#Minghella

[detournementsmineurs]

“Babylon” de Damien Chazelle avec Brad Pitt, Margot Robbie, Diego Calva, Li Jun Li, Jean Smart, Jovan Adepo, Lukas Haas, Tobey Maguire, Max Minghella, Katherine Waterston, Spike Jonze, Olivia Hamilton, P. J. Byrne, Samara Weaving, Jeff Garlin et les participations d'Eric Roberts et Olivia Wilde, janvier 2023.

[illusoryfem]

The Talented Mr. Ripley (1999)

[brixuth]

The Talented Mr. Ripley (1999)

[in-love-with-movies]

The Talented Mr. Ripley (1999)

[filmreveries]

The Talented Mr. Ripley (1999) dir. Anthony Minghella

[leavingubehind]

osblaine + hands

[haveyouseenthismovie-poll]

[k-wame]

Tom Ripley & Peter Smith-Kingsley 1999 • The Talented Mr. Ripley • dir. Anthony Minghella

[esqueletosgays]

THE TALENTED MR. RIPLEY (1999)

Director: Anthony Minghella Cinematography: John Seale

[riggedtrap]

[riverlarking]

THE HANDMAID'S TALE — 01.02 - "Birth Day" (2017)

[saruzzo]

It's always the same whenever someone new comes into his life— Freddie, Fausto, Peter Smith-Kingsley (…) And especially you, of course… and that's only the boys.

ROSARIO FIORELLO as FAUSTO in "The talented Mr. Ripley" (1999) dir. Anthony Minghella

[glasskey]

Nick & June's Mix tape Vol. 3

With volume 3 comes the battle for Holly, separation and the unveiling of painful secrets. Season 3 was notoriously poor to our 2 lovers with June becoming seriously twitchy without Nick, Hannah or Holly. Gilead is Hell.

What Are You Good For?

Love in Gilead is less than ideal. One day you’re dreaming about a beautiful beach with your beloved and the next he’s been promoted to Top Boy at the local horror show. Granted he looks great in the suit but Nick doesn’t seem to like the new tie, grabbing at it like the tightening noose that it actually is. Fred was obviously pissed about the baby snatching and his “reward” for Nick was to arrange a promotion complete with a quick trip to the front, undoubtedly to die.

I’ve often said that Nick sometimes DOES listen to his better angels and sometimes he takes the easy way out. Granted it’s difficult he’s stuck between a rock and a hard place, but when June asks him to take the high road, hightailing it with her and Hannah for the border, and he doesn’t, it earns him a brutal verbal slap.

“What are you good for?” she demands and I was instantly reminded of S1 when June confronted him with his lowly aspirations: “Is this it? You’re just gonna polish his car and once in a while get a Handmaid pregnant?” In both of these moments Blaine looks deeply shamed, June has shown him that while she loves him she’s also acutely aware of his shortcomings.

It’s a justified blow to his ego, particularly given his newly acquired power and his reluctance to use it for good. As she demonstrates her willingness to risk so much more for freedom, he’s left feeling like a small and suitably chided man, instead of the patriarchal Gilead’s new Big Commander. “You’ll get killed” June says with a cold finality as he tells her that he’s been sent to the front, confronting him with the reality that his unquestioning loyalty to Gilead will now surely cost him his life. It’s madness.

This is one of the only scenes where Nick and June are not depicted in a glowing light, it’s difficult to ignore that Nick is now almost swallowed by the shadows. Over the last 2 seasons, they’ve become one another’s beacon of joy and hope and there’s a palpable air of desolation and sorrow here, as these two bid each other goodbye, possibly forever. The camera reveals Nick and June divided by a wall, Nick unwilling to leave her, his back literally pinned to the wall by the heavy weight of Gilead.

June opens the door, gently reaches around, sensing him waiting, somehow their hands finding one another and she leads him out of the dark hallway and back into her room. Doors often represent entrances to other worlds and here we see June reach across the divide to return him to her side, once again. The lock snaps shut signalling an almost unheard of privacy. There’s a sense of finality in it too, as though it may be the last time these two see sanctuary for a long time, if ever again. It’s no more than 10 seconds of screen time and yet it encapsulates their relationship so perfectly. Nick constantly waiting in the shadows, bound by duty, and June always reaching across the divide to bring him in from the cold.

