#Miriam Goodwin

[daybreak-and-beyond]

Miriam does what her dreamself promised and takes the gang shopping!

(Clothes from this art meme)

[unravelingthread]

so i may have started playing a game and i am ENAMORED with these little dudes

[trulyatessfan]

This is my contest entry for @anxietyfluffy ‘s contest! :D One of the Karen’s design is from @lackadaisiluz ‘s AU so it’s his design!!

[ds30below]

shade_nightwalker's old fic finds

Crossposted from Dreamwidth with permission

Reclist post at ds-ficminers.

"Happy 30 Below history week!

I've been digging through the archived Hexwood sites, and found some more stories not available on AO3."

Mod addition: bear in mind that this is a masterlist, not a reclist, and some of the stories on it are very of their time. Due to its length and different tagging conventions (or lack thereof) at the time, I haven't been able to tag this post comprehensively.

Amber: I Dream of Bennie

Cheryl Barnes: Peaches and Creme

Katrina Bowen: Someone to Watch Over Me

Compass aka mnemosyne23: Solitude My Guide

Corrinne aka Cassandra Hope: Healing Love Home Life 2: The Neighbors Nicholas' Story Pancakes for Breakfast Teaching Mom the Computer

Miriam Elizabeth Cooper: A Drop of Golden Sun

Catalina Dudka: The Bet - or Baking Cookies with the Kitchen Challenged

Diana Leigh Edwards: A Mountain Crag Left

Kari Eissinger aka Cheezhed aka Dueser: A Cop, Two Mounties and A Baby Confessions Iraqi Dream I Wear The Uniform Jack's Day Possessive Obsessions (Obsessions 1) Rescued From The Ashes Road Trip To Hell (Obsessions 3) Slipping Through My Fingers (Obsessions 4) The Room Without A View Time To Heal (Obsessions 2) To The Death You Can Never go Back

elaine: Things Change

Ffand aka Harriet Vane: Two To To Victoria Returns

Sharon Gillson: Coming Home You Will Always Have Friends

Leslie Goodwin: Chicago Heat

Barbara Griffith: The Dreaming

Janet Horsman aka Janet Lawrence: Upheaval

maria jackson: I wanna kiss ya in Paris, Ben

Chris Lark: Let's Stay Engaged

Gilda Lily aka BradyGirl_12: Under the Christmas Tree

Marie-Andrée: Any Excuse to Burst into Song Be Strong for Me Not Easy Sometimes

Maya: Due North

mohairbear: Nosebleed

Silvia Mosca: Train of thoughts

Cate North: Fallen For All That's Lost If The Shoe Fits... Neige

Pollytiks: A Self-Contained Woman The Adventures of Margaret and Frannie The Adventures of Meg & Ben....oh, and Ray too, of course! The Button Casting Out Demons The Evidence For The Love Of Margaret A Luv Pome Snowblind Toggle Heart The Train

Karin Ransdell: Blessed Are the Peacemakers Golden Feather (Sequel to Meadows of Heaven) Meadows of Heaven We Ourselves The Week's Second Sunday

The Raven aka estellarose: Lucky Chance (A New Perspective 1) Savior Xenophobia (A New Perspective 2)

Diana Read: Afterbath

Caroline von Trott: An Ordinary Stake-out Realizations

Laura Trout aka mrs_fish: Dreams Really Do Come True

Alberta Skies: Conceived In An Igloo, Born In A Barn (complete!) Reality Found (complete!)

Dee Smith aka Wolfwalker: Bitter Winds Bitter Nights Bitter Sweet Bitter Thaw Bitter Pause Bitter Ground Bitter Dreams Twenty Four Hours Two Poems

Lee Sterling: The Victims No One Knows

Elizabeth Vecchio: Fool in Love

Shinz Wong: Going Home

unknown: Chicago Passage Dream Catcher Flowers for Ceila No Love Lost Story You Know How it is With Mounties...

