#Akira Murao

[randomrichards]

GODZILLA VS. MOTHRA:

Couple reunites

Stop battle of Kaiju moths

Caused by corporate greed

[byneddiedingo]

Godzilla vs. Mothra (Takao Okawara, 1992)

Cast: Tetsuya Bessho, Satomi Kobayashi, Takehiro Murata, Keiko Imamura, Sayaka Osawa, Saburo Shinoda, Akiji Kobayashi, Megumi Odaka, Akira Takarada. Screenplay: Wataro Mimura, Akira Murao, Yukiko Takayama, Tomoyuki Tanaka, Minoru Yoshida, Kazuki Omori. Cinematography: Masahiro Kishimoto. Art direction: Takashi Sakai. Music: Akira Ifukube.

[watayaaratamblr]

Chihayafuru chapter 226 [long] impressions:

This is more of "everything that went through my mind while reading every page of the chapter"

naturally, gonna be super ..like SUPER long.

1) Shinobu in her fine Kimono was happy or proud? What are the flowers around her? Who knows, we only know that anything they might symbolize is already clear on her face and pose. She played a very strong opponent, she had “special” fun and she won. Only one remaining win and she will preserve her title for the 4th year in a row. Chihaya on the other hand was lost… She did everything she could “come up with” but she still couldn’t win any of the two matches… maybe “come up with something new” was her mistake? Could it be that it’s impossible to defeat the queen in her world, should Chihaya bring her out instead, Chihaya probably didn’t even thought of this because she is completely lost, she worked very hard and her hard work paid off somehow but it is not enough Chihaya seems unable to have any fun; it’s all about needing to win for some reason, why the passionate Chihaya feels so far away?

2) Arata is shook! He is no longer seeing the Meijin in front of him, he is rather calling Chihaya’s name! On the Meijin board we can see 4 poems, (one was shown clearer behind Hiro who was confused with Arata’s sudden distraction; Sudo also noticed and wondered + the 4 poems seem all on Suo’s side?)

30/Ariake no: the poet expresses his hate for dawns after he had to part from his lover at a dawn with a moon that looked so cold and indifferent. 76/Watanohara-ko: This is the second “Arata” poem (as it starts with the word WATA). The poet describes white waves rolling onward which can be mistaken for the white clouds up in the heavens. 20/ Wabi nureba: a consuming passion poem in which the poet tells the woman he loves that he is willing to sacrifice everything to continue their relationship and that he will go meet her despite the heavy price he knows he will have to pay. 74/ Ukari keru: The poet is in distress because the lady he loves is cold to him and his prayers to be happy with her were futile.

The choice of these poems might be clarified when the cards are read but (because Suo seems shadowed somehow and the focus is on Arata), we can still think that they are about Arata’s feelings and what he wants to do about Chihaya’s state now and how she will treat him after her loss .. She already turned her head away from him after her 1st loss, she avoided him, and now she lost again and Arata who is in love with her is really worried.

3) Arata assesses the situation, Chihaya has 2 losses which will put a great pressure on her for the next games and give Shinobu the chance to be more relaxed. The image of Chihaya’s back when she rushed out with her hand on her face as if she was crying was so strong for Arata, the background intensifies what he felt, he was really worried and repeating her name while sweating (dunno if this was intentional, but he wasn’t sweating before he noticed Chihaya (on ch225)) On the other hand, Suo was still completely focused.

4) 78/Awaji shima: was read and Arata was late. Suo took it

This poem tells about the sleepless nights of a guard at some gate caused by the cries of the plover birds crossing the place known as an exile (the plover is also used to symbolize winter) so this poem might invoke the feelings of loneliness and nostalgia.

65/Urami wabi: was the next one and Arata was also late, the difference is now only 1 card. Sudo was cheering for Suo and wandering if a luck of the draw will be the fate of this game. Arata was taken aback!

The poet of Urami wabi is a lady who is separated from her husband so she felt resentment to him, she cried and her sleeves were always wet but what concerned her more was her reputation tainted because of her failed relationship.

These two poems didn’t appear on the board (because only the upper part was showing) but 78 was on Arata’s side & 65 was on Suo’s. The fact that 78 was the poem read to pull Arata out of his thoughts and keep him focused on his match makes me see it as the plover birds keeping the guard from going to sleep. It can also hint at the distraction itself, if sleep is what we do at night but the plovers prevent it, then Arata should focus on his game but his worry for Chihaya also prevents it, so his feelings or Chihaya’s state is the plovers. As for 65, I can’t think of many possible reasons but it might be the “reputation” part, maybe it’s a hint at Arata’s “name” as the “grandchild of eternal meijin Wataya Hajime” that everyone was eager to see through him which might soon be challenged.

5) Murao & Kuriyama wondered what happened to Arata after he achieved such good result till now. Suo had his eyes glued to the Tatami, his aunt was there, he knew but he didn’t try to look. Arata’s club-mates explained that this was a sign of Suo’s strength: he would use the least of your mistakes like losing your focus for even a sec. Riza specifically was very nervous. Arata started to revise what was read and what wasn’t. he kept good track of all read and unread cards, including the dead cards (Taichi was always praised when he did this but now that Arata is doing it, it feels normal and so like him, I believe we all know that Arata is stronger, Taichi showed us the process to arrive there but Arata was the first to arrive there, he definitely passed by most what Taichi experienced.). With this review, Arata knows what he can use his cross sweep on: Wabi & Wata-ko. Ariake is the 3rd remaining card on Tatami (besides the two above & the thress are drawn earlier on the board) but there are also 3 A cards not read yet (dead cards) which are 58/Arima+ 39/Asaji+ 64/Asaborake-u, Arata expects that Suo will wait to make sure of the 3rd syllable. Arata was worried & his grandpa’s ghost came to support him like Taichi and Harada’s ghost too, Hajime analyzed Suo before and he noticed that he wasn’t good with the cards on the outer edge of his own formation, this is something Hajime noticed back when he was alive and sane, was it like 5 years ago? So is Suo’s condition worse than back then?

6) Hajime’s teachings calmed Arata a bit, he is ready to fight again (he moves so handsomely), those where only words told to him by his mentor, but he is also a real deal, his body is ready, his hands are used to attack, he practiced enough to be able to go under his opponent’s hand to take a card, luckily an ‘A’ card on Suo’s side was read, Arata attacked and he practiced enough to be able to protect that card until the kimariji is decided (also Suo didn’t practice enough to know how to break that defense, it was a card on the edge of his playing field too, but there are only 3 cards left, so he could commit it to his memory as Arata said before on ch 223, the most important thing is memorization, having a card in your sight Then committing it to your memory, you’ll be able to see it even with closed eyes and Arata played like that before when he couldn’t find his glasses)

7) 30/Ariake is the one read, Arata put his hand on it when he made sure and Suo couldn’t find a way to it. Among the 4 poems initially shown on the board, this one was read. Who does it refer to? (if it does). Who is the unpitying moon? who parted with what? who feels longing for what? I can’t really think of an answer and I can’t even tell if there is an answer to begin with. But, it might have something to do with the idea of “committing the card to memory after sight” because when this principle was explained on 223, this card was among the ones shown around Arata & Suo. Arata’s family members where happy contrary to Suo’s family members.. These two panels made me think that in these matches between these two, the families of the players are as involved as the players themselves. (And Akira looks more surprised than happy, maybe he still doesn’t realize how his own words back at the hotel are true: “Arata, you are strong”.) The commentator confirmed the greatness of Arata’s move and there was a suspicious man behind him LOL (why was this man drawn there?)

8) Arata’s cover seems to be a high level one too, this is all Arata’s Karuta because he is the one using his body for it. Suo now seems in danger like Chihaya. Kuriyama & Murao are overjoyed and Arata went out with rather an indifferent face? there are no signs of relief or happiness, he looks rather lost in thoughts.. I was thinking that Suo acknowledged Arata’s strength (that beat him), but for some reason and contrary to Harada sensei, it’s not only “I don’t want to play anyone who is not strong”, he seems like he doesn’t even want to play this strong Arata, even when Kyoko tan who gives him enough motivation to play, he still couldn’t bring himself to use enough strength to defeat Arata…it’s like he is disappointed, he wants something else from him that Arata isn’t showing him… Anyway, Arata now doesn’t even look tired or invested in his win in any way.

