#Michele Nigro

[emanuele-marcuccio]

Si segnala «Dipthycha 4» sul blog “Pomeriggi perduti” di Michele Nigro

Si ringrazia il critico letterario, scrittore e poeta Michele Nigro per la gentile segnalazione del quarto volume antologico del progetto di poesia “Dipthycha” ideato e curato dal sottoscritto, dove la forma del dittico e trittico poetico viene declinata rispettivamente a due e a tre voci di autori diversi. Una non solita serie antologica con quattro volumi editi a mia cura tra il 2013 e il…

[michelenigrowordpresscom]

Come ricevere una copia di "Elegia del confino"...

Due sono i modi per ottenere la propria copia di “Elegia del confino” di Michele Nigro (ed. Letterature Indipendenti, collana “Corale di voci altre” – 2024): ordinandola su Amazon: cliccando QUI! richiedendola via e-mail direttamente all’Autore con dedica personalizzata e a prezzo calmierato (sconto del 15% sul prezzo di copertina riportato su Amazon; spese di spedizione incluse): scrivendo a…

[spammreviews]

2025 The Grammys Predictions and Hopes

Record 

Hope:

360 by Charli XCX

Prediction:

Now and Then by The Beatles

Non-Nominees Who Deserve to Win:

Caesar on a TV Screen by The Last Dinner Party

Tell me Who You Are Today by Beth Gibbons

I Believe All His Words are True by Joanna Wang

Explanation:

“Now and Then” is the most boring choice possible, so it makes sense that the Grammys would choose it. I love The Beatles to death, and I guess I am glad this song exist, but giving Paul and Ringgo an award for this is not the way to pay tribute them. “360” is a very catchy song, and “Brat” was a cultural phenomenon, so I hope it gets the prize.

Album

Hope:

BRAT by Charli XCX

Prediction:

BRAT by Charli XCX

Non-Nominees Who Deserve to Win:

Lives Outgrown by Beth Gibbons

Patterns in Repeat by Laura Marling

Something in the Room She Moves by Julia Holter

Night Palace by Mount Eerie

Hotel La Rut by Joanna Wang

Explanation:

“Brat” is “Brat”.

Song

Hope:

Good Luck Babe! by Chappell Roan

Prediction:

TEXAS HOLD ‘EM by Beyonce

Non-Nominees Who Deserve To Win:

Gemini by Haley Heynderickx

Child of Mine by Laura Marling

Explanation:

Beyonce has been snubbed a couple of times, so I’m sure she’ll go home with something. “Good Luck Babe!” is an exceptionally clever song with a gorgeous outro, so it has my vote, but I can live with it.

New Artist

Hope:

Chappell Roan

Prediction:

Chappell Roan

Non-Nominee Who Deserves to Win:

samlrc

Explanation:

Chappell Roan took the world by storm this year. 

Producer

Hope:

Daniel Nigro

Prediction:

Dernst D’mile Emile

Non-Nominee Who Deserves to Win: 

Leon Michels (the guy produced Charm)

Explanation:

Looking at the Grammy’s page, Dernst D’mile Emile has the most well known array of songs under his belt. 

Songwriter

Hope:

Amy Allen

Prediction:

Amy Allen

Non-Nominee Who Deserves to Win:

Laura Marling (singer-songwriters are allowed, right?)

Explanation:

Amy Allen seems to have a lot of buzz around her, and she wrote a bunch of bangers for Sabrina Carpenter. 

Best Pop Solo Performance

Hope:

Apple by Charli XCX or Good Luck, Babe by Chappell Roan

Prediction:

Espresso by Sabrina Carpenter

Non-nominee who deserves to win:

Image by Magdalena Bay (does this count?)

Explanation:

IDK. Sabrine will probably win something, right?

Best Pop Duo

Hope: 

us by Taylor Swift and Gracie Abrams

Prediction:

Guess

Non-nominee: 

IDK

Explanation:

The Grammys seems to love Taylor Swift, I guess.

Best Pop Vocal Album:

Hope:

Chappell Roan, The Rise and Fall of a Midwest Beauty Princess

Prediction:

HIT ME HARD AND SOFT by Billie Eilish

Non-nominee who deserves to win:

Imaginal Disk by Magdalena Bay (does this count?)

Explanation:

A Chappell sweep would be nice, but Billie is an industry favorite, and for good reason. Her win wouldn’t be an awful choice, even if Chappell’s album had a lot more to say.

Best Dance Pop Recording

Hope:

Von Dutch by Charli XCX

Prediction:

yes,and? by Arianna Grande

Explanation:

I feel like “yes,and?” was one of the bigger songs this year, even if it sounds like most of Arianna Grande’s other songs to me. 

