#Mr. X in Bombay

[musicmags]

[aahanna]

"I subscribe to Spotify Premium for songs like these."

[bollywoodirect]

Remembering Nalini Jaywant, one of Hindi cinema's most versatile and beautiful actresses of yesteryears, on her 98th birth anniversary today (18/02/1926). Blessed with an extraordinarily serene face, as innocent as a cherub's, Nalini Jaywant was a huge star in the early fifties. Along with Suraiya, Nargis, Madhubala and Meena Kumari, she was right at the top. Making her debut in the 1941 film ‘Bahen', Nalini Jaywant was first noted in the 1948 hit, ‘Anokha Pyaar', a love triangle that also featured Dilip Kumar and Nargis. She had to die in the end and there was a not a dry eye among the audience. Her first major hit was ‘Samadhi' with Ashok Kumar, a pairing which lasted for 12 more films. It was also remembered for the jazzy number, ‘Gore Gore O Baanke Chhore'. Among her other successful movies with Ashok Kumar, were ‘Sangram', ‘Nau Bahar,' ‘Kafila', ‘Mr X' and ‘Naaz' which was shot mostly in Egypt. The star was much in demand for her versatility, which she exhibited in light, romantic films with an entertaining music score such as ‘Munimji,' ‘Hum Sab Chor Hain', ‘Naujawan' and ‘Jadoo'. Mo wonder, she was accorded the No 1 female star status in 1954 and a 1950 Filmfare poll judged her as the ‘Most beautiful star of the Year.' ‘Kala Pani' fetched her a Filmfare Award. Nalini appeared in around 60 films, ‘Bombay Race Course' -released in 1956- was her last as heroine. Though Nalini made a comeback in 1983 in ‘Nastik' as hero Amitabh Bachchan's mother, later she simply disappeared from the movie scene, the media and public glare. In the end, her long years of film stardom did not matter, and no one seemed to care. On 20, December 2010, Nalini Jayawant died of a heart attack, alone and forgotten in a small bungalow in Mumbai's Chembur suburb, where she had lived in seclusion for more than two decades.

[shrimpbiryani]

I got tagged by @alvallah (thank u 😘) to list 10 songs from my “on repeat” playlist on spotify:

I’m tagging @tumkaafiho @infantisimo @lympharis @9javan @catterringgg

[irdaleen]

4 AM + RED

[hellsitesonlybookclub]

Around the world in 80 days, Jules Verne

CHAPTER X. IN WHICH PASSEPARTOUT IS ONLY TOO GLAD TO GET OFF WITH THE LOSS OF HIS SHOES

Everybody knows that the great reversed triangle of land, with its base in the north and its apex in the south, which is called India, embraces fourteen hundred thousand square miles, upon which is spread unequally a population of one hundred and eighty millions of souls. The British Crown exercises a real and despotic dominion over the larger portion of this vast country, and has a governor-general stationed at Calcutta, governors at Madras, Bombay, and in Bengal, and a lieutenant-governor at Agra.

But British India, properly so called, only embraces seven hundred thousand square miles, and a population of from one hundred to one hundred and ten millions of inhabitants. A considerable portion of India is still free from British authority; and there are certain ferocious rajahs in the interior who are absolutely independent. The celebrated East India Company was all-powerful from 1756, when the English first gained a foothold on the spot where now stands the city of Madras, down to the time of the great Sepoy insurrection. It gradually annexed province after province, purchasing them of the native chiefs, whom it seldom paid, and appointed the governor-general and his subordinates, civil and military. But the East India Company has now passed away, leaving the British possessions in India directly under the control of the Crown. The aspect of the country, as well as the manners and distinctions of race, is daily changing.

Formerly one was obliged to travel in India by the old cumbrous methods of going on foot or on horseback, in palanquins or unwieldy coaches; now fast steamboats ply on the Indus and the Ganges, and a great railway, with branch lines joining the main line at many points on its route, traverses the peninsula from Bombay to Calcutta in three days. This railway does not run in a direct line across India. The distance between Bombay and Calcutta, as the bird flies, is only from one thousand to eleven hundred miles; but the deflections of the road increase this distance by more than a third.

