#Minoru Yoshida

[chainsawpunk]

Minoru Yoshida, 41, 1964, oil on canvas, 22 1/2 x 22 1/2 in (57 x 57 cm)

[catsartplace]

the redraw of that old ass piece. its still far from perfect but god fucking damn the improvement is actually a huge morale booster for me because over the past two years i've gotten so much better at drawing its actually insane

[randomrichards]

GODZILLA VS. MOTHRA:

Couple reunites

Stop battle of Kaiju moths

Caused by corporate greed

[michaelaftonwhore]

01. Michael Afton fandom; Five Night’s At Freddy’s.

02. Leónidas “Leo” Valez fandom; Percy Jackson.

03. Megumi Fushiguro fandom; Jujutsu Kaisen.

04. Minoru Tanaka fandom; Death Note.

05. Rafayel fandom; Love And Deepspace.

06. Mammon fandom; Obey Me: One Master To Rule Them All.

07. Yoshida Hirofumi fandom; Chainsaw Man.

08. Kageyama Tobio fandom; Haikyuu.

09. Sherlock Holmes fandom; Guard Me, Sherlock.

Note: This is a challenge; so you can do it or reblog it; I’m curious to see what you guys think my type really is so feel free to comment.

[cat-with-a-keyboard]

please look at this its literally one of my favorite pictures

[byneddiedingo]

Godzilla vs. Mothra (Takao Okawara, 1992)

Cast: Tetsuya Bessho, Satomi Kobayashi, Takehiro Murata, Keiko Imamura, Sayaka Osawa, Saburo Shinoda, Akiji Kobayashi, Megumi Odaka, Akira Takarada. Screenplay: Wataro Mimura, Akira Murao, Yukiko Takayama, Tomoyuki Tanaka, Minoru Yoshida, Kazuki Omori. Cinematography: Masahiro Kishimoto. Art direction: Takashi Sakai. Music: Akira Ifukube.

[the-quasar-hero]

For story purposes I looked up world record of pushups done, to see what would qualify as an absurd amount, one result I got was a Japanese guy by the name of Minoru Yoshida who did 10,507 pushups non-stop in 1980 and I want to know what demons was haunting that man

[tripleyeeet]

click here to read her story and here to listen to her tunes

I.

PERSONALITY.

age: twenty-seven pronouns: she/her sexuality: bisexual likes: competitive sports, drinking, cold weather, tabletop/video games. dislikes: horror movies, small talk, technology, early mornings. fears: losing touch of what's real; hallucinating. also, being isolated. desires: to be appreciated. whether that's through her friends or her job, she just wants to know she's doing a good job.

RELATIONSHIPS.

love interest: nanami kento friends: nanami kento, gojo satoru, kiryu tsukiko (@gunslingerorchid's oc), ichiro yoshida (male oc) family: sato chiyo (mother), sato botan (father), sato minoru (grandfather), sato haru (brother), sato ren (brother)

II.

born on may 7th, 1990 in the bunkyo ward in tokyo.

grew up with her parents and two younger brothers in the heart of the city.

was kind of a shy kid up until her father offered her a "job" helping him coach the tokyo university's baseball team. then she became a lot more sociable.

at around age seven though, she started hallucinating monsters, unaware that they were actually curses until about six months after when she was sent to her grandfather's house.

once there, she began to learn about their family history and how some members were, quote, "destined for greater things."

at first, she wasn't keen on the idea of being different. but, as she got older and started taking on more responsibilities, she discovered that she genuinely enjoyed helping people and began to dream of becoming a proper sorcerer.

because of this, she started combat training around twelve alongside lessons in energy manipulation with her grandfather. both of which ultimately led to her further developing her allocation technique, which she can use to collect and redistribute cursed energy.

during this time, she also discovered her love for competitive sports. specifically wrestling and boxing which she started taking lessons for until inevitably enrolling for school at the tokyo technical college.

III.

INNATE TECHNIQUE.

— ALLOCATION; after making physical contact, hitomi can manipulate the output of her target's cursed energy by adding or subtracting a small percentage inside her own body.

EXTENSION TECHNIQUE 1.

—APPENDAGE; hitomi has the ability to extend her technique into whatever objects she touches. meaning, if the target is hit by said object the effects of her curse are still valid.

EXTENSION TECHNIQUE 2.

—ASSIGN; after subtracting a portion of a targets cursed energy, hitomi can reassign it to an ally through touch.

REVERSE TECHNIQUE.

—ADMINISTER; when injured, if enough excess energy still remains, hitomi can use it to temporarily heal herself.

BINDING VOW.

—REVEALING ONE'S HAND; by divulging how her cursed technique works, hitomi can maximize the output of cursed energy into her next attack.