Beet Dance/ Electronic Album

Hope: 

BRAT

Prediction:

BRAT

Explanation:

“Brat” is “Brat” is “Brat”. We are living in a “Brat” world, and I am a “Brat” girl.

Best Remixed Recording:

Hope:

von dutch

Prediction:

von dutch

Explanation:

“Brat” “Brat” “Brat”

Best Rock Performance:

Hope:

Broken Man by St Vincent

Prediction:

Now and Then by the Beatles

Non-nominee who deserves to win:

Caesar on a TV Screen by the Last Dinner Party

or

Holy, Holy by Geordie Greep

or

Joy by Nick Cave and the Bad Seeds

Explanation:

I can’t say for certain, but the people who are judging this are probably a bunch of old white guys who would rather give The Beatles the award.

Best Metal Performance

Hope:

Crown on Horns by Judas Preist

Prediction:

Mea Culpa by Gojira

Explanation:

Gojira got a lot of buzz as a result of the Olympics. While I don’t love “Crown of Horns”, it’s impressive that a metal band is able to put out anything of this quality this late in their career. I’m sure both have a choice.

Best Rock Song:

Hope:

Broken Man by St Vincent

Prediction:

Broken Man by St Vincent

Non-Nominee who Deserves to Win: 

Same as “see best rock performance”

Explanation:

I don’t think anyone cares about the other songs.

Best Rock Album:

Hope:

No Name by Jack White

Prediction:

No Name by Jack White

Non-Nominees Who Deserve to Win:

The New Sound by Geordie Greep

Cutouts by The Smile

NO TITLE AS OF 13, FEBRUARY 2024 28,340 DEAD by Godspeed! You Black Emperor

Explanation:

Jack White is a household name, and this work of his is a fun time with lots of his classic charm. It’s rock music for people who love rock music. 

Best Alternative Music Performance:

Hope:

Song of the Lake by Nick Cave and the Bad Seeds

Prediction:

Song of the Lake by Nick Cave and the Bad Seeds

Non-Nominee Who Deserves to Win:

Sun Girl by Julia Holter

Explanation:

It’s not my favorite song on the album, but Nick Cave’s vocals are gut wrenching on “Song of the Lake”. In addition, Nick and his gang of seeds are an old, celebrated act, so I can see them getting the award. St. Vincent could also win because The Grammys want to seem young and hip, and I’d be fine with that.

Best Alternative Music Album

Hope: Wild God by Nick Cave and the Bad  Seeds

Prediction:

Wild God by Nick Cave and the Bad Seeds

Non-Nominees Who Deserve to Win:

Lives Outgrown by Beth Gibbons

Night Palace by Mount Eerie

Hotel La Rut by Joanna Wang

Explanation:

Nick Cave and the Bad Seeds put out one of their most personal and moving albums, they deserve it. In addition, they’re an old, celebrated act, so I can see them getting the award. I’d also be fine if St. Vincent or Clairo got the win.

Unfortunately, I’m not very well versed in current R&B, so I’m skipping the R&B nominees, as I haven’t listened to any of them. Sorry. Eh, you probably don’t care.

Best Rap Performance

Hope:

Not Like Us by Kendrick Lamar

Prediction:

Not Like Us by Kendrick Lamar

Explanation:

Kendrick gave a very funny, very high energy performance on the track, and the song became of the biggest moments of the year.

Best Melodic Rap Performance

Hope:

3:AM by Rapsody and Eryka Badu

Prediction:

We Still Don’t Trust You

Explanation:

Unfortunately, I don’t think that “3:AM” is the most famous song, and my evidence for this is that I didn’t listen to it until today. “We Still Don’t Trust You” was fairly big, if I recall, so my money’s on it, even if I find the performances on “3:AM” to be very pretty and full of personality.

Best Rap Song

Hope:

Not Like Us

Prediction:

Not Like Us

Explanation:

“Trynna hit a chord and it’s probably A MINOOOOOOR” has been stuck in my head for the last four or so months.

Best Rap Album

Hope:

The Auditorium, Vol. 1 by Common and Pete Rock

Prediction:

The Death of Slim Shady by Eminem

Explanation:

Giving Eminem the award is the exact kind of square move The Grammys would pull off. I hope they prove me wrong.

I’m skipping the poetry one, because I haven’t listened to any of them.

It is the same with the country and blues nominees.

Best Folk Album

Hope:

Bright Future by Adrianne Lenker

Prediction:

Bright Future Adrianne Lenker

Nominees Who Deserve to Win:

Seed of a Seed by Haley Heynderickx

Patterns in Repeat by Laura Marling

Explanation:

Adrianne Lenker has contributed so much to folk in the last ten years, she deserves this. 

