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#Miles Mitchell
theonlyadawong · 1 year
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Much Ado About Nothing
Royal Shakespeare Company, 2022
Dir. Roy Alexander Weise
Photos by Ikin Yum
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cyarskaren52 · 8 months
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MOESHA 4X09: "A Class Act Christmas"
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cultfaction · 23 days
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Review: Lore (2023)
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foreveraweirdoneslife · 5 months
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How come I've never noticed this before?!
Look at this scene first:
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-> Ice is looking at Mav's eyes first but then his eyes flicker down to Mav's mouth for a tiny moment.
Then look at this scene:
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-> Roo is looking at Hangy's eyes first but then his eyes flicker down to Hangy's mouth for a tiny moment.
IT'S THE SAME!!! Like literally the same!
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sdrose93 · 4 months
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TG 1986 and TGM 2022
Pete and Bradley ❤❤
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onehoplessromantic · 1 month
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rooster is the epitome of are you fucking serious
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kcsplace · 9 days
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Top Gun Maverick + The Onion
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peachesandcreames · 4 months
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It's Not the Plane, It's the Pilots 💞💕
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watched top gun maverick for the first time and wow what a fun movie
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eliashirsch · 5 months
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a few sketches of my favorite characters<3
i've been trying to capture their likeness with various degrees of success:) and i just realized how much rooster really looks like goose
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Joni Mitchell backstage, 1974 © Joel Bernstein.
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lesbiradshaw · 1 year
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top gun (1986) / top gun: maverick (2022) - different ways to say goodbye
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sunlightmurdock · 2 days
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Ashes, Ashes | One | Bradley Bradshaw x Reader
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masterlist | prologue | next chapter
Synopsis: In which Maverick didn’t make it home after the Uranium mission. He’s missing, presumed dead. There are things that have to be done — someone has to take care of the house, the bills.
So, Maverick’s daughter is back in Fightertown for the first time since she was in elementary school. There’s a gaping hole in both of their lives now, and somehow, the world’s supposed to just keep on turning without him.
Warnings: mitchell!reader, no physical descriptors other than the implication that Bradley is taller, no use of YN, age gap (23/33), smut, angst, hurt / comfort, mentions of character death, mourning, military inaccuracies. This entire fic and my blog is an 18+ space, minors do not interact. Do not repost.
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Crossing the threshold into Maverick’s home doesn’t come naturally to either one of you. This place is something that you had both left behind. Outgrown. It’s solely his. It’s not your home and it has never been, until now. Now, you’re stuck here until things are figured out.
On that fourteen hour drive down to San Diego, you had a lot of time to think. How long is a person supposed to wait for a body to turn up before they go ahead and throw the funeral without it?
Three paces into the hallway, brown wood floors and white walls, you’re met with a smiling family picture. Only, you’re not in it. 
Because, it’s not a picture of Pete’s family. Pete doesn’t have a family. Pete Mitchell has a daughter from a one night stand with a married woman.
This picture is of a real family. Hung on the wall opposite the front door is a picture of Nick and Carole Bradshaw holding their infant son. He’s bald and gummy. They’re grinning and showing him off like a prize trophy — so proud of him even though all he did in those days was drool and pee himself. 
These days, their infant son is up to more important things. Their infant son grew to an upsettingly grand height and is carrying two of your bags in one hand behind you today.
“C’mon, Mitchell — these are heavy.” Bradley huffs softly from behind you, reminding you that you’re standing stationary and blocking his path. 
The nickname stings you. Your name isn’t Mitchell because your biological father had wanted it to be. It’s Mitchell solely because your mother’s husband knew you weren’t his and would rather die before letting you take his name.
You shrug your duffel bag closer to your body and turn left. Bradley huffs under the weight of your luggage from behind you, watching you walk your cute butt in completely the wrong direction. “Wait, where are you going?”
Not struggling at all under the weight of your single duffel bag, you turn slowly to face him and frown slightly. “My room.” 
You don’t remember Bradley. Not in your own memories, anyway. You know he was around, you’ve seen him in pictures but the image in your head doesn’t match. Not quite right. Like puzzle pieces bent and forced together.