Welmach: Independence Day On the Edge

[kayssweetdreams]

Kaylo Crescendo's Court of Children

(This is a DIFFERENT Kaylo. Not the one from my Balan Wonderworld stories)

So, I had this idea in my head for a while now, and it involves Kaylo, and the idea of her having a court, since she's the ruler of a kingdom. This however is no ordinary court. This consists of various children from throughout the Multiverse. So, I'm gonna list them out here.

Rules of the Court:

Any Child that joins the court MUST be at or under 16 years old (it's the Court of CHILDREN. Not teens or adults.)

The only people that know about the Court HAVE to be close to said Child (parents, close friends, family) other than that it's a complete secret (at least from mortals)

All kids in the court must take the "Immortal Promise" (A special pinkie Promise like ritual that ensures that a child freezes in the aging process. They can not, and WILL not age, as long as they have this promise

KEEP IN MIND! The list isn't complete, and more names will be added, so don't be surprised if the list looks longer

Kaylo's Court of Children and Kids

No kingdom is complete without a Court. And this is no exception with the pink haired ruler of Rhythm Heaven. Of course, this is no ordinary court. This court consists of the many children that exist around the Multiverse, that have all taken "The Immortal Promise", a promise that ensures that they live as long as Kaylo does, and still retain their youth

Princes Charles

Prince Feathrik Humero III

Mirabel Madrigal

Antonio Madrigal

Emma Cole

Leo Craig

Yuri Brand

Haoyu Chang

Meilin Lee

Miriam Mendelsohn

Abby Park

Priya Magal

Tyler Nguyen-Baker

Ben

Saoirse

Sam Witwicky

Mikaela Banes

Annabelle Lennox

Luke Triton

Flora Reinhold

Yinu

Dodo

Tila

Sofa

Remi

Sayu

Vella Tartine

Shay Volta

Wren and Renold Carver

Lucy Chu

Everett Nichols

Razputin Aquato

Frazie Aquato

Dion Aquato

Mirtala Aquato

Queepie Aquato

Lili Zanatto

Rose Goodwin

Jamie and Sophie Bennett

Pippa

Claude and Caleb

Monty

Cupcake

Jack Frost

Star Butterfly

Marco Diaz

Mariposa Diaz

Meteora Butterfly

Steven Universe

Connie Maheswaran

Claris Sinclair

Elliott Edwards

William Taylor

Helen Cartwright

Gregory Fazbear

Cassie

Robyn Goodfellow

Mebh Óg MacTíre

Cuphead

Mugman

Miss Chalice

Luca Paguro

Alberto Scorfano

Guila Marcovaldo

The Collector

Mac

Goo Goo Ga Ga

World

Dipper Pines

Mabel Pines

Grenda Grendinator

Candy Chiu

Crybaby

Magnolia

Fleur

Celeste

Angelita

Ben

Jenny Wakeman

Tuck Carbunkle

Brad Carbunkle

Sheldon Oswald Lee

Nemo

Squirt

Molly Blyndeff

Trixie Roughouse

Phoenica Fleecity

Hat Kid

Bow Child

Mustache Girl/Mu

Jason T. Conrad

Michelle Frances Conrad

Amanda/Rebecca Colton

Wooly

Elio Silos

Billy Hatcher

Rolly Roll

Chick Poacher

Bantam Scrambled

Violet Meadow

Ivy Divine

Lilly Padd

Tanta

Billie the Goat

[njadastonearm]

2022 in books! All in all my best year for reading in a while -- I beat last year by 22 books and ~6500 pages. Thank you, audiobooks!

Full list below the cut. Favorites are bolded and marked with an asterisk.