Best Score Soundtrack For Visual Media

Hope: 

Dune, Part 2 by Hans Zimmer

Prediction:

Challengers by Trent Reznor and Atticus Ross

Explanation: Yeah, it’s 50% the score to the first film, but I don’t care! Listen to that “aaaAAAAAAaaa”. 

Best Alternative Jazz Album

Hope:

Night Reign by Arooj Aftab

Prediction:

Night Reign by Arooj Aftab

Nominee Who Deserves to Win:

Fearless Movement by Kamasi Washington

Explanation: Andre 3000 has more name recognition, but the people selecting the winner are probably jazz heads who don’t care about recognition.

Best Global Music Performance

Hope:

Raat ki Rani by Arooj Aftab

Prediction:

A Rock Somewhere by Jacob Collier

Nominee Who Deserves to Win:

Imouhar by Mdou Moctar

Explanation: The Grammys seem to really like Jacob. 

Best Engineered Album/ Non Classical

Hope: 

i/o

Prediction: 

i/o

Nominee Who Deserves to Win:

Something In The Room She Moves

Explanation: i/o is a Peter Gabriel album produced by Brian Eno, and while neither engineered the album, it’ll rub off

[londranotizie24]

Scarlato e Bonci, a Montepulciano il concerto per organo e coro unisce Italia e Uk

Di Pietro Nigro Al 49° Cantiere internazionale d'Arte in Valdichiana Sense, Il compositore Dimitri Scarlato e l'organsta Riccardo Bonci in un concerto per organo accompagnato dal Selwyn College Choir (direttrice Sarah MacDonald) per “O Nata Lux”, omaggio alla musica corale ispirata alla “Luce” dal Rinascimento ai nostri giorni. Scarlato e Bonci a Montepulciano, un concerto per organo italiano e coro britannico ispirato alla Luce Fino al 28 luglio il 49° Cantiere Internazionale d’Arte, festival musicale che si svolge in Valdichiana Senese, principalmente a Montepulciano, sotto la nuova direzione artistica di Mariangela Vacatello e la direzione musicale di Michele Gamba, vede la costruzione di nuovi network tra musicisti provenienti da ogni dove, allo scopo sia di esibirsi per regalare la chance di ascoltare dell’ottima musica, sia di creare nuove conoscenze, nuove collaborazioni, o di creare nuovi “accordi” su cui lavorare. Sempre, naturalmente, insieme. Ed è anche qui che, nuovamente, Italia e Regno Unito si incontrano per creare insieme qualcosa di nuovo, di estremamente creativo, e allo stesso tempo rinsaldare amicizie, musicali e non, senza tempo. E’ il caso del Maestro Dimitri Scarlato e del Maestro Riccardo Bonci. L’uno compositore, direttore d’orchestra, insegnante al Royal College of Music di Londra, autore di colonne sonore per cinema e tv, based in London; l’altro organista titolare della Cattedrale di Orvieto, studi musicali londinesi, che ha vissuto e lavorato nel settore musicale britannico per ben diciassette anni. E, adesso, dopo aver condiviso l’esperienza importante della Messa composta da Scarlato per la Cattedrale di Orvieto dello scorso Maggio, commissionata ed eseguita da Bonci, i due si sono ritrovati proprio al Cantiere Internazionale d’Arte, lo scorso 13 luglio, a Sinalunga, in Valdichiana Senese, presso la Chiesa Collegiata di San Martino per “O Nata Lux”, un omaggio alla musica corale ispirata alla “Luce” dal Rinascimento ai nostri giorni. Un concerto per organo eseguito dal Maestro Bonci, accompagnato dal Selwyn Colleg e Choir, direttrice Sarah MacDonald.   Ci siamo fatti raccontare alcuni aspetti peculiari di questa esperienza proprio da loro due: Dimitri Scarlato e Riccardo Bonci. “Sinalunga – ci spiega Scarlato – è un paesino molto carino dove c’è una chiesa (la Collegiata di San Martino, n.d.r.) con un organo particolare, tipo italiano, ottocentesco, tradizionale, singola tastiera e piccola pedaliera, strumento importante, abbastanza grande, concepito e costruito per fare musica di stampo operistico, che andava tanto in quel periodo”. “Diversi compositori operistici dello stile di Donizetti e Bellini, Puccini, scrivevano musica per questo tipo di strumento”, spiega Bonci, che si è trovato quindi a suonare uno strumento raro e particolare, di una valenza storico-musicale davvero unica. “Per questo concerto – prosegue Scarlato - mi è stato commissionato un brano per solo organo, particolare perché a differenza della Messa nella Cattedrale di Orvieto che dava tantissime possibilità qui ci sono state limitazioni dettate dallo strumento, quindi è stato interessante creare qualcosa di un po' più contemporaneo, rispetto alla Messa che ha anche una funzione sociale, essendo cantata dai fedeli. In questo caso si è potuto spingere con una musica un po' più di ricerca, il brano si chiama ‘Ricercare’, in una forma molto comune nella tradizione organistica, dal Rinascimento in poi. Una forma che si basa sull’imitazione, ovvero c’è una frase musicale che poi viene imitata e sviluppata, senza essere troppo legata al concetto stesso di imitazione”. Bonci ha poi spiegato la scaletta della serata, basata su un’alternanza equilibrata “Tre-quattro brani col coro, tre-quattro brani con l’organo. Quest’anno poi cade il centenario della morte del compositore Giacomo Puccini, quindi a parte il brano di Dimitri il mio programma prevede tutto Puccini. Sono state ritrovate sue composizioni per organo, questo è un tipo di strumento che per quel repertorio va benissimo”. Oltre all’omaggio a Puccini e alla prima assoluta del brano di Scarlato, la serata si è snodata attraverso musiche di Thomas Tallis, Cecilia McDowall, Giovanni Pierluigi da Palestrina, Alexander Campkin, Robert White, John Rutter, Kerry Andrew, Eric Withacre, Tomas Luis da Victoria, Lucy Walker. ... Continua a leggere su