He’s taller than he looked at his high school graduation, which sits pictured and framed above Mav’s mantle. Older, but that’s to be expected. Up close, he looks more like his mother than his father. A slight bump in his nose and scars, nicely healed, but jagged and raised nonetheless dusted his cheek and his throat. 
Even with all those differences, there’s a familiarity to him that makes this all feel a little bit less suffocating.
Bradley’s brows draw together. He gives a small nod in the direction of the spare room. “That’s… I usually stayed in that room.”
“Oh.” You hum. With Bradley being ten years your senior, the room was his long before it was yours. With him growing up so close by, it was probably his much more frequently than it was yours. It’s not like you kept anything here anyway. It’s just a guest room that you would occupy every now and again.
There’s a brief quiet between you. 
“I just figured you could take the big room. ‘Til you get settled. I’ll go home once your car is fixed, if that’s what you want.” Bradley adds on. That sad little look on your face is killing him. 
The big room. The loft room upstairs. You’re pretty sure that you’ve never even been upstairs in this house.
“You’re staying too?” 
Oh. Yeah. He hadn’t addressed that point yet. Truthfully, he hadn’t even been planning to stay. He hasn’t even packed an overnight bag. But, from the second that you stepped out of the car and looked up at the house with that look on your face, he hadn’t even considered leaving you here alone.
“Just ‘til we get your car fixed,” He offers with a small shrug. “I’ll be here to run you around until then.”
Like he’s doing this for your sake. Natasha has her own life to get back to and Bradley can’t stand the thought of going back to his apartment alone. 
“Okay,” You agree, turning to peer down the hall towards the spare room. It’s nothing special — it really never felt like yours. “Alright, I’ll take Pete’s room.”
Pete. You call Maverick ‘Pete’ now. 
Bradley just nods, shifting the weight of your bags and nodding for you to head for the stairs. All the floors in this house are tan oak. The entryway is now herringbone. With the help of a friend, Pete had done the entire thing himself. 
Of course, as you walk silently across it, neither one of you would know that. Neither one of you was speaking to him last May, which was why he had needed a project in the first place.
Natasha’s outside on the phone. Bradley’s footsteps thud on the wood of the stairs behind you, following you up. You stop at the top, leaving just enough room for Bradley to stand there behind you.
The door to Maverick’s room is open. His bed is made. There’s a book thrown on top of it, the spine cracked and used, the pages yellow from years out in the sun.
“No way is he still trying to fucking finish War and Peace.” Bradley steps around you with your bags in his hands and heads straight for the book. Pete started this book before Bradley finished elementary school. Bradley twists and looks back at you. “He always gets bored and stops reading, then forgets his page and starts again.”
Another slow nod. One foot in front of the other, your shoes along the tan oak floors. Your fingers trail the white walls. Maverick wouldn’t have minded. This place was always messy before. It’s not now. 
This house is vacant and quiet, but it’s far from empty. It’s filled to the brim, practically pulling apart at the seams with everything that Maverick was and planned to be. He was finishing War and Peace — he made it to chapter 253 this time; further than he had ever made it before. 
Your throat is thick with the knowledge that all you knew Maverick to be, is now all that he’ll ever be. An absent father, a fantastic pilot, a lousy cook. A thousand more things that you’ll never know.
Four days of knowing, a fourteen hour drive down here, and it’s a book that stings like a cold slap to the face, reminding you of why exactly it is that you’re here.
Fire burns behind your eyes, blistering and stinging as Bradley sets your bags on the floor with a soft thud.
He turns with his attention completely on the book, his fingers extending towards the peeling cover of the paperback. His fingers curl around its weathered pages and he lifts it tenderly, examining the front at first.
It’s too early to start this process bawling your eyes out, and you refuse to let Russian Literature be your downfall, again. That thick feeling sits in your throat like a stack of weights as you sit down on the end of Maverick’s bed. The mattress is soft, taking your weight without a squeak of complaint. Maybe he finally listened to you and got a bed that wasn’t so harsh on his back.
It’s been almost two years since you even set foot in this house last. If you had known that Maverick was going to be gone this soon… you sit and think to yourself about if you would have maybe visited more. Probably not.
“I’ll change the sheets and stuff, then I’ll get out of your hair for a bit.”
