#adrian danchig-waring

[balanchine-ballet-master]

Mira Nadon and Adrian Danchig-Waring in Balanchine's Episodes, 2023. Click/tap to enlarge.

Photo: Erin Baiano

[dance-world]

Adrian Danchig-Waring - New York City Ballet - photo by Erin Baiano - Costume by @marceldzama

[citylifeorg]

Works & Process Rotunda Dinner and Performance A Lar Lubovitch World Premiere with Adrian Danchig-Waring and Anthony Roth Costanzo

The Beatbox House Tuesday, December 5, 2023 at 7:00 pm Works & Process present A Lar Lubovitch World Premiere with Adrian Danchig-Waring and Anthony Roth Costanzo, and a special performance by The Beatbox House on Tuesday, December 5, 2023 at 7:00 pm at the Solomon R. Guggenheim Museum. 7 – 8 pm Cocktails and Private Viewing Going Dark: The Contemporary Figure at the Edge of Visibility 8 –…

[miss-mollys-ballet-blog]

Sara Mearns and Adrian Danchig-Waring in Walpurgisnacht Ballet.

[lovelyballetandmore]

Adrian Danchig-Waring | New York City Ballet

[galina-ulanova]

Unity Phelan and Adrian Danchig-Waring in Emeralds (NYCB, 2018)

[danceoftheday]

Performed by: Adrian Danchig-Waring and Sara Mearns

Number: “This Bitter Earth”

Choreographer: Christopher Wheeldon

Style: Ballet

From: “New York City Ballet Presents Christopher Wheeldon's This Bitter Earth” (2020)  

[books0977]

Sara Mearns and Adrian Danchig-Waring in Kim Brandstrup’s Jeux, New York City Ballet, February 2016. © Paul Kolnik.

A blindfolded woman, Mearns, is harassed by a sinister cluster of couples. Still blindfolded, she encounters a youth (Danchig-Waring) wearing jeans and carrying a ball. Then, as the other couples swirl around her, she seems to lose her mind, repeatedly clutching her head and smoothing her dress. Finally taking matters into her own hands, Mearns places the blindfold over the younger man’s eyes and lowers herself onto his body just as the curtain falls.

[iwontdancenetwork]

New York City Ballet | New Works Festival: Solo for Russell: Sites 1-5 

Pam Tanowitz returns to New York City Ballet with a solo work created in collaboration with Principal Dancer Russell Janzen, featuring NYCB Orchestra cellist Ann Kim and directed by Ezra Hurwitz.

The film is immediately followed by a discussion of the creation of this work with Pam Tanowitz and Russell Janzen in conversation with Principal Dancer Adrian Danchig-Waring.

Choreography by Pam Tanowitz with Russell Janzen

[gorbigorbi]

Sterling Hyltin and Adrian Danchig-Waring, "In G Major", choreography by Jerome Robbins, music by Maurice Ravel [Piano Concerto in G Major (1928-31)] from program "Classic NYCB II" ( "In G Major", " DGV: Danse à Grande Vitesse" by Christopher Wheeldon and "Rotunda" by Justin Peck), New York City Ballet, New York City, USA (February 26 to March 1, 2020).

Photographer Paul Kolnik

[gramilano]

Sara Mearns of New York City Ballet in “Spring” from Jerome Robbins’ The Four Seasons, photo by Paul Kolnik

The fourth week of programming of New York City Ballet’s six-week digital spring season has been announced.

On Tuesday 12 May at 8 pm EDT, NYCB will release a programme of Jerome Robbins’ Afternoon of a Faun and “Spring” from The Four Seasons, and excerpts from George Balanchine’s Divertimento No. 15, The Four Temperaments, and Western Symphony.

On Friday 15 May the company will make available Justin Peck’s Pulcinella Variations.

Each program will be available for 72 hours after it premieres on NYCB’s website, Facebook, and YouTube pages.

NYCB’s digital season also includes “Ballet Essentials” classes for all ages on Mondays and Thursdays at 6 pm EDT; “Wednesday with Wendy,” ballet-inspired movement classes held on Instagram Live on Wednesdays at 5 pm EDT; “Ballet Breaks,” 20-minute workshops for children ages 3-8 held on Saturdays and Sundays at 11 am EDT; and new episodes of City Ballet The Podcast on Mondays. All offerings are available free of charge on several platforms, and more details can be found in the attached overview and at www.nycballet.com/digitalspring.

Sterling Hyltin and Joseph Gordon of New York City Ballet in Jerome Robbins’ Afternoon of a Faun photo by Erin Baiano

WEEK 4: Monday, May 11 – Sunday, May 17

Monday 11 May

City Ballet The Podcast

“Hear the Dance” episode on Jerome Robbins’ Afternoon of a Faun, featuring former NYCB Principal Dancer and SAB Chairman of Faculty Kay Mazzo and former NYCB dancer Afshin Mofid, hosted by NYCB dancer Silas Farley (available at podcast.nycballet.com, Apple Podcasts, Spotify, Stitcher, Luminary, the iHeartRadio app, and other podcast platforms)

Ballet Essentials – Russian Seasons

45-minute interactive movement workshop suitable for people of all ages and level of training consisting of a ballet warm-up and a movement combination inspired by Alexei Ratmansky’s Russian Seasons, taught by NYCB Soloist Unity Phelan (register at balletessentials.nycballet.com; workshop at 6 pm EDT)