[slackville-records]

Behind The Music

Laura Nyro

She was not only an engaging performing, her songs were covered by everyone from Barbra Streisand to Three Dog Night

Writer and Music Historian John Einarson remembers the great singer & songwriter Laura Nyro on her birthday!

Born on this date, October 18, 1947, Laura Nyro (born Laura Nigro in the Bronx, NY), singer songwriter. She achieved critical acclaim with her own recordings, particularly the albums Eli and the Thirteenth Confession (1968) and New York Tendaberry (1969), and had commercial success with artists such as Barbra Streisand and The 5th Dimension recording her songs. Her style was a hybrid of Brill Building-style New York pop, jazz, rhythm and blues, show tunes, rock, and soul. Between 1968 and 1970, a number of artists had hits with her songs: The 5th Dimension with "Blowing Away", "Wedding Bell Blues", "Stoned Soul Picnic", "Sweet Blindness", and "Save the Country"; Blood, Sweat & Tears and Peter, Paul and Mary, with "And When I Die"; Three Dog Night and Maynard Ferguson, with "Eli's Comin' "; and Barbra Streisand with "Stoney End", "Time and Love", and "Hands off the Man (Flim Flam Man)".

Nyro's best-selling single was her recording of Carole King and Gerry Goffin's "Up on the Roof". For a time in the latter 60s her career was managed by a young David Geffen (photo below) who set up a publishing company for Nyro's songs and got her signed to Columbia Records after Nyro auditioned for Clive Davis in her apartment.

In late 1996, Nyro, like her mother before her, was diagnosed with ovarian cancer. After the diagnosis, Columbia Records prepared a double-disc CD retrospective of material from her years at the label. The company involved Nyro herself, who selected the tracks and approved the final project. She lived to see the release of Stoned Soul Picnic: The Best of Laura Nyro (1997), and was reportedly pleased with the outcome. She died of ovarian cancer in Danbury, Connecticut, on April 8, 1997, at 49.

Nyro's influence on popular musicians has also been acknowledged by such artists as Joni Mitchell, Carole King, Tori Amos, Patti Smith, Kate Bush, Janis Ian, Diamanda Galas, Bette Midler, Rickie Lee Jones, Elton John, Jackson Browne with whom she had a romantic relationship in the late '60s, Alice Cooper, Elvis Costello, Cyndi Lauper, Todd Rundgren, Steely Dan, Melissa Manchester, Lisa Germano, and Rosanne Cash. Todd Rundgren stated that once he heard her, he "stopped writing songs like The Who and started writing songs like Laura." Cyndi Lauper acknowledged that her rendition of the song "Walk On By", on her Grammy Award-nominated 2003 cover album At Last, was inspired by Nyro. Elton John and Elvis Costello discussed Nyro's influence on both of them during the premiere episode of Costello's interview show Spectacle. When asked by the host if he could name three great performer/songwriters who have largely been ignored, he cited Nyro as one of his choices. Elton John also addressed Nyro's influence on his 1970 song "Burn Down the Mission", from Tumbleweed Connection, in particular. "I idolized her," he concluded. "The soul, the passion, just the out and out audacity of the way her rhythmic and melody changes came was like nothing I've heard before."