Conjure Women by Afia Atakora

The Sun Also Rises by Ernest Hemingway

King Richard by Michael Dobbs

When Women Invented Television by Jennifer Keishin Armstrong

Destiny of the Republic by Candice Millard *

Uncommon Sense Teaching by Barbara Oakley, Beth Rogowsky, and Terrence J. Sejnowski

The Lost Founding Father by William J. Cooper

The Fossil Hunter by Shelley Emling

Velvet Was the Night by Silvia Moreno Garcia

If I Understood You, Would I Have This Look On My Face? by Alan Alda *

Coolidge by Amity Shlaes

Pride and Prejudice by Jane Austen *

My Heart Is a Chainsaw by Stephen Graham Jones *

The Quartet by Joseph J. Ellis

The Woman They Could Not Silence by Kate Moore *

The Bully Pulpit by Doris Kearns Goodwin

The Man From the Train by Bill James

How the Multiverse Got Its Revenge by K. Eason

I'll Be Gone In the Dark by Michelle McNamara

The Devil in the White City by Erik Larson

How to Write a Lot by Paul J. Silvia

The Truffle Underground by Ryan Jacobs

The Awakening by Kate Chopin *

Lovecraft Country by Matt Ruff *

Entangled Life by Merlin Sheldrake

The Dark Descent of Elizabeth Frankenstein by Kiersten White

While Justice Sleeps by Stacey Abrams

What Lives in the Woods by Lindsay Currie

Time Is a Mother by Ocean Vuong *

Why Fish Don't Exist by Lulu Miller *

Arsenic and Adobo by Mia P. Manansala

The Chalk Man by C. J. Tudor

His Hideous Heart edited by Dahlia Adler

The Woman In the Library by Sulari Gentill

Persuasion by Jane Austen *

Misery by Stephen King *

The Book Woman of Troublesome Creek by Kim Michele Richardson

The Book Woman's Daughter by Kim Michele Richardson

Grant by Ron Chernow *

The Disappearing Spoon by Sam Kean

American Moonshot by Douglas Brinkley

The Axeman of New Orleans by Miriam C. Davis

Bridge to Terabithia by Katherine Paterson *

Sisters by Daisy Johnson *

A Woman Is No Man by Etaf Rum *

The Alchemist by Paulo Coelho

Mr. Penumbra's 24-Hour Bookstore by Robin Sloane

Gilead by Marilynne Robinson

The Motion of Puppets by Keith Donohue

Sherlock Holmes (Audiobook collection: The Adventure of the Empty House/The Adventure of the Devil's Foot/The Adventure of the Abbey Grange) by Arthur Conan Doyle

The Chocolate War by Robert Cormier

The Wonderful Wizard of Oz by L. Frank Baum *

Catch-22 by Joseph Heller *

The Marvelous Land of Oz by L. Frank Baum

Sea of Tranquility by Emily St. John Mandel

Three Pianos by Andrew McMahon

Call Us What We Carry by Amanda Gorman

Water for Elephants by Sara Gruen

Ozma of Oz by L. Frank Baum

Dorothy and the Wizard In Oz by L. Frank Baum

I Hope This Finds You Well by Kate Baer

The Zealot and the Emancipator by H. W. Brands

[smorgasbordinvitation]

Smorgasbord Bookshelf - Summer Book Fair 2022 - #Contemporary Anne Goodwin, #Cancer Miriam Hurdle

Smorgasbord Bookshelf – Summer Book Fair 2022 – #Contemporary Anne Goodwin, #Cancer Miriam Hurdle

Over the course of the summer months I will be sharing the recommended authors who feature in the Smorgasbord Bookshelf along with their books and a selected review. The first book today is Matilda Windsor is Coming Home a contemporary novel by Anne Goodwin. A book that I can also recommend About the book “In the dying days of the old asylums, three paths intersect. A brother and sister…

[sallygcronin]

Smorgasbord Bookshelf - Summer Book Fair 2022 - #Contemporary Anne Goodwin, #Cancer Miriam Hurdle

Smorgasbord Bookshelf – Summer Book Fair 2022 – #Contemporary Anne Goodwin, #Cancer Miriam Hurdle

Over the course of the summer months I will be sharing the recommended authors who feature in the Smorgasbord Bookshelf along with their books and a selected review. The first book today is Matilda Windsor is Coming Home a contemporary novel by Anne Goodwin. A book that I can also recommend About the book “In the dying days of the old asylums, three paths intersect. A brother and sister…

[allisonaergents]

Rules: tag people you’d like to get to know better.

I was tagged by @rodgersteves​ ty!