Lifting your head, you blink at him. He has already started to pull back the comforter and strip the bottom sheet from the bed, awkwardly forcing you onto your feet again. 
Mobile once more, you turn slowly to take in your surroundings. This is Maverick’s room. It’s his house, you were prepared for that much — but this is his room. The last thing you want is to be alone in it all night.
“Oh. Sure,” You nod, setting into motion to help take the sheets off. You watch him instead of what you’re doing. 
He’s so methodical about it, like none of this phases him at all. But then, you’ve not seen how he has been for the past few days. “I was thinking of just ordering food tonight, since I’m kinda tired — and Pete never had groceries. Would you want… to maybe join?”
“Sure.” Bradley nods, tugging the pillows out of the cases. He glances up to you with a strictly polite, neutral smile. Quiet settles between the two of you until the bed is just a bare mattress and uncovered pillows. 
There’s a moment of total stillness between the two of you. Your gaze flickers up, meeting his, and the realization settles between the two of you. Maverick’s favourite cologne was a French thing that some woman in the eighties had liked. Citrus in the shade of cypress wood. The scent fills the room like he’s standing between the two of you.
Bradley glances down at the white sheets in his hands. The snowy white peaks of those mountains, Maverick’s aircraft spiralling into them, engulfed in flames. In a sick way, Bradley hopes that he didn’t manage to eject. At least then, it would have been instant. Maverick wouldn’t have felt anything.
You watch his adam’s apple bob in his throat from the other side of the bed. The last you had heard, Mav and Bradley weren’t on speaking terms. You wonder if this is as weird for him as it is for you.
“I’ll put these in the washer. You can… unpack, or whatever.” He decides finally, already taking one step backwards, headed for the door. You stand there, blinking at him. Even with those steeped, broad shoulders, he makes it through the doorframe unscathed before he turns to check where he’s going.
He probably knows this house inside and out, just like he knew your dad. Once. 
When it comes to wracking your brain and trying to remember Bradley Bradshaw, you can’t ever come up with anything. Maybe a glimpse, here and there. A blue t-shirt with green stripes. His school backpack accidentally left in the backseat of Maverick’s convertible beside your shoddily installed car seat. 
Truthfully, your experience with Bradley Bradshaw is limited. He’s just as real to you as any of the other guys in the stories you grew up hearing about. Your very own Peter Pan is downstairs right now, trying to figure out Maverick’s ancient washing machine, just so that he doesn’t have to stand up here and stare across at you.
He can’t hide from you forever, though. Evening comes, and so does hunger. 
He stares down at the pizza between the two of you as he chews through a bite, brows drawn together slightly. He hates thin crust pizza — it’s the worst kind of pizza. But, when you had suggested it, he had agreed with a tight-lipped smile.
Natasha has gone home. It’s just the two of you. Sitting in this unchanged, all too familiar kitchen. You’re barely unpacked. You set up a couple of things in Maverick’s bathroom, but it doesn’t feel right to be in the big room upstairs. That wasn’t ever your space to claim.
You chew absentmindedly at the bite you had taken. The TV in the living room is off. The record player is coated in a layer of thin dust already. It’s dead quiet. The kitchen light is dim above your heads.
There’s a chip in the corner of the table on Bradley’s side. It’s there because Bradley was running through this kitchen when he was four years old and had tripped and knocked his front tooth out right here. His thumb trails the tiny mark, wondering how his teeth had ever been that small.
Wondering why you aren’t angry with him, too.
Maverick had picked him up that day, turned him around and held Bradley while he cried, stemming the blood and quickly introducing the concept of the tooth fairy. He had done all that he could, and Bradley still found a way to resent him for what had happened to his own father.
Bradley hasn’t ever done a thing for you. Except maybe pay for this pizza. And here you are, calm as can be. 
The sauce base feels tangy and coppery, and the cheese makes him want to puke. He sets the slice down on his plate and wipes his hands on the paper towel beside him.
Finally, he lifts his head and looks at you. Your hair is up now, tucked out of your way after an afternoon of manual labour upstairs. You’re wearing a stretched out old t-shirt. Bradley assumes you got it from a boyfriend.
Really, he doesn’t think you look that much like your old man. He would really have to search for the resemblance. But, briefly, when you offer him a polite smile across the table, he knows that you’re Mav’s kid.