A biography of Nyro, Soul Picnic: The Music and Passion of Laura Nyro, written by Michele Kort, was published in 2002 by Thomas Dunne Books/St. Martin's Press.

One of the finest singer/songwriters ever.

Photo Laura Nero Collection

[lamilanomagazine]

Verona: ‘Every brilliant thing’ con Filippo Nigro al Teatro Camploy

Verona: ‘Every brilliant thing’ con Filippo Nigro al Teatro Camploy. Every Brilliant Thing è un’opera teatrale dello scrittore britannico Duncan Macmillan scritta nel 2013 assieme a Jonny Donahoe, che ne è stato anche il primo interprete. La pièce - un’autobiografia brillante scandita da liste di “cose per cui vale la pena vivere” - è stata presentata in versione originale con grande successo al Festival di Edimburgo e al Barrow Street Theatre di New York e in tour internazionale, fra Inghilterra, Australia e Nuova Zelanda. Nel 2021 viene messo in scena in Italia, nella traduzione di Michele Panella con la regia a quattro mani di Fabrizio Arcuri e Filippo Nigro, anche attore protagonista dello spettacolo, per la coproduzione di CSS Teatro stabile di innovazione del FVG e Sardegna Teatro. Filippo Nigro, uno dei più interessanti attori del cinema e del teatro italiano, porta in scena un racconto di autofiction scandita da “liste di cose per cui vale la pena vivere”, nel tentativo di fornire alla madre un inventario di possibilità per cui valga la pena vivere. Una lista che si allunga con il tempo, dall’infanzia alla vita adulta, fino a enumerare un milione di valide ragioni. La lista che ne esce – e che il protagonista condivide con chi lo ascolta, con tono confidenziale, coinvolgente, intimo - è imprevedibile, emozionante e personalissima, fatta di episodi e aneddoti catturati al volo dal protagonista a margine di libri, scontrini e sottobicchieri del pub. Una storia raccontata con leggerezza e delicatezza che parla di un male sociale , la depressione, Every Brilliant Thing dà vita a un racconto/confessione umano e informale di momenti speciali, illuminazioni, piccole manie, incontri, emozioni e attimi indimenticabili, durante il quale mette sempre più a fuoco il rapporto con il padre, con il suo primo amore, il fallimento del suo matrimonio, la ricerca di aiuto nei momenti di difficoltà. ‘Una storia che parla di una cosa seria, un male sociale come la depressione – spiega Nigro, ma con umanità, delicatezza, leggerezza…’. Alla fine, la lista, più che alla madre, sarà stata utile a se stesso almeno a comprendere che “…se vivi tanto a lungo e arrivi alla fine dei tuoi giorni senza esserti mai sentito totalmente schiacciato, almeno una volta, dalla depressione, beh, allora vuol dire che non sei stato molto attento!”. Con la complicità di alcuni spettatori - chiamati a dare un piccolo contributo per far sì che i ricordi del passato prendano vita - e attraverso una scrittura dal ritmo sempre serrato e divertente, Every Brilliant Thing riesce a toccare con sensibilità e con una non superficiale leggerezza un tema delicato e complesso come la depressione. In questa personale versione, Every Brilliant Thing diventa una pièce partecipativa che costituisce per il pubblico innanzitutto un’esperienza. Grazie alla risposta degli spettatori, alla temperatura emotiva e alle reazioni che ogni sera si creano in teatro, lo spettacolo non è mai lo stesso. Di fatto, Filippo Nigro riscrive in scena il pezzo insieme agli spettatori che lo vorranno aiutare. In questa direzione Arcuri persegue la sua personale ricerca di costruzione di immaginari collettivi che affrontano sempre riflessioni sulla vita, sulla società in cui viviamo e sul senso del teatro. Questa sensibilità rende coinvolgente e brillante la regia che fa dell’interazione degli spettatori l’elemento destabilizzante e innovativo ad ogni replica.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[letteratitudine]

✨Ecco il quinto gruppo dei titoli proposti dagli Amici della domenica per la LXXVII edizione del Premio Strega:

▪ Piero Balzoni, «Vita degli anfibi» (Alter Ego), presentato da Paolo Di Paolo.

▪ Maura Chiulli, «Ho amato anche la terra» (Hacca), presentato da Raffaele Nigro.

▪ Marianna Crasto, «Il senso della fine» (effequ), presentato da Laura Pugno.

▪ Elisa Fuksas, «Non fiori ma opere di bene» (Marsilio), presentato da Francesco Rutelli.

▪ Camilla Ghiotto, «Tempesta» (Salani), presentato da Alberto Galla.

▪ Michele Greco, «In buone mani» (Scalpendi), presentato da Luca De Gennaro.