9) Now he looks surprised, is it because he can’t see Chihaya anywhere? the half black & half white background was used before and in my case, it represents “Confusion”. In addition to the blush, Arata makes a completely unrelated face with the one he made after he won, it’s like the moment he came outside, he became someone else, or better, he was someone else but the moment he came out, he became himself again (can we then take the blush as an “Arata is himself” sign & its disappearance as a “Hajime mode” sign? XD) The SFX isn’t BAM right? because who is still taking cards? According to Google, it’s rather (バツ/ turn suddenly); And seeing Kana searching for her confirmed that she was nowhere around so he went to look for her right away, even before he reports his win and gives back the cards. (he looked like an old man in the 3rd panel lol) and in the 4th, he looked very concerned for Chihaya suddenly sweating and turning around in a hurry. Kana’s way of searching was by shouting loudly everywhere, while Arata’s reflects more of his personality and I like it, he won’t do random things, he goes to the places where she might be, calmly & silently.. I really love this. So he asks around, the bathroom was a good place to look in but she wasn’t there (and he was so amusing being all shy but asking anyway) These few panels tell me more about Arata’s character; he really is used to take matters into his hands. He didn’t go to ask Kana when was the last time Chihaya was seen and where etc. he didn’t approach those who were already searching for her, he went to do it himself. I already said that, but I guess, his parents & his family conditions made him this way. he couldn’t get support, he was rather the one asked to help so he learnt not to ask for help and to take care of things himself instead. The outside was the last place to look in, is it because Arata was more intuitive that he could find her before Kana who was already searching before he even finished his match? Who knows, but I certainly see Arata as a reliable guy, he always was and he is also now. And there she was, Chihaya was crouching on the cold snow…

10) Arata stuttered like usual before he gets Chihaya’s name out; A whole page just to tell us Arata found Chihaya crying desperately in the snow and her bare feet were red from cold. No special backgrounds, no hinting no indirect messages, it’s all snow and white and they were the only ones there. Arata put his hand on her back casually then lowered his head to see her face (imagining this in slow motion is so warm) and then noticed her freezing toes..

11) As Arata noticed Chihaya’s feet, he held her up on his shoulder, no blushing, no shyness, no hesitation, no clumsiness, his familiar self was buried and Chihaya is what matters now! Arata is strong! He is 177cm and weighs 65kgs while Chihaya is 167 and weighs 54kgs, not much difference right? And this wasn’t the 1st time he carries her, He did before when she fainted in her 1st nationals, he carried her bridal style, now it’s an OTS carry (yep, read about this on TV tropes and they gave it an abbreviation lol “Over The Shoulder carry”) Chihaya was surprised but her focus soon was turned to the box of cards that Arata dropped while carrying her, She started to apologize, she certainly sees the cards as living humans now, Arata wasn’t as concerned, she was 1st for him and everything will come after. When the box fell, 4 poems were revealed:

6/kasassagi no: The misty bridge between distant lovers that will bring them together for sure. 51/Kaku to dani: This is about a fierce love that the poet feels burning inside him but doesn’t know how to express it to the woman he loves. 26/Ogurayama: The poet tries to invite an emperor to visit a certain pretty place that his father visited before and he wished his son would come to see it too. He uses the maple leaves to express the felt desire & longing to see the emperor-son. And half shown, 72/Oto ni kiku: it’s about the known waves of "Takashi beach" that the poet doesn’t want to approach not to wet her sleeve, but it’s actually about her not trusting the invitation she got from a man and fearing a love affair that will end in tears, this poem can be used to express avoiding something not to get hurt by it…

Again, none can say for sure why exactly these poems but I strongly believe that they are a hint. And for me, they are saying something about the relationship between Chihaya & Arata (they are a love story!!).

Looking back on the history of poem 6, we can expect that Suetsugu is going back to the idea of "there is a distance between Chihaya & Arata which is like the distance of the two legendary lovers Orihime & Hikoboshi" but this time, Arata is the one who is preoccupied with this distance more... Kaku to dani: needless to say, this is about Arata’s feelings for Chihaya, they are burning again because Chihaya needs something to cheer her up so he needs to convey them somehow. Ogurayama: I believe this is about the maple leaves carrying Arata’s feelings. Even if he doesn’t try to show it or be vocal about it, even though he used his phone only 3 times to send something to Chihaya (was only a msg through Taichi, then a message to her & Taichi and finally a call-what a progress lol), but he longs for her and wants her to be happy like how the emperor would have felt if he came to see those pretty crimson maple leaves. He wants his feelings to make Chihaya happy somehow. And the half-shown Oto ni kiku is about fear of love and tears. This is about Chihaya who isn’t allowing herself to be involved with love yet! there is something she feels lacking which is necessary before she lets herself love and I believe it’s the thing making her turn her head away from Arata ..

Then Chihaya realized, then looked at Arata’s head, he won his much! he now has 2 wins and one more win and he will achieve the dream he shared with her, the kinda promise: “this weekend, let’s make our 1st dream the reality”

12) Then Chihaya cried, helplessly. She congratulated Arata through her tears but she was rather miserable… It’s so hard to be happy for him right? this is not a win which will be enough to get by either him OR her, whichever happens should be good if they are friends right? but no, this is about her!! I have a feeling that if Chihaya won & Arata not, she wouldn’t be very sad for him.. There is something telling me that Chihaya is only scared of being left behind by Arata, as long as he doesn’t, she will be fine, but if he does, she will feel devastated. this is such a strong word, but I mean it.

13) And she voiced a bit of her concern, she was afraid she can never win, even though she lost only by 3 cards, personally, I’ll think that from 7 cards to 3, I can make it in the next game, but Chihaya seems to think that the strongest she can be is the way she was in this second game, then she can only get close to Shinobu that much, not to lose with more than 3 cards. Arata was surprised; maybe he never thought she could lose hope? or maybe he is confused how she can say so when he believes that she can win against Shinobu.. And ofc, before he says anything Kana & Tamaru finally found Chihaya. Kana is as wary of Arata as ever, the n°1 Taichiha shipper. But apparently, she didn’t see Arata bringing Chihaya from outside, she saw only when he put her down and that looked “too close” for her and “hurry up, let’s go to your waiting room, it’s like she is saving her from Arata.. While our gentleman was putting Chihaya down so carefully while looking at her feet whether they are fine or not.

14) Kana is indeed a typical Taichiha shipper, I have seen it a lot, no matter what Arata does, he is always a target for hate or at least disdain. Approaching Chihaya is a big no for them let alone take caring of her. I tried to laugh at this panel, I thought that sensei really is referring to those fans, she might have wanted it to be a comical moment but it’s not. What I saw is that, again, Kana is putting Taichi & herself before Chihaya & it sucks. Arata didn’t even notice her though, thankfully, all he could see was Chihaya, the painful face she was making & her tears (The background of confusion as I call it).. Arata suddenly took us for another rare moment inside his stubbornly concealed heart, the clumsy guy who seems shallow & insensitive to lot of readers.. Chihaya’s weight alone made him look so deep into her and see so much…She is unfamiliar to him, he didn’t get to learn earlier about her everything, but in every second he is given, we saw him pay a lot of attention and see her with more than his eyes. Chihaya’s tears meant that she worked so hard and that didn’t pay off, she wouldn’t have cried this much otherwise. And he can already learn that much about her by just imagining what he wasn’t there to witness, she worked so so hard. Looking at his hands (Chihaya was there lol), he looked so deep in thought, but he remembered the cards he left on the snow..

15) He rushed to bring them but his thoughts were full of Chihaya and how to cheer for her, Arata acknowledged her strength, she is an amazing strong player who can really defeat Shinobu (he seems to believe he can also defeat Suo).but he is not good at communicating his feelings & thoughts, he is clumsy & he knows it..so will he hide his clumsiness to look cool like Taichi does most of the time? No, that wasn’t what Arata thinking, he was rather wondering about a way to make her know what might save her.. He took the cards getting now wet from the snow, he took 77/SE while he was wondering.. “Se” is about the separated ones who will certainly meet again.. it’s like Arata feels a boulder blocking his thoughts and feelings from reaching her and he wants to find a way to bypass it & reach her. “Se” has always been a special card for Arata and it is because of Chihaya..

16) It was the 1st card Chihaya took from him and he already got it back from her in their match but for Arata, SE is more than that. It’s the card that started Chihaya’s journey in Karuta. and Arata is confident that he is the only one who knows, and he is confident that the level she showed in her match with him is the highest she reached, or the highest anyone can reach, or at least, if she is defeated by Shinobu in 2 matches today and was already defeated by her in ch169 then it’s a level she didn’t go to again after her match with him and she still can do it. Arata’s head was really full of Chihaya, he is so focused on her that he totally forgot he too is where he worked to be for so many years, longer and maybe even harder than Chihaya herself (for almost 12 years, more than half of his life, no it’s 2 thirds of his life!!!), so the Murao twins came to remind him of what he forgot since the match ended, of the Meijin title & his grandpa. Only one other win to be were Hajime Wataya seems to have wanted Arata to be (or at least that’s what Arata thought)

17) Yep, Hajime is telling him to focus, to forget about Chihaya & concentrate on him & his goal. “Se” was shown again with the words “the mejin title”, is that the boulder separating the stream of the river?