Favorite color(s): Purple, pink, white

Last song I listened to: The Last Great American Dynasty by Taylor Swift (You can assume that at any given moment I’ll be listening to Folklore for an indefinite time)

Favorite musicians: Taylor Swift, Of Monsters and Men...  But I’m mostly a “just like a ton of songs for a lot of different musicians” kind of girl. 

Last film I watched:  Singin' in the Rain

Last tv show I watched: The Bold Type s4 finale

Favourite characters: Lorelai Gilmore, Olivia Dunham, Felicity Smoak, Anne Shirley, Gilbert Blythe, Elizabeth Bennet, Sutton Brady, Liz Ortecho, Alex Manes, Bellamy Blake, Michael Scofield, Sara Tancredi, Michael Burnham, Naomi Nagata, James Holden, Sydney Bristow, Harry Potter, Ginny Weasley, Olivia Baker, Spencer James, Sansa Stark, Bram Stark, Macy Vaughn, Kara Thrace, Mary Crawley, Joan Watson, Peggy Carter, Steve Rogers, Sam Wilson, Diana Prince, Cara Danvers, Beth Pearson, Rebecca Pearson, Kate Pearson, Din Djarin, Chidi Anagonye, Miriam Maisel, Ginny Baker, Demelza Crane, Max Goodwin, Helen Sharpe, Matt Murdock, Karen Page, Tyrone Johson, Tandy Bowen, Jake Peralta, Peyton Sawyer... 

Sweet, spicy, or savory: Sweet (I can take spicy if it’s not too spicy)

Sparkling water, tea or coffee: Coffee

Pets: I have a dog ^^ A maltese bichon named Drako. 

I tag: @runawaylace​ @gregorysmanes​ @wadekinsella​ @leiaargana​ (feel free to ignore)

[burpenterprisejournal]

JD ZAZIE AND MAT POGO AT UNHEIMLICH UNHEIMLICH

2022/05/13 ADAM GOODWIN SANCHEZ JD ZAZIE / SOPHIA BORGES BUSATO / OKUDA  / VIRTARANTA O U 1 D J A M 5 6  / POGO / HALL / MILLS 3XTR Berlin - DE

Unheimlich Unheimlich was initiated as a weekly series taking place at Ungeheuer Neuköln in the fall of 2020 until the lockdown. Focusing on improvised music and performance art it has featured a broad variety of artists from the Berlin scene as well as international guests. Friday the 13th SPECIAL at the 3XTR (if you dont know the place drop a message here!), the evening will start at 19:30! JD Zazie will play in duo format with percussionist Sofia Borges and Mat Pogo will join a mysterious quintet but here’s the program: A D A M . G O O D W I N Adam Goodwin – double bass https://adamgoodwin.bandcamp.com/album/banishing-ritual S A N C H E Z Miriam Leo – Keyboards and FX Gustavo Obligado – Soprano Sax, MPC1000, Yamaha WX5. Tom Kessler – Guitar and electronics https://gustavoobligado.bandcamp.com/album/sanchez B U S A T O . O K U D A . V I R T A R A N T A Marcello Silvio Busato – drums Rieko Okuda – keys Antti Virtaranta – double bass https://marcellosilviobusato.tumblr.com/ http://www.riekookuda.com/ https://avirtmusic.weebly.com/ J D Z A Z I E . B O R G E S JD Zazie – electronics Sofia Borges – drums https://jdzazie.bandcamp.com/releases https://sofiaborges.com/ O U 1 D J A M 5 6 . P O G O . H A L L . M I L L S Margaret Unknown – voice, lap steel, rhaitophone Fabíola – voice, guitar Mat Pogo – voice, electronics Kellen Mills – bass Samuel Hall – drums http://margaretunknown.com/ https://www.flowfabiola.com/ https://www.burpenterprise.com/burp/units/jealousy-party/ https://tryonband.com/ https://samuelhall.bandcamp.com/

fb event https://www.facebook.com/events/3026435477667014?ref=newsfeed

[daybreak-and-beyond]