“I’m sorry.” Bradley blurts out. You both look across at each other, equally surprised that he has spoken.
“…For what?” You ask quietly, lips tugging into a small frown.
“I’m sorry that I’m here and he’s not.” He’s just got to say it. He knows you probably wouldn’t bring it up on your own, but there’s a big elephant in this room. Bradley knows what it’s like to sit in your spot, and not know how to talk about it.
It’s his fault that Maverick didn’t make it home.
You stop chewing. That last bite sits in your mouth, doughy and dry all of a sudden. You stare across at him, awkwardly making yourself swallow down the last of your bite of pizza and picking up the paper towel to wipe at your mouth.
“We weren’t that close.” You tell him, like that’s supposed to make him feel better. It doesn’t. It’s like a blow to the chest. You’ll never get the opportunity to fix things, because of him.
But, he knows what it’s like to be told how to grieve. He just dips his head and nods awkwardly. “Right.” 
“I got a call from an admiral the other day,” You pick up the slice of pizza and pick at its toppings. There’s no one here now to tell you not to play with your food. Mav never really cared anyway. Bradley watches you, unhungry. “Invited me down to Miramar. He said he was a friend of Mav’s and that he could talk me through… this whole thing. How it works.” You explain with a shrug.
Bradley rubs a hand over the neatly trimmed hair above his lip. It feels like he has swallowed a golf ball, sitting here like it’s normal to be discussing the measures.
He knows how it works. It won’t be as simple as it was with his own father. At least Maverick had afforded him something to bury. For you, there’s nothing.
“I’ll have to be there around eleven.” 
“Sure,” Bradley nods, scratching at the back of his neck. His legs tingle with stiffness. Clearing his throat, he shifts in the little wooden chair and stretches, knocking his foot into yours under the table. “Oh. Sorry. I’m sorry.”
Your teeth press into the inside of your cheek. Maverick hadn’t ever described Bradley as this nervous.
“It’s fine.” You hum, pushing back in your chair and standing up from the table. “Well, I’ve been up since like… four, so I might just hit the hay.”
“Sure.” Bradley breathes out, hands braced on his thighs, eyes focussed on that tiny chip in the corner of the table. “Yeah. Goodnight.”
The downstairs bedroom seemed bigger when he was a kid. The twin-sized bunks on the carrier feel bigger than the wooden-framed bed that Maverick put in here. Bradley’s shoulder is practically hanging off the side, and the old frame creaks with each movement he makes.
It’s not like he would be sleeping much anyway. When he closes his eyes, the only thing he can see is the fireball Maverick’s plane had turned into as it fell.
Bradley’s hunched over the coffee pot by the time that you wake up. He hears you coming down the stairs and straightens up like he wasn’t three seconds from throwing the stupid thing at the wall, clearing his throat and turning around.
It occurs to him that he should have put a shirt on. This isn’t his place. It’s yours, now, he guesses — either way, he hadn’t considered making you uncomfortable. He folds his arms over his naked torso as you stroll into the kitchen, hair mussed and rubbing at your eyes.
You’re wearing big socks and the same big t-shirt you had worn to eat the pizza last night. He can’t tell if you’re wearing shorts or not.
“Morning,” He offers up, making you lift your gaze from busily tapping at your phone. Your gaze lands squarely on his navel — more so, how low his shorts sit on his hips and the way a soft trail of brown hair ventures from there to his bellybutton. 
Blinking, you find his face.
“Coffee machine’s broken, we can stop somewhere on the way to base if you like.” He leans down a little bit, like an awkward teenager shrinking away from a family picture. You lock your gaze on his, trying not to glance back down at his muscles. 
“Oh. That’s not broken — if you hit it hard enough, it’ll work.” You head right for him, fuzzy socks padding across the floor so softly that it really does startle him when you grab the copy of War and Peace that now sits on the kitchen counter, and slam the book right into the side of the coffee machine.
He whips around as the machine whirs to life. You set the book back down gently, and look up at him. He sets his jaw, brows knitted together, searching your face.
Maverick never taught Bradley anything like that. In fact — Bradley always, always was taught the opposite. You never take the easy way out; if something’s worth fixing, then you fix it right.