18) Arata placed Se back on top of the cards in the box next to another card:

18/Su mi no e no: This poem is about hiding from people’s gaze when going to meet the lover, trying to avoid exposure even in dreams.. Doesn’t it suit the moment perfectly? when the twins came to remind Arata of the Meijin title and his status, he hid “SE” (representing also his feelings for Chihaya) in the box, it’s like how the poet who is an aristocrat from the great Fujiwara family (Fujiwara men are known to choose their wives in the family) is afraid of being exposed.

Arata closed the box, it’s also like “Se” keeps him the real Arata (he said that he lacked love to be himself, so maybe Se is his love poem to Chihaya, his love saves him regardless of whether she reciprocates it or not contrary to Taichi, his love always hurt him, like a curse) The Karuta officials are the happiest for Arata’s win it seems, he pleased them, he revived Wataya Hajime for them again, they are blessed, for them, it’s all about them & Hajime it seems, Arata isn’t really seen for who he is… Arata remembered when that man told him that because Arata’s Karuta is exactly like Hajime’s, he was able to see Wataya sensei again. Back then Arata cried, he said that he really loves Karuta.. Could it now turn into a curse? because it’s too much? Because he is losing himself? because he is not seen? Why was Arata happy back then? and is the reason weaker than any probable desire now to be seen for who he is?

19) Suo was upset! His dear aunt that he didn’t meet for 8 years suddenly came all the way from Kyushu to see him, but he wasn’t happy..He lost two games but he doesn’t seem worried about that... Yukiko was kind and looks like the sweets are a family thing? Sudo is confused (he is amusing when he is like that) & Suo’s cousin is more impressed because Suo had lot of female friends lol Suo was nervous, he wanted to ask how and why they were suddenly there but he stuttered and According to Yukiko chan’s answer, we learn that Suo developed the habit of soft talking after he quit Kyushu.

20) After 8 years of separation, she wanted to touch the boy she loved so much and cared immensely for, maybe it’s because she can’t see him well too, but she failed to reach his face, she couldn’t see well, and Suo felt so hurt, but like anyone else with pride, his reaction was based on his suffering not on hers. And instead of being hurt herself, she rather was worried about him, why would he be cruel to her unless he too is suffering from her same illness.

21) The whole conversation in this page feels weird. Suo raised his voice from frustration and these relatives didn’t try to listen to him before. The cousin rather teased him about his loss as if it’s nothing, (he highlighted the fact that Arata is a youngster too) And Yukiko’s answer was soething I didn’t expect! She doesn’t seem to care much about the Meijin thing, she rather looked hopeful (notice the sudden blush), she thought that if Suo is no longer Meijin then he can go back home. What was even more surprising is that Suo looked agitated but his answer wasn’t what I expected, he asn’t worried that his title doesn’t see precious that his relatives would want him to keep, he was rather worried that what they are offering is impossible because he grew up to become a stranger and going back to his home is impossible.

22) Seems that Suo would consider his home any place Yukiko owns, but he knew that she didn’t own the house she told him to go back to. (isn’t this a reason to work harder in univ then get a job and buy a house to bring Yukiko to live with him instead?) The cousin got angry because things like these aren’t considered in a warm loving family where elderly are respected and considered owners before what papers say.. Suo didn’t seem to want to listen, and he left hurriedly causing his condition to beclearer to his aunt as he bumped with many things in his way out. (BACKGROUND of confusion in the last panel)

23) Still, Suo couldn’t leave before knowing why they suddenly came. and the description was so easy to tell him who, Suo realized it right away, the boy with big eyes who would wish for Suo’s family to come watch him (because he is incredible & wants his family to know that? or bc he pities him?) The boy with big eyes was “Mashima kun” they called him this many times, now they didn’t mention the name, I wonder how Sudou would have felt if he knew? would he realize that Taichi really got the closest to Suo, somewhere he couldn’t go?

24) Chitose left, Chihaya’s mom knew but didn’t understand why, Kana, tsukuba & Nishida stayed out of the room while Chihaya, Tamaru, Namida, Sumire & the last boy from Mizusawa that went to Shiranami were all inside, Kana told the mom it’s better to stay out and those inside were all experiencing the reason lol Ah no, Namida was doing great, he is such positive and hard working boy, he is not wasting his time by being afraid or nervous, he is taking notes instead! Chihaya is the most nervous because she is the reason Harada sensei is furious. Harada never taught Chihaya to send back a card because the opponent will place it again in its original place that they remember well (and we know that Chihaya sent it to provoke Shinobu -see ch222), provocative Karuta based on the knowledge of what Shinobu hates and the cards she won’t place next to each other was Watarai’s teaching.

25) Yep, Shiranami’s way is to target the opponent’s memorization as much as possible, Shiranai members are scared of Harada but can’t deny that he is right, he is a great teacher, has a good experience in Karuta and in teaching, maybe them being present here to hear & learn is the biggest proof. Chihaya also didn’t lift her head, she knew he was totally right, she can’t think that losing was because she was unlucky in front of the strongest queen, it’s because of those small mistakes she allowed herself to make.

26) Harada’s words kept hitting hard for Chihaya. Maybe he didn’t say that she was wrong, she learnt a new way in 2 months but she already had a strong way that she could fortify in these 2 months too.. Chihaya focused on Shinobu’s cards and neglected her own? isn’t this beneficial for an offensive Karuta player? I don’t get it well But Harada didn’t understand much of Chihaya’s new method either and he was honest & fair, he acknowledged what Chihaya still achieved: she got a strong reaction from Shinobu. Did Shinobu’s smile mean that she wasn’t indifferent with Chihaya? that she enjoyed the “strong” opponent? Harada told Chihaya that Shinobu seems to have enjoyed her match with her like she enjoyed her match with Arata which means that Chihaya played at Arata’s level back then and that is an achievement!

27) He smiled to her to make her feel better, because she really did great by learning new strong weapons in 2 months.. And now it’s time for the 3rd game. at this point, we don’t really know if Chihaya was better? if she calmed down? While Arata seems to be still in his grandpa mode, (he looks really like an old man here, calm and silent, he wasn’t like in the 1st break And he was completely the opposite of his father who was so energetic and very satisfied with Yuu’s gift, a design with the word “TOP” inspiring more will to do one’s best to reach the top! Akira seems quite fond of Yuu (I am too), she was admitted to her school of choice & he is happy for her, the Watayas talk so familiarly about her like she is really a close relative except Arata…

28) Akira is really hard to deal with, he does whatever he wants and he is very fond of Yuu. Asking for Arata’s phone to call her & thank her, Arata rejected any try to involve him in this mess (he didn’t even react when Akira said that he will make up a lie and say that Arata was touched because of her gift, Yuu would have probably known it’s a lie because Arata wouldn’t react like that… But it’s IC if he does for Chihaya right?), he was trying his best to focus, he didn’t show any enthusiasm about Yuu; Her, his father, the food or anything of the sort couldn’t break his grandpa mode. And finally, Taichi’s message was discovered, Arata didn’t want to read anything before his game but knowing it’s about Taichi, would that be still the case?

29) Arata stopped! getting a message from Taichi who didn’t come to watch made him really stop, Taichi is really special to Arata. And turning back he found Chihaya there too, she heard what Akira said & her face showed surprise!.

30) Chihaya seemed lost in her desperation, she didn’t say a word she just turned quickly wishing to find something for her too from Taichi, she needed him, when Taichi was around he could somehow find a way to make things better and she needs it now because she is not fine, Harada’s words didn’t seem to heal her fully, she sighed when she didn’t find anything.. Arata was confused (the BACKGROUND), and when Chihaya saw him she blushed & turned her head away in embarrassment, Arata lifted her suddenly earlier and she didn’t have time to do this back then. Why? if it was because Taichi now then what about the 1st time? It wasn’t because of Taichi, it was because she looked weak in front of Arata. Chihaya has always worked hard to reach him, to become someone who can meet his passion, to be worth sitting across him in Karuta.. but she kept losing where he kept winning, he was always ahead and she could never arrive there. Chihaya was embarrassed of her weak self who showed more weakness and dependence of Taichi’s help, it’s like she can’t go anywhere without his support… Arata knew that wasn’t true. Akira asked again if Arata wanted to look at Taichi’s message and Chihaya passed him just now without a word (and Kana still looked at him sideway lol) …so many distractions, Hajime Wataya’s voice was calling him again to focus, just a bit more & he’ll be the Meijin, that’s all he was about after all right?

31) NOT RIGHT!!! That wasn’t all Arata was about, not for those who care to look at him properly! Arata wasn’t worried about being ditched, or about what Taichi’s message might contain, he rather remembered when Chihaya showed him her special bond with Taichi that day when she crushed him.. This was good reason to feel jealous or upset but that’s not who Arata was… He took Chihaya’s hand and disobeyed his grandpa’s words!