▪ Sandro Gros-Pietro, «Totocælo» (Genesi), presentato da Corrado Calabrò.

▪ Francesca Guercio, «Distopia pop» (Alessandro Polidoro Editore), presentato da Angelo Piero Cappello.

▪ Laura Imai Messina, «L’isola dei battiti del cuore» (Piemme), presentato da Antonio Pascale.

▪ Vincenzo Latronico, «Le perfezioni» (Bompiani), presentato da Simonetta Sciandivasci.

▪ Laura Marzi, «La materia alternativa» (Mondadori), presentato da Veronica Raimo.

▪ Elena Mearini, «Corpo a corpo» (Arkadia), presentato da Ilaria Catastini.

#PremioStrega2023

[chzblocnotes]

28.09.2019 | Exposition Le Mobilier d’architectes à la Cité de l’architecture et du patrimoine. Illustré de cette photo, le cartel de ce drôle de bison dit : 

Michele De Lucchi (1951), avec Philippe Nigro (1975)

Bisonte, collection Fuori dal Mondo,

Production privée, 2005

Bouleau

Faisant aussi office de cintre, le tabouret se mue en totem quand plusieurs exemplaires sont superposés. Mais, pour Michele De Lucchi, « ce qui compte vraiment, c’est le jeu de “ l’évocation”, la sympathie immédiate suscitée par cet animal ».

[dailyoliviarodrigo]

oliviarodrigo: my first album SOUR is out everywhere now. every song is so personal and close to my heart. getting to share them with people is the most special thing I’ve ever done in my life. thank u to everyone who made this album happen. thank you to my manager, Kristen Smith, for believing in me and supporting me with absolutely everything in her. thank you to Christiana Divona, Marissa Ramirez, Kirsten Stubbs and Michelle An for bringing SOUR to life visually and being the most caring ppl in the world. thank you to Matt Morris, Emerson Redd, John Janick, and Sam Ribak at interscope for being so supportive and tender with my vision. thank you to Casey Smith for writing jealousy, jealousy with me and Alexander 23 for coproducing good 4 u. lastly thank you to Dan Nigro for making this entire body of work with me in his garage lol. his undeniable talent and undying belief in me has forever changed me as an artist and a person. whatever happens with the album I’m just so grateful I got to work with all these incredible people. And I’m so lucky songwriting and music exists. I hope you guys enjoy the 34 minutes and 46 seconds of me spilling my guts out that is called sour. thank you for helping me turn all my unhappy feelings into one of the best moments of my life💜💜💜

[emanuele-marcuccio]

È davvero importante ricordare "il primo fuoco d'ispirazione" per la scrittura di una poesia?

Penso che per un poeta non sia necessario ricordare l’occasione di scrittura, “il primo fuoco d’ispirazione” (come mi piace chiamarlo) per la scrittura di ogni singola poesia; sono convinto che la poesia sia scrittura di ricapitolazione citando un mio aforisma, uno dei tanti che ho scritto e che hanno per tema la poesia. Io stesso non ricordo l’occasione di scrittura di ogni singola poesia che ho…

[michelenigrowordpresscom]

"Elegia del confino" su Navuss

Ripropongo anche qui la nota di stampa preparata dal mio editore Massimo Ridolfi (Letterature Indipendenti) per Navuss in occasione dell’uscita di “Elegia del confino”… PER LEGGERE “ELEGIA DEL CONFINO”: qui! EDITORIA: LETTERATURE INDIPENDENTI – CORALE DI VOCI ALTRE – MICHELE NIGRO – ELEGIA DEL CONFINO Letterature Indipendenti, il progetto editoriale dello studioso teramano Massimo Ridolfi, apre…

[oliviarodrigoupdates]

oliviarodrigo my tlrst album SOUR is out everywhere now. every song is so personal and close to my heart. getting to share them with people is the most special thing I've ever done in my life. thank u to everyone who made this album happen. thank you to my manager, Kristen Smith, for believing in me and supporting me with absolutely everything in her. thank you to Christiana Divona, Marissa Ramirez, Kirsten Stubbs and Michelle An for bringing SOUR to life visually and being the most caring ppl in the world. thank you to Matt Morris, Emerson Redd, John Janick, and Sam Ribak at interscope for being so supportive and tender with my vision. thank you to Casey Smith for writing jealousy, jealousy with me and Alexander 23 for coproducing good 4 u. lastly thank you to Dan Nigro for making this entire body of work with me in his garage lol. his undeniable talent and undying belief in me has forever changed me as an artist and a person. whatever happens with the album I’m just so grateful I got to work with all these incredible people. And I’m so lucky songwriting and music exists. I hope you guys enjoy the 34 minutes and 46 seconds of me spilling my guts out that is called sour. thank you for helping me turn all my unhappy feelings into one of the best moments of my life💜💜💜

[bmars-news]

2022 GRAMMYs Awards Show: Nominations List

The 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, has been rescheduled to Sunday, April 3, at the MGM Grand Garden Arena in Las Vegas.

