentle flame of her lies so that eventually, perhaps, knowledge of him would melt, secrets in him slip between them, in this place behind glass, warm between cups of untouched coffee.
not even san would hear the things chan would reveal in his adventurous, half-flirtatious speech. the thought often made the black belt's heart skid — his resolve stutter — but the bulk of him never wavered. he was a mountain and summits never crumbled; their might certainly never moved.
and that simple conflict of interest was something his friends never failed to entertain, and in mocking, enjoy.
— ᴅᴇᴏᴋʜᴇᴇ, twin sister of ᴡᴏᴏʏᴏᴜɴɢ and the one-minute younger half of their expert gunman team, was the one to first discover san's internal battle, having joked about his affection for diane from his sabeom days at the dojang. first, a true baseless joke, then overtime, a comfortable uncomfortability for san as it grew in truth and size.
san and his diane; no one loved their work the way san did; if san could marry duty he would.
— if he wasn't always looking at deokhee down the barrel of her sniper rifle, he just might knock some humility into her near prophetic teasing and her twin's identical shit eating grin.
but what was he to do when she was, in part, always right?
— sarang laughed at something chan said, and diane reached out to touch his shoulder with the soft of her hand. san turned his gaze, somehow half guilty, and that's when he saw the ephemera of a shadow he should not have.
what was kim hongjoong doing all the way here?
— first order of business would be to pull sarang from the place at which she stood. second would be to see just who the informant whisperer was that hongjoong strove to meet. third would be to evaluate just where that placed this puppet-master of secrets in the ever turbulent waters of organization and fealty — obeisance and axis.
— san was standing in front of her in the coffee shop before the shadow had ever truly dissipated — before any of the prior thoughts had fully formed in his mind.
sarang was good at smoothing her own confusion and concern, and playing the part of the innocent and sheltered. she huffed a convincing sigh and muttered something about a father that, overprotective, cut her time with this young officer short, and san caught the thrown word of 'cousin' like a fire-hot, thousand pound and ever-burning coal.
so that's how she'd explained his presence to chan.
— when she knew she'd almost been caught in the act by hongjoong, sarang swore.
— ʜᴏɴɢᴊᴏᴏɴɢ was a member of the serpens syndicate, and had, since the death of byeonghwa, been the watchful eye that extended past the confines of hoku city. loyal to the demon — a horkos made potent in the poignance of a blood debt — hongjoong was trusted... so far as anyone could be reliable, in this city that ate you whole, in these times that twisted the sinew of your very heart. at any rate, he was an informant of ernest, and while not one nearly as volatile as soyeon, still convoluted in intent.
he would be interested — perhaps even moreso curious than san, who daily burned all of his inquisition and steadfast resolve near through — as to what the demon heir was doing out here, in the pristine half of hoku city, talking with an officer that would just as soon as imprison her, if he knew even a fraction of the atrocities and moral impurities she ordered and aided, abetted and carried out.
— of course, even if hongjoong were to ask, sarang would never tell.
— not even with san, himself, did sarang reveal her true intentions in this business involving newly minted officer bang chan, a rookie at some few years post-graduation, an acquaintance turned friend from their first windfall encounter. not even with san, who knew the verity of sarang and had cherished her humanity from it's first appearance, did she let any information slip, a single hint pass.
he'd look into her eyes and unexpectedly, a wall was there — a guardedness of which he'd never known. she was no longer forthright about all possibilities with him. her thoughts were not so easily read, her want not so readily known.
— but that was not the worry that had the jaw with which to gnaw at san. not yet, anyway. not when hongjoong was surreptitiously on the same path as them, in a place where neither was colloquially seen (his informant hadn't been anyone of note, and so the consequence of his gained knowledge that day couldn't have been much, but one could never be complacent, if they wished to thrive).
— not when soyeon was unhappy, and sarang was the fool to not believe it.
