#Miss Universe 1959

[joyxande]

Akiko Kojima | Miss Universe | 1959

[argoscity]

ULTIMATE SUPERGIRL READING GUIDE

since i've been asked a few times in the past for various reading guides for kara, i thought i'd compile them all into one post for the sake of convenience!

this guide has reading orders for supergirl comics in PRE-CRISIS (1959-1985), POST-CRISIS (2004-2011), NEW 52 (2011-2016), REBIRTH (2016-2021), and INFINITE FRONTIER (2021-present).

if you have any questions at all don't be afraid to shoot me an ask!

for each section bolded comics are required, italicized comics are recommended, and everything else is optional!

[PRE-CRISIS]

ORIGIN AND MIDVALE ERA (NOTE: you'll have to flip to the back of each issue to get to kara's section!) action comics (1938) #252, 258, 267, 276, 278-282, 285, 295, 309-310, 313, 317

STANHOPE COLLEGE action comics (1938) #318, 366-368, 372, 374 world’s finest (1941) #169 adventure comics (1938) #381, 386, 391, 395, 397

K-SFTV REPORTER — SAN FRANCISCO adventure comics (1938) #406-407, 410-415, 419-424

VANDYRE UNIVERSITY supergirl (1974) #1-10

STUDENT ADVISOR — FLORIDA (NOTE: every member of the superfamily has a story in the superman family (1974), so you'll have to flip through to find kara's section!) the superman family (1974) #165, 168, 171, 174, 177, 180, 182 justice league of america (1960) #132-134 the superman family #183, 184-186, 187-189, 191-193, 194, 196-198, 199, 200, 201-202, 203, 204-205, 206-207

ACTRESS — NEW YORK the superman family (1974) 208-210, 211-214, 215-216, 217, 218 superman (1939) #373 (second story titled “an eye (and ear) on the world!”) detective comics (1937) #508-510 the superman family #219-222

THE GREAT DARKNESS SAGA (i recommend this storyline in it's entirety, but kara only appears in the last issue!) legion of superheroes (1980) #290-294

LAKE SHORE UNIVERSITY supergirl (1982) #1-12 (cw: nazi imagery in the brief interlude in #12)  supergirl (1982) #13-15 (cw: antisemitism, nazi imagery, depictions of the holocaust.) supergirl (1982) #16-23

LAST APPEARANCES AND DEATH legion of super-heroes (1980) #300-303 dc comics presents (1978) #28 tales of the legion of super-heroes (1984) #314-315 crisis on infinite earths (1985) #4-7

BONUS POST-COIE APPEARANCES christmas with the super-heroes (1988) #2 (last story titled “should auld acquaintance be forgot”) supergirl (1996) #49, 75-80 solo (2004) #1 (third story titled “young love”) convergence: adventures of superman (2015) #1-2

[POST-CRISIS]

ORIGIN superman/batman (2003) #8-13  (or you can watch superman/batman: apocalypse (2010) instead which I recommend! the art is a lot more tasteful and it's a very faithful adaptation of the comic so you won’t be missing out on anything.)

KARA WITH THE LEGION OF SUPER-HEROES supergirl and the legion of super-heroes (2006) #16-36

LOEB AND KELLY HELL ERA supergirl (2005) #1-5, 9-10, 19 (you don’t have to read any of this since it gets retconned anyway, but if you’re interested in kara’s early characterization, the beginnings of her friendship with cassie sandsmark, or her difficulty fitting in on earth then you’re welcome to read what i’ve provided.)

KELLEY PUCKETT ERA Amazons Attack! teen titans (2003) #47-48  amazons attack! (2007) #3  supergirl (2005) #20  amazons attack! (2007) #4  teen titans (2003) #49

supergirl (2005) #21-22  teen titans (2003) #50, 51-55  supergirl (2005) #25-33

Superman: Brainiac  action comics (1938) #866-870

GATES AND IGLE HEAVEN ERA supergirl (2005) #34

New Krypton (new krypton is one of my favorite events and i recommend it in its entirety, but for the sake of brevity I’ll only be listing the issues relevant to kara.) superman: new krypton special #1  superman (1939) #681  adventure comics special featuring guardian #1  action comics (1938) #871  supergirl (2005) #35  superman (1939) #682  action comics (1938) #872  supergirl (2005) #36  superman (1939) #683  action comics (1938) #873

teen titans (2003) #66  supergirl (2005) #37-42

Friends and Fugitives superman: secret Files 2009 #1  supergirl (2005) #43  action comics (1938) #881  supergirl (2005) #45  action comics (1938) #882  supergirl (2005) #46-47

supergirl (2005) annual 1, #48-50

Last Stand of New Krypton  adventure comics (2009) #8  superman: last stand of new krypton #1  supergirl (2005) #51  superman (1938) #698  adventure comics (2009) #9  superman: last stand of new krypton #2  adventure comics (2009) #10  supergirl (2005) #52  superman (1938) #699  superman: last stand of new krypton #3 superman: war of the supermen (2010) #0, 1-4 

supergirl (2005) #53-57, annual 2, 58-59

END OF SUPERGIRL VOL 5 supergirl (2005) #60-64 supergirl (2005) #65-67

[THE NEW 52]

ORIGIN and SUPERGIRL VS THE WORLDKILLERS supergirl (2011) #1-7

SUPERGIRL and SILVER BANSHEE supergirl (2011) #8-11

SUPERGIRL and SUPERBOY superboy (2011) #6

SANCTUARY supergirl (2011) #12, 0, 13

H’EL ON EARTH superman (2011) #13 supergirl (2011) #14 superman (2011) #14 superboy (2011) #15 supergirl (2011) #15 superboy (2011) #16 superboy (2011) Annual #1 supergirl (2011) #16 superman (2011) #16 superboy (2011) #17 supergirl (2011) #17 superman (2011) #17

SUPERGIRL and POWERGIRL supergirl (2011) #18-20

CYBORG SUPERMAN supergirl (2011) #21-23 action comics (2011) #23.1 supergirl (2011) #24

KRYPTON RETURNS action comics (2011) annual #2 superboy (2011) #25 supergirl (2011) #25 superman (2011) #25

SUPERGIRL VS LOBO supergirl (2011) #26-27

RED DAUGHTER OF KRYPTON supergirl (2011) #28-29 red lanterns (2011) #28-29 supergirl (2011) #30 red lanterns (2011) #30 supergirl (2011) #31 red lanterns (2011) #31-32 supergirl (2011) #32-33

SUPERMAN: DOOMED (this is a whole storyline but I'll only be listing the issues that kara appears in!) superman/wonder woman (2013) #9 action comics (2011) #33 supergirl (2011) #34 superman: doomed (2014) #2 action comics (2011) #35 supergirl (2011) #35

FUTURES END supergirl: futures end (2014) #1

JUSTICE LEAGUE UNITED justice league united (2014) #1-5 justice league united (2014) annual #1 justice league united (2014) #6-10