I'm back with more text post memes, this time with actual backgrounds. (Previous - Part 4 - Next)

And bonus Lamar:

[scifigeneration]

The dystopian mash-up Altered Carbon is peak Anthropocene TV

by Mitch Goodwin

In Altered Carbon, the streetscape reflects the sodden bitumen and garbled neon of Blade Runner’s Los Angeles. Mythology Entertainment, Skydance Television

The opening image of Altered Carbon is of a male human form. We see him from below, suspended in the shimmering blue expanse of water, beams of angelic light creating a silhouette of his splayed body. The image evokes Scottie Ferguson on the poster for Hitchcock’s Vertigo (1958), Dr Frank Poole adrift in the inky blackness in 2001: A Space Odyssey (1968), and the limp frame of David the humanoid boy-bot descending into the icy depths of a flooded Manhattan in A.I. Artificial Intelligence (2001).

The new Netflix sci-fi series, based on the 2001 novel by Richard Morgan, is a bold and ambitious statement for the streaming service’s production arm. Like the opening image, scene upon scene presents an amalgam of dystopian elements, this is post-climate, post-singularity, peak-Anthropocene TV.

The year is 2384, in which liquid blue chips, known as “stacks”, constitute the limitless potential of consciousness and the human form has been reduced to disposable “sleeves”. The stacks are inserted into the spines of such sleeves, a practice known as being “spun up”, from whatever fatal demise beset your previous self.

Of course, the quality and availability of the sleeve depends on your wealth status. Your ability to access your stack requires more than a thumb print and a four-digit pin, immortality is a moral question too, a question not just for you but for those who would facilitate your rebirth.

At its narrative heart though, this is a big, brash, ballsy cop drama set in the distant future. Takeshi Kovacs, played by Swedish actor Joel Kinnaman, is a mercenary “Envoy” who has been spun up from his 250-years “on ice” – a prison sentence for his past terrorist proclivities. Funding this pardon – and his buff new sleeve – is the supremely rich oligarch, Laurens Bancroft (James Purefoy), who enlists Kovacs to solve a murder.

Mercenaries are a hunted breed, and tenacious cop Kristin Ortega (Martha Higareda) is never far from the havoc caused by Kovacs’s less than subtle sleuthing. Of course, this is very much a man’s world, and there is the requisite white widow spider, Miriam Bancroft (Kristin Lehman) who is more than enamoured with the new skin-job on the block. Altered Carbon readily exposes its noir-ish underbelly; however, this is tech-noir rather than neo-noir, with generous splashes of fantasy to keep things ambiguous.

Joel Kinnaman and Dichen Lachman in Altered Carbon: the series readily exposes its noirish underbelly. Mythology Entertainment, Skydance Television

The series is a symbolic mash-up that boasts a familiar dystopian sci-fi aesthetic: wealth inequality, transhumanism, time-displaced characters, clunky steam punk gadgetry and most importantly, for contemporary sci-fi enthusiasts, the archive – or the “psychasec” as it is known in this universe. (The psychasec is the repository for the ultra-wealthy’s cloned sleeves and stack back-ups).

There has been a lot about the fragility of archives in sci-fi cinema since The Matrix – the Blackout web-short preceding Blade Runner 2049, the Tesseract in Interstellar and the Scarif facility in Rogue One - being the most recent examples. Each contains plot lines that involve the pursuit of an elusive data set within a closely guarded archive. In the information age, it is little wonder that such parables lie at the heart of our most ambitious narrative constructions.

The design of Altered Carbon is built on a solid pedigree: the streetscape reflects the sodden bitumen and garbled neon of Blade Runner’s Los Angeles; the glittering vertiginous glass and steel is reminiscent of Ghost in the Shell’s Niihama; while the cavernous water-ways and spiralling towers immediately struck me as evocative of Kim Stanley Robinson’s New York circa 2140. Yet, there are quirky design choices too. “The Raven”, the hotel Kovacs selects as his refuge for the show’s duration, is run by an A.I. algorithm - the whimsical concierge, Poe. This setting and its old world charm is a steam punk indulgence – and already a fan favourite – classic Bioshock meets Baltimore.