The general route of the Great Indian Peninsula Railway is as follows: Leaving Bombay, it passes through Salcette, crossing to the continent opposite Tannah, goes over the chain of the Western Ghauts, runs thence north-east as far as Burhampoor, skirts the nearly independent territory of Bundelcund, ascends to Allahabad, turns thence eastwardly, meeting the Ganges at Benares, then departs from the river a little, and, descending south-eastward by Burdivan and the French town of Chandernagor, has its terminus at Calcutta.

The passengers of the “Mongolia” went ashore at half-past four p.m.; at exactly eight the train would start for Calcutta.

Mr. Fogg, after bidding good-bye to his whist partners, left the steamer, gave his servant several errands to do, urged it upon him to be at the station promptly at eight, and, with his regular step, which beat to the second, like an astronomical clock, directed his steps to the passport office. As for the wonders of Bombay—its famous city hall, its splendid library, its forts and docks, its bazaars, mosques, synagogues, its Armenian churches, and the noble pagoda on Malabar Hill, with its two polygonal towers—he cared not a straw to see them. He would not deign to examine even the masterpieces of Elephanta, or the mysterious hypogea, concealed south-east from the docks, or those fine remains of Buddhist architecture, the Kanherian grottoes of the island of Salcette.

Having transacted his business at the passport office, Phileas Fogg repaired quietly to the railway station, where he ordered dinner. Among the dishes served up to him, the landlord especially recommended a certain giblet of “native rabbit,” on which he prided himself.

Mr. Fogg accordingly tasted the dish, but, despite its spiced sauce, found it far from palatable. He rang for the landlord, and, on his appearance, said, fixing his clear eyes upon him, “Is this rabbit, sir?”

“Yes, my lord,” the rogue boldly replied, “rabbit from the jungles.”

“And this rabbit did not mew when he was killed?”

“Mew, my lord! What, a rabbit mew! I swear to you—”

“Be so good, landlord, as not to swear, but remember this: cats were formerly considered, in India, as sacred animals. That was a good time.”

“For the cats, my lord?”

“Perhaps for the travellers as well!”

After which Mr. Fogg quietly continued his dinner. Fix had gone on shore shortly after Mr. Fogg, and his first destination was the headquarters of the Bombay police. He made himself known as a London detective, told his business at Bombay, and the position of affairs relative to the supposed robber, and nervously asked if a warrant had arrived from London. It had not reached the office; indeed, there had not yet been time for it to arrive. Fix was sorely disappointed, and tried to obtain an order of arrest from the director of the Bombay police. This the director refused, as the matter concerned the London office, which alone could legally deliver the warrant. Fix did not insist, and was fain to resign himself to await the arrival of the important document; but he was determined not to lose sight of the mysterious rogue as long as he stayed in Bombay. He did not doubt for a moment, any more than Passepartout, that Phileas Fogg would remain there, at least until it was time for the warrant to arrive.

Passepartout, however, had no sooner heard his master’s orders on leaving the “Mongolia” than he saw at once that they were to leave Bombay as they had done Suez and Paris, and that the journey would be extended at least as far as Calcutta, and perhaps beyond that place. He began to ask himself if this bet that Mr. Fogg talked about was not really in good earnest, and whether his fate was not in truth forcing him, despite his love of repose, around the world in eighty days!

Having purchased the usual quota of shirts and shoes, he took a leisurely promenade about the streets, where crowds of people of many nationalities—Europeans, Persians with pointed caps, Banyas with round turbans, Sindes with square bonnets, Parsees with black mitres, and long-robed Armenians—were collected. It happened to be the day of a Parsee festival. These descendants of the sect of Zoroaster—the most thrifty, civilised, intelligent, and austere of the East Indians, among whom are counted the richest native merchants of Bombay—were celebrating a sort of religious carnival, with processions and shows, in the midst of which Indian dancing-girls, clothed in rose-coloured gauze, looped up with gold and silver, danced airily, but with perfect modesty, to the sound of viols and the clanging of tambourines. It is needless to say that Passepartout watched these curious ceremonies with staring eyes and gaping mouth, and that his countenance was that of the greenest booby imaginable.