Then you, you on the other hand, beat the thing with the heaviest book you can find? He just doesn’t get it.
“Well. Thanks.” He guesses, turning his bemused expression back to the brewing coffee. 
He hadn’t been expecting you to do that. Doesn’t take a genius to figure that out, given the way he’s still glaring at the machine. That coffee pot is older than you are, and Mav never taught him that trick?
“So this guy, the one who called me,” You skim your fingers along the cool granite countertop, just to have something to do, “He was the guy calling the shots up there?”
Bradley blinks. He doesn’t know how much you know about the way all of this works. He knew everything there is to know long before he ever enlisted, but that was because he wanted to know.
“Um,” Bradley grabs his mug and takes a step back for you to get yourself one.  “He was our mission command so, kind of. He gives orders — but, y’know, everything happens fast, it’s… it’s hard to call the shots from back on the boat.” 
“Did he like Mav much?” You ask, head tucked inside the fridge door as you scan for anything to make your coffee a little less black. Nothing. A couple of beers and a block of good German cheese. You swing it shut with a resigned sigh, wondering if you’ll be here long enough to need groceries.
The thought flashes across your mind — what’ll happen to this place when you leave it behind?
“Uh... No, not really.” After a routine training presentation at the very beginning of their attachment, Admiral Simpson had once become so agitated by Maverick that he snapped his own reading glasses in half. Mav got a good laugh out of it, at least.
“Great.” Agitation creeps into your tone as you curl your fingers around a plain white coffee mug. All of his kitchenware is plain white. 
“What?” Bradley tilts his head, trying to catch a glimpse at the look on your face, stuck between whether you’re sad or pissed off.
It’s an easy answer, rolling off of your tongue with a shrug of your shoulders and a deflated sigh. “People usually put us in the same boat — if they don’t like him, they don’t like me.”
That’s something that he thinks he can understand. There’s not an instant dislike, but there’s a pity that he finds in the eyes of people who once knew his father. 
He screws his mouth up, shaking his head and reaching for you without thought. His palm claps against your shoulder, platonic and soothing, but the first time he has touched you nonetheless. “I’ll be there. He won’t say a thing.”
Glancing upward, while his palm lingers on your shoulder, your eyes flit across his features. He doesn’t know quite what you’re searching for, or whether you find it. His fingers squeeze softly against your skin before the touch is gone all together.
You drink your coffees in parallel, both subtly miserable in your silence but comfortable in it anyway. It’s difficult to prepare for a meeting like this — you don’t have a clue of what to expect. 
Bradley wears black jeans and boots with a plain white t-shirt, which convinces you not to wear the more formal dress you had thought you’d have to wear. You slip into his passenger seat in a skirt and Mary Janes.
He drives a loud, blue vintage Bronco. It sparkles inside and out, and makes your dusty old car look even worse. 
Bradley settles behind the wheel to the sound of chilled seventies music, the radio turned low. He drives with three fingers curled around the bottom of the wheel and the other hand resting absently on the stick shift.
Even though he seems calm enough behind the wheel, you watch him chew at the inside of his cheek for the duration of the drive. Gears tick away inside his head. His knee only stops bouncing nervously when it’s time to press his foot against the pedal.
He’s not as good at pretending as he thinks he is; you silently appreciate that he tries, either way.
Bradley, truthfully, spends the entire drive thinking about the last time he was face to face with Admiral Simpson. ‘Son, I’m doing this for you.’ He had sworn, face sullen, uttering the exact same words Pete Mitchell once had when delivering the words that had torn Bradley from him the first time.
Only, Admiral Simpson wasn’t pulling Bradley’s papers — he was just putting him on a month long bereavement leave. His protests had fallen on deaf ears once again, as they had fifteen years ago. He’s now a week into that leave, but it feels like longer.
It turns out that when you cut sleep from the equation, everything feels a lot longer. In his own apartment, his routine has been getting up at 2am after hours of tossing and turning, going for a run all the way down to the docks, coming back and showering, then waiting for the sun to rise.
Last night, he’d been awake in that creaky old twin bed, struck by the realisation that if he spent all night tossing and turning — one, he might actually break the old bed frame, and two, the squeaking of it would definitely keep you up. 