32) Arata’s face looks desperate trying to reach Chihaya to make her see the truth he believes about her, she can defeat Shinobu & he means it, he knows her strength too and he could compare, he knows when Chihaya was the strongest and how Taichi is the last piece in what Chihaya fought for and became the strongest… The blush on Arata’s face says how much he wanted to make it through to her, how many times does Arata show emotions? the calm and collected guy, what does it mean when he shows such face? “You shouldn’t go play with Shinobu chan in her arena” Harada sensei pointed out Chihaya’s mistakes but he didn’t show her a way to follow, it’s like he no longer has an advice for her, he gave her everything he got and when she strayed from his path he reminded her, but that’s all, And Arata’s advice was something else, like a Karuta expert, he knew what to tell Chihaya, even though he didn’t watch her matches or maybe he did? because he didn’t seem in a pinch in his own vs Suo, maybe he got time to look sometimes…

33) Arata really had what to say, and Chihaya listened because what she heard was useful. She wanted o go where the lonely Shinobu is but she couldn’t face everything in that world and she came out leaving a still lonely Shinobu inside, Arata tells her to bring Shinobu outside instead, to show her the wonderful things outside that can give Chihaya the same strength as Shinobu, something she might want to come out to get? Chihaya saw an illusion for the calm Queen, the plant in the frame was always used for Shinobu too and it seems (and I’m not sure) that Suetsugu uses it for Shinobu who is Shinobu and not the Queen.

34) Chihaya found Arata’s words interesting, that was some good technical support but she had to think more to find her arena Though, Arata wouldn’t let her, he gives her now the emotional support, he knew Chihaya needed Taichi (not the person, but at least sensing his presence in what he left) so he decided to give her that, anything she needs, he wouldn’t be jealous or needy or immature, he put her 1st and I admire the way he loves even more!

35) Everyone saw what Arata wanted to show, it wasn’t a secret or personal message to Chihaya, and Taichi is the captain of Mizusawa, he pushed that team, and Arata brought it to push it again. Arata persisted bc he knew very well how much Chihaya values Taichi & her team, he didn’t need to be there for 3 years to know, he is very attentive and intuitive too and looks at Chihaya really properly!.

36/37) Arata’s words were moving to all Mizusawa members, they all blushed emotionally, and Chihaya cried, maybe because she missed this or maybe because she somehow betrayed it by forgetting it and not working for her team like she said she would before…(this chapter looks so direct, no BACKGROUNDs, no shoujo effects)

38) Arata held Chihaya’s hand so gently (I wonder why sensei drew this panel, it’s totally unnecessary for anything other than highlighting Arata’s love (romantic love because I can’t imagine him do this to Yuu if she ever goes through something like this)) He mentions his loss to her as something big which is a compliment to Chihaya & an acknowledgement of her strength & level. He says it with no embarrassment because her win was well deserved (I want to see Taichi make a confession like this to Arata). And Mizusawa captain was strong because she played for her team, she used all she had for them… so Chihaya again, only has to play her own Karuta, this is the opposite of what Chihaya told Arata in his match against Harada, she told him to play like someone else.. Amusing!

39) In Shinobu’s waiting room, Shinobu was acting like a child, so carefree; she only has 1 remaining win to keep her title after all. She also seems so close with Kokoro chan now (Kokoro called her Shinobu without “chan” or anything, it implies so much familiarity right?) also Shinobu is a bad example it seems lol. Though Kokoro mentions something that might be a hint to Shinobu’s next loss (a 3rd game is tiresome). And then when Shinobu was about to get up, something was off, she felt something but she didn’t see what it was? Kokoro asked but she didn’t answer? Chihaya was shown right after that still having her tears while Arata kept explaining what he wanted to say, like he himself does, he gave her an image he knows will push her to win, she had to think that she is playing in a team tournament, her team is losing, they have two losses and 0 wins, now the remaining 3 members should all win at all costs and Chihaya will play the role of the three players, it’s like when they played in the finals of last year’s high school team tournament vs Fujisaki where both Tsukuba & Tsukue kun lost and Chihaya, Taichi & Nishida felt the responsibility to win each their game, Taichi was the one who voiced this desire 1st (ch81). (That was the game Chihaya felt upset because Arata told her that he didn’t care for teams and now, he is showing her the opposite of what she feared back then, he treasures "teams" & knows exactly how important one is for any member.)

40) And Arata impersonated Taichi for Chihaya! He should have felt jealous, he already experienced that feeling and wanted to be the one Chihaya sees, but now & for her sake, he accepted Taichi and even revived him in her memory to get as much strength from that as she needs. He wasn't there but he must have known Taichi would say that for Chihaya so he reminded her of it for her sake instead of being selfish & feeling miserable or jealous (reminds me of when Chihaya hid in the closet after she lost, the way Taichi brought up Arata’s name all miserable & helpless, he couldn’t forget about himself for a bit for Chihaya contrary to Arata even though he didn’t have anything to be confident about, Chihaya was closer to Taichi, she cared for him so much, she showed him this care in front of his eyes, he had every reason to feel threatened but he didn’t, Chihaya mattered more than that to him …)

[bowloflentils]

This is a behind-the-scenes look at the development of Dragon Knight II at Elf Corporation’s office in 1990. The video feature is both incredibly awkward, with the host wearing a bunny outfit, but also humanizing in a weird way. The feature almost feels like a home-video recording rather than anything professional. The host makes several mistakes during the video, the development team can be heard laughing in the background while the producers try to have a serious interview and the office looks like it is just someone’s house full of a bunch of nerds in their 20s (a stark contrast to the images of their company 8 years later). Gives a different impression of a studio that might be seen as seedy since they solely made erotic titles.

I tried to figure out everyone that is in the video but was only able to identify a few people:

The three people being interviewed in the opening and ending of the video are Elf’s founding members: Toshihiro Abiru (artist/producer that has the mustache), Masato Hiruta (game designer/writer with the brown coat) and Atsushi Kanao (programmer with the yellow sweater).

I had to guess who the people in the development room are since it is hard to hear everyone’s names so these might not be correct. 

Programmer: Shin'ichi Murao (5:41) Programmer: Akira Shimoyama (5:50) Designer: Yoshifumi Takaoka  (6:08)

The rest I couldn’t really figure out who they were. 

Also the cel painting that Masato is proudly holding in the ending of the video is the cover art for the company’s next game called Foxy 2.

[recentanimenews]

Bookshelf Briefs 6/19/19

Anonymous Noise, Vol. 14 | By Ryoko Fukuyama | Viz Media – Well, that didn’t last long. In a series about the heroine singing in a band, when she can’t sing if she’s dating one of the guys she likes, it’s best to end it. Or at least that’s what Momo thinks, anyway. Time to see who wins the battle of self-sacrifices. Elsewhere, it’s dawning on the band that they need to think past high school, and Haruyoshi is waffling about the direction he wants to go next. I won’t spoil how this is resolved, but it’s sort of hilarious *and* touching. And of course there’s Nino’s part in all this, as she has to deal with a breakup as well, in addition to trying to find her voice—again. Anonymous Noise never seems to lack for things to happen, and it continues to putter along smoothly. – Sean Gaffney

Ao Haru Ride, Vol. 5 | By Io Sakisaka | Viz Media – Sadly, going to the festival turns out to not happen—again—as Kou is once again being drawn away from Futaba, this time because he’s trying to help a distant friend with personal problems. And also possibly because Futaba is hanging out and chatting with Toma, who’s handsome and nice and also has fallen head over heels for her, something Futaba realizes not one bit. And so much of this volume returns us to the halcyon days of Kou being avoidant and difficult. At least Futaba angsting over telling her friends about her feelings for Kou is quickly nipped in the bud. I do really like the reverse costume cafe they do. (They’re right; Murao does look amazing as a butler.) Will this cliffhanger affect anything? Oh, probably. – Sean Gaffney

Ao Haru Ride, Vol. 5 | By Io Sakisaka | VIZ Media – Futaba and Kou had gotten close to confessing their mutual feelings, and he even invited her again to the summer festival they didn’t get to attend in junior high. But then he suddenly cancels and is incommunicado for the rest of summer vacation. When school resumes, it seems he’s actually in good spirits, but is preoccupied with his phone. Eventually it emerges that he’s helping a former classmate get over the death of a parent, and though Futaba thinks this is admirable, she nonetheless feels left out. The fact that this classmate is female is obvious but is held as a reveal until the final page. Meanwhile, a male rival must be introduced too, and so we meet Toma Kikuchi, a boy who Futaba accidentally groped, who comes to like her after realizing she’s perceptive, honest, and not as tough as she might appear. Standard shoujo, but still enjoyable. – Michelle Smith