The 2022 GRAMMYs Awards show, officially known as the 64th GRAMMY Awards, is just around the corner. Today, the Recording Academy announced the nominations for each of the 86 categories.

(The 64th GRAMMY Awards recognize recordings released between Sept. 1, 2020 — Sept. 30, 2021.)

The Recording Academy will present the 2022 GRAMMY Awards show on Sunday, April 3, on the CBS Television Network and stream live and on demand on Paramount+ from 8–11:30 p.m. ET / 5–8:30 p.m. PT. Prior to the telecast, the GRAMMY Awards Premiere Ceremony will be streamed live on GRAMMY.com and the Recording Academy's YouTube channel. Additional details about the dates and locations of other official GRAMMY Week events, including the GRAMMY Awards Premiere Ceremony, MusiCares' Person of the Year, and the Pre-GRAMMY Gala, will be announced soon.

GENERAL FIELD

1. Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

I Still Have Faith In You ABBA Benny Andersson & Björn Ulvaeus, producers; Benny Andersson & Bernard Löhr, engineers/mixers; Björn Engelmann, mastering engineer

Freedom Jon Batiste Jon Batiste, DJ Khalil, Kizzo & Autumn Rowe, producers; Russ Elevado, Kizzo & Manny Marroquin, engineers/mixers; Michelle Mancini, mastering engineer

I Get A Kick Out Of You Tony Bennett & Lady Gaga Dae Bennett, producer; Dae Bennett & Josh Coleman, engineers/mixers; Greg Calbi & Steve Fallone, mastering engineers

Peaches Justin Bieber Featuring Daniel Caesar & Giveon Louis Bell, Josh Gudwin, HARV, Shndo & Andrew Watt, producers; Josh Gudwin & Andrew Watt, engineers/mixers; Colin Leonard, mastering engineer

Right On Time Brandi Carlile Dave Cobb & Shooter Jennings, producers; Brandon Bell & Tom Elmhirst, engineers/mixers; Pete Lyman, mastering engineer

Kiss Me More Doja Cat Featuring SZA Rogét Chahayed, tizhimself & Yeti Beats, producers; Rob Bisel, Serban Ghenea, Rian Lewis & Joe Visciano, engineers/mixers; Mike Bozzi, mastering engineer

Happier Than Ever Billie Eilish FINNEAS, producer; Billie Eilish, FINNEAS & Rob Kinelski, engineers/mixers; Dave Kutch, mastering engineer

Montero (Call Me By Your Name) Lil Nas X Omer Fedi, Roy Lenzo & Take A Daytrip, producers; Denzel Baptiste, Serban Ghenea, John Hanes & Roy Lenzo, engineers/mixers; Chris Gehringer, mastering engineer

drivers license Olivia Rodrigo Daniel Nigro, producer; Mitch McCarthy & Daniel Nigro, engineers/mixers; Randy Merrill, mastering engineer

Leave The Door Open Silk Sonic Dernst "D'Mile" Emile II & Bruno Mars, producers; Serban Ghenea, John Hanes & Charles Moniz, engineers/mixers; Randy Merrill, mastering engineer

2. Song Of The Year A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Bad Habits Fred Gibson, Johnny McDaid & Ed Sheeran, songwriters (Ed Sheeran)

A Beautiful Noise Ruby Amanfu, Brandi Carlile, Brandy Clark, Alicia Keys, Hillary Lindsey, Lori McKenna, Linda Perry & Hailey Whitters, songwriters (Alicia Keys & Brandi Carlile)

drivers license Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)

Fight For You Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)

Happier Than Ever Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)

Kiss Me More Rogét Chahayed, Amala Zandile Dlamini, Lukasz Gottwald, Carter Lang, Gerard A. Powell II, Solána Rowe & David Sprecher, songwriters (Doja Cat Featuring SZA)

Leave The Door Open Brandon Anderson, Christopher Brody Brown, Dernst Emile II & Bruno Mars, songwriters (Silk Sonic)

Montero (Call Me By Your Name) Denzel Baptiste, David Biral, Omer Fedi, Montero Hill & Roy Lenzo, songwriters (Lil Nas X)

Peaches Louis Bell, Justin Bieber, Giveon Dezmann Evans, Bernard Harvey, Felisha "Fury" King, Matthew Sean Leon, Luis Manuel Martinez Jr., Aaron Simmonds, Ashton Simmonds, Andrew Wotman & Keavan Yazdani, songwriters (Justin Bieber Featuring Daniel Caesar & Giveon)

Right On Time Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)

R&B

3. Best R&B Performance For new vocal or instrumental R&B recordings.

Lost You Snoh Aalegra

Peaches Justin Bieber Featuring Daniel Caesar & Giveon

Damage H.E.R.