*CURRENTLY A GRADE 2 SORCERER.

[gayest-persona-character]

Round 1!

Rules

Vote for who you think is more queer/gay (doesn't matter if you think they're bi, pan, gay, lesbian, etc. Who's the most not straight!)

I will allow propaganda in the form of asks or notes (tags and comments)

Be nice and respectful. Not everyone has the same headcanons.

Remember, this is mostly just for fun! We have a few submitted characters for this exact purpose, so don't take things too seriously. (It doesn't matter what the results are, most persona characters will be queer-coded in my heart)

The list of polls is as follows:

Labrys vs. Daisuke Todoroki

Principal Kobayakawa vs. Yukiko Amagi

Mayumi Yamano vs. Suguru Kamoshida

Bebe vs. Sho Minazuki

Isako Toriumi (Maya) vs. Ann Takamaki

Ichiryusai Madarame vs. Ichiko Ohya

Chihiro Fushimi vs. Ai Ebihara

Philemon vs.Shibusawa

Kou Ichijo vs. Fuuka Yamagishi

Munehisa Iwai vs. Miyabi Hanakouji

President Tanaka vs. Akihiko Sanada

Ryuji Sakamoto vs. Taro Namatame

Kanami Mashita vs. Haru Okumura

Nozomi Suemitsu vs. Angel and Julian

Ryotaro Dojima vs. Rio Iwasaki

Sadayo Kawakami vs. Maya Amano

Nagi vs. Saori Hasegawa

Cashier from Peace Diner vs. Junpei Iori

Chizuru Ishigami vs. Minoru Inoue

Chihaya Mifune vs. Mamoru Hayase

Misuzu Hiiragi vs. Lala Escargot

Setsuko Sonomura vs. Junko Kurosu

Eri Minami vs. Tae Takemi

Zen vs. Kenji Tomochika

Eriko Kirishima vs. Takeharu Kirijo

Mika vs. Metis

Junya Kaneshiro vs. Takuto Maruki

Moel Gas Station Attendant vs. Hanako Ohtani

Maya Okamura vs. Igor

Sayoko Uehara vs. Makoto Yuki

Lesbian Student from P3 vs. Mami Shibata

Shunsuke Fujii vs. Saki Konishi

Tatsuya Suou vs. Akinari Kashihara

Miho Ogishima vs. Kinshiro Morooka

Hisano Kuroda vs. Ayane Matsunaga

Kanji Tatsumi vs. Makoto Nijiima

Marie vs. Tatsuya Sudou

SIU Director vs. Reiji Kido

Baofu vs. Takahisa Kandori

Yuuki Mishima vs. Tamaki Uchida

Zenkichi Hasegawa vs. Yosuke Hanamura

Mitsuo Kubo vs. Aigis

Kei Nanjo vs. Margaret

Masao Inaba vs. Noriko Katayama

Yukino Mayuzumi vs. Saeko Takami

Tadashi Satomi vs. Chidori Yoshino

Yumi Ozawa vs. Gay Demons P2

Kasumi Yoshizawa vs. Yuka Ayase

Hidetoshi Odagiri vs. Mutatsu

Shinjiro Aragaki vs. Kazushi Miyamoto

Localized version of Naoya vs. Ren Amamiya

Coach Hiraguchi vs. Chie Satonaka

Shuji Ikutsuki vs. Shiho Suzui

Futaba Sakura vs. Naoto Shirogane

Jin Shirato vs. Hifumi Togo

Keisuke Hiraga vs. Eikichi Mishina

Maki Sonomura vs. Toranosuke Yoshida

Rise Kujikawa vs. Elizabeth

Goro Akechi vs. Yuko Nishiwaki

Noriko Kashiwagi vs. Ulala Serizawa

Yuko Himeno vs. Anna Yoshizaka

Hikari vs. Joker (IS)

Mitsuru Kirijo vs. Hidehiko Uesugi

Masayoshi Shido vs. Youichi Makimura

[nijigasakilove]

Mahouka Fridays are the best.. only a few more left this season!

Things really starting to heat up with the hunt for Gongjin Zhou. Pretty neat seeing all the various families form temporary alliances to deal with him. The Yotsuba, Kudou, Saegusa etc all want buddy gone. And from what we’ve seen of his combat abilities it probably will take all of em working together to do it.

I forgot Minami was even a character it’s been so long since we saw her lol. Getting strong ship vibes from she and Retsu’s grandson Minoru.. speaking of which damn he’s OP. Short but very satisfying display of his abilities during that ambush. Could give Tatsuya a run for his money some day.