CRUCIBLE supergirl (2011) #36-40

FINAL DAYS OF SUPERMAN (kara only appears in the issues i've italicized and bolded, but i put all the relevant issues if you wanted to read the full storyline!) superman (2011) #51 batman/superman (2013) #31 action comics (2011) #51 superman/wonder woman (2013) #28 batman/superman (2013) #32 action comics (2011) #52 superman/wonder woman (2013) #29 superman (2011) #52

[REBIRTH]

KARA IN NATIONAL CITY supergirl: rebirth #1

supergirl (2016) #1-8 batgirl (2016) annual 1 supergirl #9-12

supergirl (2016) annual 1supergirl #13-20

world's finest: batwoman and supergirl #1-2

ROGOL ZAAR and THE SINS OF THE CIRCLE the man of steel #1-2, 3-6 supergirl #21-33, #34-36

LEVIATHAN and BATMAN WHO LAUGHS superman: leviathan rising special #1 supergirl #34-36 supergirl (2016) annual 2 supergirl #37-42

HOUSE OF KENT action comics (2016) #1022-1023 action comics (2016) #1024-1028

FUTURE STATE superman of metropolis (2021) #1-2 kara zor el, superwoman (2021) #1-2

[INFINITE FRONTIER]

action comics 2021 annual

WOMAN OF TOMORROW supergirl: woman of tomorrow (2021) #1-8

WORLD'S FINEST batman/superman: world's finest (2022) #2-6, 8, 12

A WORLD WITHOUT CLARK KENT and RED MOON (kara is featured in the back-up story! if you want the full context of this plot i recommend reading the full warworld arc in action comics [action comics #1030-1046, superman: warworld apocalypse #1]!) action comics (2016) #1044-1046, 1047-1049

DAWN OF DC action comics (2016) #1051-1053, 1055-1056 superman (2023) #1-3 power girl special #1 steelworks (2023) #1-3

KNIGHT TERRORS knight terrors: superman (2023) #1-2

DAWN OF DC (continued) action comics: doomsday special (2023) superman (2023) #7 hawkgirl (2023) #4 supergirl special (2023)

NEW WORLDS [this arc starts on action comics #1057—kara doesn't appear in that issue but I recommend reading it for context!] action comics (2016) #1058-1060 action comics 2023 annual

JOURNEY TO FERIMBIA powergirl (2023) #5, 6-7

HOUSE OF BRAINIAC action comics (2016) #1064 superman (2023) #13 action comics (2016) #1065 superman (2023) #14 action comics (2016) #1066 superman (2023) #15

UNIVERSE END action comics (2016) #1070-1081

MISCELLANEOUS RECENT APPEARANCES: superwoman special #1 superman (2023) #21

[contemplatingoutlander]

A Photo of Nancy Pelosi, Rediscovered Decades Later

In 1963, the politician Thomas D’Alesandro Jr. submitted a photo to appear with The New York Times’s announcement of his daughter’s engagement.

When the daughter of Thomas D’Alesandro Jr., a prominent politician in Baltimore, got engaged in 1963, the family sent her photo to The New York Times to accompany an engagement announcement in the Society pages. That 23-year-old woman, Nancy D’Alesandro, would become better known in the decades that followed by her married name: Nancy Pelosi. Both Ms. Pelosi and her father, Mr. D’Alesandro, a Democrat who served as the mayor of Baltimore from 1947 to 1959, have files in the Morgue, The Times’s repository of newspaper articles, photographs and other archival materials. When searching for Mr. D’Alesandro’s photo file, the caretaker of the Morgue found a file for Nancy D’Alesandro. That’s where the engagement photo was stored. The photo was published on June 1, 1963, above an announcement with the headline “Miss D’Alesandro Is Future Bride of Paul F. Pelosi.” Mr. Pelosi, per the announcement, was a graduate of Georgetown University and worked for the First National City Bank of New York (now Citibank). Ms. D’Alesandro, the announcement said, was a graduate of Trinity College (now Trinity Washington University) in Washington, D.C.

I always picture Nancy Pelosi as the elderly matriarch of the House of Representatives. It's fascinating for me to see her as a young woman, with a circa 1963 bouffant hairdo.

It's interesting that this photo was initially lost because it was filed under "Nancy D'Alessandro." No one back in 1963 probably could have pictured young Nancy becoming the first woman Speaker of the House, a position she would hold for a total of 8 years (from 2007-2011, and from 2019-2023). Nancy has also been viewed by many as one of the most formidable Speakers in American history.

[theholmwoodfoundation]

DOCUMENT HF-63-2503 23rd November 1963

To [REDACTED] I am writing this report as a follow up of our meeting this morning, as I believe the magnitude of this week’s events will require proper documentation and filing once complete. As previously stated, our deployment in Northern France began in September, following several police reports of hikers going missing in dense woodland close to the town of [REDACTED]. Following the 1959 acquisition of Asset #4, we have implemented a protocol to investigate any missing person’s case above a bodycount of four individuals within an area of wilderness.  An Extraction Team was dispatched to the location in early October, under the guise of a university research team from Paris.  Extraction Team Leader Castle was tasked with setting up a perimeter, and local law enforcement were engaged to keep civilians away from the area. Following an intense investigation of the woodland in question, the team were able to uncover the asset’s hiding place. According to photographs of the site, she had sequestered herself inside the ruins of an abandoned church. I already have our Archival team working to assess whether this site was deconsecrated at any point in time, or whether this puts into question our current beliefs regarding vampirism and what is deemed “holy” iconography.  Asset was covered in blood when the Extraction team found her. It appears she had acquired a sixth victim on the night of our arrival. Said victim was not dead, and had not been forced to drink her blood. They have been placed under close medical supervision, and will be transferred to our medical centre in Amsterdam for examination. We believe they will require nothing more than the typical NDA and debriefing once physically recovered. The asset has been successfully restrained by the Extraction Team, and I have begun the paperwork for her transportation to Whitby. Due to her sentient state, we suspect she will require additional holding measures within the archives.  Archivist Jenkins has assured us that she has begun preparations, but I wish to stress the importance of this acquisition. This Extraction may be exactly the breakthrough we’ve been looking for in our research of the Undead.  We cannot let this opportunity pass us by.  Yours,  [REDACTED]

Acquisition Letter transcribed for the Whitby Archives

[camisoledadparis]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … December 20

1785 – The last known execution for sodomy in the United States occurs in Pennsylvania. Joseph Ross is the victim.

1904 – The American actor and director Albert Dekker, who died in unusual circumstance in 1968, was born in Brooklyn, New York, as Albert Ecke. His films include the classics The Man in the Iron Mask (1939), Beau Geste (1939), The Killers (1946), The Sound and the Fury (1959), Suddenly, Last Summer (1959), and The Wild Bunch(1969). He replaced Lee J. Cobb as Willy Loman in the original production of Arthur Miller's Death of a Salesman, and during a five-year stint back on Broadway in the early 1960s, he played the Duke of Norfolk in Robert Bolt's A Man for All Seasons.