As Miss Beelzebub Likes, Vol. 6 | By Matoba | Yen Press – No one seems to be more surprised than the artist that this series has reached six volumes, which results in a meta gag when Azazel’s assistant Samyaza appears, and they note it’s far too late in the series to introduce someone like him. He bounces off Mullin well, though—perhaps a bit too well for Beelzebub’s taste, as she worries that they’re both too shippable with each other. Elsewhere, the exchange diary between Belphegor and Azazel is actually not a half-bad idea, but too many cooks spoil a bit of the pie. Unfortunately, there’s more Eurynome as well, and trying to indicate she’ll eventually be shipped with Samyaza does not balance out her continued lust for young boys. Read it if you already are. – Sean Gaffney

A Certain Scientific Accelerator, Vol. 9 | By Kazuma Kamachi and Arata Yamaji| Seven Seas – As it turns out, the girl that Last Order ran into in the previous volume, despite giving off immense “I am a secret villain” vibes—mostly to Last Order, to be fair—turns out not to be a villain. She is, however, a twin, and it’s her sister who seems to have the villain card as well as the tragic past. It’s also startling to see the princess from the previous book captured fairly easily (possibly as Accelerator is healing so AWOL this book), and the cliffhanger, which involves repeated use of the food/death metaphors that litter the book, is really chilling. That said, if there’s one thing that defines this volume of the series, it’s the big ol’ fight in the middle of it, which is very well done. – Sean Gaffney

Dead Dead Demon’s Dededede Destruction, Vol. 5 | By Inio Asano | Viz Media – I admit I avoided reading this for a while. I still expect it to end with everyone either dead or depressed. I mean, it’s Asano. But as always, when I finally started to read it it was fantastic. The art alone is a main reason to read this. Plus, now that everyone is in college, relationships are allowed to develop more naturally. Unfortunately, in both cases this may end up being a mistake. Oran has bonded with the alien in disguise, and hides him by saying he’s her boyfriend… something that may be coming true. As for Kadode, I was sort of hoping that graduation would mean the end of the crush on her teacher, but apparently it means there’s nothing standing in the way anymore. Will either girl find happiness before the end of humanity that continues to be implied here? – Sean Gaffney

My Solo Exchange Diary, Vol. 2 | By Nagata Kabi | Seven Seas – The sequel to My Lesbian Experience with Loneliness ends with the second volume; the conclusion of the series is just as achingly and brutally honest as its beginning. Kabi’s struggle with anxiety and depression continues through its highs and extreme lows. The success of her autobiographical manga ultimately compounds the issue for her as she starts to feel guilty about some of the things that she’s said about family members and has to deal with the consequences of revealing so much of herself to a public audience. A central portion of the second volume of My Solo Exchange Diary is devoted to Kabi’s stays in two different hospital wards—part of her ongoing efforts to get her life back on track. Due to the subject matter of My Solo Exchange Diary, the series isn’t always the easiest to read, but it is still an approachable, compelling, and noteworthy work. – Ash Brown

Queen’s Quality, Vol. 7 | By Kyousuke Motomi | Viz Media – We’re down to twice a year for this series now, the same as Japan, but it’s making those volumes count. We get lots of Fumi being awesome (toilet brush or no), lots of romantic sizzle between her and Kyutaro, overcoming self-loathing and doubt, and a whole lot of testicle jokes. In case you wondered what all the “golden ball” stuff was. The beauty of this artist is that she’s not afraid to have things get completely silly even in the middle of a dramatic fight, and alternatively have the silliest moments give way to drama. We also get a lot more insight into Kyutaro’s late parents here. But, and the cliffhanger doesn’t quite tell us, will someone finally realize that Fumi + Fuyu = Fuyumi? – Sean Gaffney

Ran the Peerless Beauty, Vol. 4 | By Ammitsu | Kodansha Comics (digital only) – Ran and Akira are now officially a couple, and this volume features milestones like calling each other by first names, going on a real first date, holding hands, and Christmas. While it cannot be denied that the plot is fairly formulaic at this point, there’s still something special about Ran the Peerless Beauty. Part of it, I think, is that we see just as much of Akira’s emotions as we do Ran’s, and it’s often the case that when she’s nervous or embarrassed or unsure, he confesses that he’s right there with her. Too, Ammitsu’s art is very expressive. I loved a particular smirk of Akira’s (after purloining a strawberry) very much but actually laughed out loud at the panel in which her father finally comprehends that Akira is Ran’s boyfriend. I hope this one gets a print release so it might reach a wider audience. – Michelle Smith

Sweetness & Lightning, Vol. 12 | By Gido Amagakure | Kodansha Comics – I wasn’t prepared for the final volume of Sweetness & Lightning to make me verklempt, but that’s because I didn’t know the final chapter would see Tsumugi going off to college in Hokkaido. Before this, we got a sequence of chapters with Tsumugi at various ages, where we see her growing in independence and culinary skill. And, finally, heading out to experience life on her own. It’s very nice! Too, I really appreciated that nothing about the finale hinges on whether Inuzuka and Kotori might get together now that she’s somewhere in the neighborhood of 30. It’s clear that Tsumugi would like that, but to the end, this is the story of a father and daughter and how they have stuck together after the loss of someone they love. I enjoyed it very much. – Michelle Smith

Takane & Hana, Vol. 9 | By Yuki Shiwasu | VIZ Media – I know it’s contrived and rather over-the-top, but the meddling chairman forcing his grandson and the Nonomura family to live together really works for me. In order to convince Takane to go along with it, Hana has to honestly confess that she wants to live with him, something she later reiterates to Okamon, who is very worried about her whole situation and finally ends up confessing. I’m not sure Hana and Takane are really getting closer—for every sweet study session there’s a misguided, extravagant bedroom redecoration—but the whole setup does at least put a fresh spin on their arrangement and provides, in the chairman’s words, “a place for you two to become certain about each other.” This series continues to be a lot of fun. – Michelle Smith

By: Ash Brown

[decidpool]

Kunimi Rei

Datos básicos.

Apodos: Ninguno. Edad: 15 años. Cumpleaños: 1 de Agosto. Signo: Leo. Raza: Humana. Orientación: Demisexual, demiromantico. Ocupación: Manager del equipo de voleibol masculino en Aoba Jousai. Label: The Practical. FC: Shuuko Murao ( Ao Haru Ride ). Fandom: Haikyuu!! Multiship: Sí.

Biografía.

     Su familia consiste en su papá, mamá y ella, añadiendo también a sus tíos y primo, Akira, por parte de su papá. De pequeña siempre fue muy apegada a su primo y como ambos vivían a unas cuantas casas, pues no era problema alguno el juntarse.

     Así fue todo hasta que llegó la primaria, donde fue víctima del acoso por parte de sus compañeras de clase debido a que los niños siempre se juntaban con ella. Rei en ese entonces, no entendía el por qué de estas cosas, así que decidió sólo ignorarlo, como le decían sus papás. Por suerte para ella, los acosos nunca pasaban de palabras hirientes a algo de gravedad. Quizá era porque su primo nunca dejaba su lado junto con el amigo de este, Kindaichi.

     En la familia Kunimi, al parecer todos eran amantes del voleibol. A Rei no le llamaba mucho el deporte porque ella era más de dibujar y pintar, aunque nunca le hacía el feo ver uno que otro partido de voleibol con su papá y a veces con su tío cuando hacían las reuniones familiares.

     Sin embargo, un poco después de haber entrado a la secundaria Kitagawa Daiichi, una vez cuando estaba esperando a su primo para irse juntos a casa, la curiosidad le carcomió por dentro y decidió sólo echarle un vistazo. Claro, no supo en ese entonces que su punto de vista con el deporte iba a cambiar. El oír como el balón rebotaba, los zapatos deportivos rechinar contra el suelo, el olor a sudor y lágrimas del esfuerzo de los jugadores.

     Se dio cuenta de que esto le emocionaba mucho, el ver los partidos por la televisión y verlos en vivo eran cosas sumamente diferentes. Desde ese día, se sintió emocionada por el deporte; tanto así que no tardó ni una semana en pedir un lugar como manager del equipo masculino.

     Sus papás al principio estuvieron confundidos con este cambio repentino en su hija. Al final, trataron de ver el lado bueno de que a Rei le motivaba tanto el ‘deporte de la familia’.

     Piensa que su deber como manager es importante, no sólo para traerles las toallas, rellenar las aguas o incluso tener el itinerario listo; es importante porque así puede apoyar a su equipo en las buenas y en las malas detrás de bambalinas.

     Después de graduarse de la secundaria, actualmente ahora se encuentra en primer año, como manager del equipo de voleibol masculino en Aoba Jousai

Personalidad.