— not when ernest, kingpin of terror, chessmaster of the underworld and ruler of hoku city, was mired in that slow changing-of-hands and place of gentle retreat where all of his speech was about the hand of iku, that terrify in the weight of dying.
the death of a demon was always a wounded threat that demanded first redress.
— it had started, in part, with the death of byeong-hwa. what was a king, after all, when his sworn shield had fallen? what menace was left in a monster, when his right hand was rotting, 6 feet below? the monsoon season would come, and a sickness would plague ernest along with the rain. jangma was the will of bada — the monsoon season the cursing volition of the sea. it was divine law, in some ways, that bada would claim her vengeance on hoku by taking it's epicenter and sweeping it's fortune and prosperity into her tumultuous seas, but it was still too soon, and thus, a secret well hidden.
no one in the serpens outside of the few remaining elders that sat at the demon's table, byeong-hwa's only daughter, his heir, and his warded nephew knew of the state of ernest's true mind.
the tides were swelling, the ground was saturating; bada was clambering toward the city, and at the time least affordable, the cracks between sarang and soyeon's friendship and intertwined lives deepened to a schism, with roots on either side, blooms torn apart, thorns tearing stem like gnashing teeth devouring flesh.
— when it rains, it pours, and in jangma, the storms were violent and unending; when bada raged, all the gods hovered close to witness her torrential price.
— "i'll tell ʏᴜɴʜᴏ." when they were haemopu side, diane turned to san, the silence between them broken, the confidence that always held in it's place perhaps worse for wear, if either of them had the resolve to mention it. "he'll have some clever way to spin hongjoong off our track - if he even saw anything in the first place."
— san nodded: just once, a jerky motion that left this world still buzzing, a dull, low whine.
yunho, sarang's cousin, was a close confidant of theirs. he moved into the serpens complex when he was 17. some commonplace tragedy left him with a want in the pit of his belly, and ever since the breaking down of all that tied sarang to soyeon and night to the dawining day, he had played the role of strategist and pragmatic advisor to his cousin — a safer, less volatile option for diane to pick, considering soyeon had always been her council, former.
— diplomats need their advisors; conmen require their marks. diane had a necessity for yunho and a plan for bang chan, and of course, they would be dealt with first. san was just a bodyguard, and in this way, he'd always known his place. but favor had a way of lead to want, and if he tended to that fire, it could always lick its way past his defenses and consume him whole.
— sarang blinked, and the change pulled san from his thoughts the way it always would. born to serve, her movements were what he'd been shaped to read. "i guess i'll tell hermes that you stood him up for yunho again, when it's time for your 13:00 date and you don't show."
— sarang laughed at that, warm and clear, almost chasing away the mist that had gathered all through the day, at choice intervals and expected alleyways, thickening to the obscurity of fog. hermes was sarang's greyhound — the puppy she'd once found when younger but crowned wise. she never had taken him to the serpens complex, where he could be socialized with the dobermans she'd cared for most her life. instead, san took him in — an act of kindness she never stopped praising him for, never quite forthright about her reasoning but offering just enough to where he was satisfied.
"tell the twins when you see them i need to have a word."
ꜱᴇᴇ ɪꜰ ɪ ꜱᴛɪʟʟ ᴇxɪꜱᴛ ๋࣭🗡₊♚⭑ ๋࣭⌖ ᴄᴏɴᴛ.
— the shop never had a name: just a wordless sign in the shape of a generic gun scope: the focus for an eye you'd never look into as you took your final, heaving breath.
the shooting range, the eye, akita's place, the final shop on the ground floor of haemo plaza.