Dekker appeared in some seventy films from the 1930s to 1960s, but his four most famous screen roles were as a mad scientist in the 1940 horror film Dr. Cyclops; as a vicious hitman in the The Killers; as a dangerous dealer in atomic fuel in the 1955 film noir Kiss Me Deadly; and as an unscrupulous railroad detective in Sam Peckinpah's western The Wild Bunch, which would be his last screen appearance.

Dekker's off-screen preoccupation with politics led to his winning a seat in the California State Assembly in 1944. Dekker served as a Democratic member for the Assembly until 1946. During the McCarthy era he was an outspoken critic of U.S. Senator Joseph McCarthy's tactics; to avoid being blacklisted he spent most of the period working on Broadway rather than Hollywood.

For his contribution to the motion picture industry, Dekker has a star on the Hollywood Walk of Fame at 6620 Hollywood Boulevard.

On May 5, 1968, Dekker was found dead in his Hollywood home after failing to answer numerous phone calls for two days. Although money and camera equipment were missing, there were no signs of forced entry. He was found naked, kneeling in his bathtub with a noose wrapped around his neck that was looped around the shower's curtain rod. He was also handcuffed, blindfolded, gagged and had "make me suck" and "slave" and "cocksucker" scrawled on his body in red lipstick.

The police toyed with a theory that Dekker was a closet homosexual who practiced his eccentricities very discreetly with anonymous male prostitutes, and that this time, something had gone wrong and the frightened partner had quietly let himself out. The coroner's ruling was accidental death by autoerotic asphyxiation.

1955 – Frank Kameny is fired from his job as an astronomer in the United States Army’s Map Service in Washington, D.C. because of his homosexuality. A few days later he is blacklisted from seeking federal employment. These events spur Kameny into being a gay rights activist.

1962 – Doug Wright is an American playwright, librettist, and screenwriter. He received the Pulitzer Prize for Drama in 2004 for his play, I Am My Own Wife.

A Texas native, Wright was born in Dallas. He was the target of schoolyard teasing and playground attacks throughout elementary school. Overweight and awkward as a child, and not athletically inclined, he was routinely taunted by classmates as a "sissy," a "queer," and worse.

Despite the torments he was forced to endure in elementary and middle schools, once he entered Highland Park High School, outside of Dallas, Wright found acceptance in the theater department.

He entered Yale University in the fall of 1981. He achieved early success while still an undergraduate, when one of his first works, The Stonewater Rapture (1983), a two-character play about teenage sexuality and religious repression in a rural Texas town, was performed to acclaim at Scotland's Edinburgh Festival Fringe in August 1984.

The works of Doug Wright often focus on the unconventional lives of society's outsiders. Among these are the iconoclastic artist Marcel Duchamp in Interrogating the Nude; the Marquis de Sade in Quills; Charlotte von Mahlsdorf, an East Berlin transvestite who survived persecution by both the Nazi and Communist regimes, in the Tony Award and Pulitzer Prize-winning I Am My Own Wife; and "Big Edie" and "Little Edie" Bouvier Beale, two eccentric American aristocrats who ended up living in squalor, sharing a once-elegant mansion, in the musical Grey Gardens, based on the cult classic documentary film of the same name.

Wright also helped adapt the animated Disney film The Little Mermaid into a Broadway musical.

He currently lives in New York City with his husband/partner, the singer-songwriter David Clement.

1980 – According to recently released stats, at least one person is physically assaulted in New York City each day because they are gay or lesbian.

[broadwaydivastournament]

Broadway Divas Tournament: 2A

Donna Murphy (1959) “DONNA MURPHY (Anna) received the 1996 Tony Award, as well as Drama Desk and Outer Critics Circle nominations for her performance in The King and I. She also received the 1994 Tony and Drama Desk Awards for her portrayal of Fosca in Stephen Sondheim and James Lapine’s Passion. Last summer she was featured as Dorothy Trowbridge in Mr. Lapine’s Twelve Dreams at Lincoln Center (Drama Desk nomination). Other Broadway Credits include: Edwin Drood in The Mystery of Edwin Drood, The Human Comedy, and They’re Playing Our Song. Off-B’way: The Whore in Michael John LaChuisa’s Hello Again (Drama Desk nom.), Rose in Song of Singapore (Drama Desk, Outer Critics Circle noms.), Hey Love; The Songs of Mary Rodgers, Privates on Parade, Showing Off, Birds of Paradise, A…My Name is Alice, Little Shop of Horrors. Regional work includes Miss Julie (McCarter), Pal Joey (Huntington), Williamstown, Portland Shage Co. and Goodspeed. She made her feature film debut in Jade, and co-stared (sp) in “Someone Had to Be Benny” for HBO. Other TV includes: Francesa Cross on Stephen Bocho’s “Murder One,” “Law & Order,” “A Table at Ciro’s” (PBS Great Performances), “Another World” and the American Playhouse Production of Passion. Ms. Murphy can be heard on the original cast recordings of Passion (Grammy Award), and Hello Again, and is featured on Leonard Bernstein’s New York on Electra/Noneshuch.” – Playbill bio from The King and I, December 1996.

Mary Beth Peil (1940) "MARY BETH PEIL (Anna Leonowens), before joining the 1982 Los Angeles production of The King and I, received national acclaim for her television portrayal of Alma Winemiller in Lee Hoiby's opera Summer and Smoke (based on the Tennessee Williams play), produced by PBS and the Chicago Opera Theatre. As a member of New York's Theatre for a New Audience she has apperaed in many productions of Shakespeare. A Graduate of Northwestern University and a First Prize winner of the Metropolitian Opera Auditions, Mary Beth has been featured in opera and musical theatre with such companies as The Metropolitan Opera National Company, the New York City Opera, the Lake George Opera and the Minnesota Opera. She has appeared as soloist with the New York Philharmonic, Honolulu Symphony, Buffalo Philharmonic, the New York Young Concert Artists and the Cincinnati Area Artists Series. Favorite musical theatre roles that she has performed include Rosabella in Most Happy Fella, Magnolia in Show Boat and Kate in Kiss Me, Kate." - Playbill bio from The King and I, March, 1985.

NEW PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

"We have Donna Murphy as Dolly. We have Donna Murphy as Aurelia. What are we doing to get Donna Murphy in a Mame revival so she can hit the Jerry Herman trifecta? I need this woman back on a stage immediately and genuinely, I cannot tell you how much money I'd be realistically willing to shell out. And on a more personal note? What do I have to do to get Donna Murphy to look at me like she wants to devour me whole? The things I want to do to this woman... She has chemistry with every single person she crosses paths with. I need her carnally."

"Mary Beth Peil's hair deserves a Tony Award of its own. She started going grey almost twenty years ago and never looked back. A grey-haired octogenarian who's actively out here being hot and sexy and showing skin is quite possible one of the hottest things in the world. Let me reiterate: I want to fuck this old woman."