Nice Girl Like You in A Place Like This

The DC episode ranks right up there with the Boston Globe episode as one of the most important and insightful for this entire series. In Ep 6 June witnesses for the first time the absolute devastation this dictatorship has unleashed on her countries seat of power. Fittingly Fred has selected new wave DC as the location to construct his own personal piece of propaganda in an attempt to force the Canadians to hand Nicole back. June’s depicted glowering with vast angel wings, a monolith of power and holy vengeance. In the middle of Fred’s little directorial debut, Nick strolls in and June does the trademark jaw drop. Fred wants to know what he’s doing there, after all he had arranged for him to be shipped off to the front after the whole holding him at gun point / baby napping thing. Despite Fred’s best efforts though, it seems that not only does Blaine continue to breath, but he’s also shown up to visit his girlfriend.

Now if you thought Blaine looked good in a suit, wait till you see him draped in long, dark, tailor made, hotness. It’s obvious there’s a new kind of swagger to him and as he steps up next to June he brushes her hand and drops the line “Nice girl like you doing in a place like this?” It’s a line lifted from a Scorsese film of the same name and Blaine’s used it to flirtatiously lighten the intensely grim mood. He knows DC is Hell but he also knows June is anything but a “Nice Girl”, she blushes barely containing a smile and he smirks.

Fred and Serena can’t help but notice it and Fred’s seething with jealousy. There’s a close shot of Serena’s false finger clenching, a sign of the love lost between her and Fred, that contrasts directly against Nick and June’s hand brushing. Exchanges between Fred and Nick reek of power and control. Fred directs Nick to do his bidding, maneuvering him across the stage and verbally leashing him by calling him son, once again reducing him to a subordinate. Fred makes June kneel down for the camera, and Blaine looks away unable to watch. Unbeknownst to Fred, this will be the last time he ever exercises this type of control over Blaine.

This is Your One Chance

Here we got our epic movie moment for the series, It was like Gone with the Wind and Dr Zhivago all rolled up into one big romantic snow globe. June runs out to meet Nick her hair and cape fluttering behind her freely, a stark contrast to the DC handmaids brutally silenced. It demonstrates the freedom she feels he brings her. Nick, however seems to want nothing to do with June’s gamble on the Swiss that involves him laying his neck on the line and entwining himself in yet another Governments manoeuvrings for power. I, for one could hardly blame him; the last time he got involved with politics he ended up in the bottomless pit that is Gilead and he’s been unsuccessfully digging his way out ever since.

Add to this the fact that the last time he tried to help June, a multitude of people risked their lives and most certainly died, and you have one understandably reluctant Commander. But he’s helpless, she forces him to look in her eyes, tears streaming down her face and tells him that it’ll be his one opportunity to truly show his love and fealty for his daughter.

Now while some may doubt that Blaine ever showed up to speak with the Swiss, I can guarantee that this little exchange ensured that he did. The fact is, Blaine is a sucker for the loyalty card and once June played it, it was a done deal. Scenes are cut and included for a reason and as we know, in The Handmaid’s Tale, even the smallest scene is there for a reason. Show runners went to the effort of showing Blaine at the embassy being called to give information; he showed up, albeit reluctantly, and despite the fact that it all went sideways, writers still wanted you to know that. Unfortunately the reality is, he just couldn’t face her after it did all go to shit, and as a result he beat a hasty and somewhat cowardly exit to the front.

He knew the Swiss would soon tell her he’d been part of the Sons of Jacob who’d been integral to the inception of Gilead, something he’d kept hidden from her for some time now, and she’d be suitably mortified. June IS devastated, she looks out on the glowing playroom once filled with happy children that lies noticeably empty and silent. It reflects her isolation and sense of abandonment; perhaps the family she envisioned with Blaine was just a fantasy.

DC was an episode designed to illustrate the total destruction of all of our personal and societal freedoms under Gilead. To properly demonstrate this writers pulled the rip cord on any emotional support June may have previously had, this included breaking her and Serena up and having Nick leave her somewhat high and dry. It was essential to illustrate Nick was manipulated and part of the Gilead machine from the beginning. It was difficult to watch, given his devotion, but from the moment I saw him cloaked from head to foot in black, practically swallowed by his uniform, I knew it was inevitable that at least for now, Gilead pulled the strings.

In our next 2 Nick and June Mix tapes I’ll be covering Season 4, which was somewhat kinder to the Osblaine fans. Back soon.

[in-love-with-movies]

Agora (2009)

[apicturespeaks]

The Talented Mr. Ripley, Anthony Minghella

[secretlovelygarden]