Speaking of ship vibes, loving the development between Shibata and Yoshida. Yoshida acting as her body guard is a perfect way to finally get them on the right path, love how flustered the two of them get! I don’t blame Yoshida for confronting Tatsuya, I know he gotta keep some stuff a secret, but definitely would be advantageous to at least give some insight to his friends as to what they’re up against..

RIP Saegusa butler. Tried his best to take on Zhou but uh yea.. at least he tried.

Can’t wait for next week!

[cosmicanger]

Minoru Yoshida, 41, 1964, oil on canvas, 22 1/2 x 22 1/2 in (57 x 57 cm)

[chainsawpunk]

Minoru Yoshida, Work, 1963, oil on canvas, 22 1/2 x 22 1/2 in (57 x 57 cm)

[catsartplace]

this is old and messy as all fucking hell and im Working on a redraw but

[thomasmartinnutt]

Chance Encounters #008

https://www.mixcloud.com/thomasmartinnutt/chance-encounters-008/

Barry Truax, Fred Moten, Aaron Dilloway & Jeph Jerman, Jun-Y Ciao, Wild Up plays Julius Eastman, Nyokabi Kariũki, Christopher Kirkley, Manja Ristic, Hong Qile, Alvin Lucier, Masahiko Okura, Gunter Muller & Ami Yoshida, Mei-Mei Berssenbrugge, Minoru Sato, Keji Haino, Jim O'Rourke & Oren Ambarchi, Hekla, Dylan Henner, Kazuya Ishigami & Tamako Katsufuji, Masayoshi Fujita, Grahamn Dunning, Leticia Castaneda, Robbie Lee & Lea Bertucci, Marina Rosenfeld, Greg Davis, Sonic Youth, Bernard Parmegiani, Jay-Dea Lopez

[cat-with-a-keyboard]

MINORU MOTHERFUCKING YOSHIDA. I HAVE SOME CONCEPTS SHAKING AROUND IN MY BRAIN HERE

[byneddiedingo]

Jitsuko Yoshimura in An Innocent Witch (Heinosuke Gosho, 1965)

Cast: Jitsuko Yoshimura, Kin Sugai, Taiji Tonoyama, Minoru Terada, Keizo Kawasaki, Yoshio Yoshida, Eijiro Tono, Takayuki Akutagawa. Screenplay: Hideo Horie, based on a novel by Hajime Ogawa. Cinematography: Sozaburo Shinomura. Art direction: Totetsu Hirakawa. Film editing: Sadako Ikeda. Music: Sei Ikeno.

An Innocent Witch begins like a documentary, with a voiceover narration describing the pilgrimages to Mount Osore, where the faithful gather to ask blind seers to facilitate communication with their dead loved ones. One of the pilgrims is Kikuno (Kin Sugai), who wants to speak with her daughter, Ayako (Jitsuko Yoshimura). As the seer goes into her trance, the film switches abruptly to a conventional narrative in which we learn that Ayako was sold -- willingly, it seems -- into prostitution by her mother because Ayako's father (Yoshio Yoshida) is too ill to continue supporting the family as a fisherman and gatherer of seaweed. (The father is never told about Ayako's work as a prostitute; he thinks only that she has gone to the city to earn more money.) In the brothel, Ayako loses her virginity to her first customer, a wealthy lumber wholesaler named Kansuke (Taiji Tonoyama). Pleased with the young woman, Kansuke becomes Ayako's regular customer. Then one evening a shy young man named Kanjiro (Minoru Terada) arrives with his fellow military cadets and Ayako relieves him of his virginity. They begin to fall in love, but just before he is called up for service, Kanjiro realizes that his own father, Kansuke, has been one of Ayako's customers. Kansuke, it turns out, has been aware that Kanjiro has also been seeing Ayako, and doesn't really mind sharing her with his son. But Ayako has promised Kanjiro that she won't see his father again, and when Kansuke insists on having sex with her anyway, he dies of an apparent heart attack. Soon word arrives that Kanjiro has also died at the front. The coincidence of the deaths of a father and son causes Ayako to be labeled a "femme fatale." But while visiting Kanjiro's grave, Ayako meets his older brother, Kanichi (Keizo Kawasaki), and her involvement with this ill-fated family deepens into further tragedy. The film climaxes with Ayako seeking a kind of exorcism that will purify her of guilt, but that, too, has fatal consequences. The core story of An Innocent Witch is very well handled by screenwriter Hideo Horie and director Heinosuke Gosho, but the framing of it in the context of a documentary about the search for communication with the afterlife feels awkward, as if Horie and Gosho were trying to impose a larger statement about the consequences of superstition on the material. Ayako's story speaks for itself without extra help.