[hauntedradio]

O'Connor reads at Vanderbilt University in 1959

Flannery O'Connor is a favorite author of mine, and I recently watched Ethan Hawke's wonderful film Wildcat which is based on the life and fiction of O'Connor -- so, in celebration of the film and Miss O'Connor, here she is reading one of her most famous stories A Good Man Is Hard to Find.

[scotianostra]

Happy 98th birthday Scottish comedy great Stanley Baxter born in Glasgow May 24th 1926.

Stanley was a child actor who started his career in radio on the Scottish edition of BBC Children’s Hour.

After gaining a degree at the University of Glasgow, he joined the entertainment services during national service where he met comedy actor Kenneth Williams and film director John Schlesinger. Their influence persuaded him to become a performer rather than a teacher.

He returned to Glasgow and spent the next three years at the Citizens Theatre, where he was highly successful, and later appeared in panto with Jimmy Logan. He left Scotland in 1959 to work in television.

He won a Bafta for light entertainment in 1959, for co-hosting the satirical sketch show On the Bright Side. He won two years running, in 1973 and 1974, for The Stanley Baxter Picture Show, and again in 1981 for The Stanley Baxter Series.

Some of his best-loved comedy sketches include Parliamo Glasgow, in which the Glaswegian dialect was presented as a foreign language. It included phrases such as “Izat a marra on yer barra, Clara?” and the uniquely Glaswegian word “Sanoffy”, as in “Sanoffy cold day”.

He remained a favourite of the Scottish panto circuit, often playing the gloriously costumed dame alongside Angus Lennie, Jimmy Logan or Ronnie Corbett, until he retired in 1992.

In 1994 he returned to radio, appearing in plays and sitcoms. In 1997, he was honoured with a lifetime achievement award at the British Comedy Awards. The Stanley Baxter Playhouse ran on Radio 4 from 2006 until 2014.

Even though he retired from TV comedy some 30 years ago, Stanley Baxter continues to hold a special place in the viewing nation’s heart.

He eats well, likes a glass of wine and enjoys a quiet domesticated life. Well into his 80s he was still cycling and swimming. Even when he was in the public eye, he shunned personal publicity, rarely doing interviews or appearing on chat shows.

In his retirement he has written an autobiography but refuses to allow it to be published until after his death, not apparently because it contains any hugely scandalous stories of his celebrity friends, but because he didn’t fancy schlepping round the country doing promotional appearances, press interviews and book signings, let’s hope it is a good few years before it is released then!

A widower since 1997, he says he doesn’t find it difficult to fill his days. “You wonder how you ever had time to work,” he says.

“I miss talking to actors. I can relate to actors better than real people. I have so few friends left. "I suppose I’m a bit of a loner. I’m not the kind of person to drop in on the neighbours.”

In 2020 Stanley in an authorised biography, The Real Stanley Baxter told for the first time of his struggles to come to terms with his sexuality, his efforts to keep the fact that he is gay secret and the effect his troubled marriage had on his life.

The book charts the career of Baxter, who was born in Glasgow in 1926, from his early days as an entertainer in the Army, where he met Kenneth Williams. The Real Stanley Baxter explores the complex relationship with his wife Moira, his early sexual encounters as a teenager, and the strenuous efforts he made to maintain his privacy in later life, including taking legal action over the publication of the diaries of actor Kenneth Williams, a long-time friend, after he had passed away.

Baxter described his discomfort with his homosexuality in the book, writing: "Anybody would be insane to choose to live such a very difficult life. There are many gay people these days who are fairly comfortable with their sexuality, fairly happy with who they are. I’m not. I never wanted to be gay. I still don’t."

If you want to know more about Stanley I recommend watching the feature length documentary, Stanley Baxter's Best Bits - and More, it’s on 5 and you don’t have to sign in to watch the show, it’s just over an hour long so settle down with a cuppa before viewing. https://www.channel5.com/show/stanley-baxter-s-best-bits-and-more

[niibaataa]

Nishnaabe Nagamonan

Disclaimer: Some works deal with historical wrongs, Missing and Murdered Indigenous Women and Girls, colonialism, and residential/boarding schools. Exercise caution.

Kateri Akiwenzie-Damm is a member of Saugeen Ojibway First Nation. Akiwenzie-Damm has served as Poet Laureate for Owen Sound and North Grey. In 1993, she established Kegedonce Press, a publishing house devoted to Indigenous writers. She has also authored Without Reservation: Indigenous Erotica.

Works: (Re)Generation, My Heart is a Stray Bullet.

Marie Annharte Baker is a member of Little Saskatchewan First Nation. Annharte's work concentrates on women, urban, Indigenous, disability, and related topics. She critiques life from Western Canada. After graduating with an English degree in the 1970s, she became involved in Native activism and was one of the first people in North America to teach a class entirely on Native women.

Works: Indigena Awry, Miskwagoode, Exercises in Lip Pointing.

Lesley Belleau is a member of Garden River First Nation. She is noted for her 2017 collection Indianland. She has an MA in English literature from the University of Windsor and is working on a PhD in Indigenous Studies from Trent University.

Works: Indianland.

Kimberly M. Blaeser is an enrolled member of the White Earth Reservation. Blaeser served as Wisconsin's Poet Laureate from 2015-2016. She is a professor of English at the University of Wisconsin-Miluwakee. A contemporary of Vizenor, she is the first critic to publish a book-length study on his fiction. She has been writing poetry since 1993.

Works: Apprenticed to Justice, Trailing You, Absentee Indians and Other Poems.

Diane Burns was a member of the Lac Courte Oreilles band. Burns was Anishinaabe through her mother and Chemehuevi through her father. Burns attended the Institute of American Indian Arts and Barnard College (within Columbia University). She was also an accomplished visual artist. She is considered an important figure within the Native American contemporary arts movement.

Works: Riding the One-Eyed Ford (available online).

Aja Couchois Duncan is a Bay Area educator, writer, and coach. Duncan is of Ojibwe, French, and Scottish descent. Her debut collection won the California Book Award. She holds an MFA in creative writing from San Francisco State University.

Works: Restless Continent, Vestigal.

Heid E. Erdrich is a member of the Turtle Mountain band. Erdrich is a granddaughter of Patrick Gourneau, who fought against Indian termination during his time as tribal chairman from 1953-1959. Erdrich holds a PhD in Native American Literature and Writing. Erdrich used to teach, but has since stepped back from doing it full-time. She directs Wiigwaas Press, an Ojibwe language publisher.

Works: Cell Traffic, The Mother's Tongue, Curator of Ephemera at the New Museum for Archaic Media.

Louise Erdrich is a member of the Turtle Mountain band. Erdrich is a granddaughter of Patrick Gourneau, who fought against Indian termination during his time as tribal chairman from 1953-1959. She is widely acclaimed as one of the most significant writers of the Native American Renaissance. Owner of Birchbark Books, an independent bookstore that focuses on Native Literature.