— every child who'd ever touched a gun — any soul who had enough of some small mercy they had the fire to protect it in this heaving city — had, at some point, entered the shooting range that sat haemopu side. established longer than jeongcheol's dojang, but having changed hands at around the same time, the shooting range was owned by a woman named ᴀᴋɪᴛᴀ — ex-military but dishonorably discharged, a mother of twins, and simultaneously warm yet cold: distant, but always manning her station.
it was only natural that, sharpshooter of her squad, akita had taught her children to shoot from the moment their hands had the strength to thumb a trigger.
eyes bred to look at you through the barrel of a firearm, hearts trained to see the liberation at the end of a mission and none of the causalities between. akita took her twins, cradle of her future, and gave them all the skills she broke skin and bruised knuckle to hone. they would never have to struggle, because they would be born with skilled gift. they would have the freedom of honor, because no training would mar their resolve.
— at first, the shooting range was only that which sat within the four walls in the ground floor of that complex. but slowly it expanded: the back property, accessed through the side entrance, narrow but deep, for single sessions with moving targets; the abandoned lot near the docks that akita had come into possession of by chance and was appraising for sale until her daughter showed an aptitude for long range and a spark to pursue it.
before long, what was modest expanded, and with an open mouth, devoured until engorged. the shooting range was well known. beloved. conspicuous. exactly the sort of place one would expect to find a doorway into the depths of a now illegal, though still legitimate syndicate, and therefore, a place where they could never be found. in reverence and renown, akita secured a safe haven for her children, a place where they could rest without the fear of being poached.
two doors down, the serpens paid a lease, but here, in the four walls she maintained, they could never sink in their teeth.
but fate was the domain of samgong, and mischief the trait of hoku, and here, in a city where the presence of gods were only so strong because they were so ceaselessly revered, the two powers often conspired to thwart the dreams of those who dared trying, and those whose complacency masqueraded as crown.
— wooyoung, the older of the twins, was the impulsive to deokhee's passion. touched by caprice, drowning in compulsion — akita whispered into his ear as he grew up, tickling the soft skin hidden there, that he was born the same star sprite as hoku: before he became the omniscient eye, back when he was nameless, and his fervency was tried by the test of his father's tedium. in constant motion, neverending activity: "make no deals with iku, listen not to the obligation of horkos. you are a star, you belong to nothing but your own burn."
— deokhee, of course, was the fire burning her older brother brighter, still, the combustion in his path that kept him from apathy, that saw all his visions through. ᴇɴᴊɪ, her mother would call her, the fire god born into flesh. the ardor, the devotion, the commitment deepening to obsession, the dedication to wooyoung's whims, the conviction in her twin brother's mania. akita adored her daughter's fervency, fanned the flames of her exuberance never quenched. "shackle yourself to no one, my enji, you are not meant to be contained. never turn in on yourself; find a direction to incinerate: you are meant to set this world ablaze."
— avoiding flirtation with the fetters of the serpens was an unspoken request from akita, a desire never plainly raised. if she had been wiser (if she saw all too clearly the way serpents rise to challenge and adaptable, warp their venom to something honey-sweet) perhaps akita would have been more explicit in her demands, exact in all she envisioned and prayed to conspire. but it seemed an evident requirement, a moral anchored deep and in it's inevitability, made potent and strange.
"you are made for more," she had always told them.
but what can be done when your only framework of 'more' and 'greater' is the gunpowder residue of a superior weapon?
— once, akita built her children into crook of a firearm. ever after, they would know mostly it's bitter taste.
— none of this is to say, however, that the twins were a tragedy and their penchant something acrid, lead.
— deokhee was bottled excitement and effervescent joy in every task, and wooyoung the kind of gregarious that surrounded him with enthusiastic friendship and kindred brotherhood in every space he ventured to grace.
— and ᴛʜᴇ ʟᴜᴍɪɴᴀʀʏ was one of those third spaces that wooyoung and deokhee frequented most.
a serpens owned establishment: an electricity plant on the edge of town, with hidden rooms that opened into dark things that could only hide in the shadow of a generator as massive as that which fueled a never-blinking city. the luminary was one of the largest holes in the wall that the serpens ran. there, you could order any sin you could pay the ferryman to usher you to.