- Desde que tiene memoria, siempre se le ha catalogado como una niña super callada, no habla a menos que sea sumamente necesario y siempre ha sido de esas personas que analizan la situación. -Es muy inocente, al punto en que piensa que los chicos se le acercan sólo porque quieren ser amigos. Piensa que cuando entabla conversación con alguna chica es un milagro de los cielos.  -No demuestra con facilidad lo que siente, así que si algo le molesta será difícil el sonsacarle qué es. -No es una maniática de la limpieza, aunque sí le gusta ordenar su casillero y cuarto al menos una vez cada semana. Es por esto que también es super ordenada cuando se trata de sus actividades extracurriculares. -Nunca va a admitir que a veces tiene miedo de que alguno de sus papás no regrese a casa, debido a que viajan mucho y probablemente les pase un accidente.

Extras.

-Le gusta mucho los gatos, sin embargo, no le dejan tenerlos en casa. Aunque irónicamente recuerda que de pequeña solía tener un perro llamado ‘Choko’. -El club de arte ha tratado de reclutarla muchas veces debido al talento que tiene, ella los rechaza a menudo debido a que sólo es un ‘hobby’. -La única clase que no se le da del todo bien, es inglés. -Cocina muy a menudo debido a que hay veces en que sus papás regresan hasta tarde del trabajo. -Hay ocasiones en que se tiene que quedar en casa de sus tíos debido a que sus papás también viajan mucho. -Secretamente, le gusta mucho leer mangas shoujou. El género gore no le desagrada pero le da igual. Incluso ha tenido curiosidad de ver algo del género shounen, cuando tenga el tiempo. -Después de los sucesos en la primaria, se le hace difícil entablar conversación con las mujeres, con los hombres no tiene problema alguno. ( Aunque a veces ella no sabe que algunos tienen ‘otras intenciones’ ). -No le interesa para nada practicar el deporte, pero a veces se anima a jugar partidos amistosos. -Cuando estaba en secundaria, siempre se mantuvo lejos de Kageyama debido a que tenía una actitud demasiado explosiva e irrespetuosa para su gusto. -Probablemente tuvo, o tiene todavía, un pequeño crush con el vice-capitán del equipo, Iwaizumi-san.

[waha-no-baka]