All it had taken was the focus of trying to sit still for so long to finally knock him out. It was the best that he’d slept since the mission.
He kind of hopes that it’ll take him a while to figure out something to do with your car; at least that way he’ll be able to sleep at night. 
“You ready?” His voice startles you from your daydream, the engine cutting out with a jingle of the keys as he stretches forwards in his seat to shove them into his pocket. “We’re headed just over there.”
“Yeah, let’s get this over with.” You’re stepping down and swinging the heavy door shut before you’re taking your next breath, leaving him to catch up to you. 
His long strides have him at your side before long, reaching ahead of you to pull open the glass door to the post headquarters. 
This process has already been easier with him at your side. He’d coolly handed over his service ID and greeted the guard at the gate by name, and he stops you from turning sharply down the wrong hallway with a soft bump of his shoulder against yours.
He catches your forearm as you try to blow right past the front desk, his grip loose but firm. 
“Rooster.” The woman behind the desk stands up sharply, looking sharp in her service khakis, her entire face creased with a deep worry. She’s older, maybe around Mav’s age. “I heard, I’m so sorry.”
Rooster loosens his hold on your forearm, his lips flattening into a line. He stands up straight, his interaction with the woman nothing if not totally polite. His thumb trails across the bend of your wrist as he nods his head towards you.
“Thank you,” He says softly, seemingly unaware of the way you’ve stiffened in the presence of this woman. “We’re, uh… we’re just here to see Cyclone, Lynn.”
Her warm, brown eyes whip towards you, widening. Recognition floods her features as she pieces together who you must be. 
Her boots hit the ground, your lips parting slightly as you realise that she’s headed right for you. Bradley feels your arm tug in his grip and turns his head, taking note of the way you’re trying to shrink behind him.
Lynn is a hugger by nature, and she was a good friend of Mav’s for a long time. She means well, but Bradley isn’t going to let her touch you when he can see how unnerved it makes you.
“We’re a little late. I’ll catch you at the O-Bar this weekend?” His fingers uncurl from your forearm and his palm falls flat between your shoulder blades, giving you a gentle nudge and silent permission to avoid her hug.
The woman stops and there’s another polite, departing exchange between the two of them while you continue down the hall.
Bradley catches up to you as you rap your knuckles against the doorframe, fingers trembling when they come to settle back against your thighs.
“Miss Mitchell.” A chair scrapes along the tiled floor, Cyclone’s signature rumbling voice carrying out into the hallway. His boots tap across the ground, his face creased with sincerity and his hand outstretched when he notices Bradley standing behind you. “Bradley Bradshaw.”
You check back over your shoulder, glancing briefly at the man behind you, who has assumed his best bodyguard impression. 
Standing tall, his uniform crisp and his greying black hair combed neatly, Admiral Beau Simpson slips his palm into yours and shakes your hand curtly. The sunlight catches on his shining name badge, his face heavy with lines and sharp angles.
Letting your hand go, he then reaches to your right to shake Bradley’s. Bradley’s chest bumps your back as he leans into the handshake.
You step away from him, angling yourself closer to the doorframe. “He just gave me a ride here. Is it okay if he comes in?” You answer.
“Of course,” Cyclone is far more polite to you than he has ever been to Bradley. “Anything you need. Please, take a seat.”
It feels a little bit wrong standing before his boss in jeans, and sitting before him. Everything about this feels a little bit wrong. Bradley rests his chin against his fist.
You sit in the chair beside him, shoving your trembling hands under your thighs, straightening up and trying to look as brave as you can. 
It shouldn’t be this stranger sitting beside you in this meeting — your mother should have come with you.
“Miss Mitchell,” The admiral takes his seat on the other side of his desk once again. “I want to first express my deepest condolences. Your father was a good man, and a… extremely skilled pilot.”
Bradley almost scoffs. Even now, Cyclone can’t manage to compliment him.
“We are forever grateful for his service, and the sacrifices he made on behalf of our country. I understand that this is an extremely difficult time, and I’d just like to say that I’m going to personally make sure that this process is as easy as it can possibly be.”
You blink at him. Jet engines rumble on outside of the window. People bustle on outside of the closed office door.