(so long as you were in the right room, of course. the serpens liked to keep their messes orderly.)
— the twins mostly frequented the rooms with standard bar fare. alcohol, dance, betting and games of chance, fisticuffs when more than just spirits hit you square in the jaw after one freedom too many. a common enough vice with a burgeoning sea of acquaintances and a militia of contacts and friends. it was here, in the pale of haemosu's light — all the glare they could harness but never reach — that the twin's sociability spun a web that was never meant to entrap them, but still made them the perfect players for a serpent game.
after all, it was in the luminary that the twins aligned themselves with the ꜱᴘɪɴᴇ ʙʀᴇᴀᴋᴇʀ ʙɪᴋᴇʀꜱ.
a group of criminals and delinquents that rode through ꜱᴋɪᴛ — the next door neighbor of hoku city, and the border at which the serpens let their needles halt. the serpens owned hoku, and every gang and group of would-be hopefuls that they'd long run out had taken up station in skit and brawled it out, there. a neighboring city was of no consequence to the serpens as long as they spilled blood on their rightful side of the fault line, and the spine breakers were a fairly established group that worked their own city and only occasionally crossed the borders of hoku — careful to always show their deference and pay their dues. they were a infrequent though to some familiar face in the luminary on nights when the moon hung low, mostly to work deals with the mercenaries for hire in the back, and always to chase a drink alongside the twins.
ᴊᴜɴɢᴋᴏᴏᴋ was their closest companion of the lot, and if his drink of choice was an expected usual, and his uninspired flirtation with deokhee an affectionate and comfortable aside, then the night would be warm and the luminary waitstaff would make better money in tips than they had all month.
— and it was precisely that friendship with jungkook (and perhaps their closeness with san, though why make complicated something already written by fate?), that brought the twins to the serpens those aging years ago.
it had been hongjoong, newly syndicate minted, that noticed these two sparrows who somehow seemed to know everyone he had been keeping his thousand eyes on, and dared to ask himself what use could come with knowing their names.
it had been simple, after, for seonghwa to convince him that wooyoung was the easier approach, and for soyeon to cast the die on his fate.
(but that had been years ago: before the breaking down of factions, before suspicion and envy cast shadows that demons new not how to play, before ties were cut like marionette strings, and seonghwa and soyeon became a duo, and hongjoong, far enough from the barrel to not yet choose how to align, had to keep his ideas in his breast pocket and his lies tucked beneath his tie.)
— in the end, the twins were brought into the serpens because their connections would open doors that had no keys. it was through wooyoung and deokhee that the serpens greedy left hand reached into the heart of skit and, with an emboldened and wanting jungkook, staged a coup and installed this friend as the spine breaker's acting head.
ever after, the bikers would be in debt of the might of hoku, and in perpetuity, there would be scouts and reinforcements should there be need of aid from a distance.
— it was simply providence that the twins would have use beyond their sociability and want. it was the work of that ever mischievous hoku that in a chance encounter and a single ploy, diane was gifted with the two best marksman the city could afford.
danger, of course, in the single-minded passion of deokhee and the brilliant, aimless apathy of wooyoung, but when combined together (and wooyoung under the threat of the only one he swore obeisance to: san), they were a power more than their arsenal, a weapon greater than their might and distant reach.
— when san found the two of them sitting on his couch, deokhee knuckle deep in affectionate rubs for hermes, wooyoung eating noodles out of the pot, on his pinky swinging the apartment's spare key ("for emergencies," san had said, and pointedly handed it to deokhee), there was less a reaction of disappointment or surprise, and more an acceptance that at least this way, the message would be easily delivered, in brevity, made sweet.
"diane's calling."