[Planning editeur] Soleil Manga [Mangas, Manhwas, Romans et autres], vu sur Akihabara no Sasayaki http://ift.tt/1IXOMSu Planning des sorties Soleil Manga # Bloc Technique Création : 1989 Fondateur : Mourad Boudjellal Forme juridique : société à responsabilité limitée Statut : Groupe d'édition Siège social : Toulon Direction : Mourad Boudjellal Spécialité : Bande dessinée Collections : Soleil Celtic, Soleil Manga, Noctambule, Quadrant Solaire, Secrets du Vatican, Métamorphose Titres phares :Lanfeust de Troy Langue : Français Diffuseur : Delsol Société mère : MC Productions Site officiel : www.soleilprod.com / http://soleilmanga.com/ Principaux concurrents : Dupuis, Dargaud, Le Lombard, Casterman # Description Wikipedia Soleil Manga est une collection de l'éditeur Soleil Productions ! Soleil Productions est un éditeur français de bande dessinée localisé à Toulon. Cette maison d'édition a vu le jour en 1989 après l'ouverture par Mourad Boudjellal, de la librairie Bédulle en 1982. Soleil Productions commence par rééditer des aventures à succès comme Rahan, Mandrake le Magicien, Tarzan ou Le Fantôme. Fort du succès de ces rééditions, Soleil décide de développer et de soutenir de jeunes auteurs du sud de la France comme Farid Boudjellal, frère de Mourad, et se lance bientôt dans un genre alors en pleine ascension : l'heroic fantasy. Elle connaît tout de suite de grands succès avec des séries comme Lanfeust de Troy, ce qui lui permet de très vite multiplier les titres à son catalogue. En 1998, Soleil Productions lance le mensuel Lanfeust Mag, en grande partie destiné à la prépublication de certains de ses albums. Le magazine est une publication destinée à la jeunesse (ce qui limite les séries pouvant y être prépubliées) En 2006, Soleil Productions lance le mensuel Suprême Dimension qui comme Lanfeust Mag comprend une partie prépublication, mais aussi une partie interview d'auteurs. Le magazine vise un public légèrement plus adulte que Lanfeust Mag. Les éditions Soleil productions sont diffusées par Delsol, une société créée en partenariat avec les éditions Delcourt en 2004, et distribuées par Hachette Livre. En juin 2011, Mourad Boudjellal cède la totalité de ses parts aux éditions Delcourt pour se consacrer entièrement au Rugby club toulonnais. # Catalogue (juillet 2015) Statut version originale Statut version française Titre Auteur(s) Éditeur Année Vol. État Collection Année Vol. État +C Sword and Cornett Tama Yugyōji Ichijinsha 2008 8 Terminé Gothic 2011 2 Stoppé 100 Demons of Love Pedoro Toriumi Kōdansha 2012 6 En cours Gothic 2014 4 En cours 16 Life Saki Aikawa Shōgakukan 2008 2 Terminé Shojo 2013 2 Terminé A Girls Hiroyuki Tamakoshi Masahiro Itabashi Mag Garden 2004 3 Terminé Shonen 2010 3 Terminé À la recherche du temps perdu Artworks Variety Marcel Proust East Press 2009 1 Terminé Classique 2011 1 Terminé T'abuses Ikko !! Toshinori Sogabe Bohemian-K Wani Magazine 2004 7 Terminé Shonen 2007 7 Terminé Advent Yumiko Harao Shōgakukan 2003 2 Terminé Seinen 2008 2 Terminé Akari - Hadashi no aitsu Rie Takada Shōgakukan 1996 9 Terminé Shojo 2007 9 Terminé L'Allumeuse Konomi Shikishiro Takeshobo 2012 2 Terminé Eros 2013 1 En cours L'Amant du jeudi Sachi Murakami Kōbunsha 2007 1 Terminé Eros 2011 1 Terminé Un Amour ignoré Sachi Murakami Kōbunsha 2008 1 Terminé Eros 2012 1 Terminé Amours nocturnes Sachi Murakami Kōbunsha 2009 1 Terminé Eros 2012 1 Terminé Ange, mode d'emploi Kumiko Kikuchi Akita Shoten 1999 6 Terminé Shojo 1899 6 Terminé Ange ou démon Moro Orie Kōdansha 2010 2 Terminé Shojo 2012 2 Terminé Aphrodisiac Tomu Omi Shōgakukan 2012 5 Terminé Gothic 2014 5 Terminé Arachnid Shinsen Ifuji Shinya Murata Square Enix 2010 11 En cours Seinen 2015 2 En cours Astro Boy : La légende du chevalier Azur Akira Himekawa Osamu Tezuka Kadokawa Shoten 2009 1 Terminé Shonen 2013 1 Terminé Asura Rie Nakamura Akita Shoten 2008 4 Terminé Gothic 2012 4 Terminé Avoue que tu m'aimes Aya Oda Shōgakukan 2010 5 Terminé Shojo 2012 5 Terminé Azamaru Ippei Tamaki Media Factory 2004 4 Terminé Seinen 2005 4 Terminé B-Boy Bomb Sad.F Sharp Point 6 Terminé / 2006 6 Terminé Baroque Knights Maki Fujita Akita Shoten 2010 8 Terminé Gothic 2013 4 En cours Battle Royale Masayuki Taguchi Kōshun Takami Akita Shoten 2000 15 Terminé Seinen 2003 15 Terminé Battle Royale: Angels' Border Mioko Onishi Yōhei Oguma Kōshun Takami Akita Shoten 2012 1 Terminé Seinen 2013 1 Terminé Be Loved Kako Mitsuki Shōgakukan 2011 2 Terminé Shojo 2013 2 Terminé Beauty and the devil Hiraku Miura Takeshobo 2009 1 Terminé Gothic 2012 1 Terminé Beauty Pop Kiyoko Arai Shōgakukan 2004 10 Terminé Shojo 2007 10 Terminé La Bible Artworks Variety East Press 2010 2 Terminé Classique 2012 2 Terminé Bienvenue dans la NHK Kenji Ōiwa Tatsuhiko Takimoto Kadokawa Shoten 2004 8 Terminé Shonen 2008 8 Terminé Bikini Mermaid Miho Hirose Futabasha 2004 1 Terminé Eros 2009 1 Terminé Blank Mhan Pop Tokyopop 2006 3 En cours / 2008 1 Stoppé Bleu Azur Miho Hirose Futabasha 2006 1 Terminé Eros 2009 1 Terminé Blitz Royale Hitoshi Tomizawa Kōshun Takami Akita Shoten 2003 2 Terminé Seinen 2006 2 Terminé Blood Rain Mio Murao Akita Shoten 2000 9 Terminé Seinen 2005 9 Terminé Bloody Prince Midori Murasaki ASCII Media Works 2009 3 Terminé Gothic 2013 3 Terminé Bon appétit Sakura Takahanada Pon Futabasha 2005 1 Terminé Eros 2009 1 Terminé Bride of the Death Ryō Fujiwara Meru Kishida Meiya Onogami Enterbrain 2011 3 Terminé Gothic 2013 3 Terminé Burning Moon Selena Lin Indépendant 2005 4 En cours / 2007 3 Stoppé Bus for Spring Maki Usami Shōgakukan 2006 4 Terminé Shojo 2009 4 Terminé C'était nous Yūki Obata Shōgakukan 2002 16 Terminé Shojo 2006 16 Terminé Cage of Eden Yoshinobu Yamada Kōdansha 2008 21 Terminé Seinen 2013 11 En cours Le Capital Artworks Variety Karl Marx East Press 2008 2 Terminé Classique 2011 2 Terminé Carnage à la tronçonneuse Kagura Uguisu ASCII Media Works 2009 1 Terminé Seinen 2012 1 Terminé Castlevania Kō Sasakura Media Factory 2006 2 Terminé J-Video 2007 2 Terminé Cat's World Okama Kadokawa Shoten 2000 2 Terminé Vegetal MangaN 1 2003 2 Terminé Catch Me! Takahiro Kawamoto Futabasha 2007 1 Terminé Eros 2010 1 Terminé Chantage à la fac Uzuki Nakamura Futabasha 2004 2 Terminé Eros 2009 2 Terminé Les Charmes de l'infirmière Kūki Fuzisaka 4 Terminé Eros 2011 4 Terminé Chibi Devi! Hiromu Shinozuka Shōgakukan 2008 11 Terminé Shojo 2013 8 En cours Choco-Pa! - Service compris Takahanada Pon Futabasha 2009 2 Terminé Eros 2012 2 Terminé Chocolate Girl Yuki Yoshihara Shōgakukan 2010 3 Terminé Shojo 2012 3 Terminé Chrome Breaker Chako Abeno Kadokawa Shoten 2006 4 Terminé Gothic 2010 4 Terminé Coelacanth Kayako Shimotsuki Kōdansha 2008 2 Terminé Shojo 2012 2 Terminé Le Coffre aux esprits Aki Shimizu Natsuhiko Kyogoku 2007 5 Terminé Seinen 2010 5 Terminé Come to Me Nachi Yuki Shueisha 2013 6 En cours Shojo 2015 2 En cours Comic School - Selena Lin Selena Lin 1 Terminé / 2008 1 Terminé Complex Kumiko Kikuchi Akita Shoten 2002 7 Terminé Shojo 2003 7 Terminé Crimson Empire Hazuki Futaba Quinrose chijinsha 2008 3 Terminé Gothic 2013 3 Terminé Cross Triangle Kaishaku Kadokawa Shoten 2002 1 Terminé Vegetal Manga 2003 1 Terminé Cyber Idol Mink Megumi Tachikawa Kōdansha 2000 6 Terminé Shojo 2003 6 Terminé Da! Da! Da! Mika Kawamura Kōdansha 1998 9 Terminé Shojo 2003 9 Terminé Daylight Akira Sakamoto Enterbrain 2008 1 Terminé Gothic 2011 1 Terminé Dear ! Kako Mitsuki Shōgakukan 2010 2 Terminé Gothic 2013 2 Terminé Delta Saga Aya Tsutsumi Softbank - Flex Comic 2006 3 Terminé J-Video 2009 3 Terminé Les Dessins de la vie Hirosuke Kizaki Marley Karibou Enterbrain 2001 1 Terminé I Love Japan 2006 1 Terminé Deus EX Machina Wataru Karasuma ASCII Media Works 2008 4 Terminé Shonen 2010 3 En cours Di gi charat Koge Donbo ASCII Media Works 2000 4 Terminé Shojo 2005 4 Terminé Di(e)ce - Diece Kana Yamamoto Kotone Rira Ichijinsha 2007 6 Terminé Gothic 2010 6 Terminé Diabolo Kei Kusunoki Kaoru Ohashi Sobisha 2001 3 Terminé Shojo 2007 3 Terminé Don Dracula Osamu Tezuka Akita Shoten 1980 3 Terminé Shonen 2006 2 Terminé Doors of Chaos Ryōko Mitsuki Tokyopop 2008 3 Terminé Shojo 2009 3 Terminé Dorohedoro Q Hayashida Shōgakukan 2002 20 Terminé Seinen 2003 17 En cours Ecchi Gallery Takumi Kobayashi Takeshobo 2005 1 Terminé Eros 2011 1 Terminé Les Enfants de Saphir Osamu Tezuka Kōdansha 1958 1 Terminé Shojo 2006 1 Terminé Ensemble jusqu'à la fin du monde Aya Oda Shōgakukan 2010 1 Terminé Shojo 2011 1 Terminé Entre deux Mizuki Asamori Takeshobo 2007 3 Terminé Eros 2010 3 Terminé Entretiens de Confucius Artworks Variety Confucius East Press 2010 2 Terminé Classique 2012 2 Terminé Epitaph Aya Shouoto Ichijinsha 2008 1 Terminé Gothic 2013 1 Terminé L'Escadrille des nuages Aki Shimizu Hirokatsu Kihara Media Factory 2001 4 Terminé Shonen 2005 4 Terminé Etudiantes coquines Yatsuko Enoki Shobunkan 2011 1 Terminé Eros 2012 1 Terminé F - The Perfect Insider Trawar Asada Hiroshi Mori Gentosha 2002 1 Terminé Seinen 2006 1 Terminé Fashion Doll Mea Sakisaka Shōgakukan 2007 4 Terminé Shojo 2010 4 Terminé Fathers's Vampire Kotaro Kobayashi Kōbunsha 2012 2 Terminé Eros 2013 2 Terminé Femme fatale Kaya Shigisawa ASCII Media Works 2008 3 Terminé Seinen 2014 2 En cours Filles faciles Konomi Shikishiro Takeshobo 2012 1 Terminé Eros 2013 1 Terminé La Fin d'Eden Knife Senno Akita Shoten 1999 1 Terminé Vegetal Manga 2003 1 Terminé Flowers for Seri Toru Omi Shōgakukan 2010 4 Terminé Gothic 2013 4 Terminé Forever My Love Chihiro Kawakami Shōgakukan 2012 8 Terminé Shojo 2014 6 En cours Full Set ! 