There are many beautiful lines in Altered Carbon that can slip by in all the visual haberdashery. In one scene, the missing daughter of an associate of Kovacs who is trapped in a VR “trauma loop”, whimpers: “They took mommy away because she stole stars from the sky.” I would have missed moments like this if it were not for the jump-back feature on my Sony remote. The fact that the show demands “close watching” to appreciate the narrative and philosophical beats makes it a notch above your typical sci-fi programming.

Virtuality is signposted as an omnipresent companion technology, not an escape from “the real” but a simulcast of memory and emotional truth. VR becomes a place where Kovacs witnesses both the suffering of others and endures his own abduction and consequent torture.

In many ways the blending of hallucinogenic VR with extreme A.I. and the storage of memory in flesh-like synthetic forms seems like the ultimate fulfilment of a rich vein of transhumanist storytelling we have witnessed recently: films such as The Congress (2013) and the aforementioned Blade Runner 2049 and Ghost in the Shell and in episodes of TV series like Black Mirror’s San Junipero or Electric Dreams’ Real Life and of course the visceral Westworld, which Altered Carbon more than matches with frequent violent bloody flourishes.

It also echoes, as Wired magazine has pointed out, the obsession that (mostly male and white) Silicon Valley tech titans have with anti-ageing treatments and their dogged quest to keep death at bay – or at the very least, spin up a cache of permanent digitised consciousness.

Joel Kinnaman in Altered Carbon. Mythology Entertainment, Skydance Television

Kinnaman in the lead role, certainly has cred. He held The Killing together over four seasons with his awkward blue-collar persona. He was pitch perfect as the menacing yet ultimately juvenile Governor Will Conway in House of Cards but he was probably at his best in a metal suit in the Robocop reboot. As Kovacs, a character who is routinely physically and mentally assaulted, we need a little more than we get here (sleeve sex and torture scenes aside).

Sure, he plays a convincing retrofitted gum-shoe cyborg: he inhales cigarettes with gusto and downs highballs of hard liquor with a regularity that would put Don Draper to shame; his facial abrasions are classic Harrison Ford, and his trench coat and statuesque gait early Eastwood. Kinnaman’s acting range, however, is as a narrow as a bike lane. This might be okay for Robocop but not a noir detective, a role that demands a little more damage, more vulnerability, a few bare wires – think Bogart, Nicholson, Mitchum, Keach.

I did wonder if Takeshi Kovacs’s name is a play on the car thief Michel Poiccard (a.k.a. László Kovács) in Jean-Luc Godard’s Breathless from 1960. Godard’s Kovács has a penchant for Bogart’s film noir credentials, he chain smokes, he is on the lam and doomed to either a life in prison or a bullet to the spine.

He certainly bears more than just a passing resemblance to Kinnaman. In the midst of all of this futuristic cinematic remixing I would like to think Richard Morgan is hip to French New Wave cinema. Or did I imagine that?

Mitch Goodwin is in the Curriculum Design Lab, Faculty of Arts at the University of Melbourne

This article was originally published on The Conversation. 

[hotfps]

For more resources on female self-pleasure, head to sh-womenstore.com, omgyes.com, amappointment.com. Get Marika's new album Any Human Friend at marikahackman.com Listen to hand solo here: https://MarikaHackman.lnk.to/handsolo Production Company - Oliver’s Island Executive Producer - Simone Radclyffe Producer - Scarlett Anderson Director - Sam Bailey DOP - Ben Westaway Movement Director/Sexpert - Evie Fehilly Production Runner - Harry Goodwin Production Runner - Helena Jerreat Performers: Evie Fehilly, Dineo More, Helena Jerreat, Lesley Westrop, Daisy Rylance, Jay Brown, Rebecca Song, Miriam Wakeling Post house - Big Buoy Edit - Marika Shatova After Effects - Hannah Stanczyk Flame - Eileen Chan Colour - Samantha Day Executive Producer - Jenna Le Noury Junior Producer - Katie Gillard Additional VFX - Sam Bailey Label Manager - Connie Meade Project Co-ordinator - Grace Manning Commissioner - Tim Dellow Director’s Rep - OB Management Thanks to - Sh! Women’s Store, Jenna Le Noury, Dan Kreeger, River Hall, Evie Fehilly and Gareth White. Special thanks to everyone who submitted their stories about self-pleasure for the project.