Works: Jacklight, Original Fire, Baptism of Desire.

David Groulx was raised in Elliott Lake, Ontario. Groulx is Ojibwe and French Canadian. He received his BA in Literature from Lakehead University and later studied creative writing at the En'owkin Centre in British Columbia. He has also studied creative writing at the University of Victoria.

Works: From Turtle Island to Gaza, Rising With a Distant Dawn, Imagine Mercy.

Gordon Henry Jr is an enrolled member of the White Earth Reservation. Gordon Henry Jr holds a PhD in Literature from the University of North Dakota and is currently a professor of English at Michigan State University. He has authored several novels and poetry collections and is a celebrated writer in Michigan.

Works: Spirit Matters, The Failure of Certain Charms.

Jane Johnston Schoolcraft was Born in Sault Ste. Marie on Michigan's Upper Peninsula. Schoolcraft was given the name of Bamewawagezhikaquay ('Woman of the Sound that the stars make Rushing Through the Sky') in Ojibwe. Her mother was Ozhaguscodaywayquay, the daughter of the Ojibwe war chief Waubojeeg. Her father was fur-trader John Johnston. Johnston is regarded as the first major Native American female writer. She wrote letters and poems in both English and Ojibwe.

Writeup containing works.

Denise Lajimodiere is a citizen of the Turtle Mountain band. Lajimodiere is considered an expert on Native American boarding schools following her work Stringing Rosaries, published in 2019. She is a poet, professor, scholar, and the current Poet Laureate of North Dakota.

Works: His Feathers Were Chains, Thunderbird: Poems, Dragonfly Dance.

Linda Legarde Grover is a member of the Bois Forte Band. She is a columnist for the Duluth Tribune and Professor Emeritus of American Indian Studies at University of Minnesota (Duluth). She has written poetry, short stories, and essays.

Works: The Sky Watched, Onigamiising.

Sara Littlecrow-Russel is of Ojibwe and Han-Naxi Métis descent. Russell is a lawyer and professional mediator as well as a poet. She has worked at the Center for Education and Policy Advocacy at the University of Massachusetts and for Community Partnerships for Social Change at Hampshire College.

Works: The Secret Powers of Naming.

Jim Northrup was a member of the Fond du Lac Reservation in Minnesota. Northrup lived a traditional lifestyle in his early years. As a child, he attended an Indian boarding school where he suffered physical abuse. Later in life, he served in the Vietnam war and experienced PTSD. Much of his poetry comes from these hardships.

Works: Walking the Rez Road, Rez Salute: The Real Healer Dealer, Anishinaabe Syndicated.

Duke Redbird was born in Saugeen First Nation. He became a ward of Children's Aid at nine months old when his mother died in a house fire. He began writing to give words to his experiences as an Indigenous man raised by white foster families. He is recognized as a key figure in the development of First Nations literature.

His poetry is available on his site.

Denise Sweet is a member of the White Earth Reservation in Minnesota. Sweet served as Wisconsin's Poet Laureate from 2004-2008. She has taught creative writing, literature, and mythology at the University of Wisconsin-Green Bay.

Works: Songs for Discharming, Palominos Near Tuba City.

Mark Turcotte is a member of the Turtle Mountain Band. Turcotte is a visiting assistant professor of English at DePaul University. He has published two books of poetry. His chapbook, Road Noise, was translated into French.

Works: The Feathered Heart, Exploding Chippewas.

E. Donald Two-Rivers was raised in Emo Township, Ontario. He moved to Chicago at age 16 and became involved with the Urban Native community there. A playwright, spoken-word performer, and a poet, Two-Rivers had been an activist for Native rights since the 1970s. He was the founding director of the Chicago-based Red Path Theater Company.

Works: Powwows, Fat Cats, and Other Indian Tales, A Dozen Cold Ones by Two-Rivers.

Gerald Vizenor is an enrolled member of the White Earth Reservation. Vizenor has published over 30 books. He taught at the University of California for many years and is currently at the University of New Mexico. He has a long history of political activism and he is considered one of the most prolific Indigenous ironists writing today.

Works: Favor of Crows, Cranes Arise, Empty Swings.

[dramyhsturgis]

Dark Academia Works Inspired by True Crime Cases?

Hello, all! I am looking for recommendations of Dark Academia works (novels, short stories, films, television series) based on true crime. I would be grateful for any suggestions for my list. Thank you!

I am intentionally casting my net widely, defining the Dark Academic genre (as opposed to the aesthetic) as one that focuses on an academic setting and educational experience, employs Gothic modes of storytelling, cultivates a dark mood by contemplating the subject of death, and offers critique for interrogating imbalances and abuses of power.*

Below the cut is my current list of Dark Academia Works Inspired by True Crime Cases. All suggestions are welcome!

Dark Academia Works Inspired/Informed by True Crime Cases

Note 1: “True crime” is defined here as a specific case (for example, a murder or missing person’s case), not as a larger historical event (for example, the Salem Witch Trials or the Opium Wars) or an amalgam of cases (for example, general hazing in fraternities). Note 2: This list is in chronological order based on the true crime case. Note 3: Some works that aren't fully DA but incorporate DA sections are included.

TRUE CRIME: 1897 disappearance of student Bertha Mellish from Mount Holyoke College DA novels: The Button Field by Gail Husch (2014) Killingly by Katharine Beutner (2023)

TRUE CRIME: 1924 killing of Bobby Franks by University of Chicago students Nathan Leopold and Richard Loeb DA Novels: Compulsion by Meyer Levin (1956) Nothing but the Night by James Yaffe (1957) Little Brother Fate by Mary-Carter Roberts (1957) The Secret History by Donna Tartt (1992) These Violent Delights by Micah Nemerever (2020) Hollow Fires by Samira Ahmed (2022) Jazzed by Jill Dearman (2022) DA films: Rope (1948), Compulsion (1959), and Murder by Numbers (2002)

TRUE CRIME: 1932 kidnapping and killing of Charles Lindbergh, Jr.; 1933 kidnapping and killing of Brooke Hart; and 1932-1934 crime spree of Bonnie Parker and Clyde Barrow DA novels: Truly Devious books by Maureen Johnson (especially the first trilogy, 2018-2020)

TRUE CRIME: 1944 killing of David Kammerer by Columbia University student Lucien Carr DA film: Kill Your Darlings (2013)

TRUE CRIME: 1946 disappearance of student Paula Jean Welden from Bennington College DA novels: Hangsaman by Shirley Jackson (1951) Last Seen Wearing by Hillary Waugh (1952) The Secret History by Donna Tartt (1992) Shirley by Susan Scarf Merrell (2014) Quantum Girl Theory by Erin Kate Ryan (2022)

TRUE CRIME: 1973 killing of student Cynthia Hellman at Randolph-Macon Women’s College DA novel: Good Girls Lie by J.T. Ellison (2019)