Unhappily for his master, as well as himself, his curiosity drew him unconsciously farther off than he intended to go. At last, having seen the Parsee carnival wind away in the distance, he was turning his steps towards the station, when he happened to espy the splendid pagoda on Malabar Hill, and was seized with an irresistible desire to see its interior. He was quite ignorant that it is forbidden to Christians to enter certain Indian temples, and that even the faithful must not go in without first leaving their shoes outside the door. It may be said here that the wise policy of the British Government severely punishes a disregard of the practices of the native religions.

Passepartout, however, thinking no harm, went in like a simple tourist, and was soon lost in admiration of the splendid Brahmin ornamentation which everywhere met his eyes, when of a sudden he found himself sprawling on the sacred flagging. He looked up to behold three enraged priests, who forthwith fell upon him; tore off his shoes, and began to beat him with loud, savage exclamations. The agile Frenchman was soon upon his feet again, and lost no time in knocking down two of his long-gowned adversaries with his fists and a vigorous application of his toes; then, rushing out of the pagoda as fast as his legs could carry him, he soon escaped the third priest by mingling with the crowd in the streets.

At five minutes before eight, Passepartout, hatless, shoeless, and having in the squabble lost his package of shirts and shoes, rushed breathlessly into the station.

Fix, who had followed Mr. Fogg to the station, and saw that he was really going to leave Bombay, was there, upon the platform. He had resolved to follow the supposed robber to Calcutta, and farther, if necessary. Passepartout did not observe the detective, who stood in an obscure corner; but Fix heard him relate his adventures in a few words to Mr. Fogg.

“I hope that this will not happen again,” said Phileas Fogg coldly, as he got into the train. Poor Passepartout, quite crestfallen, followed his master without a word. Fix was on the point of entering another carriage, when an idea struck him which induced him to alter his plan.

“No, I’ll stay,” muttered he. “An offence has been committed on Indian soil. I’ve got my man.”

Just then the locomotive gave a sharp screech, and the train passed out into the darkness of the night.

[southernvangard]

(Southern Vangard) Episode 375 - Southern Vangard Radio

BANG! @southernvangard #radio Ep375! We’re riding high in the sky after the tremendous response from our book drop last week - if ya missed it - “SMITHSONIAN GRADE: The Story Of Southern Vangard Radio” is OUT NOW. You can cop a limited edition package at southernvangard.bandcamp.com, as well as Amazon. This weeks show brings us yet another WORLD EXCLUSIVE from CASHUS KING & APPLEJAC (big up DJ POCKET) as well as a WORLD EXCLUSIVE from THE MAD SCIENTIST, ZIZ, CASEY JONES SQUEEGIE OBLONG & CROTONA P! Did we mention YOU WAAAAALCOME?! We didn’t? YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK

Recorded live September 10, 2023 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - JJ Whitefield

Talk Break Inst. - "2020" - Bombay The Realest

"Lava Lamps" - Cashus King and Apple Jac ** WORLD EXCLUSIVE **

"New Jersey Drive (Transport Mission)" - GF Anon

"The Path" - Beat Bop Scholar ft Craig G

"Mr Smif and Mr Wessun" - BoFaat ft. Smif-N-Wessun

"Ren & Stimpy" - Money Mogly x TeV95 ft. Choco Valens

Talk Break Inst. - "NINFO" - Bombay The Realest

"Frozen Rain" - NapsNdreds & Nottz ft. Hus Kingpin

"International Gurus" - The Mad Scientist, Ziz, Casey Jones ft. Squeegie Oblong & Crotona P  ** WORLD EXCLUSIVE **

"Scape Goats" - Ransom, 38 Spesh & Che Noir

"D.O.A" - J Flash ft. RJ Payne (prod. Nottz)

"We Outside" - 38 Spesh & Conway The Machine ft. Pharoahe Monch & Che Noir

Talk Break Inst. - "ONE MAN BAND - Bombay The Realest

"Fireplace" - 38 Spesh & Conway The Machine

"Bazookas" - Apollo Brown & Planet Asia

"Frog Legs" - Daniel Son (prod. Wino Willy)