[artwalktv]

For more resources on female self-pleasure, head to sh-womenstore.com, omgyes.com, amappointment.com. Get Marika's new album Any Human Friend at marikahackman.com Listen to hand solo here: http://bit.ly/34mUAVY Production Company - Oliver’s Island Executive Producer - Simone Radclyffe Producer - Scarlett Anderson Director - Sam Bailey DOP - Ben Westaway Movement Director/Sexpert - Evie Fehilly Production Runner - Harry Goodwin Production Runner - Helena Jerreat Performers: Evie Fehilly, Dineo More, Helena Jerreat, Lesley Westrop, Daisy Rylance, Jay Brown, Rebecca Song, Miriam Wakeling Post house - Big Buoy Edit - Marika Shatova After Effects - Hannah Stanczyk Flame - Eileen Chan Colour - Samantha Day Executive Producer - Jenna Le Noury Junior Producer - Katie Gillard Additional VFX - Sam Bailey Label Manager - Connie Meade Project Co-ordinator - Grace Manning Commissioner - Tim Dellow Director’s Rep - OB Management Thanks to - Sh! Women’s Store, Jenna Le Noury, Dan Kreeger, River Hall, Evie Fehilly and Gareth White. Special thanks to everyone who submitted their stories about self-pleasure for the project.

[whileiamdying]

For more resources on female self-pleasure, head to sh-womenstore.com, omgyes.com, amappointment.com. Get Marika's new album Any Human Friend at marikahackman.com Listen to hand solo here: https://MarikaHackman.lnk.to/handsolo Production Company - Oliver’s Island Executive Producer - Simone Radclyffe Producer - Scarlett Anderson Director - Sam Bailey DOP - Ben Westaway Movement Director/Sexpert - Evie Fehilly Production Runner - Harry Goodwin Production Runner - Helena Jerreat Performers: Evie Fehilly, Dineo More, Helena Jerreat, Lesley Westrop, Daisy Rylance, Jay Brown, Rebecca Song, Miriam Wakeling Post house - Big Buoy Edit - Marika Shatova After Effects - Hannah Stanczyk Flame - Eileen Chan Colour - Samantha Day Executive Producer - Jenna Le Noury Junior Producer - Katie Gillard Additional VFX - Sam Bailey Label Manager - Connie Meade Project Co-ordinator - Grace Manning Commissioner - Tim Dellow Director’s Rep - OB Management Thanks to - Sh! Women’s Store, Jenna Le Noury, Dan Kreeger, River Hall, Evie Fehilly and Gareth White. Special thanks to everyone who submitted their stories about self-pleasure for the project.

[tani-b-art]