Leave The Door Open Silk Sonic

Pick Up Your Feelings Jazmine Sullivan

4. Best R&B Song A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Damage Anthony Clemons Jr., Jeff Gitelman, H.E.R., Carl McCormick & Tiara Thomas, songwriters (H.E.R.)

Good Days Jacob Collier, Carter Lang, Carlos Munoz, Solána Rowe & Christopher Ruelas, songwriters (SZA)

Heartbreak Anniversary Giveon Evans, Maneesh, Sevn Thomas & Varren Wade, songwriters (Giveon)

Leave The Door Open Brandon Anderson, Christopher Brody Brown, Dernst Emile II & Bruno Mars, songwriters (Silk Sonic)

Pick Up Your Feelings Denisia “Blue June” Andrews, Audra Mae Butts, Kyle Coleman, Brittany “Chi” Coney, Michael Holmes & Jazmine Sullivan, songwriters (Jazmine Sullivan)

source: grammy.com

[joanarmatradings]

1. Record Of The Year (General Field)

Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

I Still Have Faith In You

ABBA

Benny Andersson & Björn Ulvaeus, producers; Benny Andersson & Bernard Löhr, engineers/mixers; Björn Engelmann, mastering engineer

Freedom

Jon Batiste

Jon Batiste, DJ Khalil, Kizzo & Autumn Rowe, producers; Russ Elevado, Kizzo & Manny Marroquin, engineers/mixers; Michelle Mancini, mastering engineer

I Get A Kick Out Of You

Tony Bennett & Lady Gaga

Dae Bennett, producer; Dae Bennett & Josh Coleman, engineers/mixers; Greg Calbi & Steve Fallone, mastering engineers

Peaches

Justin Bieber Featuring Daniel Caesar & Giveon

Louis Bell, Josh Gudwin, HARV, Shndo & Andrew Watt, producers; Josh Gudwin & Andrew Watt, engineers/mixers; Colin Leonard, mastering engineer

Right On Time

Brandi Carlile

Dave Cobb & Shooter Jennings, producers; Brandon Bell & Tom Elmhirst, engineers/mixers; Pete Lyman, mastering engineer

Kiss Me More

Doja Cat Featuring SZA

Rogét Chahayed, tizhimself & Yeti Beats, producers; Rob Bisel, Serban Ghenea, Rian Lewis & Joe Visciano, engineers/mixers; Mike Bozzi, mastering engineer

Happier Than Ever

Billie Eilish

FINNEAS, producer; Billie Eilish, FINNEAS & Rob Kinelski, engineers/mixers; Dave Kutch, mastering engineer

Montero (Call Me By Your Name)

Lil Nas X

Omer Fedi, Roy Lenzo & Take A Daytrip, producers; Denzel Baptiste, Serban Ghenea, John Hanes & Roy Lenzo, engineers/mixers; Chris Gehringer, mastering engineer

drivers license

Olivia Rodrigo

Daniel Nigro, producer; Mitch McCarthy & Daniel Nigro, engineers/mixers; Randy Merrill, mastering engineer

Leave The Door Open

Silk Sonic

Dernst "D'Mile" Emile II & Bruno Mars, producers; Serban Ghenea, John Hanes & Charles Moniz, engineers/mixers; Randy Merrill, mastering engineer

[corpoemodaufc]

Vídeo-convite para atividades futuras. 

Vídeo para pesquisa e vídeo-encontro ou vídeo-resposta: https://www.youtube.com/watch?v=-gZUrm-1lng&t=5s (Você sabe o que é moda inclusiva?, de Tathiane Vargas) 

 Referências para pesquisa (estão no SIGAA, aula 12): 

CLIMACO_Julia. Corpo, feminismo e deficiência. In: NIGRO, Claudia; CHATAGNIER, Juliane; LARANJA, Michele. (orgs.) Corpos que (se) importam: Refletindo questões de gênero na literatura e em outros saberes. Campinas, SP: Pontes Editores, 2018. 

 CARLI, Ana Mery; CONTE, Adriana. "Inclusão: uma faceta da fraternidade". In: 10o Concurso Internacional Moda Inclusiva organizado por Daniela Auler, Gabriela Sanches. - Barueri, SP: Estação das Letras e Cores, 2018. 

 Ferramenta para gravação de vídeos: loom.com/