Cyclone glances towards Bradley. 
“When a man is lost in action, our resolve is to initiate a search and rescue effort as soon as possible,” The admiral explains, leaving out the part where that search and rescue effort had been delayed by seventy-two hours after Mav disappeared. “We’ve been working tirelessly, and our efforts to locate your father are ongoing.”
Your brows knit together.
“But— he’s dead.” You frown, rendering Cyclone suddenly quiet. “He’s got to be. It’s been a week. No food, no water, sub-zero temperature. What’s the point in looking?”
Bradley grits his teeth. He looks across at you, the muscle in his jaw ticking. There’s nothing in your expression, no fear or sadness. Your father deserved more than that.
“The point is to bring him home.” He bites from your side, staring straight ahead at Cyclone.
You shoot him a look. When it’s clear that you aren’t going to say anything else, Cyclone clears his throat to continue. 
“Miss Mitchell, we do have to prepare ourselves for the other outcome. If recovery efforts are unsuccessful, in two weeks time, he will be listed as formally ‘Missing in Action’. If that’s the case, we will honor him with a memorial service and all of his service records and personal effects 
are delivered to you.”
You drag your teeth across your bottom lip, swallowing hard and giving a small nod of your head.
“Okay. Two weeks?”
“This is going to be a longer process,” Cyclone warns you. He’d heard that you had come down specially for this, and he doesn’t want to mislead you about the time frame. “The recovery mission, if unsuccessful, will be suspended in two weeks’ time. After that, we’d like you to be local for the investigation.”
“Investigation?”
“Of ourselves. To ensure that the Navy had performed its due diligence, that kind of thing… I’d expect us to be here for a good few months.” He explains.
After that, it’s like Bradley can see a switch flip for you. 
You’re biting at the inside of your cheek so hard that you must be tasting copper, picking at the seam of your jeans and breathing like you’re trying not to cry.
He’s still confused when he’s all but chasing you across the parking lot, listening to you try to control your breathing.
“Hey, hey, hey,” He tries, approaching you cautiously as you crowd yourself against the passenger side of his car. “It’s alright. We’ll get through it, it’s just a couple of months.”
“I— fuck. I don’t want to be here. I-I— I’m going to have to find a job, and I’ll have to call my mom, and— and my friends, and—“
“Hey,” Bradley mumbles, resisting the instinct to throw his arms around you. His brows draw together as he reaches out and squeezes your bicep, bending his knees so he can catch your eye. “It’s alright. I’ll take care of it.”
You know that he’s just trying to be nice, but really, you’re sick of nice. It’s all that Maverick ever was and it left you with no idea of who he really is. “Of what? There’s so much that I have to—“
He nods, closing his mouth, swallowing dryly. Thinking of what he can, feasibly, take off of your plate for you. The idea sparks in him.
“You need a job. I can get you a job. Um, your friends, we can call them and bring them down for a weekend?” He squeezes again at your bicep, nodding his way through his plans, trying to will the tears in your eyes not to spill over.
You sniff, turning your gaze towards the ground. The lump in your throat burns and bobs as you try to swallow it away. 
Mav really is never coming back.
“I don’t want to go back to his house.” It comes out as a whimper, and really just reminds Bradley that you’re in the same position that he was when he was just a little younger than you. It’s a scared kid type of feeling, being all alone in the world. Being in an empty house had made it even worse.
He licks his lips and glances towards the skies, watching the sun pass behind a cloud. 
“You could stay at my place, for a night or two.” 
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cultfaction · 2 years
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The Pay Day set for limited theatrical release
The Pay Day set for limited theatrical release
Set in a post-pandemic world, THE PAY DAY follows a broke and frustrated IT technician (Kyla Frye) who is charged by a crime boss (Simon Callow) to embark on a one-woman heist to steal valuable data worth millions on the black market. As if the dangerous pitfalls of her mission weren’t enough, the sting gets more complicated when a charming con artist (Sam Benjamin) interrupts her mission…
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sdrose93 · 4 months
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Top Gun 1986 and Top Gun: Maverick 2022 ❤❤
OMG 😭❤
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onehoplessromantic · 2 months
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i love him just blindly accepting his fate cuz it’s mav
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