Tuesday 12 May: NYCB Performance

New York City Ballet in Balanchine’s Divertimento No. 15, photo by Paul Kolnik

Sterling Hyltin of New York City Ballet in Jerome Robbins’ Afternoon of a Faun photo by Paul Kolnik

Ask la Cour of New York City Ballet in “Phlegmatic” from Balanchine’s The Four Temperaments photo by Erin Baiano

Roman Mejia of New York City Ballet in “Rondo” from Balanchine’s Western Symphony photo by Erin Baiano

“Spring” from The Four Seasons Music by Giuseppi Verdi Choreography by Jerome Robbins

PRINCIPAL CASTING: Sara Mearns and Tyler Angle with the NYCB Orchestra, Conductor: Andrew Litton, NYCB Music Director Filmed on May 3, 2018, David H. Koch Theater, Lincoln Center

“Theme and Variations” from Divertimento No. 15 Music by Wolfgang Amadeus Mozart Choreography by George Balanchine

PRINCIPAL CASTING: Lauren King, Sterling Hyltin, Ana Sophia Scheller, Abi Stafford, *Tiler Peck, Andrew Veyette, Daniel Applebaum, and *Andrew Scordato (*first time in a role) with the NYCB Orchestra, Conductor: Andrew Litton, NYCB Music Director Filmed on September 22, 2016, David H. Koch Theater, Lincoln Center

Afternoon of a Faun Music by Claude Debussy Choreography by Jerome Robbins

PRINCIPAL CASTING: Sterling Hyltin and *Joseph Gordon (*first time in a role) with the NYCB Orchestra, Conductor: Andrew Litton, NYCB Music Director Filmed on October 11, 2018, David H. Koch Theater, Lincoln Center

“Third Variation: Phlegmatic” from The Four Temperaments Music by Paul Hindemith Choreography by George Balanchine

PRINCIPAL CASTING: Ask la Cour with the NYCB Orchestra, Conductor: Andrew Litton, NYCB Music Director; Solo piano: Stephen Gosling Filmed on January 18, 2017, David H. Koch Theater, Lincoln Center

“Rondo” from Western Symphony Music by Hershy Kay Choreography by George Balanchine

PRINCIPAL CASTING: Teresa Reichlen and *Roman Mejia, with Lauren King, Taylor Stanley, Megan Fairchild, and Jared Angle (*first time in a role) with the NYCB Orchestra, Conductor: Andrew Litton, NYCB Music Director Filmed on May 9, 2019, David H. Koch Theater, Lincoln Center Introduction by Sterling Hyltin, NYCB Principal Dancer (available at nycballet.com, facebook.com/nycballet, and youtube.com/nycballet from Tuesday 12 May 12 at 8 pm until Friday 15 May at 8 pm EDT)

Wednesday 13 May

Wednesday with Wendy

Live ballet-inspired movement class suitable for people of all ages and levels of training, taught by NYCB Associate Artistic Director Wendy Whelan (available on Instagram Live at 5 pm EDT and IGTV at instagram.com/nycballet)

Thursday 14 May

Ballet Essentials – The Four Temperaments

45-minute interactive movement workshop suitable for young adults and adults consisting of a ballet warm-up and a movement combination inspired by George Balanchine’s The Four Temperaments, taught by NYCB Principal Dancer Adrian Danchig-Waring (register at balletessentials.nycballet.com; workshop at 6 pm EDT)

Friday 15 May: NYCB Performance

Emilie Gerrity of New York City Ballet in Justin Peck’s Pulcinella Variations, photo by Paul Kolnik

Indiana Woodward of New York City Ballet in Justin Peck’s Pulcinella Variations, photo by Paul Kolnik

Pulcinella Variations Music by Igor Stravinsky Choreography by Justin Peck

PRINCIPAL CASTING: Sterling Hyltin, Miriam Miller, Tiler Peck, Emilie Gerrity, Indiana Woodward, Russell Janzen, Andrew Scordato, Gonzalo Garcia, Anthony Huxley with the NYCB Orchestra, Conductor: Andrews Sill, NYCB Associate Music Director Filmed on October 5, 2018, David H. Koch Theater, Lincoln Center Introduction by Justin Peck, NYCB Resident Choreographer and Artistic Advisor (available at nycballet.com, facebook.com/nycballet, and youtube.com/nycballet from Friday 15 May at 8 pm until Monday 18 May, at 8 pm EDT)

Saturday 16 May 16

Ballet Breaks – A Midsummer Night’s Dream 20-minute interactive movement workshop for children ages 3-8, consisting of a warm-up and choreography inspired by George Balanchine’s A Midsummer Night’s Dream, taught by NYCB dancer Ashley Hod (register at nycballet.com/balletbreaks; workshop at 11 am EDT)

Sunday 17 May

Ballet Breaks – A Midsummer Night’s Dream 20-minute interactive movement workshop for children ages 3-8, consisting of a warm-up and choreography inspired by George Balanchine’s A Midsummer Night’s Dream, taught by NYCB dancer Ashley Hod (register at nycballet.com/balletbreaks; workshop at 11 am EDT) Programming subject to change (05/04/20)

Week 4 of New York City Ballet’s six-week digital spring season The fourth week of programming of New York City Ballet’s six-week digital spring season has been announced.

[dance-world]

Adrian Danchig-Waring and Joseph Gordon - New York City Ballet

[troyonhudson]

New York City Ballet, Adrian Danchig-Waring

[miss-mollys-ballet-blog]

Mira Nadon and Adrian Danchig-Waring in Balanchine’s Movements for Piano and Orchestra.