⌖ ๋࣭ ⭑♚₊🗡 ๋࣭ ᴏɴʟʏ ᴛᴏ ʙᴇ ᴋɪɴɢ ᴀɢᴀɪɴ ๋࣭🗡₊♚⭑ ๋࣭⌖ pt. ii | | series masterlist
ᴛᴄᴅᴜ (ᴛᴏᴏ ᴄᴏɴᴠᴏʟᴜᴛᴇᴅ, ᴅɪᴅɴ'ᴛ ᴜɴᴅᴇʀꜱᴛᴀɴᴅ) :
1 - jeongcheol, san's father, used to run a taekwondo studio. because times were hard, he ran illegal fights in the back of his dojang, and when the serpen's found out, they co-opted his business and expanded it. as he got older, he passed down his dojang to san, who now works as the bodyguard of diane. because of his busy schedule, he co-manages the dojang with yeosang, the medic of the taekwondo studio.
2 - the taekwondo studio is situated on haesu street in an unnamed work-live complex often referred to as haemo plaza. on the same floor as the dojang there is an unnamed shooting range, owned by akita, the mother of twin gunman for the serpens deokhee and wooyoung. akita does not know of her children's affiliation with the syndicate and would disapprove if she knew.
3 - san, deokhee, and wooyoung are all friends are are closely allied with diane. diane is also close allies with yunho, her cousin and strategist council after her falling out with soyeon has deepened in the past few years (there has been a vague multi-year time skip from pt. i to pt. ii).
4 - ernest, kingpin of the serpens, is currently dying. it is a well kept secret - but not from soyeon, who diane fears will use this knowledge opportunistically. recently, diane has been keeping many secrets from even her closest confidant, san, especially regarding her consistently visiting officer bang chan, trying to weasel from him secrets... but about what?
5 - hongjoong is a member of the serpens with many secrets and many informants. diane is unsure if, in the power vacuum created after ernest's death, if he will show loyalty towards her or soyeon, and so she is wary of what he knows, when he was in the area as she was meeting up with bang chan.
6 - hongjoong was the one to originally recruit twins deokhee and wooyoung, because they have many contacts in hoku and neighboring cities - notably jungkook, now leader of a biker gang in the neighboring city named skit.
7 - diane has a mission for deokhee and wooyoung heretofore lacking details or rhyme.
now onto pt. iii . . .
#lilo.writing#writing.otbka#another 'not been beta read: we die like men' entry in the tumblr void but if you love me you'll let that go#i'm sorry if this is still lacking a semblance of a plot because WOW there's like. a lot of history here to set up.#why did i choose to start where i did when i easily Could Not Have????#anyway so sorry mingi wasn't introduced this chapter like i was hoping i got carried away and didn't want to keep you past 5k#can you tell i love a dramatic set piece half of this upload was me waxing poetic about new locations and The Trap Of Poverty#IF YOU'RE WONDERING WHY YEOSANG IS HERE I THINK I'M RECANTING MY 'CRUMBS OF JONGHO AND KYUNG-AH' IN EXCHANGE FOR SOMETHING ELSE#also hey yunho's here! maybe in pt 3 or 4 mayari will show up so i can sprinkle in exposition for their romance (it's the soft one)#also yeah i know i originally said the first arc of this fic was going to be 3 parts but i lied#anyway pls pls pls annoy me about this i have THOUGHTS about itttttt#and reblog or at least reply to the post you cowards#like if you simply cannot do anything else but bro i just want to know if you even made it to the function.#not even requesting you tell me if you had a good time.#oh yeah; san in falling into his trap of: always being portrayed in fic as the tragic 2nd male lead#also can you guys guess who the owner of the luminary is. can you.#it will become plot important but the reveal isn't anything beyond silly silly stupid.#it rhymes with wackson jang.#YOU KNOW I HAD TO DO IT TO US.#oh! and yeah; i've conflated mythology and made diane an amalgamation of diana (artemis) and minerva (athena).#diane deserves the wisdom motif okay. it fits symbollically in the narrative.#also every csl girlie has a patron god or mystical force; if you guess what they are i will give you a virtual piece of haupia
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