"Rent Due" - ILLPO

"Fallen Angel" - Declaime & Theory Hazit

"Chopin" - Eff Yoo & Deep Of 2 Hungry Bros

Talk Break Inst. - "15 STAR SHIPZ" - Bombay The Realest

** TWITCH ONLY SET**

"Speshal Machinery" - 38 Spesh & Conway The Machine

"You" - Nicole Bus

"R&B & More Vinyl Set" - DJ Jon Doe

SOUNDCLOUD

https://soundcloud.com/southernvangard/episode-375-southern-vangard-radio/

https://on.soundcloud.com/Jq76G (SHORT LINK)

APPLE PODCASTS

https://itun.es/us/QyyX9.c/

SPOTIFY PODCASTS

http://bit.ly/svrspotifypodcasts

YOUTUBE

https://youtu.be/4uVXbpUXsX8

GOOGLE PODCASTS

http://bit.ly/svrgooglepodcasts

TWITCH

http://twitch.tv/southernvangard

MIXCLOUD

https://www.mixcloud.com/southernvangard/episode-375-southern-vangard-radio/

#SouthernVangard #DJJonDoe #EddieMeeks #JJWhitefield #BombayTheRealest #CashusKing #AppleJac #GFAnon #BeatBopScholar #CraigG #BoFaat #SmifNWessun #MoneyMogly #TeV95 #ChocoValens #NapsNdreds #Nottz #HusKingpin #TheMadScientist #Ziz #CaseyJones #SqueegieOblong #CrotonaP #Ransom #38Spesh #CheNoir #JFlash #RJPayne #ConwayTheMachine #PharoaheMonch #CheNoir #ApolloBrown #PlanetAsia #DanielSon #WinoWilly #ILLPO #Declaime #TheoryHazit #EffYoo #Deep #2HungryBros #NicoleBus

[flushthethrone]

(Southern Vangard) Episode 375 - Southern Vangard Radio

BANG! @southernvangard #radio Ep375! We’re riding high in the sky after the tremendous response from our book drop last week - if ya missed it - “SMITHSONIAN GRADE: The Story Of Southern Vangard Radio” is OUT NOW. You can cop a limited edition package at southernvangard.bandcamp.com, as well as Amazon. This weeks show brings us yet another WORLD EXCLUSIVE from CASHUS KING & APPLEJAC (big up DJ POCKET) as well as a WORLD EXCLUSIVE from THE MAD SCIENTIST, ZIZ, CASEY JONES SQUEEGIE OBLONG & CROTONA P! Did we mention YOU WAAAAALCOME?! We didn’t? YOU WAAAAALCOME!!!!! #SmithsonianGrade #WeAreTheGard #YouWaaaaalcome // southernvangard.com // @southernvangard on all platforms #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK

Recorded live September 10, 2023 @ Dirty Blanket Studios, Marietta, GA

southernvangard.com

@southernvangard on all platforms

#SmithsonianGrade #WeAreTheGard

twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks

Pre-Game Beats - JJ Whitefield

Talk Break Inst. - "2020" - Bombay The Realest

"Lava Lamps" - Cashus King and Apple Jac ** WORLD EXCLUSIVE **

"New Jersey Drive (Transport Mission)" - GF Anon

"The Path" - Beat Bop Scholar ft Craig G

"Mr Smif and Mr Wessun" - BoFaat ft. Smif-N-Wessun

"Ren & Stimpy" - Money Mogly x TeV95 ft. Choco Valens

Talk Break Inst. - "NINFO" - Bombay The Realest

"Frozen Rain" - NapsNdreds & Nottz ft. Hus Kingpin

"International Gurus" - The Mad Scientist, Ziz, Casey Jones ft. Squeegie Oblong & Crotona P  ** WORLD EXCLUSIVE **

"Scape Goats" - Ransom, 38 Spesh & Che Noir

"D.O.A" - J Flash ft. RJ Payne (prod. Nottz)

"We Outside" - 38 Spesh & Conway The Machine ft. Pharoahe Monch & Che Noir

Talk Break Inst. - "ONE MAN BAND - Bombay The Realest

"Fireplace" - 38 Spesh & Conway The Machine

"Bazookas" - Apollo Brown & Planet Asia

"Frog Legs" - Daniel Son (prod. Wino Willy)