TRUE CRIME: 1978 killing of students Margaret Bowman and Lisa Levy and attack of students Kathy Kleiner and Karen Chandler by Ted Bundy at Florida State University DA novel: Bright Young Women by Jessica Knoll (2023)

TRUE CRIME: 1985 killing of Derek and Nancy Haysom by University of Virginia students Elizabeth Haysom and Jens Söring DA novel: With a Kiss We Die by L.R. Dorn (2023)

TRUE CRIME: 1999 killing of student Hae Min Lee from Woodlawn High School (by Adnan Syed? debated) DA novel: I Have Some Questions for You by Rebecca Makkai (2023)

TRUE CRIME: 2022 killing of students Madison Mogen, Kaylee Goncalves, Xana Kernodle, and Ethan Chapin from the University of Idaho (by Washington State University student Bryan Kohberger? currently awaiting trial) DA novel: This Book Will Bury Me by Ashley Winstead (2025)

*(I go into this definition in further detail in my segment here on the StarShipSofa podcast, my graduate course on Dark Academia, and my 2023 academic essay "Dark Arts and Secret Histories: Investigating Dark Academia.")

[justforbooks]

Alan Arkin, who has died aged 89, was a star at the beginning of his career and a beloved character actor until the end. Though best known for comedies, most notably Catch-22 (1970) and Little Miss Sunshine (2006), lightness was not necessarily his forte; even at his funniest, he exuded gravitas. “I’ve studied acting seriously,” he said in 1982. “I’m not the clown who wants to be Hamlet or anything like that. I just think that regarding oneself as comic means that one’s primary obligation is to get laughs.”

He could be a prickly figure. “Alan does not meet you halfway as an actor,” said the writer-director Marshall Brickman, who cast him as a brainwashed scientist in the science-fiction comedy Simon (1980). “He’s a very serious actor. I think he’s brilliant. But he’s not interested in winning you over via personality. The way he photographs has a kind of austerity that’s a little hard for an audience to take. You either like Alan or you don’t.” The Oscar Arkin won for playing a heroin-snorting grandfather in Little Miss Sunshine ratified his status as a US national treasure.

Arkin was born and raised in Brooklyn, New York, the son of Beatrice (nee Wortis) and David Arkin, both schoolteachers. As a child, he attended acting classes. The family moved to Los Angeles when Alan was 11, but trouble befell the family when David was accused of communist affiliations (disproved posthumously) during the McCarthy era.

Alan studied acting at Los Angeles State College of Applied Arts and Sciences (now California State University, Los Angeles) before transferring to Bennington College, Vermont. In 1955, he married Jeremy Yaffe, and became active in the folk music scene. Along with fellow members of his group, the Tarriers, he was credited as co-writer of The Banana Boat Song (Day-O), an adaptation of a Jamaican folk standard. (A different version was a hit for Harry Belafonte.)

After an inauspicious film debut with the Tarriers in Calypso Heat Wave (1957), he threw in his lot with acting. He made his off-Broadway debut in the late 1950s and joined the Chicago improvisational group the Compass Players in 1959. This led to a stint with the Chicago improv troupe Second City and his Broadway debut, in 1961, in the company’s show From the Second City, which he co-wrote.

Arkin did not forgo folk music entirely: he formed the children’s group the Babysitters, which also featured Yaffe until their divorce. The band was later joined by his second wife, the actor and writer Barbara Dana, whom he married in 1964.

He left Second City after landing the lead on Broadway in a 1963 production, Enter Laughing, for which he won a Tony award. In the same year, he wrote, scored and starred in the Oscar-nominated short film That’s Me. Norman Jewison gave him his first major film role in The Russians Are Coming, The Russians Are Coming (1966), a comic take on cold war paranoia. Arkin received an Oscar nomination for his performance as a lieutenant on a Soviet submarine that runs aground in New England.

His range was indisputable. Comparisons to Peter Sellers abounded even before Arkin took the title role in the misguided, off-piste comedy Inspector Clouseau (1968). He accepted a rare villainous part in Wait Until Dark (1967), terrorising a blind Audrey Hepburn. In the same year, he played one of Shirley MacLaine’s lovers in Vittorio de Sica’s portmanteau film Woman Times Seven. He won a second Oscar nomination for playing a deaf man in The Heart Is a Lonely Hunter (1968), adapted from the novel by Carson McCullers, and starred as a Puerto Rican widower raising his children in Popi (1969).

His landmark role came when he was cast as the anxious bombardier Yossarian in Mike Nichols’s film of Joseph Heller’s Catch-22. The New York Times critic Vincent Canby summed up Arkin’s appeal: “[He] is not a comedian; he is a deadly serious actor, but because he projects intelligence with such monomaniacal intensity, he is both funny and heroic at the same time.” The eight-month shoot was an arduous experience for the actor. “If they had shot footage of the making of the film,” he said, “it would’ve been a hell of a lot closer to the book than the movie was.”

Arkin had already directed several shorts when he embarked on his full-length directing debut, an adaptation of Jules Feiffer’s blackly comic play Little Murders (1971), set in a fractured and hostile New York City. The film’s critical reputation has grown steadily along with that of Arkin’s follow-up, Fire Sale (1977). Both pictures exhibit an acidic, rueful comic tone consistent with the mood of 1970s independent cinema.

In the same decade, Arkin played a long-distance truck driver in Deadhead Miles (1972), scripted by Terrence Malick; unsure how to market this eccentric road movie, Paramount shelved it, though it has surfaced occasionally on television. He teamed up with James Caan in the action comedy Freebie and the Bean (1974), with Peter Falk in The In-Laws (1979) and with Jeff Bridges in the 1930s-set Hearts of the West (1975). In The Seven-Per-Cent Solution (1977), he played Sigmund Freud, who welcomes Sherlock Holmes (Nicol Williamson) as a patient. He was a washed-up superhero in the Australian musical comedy The Return of Captain Invincible (1983) and a concentration camp prisoner in Escape from Sobibor (1987).

During the 1990s, Arkin’s movie career began its second flourishing. He specialised in sympathetic father figures in Coupe de Ville and Edward Scissorhands (both 1990) and Slums of Beverly Hills (1998), and played a desperate salesman in Glengarry Glen Ross (1992), the film of David Mamet’s play. He was also memorable as an assassin’s psychiatrist in Grosse Pointe Blank (1997). An acclaimed performance as a troubled insurance manager in Thirteen Conversations About One Thing (2001) attracted further awards.

The independent smash Little Miss Sunshine exploited Arkin’s contradictory qualities of coarseness and warmth. After that, most of his films felt minor: in 2008 he delivered another beneficent father routine in Sunshine Cleaning and a helping of spy antics in Get Smart, and was a twinkly editor in the family hit Marley & Me. More challenging was Rebecca Miller’s drama The Private Lives of Pippa Lee (2009), in which Arkin played a man married to a woman 30 years his junior. His fond portrayal of a grizzled movie producer in Argo (2012), Ben Affleck’s thriller set during the Iran hostage crisis, was hugely admired and was nominated for a best supporting actor Oscar.