🖤I want to share this as much as possible!🖤

Skai Jackson, Imani Hakim, Keke Palmer, China Anne McClain, Raven Goodwin, Camille Winbush, Quvenzhane Wallis, Sahara Ware, Karidja Toure, Coco Jones, Marsai Martin, Gracie Marie Bradley, India Scandrick, Jahnee Wallace, Sydney Mikayla, Riele Downs, Tanyell Waivers, Willow Smith, Rhyon Nicole Brown, Diamond White, Ryan Destiny, Loren Lott, Lauryn Alisa McClain, Serayah McNeill, Sierra Aylina McClain, Shenell Edmonds, Dominique Fishback, Lovie Simone, Jazz Raycole, Rae’Ven Kelly, Alexis Fields, Kyla Pratt, Meagan Good, Nicole Beharie, Amber Riley, Aja Naomi King, Angell Conwell, Tracey Higgins, Brandy, Reagan Gomez-Preston, Shanola Hampton, Erica Tazel, Yaya DaCosta, Teyonah Parris, Jerrika Hinton, Quinta B, Condola Rashad, Xosha Roquemore, Porscha Coleman, Gabrielle Dennis, Shanice Burton, Nadine Ellis, Brittany S. Hall, Nafessa Williams, Adepero Oduye, Monique Coleman, Emayatzy Corinealdi, Aasha Davis, Sicily, Erica Hubbard, Adrienne C. Moore, Ashleigh Murray, DeWanda Wise, Kennedy McCullough, Jamia Simone Nash, Danielle Brooks, Zaraah Abrahams, Lashana Lynch, Anika Noni Rose, Jill Marie Jones, Ashley Monique Clark, Raquel Lee, Keisha Knight Pulliam, Jessika Quynn Reynolds, Nichole Galicia, Regina King, Ashley Blaine Featherson, Ebony Obsidian, Lyric Hurd, Lydia Jewett, Saniyya Sidney, Zani Jones Mbayise, Ariana Neal, Aria Brooks, Drew Olivia Tillman, Taliyah Whitaker, Alijah Kai Haggins, Donesha Hopkins, Taylour Paige, Shanica Knowles, Birgundi Baker, Taral Hicks, Chante Adams, Khalilah Joi, Javicia Leslie, Iman N. Milner, Yaani King, Nicole Lovince, Rayven Ferrell, Dee Dee Davis, Jordyn Colemon, Eden Sanaa Duncan Smith, Kennedy Derosin, Bailey Tippin, Reiya Downs, Shanice Williams, Yindra Zayas, Emyri Crutchfield, Diandra Forrest, Gabourey Sidibe, Michaela Coel, Trinity Fatu, Meagan Holder, Angela Wildflower, Leah A. Williams, Michelle Mitchenor, Toccara Jones, D. Woods, Denee Benton, Ajiona Alexus, Cashmere Bonton, Tetona Jackson, Teala Dunn, Mariah Iman Wilson, Lauren Mayo, Simona Brown, Aleisha LaNae Allen, Elvire Emanuelle, Niatia “Lil Mama” Kirkland, Rutina Wesley, Simbi Khali-Williams, Keesha Sharp, Karan Ashley, Malinda Williams, Kellee Stewart, Cris Vianna, Bianca LaVerne Jones, Nicki Micheaux, Michelle Elaine, Trace Thoms, Jennifer Hudson, Golden Brooks, Edwina Findley, Anna Diop, Vaneza Oliveira, Aisha Hinds, Faune A. Chambers, Drew Sidora, Jade Eshete, Nakia Burrise, Susie Wokoma, Bresha Webb, Kellie Shanygne Williams, Hope Olaide Wilson, Shailyn Pierre-Dixon, Mikari Tarpley, Eris Baker, Trinitee Stokes, Tatum Marilyn Hall, Zoe Hendrix, Layla Crawford, Denise Milfort, Aunjanue Ellis, Erika Alexander, Kelly Jenrette, Tameka Griffiths, Yvette Nicole Brown, Michelle Tiwo, Jodie Turner-Smith, Zoe Renee, Erica Michelle, Chanel Bosh, Thais Francis, Retta, Vanessa Babirye, Natalie Desselle Reid, Saycon Sengbloh, Lyric Ross, Meagan Tandy, Nicole Byer, Asha Bromfield, Patina Miller, Chandler Acloque, Laivan Greene, Vivian Nixon, Hailey Kilgore, Dred Carpenter, Shaneen, Erica Ash, Tamika Shannon, Camille Hyde, Tyler Prynce, Amber Iman, Ta’ Rhonda Jones, Adrienne Warren, Toya Sessoms, Laila Odom, Jasmine Burke, KJ Smith, Simone Kelly, Ashleigh Morghan, Ashli Amari Adams, Miriam F. Glover, Renee Goldsberry, Angel Blue, Solange, Noree Victoria, Tia Hendricks, Kiki Layne, Bola Ogun, Daniele Watts, Sharon Pierre-Louis, Ninja N. Devoe, Nefta Perry, Doree Seay, Jaimee Foxworth

Casting directors…

These young Black actresses exist