#Mira Nadon

[balanchine-ballet-master]

Mira Nadon and students from the School of American Ballet in Balanchine's Mozartiana, October 2024.

Photo: Erin Baiano for NYCB via the NY Times

[lovelyballetandmore]

Mira Nadon | Davide Riccardo | New York City Ballet | Ravenna Festival 1924 | Photos by Graham Spicer

[holyinnocent]

Mira Nadon as Dewdrop in The Nutcracker with New York City Ballet, photo taken by Erin Baiano in 2021

[miss-m-calling]

Mira Nadon in George Balanchine's Errante (formerly Tzigane), New York City Ballet, 2024

Photos by Erin Baiano

[dasboligrafo]

NYCB All Balanchine IV October 13 2023

So I know I just got done being all dark about Balanchine/the ballet in general, but this was great!

Concerto Barocco was wonderful, and in particular Mira Nadon was breathtakingly graceful, her small gestures and extensions...just gorgeous. Loved the music as well -- Bach concert for 2 violins -- and I thought the dancers expressed it beautifully.

Prodigal Son -- one of the oddest things I've seen at the ballet, but our queen Sarah Mearns rarely disappoints (though I must say I found myself a little concerned she would fall off/over during some of the truly odd lifts in this ballet). The corps, a hulking gang of bald-headed brutes in white make up gave a real Mad Max: Fury Road vibe, down to their head gestures. Weird, acrobatic, and fun, well matched to the Prokofiev score. A little too odd to express pathos, if that was the intent at any point.

Symphony in C -- music by Bizet. This was the audience's favorite, though for me maybe the least memorable. This was a big, beautiful ballet with a big cast, pirouette combinations and crowd favorite Tiler Peck receiving an ovation every time she entered the stage. You can definitely tell why she's a star -- her power and assurance never leave you in doubt about her utter control, and it's hard to look away from her when she's on stage.

[trendynewsnow]

The Timeless Dance of 'Mozartiana': A Tribute to Balanchine's Vision

The Timeless Dance of “Mozartiana” There exists a moment for exuberant dancing, and another for heartfelt applause. While these two expressions of appreciation can sometimes occur simultaneously, it is not always the most appropriate scenario. George Balanchine, the visionary choreographer behind the New York City Ballet, perceived the theater as a sacred space. He once remarked, “You don’t…

[ubu507]

Mira Nadon

Credit…Sabrina Santiago for The New York Times

[miss-mollys-ballet-blog]

Mira Nadon and Adrian Danchig-Waring in Balanchine’s Movements for Piano and Orchestra.

[balanchine-ballet-master]

Mira Nadon and Adrian Danchig-Waring in Balanchine's Episodes, 2023. Click/tap to enlarge.

Photo: Erin Baiano

[swanlake1998]

christopher grant and mira nadon photographed performing an excerpt of who cares? from balanchine’s who cares? at the 2021 vail dance festival by christopher duggan

[holyinnocent]

Mira Nadon in a Midsummer Night’s Dream with the NYCB

[miss-m-calling]

The New York City Ballet's Mira Nadon and Christopher Grant, wearing Virgil Abloh of Off-White

Photo by Pari Dukovic

[galina-ulanova]

Mira Nadon in Rubies (NYCB, 2019)

[iwontdancenetwork]

New York City Ballet | New Works Festival: pixelation in a wave (Within Wires) 

Sidra Bell's first work created for NYCB, pixelation in a wave (Within Wires), opens our digital New Works Festival. Directed by Ezra Hurwitz, the film features dancers Ghaleb Kayali, Emily Kikta, Mira Nadon, and Peter Walker, dancing to a score composed by the choreographer's father, Dennis Bell.

The film is immediately followed by a panel discussion on the creation of this work with Sidra Bell and Mira Nadon, moderated by NYCB's Associate Artistic Director Wendy Whelan.

Choreography by Sidra Bell