He starred with Al Pacino and Christopher Walken as ageing crooks reuniting for one last job in Stand Up Guys (2012), and with Michael Caine and Morgan Freeman as retirees who plot to rob a bank after losing their pensions in Going in Style (2017). He was also in Tim Burton’s live-action remake of Dumbo (2019) and played a Hollywood agent in the Netflix series The Kominsky Method (2019) with Michael Douglas.

In 2020, he published Out of My Mind, which detailed his 20-year friendship with his spiritual mentor John Battista, though Battista’s full name is not mentioned in the book, nor his fall from grace (Battista was charged with the sexual abuse of several women and one girl) and suicide. The scandal caused a kind of paralysis in Arkin for six months, he told the Guardian in 2020. “But I doggedly went on and I’m glad that I did.”

He is survived by his third wife, Suzanne Newlander, whom he married in 1996, two sons, Adam and Matthew, from his first marriage, and a son, Anthony, from his second marriage.

🔔 Alan Wolf Arkin, actor and director, born 26 March 1934; died 29 June 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[queenlua]

betteridge's law applies, but

honestly this was a pretty fun read just for the goofy historiography of What Various Fields (At Various Times) Have Proclaimed Early Humans Are Like, complete with e.g. goofy projection by 1950s anthropologists:

The notion of the meat-loving ancestor has a history. In the nineteen-fifties, the anatomist Raymond Dart, famous for discovering the first authentic fossil of an early African hominin, advanced what became known as the “killer ape” theory. Hunting, Dart thought, made us human. Our furry forebears climbed down from the trees to gorge on “the more attractive fleshy food that lay in the vast savannahs of the southern plains,” he wrote in the book “Adventures with the Missing Link” (1959). Elsewhere, he described the earliest hominins as “confirmed killers: carnivorous creatures that seized their quarries by violence, battered them to death, tore apart their broken bodies, dismembered them limb from limb, slaking their ravenous thirst with the hot blood of victims and greedily devouring livid writhing flesh.” The killer-ape theory seeped into the mainstream. In 1955, Dart, then based at the University of the Witwatersrand, met the playwright Robert Ardrey, who was in South Africa for a reporting trip. Like a convert seeing the holy truth, Ardrey came away transformed. He was convinced that “the predatory transition” not only made us human but also explained what he described as “man’s bloody history, his eternal aggression, his irrational, self-destroying inexorable pursuit of death for death’s sake.” Ardrey was inspired to write the “Nature of Man” series, a set of books about human nature and evolution, published between 1961 and 1976. Time later named “African Genesis,” the first in the series, the most notable nonfiction book of the sixties. It was cited as an influence on Stanley Kubrick’s film “2001: A Space Odyssey” (1968), whose opening sequence showed primate violence as a turning point in the development of our species.

[dweemeister]

Programming note: MGM100

Having already missed out on Columbia Pictures' 100th anniversary this last January, I wasn't about to ignore yet another - and arguably more historically important - anniversary upcoming.

The upcoming marathon will be tagged MGM100 and will appear Tuesdays and Wednesdays this month (beginning later this evening). Featured films will be posted/queued in roughly chronological order.

This April marks the 100th anniversary of the founding of Metro-Goldwyn-Mayer (MGM), the result of a merger between three silent film-era production companies in Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Pictures. Within a decade, MGM became one of the major Hollywood studios*, boasting that it had contracted "more stars than there are in heaven".

By the end of the 1930s, it was undoubtedly the biggest, most stable, financially successful, and most powerful of all of those studios. Some of the most lavish productions in film history were shot on its Culver City lot (which is now Sony Pictures Studios for Columbia's use, as well used by the American versions of Jeopardy! and Wheel of Fortune) and MGM's reputation for being the home of the greatest Hollywood movie musicals (1939's The Wizard of Oz, 1952's Singin' in the Rain) was unrivaled. Not until the Walt Disney Studios of the 2010s would Hollywood ever see a studio so dominant in the industry.

The good times did not last. Following the spectacular Ben-Hur (1959), MGM embarked upon a misguided financial strategy of releasing one big-budget epic film ever year and releasing fewer movies per year. Upon Kirk Kerkorian's purchase of MGM in 1969, Kerkorian decided to slowly convert MGM into a real estate and hotel and casino company and approved of the near-complete disposal of the studio's music library - thrown into a landfill now underneath a golf course.

MGM ceased being a major studio in 1986 upon Ted Turner's purchase of the studio and decision to almost immediately resell the studio back to Kerkorian (Turner, crucially, kept the rights to the pre-May 1987 MGM library, which formed the original basis of Turner Classic Movies, TCM). Multiple financial crises since 1986 (including a 2010 bankruptcy) have seen MGM fall even further from its once-lofty perch. Amazon purchased MGM (including the less cinematically interesting post-May 1987 library, although this includes the rights to the Rocky and James Bond series) in October 2023; only time will tell what Amazon plans to do with the studio.

***

So please join me this month as my blog features a celebration for a century of MGM. From epics such as Ben-Hur (1925 original and 1959 remake) and 2001: A Space Odyssey (1968); romances such as Waterloo Bridge (1940) and Three Thousand Years of Longing (2022); comedies such as The Thin Man (1934) and American Fiction (2023); animation such as the Tom and Jerry series and The Secret of NIMH (1982); and musicals such as Meet Me in St. Louis (1944) and Victor/Victoria (1982), MGM's history is among the richest of any studio out there. I certainly hope you enjoy the marathon coming to your dashboards soon!

* MGM was considered a major studio alongside Paramount, RKO, 20th Century Fox, and Warner Bros.; Columbia, United Artists, and Universal were considered the "Little Three"; Disney would not be a major studio until the 1990s.

[missellafitz]

Ella Fitzgerald & Frank Sinatra: Voices of America

Inside Ella and Sinatra’s remarkable similarities and essential divergences

Most fans of American jazz and pop vocalists would agree that Ella Fitzgerald and Frank Sinatra were the undisputed champs of their era. But in 1959, both at the height of their artistic prowess, Sinatra ceded the top spot, admitting, “Ella Fitzgerald is the only performer with whom I’ve ever worked who made me nervous. Because I try to work up to what she does. You know, try to pull myself up to that height, because I believe she is the greatest popular singer in the world, barring none—male or female.” The feeling was mutual, and they duetted on several high-profile occasions. Fitzgerald adored Sinatra, deeply respected his talent and, given her natural humility, would never have claimed superiority.