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Saki Aikawa Shūeisha 2012 2 Terminé Shojo 2013 2 Terminé Itadakimasu Yuki Yoshihara Shōgakukan 2004 4 Terminé Shojo 2007 4 Terminé Jeunes mariés Ryu Yuuhi Shōgakukan 2008 3 Terminé Shojo 2010 3 Terminé Jihai Toshimi Nigoshi Enterbrain 2006 3 Terminé Gothic 2010 3 Terminé Le Journal intime de Sakura U-Jin Shōgakukan 1995 20 Terminé Eros 2006 20 Terminé Kamui - End of Ark Naofumi Yokogawa Gentosha 2008 4 Terminé Shonen 2009 4 Terminé Kana & Kanji de manga Chihiro Hattori Glenn Kardy Japanime Co 2004 4 Terminé I Love Japan 2006 4 Terminé Kanuchi Mitsuro Saiga Enterbrain 2009 2 En cours J-Video 1899 1 Stoppé Kiss / Hug Kako Mitsuki Shōgakukan 2007 3 Terminé Shojo 2010 3 Terminé Kiss of Rose Princess Aya Shouoto Kadokawa Shoten 2008 9 Terminé Gothic 2011 9 Terminé Kokoro Button Maki Usami Shōgakukan 2009 12 Terminé Shojo 2012 12 Terminé Kurogane Girl and the Alpaca Prince Kokoro Natsume Kōdansha 2011 2 Terminé Gothic 2014 2 Terminé Le Labyrinthe de Morphée Yuka Suzuki Hiroshi Mori Gentosha 2005 1 Terminé Seinen 2006 1 Terminé Laissée pour Comte Isuzu Shibata Mimori Seike Kadokawa Shoten 2008 6 Terminé Shojo 2011 6 Terminé Lamento: Beyond the Void Suguro Chayamachi Nitroplus Enterbrain 2008 2 Terminé Gothic 2011 2 Terminé Larmes de samourai Eri Motomura Softbank - Flex Comic 2008 4 En cours Shojo 2009 2 Stoppé Let's Be Anormal Lee You-Jung Sigongsa 2002 4 Terminé / 2004 4 Terminé Let's Volley-ball Rie Kosaka Kōdansha 1998 1 Terminé Vegetal Manga 2003 1 Terminé Lives Masayuki Taguchi Akita Shoten 2006 2 Terminé Seinen 2009 2 Terminé Living in a Happy World Maki Usami Shōgakukan 2004 2 Terminé Shojo 2009 2 Terminé Love and Desire Shuri Hiyama Takeshobo 2012 1 Terminé Eros 2014 1 Terminé Love and Tears Hisa Kyōmachi Shōgakukan 2012 2 Terminé Shojo 2014 2 Terminé Love Gome ! 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Shōko Akira Shōgakukan 2005 8 Terminé Shojo 2010 8 Terminé Scarlet Fan Kyōko Kumagai Shōgakukan 2011 12 Terminé Gothic 2013 8 En cours Scrapped Princess Gō Yabuki Ichiro Sakaki Kadokawa Shoten 2002 4 Terminé Shonen 2009 4 Terminé Secret Sweetheart Kotomi Aoki Shōgakukan 2003 10 Terminé Shojo 2007 10 Terminé Secret'R Haruki Takeshobo 2006 3 Terminé Eros 2010 3 Terminé Secret'R en RTT Haruki Takeshobo 2009 1 Terminé Eros 2012 1 Terminé Secret'R heures supp Haruki Takeshobo 2009 1 Terminé Eros 2012 1 Terminé Seed of Love Atsuko Namba Kōdansha 2003 7 Terminé Shojo 2011 7 Terminé Seirei Produce Tōko Miyagi Kadokawa Shoten 2009 2 Terminé Shojo 2013 2 Terminé Sensual Love Affair Ryū Yūhi Shōgakukan 2012 1 Terminé Shojo 2014 1 Terminé Shitaro Kun Knife Senno Akita Shoten 1998 2 Terminé Shonen 2006 2 Terminé Shonen Shojo Satoshi Fukushima Enterbrain 2002 4 Terminé Seinen 2008 2 Stoppé Sign of Love Maki Usami Shōgakukan 2007 5 Terminé Shojo 2009 5 Terminé Sister Knife Senno Akita Shoten 1997 1 Terminé Shonen 2003 1 Terminé Sora Log Kako Mitsuki Shōgakukan 2009 4 Terminé Shojo 2011 4 Terminé Spinning Web Rokurō Shinofusa Shōgakukan 2005 7 En cours Seinen 2006 4 Stoppé Starcraft Frontline Naohiro Washio Richard A. Knaak Tokyopop 2008 3 En cours J-Video 2008 2 Stoppé Stray Love Hearts Aya Shouoto ASCII Media Works 2008 5 Terminé Gothic 2010 5 Terminé Suikoden III Aki Shimizu Media Factory 2002 11 Terminé J-Video 2006 11 Terminé Suis-je un ange ? Aya Shouoto Libre Publishing 2006 1 Terminé Eros 2012 1 Terminé Super Darling! Aya Shouoto Kōdansha 2012 2 Terminé Gothic 2015 1 En cours Super Mario: Manga Adventures (saison 1) Yukio Sawada Shōgakukan 1991 10 Terminé J-Vidéo 2014 5 En cours Tarot Café Sang-Sun Park Sigongsa 2002 7 En cours / 2004 5 Stoppé Testarotho Kei Sanbe Kadokawa Shoten 2001 4 Terminé Vegetal Manga 2003 4 Terminé The Demon Prince and Momochi Aya Shouoto Kadokawa Shoten 2013 6 En cours Gothic 2014 4 En cours The Flower Ring Selena Lin Sharp Point 2004 2 Terminé / 2006 2 Terminé The Legend of Zelda: A Link to the Past Akira Himekawa Shōgakukan 1 Terminé J-Video 2009 1 Terminé The Legend of Zelda: Majora's Mask Akira Himekawa Shōgakukan 2001 1 Terminé J-Video 2009 1 Terminé The Legend of Zelda: Ocarina of Time Akira Himekawa Shōgakukan 2000 2 Terminé J-Video 2009 2 Terminé The Legend of Zelda: Oracle of Ages Akira Himekawa Shōgakukan 2001 1 Terminé J-Video 2010 1 Terminé The Legend of Zelda: Oracle of Seasons Akira Himekawa Shōgakukan 2001 1 Terminé J-Video 2010 1 Terminé The Legend of Zelda: Phantom Hourglass Akira Himekawa Shōgakukan 2009 1 Terminé J-Video 2011 1 Terminé The Legend of Zelda: Four Swords Adventures Akira Himekawa Shōgakukan 2004 2 Terminé J-Video 2010 2 Terminé The Legend of Zelda: The Minish Cap Akira Himekawa Shōgakukan 2006 1 Terminé J-Video 2010 1 Terminé The Mystic Archives of Dantalian Chako Abeno Gakuto Mikumo Kadokawa Shoten 2010 5 Terminé Gothic 2012 5 Terminé The Sleeping Princess Yuna Sasaki Shōgakukan 2010 3 Terminé Shojo 2014 3 Terminé Tie Break Michiteru Kusaba Shōgakukan 2005 8 Terminé Shonen 2009 8 Terminé Tokyo Summer of the Dead Shiichi Kugura Ichijinsha 2011 4 Terminé Seinen 2013 4 Terminé Triton Osamu Tezuka Akita Shoten 1979 3 Terminé Shonen 2007 3 Terminé Trop jeune pour moi ?! Aya Oda Shōgakukan 2010 2 Terminé Shojo 2011 2 Terminé Ultra Cute Nami Akimoto Kōdansha 2000 3 Terminé Shojo 2009 3 Terminé Unico Osamu Tezuka Kōdansha 1976 2 Terminé Shonen 2005 2 Terminé Urukyu Nami Akimoto Kōdansha 2000 9 Terminé Shojo 2003 9 Terminé Valkyria Chronicles En Kito Kadokawa Shoten 2008 4 Terminé J-Video 2010 4 Terminé Valkyria Chronicles - Wish Your Smile Kyusei Tokito Enterbrain 2009 2 Terminé J-Video 2011 2 Terminé Vampire Doll Erika Kari Ichijinsha 2004 6 Terminé Gothic 2010 6 Terminé Vampire Kisses : Blood Relatives Rem Ellen Schreiber Tokyopop 2007 2 Terminé Gothic 2009 2 Terminé Vampire Queen Bee Chigusa Takada Kōdansha 2009 6 Terminé Gothic 2010 6 Terminé Vassalord Nanae Chrono Mag Garden 2005 7 Terminé Gothic 2012 6 Terminé Velvet Kiss Chihiro Harumi Takeshobo 2010 4 Terminé Eros 2013 4 Terminé Venus vs Virus Atsushi Suzumi ASCII Media Works 2006 8 Terminé Seinen 2007 8 Terminé Le Vincomte de Valmont : Les Liaisons dangereuses Chiho Saitō Shōgakukan 2010 2 Terminé Shojo 2013 2 Terminé La Vie en Rose Yun Kōga Akita Shoten 2003 2 Terminé Shojo 2002 2 Terminé War Angels Kim Jae-hwan Tokyopop 2007 2 En cours / 2008 1 Stoppé Warcraft - Puits solaire Kim Jae-hwan Richard A. Knaak Tokyopop 2005 3 Terminé J-Video 2006 3 Terminé Warcraft Legends Kim Jae-hwan Richard A. Knaak Tokyopop 2008 5 Terminé J-Video 2008 5 Terminé Weiss Side B Shōko Ōmine Takehito Koyasu Ichijinsha 2003 5 en pause Gothic 2011 2 Stoppé Wings of Freedom Kozue Chiba Shōgakukan 2008 3 Terminé Shojo 2011 3 Terminé World of Warcraft - Death Knight Rocio Zucchi Dan Jolley Tokyopop 2009 1 Terminé J-Video 2010 1 Terminé World of Warcraft - Mages Ryo Kawakami Richard A. Knaak Tokyopop 2010 1 Terminé J-Video 2012 1 Terminé World of Warcraft - Shadow Wing Kim Jae-hwan Richard A. Knaak Tokyopop 2010 2 Terminé J-Video 2011 2 Terminé World of Warcraft - Shaman Rocio Zucchi Paul Benjamin Tokyopop 1 Terminé J-Video 2012 1 Terminé Yaiba Gōshō Aoyama Shōgakukan 1989 24 Terminé Shonen 2006 24 Terminé Yakuza Girl Yugo Okuma Masaki Motonaga Akita Shoten 2008 2 Terminé Seinen 2009 2 Terminé Yakuza Love Theory Masaki Satō Keiya Mizuno Futabasha 2013 5 Terminé Seinen 2014 4 En cours Yonen Buzz Christina Plaka Tokyopop 2005 4 Terminé / 2007 4 Terminé Your Eyes Only Yun Kōga Ichijinsha 2005 1 Terminé Gothic 2009 1 Terminé http://ift.tt/2i5eAXm

[randomrichards]

THE RETURN OF GODZILLA:

Kaiju’s bad again

Nuclear escalation

Lure it to lava