"Rent Due" - ILLPO

"Fallen Angel" - Declaime & Theory Hazit

"Chopin" - Eff Yoo & Deep Of 2 Hungry Bros

Talk Break Inst. - "15 STAR SHIPZ" - Bombay The Realest

** TWITCH ONLY SET**

"Speshal Machinery" - 38 Spesh & Conway The Machine

"You" - Nicole Bus

"R&B & More Vinyl Set" - DJ Jon Doe

SOUNDCLOUD

https://soundcloud.com/southernvangard/episode-375-southern-vangard-radio/

https://on.soundcloud.com/Jq76G (SHORT LINK)

APPLE PODCASTS

https://itun.es/us/QyyX9.c/

SPOTIFY PODCASTS

http://bit.ly/svrspotifypodcasts

YOUTUBE

https://youtu.be/4uVXbpUXsX8

GOOGLE PODCASTS

http://bit.ly/svrgooglepodcasts

TWITCH

http://twitch.tv/southernvangard

MIXCLOUD

https://www.mixcloud.com/southernvangard/episode-375-southern-vangard-radio/

#SouthernVangard #DJJonDoe #EddieMeeks #JJWhitefield #BombayTheRealest #CashusKing #AppleJac #GFAnon #BeatBopScholar #CraigG #BoFaat #SmifNWessun #MoneyMogly #TeV95 #ChocoValens #NapsNdreds #Nottz #HusKingpin #TheMadScientist #Ziz #CaseyJones #SqueegieOblong #CrotonaP #Ransom #38Spesh #CheNoir #JFlash #RJPayne #ConwayTheMachine #PharoaheMonch #CheNoir #ApolloBrown #PlanetAsia #DanielSon #WinoWilly #ILLPO #Declaime #TheoryHazit #EffYoo #Deep #2HungryBros #NicoleBus

[yesterdanereviews]

Return of Mr. Superman (1960)

Film review #558

Director: Sabir Manmohan

SYNOPSIS: A baby from the doomed planet Krypton is sent to Earth as the last of their kind, and lands in rural India.  A farmer finds the ship and the child inside, and takes them back to his wife, where they raise the child themselves. They realise that the child possesses super powers, but keep it a secret. As an adult, he moves to Bombay to work as a newspaper reporter, and also stopping criminals in his secret identity as Superman. However, when an imposter starts committing crimes dressed as the Superhero, Superman becomes wanted by the law, and must fight to clear his name...

THOUGHTS/ANALYSIS: Return of Mr. Superman is a 1960 Indian film and an unlicensed adaptation of the Superman character. The film starts out like every version of the Superman origin story, with Superman as a child being loaded onto a spaceship on the doomed planet Krypton, and sent to Earth to escape the planet’s inevitable destruction. The ship lands in rural India, where a farmer discovers the child and takes him back to his wife, and the two agree to raise him together. They learn that the child possesses extraordinary powers, including beating other children at wrestling, and finding a buried treasure (presumably via his x-ray vision or something). When the boy, now named Jairaj, grows up, he moves to Bombay to work at a newspaper, and starts to lead a double life; fighting criminals as “Superman,” and alerting the police to criminal activity. The story in this respect follows the origin story of Superman reasonably accurately (apart from the ship landing in rural India instead of the rural U.S.), and it has everything it needs to be a Superman story, even if it is unlicensed.

The main plot of the film revolves around a criminal smuggling gang hatching a plan to get revenge on Superman by having an imposter commit crimes dressed as him to turn the police against him. It’s really not an original plot, and one definitely not suited for Superman: how do you imitate someone with superpowers? The plot is a little all over the place, and doesn’t really go anywhere beyond where you would expect it to. The characters are all pretty bland, including the Lois Lane replacement, the comic relief of Johnny (probably meant to be the Jimmy Olsen character), and the criminal gang who serve as the villains not really having much to do with anything. Superman barely even does anything anyway: he usually just calls up the police inspector to report crimes. I don’t know if there is a limit to how much a film at the time could show someone being a vigilante rather than just calling the authorities (The U.S. film serials abandoned the “vigilante” role as someone who works outside the law around the time of the second world war), but either way, it makes the film really boring when you’re expecting Superman to do something and he picks up a telephone.