The career arcs of these two giants were eerily similar, beginning with their rough-and-tumble adolescences. Fitzgerald was born in Newport News, Va., in 1917 but raised in Yonkers, as the crow flies about 15 miles north of Sinatra’s hometown, Hoboken, N.J. Sinatra, born in 1915, was expelled from high school due to misbehavior. Fitzgerald was early on an excellent student, but she began cutting class following her mother’s death in 1932 and was eventually sent to an orphanage and a reform school. He got his big break on Major Bowes’ Amateur Hour radio show in 1935. In November of ’34, Fitzgerald had ignited her career by winning top Amateur Night honors at Harlem’s Apollo Theater, famously aborting her planned hoofer routine when the preceding dance act proved too polished. Instead she sang, choosing Hoagy Carmichael’s “Judy,” whose lyric included the prescient notion “In a hundred ways/You’ll be shouting her praise.”

Before simultaneously launching solo careers in 1942, both were band singers, Sinatra with Harry James then Tommy Dorsey, Fitzgerald with Chick Webb’s hard-swinging orchestra, which she fronted after Webb’s death in 1939. In the wake of correspondingly serious lulls in the early 1950s, both navigated resurgences that lifted them to iconic heights, precipitated by strategic label changes: Sinatra moved from Columbia to Capitol; Fitzgerald transitioned from Decca to producer Norman Granz’s newly minted Verve. Both fought for good songs and, despite plenty of dross in their enormous catalogs, remain the definitive interpreters of the Great American Songbook. They continued to perform into their 70s. Their deaths, like their births, arrived less than two years apart. Fitzgerald passed first, in 1996, due to prolonged complications from diabetes. Sinatra succumbed to a heart attack in May of ’98.

Yet despite the remarkable parallels, Fitzgerald and Sinatra were fundamentally different as singers and as public figures. He sang for, and about, himself; she sang for others. As the New York Times noted in its Fitzgerald obituary, “Where [Billie] Holiday and Frank Sinatra lived out the dramas they sang about, Miss Fitzgerald, viewing them from afar, seemed to understand and forgive all.” Sinatra’s life was an open book; hers was, by and large, a blank page. Her life, though fraught with hardships and heartache, existed almost exclusively for the music and the joy of satisfying listeners. And despite incomparable success—she was the first African-American woman to win a Grammy, and has more performances in the Grammy Hall of Fame than any other female artist—Fitzgerald forever maintained a demure, often self-effacing modesty, coupled with a shyness propelled by a constant fear of appearing inarticulate.Ella Fitzgerald, c. 1935 (c/o Universal)

During a celebrity-packed salute at New York’s Basin Street East in 1954, she acknowledged a slew of accolades by quietly stating, “To know that you love me for my singing is too much for me. Forgive me if I don’t have all the words. Maybe I can sing it and you’ll understand.” Three and a half decades later, when accepting the Society of Singers’ inaugural lifetime achievement award, named in her honor, she softly observed, “I don’t want to say the wrong thing, which I always do; but I think I do better when I sing.” We remember Sinatra—to whom she presented the Society’s second annual “Ella” award—as much for the fisticuffs and high-flying revelry as for the Voice. Fitzgerald we revere exclusively for the immensity of her musical skills and the intrinsic, altruistic warmth that helped define them.

[crayo1acrayons]

If you find any info i missed please write it in the coments

Missing: Jack Walten

JACK WALTEN

HAVE YOU SEEN THIS MAN?

A series of images all of which are Jack Walten

Name: Jack Walten

Age: 42 Years Old

Height: 6'2

Hair Color: Brown

Eye Color: Black

Last Seen: June 11th, 1974

Last Seen Wearing: Dark Red Suit

An image of Boozoo the ringmaster

Mr. Jack Walten, born September 23rd, 1932, was a hard working man and the happy father of 3.

Walten studied in "Cleary University" in Livingston County and graduated in 1959, on the same year he married Rosemary Peony Walten. He would later raise a family with Rosemary.

Mr. Walten became highly known on Brighton, MI. for his company "Bunny Smiles Incorporated" and his restaurant franchise "Bon's Burgers". However, he would mysteriously disappear 2 weeks before the opening of Bon's.

Little has been known about Jack's whereabouts for the past 4 decades, but there's still hope to get closure on this man's disappearance.

​

Most recent news about Walten's disappearance goes all the way back to the year 1979. Felix Kranken, company co-founder of Bunny Smiles would state the following in a radio interview.

"I still wonder about what happened to my best friend, to this day I get people asking how I've handled the situation, how I've managed to keep on with this company knowing that he's been gone for years. It's hard to look back at Jack, because... I know that those happy memories and experiences I had with Walten and his Family will never happen again. And he'll never get to see what our dream company turned out to be. But there's still hope, I guess"

-Felix A. Kranken, MLBQ FM Radio, March 29th, 1979

Please contact us in case of any sighting or clues as to what could've possibly happened to Mr. Walten

When this button is pressed it shows you a drawing of a person pieces of bon are ripped and placed on top. It is hard to tell where bon starts and the person (jack?) ends. The words did you forget about me written to the side of it.

In the most recent update the website looks like it had been corrupted the photo of jack is to the left there is text that says 

???????????????????????????????????????????????????

I am here

 

Name: 

Age: 

Height: 

Hair Color: 

Eye Color: 

Last Seen: 

Last Seen Wearing: 

They say that falling in love is wonderful

It's wonderful, so they say

And, with a moon up above, it's wonderful

It's wonderful, so they tell me

I can't recall who said it

I know I never read it

I only know they tell me that love is grand

And

The thing that's known as romance is wonderful, wonderful

In every way, so they say

To leave your house some morning

And, without any warning

You're stopping people, shouting that love is grand

And

To hold a girl in your arms is wonderful, wonderful

In every way

So they say

Note:These are lyrics from the song They say it's wonderful by Doris Day written for the musical Annie get your gun 1946.

Now when you press the contact button it shows a photo of a porcelain looking doll with very human looking eyes the image is cracked and since this update the website's name is: Help

Update: roughly january this year the main website was changed again.

I can see

I can feel

 I can love

(That is all That is on the page)

Personal thoughts:

Starting from the top and making my way down I re-read what I compiled. During this process I realize that Jack is last seen wearing a dark red suit, one I believe looks a lot like the one boozoo the ringmaster wears. Now people probably already made this connection but doesn't it seem awfully convenient that boozoo’s picture is in his missing poster? Jack came up with the idea for the bon’s burgers franchise making him a ringmaster of sorts as he ran the place like a ringmaster a circus. Wouldn't it just be ironic that he gets stuffed into boozoo who shares the same job as him? Why else would his photo be on jacks missing poster?

Edit: I then realised the boozoo is already inhabited by charles and im just an idiot who conects all the wrong dots

[uncannychange]

The William Shatner, Leonard Nimoy, and George Takei of Universe 771 in their roles as Captain Kirk, Miss Spock, and Miss Sulu on the television series Star Trek.

The only members of the cast not having been Glamoured in 1959, being DeForest Kelley and John Winston (transporter chief Kyle) the series took a different course because of The Change and only lasted one season when at the end of the first season William Shatner lost her mind as so many of those so changed did.