Speaking of Superman, the most notable thing about this film is probably his costume: forget everything you think you know about Superman’s iconic outfit, this one is clearly cobbled together with whatever the filmmakers could find lying around: driving goggles and leather helmet, complimented by a towel wrapped around his neck to serve as a cape of sorts. It looks like there was no thought given to the costume’s design, but thankfully you don’t see it very often. The film has the typical musical numbers you expect in Indian cinema, but the first one doesn’t show up until over thirty minutes in the film, but then they become constant. The songs also lack the usual dancing and choreography, so they’re not very interesting. This is the third Indian Superman film I’ve watched (the others were released in 1980 and 1987), and it’s easily the worst, although the others aren’t exactly great. The plot is all over the place and fails to provide anything unique or interesting. The costumes and production lack any kind of consideration, and the characters are barely established, leading to a dull and incomprehensible mess.

[born2masti]

Mere Mehboob Qayamat Hogi Original Mr X In Bombay Kishore Kumars Gr...

[noctilionoidea]

oooooh neat I’ve never done one of these!!!

three ships: Archie x Atlanta (class of the Titans), henriel (the strange case of doctor Jekyll and Mr Hyde), orphydice (Hadestown)

first ship ever: hiccup from how to train your dragon and my self insert (I don’t get it anymore lmao)

last song: monstrance clock (ghost)

last movie: the craft

currently reading: the Iliad (I love it but I also have motivational issues so even though I could finish it in a month I’ve taken two years to get to the tenth book☠️)

Currently watching: Guillermo dell toro’s Pinocchio and Bombay Rose

Currently consuming; air

currently craving: food and motivation, a tissue

Tagging; uhuuuuuhhhhh anyone who wants to!

Tag 9 People You Want to Know Better

@joaquinwhorres of all people tagged me so i HAVE TO??? (I had to stare at the notification in shock for like a solid moment.)

3 Ships: ah fuck. how could you ask this of me. all ships have left the vicinity. Anthony Lockwood & Lucy Carlyle (Lockwood & Co.), Riyo Chuchi & Commander Fox (non-canon, Star Wars: The Clone Wars), Robert "Bob" Floyd & Natasha "Phoenix" Trace (non-canon, Top Gun: Maverick)

(these undoubtedly will change because i lost track of Any Ships Existing. my b)

1st Ever Ship: Hinamori Amu & Sanjou Kairi (Shugo Chara!)

Last Song: "My Eyes" by the Lumineers

Last Movie: I don't watch (or re-watch) a lot of movies, so it's Hidden Figures (I think)

Currently Reading: Alan Turing: The Enigma by Andrew Hodges

Currently Watching: I've taken a mega break from it, but it's Daredevil

Currently Consuming: Hot cocoa!

Currently Craving: For finals to be over so I can go home

Taglist: @resilientnarnian @roosterscockpit @livie1507 @rainydaydream-gal18 @anatawahitorijanai @uponrightful @its-captain-sir @emperor-palpaminty @buggachat and you!

[dhrupad]

Mr. X in Bombay (1964)

[cineaesthesia]

Kumkum in Mr. X in Bombay (1964)

[muhammadrafisongslove]

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#Mere_Sapno_Ki_Rani (Aradhana) Kishore_Kumar_Songs

#Saathi_Re (Muqaddar_Ka_Sikandar) Kishore_Kumar_Songs

#Chingari Koi Bhadke (Amar_Prem) Kishore_Kumar_Songs

#Kuch_Toh_Log_Kahenge (Amar_Prem) Kishore_Kumar_Songs

#Yeh_Kya_Hua (Amar_Prem) Kishore_Kumar_Songs

#Mere_Mehboob_Qayamat_Hogi (Mr_X_in_Bombay) Kishore_Kumar_Songs

#Pal_Pal_Dil_Ke_Paas (Blackmail) Kishore_Kumar_Songs

#Ek_Ladki_Bheegi_Bhaagi_Si (Chalti_Ka_Naam_Gaadi) Kishore_Kumar_Songs

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#Hansini (Zehreela_Insaan) Kishore_Kumar_Songs

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#Zindagi_Ke_Safar_Mein (Aap Ki Kasam) Kishore_Kumar_Songs

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[milk-honey-tea]

Kumkum in Mr. X in Bombay (1964) [x]